‎Golf‎

‎[Damascus - Venetian taxes].‎

‎Document on vellum. Venice, 22 Feb. / 5 March 1488.‎

‎Italian manuscript on vellum (445 x 160 mm). Written space ca. 270 x 140 mm. In a fine cursive handwriting by two hands. Written by a notary public of the Much Serene Republic of Venice: a statement of debt for 3,300 ducats owed to the main commissioner of Venice by the gentleman Francesco Marcello, for the collection of custom taxes in Damascus. The creditor renounces all other claims, and the debt is to be paid in annual instalments of 300 ducats, beginning the year following the drafting of this document, but after a deposit has been paid the following month: "Parendo debitor ser Thadio Polo del Cothimo de Damasco et general de la soria de certa suma de denari, de i qual ser Francesco Marcello se ne chiama piezo: et per i magnifici siori de le raxon vechie el fo sententiando volontarie in ducati tremillia et trexento per parte. Et perchè per le grande sue adversità come publicamente ognuno intende, non è possibele che senza qualche axeveleza el possi pagar et essendo visto et cognossudo questo per li comessi del dicto Cothimo, misier Francesco Falier, misser Zuan Bembo et misser Benedeto Sanudo, azoché scorando el tempo senza qualche conclusion de haverse con qualche habilità a pagar per nome del dicto Cothimo sono venuti a questa ultima conclusion et acordo chel dicto ser Francesco se chiama come piezo debitor per resto de tute raxon de Cothimo, et de le uxure seguide computando la sententia tolta ut supra de ducati tremillia et trexento da esser pagadi per el dicto ser Francesco ducati trexento alanno et sia obligato dar bona et sufficiente piezarìa over caution de paga in paga. Et comenza el tempo anno uno da poi concluso tal acordo: et die mexe uno da poi tal acordo dar dicta piezarìa over caution, et cussi de paga in paga fin integra satisfatction havendoli isoproducti per nome del Cothimo a pregar Carta de Segurtà de non li haver ni poder altro domandar [...]". Immediately underneath this statement is a confirmation by the Damascus consul, ser Giovanni Mocenigo, of the obligation to pay the sum of 3,300 ducats in 11 annual instalments, by the Venetian gentleman Francesco Marcello and his son. - A remarkable early Renaissance document concerning a legal agreement set up by the three commissioners of the council of the Venetian court known as "Quarantia Civil Vecchia", commissioned to oversee the correct collection of the customs tax which was to be paid by merchants on goods imported from or exported to Egypt and Syria. - Perfectly preserved.‎

‎[Description de l'Égypte].‎

‎Description de l'Egypte, ou recueil des observations et des recherches, qui ont été faites en Égypte pendant l'expédition de l'armée Française. Paris, C. L. F. Panckoucke, 1820-1829.‎

‎A total of 36 vols.: 26 text vols. (4to) and 10 atlas vols. (elephant folio). With coloured frontispiece and 899 engraved plates and maps, many double-page-sized and folded. Slightly later English half calf, professionally repaired in places. Second edition of this monumental work (the first was published from 1809 onwards), the first comprehensive description of ancient and modern Egypt. Commissioned by Napoleon during his Egyptian campaign between 1798 and 1801, this encompassing historical, archaeological, art-historical, and natural-historical account of the country was realised through the efforts of the Institut d'Egypte in Cairo. Its influence was enormous, establishing Egyptology as an intellectual discipline and nurturing a passion for Egyptian art throughout the Western world. Edited by some of the leading intellectual figures in France, the Description also includes contributions from celebrated artists such as Jacques Barraband, Pierre-Joseph Redouté, Geoffrey Saint-Hilaire, Jules-César Savigny and others. More than 150 scholars and scientists and some 2000 artists, designers and engravers were involved in its preparation. The success of the publication was such that work on the second edition (known as the "Pancoucke edition") began before the first was completed. The text was expanded into a greater number of volumes, now printed in a smaller format; new pulls were taken from the plates, and these were bound with many of the large-format plates folded into the new, reduced dimensions. - A splendid, clean copy, complete with all the plates. An incomplete copy of the second edition of the Description de l'Egypte sold at Sotheby's for £68,750 in 2016. Blackmer 526. Gay 1999. Brunet II, 617. Graesse II, 366. Cf. Monglond VIII, 268-343 (for the first edition). Nissen, BBI 2234. Nissen, ZBI 4608. Heritage Library, Islamic Treasures, s. v. "Art" (illustration).‎

‎[Dhahran].‎

‎Autograph Christmas card and autograph birthday card. Dhahran, no date.‎

‎(Oblong) 8vo. 2 folding billets. With 2 autograph envelopes. To Mrs. Honeycutt in Tulsa, Oklahoma, signed by Velma, Tommy and Pam. A birthday card with good wishes: "Sorry you are not well. Hope you will feel better soon. I sent a check [...]". - With illustrations featuring a camel caravan and a flower bouquet. Margins slightly creased.‎

