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Johan Kugelberg (Editor) / Philippe Vermes (Editor)
Beauty is in the Street: A Visual Record of the May '68 Paris Uprising
Four Corners Books 2011. Hardcover. New. 272 pages. 11.26x9.37x1.34 inches. Four Corners Books hardcover
Referenz des Buchhändlers : 1-0956192831 ISBN : 0956192831 9780956192837
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Johann Heinrich Pestalozzi et Philippe Meirieu
L'éducation en question : Que faire avec les enfants qui ne veulent pas de vous Johann Heinrich Pestalozzi et Philippe Meirieu
Publications de l'Ecole Moderne Française PEMF. Softcover. L'éducation en question : Que faire avec les enfants qui ne veulent pas de vous <br/><br/>L'éducation en question : Que faire avec les enfants qui ne veulent pas de vous Johann Heinrich Pestalozzi et Philippe Meirieu Publications de l'Ecole Moderne Française (PEMF) paperback
Referenz des Buchhändlers : BN331026 ISBN : 284526156X 9782845261563
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Johannes STRADANUS - Philippe GALLE
Chasse aux canards
s. l.: S. n. 1590. Fine. S. n. s. l. s. d. circa 1590 34 x 25.50 cm une feuille Authentic original engraving executed in burin after a 16th-century painting by Johannes Stradanus. Proof on watermarked laid paper work from the late 16th or early 17th century. Artists' signatures in the plate. Latin caption in the lower part of the engraving. Manuscript translation in old handwriting below the plate mark: ""Ainsi les canards attachés sur le fleuve chantent pendant que ceux qui surviennent sont blessés d'un coup de feu et charpillent leurs plumes sur le fleuve"" ""Thus the ducks attached on the river sing while those that come are wounded by gunshot and scatter their feathers on the river"". Watermark visible by transparency. The engraving has been mounted and restored with small pieces of old laid paper glued to the edges on the reverse otherwise fine condition for this very rare engraving. Johannes Stradanus known as Giovanni Stradano or Jan van der Straet was a Flemish painter and engraver born in Bruges in 1523 and died in Florence on February 11 1605. After beginning to learn painting from his father and following the latter's death he continued his training in the workshop of Maximiliaan Frank from 1535 to 1537 then in that of Pieter Aertsen in Antwerp from 1537 to 1540. In 1545 he was received as a master in the Antwerp painters' guild. He then began a journey across Europe: in France then in Italy where he first stayed in Venice before settling in Florence. There he worked for Cosimo I de' Medici and collaborated with Giorgio Vasari for the decoration of the Studiolo of Francesco I de' Medici and for that of the hall of Clement VII in the Palazzo Vecchio. In 1565 he was part of the teams of painters and sculptors charged under the direction of Giorgio Vasari with creating the gigantic decoration planned for the entry into Florence of Joanna of Austria on the occasion of her marriage to Francesco I de' Medici. Greatly influenced by the Mannerists including Michelangelo Johannes Stradanus contributed to the development of the great Italian history painting. He painted several altarpieces for Florentine churches. He also stayed in Rome from 1550 to 1553 and in Naples in 1576. After a stay in Antwerp in 1578 he devoted a large part of his activity to engraving. Philippe Galle born in Haarlem in 1537 and died in Antwerp in March 1612 was a Flemish engraver member of a famous family of engravers. He practiced engraving on copper drawing the commerce of engravings publishing and writing. He trained under Hieronymus Cock in Antwerp where he engraved drawings by Pieter Bruegel the Elder notably the series of the Seven Deadly Sins. He then became the engraver of Maarten van Heemskerck. From 1557 he owned his own workshop which would be frequented by his sons Theodore and Cornelius as well as by his son-in-law Adriaen Collaert the Wierix brothers Hendrick Goltzius Crispin de Passe the Elder and other members of the Collaert family. His workshop was at the center of Antwerp engraving production. Philippe Galle created some of his most admirable works based on projects by Pieter Bruegel the Elder The Alchemist 1558 by Jan van der Straet by Franz Floris The Daughters of Lot and by Gillis Congnet Aenevm Saecvlvm and the four ages of humanity 1575. S. n. unknown
Referenz des Buchhändlers : 31035
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Johannes STRADANUS - Philippe GALLE
L'entrainement des chiens à la chasse aux cerfs
s. l.: S. n. 1590. Fine. S. n. s. l. fin XVIe début XVIIe 34 x 25.50 cm une feuille Authentic original engraving executed in burin after a 16th-century drawing by Johannes Stradanus. Proof on watermarked laid paper work from the late 16th or very early 17th century. Artists' signatures in the plate. Latin legend in the lower part of the engraving. Manuscript translation in old handwriting under the plate mark: ""Des chasseurs par le commandement du roi de France cherchent beaucoup de fientes de cerfs et donnent les crottes des jeunes cerfs aux chiens afin que par l'odeur ils apprennent à connaitre l'âge des cerfs."" ""Hunters by command of the king of France search for much deer dung and give the droppings of young deer to the dogs so that by scent they learn to know the age of the deer"". Watermark visible by transparency. The margins of the engraving have been backed with small pieces of old laid paper pasted to the edges on the reverse otherwise fine condition for this very rare engraving. Johannes Stradanus known as Giovanni Stradano or Jan van der Straet is a Flemish painter and engraver born in Bruges in 1523 and died in Florence on February 11 1605. After beginning to learn painting from his father and following his father's death he continued his training in the workshop of Maximiliaan Frank from 1535 to 1537 then in that of Pieter Aertsen in Antwerp from 1537 to 1540. In 1545 he was received as a free master in the guild of Antwerp painters. He then began a journey through Europe: in France then in Italy where he first stayed in Venice before settling in Florence. He worked there for Cosimo I de' Medici and collaborated with Giorgio Vasari for the decoration of the Studiolo of Francesco I de' Medici and for