‎[Dow, Alexander / Bergier, Claude François (transl.)].‎

‎Dissertation sur les moeurs, les usages, le langage, la religion et la philosophie des Hindous, suivie d'une exposition generale et succincte du Gouvernement & de l'etat actuel de l'Hindostan. Paris, Noel-Jacques Pissot, 1769.‎

‎8vo. XXIV, 213, (1) pp. With 2 folding engraved plates. Contemporary full mottled calf with giltstamped red morocco label to prettily gilt spine. Marbled endpapers. All edges red. First edition thus. Very rare French translation of two essays by the Scottish-born East India Company officer and orientalist Alexander Dow (1735-79), first published within his "History of Hindostan, translated from the Persian of Ferishta" (1768). The present edition omits the text of the world history of Firishta that Dow had presented in his book, giving only his "dissertation concerning the religion and philosophy of the Brahmins" as well as an outline of the then-current state of India, partly taken from Dow's preface. Contains two folding plates, engraved by P. L. Charpentier, showing the Sanskrit alphabet and the metre employed in the Vedas. Re-issued in 1780. - Early 19th century bookseller label of A. Claudin, Paris, pasted head-over-heels to lower pastedown. Binding very attractively preserved. Excepting the Sir Thomas Phillipps copy, sold at Sotheby's in 1977, this is the second copy known in trade records. Lanson III, 8161. OCLC 34570575.‎

‎[Du Bois-Ayme, Jean Marie Joseph].‎

‎Mémoire sur les tribus Arabes des déserts de l'Égypte et les tribus Israélites qui ont occupé autrefois les mêmes déserts. [Foligno, Feliciano Campitelli], 1810.‎

‎8vo. 126 pp. Contemporary half calf over marbled boards with giltstamped spine and blue morocco spine label. All edges marbled. Early account on the tribes of Egypt. A rare offprint from the "Déscription de l'Égypte", a compilation of the scientific results of Napoleon's Egyptian expedition published in 1809. The present work describes the main Bedouin tribes living in Egypt, including Tarabin, Néfahat, Ayaidi, Hannadi, Mahazi and Beni-Wassel. Also, it makes some observations on the noble Arabian horse, which is considered "more scarce in the deserts of Egypt than in those of the Hejaz and Syria". Prepared by Du Bois-Aymé (1779-1846), one of the leading scientists accompanying the expedition. - Rare variant edition (probably the first) with a slightly different title, also omitting the author's as well as the publisher's name from the title-page. Corners slightly bumped. Paper occasionally browned; light brownstaining near the end. Still a good copy. OCLC 742830325. Cf. Gay 2011; Ibrahim-Hilmy I, 194.‎

‎[Dubai and Sharjah].‎

‎Collection of six original photographs. Dubai and Sharjah, early 1940s.‎

‎6 black and white photographs. 70 x 95 and 60 x 83 mm. Framed and glazed as a set. The photos depict images of boats and coastal life in and around Dubai's harbour, two women wearing abayas with hijabs and niqabs, walking in a desert plain of Sharjah, as well as desert dwellings and ports and boardwalks in Sharjah. This collection gives us a glimpse of the Dubai and Sharjah before the construction boom that started in the 1970s. Overall an intriguing collection in very good condition, capturing the coastal and desert life of a bygone era.‎

‎[Dubai].‎

‎1960s postcard of Dubai. Dubai, C. Green, [ca. 1960s].‎

‎Colour print, 138 x 90 mm. "Dhow Builders" in "Dubai, Trucial States". - Well preserved commercial image of Dubai shortly before the oil era and its development into what is today the largest city in the United Arab Emirates.‎

‎[Décade égyptienne].‎

‎La Décade égyptienne. Journal littéraire et d'économie politique. Cairo, de l'imprimerie nationale, an VII-VIII [1798-1801].‎