that of the Clement VII hall of the Palazzo Vecchio. In 1565 he was part of the teams of painters and sculptors charged under the direction of Giorgio Vasari with creating the gigantic decoration planned for the entry into Florence of Joanna of Austria on the occasion of her marriage to Francesco I de' Medici. Greatly influenced by the Mannerists including Michelangelo Johannes Stradanus contributed to the development of great Italian history painting. He painted several altarpieces for Florentine churches. He also stayed in Rome from 1550 to 1553 and in Naples in 1576. After a stay in Antwerp in 1578 he devoted a large part of his activity to engraving. Philippe Galle born in Haarlem in 1537 and died in Antwerp in March 1612 is a Flemish engraver member of a famous family of engravers. He practiced copper engraving drawing engraving commerce publishing and writing. He trained with Hieronymus Cock in Antwerp where he engraved drawings by Pieter Bruegel the Elder notably the series of the Seven Deadly Sins. He then became the engraver of Maarten van Heemskerck. From 1557 he owned his own workshop which was frequented by his sons Theodore and Cornelius as well as by his son-in-law Adriaen Collaert the Wierix brothers Hendrick Goltzius Crispin de Passe the Elder and other members of the Collaert family. His workshop was at the center of Antwerp engraving production. Philippe Galle created some of his most admirable works on projects by Pieter Bruegel the Elder The Alchemist 1558 Jan van der Straet Franz Floris Lot's Daughters and Gillis Congnet Aenevm Saecvlvm and the four ages of humanity 1575. S. n. unknown
Referenz des Buchhändlers : 32520
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Johannes STRADANUS - Philippe GALLE - Adrian COLLAERT
La capture du tigre
s. l.: S. n. 1590. Fine. S. n. s. l. fin XVIe début XVIIe 34 x 25.50 cm une feuille Authentic original engraving executed with burin after a 16th-century drawing by Johannes Stradanus. Proof on watermarked laid paper work from the end of the 16th or very beginning of the 17th century. Artists' signatures in the plate. Latin caption in the lower part of the engraving. Manuscript translation in an old hand beneath the plate mark: ""Le chasseur prend les petits du tigre et met dans des trappes des miroirs qui représentent les petits qu'il a enlevés. Cette bête stupide croyant les voir effectivement entre dans les filets et hurle étant prise."" ""The hunter takes the tiger cubs and places mirrors in traps that represent the cubs he has taken. This foolish beast believing it actually sees them enters the nets and howls being caught."". Watermark visible by transparency. The margins of the engraving have been backed with small pieces of old laid paper glued to the edges on the verso otherwise fine condition of preservation for this very rare engraving. Johannes Stradanus known as Giovanni Stradano or Jan van der Straet was a Flemish painter and engraver born in Bruges in 1523 and died in Florence on February 11 1605. After beginning to learn painting from his father and following his father's death he continued his training in the workshop of Maximiliaan Frank from 1535 to 1537 then in that of Pieter Aertsen in Antwerp from 1537 to 1540. In 1545 he was received as a master in the Antwerp painters' guild. He then began a journey across Europe: to France then to Italy where he first stayed in Venice before settling in Florence. There he worked for Cosimo I de' Medici and collaborated with Giorgio Vasari on the decoration of the Studiolo of Francesco I de' Medici and on that of the Clement VII room in the Palazzo Vecchio. In 1565 he was part of the teams of painters and sculptors charged under the direction of Giorgio Vasari with creating the gigantic decoration planned for the entry into Florence of Joanna of Austria on the occasion of her marriage to Francesco I de' Medici. Greatly influenced by the Mannerists including Michelangelo Johannes Stradanus contributed to the development of grand Italian history painting. He painted several altarpieces for Florentine churches. He also stayed in Rome from 1550 to 1553 and in Naples in 1576. After a stay in Antwerp in 1578 he devoted a large part of his activity to engraving. Philippe Galle born in Haarlem in 1537 and died in Antwerp in March 1612 was a Flemish engraver member of a famous family of engravers. He practiced copperplate engraving drawing the trade of engravings publishing and writing. He trained under Hieronymus Cock in Antwerp where he engraved drawings by Pieter Bruegel the Elder notably the series of the Seven Deadly Sins. He then became the engraver of Maarten van Heemskerck. From 1557 he owned his own workshop which would be frequented by his sons Theodore and Cornelius as well as by his son-in-law Adriaen Collaert the Wierix brothers Hendrick Goltzius Crispin de Passe the Elder and other members of the Collaert family. His workshop was at the center of Antwerp engraving production. Philippe Galle created some of his most admirable works on projects by Pieter Bruegel the Elder The Alchemist 1558 Jan van der Straet Franz Floris The Daughters of Lot and Gillis Congnet Aenevm Saecvlvm and the four ages of humanity 1575. Adrian Collaert born in Antwerp in 1565 and died in 1618 was part of a great family of engravers. Trained in the workshop of his father-in-law Philippe Galle he began with copperplate engraving before specializing in burin work. S. n. unknown
Referenz des Buchhändlers : 32532
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Johannes STRADANUS - Philippe GALLE - Adrian COLLAERT
La chasse aux chameaux
s. l.: S. n. 1590. Fine. S. n. s. l. fin XVIe début XVIIe 34 x 25.50 cm une feuille Authentic original engraving executed with burin after a 16th-century drawing by Johannes Stradanus. Impression on watermarked laid paper work from the late 16th or very early 17th century. Artists' signatures within the plate. Latin caption in the lower portion of the engraving. Manuscript translation in old handwriting below the plate mark: ""On dit que la Barbarie produit de très bons chameaux que chassent les soldats de la marine pressés par la faim. Cette viande quoique très dure les rassasie."" ""It is said that Barbary produces very good camels which are hunted by sailors pressed by hunger. This meat although very tough satisfies them."". Watermark visible by transparency. The margins of the engraving have been backed with small pieces of old laid paper pasted along the edges on the reverse otherwise fine condition for this very rare engraving. Johannes Stradanus called Giovanni Stradano or Jan van der Straet is a Flemish painter and engraver born in Bruges in 1523 and died in Florence on February 11 1605. After beginning to learn painting with his father and following the latter's death he continued his training in the workshop of Maximiliaan Frank from 1535 to 1537 then in that of Pieter Aertsen in Antwerp from 1537 to 1540. In 1545 he was admitted as master to the guild of Antwerp painters. He then began a journey across Europe: to France then to Italy where he first stayed in Venice before settling in Florence. There he worked for Cosimo I de' Medici and collaborated with Giorgio Vasari on the decoration of the Studiolo of Francesco I de' Medici and on that of the Clement VII room in the Palazzo Vecchio. In 1565 he was part of the teams of painters and sculptors charged under the direction of Giorgio Vasari with creating the gigantic decorations planned for the entry into Florence of Joanna of Austria on the occasion of her marriage to Francesco I de' Medici. Greatly influenced by the Mannerists including Michelangelo Johannes Stradanus contributed to the development of grand Italian history painting. He painted several altarpieces for Florentine churches. He also stayed in Rome from 1550 to 1553 and in Naples in 1576. After a stay in Antwerp in 1578 he devoted a large part of his activity to engraving. Philippe Galle born in Haarlem in 1537 and died in Antwerp in March 1612 is a Flemish engraver member of a famous family of engravers. He practiced copperplate engraving drawing print dealing publishing and writing. He trained with Hieronymus Cock in Antwerp where he engraved drawings by Pieter Bruegel the Elder notably the series of the Seven Deadly Sins. He then became the engraver of Maarten van Heemskerck. From 1557 he owned his own workshop which was frequented by his sons Theodore and Cornelius as well as by his son-in-law Adriaen Collaert the Wierix brothers Hendrick Goltzius Crispin de Passe the Elder and other members of the Collaert family. His workshop was at the center of Antwerp print production. Philippe Galle created some of his most admirable works based on designs by Pieter Bruegel the Elder The Alchemist 1558 by Jan van der Straet by Franz Floris The Daughters of Lot and by Gillis Congnet Aenevm Saecvlvm and the four ages of humanity 1575. Adrian Collaert born in Antwerp in 1565 and died in 1618 was part of a great family of engravers. Trained in the workshop of his father-in-law Philippe Galle he began with copperplate engraving before specializing in burin work. S. n. unknown
Referenz des Buchhändlers : 32521
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Johannes STRADANUS - Philippe et Cornelius GALLE
La chasse aux vipères
s. l.: S. n. 1590. Fine. S. n. s. l. fin XVIe début XVIIe 34 x 25.50 cm une feuille Authentic original engraving executed with burin after a 16th-century drawing by Johannes Stradanus. Proof on watermarked laid paper work from the late 16th or early 17th century. Artists' signatures in the plate. Latin legend in the lower portion of the engraving. Manuscript translation in old handwriting below the plate mark: ""En Italie les vipères se plaisent à se cacher dans les marais. Quand elles entendent un chien aboyer elles sortent des buissons. On les saisit alors avec une fourche et on les met dans un sac avec une pince. Elles sont préparées comme remède pharmaceutique"" ""In Italy vipers enjoy hiding in marshes. When they hear a dog barking they come out of the bushes. They are then seized with a fork and put in a bag with tongs. They are prepared as pharmaceutical remedy"". Watermark visible by transparency. The margins of the engraving have been reinforced with small pieces of old laid paper glued to the edges on the verso otherwise fine condition for this very rare engraving. Johannes Stradanus known as Giovanni Stradano or Jan van der Straet was a Flemish painter and engraver born in Bruges in 1523 and died in Florence on February 11 1605. After beginning to learn painting with his father and following his father's death he continued his training in the workshop of Maximiliaan Frank from 1535 to 1537 then in that of Pieter Aertsen in Antwerp from 1537 to 1540. In 1545 he was received as a master in the Antwerp painters' guild. He then began a journey across Europe: to France then to Italy where he first stayed in Venice before settling in Florence. There he worked for Cosimo I de' Medici and collaborated with Giorgio Vasari on the decoration of the Studiolo of Francesco I de' Medici and on that of the Clement VII hall in the Palazzo Vecchio. In 1565 he was part of the teams of painters and sculptors charged under Giorgio Vasari's direction with creating the gigantic decoration planned for the entry into Florence of Joanna of Austria on the occasion of her marriage to Francesco I de' Medici. Greatly influenced by the Mannerists including Michelangelo Johannes Stradanus contributed to the development of grand Italian history painting. He painted several altarpieces for Florentine churches. He also stayed in Rome from 1550 to 1553 and in Naples in 1576. After a stay in Antwerp in 1578 he devoted a large part of his activity to engraving. Philippe Galle born in Haarlem in 1537 and died in Antwerp in March 1612 was a Flemish engraver member of a famous family of engravers. He practiced copper engraving drawing the print trade publishing and writing. He trained with Hieronymus Cock in Antwerp where he engraved drawings by Pieter Bruegel the Elder notably the series of the Seven Deadly Sins. He then became the engraver of Maarten van Heemskerck. From 1557 he had his own workshop which would be frequented by his sons Theodoor and Cornelis as well as by his son-in-law Adriaen Collaert the Wierix brothers Hendrick Goltzius Crispijn de Passe the Elder and other members of the Collaert family. His workshop was at the center of Antwerp engraving production. Philippe Galle created some of his most admirable works on designs by Pieter Bruegel the Elder The Alchemist 1558 Jan van der Straet Frans Floris The Daughters of Lot and Gillis Congnet Aenevm Saecvlvm and the four ages of humanity 1575. S. n. unknown