‎Small 4to. 3 vols. (2), 300 pp. (2), 300 pp. 316 pp. Near-contemporary half calf over green papered boards with gilt spines. Extremely rare, entirely complete run of this journal, praised by Guérmard as a "truly scientific review" and hailed by Glass and Roper as the first periodical published in the "Arab world". The 916 pages of these various issues appeared between 1798 and 21 March 1801: first every 10 days, then monthly for the second volume, and quarterly for the third. - The journal has great interest for marking the beginning of printing in Egypt: "The expedition of Napoleon Bonaparte to Egypt from 1798 until 1801 was a prelude to modernity. It was to change permanently the traditional Arab world [...] The French brought Arabic typography to Egypt [...] For, leaving aside the Hebrew printing presses in Egypt of the 16th to the 18th centuries, until this date announcements and news adressed to Arabs there, as well as in other parts of the Arab-Islamic world, had been spread only in hand-writing or orally, by criers, preachers or storytellers [...] The periodical [...] 'La Décade Egyptienne' [was one of] the first press productions of Egypt" (D. Glass and G. Roper, cf. below). - The journal took its name from the "Décade philosophique", the publication of the Institut National's Section des Sciences morales et politiques, and contains "soit le texte intégral, soit le texte intégral, soit des extraits d'un grand nombre de mémoires ou rapports présentés au premier Institut d'Égypte par des membres de l'expédition, faisant pour la plupart partie de la Commission des sciences et arts. On y trouve également des observations faites par des médicins placés sous les ordres de Desgenettes. Celui-ci dirigea d'ailleurs la publication après le départ de Tallien" (de Meulenaere). At the time of the French capitulation, the first 24 pages of a fourth volume were in the press, but they were never distributed, and the only copy of these sheets remains in the Library of the Royal Museums of Art and History in Brussels (cf. ibid.). - First and last volume show traces of worming, occasionally touching the text, with additional brownstains in the lower corner of vol. 3 near the end. Bound in the mid-19th century for Gaillardot Bey, with his handwritten ownership "Ch. Gaillardot" on the half-title of the first volume. D. Charles Gaillardot (1814-83) served as one of the two vice-presidents of the Egyptian Institute in 1881. A professor of natural history at the National School of Medicine in Cairo founded by Antoine Clot Bey, for 20 years head physician at the military hospital and finally director of the Cairo medical school, he had created in the Egyptian capital a "Musée Bonaparte" of his personal collections, comprising books, engravings, weapons, and decorative items - keepsakes of the French Expedition to Egypt, today dispersed. Later in the collection of the writer André Maurois (1885-1967) with his engraved bookplate to pastedown. D. Glass/G. Roper, Arabic Book and Newspaper Printing in the Arab World, in: Middle Eastern Languages and the Print Revolution (Gutenberg Museum Mainz 2002), pp. 177-216, at pp. 182 & 207 ("scientific magazine [... first periodical] of the 'Arab world'"). Maunier, Bibliogr. économique, juridique, et sociale de l'Égypte moderne, p. XXIV, no. 2. De Meulenaere, Bibliogr. raisonnée des témoignages de l'Expédition de l'Égypte, p. 57. Not in Blackmer or Atabey.‎

‎[East India Company].‎

‎Minutes of evidence taken before the select committee on the affairs of the East India Company and also an appendix and index. VI. Political or Foreign. London, for the House of Commons, 16 August 1832.‎

‎Folio (214 x 334 mm). X, 565, (3) pp. With 1 folding map. Modern half cloth. Includes the first publication of the treaties closed by the British with the Gulf sheikhdoms following General W. Grant Keir's raid on Ras al-Khaimah in 1819/20: the preliminary treaties with Hassan bin Rama (Ras al-Khaimah, 8 Jan. 1820); Sultan bin Sakr (9 Jan. 1820), Sheikh Kameya bin Mahomed bin Jabin al Moyeying, Sheikh of Kishmee, of Dubai (9 Jan. 1820), Sheikh Shakhbool bin Dhyab of Abu Dhabi (11 Jan. 1820), Hassan bin Ali, for Sharjah, Umm al-Quwain, Ajman, and Abu Dhabi (15 Jan. 1830). Also, Sketch of the Articles proposed to H.H. the Imaum of Muscat for the Prevention of the Foreign Slave Trade, in 1822. - Slight waterstaining near beginning, but well-preserved. Rare. OCLC 45474897.‎

‎[Education].‎

‎[The Gardens of Arabic Reading. Gardens Street]. Jerusalem, Holy Land Press, 1945.‎

‎8vo. 32 pp. Arabic text. Numerous small illustrations in blue ink. Original green pictorial wrappers, stapled. Later issue of Part I, Section I. A very attractive Arabic ABC, printed in Jerusalem, apparently a re-issue of the first booklet in an educational series titled "The Gardens of Arabic Reading". The title-page states it was developed by a French monk. - Extremities sunned, a little wear to spine around the staples, otherwise very good. Rare: this edition and part do not appear in LibraryHub or OCLC. Cf. OCLC 236006704 (Part 2-3, 1946, in the National Library of Israel)‎

‎[Egypt - British engineering].‎

‎Three Years in Cairo (1910-1913). Things Egyptian and otherwise. Cairo, 1910-1913.‎