Referenz des Buchhändlers : 32525
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Johannes STRADANUS - Philippe GALLE
La chasse aux lions par le feu
s. l.: S. n. 1590. Fine. S. n. s. l. fin XVIe début XVIIe 34 x 25.50 cm une feuille Authentic original engraving executed in burin after a 16th-century drawing by Johannes Stradanus. Proof on watermarked laid paper work from the late 16th or very early 17th century. Artists' signatures in the plate. Latin caption in the lower part of the engraving. Manuscript translation in old handwriting below the plate mark: ""Ceux qui s'occupent à surprendre les lions dans des filets portent une torche de la main gauche et un bouclier de la droite pour se garantir du feu: les lions fuyant les flammes se jettent dans les filets qu'on lui a tendu."" ""Those who busy themselves with surprising lions in nets carry a torch in the left hand and a shield in the right to protect themselves from fire: the lions fleeing the flames throw themselves into the nets that have been set for them."". Watermark visible by transparency. The margins of the engraving have been backed with small pieces of old laid paper glued to the edges on the verso otherwise fine condition for this very rare engraving. Johannes Stradanus known as Giovanni Stradano or Jan van der Straet was a Flemish painter and engraver born in Bruges in 1523 and died in Florence on February 11 1605. After beginning to learn painting with his father and following the latter's death he continued his training in the workshop of Maximiliaan Frank from 1535 to 1537 then in that of Pieter Aertsen in Antwerp from 1537 to 1540. In 1545 he was admitted as master to the Antwerp painters' guild. He then began a journey across Europe: to France then to Italy where he first stayed in Venice before settling in Florence. There he worked for Cosimo I de' Medici and collaborated with Giorgio Vasari on the decoration of the Studiolo of Francesco I de' Medici and on that of the hall of Clement VII in the Palazzo Vecchio. In 1565 he was part of the teams of painters and sculptors charged under the direction of Giorgio Vasari with creating the gigantic decoration planned for the entry into Florence of Joanna of Austria on the occasion of her marriage to Francesco I de' Medici. Greatly influenced by the Mannerists including Michelangelo Johannes Stradanus contributed to the development of grand Italian history painting. He painted several altarpieces for Florentine churches. He also stayed in Rome from 1550 to 1553 and in Naples in 1576. After a stay in Antwerp in 1578 he devoted a large part of his activity to engraving. Philippe Galle born in Haarlem in 1537 and died in Antwerp in March 1612 was a Flemish engraver member of a famous family of engravers. He practiced copperplate engraving drawing print dealing publishing and writing. He trained with Hieronymus Cock in Antwerp where he engraved drawings by Pieter Bruegel the Elder notably the series of the Seven Deadly Sins. He then became the engraver of Maarten van Heemskerck. From 1557 he owned his own workshop which was frequented by his sons Theodore and Cornelius as well as by his son-in-law Adriaen Collaert the Wierix brothers Hendrick Goltzius Crispijn de Passe the Elder and other members of the Collaert family. His workshop was at the center of Antwerp print production. Philippe Galle created some of his most admirable works on designs by Pieter Bruegel the Elder The Alchemist 1558 by Jan van der Straet by Franz Floris The Daughters of Lot and by Gillis Congnet Aenevm Saecvlvm and the four ages of humanity 1575. S. n. unknown
Referenz des Buchhändlers : 32502
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Johannes STRADANUS - Philippe GALLE - Adrian COLLAERT
La chasse au bubale
s. l.: S. n. 1590. Fine. S. n. s. l. fin XVIe début XVIIe 34 x 25.50 cm une feuille Authentic original engraving executed in burin after a 16th-century drawing by Johannes Stradanus. Proof on watermarked laid paper work from the late 16th or very early 17th century. Artists' signatures in the plate. Latin caption in the lower part of the engraving. Manuscript translation in old handwriting below the plate mark: ""Le bubale est une espèce de boeuf cruel et féroce. Les chasseurs pour le prendre le lassent en faisant courir et aboyer des chiens après lui qui le mordent jusqu'à ce qu'il tombe n'en pouvant plus"" ""The bubale is a species of cruel and ferocious ox. Hunters to catch it lasso it by making dogs run and bark after it which bite it until it falls exhausted"". Watermark visible by transparency. The margins of the engraving have been backed with small pieces of old laid paper glued to the edges on the verso otherwise fine condition for this very rare engraving. Johannes Stradanus known as Giovanni Stradano or Jan van der Straet was a Flemish painter and engraver born in Bruges in 1523 and died in Florence on February 11 1605. After beginning to learn painting with his father and following the latter's death he continued his training in the workshop of Maximiliaan Frank from 1535 to 1537 then in that of Pieter Aertsen in Antwerp from 1537 to 1540. In 1545 he was admitted as master to the Antwerp painters' guild. He then began a journey across Europe: to France then to Italy where he first stayed in Venice before settling in Florence. There he worked for Cosimo I de' Medici and collaborated with Giorgio Vasari on the decoration of the Studiolo of Francesco I de' Medici and on that of the hall of Clement VII in the Palazzo Vecchio. In 1565 he was part of the teams of painters and sculptors charged under the direction of Giorgio Vasari with creating the gigantic decoration planned for the entry into Florence of Joanna of Austria on the occasion of her marriage to Francesco I de' Medici. Greatly influenced by the Mannerists including Michelangelo Johannes Stradanus contributed to the development of grand Italian history painting. He painted several altarpieces for Florentine churches. He also stayed in Rome from 1550 to 1553 and in Naples in 1576. After a stay in Antwerp in 1578 he devoted a large part of his activity to engraving. Philippe Galle born in Haarlem in 1537 and died in Antwerp in March 1612 was a Flemish engraver member of a famous family of engravers. He practiced copperplate engraving drawing print dealing publishing and writing. He trained with Hieronymus Cock in Antwerp where he engraved drawings by Pieter Bruegel the Elder notably the series of the Seven Deadly Sins. He then became the engraver of Maarten van Heemskerck. From 1557 he owned his own workshop which was frequented by his sons Theodore and Cornelius as well as by his son-in-law Adriaen Collaert the Wierix brothers Hendrick Goltzius Crispijn de Passe the Elder and other members of the Collaert family. His workshop was at the center of Antwerp print production. Philippe Galle created some of his most admirable works on designs by Pieter Bruegel the Elder The Alchemist 1558 by Jan van der Straet by Franz Floris The Daughters of Lot and by Gillis Congnet Aenevm Saecvlvm and the four ages of humanity 1575. Adrian Collaert born in Antwerp in 1565 and died in 1618 was part of a great family of engravers. Trained in the workshop of his father-in-law Philippe Galle he began with copperplate engraving before specializing in burin. S. n. unknown
Referenz des Buchhändlers : 32501
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Johannes STRADANUS - Philippe GALLE - Adrian COLLAERT
La mésaventure du chasseur
s. l.: S. n. 1590. Fine. S. n. s. l. fin XVIe début XVIIe 34 x 25.50 cm une feuille Authentic original engraving executed with burin after a 16th-century drawing by Johannes Stradanus. Impression on watermarked laid paper work from the late 16th or very early 17th century. Artists' signatures within the plate. Latin caption in the lower portion of the engraving. Manuscript translation in old handwriting below the plate mark: ""Souvent un chasseur tombe sans prendre garde dans des cavernes ou des grottes couvertes d'herbes par dessus d'où ses compagnons ne peuvent le retirer mais il meurt malheureusement et demeure la pature des serpents qui y sont et des hydres"" ""Often a hunter falls unawares into caverns or grottoes covered with grass above from which his companions cannot retrieve him but he dies miserably and remains food for the serpents and hydras dwelling there"". Watermark visible by transparency. The margins of the engraving have been backed with small pieces of old laid paper pasted along the edges on the reverse otherwise fine condition for this very rare engraving. Johannes Stradanus called Giovanni Stradano or Jan van der Straet is a Flemish painter and engraver born in Bruges in 1523 and died in Florence on February 11 1605. After beginning to learn painting with his father and following the latter's death he continued his training in the workshop of Maximiliaan Frank from 1535 to 1537 then in that of Pieter Aertsen in Antwerp from 1537 to 1540. In 1545 he was admitted as master to the guild of Antwerp painters. He then began a journey across Europe: to France then to Italy where he first stayed in Venice before settling in Florence. There he worked for Cosimo I de' Medici and collaborated with Giorgio Vasari on the decoration of the Studiolo of Francesco I de' Medici and on that of the Clement VII room in the Palazzo Vecchio. In 1565 he was part of the teams of painters and sculptors charged under the direction of Giorgio Vasari with creating the gigantic decorations planned for the entry into Florence of Joanna of Austria on the occasion of her marriage to Francesco I de' Medici. Greatly influenced by the Mannerists including Michelangelo Johannes Stradanus contributed to the development of grand Italian history painting. He painted several altarpieces for Florentine churches. He also stayed in Rome from 1550 to 1553 and in Naples in 1576. After a stay in Antwerp in 1578 he devoted a large part of his activity to engraving. Philippe Galle born in Haarlem in 1537 and died in Antwerp in March 1612 is a Flemish engraver member of a famous family of engravers. He practiced copperplate engraving drawing print dealing publishing and writing. He trained with Hieronymus Cock in Antwerp where he engraved drawings by Pieter Bruegel the Elder notably the series of the Seven Deadly Sins. He then became the engraver of Maarten van Heemskerck. From 1557 he owned his own workshop which was frequented by his sons Theodore and Cornelius as well as by his son-in-law Adriaen Collaert the Wierix brothers Hendrick Goltzius Crispin de Passe the Elder and other members of the Collaert family. His workshop was at the center of Antwerp print production. Philippe Galle created some of his most admirable works based on designs by Pieter Bruegel the Elder The Alchemist 1558 by Jan van der Straet by Franz Floris The Daughters of Lot and by Gillis Congnet Aenevm Saecvlvm and the four ages of humanity 1575. Adrian Collaert born in Antwerp in 1565 and died in 1618 was part of a great family of engravers. Trained in the workshop of his father-in-law Philippe Galle he began with copperplate engraving before specializing in burin work. S. n. unknown
Referenz des Buchhändlers : 32522
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Johannes STRADANUS - Philippe GALLE
Le combat des oiseaux et des couleuvres
s. l.: S. n. 1590. Fine. S. n. s. l. fin XVIe début XVIIe 34 x 25.50 cm une feuille Authentic original engraving executed with burin after a 16th-century drawing by Johannes Stradanus. Proof on watermarked laid paper work from the late 16th or early 17th century. Artists' signatures in the plate. Latin legend in the lower portion of the engraving. Manuscript translation in old handwriting below the plate mark: ""Le désert d'Appulie nourrit de couleuvres les grues et aussi les cigognes attaquent leurs nichées. Elles engagent le combat avec vigueur de leurs becs et les mordent. Le spectacle est très divertissant pour les colons"" ""The desert of Apulia feeds cranes with snakes and also storks attack their broods. They engage in combat vigorously with their beaks and bite them. The spectacle is very entertaining for the colonists"". Watermark visible by transparency. The margins of the engraving have been reinforced with small pieces of old laid paper glued to the edges on the verso otherwise fine condition for this very rare engraving. Johannes Stradanus known as Giovanni Stradano or Jan