‎Oblong small folio (238 x 320 mm). Photo album with 197 albumen prints, mounted between 3 and 6 per page on 49 cardboard leaves. Various sizes, typically 70 x 100 mm. Some larger small-format panoramas. Captioned in ink. Contemporary full cloth with handwritten title-label. An interesting album recording the construction of new British military barracks at Abbassia, Cairo, shortly before World War I. Compiled by James Frazer Annan (1887-1957), a British engineer working for the contractor Henry Lovatt Ltd. in Abbassia between 1910 and 1913. Some 40 photographs depict construction at its various stages, showing workers and equipment, including a concrete mixer, details of walling blocks, column caps and shells, scaffolding, and a consignment of cement, as well as a panoramic view of the construction site from July 1910. - Other images show memorable events including the coronation ceremonies for King George V in 1911, Lord Kitchener presenting prizes at a Rifle Meeting, and the Mahmal passing through Cairo during the annual pilgrimage to Mecca. City views of Cairo and Heliopolis, street scenes "in the Mousky district" and "among the Bazaars", the Eshekieh Gardens, the Pyramids, the Nile barrage and dam, tombs of the Khalifs and "typical Mosque tombs": A few more personal scenes such as Christmas dinner 1910 and a picture of baby "James junior" complete this appealing collection. - Occasional light spotting and duststaining. Provenance: Peter Johnstone, whose paternal grandmother, Elsie Amelia Johnstone, was housekeeper to James Frazer Annan. Peter Johnstone numbered the pages and loosely inserted an autograph description of the album, dated 13 May 1996.‎

‎[Egypt - Suez].‎

‎Égypte. Atlas annexé au mémoire sur la communication de la Mer Rouge à la Méditerranée. [Paris, l'Imprimerie Imperiale], 1802.‎

‎Folio (354 x 526 mm). (2) pp., 5 engraved folding maps and plans. In the publisher's original blue marbled wrappers. (Includes:) Le Père, [Jacques-Marie]. Mémoire sur la communication de la Mer des Indes à la Méditerranée, par la Mer Rouge et l'Isthme de Soueys. [Paris, l'Imprimerie Imperiale, 1809]. 21-186 pp. (With:) Bois-Aymé, [Aimé] du. Mémoire sur les anciennes limites de la Mer Rouge. 187-192 pp. Modern white boards with giltstamped black spine label. Folio (290 x 442 mm). The five-plate atlas to accompany the mémoire regarding the possibility of constructing a modern canal from the Mediterranean to the Red Sea via the Isthmus of Suez, which J.-M. Le Père, chief engineer of the Ponts et Chaussées, would submit to Napoleon in 1803. The plates include a hydrographical map of Lower Egypt and the Isthmus, a plan of the port of Suez, a plan and view of the "Fontaine de Moïse", a synoptic chart of the (supposed) various water levels along the Isthmus, and a plan of the city and ports of Alexandria. Even here, in their earliest publication, dated 1802 on the title page, the plates already bear the numbers under which they would be published in 1809 and 1817 within the monumental "Description de l'Égypte", bearing witness to the accuracy with which the editors had planned their famous work. Indeed, the commission to distil into a publication the enormous amount of data accumulated in Egypt by Napoleon's savants had only been established in February 1802, and the table of contents (on the reverse of the title page) specifies that "ces planches font partie du grand Atlas de l'ouvrage de la Commission d'Égypte, état moderne". - Le Père's mémoire itself was not published at all before it formed part of the "Description": a copy of this first publication, removed from part II: État Moderne, volume 1, is included with this set (it would be published independently, with the atlas, in 1815). - During the 1798 campaign in Egypt, Napoleon's officers had discovered remnants of the ancient "Canal of the Pharaohs", a west-east waterway built under Darius I of Persia that linked the Nile and the Red Sea. Napoleon contemplated the construction of a north-south canal to connect the Mediterranean with the Red Sea, and Le Père was commissioned to investigate the possibility of building such a canal. While the plan was abandoned because it wrongly concluded that the sea levels were different and the waterway would require locks, the report was important as a basis for Ferdinand de Lesseps' successful plans for the Suez Canal many decades later. - Occasional foxing to margins of plates, binding somewhat loosened in places, but in excellent condition altogether. Very rare. Ibrahim-Hilmy I, 374. OCLC 492528366. Gay 1999.‎

‎[Egypt and Sudan].‎

‎Collection of 30 photographs of Port Said, Cairo, and Southern Egypt. Egypt, c. 1890.‎

‎Albumen prints on cardboard, mostly captioned on the reverse. Measurements c. 265 x 220 to 285 x 225 mm. The photographs depict the harbour of Port Said (6), ships on the Suez canal (3) and a lithograph of the canal (1), the shady oases of Ismailia halfway to Suez (2), the streets and harbour of Suez (2), the pyramids of Gisa (with tree-lined avenue beside the railroad and with four natives on camels; 2) and 3 photos of the Gezireh Palace Hotel near Cairo and of the splendid hotel fountain. To these are added 11 pictures of natives in traditional dress: 2 images of Bisharin warriors from northern Sudan, six natives capturing a ten-foot Nile crocodile, a Bedouin next to a resting camel, a Nubian from Khartum, the portrait of a "professeur arabe" (in semi-profile), 4 images of fellah women (some with little children), as well as the portrait of a semi-nude café waitress. The photographs, many of which bear captions and the name of the studio, are principally taken by the Greek photographer Zangaki; others are issued by Arnoux, G. Massaoud, Schroeder & Cie. in Zurich, Lekegian & Co., etc. Some fading.‎

‎[Egypt].‎

‎Photograph album. Egypt (and Australia), 1895.‎

‎Large folio (470 x 350 mm). A total of 52 albumen prints (36 from Egypt, signed Zangaki brothers, all 215 x 275 mm, and 16 from Australia, mostly signed Hitch & Co., 150 x 200 mm), all mounted on cardboard, each with handwritten identifying captions in French, German, and English. Dark brown morocco binding gilt on upper cover with golden corner fleurons and gilt title "Februar - April 1895" (signed in lower left corner: "C. Keuth, relieur, Anvers"). Moirée endpapers. All edges gilt. A charming and sumptuously bound album commemorating a journey through Egypt in the spring of 1895. The photos include four views of Suez and the Canal, numerous impressive scenes of Cairo, its streets and palaces, with panoramic views, the Mosques of Muhammad Ali and of Sultan Hassan, the Citadel, the Tombs of the Caliphs, the Tombs of the Mamelukes, the road to the pyramids (with locals posing), the Sphinx and an ascent of the Great Pyramid, the statue of Ramses II at Saqqara and the Pyramid of Djoser, the Obelisk at Heliopolis, Pompay's Columns at Alexandria, etc. - The additional photos of Australia, dated February 1895, all show views from the Blue Mountains in New South Wales, including landscapes of the "Three Sisters", Nellie's Glen, Bride's Veil, and Negalong Gate, and interiors of the Jenolan Caves. - Some occasional fading, but generally in very good condition. The brothers Georgios and Constantinos Zangaki, originally hailing from Greece, set up their first studio in Port Said around 1870, and a second one in Cairo around 1895. After the inauguration of the Suez Canal in 1869, which opened Europe to Egypt and Eastern Asia, Egypt became a desirable destination for Western tourists. The brothers produced attractive images of Egypt for the growing market of European tourists, drawing on a familiar genre of orientalist scenes.‎

‎[Egyptology]. Al-Mathaf al-Misri.‎

‎Catalogue général des antiquités égyptiennes du Musée du Caire. Cairo & Vienna, Imprimerie de l'Institut Français & Adolf Holzhausen, 1901-1932.‎

‎4to. 20 volumes: 14 bound in original wrappers, 4 in half calf over marbled boards with giltstamped spine title, and 2 in half calf with giltstamped spine title. Illustrated throughout. Extensive set, comprising 20 of the first 32 issues of the still-published series that catalogues and describes in detail the treasures of the famous Egyptian Museum, which houses the world's largest collection of Pharaonic antiquities. - Printed in Cairo: W. E. Crum, Nos. 8001-8741 Coptic Monuments (1902); M. Quibell, Nos. 11001-1200 & 14001-14754 Archaic objects t. II (1904); M. Quibell. Nos. 11001-12000 & 14001-14754 Archaic objects t. I (1905); Gaillard & Daressy, Nos. 29501-29733 & 29751-29834 La faune momifiée (1905); Ahmed Bey Kamal, Nos. 23001-23246 Tables d'offrandes t. II (1906); C. C. Edgar, Nos. 33301-33506 Sculptors' studies (1906); Arthur E. P. Weigall, Nos. 31271-31670 Weights and Balances (1908); Ahmed Bey Kamal, Nos. 23001-23256 Tables d'offrandes t. I (1909); Georges Daressy, Nos. 61001-61044 Cercueils des cachettes royales (1909); Georges Bénédite, Nos. 44301-44638 Objets de toilette Iere partie peignes etc. (1911); Henri Gauthier, Nos. 41042-41048 Cercueils anthropoides, premier fascicule (1912); Henri Gauthier, Nos. 41048-41072 Cercueils anthropoides, second fascicule (1913); G. A. Reisner, Nos. 4798-4976 & 5034-5200 Models of ships and boats (1913); Charles T. Currelly, Nos. 63001-64906 Stone implements (1913); Henri Munier, Nos. 9201-9304 Manuscrits Coptes (1916); Charles Kuentz, Nos. 1308-1315 & 17001-17036 Obélisques (1932). - Printed in Vienna: W. von Bissing, Nos. 3426-3587 Metallgefäße (1901); W. von Bissing, Nos. 3618-4000, 18001-18037, 18600, 18603 Fayencegefässe (1902); Josef Strzygowski, Nos. 7001-7394 & 8742-9200 Koptische Kunst (1904); W. von Bissing, Tongefäße. 1. Teil: Bis zum Beginn des Alten Reiches (1913). - Some browning throughout as common. Wrappers rubbed but professionally repaired. Rare. ZDB-ID 441756-2.‎