van der Straet was a Flemish painter and engraver born in Bruges in 1523 and died in Florence on February 11 1605. After beginning to learn painting with his father and following his father's death he continued his training in the workshop of Maximiliaan Frank from 1535 to 1537 then in that of Pieter Aertsen in Antwerp from 1537 to 1540. In 1545 he was received as a master in the Antwerp painters' guild. He then began a journey across Europe: to France then to Italy where he first stayed in Venice before settling in Florence. There he worked for Cosimo I de' Medici and collaborated with Giorgio Vasari on the decoration of the Studiolo of Francesco I de' Medici and on that of the Clement VII hall in the Palazzo Vecchio. In 1565 he was part of the teams of painters and sculptors charged under Giorgio Vasari's direction with creating the gigantic decoration planned for the entry into Florence of Joanna of Austria on the occasion of her marriage to Francesco I de' Medici. Greatly influenced by the Mannerists including Michelangelo Johannes Stradanus contributed to the development of grand Italian history painting. He painted several altarpieces for Florentine churches. He also stayed in Rome from 1550 to 1553 and in Naples in 1576. After a stay in Antwerp in 1578 he devoted a large part of his activity to engraving. Philippe Galle born in Haarlem in 1537 and died in Antwerp in March 1612 was a Flemish engraver member of a famous family of engravers. He practiced copper engraving drawing the print trade publishing and writing. He trained with Hieronymus Cock in Antwerp where he engraved drawings by Pieter Bruegel the Elder notably the series of the Seven Deadly Sins. He then became the engraver of Maarten van Heemskerck. From 1557 he had his own workshop which would be frequented by his sons Theodoor and Cornelis as well as by his son-in-law Adriaen Collaert the Wierix brothers Hendrick Goltzius Crispijn de Passe the Elder and other members of the Collaert family. His workshop was at the center of Antwerp engraving production. Philippe Galle created some of his most admirable works on designs by Pieter Bruegel the Elder The Alchemist 1558 Jan van der Straet Frans Floris The Daughters of Lot and Gillis Congnet Aenevm Saecvlvm and the four ages of humanity 1575. S. n. unknown
Referenz des Buchhändlers : 32524
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John A Stevenson (Author), Donald A Wood (Author), Philippe Truong (Essay)
Dragons and Lotus Blossoms: Vietnamese Ceramics from the Birmingham Museum of Art
University of Washington Press 2011. Paperback. New. New oversized art exhibit catalog in printed wraps. 4to. 9.8 x 8.4 x 0.8 inches Clean text free of marks or underlining. Color photos printed on heavy glossy paper. Includes a map chronology and a bibliography. 263 pp.<br /> <br /> Fast shipping in a secure book box mailer with tracking. Vietnam created the most sophisticated ceramics in Southeast Asia. Though they borrowed from China Vietnamese potters explored their own indigenous tastes and developed their own production techniques. Blessed with the smooth gray-white clays of the Red River Valley they created pieces that are amazingly light and thin-walled with skillfully painted incised and carved decoration. Two particularly popular decorative themes were dragons from whom the Vietnamese believed they were descended and lotuses considered archetypal symbols of Buddhist purity because the flower emerges unsullied from the mud.<br /> <br /> Through a series of judicious purchases that began in the 1970s the Birmingham Museum of Art Alabama has created an extraordinary collection of Vietnamese ceramic art. Essays by three noted experts introduce the collection. University of Washington Press paperback
Referenz des Buchhändlers : 201114 ISBN : 0295991623 9780295991627
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John Cowan; Philippe Garner
John Cowan: Through the Light Barrier
London: Shirmer / Mosel 1999. First Edition. Hardcover Hardcover. Fine Condition. 31cm x 25cm. 160 pages illustrations some colour. Black cloth blind lettering pictorial jacket. Monograph of John Cowan's fashion photography of England in the early 1960s. Category: Photography; ISBN: 3888145856. ISBN/EAN: 9783888145858. Inventory No: 0036756. BZDB407 Photography; Unbranded ISBN: 3888145856 EAN: 9783888145858 John Cowan; Philippe Garner John Cowan: Through the Light Barrier Shirmer / Mosel hardcover
Referenz des Buchhändlers : 0036756 ISBN : 3888145856 9783888145858
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John Dunning/ Philippe Gugler
Foreign Direct Investment Location and Competitiveness2
Emerald Group Pub Ltd 2007. Hardcover. New. illustrated edition. 304 pages. 8.90x5.95x1.00 inches. Emerald Group Pub Ltd hardcover
Referenz des Buchhändlers : x-0762314753 ISBN : 0762314753 9780762314751
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John Hunter; G Richelot; Philippe Ricord
Traite de la Maladie Venerienne
Paris: J. B. Bailliere 1852. Leather. Good. 8.5" by 5.5". Not Stated. The second edition in French of John Hunter's important treatise on venereal diseases an influential work with late additions by Philippe Ricord. Illustrated with nine folding plates. The second edition of this work on French.Originally written in English by John Hunter.Hunter's important treatise on venereal diseases. He was considered to be the leading authority on the subject at the time. This work details his research and medical opinions on venereal diseases such as his advice for gonorrhea and syphilis being treated with mercury and cauterization. Illustrated with nine folding plates.Collated complete.Translated into French by Gustave-Antoine Richelot.With notes and additions by Philippe Ricord who disproved Hunter's research finding that syphilis and gonorrhea were not the same disease. In a half calf binding with marbled paper to the boards. Externally generally smart. Cracks to the joints. A little chip and loss to the head of the spine. Minor marks and rubbing to the boards and spine. Light bumping to the spine and extremities. Front hinge is a little strained. Prior owner's ink inscription to the recto to the front endpaper. Stamp to the verso to the rear endpaper. Internally firmly bound. Pages are bright and clean with a few odd spots. Good J. B. Bailliere hardcover