‎[Falconry manuscript]. Khushal Khan Khatak.‎

‎Baz-nama [The Book of Falconry]. Central Asia / Afghanistan, [1689/90 CE =] 1101 H.‎

‎8vo (150 x 240 mm). Persian manuscript on paper. (4), 62 (misnumbered: 63, omitting fol. 19), 64 (misnumbered: 58, leaping back to 24 after 23 but lacking fols. 38-39) ff.; 64 (instead of 70) ff. (lacking fols. 25-30). 15 lines of black and occasional red ink script. Rebound in full red morocco using the original covers. A collective manuscript on falconry, including the famous "Baz-nama" of Khushal Khan, the Afghan national poet, copied in the area of Afghanistan within a year after the passing of the author. - This fine and early manuscript contains two separate treatises on falconry, the latter one being the "Book of Falconry" of Kushal Khan Katak, the father of Pashto literature, written in verse. The first English translation, prepared by Sami ur Rahman and dedicated to Sheikh Mohammed bin Rashid Al Maktoum, Ruler of Dubai, appeared in Islamabad as recently as 2014: "What makes Khushal's 'Baaz Nama' unique is its poetical form. Perhaps there is no other work in world literature that treats the subject matter in verse on the one hand and keeps its systematic exposition and professionalism intact on the other [...] Khushal's manual is pretty concise and cogent. There are no long-drawn and tedious accounts. The style and diction are extremely down-to-earth" (translator's note, p. xiv). - The present manuscript contains a colophon at the end stating that it was copied by Muhammad Khan in 1101 AH, within a year of the death of its author on 5 Jumada I, 1100 AH, and it may thus command a high degree of textual authority. A renowned Pakistani warrior, Khushal Khan Khatak (1613-89) long served the Mughal Empire, but when he was expelled from his tribal chiefdom, he turned against his Mughal lords, promoted Pashtun nationalism, and encouraged revolt against the Mughal Empire. His works, mostly written in Pashto, are considered the foundation of modern Afghan literature. - A few occasional stains and ink smudges; lacks six leaves according to foliation and catchword. The first treatise in this volume, by an unidentified author, is in two parts with an index after the first but apparently not complete, lacking the end of the second half, as well as two leaves. First leaf extensively remargined but without loss to text; a few old waqf stamps and occasional marginalia.‎

‎[Falconry].‎

‎Falconer and falcon. Vienna, [ca 1890].‎

‎Painting and embroidery on silk, 650 x 935 mm. Near-life-size embroidery of a lady falconer in green dress, her hat highlighted with gold sequins. A charming and skillfully executed work in the Viennese neo-classical style, obviously commissioned for the decoration of a so-called Hunter's Salon in an Austrian nobleman's castle.‎

‎[Falconry].‎

‎La Fauconnerie. 1-6. No place, [1954].‎

‎6 cards, 110:70 mm each. A complete set of six so-called "Liebigbilder" issued by the German producer of beef extracts, the Liebig Extract of Meat Co., showing falconry practises throughout the world and history: by Kublai Khan in the 13th century, in mediaeval Flanders, in 16th century Belgium, in 19th century Persia and 17th century Japan. - Very well preserved.‎

‎[Falconry]. - Bree, Charles Robert.‎

‎Levant Sparrow-Hawk. Young Male and Female. [London, George Bell and Sons, 1875].‎

‎Hand-coloured steel engraving. 247 x 150 mm. Plate from "A History of the Birds of Europe, Not Observed in the British Isles" by Charles Robert Bree, published by George Bell and Sons in 1875.‎

‎[Farasnama].‎

‎Farasnama [The Coloured Book of Horses]. Hippiatric manuscript. India, ca. 1800.‎

‎Tall 8vo (150 x 246 mm). Persian manuscript on sturdy cream paper. 254 (instead of 264) ff., 15 lines per extensum, paginated by later hands (lacking pp. 35-42 and 45-46; pp. 43-44 transposed after p. 30). Cursive nasta'liq calligraphy in black ink, catchwords in red. Illustrated with 56 (instead of 77) coloured horse drawings in the text (numbered in pencil by a later hand). Later illustrated binding with black leather spine and lacquered wooden boards with coloured floral designs. A late 18th century Indian manuscript copy of a celebrated treatise on horsemanship, the "Farasnama" ("The Coloured Book of Horses"). Constituting a Persian translation of the Sanskrit "Salihotra", its topics include horse-breeding, grazing, dressage, veterinary advice and horseracing. - The "Salihotra" is attributed to Durgarasi, son of Surgarasi, who is believed to have composed it for Mahmud Ghaznavi (d. 1030). A note on p. 2 of the present manuscript indicates that the text was translated from Sanskrit into Persian during the reign of Shah Jahan (d. 1666); other traditions give credit to 'Abdullah bin Safi, who was active under the earlier reign of Bahmanid ruler Ahmad Shah Wali (d. 1436). The present manuscript contains numerous coloured drawings of thoroughbred horses, along with observations on their salient traits, the illnesses to which they are prone, and prescriptions for their treatment. Their execution is an interesting illustration of the iconoclastic tendencies characterising painting under the later Mughal emperors. - Occasional slight traces of worming; some waterstaining to margins; some leaves remargined by an early owner. In spite of the loss of five leaves that would have contained an additional 21 horse illustrations, a fine manuscript in an attractive illustrated lacquer binding.‎

‎[FitzGerald, Edward (transl.)].‎

‎Rubáiyát of Omar Khayyám, the Astronomer-Poet of Persia. Rendered into English Verse. London, (John Childs & Son for) Bernard Quaritch, 1868.‎

‎8vo (206 x 162 mm). XVIII, 30 pp. Original printed paper wrappers. Housed in a full black morocco case with cloth chemise. Second edition of FitzGerald's translation, substantially expanded and revised. Omar Khayyám was a Persian mathematician, astronomer, philosopher, and poet, famous in his own country and time chiefly for his scientific achievements. He is known to English-speaking readers mostly due to FitzGerald's translations, which were quite free and liberal in their paraphrasing and would prove to be the "most popular verse translation into English ever made" (Decker, p. xiv). - Five hundred copies of the second edition were printed, with Quaritch selling each at a price of 1s. 6d.; when a copy re-appeared in their catalogue in 1929, it had already reached a price of £52 10s. (Potter, p. 12). Fitzgerald substantially revised the text of the Rubáiyát four times, with none of these five versions seen as truly definitive. The first edition had 75 quatrains, while the present second edition, which has 110 quatrains, is the longest of the five. - Some light foxing throughout. Some soiling and creasing to wrappers; contemporary ownership inscription, dated 1869, to upper cover. Potter 129.‎

‎[Frederick II].‎

‎Reliqua librorum Friderici II. Imperatoris De arte venandi cum avibus. Cum Manfredi Regis additionibus. Ex membranaceo codice camerarii primum edita. [Including:] Albertus Magnus. De falconibus asturibus et accipitribus quibus annotations addidit suas Jo. Gottl. Schneider […] Tomus I[-II] [title vol. II:] Ad reliqua librorum Friderici II et Alberti Magni capita Commentarii […]. Leipzig, heirs of Johann Georg Müller (colophons vol. I: J. G. I. Breitkopf; vol. II: Christoph Carl Klaubarth), 1788-1789.‎

‎4to. 2 vols. bound as one. With 6 engraved illustration plates (I-VI, including 1 oblong folio folding). XVIII, 198; [4], 228 pp. Early 19th century half calf. Important scholarly edition, the first (and only?) one to contain the extensive commentaries by Johann Gottlob Schneider (1750-1822). One of the most important mediaeval works on hawking, "still one of the best" (Harting), and an important ornithological and zoological work in general, written by the Holy Roman Emperor Frederick (Friedrich) II (1194-1250). Frederick developed an enthusiasm for falconry in Italy and brought experts back from the Middle East when he returned from the crusades in 1239. His treatise discusses the capture, care and feeding, training and use of hawks, as well as the equipment, and was largely responsible for the spread of Middle and Near Eastern falconry through Europe. Frederick's text was first printed in 1596, but the present edition is “preferable à cause des excellentes motes de Schneider” (Thiébaud). The six plates show anatomical drawings of birds of prey, including a skull and skeletons. “By far the greatest contribution to zoology was due, mirabile dictu, to the Emperor Frederick II. His treatise on falconry, De arte venandi cum avibus, was completed by 1248 […] It is an astounding work, taking into account the Greek and Arabic literature on the subject, but essentially based upon the author’s own observations and experiments, and upon the information elicited by himself from his Muslim advisers. It set forth a number of new anatomical facts […] and discussed bird migrations and the mechanical conditions of flight. Frederick even instituted experiments to determine how vultures were attracted to their prey […] I said that Frederick’s knowledge was partly derived from Muslim writings. Indeed an Arabic treatise was translated for him by his astrologer and secretary, Theodore of Antioch, and another in Persian was also known to him” (Sarton). It is followed (vol. I, pp. 175-198) by another celebrated 13th century treatise on falconry: Albertus Magnus’s "De falconibus asturibus et accipitribus". It was originally part of his "De animalibus", where it comprised more than half of the text. "De animalibus" was first printed in 1478 and this part was included in the 1596 first edition of "De arte venandi cum avibus". Volume II contains Schneider’s commentaries, with a six-page Latin-German glossary of technical terms, a 20-page review of the literature, and an index. - With a modern armorial bookplate of the Verne d’Orcet family (barry of 7, sable and argent) at Château du Veuillin in Apremontsur-Allier (Nivernais), whose great library on the subject of hunting was begun ca. 1900. Volume I and the second half of vol. II slightly browned with occasional foxing or spots, but otherwise in good condition. The binding is slightly scuffed, the hinges worn with some cracks, and the foot of the spine damaged, but the book block is structurally sound and the tooling on the spine is well preserved. The greatest early work on hawking and falconry, in its most thoroughly annotated edition. Ceresoli, Bibliografia caccia, 243. Harting 308, pp. 168f. Lindner 11.0643.02. Nissen, IVB 333. Sarton, Introduction to the history of science II, 516. Schwerdt I, 188. Sotheby’s (Marcel Jeanson coll.) 28 February-1 March 1987, lot 241. Souhart, cols. 197f. Thiébaud, col. 432. VD18, 80448100 & 80448119 = 12775835.‎