Referenz des Buchhändlers : 798P32
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John Phyper; Philippe Ducas; Peter J Baish
Global Materials Compliance Handbook
new. unknown
Referenz des Buchhändlers : 1545409-n ISBN : 0471467391 9780471467397
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John Phyper; Philippe Ducas; Peter J Baish
Global Materials Compliance Handbook
like new. unknown
Referenz des Buchhändlers : 1545409 ISBN : 0471467391 9780471467397
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JOHN PHYPER, PHILIPPE DUCAS, PETER J BAISH,
GLOBAL MATERIALS COMPLIANCE HANDBOOK
Wiley 2004. 1st. Hardcover. New/New. Wiley hardcover
Referenz des Buchhändlers : AME_9780471467397 ISBN : 0471467391 9780471467397
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John Phyper, Philippe Ducas, Peter J Baish,
Global Materials Compliance Handbook
Wiley 2004. 1st. Hardcover. New. Wiley hardcover
Referenz des Buchhändlers : DBS-9780471467397 ISBN : 0471467391 9780471467397
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John Phyper, Philippe Ducas, Peter J Baish,
Global Materials Compliance Handbook
Wiley 2004. 1st. Hardcover. New. Wiley hardcover
Referenz des Buchhändlers : DBS-9780471467397 ISBN : 0471467391 9780471467397
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John, Jordan,; Philippe, Caresse
French Armoured Cruisers: 1887 1932
Barnsley UK: Seaforth Publishing 2019. First Edition. Hardcover. Very good /very good. 4to 30 x 25 cm. 272 pp. Dark blue cloth covers with gilt titles to spine. Text block tight and unmarked. Unclipped DJ. Seaforth Publishing hardcover
Referenz des Buchhändlers : 2918 ISBN : 1526741180 9781526741189
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JOINVILLE François Ferdinand Philippe d'Orléans ( prince de)
VIEUX SOUVENIRS, 1818-1848, par le Prince de Joinville
paris Calmann Levy 1894 in-18 demi-chagrin un volume, reliure demi-chagrin vert jardin in-douze (binding half shagreen in-12) (18 x 12 cm), dos 4 nerfs (spine with raised bands), titre frappé or (gilt title), double filets à froid de part et d'autre des nerfs, papier marbré vert aux plats (cover with marbled paper), toutes tranches lisses, orné de trés nombreuses illustrations in et hors texte en noir par le prince de JOINVILLE, 454 pages, 1894 à Paris Calmann Levy Editeur,
Referenz des Buchhändlers : 23899
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Joinville Francois Ferdinand Philippe Louis Marie d'Orleans Prince De
A Civil War Album of Paintings By the Prince De Joinville
New York: Atheneum 1964. Preface by the Comte de Paris; text by André and general James M. Gavin. 33 1p. plus 19 colored plates with facing caption pages oblong quarto format original cloth with the publisher's cloth slipcase. Atheneum unknown books
Referenz des Buchhändlers : 016738
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Joinville Francois Ferdinand Philippe Louis Marie d'Orleans prince de 1818 1900 artist; Comte de Paris preface; Maurois Andr
AQUARELLES PEINTES PAR LE PRINCE DE JOINVILLE LORS DE SON SEJOUR AUX ETATS-UNIS D'AMERIQUE DANS L'ARMEE DU GENERAL McCLELLAN PENDANT LA GUERRE DE SECESSION SIGNED
Paris: Librairie Jules Tallandier 1964. Hardcover. Quarto oblong; G; Hardcover; Spine tan with gold print; Slipcase in blue cloth mostly faded to tan mild wear to corners blemishes to front and rear shelfwear; Boards in blue cloth with gold print toning to spine blemishes on spine else clean and strong; Text block clean and tight; Signed in ink by Gavin on the half-title page; Text in French; 34 pages unnumbered leaves of color plates with captions on facing pages. <br /> <br /> <br /> Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. 1341457. FP New Rockville Stock. Librairie Jules Tallandier hardcover books
Referenz des Buchhändlers : 1341457
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Joinville Francois Ferdinand Philippe Louis Marie d'Orleans prince de.
The naval forces of France compared to those of England.
London: W.E. Painter 1846. 8vo. 32 pp. <br><br>The prince de Joinville 18181900 warns against the gathering naval arms race caused by the introduction of steam-powered ships foreshadowing the naval arms race that occupied the great powers in the late 19th and early 20th centuries. Removed from a nonce volume. Lightly age toned. Some soiling on title-page not obscuring text. W.E. Painter unknown books
Referenz des Buchhändlers : 11261
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Joinville Francois Ferdinand Philippe Louis Marie d'Orleans Prince De
Vieux souvenirs 1818-1848
Paris: Calmann Levy 1894. 7e Ãdition. 454p. b/w illus. burgundy half-leather with marbled boards. Calmann Levy unknown books
Referenz des Buchhändlers : 029963
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JOLY PHILIPPE
CHAMPIGNONS - Les identifier, les cuisiner.
RUSTICA. 1995. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 84 pages augmentées de nombreuses illustrations couleur dans et hors texte.. . . . Classification Dewey : 579.5-Les champignons
Referenz des Buchhändlers : R320106525
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JOLLY PHILIPPE
ISLAM MODE D EMPLOI - VOLUME 1
PHILIPPE JOLLY EDITIONS
Referenz des Buchhändlers : SLIVCN-9782957701827
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JOLY PHILIPPE
L AGEDA DE L AMATEUR DE CHAMPIGNONS -
RUSTICA. Non daté. In-4. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 183 pages augmentées de nombreuses illustrations en couleur dans et hors texte - Code de bibliotheque au dos - NON DATE. . . . Classification Dewey : 579.5-Les champignons
Referenz des Buchhändlers : R260191001
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Joly ( Philippe )
L'agenda de l'amateur de champignons
Rustica éditions 1997, album cartonné, 184pp avec des photographies en couleurs - très bon état
Referenz des Buchhändlers : 60833
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JOLY Philippe
Le Petit Guide Des Champignons
Paris Sélection Du Reader's Digest 1995 In 12 Facilement consultable et tenant dans la poche pour emporter en cueillette . Bien illustré de dessins ressemblant en couleurs . Mais passez tout de même par la pharmacie en revenant , c'est une règle d'or .- 64 p. , 250 gr.
Referenz des Buchhändlers : 005834
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Joly Philippe, Collectif
Les champignons comestibles des bois - l'essentiel en poche
Rustica. 1990. In-16. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 96 pages. Nombreuses photos couleur, hors texte. Recouvert d'une jaquette en plastique transparent.. Avec Jaquette. . . Classification Dewey : 579.5-Les champignons
Referenz des Buchhändlers : R200120280
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Joly Philippe
Les champignons toxiques des bois et des prés
Editions Rustica. 1990. In-12. Broché. Bon état, Coins frottés, Dos satisfaisant, Intérieur acceptable. 96 pages. Papier légèrement jauni. Carte postale d'éditeur conservée. Nombreuses photos en couleurs.. . . . Classification Dewey : 635.8-Champignons
Referenz des Buchhändlers : RO30365152 ISBN : 220503989
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JOLY PHILIPPE
PETIT GUIDE DES CHAMIGNONS
Sélection du Reader's Digest. 1996. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 63 pages. Illustré de nombreux dessins en couleur.. . . . Classification Dewey : 579.5-Les champignons
Referenz des Buchhändlers : RO40083872 ISBN : 270980641
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JOLY PHILIPPE
RECONNAITRE - CULTIVER - CUISINER - LES CHAMPIGNONS
RMC. 1988. In-8. Relié. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 320 pages - nombreuses photos et illustrations en noir et blanc et en couleurs dans et hors texte - 1er plat en couleur - frontispice en couleur.. . . . Classification Dewey : 635.8-Champignons
Referenz des Buchhändlers : RO20170256
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Joly Philippe
Reconnaitre cultiver cuisiner les champignons
RMC édition. 1988. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 320 pages. Nombreuses photos en couleurs dans le texte et hors texte.. . . . Classification Dewey : 579.5-Les champignons
Referenz des Buchhändlers : R200114634
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JOLY, Philippe
Reconnaitre, cultiver, cuisiner les champignons
Ed. Radio Monte-Carlo -1988 - In-8 - Cartonnage éditeur illustré en couleurs - Illustrations en couleurs dans le texte - 320 pages - Propre
Referenz des Buchhändlers : 16702
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Jolles, Claudia & Felicity Lunn & Philippe Pirotte & Madeleine Schuppli
Yesterday Will be Better : Taking Memory Into the Future
Kerber. New. 2011. Paperback. 3866784090 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in German and English. 228 pp. ; 113 illus. 89 in color. -- with a bonus offer-- . Kerber paperback
Referenz des Buchhändlers : 96906 ISBN : 3866784090 9783866784093
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JONES Philippe
"uvres littéraires 1 : poésie, 1944-2004; uvres littéraires 2 : fictions, 1991-2004. (2 volumes)."
Paris, La Différence, 2005. 15 x 23, 2 volumes, 445 + 303 pages, broché + jaquette, état neuf.
Referenz des Buchhändlers : 29179
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JONAS, Philippe de
... ET VICE-VERSA...
Paris Eric Losfeld. Editeur 1968 in 8 (21,5x14) 1 volume reliure cartonnée bleue de l'éditeur sous jaquette imprimée, 189 pages [1], imprimé sur papier bleu. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Referenz des Buchhändlers : 37700
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JONAS (Philippe de )
... et vice versa.
Paris, Eric Losfeld, 1967. In-8°, 166p. Broché, couverture illustrée.
Referenz des Buchhändlers : 29674
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JONAS Philippe ( De )
...et vice versa...
Eric Losfeld Editeur Paris 1968 In-8 ( 215 X 140 mm ) de 189 pages, cartonnage bleu à la bradel sous jaquette imprimée. Edition originale. Bel exemplaire imprimé sur papier bleu.
Referenz des Buchhändlers : 526598
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JONES Philippe
AMOUR ET AUTRES VISAGES
Couverture souple P , Les lettres , 1956 , in8 broché , 93pp . Tiré à 750 exemplaires numérotés ( l' un des alfa ) . Envoi de l' auteur . Quelques ratures à l' encre . Langue: Français
Referenz des Buchhändlers : M17837
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Jonnaert, Philippe
Compétences et socioconstructivisme. Un cadre théorique
De Boeck Couverture souple Bruxelles 2002
Referenz des Buchhändlers : 24976
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JONES PHILIPPE
D'ENCRE ET D'HORIZONS. POEMES 1981-1987
DE LA DIFFERENCE. 1989. In-12. Broché. Très bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 201 pages. Couverture rempliée.. . . . Classification Dewey : 841-Poésie
Referenz des Buchhändlers : R160121762
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Jones Philippe
D'un espace renoué
Le Cormier In-4, broché, couverture rempliée l'un des 600 ex sur Da Costa dédicacé par l'auteur en signe amical, bel exemplaire sous tous rapports.
Referenz des Buchhändlers : 10125
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JONNAERT PHILIPPE
DE L'INTENTION AU PROJET / 2e EDITION.
DE BOECK UNIVERSITE. 1996. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 145 pages - Rares traces de feutre jaune in texte.. . . . Classification Dewey : 370-Education
Referenz des Buchhändlers : R320042428
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Jon Manchip White
Diego Velazquez: painter and courtier
Hamish hamilton 1969 in8. 1969. Cartonné. Cette monographie de Jon Manchip White publiée en 1969 explore la vie et l'œuvre du peintre espagnol Diego Velázquez en mettant l'accent sur sa double carrière d'artiste et de courtisan à la cour du roi Philippe IV d'Espagne. Le livre illustré et documenté examine comment son rôle à la cour a influencé son art
Referenz des Buchhändlers : 100146596 ISBN : 24101624
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JONES (Philippe)
D’Encre et d’Horizon. Poèmes 1981-1987
De la Différence, coll. « Littérature » 1989 Expédition très soignée, tous les mardis et vendredis. . In-12. Broché. Livre en Français. Très bon état d’occasion.
Referenz des Buchhändlers : 49240
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JONAS Philippe de
EROS EXISTE JE L'AI RENCONTRE
Eric LOSFELD. 1970. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos plié, Intérieur frais. 241 pages.. . . . Classification Dewey : 0-GENERALITES
Referenz des Buchhändlers : R160003955
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