‎[French Intelligence on Bahrain].‎

‎Original typescript compiled by French Middle East intelligence. Probably Beirut or Damascus, 1936.‎

‎22 typewritten sheets (4to) in carbon duplicates, revised by hand, with two smaller hand-drawn coloured maps of the Arabian Gulf, showing Bahrain and Qatar with the "Pirate Coast". A closely typed report on Bahrain, written in the autumn of 1936, outlining the country's history, situation, population, government, economy, foreign relationships and influences. This is accompanied by two detailed coloured sketch maps of the Gulf, showing Bahrain off the coast of Qatar and the entire Gulf from Kuwait to Oman, with the British and American spheres of interest and the international air routes marked. - During the two years that followed the end of the Great War, the British held control of most of Ottoman Mesopotamia (now Iraq) and the southern part of Ottoman Syria (Palestine and Transjordan), while the French controlled the rest of Syria, Lebanon, and other portions of southeastern Turkey. In the early 1920s, British and French control of these territories became formalized by the League of Nations' mandate system, and in 1923 France was assigned the League of Nations mandate of Syria. It would last until 1943, when Syria and Lebanon emerged as independent countries. - Occasional insignificant edge flaws; rust stains from old paperclips. Holes punched along left edge. A rare survival.‎

‎[Garnmann-Horodisch, Alice:]‎

‎Lenno - [Aquarell]. -‎

‎1963. Blattmaß: 24 x 31 (quer),‎

‎Das Aquarell von Alice Horodisch Garnmann (1905 - 1984) zeigt einen Blick auf das Dorf Lenno mit der Kirche St. Stefano am Comer See. Das Blatt ist am unteren linken Blattrand in Bleistift betitelt, signiert und datiert. - Die gebürtige Berlinerin studierte an der Vereinigten Staatsschule für freie und angewandte Kunst bei Oskar Hermann Werner Hadank. Ihr ausgewiesenes Spezialgebiet war die Gestaltung von Exlibris. Mit ihrem Ehemann, dem Buchhändler und Verleger Abraham Horodisch, ging Garnmann nach der Machtergreifung der Nationalsozialisten zunächst nach Amsterdam, 1942 dann in die Schweiz ins Exil. Nach Kriegsende kehrte das Paar zurück nach Amsterdam, wo Garnmann u. a. sämtliche Drucksachen für das Unternehmen ihres Mannes gestaltete. - Das Blatt ist leicht angerändert. Auf der Rückseite Montagespuren. Sonst sehr schön komponiertes Blatt in harmonischer, dezenter Farbigkeit.‎

Référence libraire : 900318AG

‎[Garnmann-Horodisch, Alice:]‎

‎S Angelo/Ischia - [Aquarell]. -‎

‎1964. Blattmaß: 31 x 24 cm,‎

‎Das Aquarell von Alice Horodisch Garnmann (1905 - 1984) zeigt einen Blick auf das Fischerdorf Sant'Angelo auf Ischia. Das Blatt ist am unteren linken Blattrand in Bleistift betitelt, signiert und datiert. - Die gebürtige Berlinerin studierte an der Vereinigten Staatsschule für freie und angewandte Kunst bei Oskar Hermann Werner Hadank. Ihr ausgewiesenes Spezialgebiet war die Gestaltung von Exlibris. Mit ihrem Ehemann, dem Buchhändler und Verleger Abraham Horodisch, ging Garnmann nach der Machtergreifung der Nationalsozialisten zunächst nach Amsterdam, 1942 dann in die Schweiz ins Exil. Nach Kriegsende kehrte das Paar zurück nach Amsterdam, wo Garnmann u. a. sämtliche Drucksachen für das Unternehmen ihres Mannes gestaltete. - Das Blatt ist leicht angerändert. Auf der Rückseite Montagespuren. Sonst sehr schön komponiertes Blatt in harmonischer, dezenter Farbigkeit.‎

Référence libraire : 900321AG