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Marcel Carne (director, screenwriter); Eugene Dabit (novel); Annabella, Jean-Pierre Aumont, Louis Jouvet, Arietty (starring)
Hotel du Nord Two original photographs from the Los Angeles premiere of the 1938 film
Paris: Societe d'Exploitation et de Distribution de Films 1938. Two vintage black-and-white photographs from the US premiere of the 1964 film. Mimeo snipe affixed to the versos as issued noting that the film is making its debut at the Esquire Theatre in Los Angeles. Also on the verso is a stamp for the US distributor THEATRICAL PLAYS. <br /> <br /> Carne's pre-war mood-drenched masterpiece that followed the thematically similar "Port of Shadows" and preceding the much greater fame that would come to his work in 1945 with "Children of Paradise." <br /> <br /> 8 x 10 inches. Fine. Societe d'Exploitation et de Distribution de Films unknown
Référence libraire : 157031
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Marcel Carne (director, screenwriter); Jean Laborde (novel); Raymond Voinquel (photographer); Paul Andreota (screenwriter); Jacq
Law Breakers Les Assasins de l'Ordre Original photograph Marcel Carne and Jacques Brel on the set of the 1971 film
N.p.: N.p. 1971. Vintage borderless reference photograph of Macel Carne and Jacques Brel on the set of the 1971 film by photographer Raymond Voinquel.<br /> <br /> Based on the 1956 French novel "Les Assasins de l'Ordre" by Jean Laborde.<br /> <br /> A judge in a small provincial town investigates the death of a man who died after an interrogation while in police custody.<br /> <br /> 9.5 x 7 inches. Small single faint crease in bottom left corner else Near Fine. N.p. unknown
Référence libraire : 150462
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Marcel Carne (director); Raymond Voinquel (photographer); Jacques Viot, Jacques Prevert (screenwriters); Jean Gabin, Jacqueline
Le Jour Se Leve Daybreak Original photograph from the 1939 film
N.p.: N.p. 1939. Vintage borderless double weight reference photograph of Jean Gabin and Jacqueline Laurent from the 1939 film. "C. Comercial Radiolux Amanece" stamp and annotations in manuscriptic red and blue pencil on verso. <br /> <br /> Francois Gabin pursued by the police has barricaded himself in a room at the top of a building after shooting and killing the Machiavellian Valentin Jules Berry over their mutual love interest Francoise Laurent. <br /> <br /> Remade in 1947 as "The Long Night" directed by Anatole Litvak and starring Henry Fonda and Barbara Bel Geddes.<br /> <br /> 7.75 x 9.75 inches. Very Good plus with some light creasing. <br /> <br /> Grant France. N.p. unknown
Référence libraire : 150150
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Marcel Carne (director); Raymond Voinquel (photographer); Jean Gabin (starring); Jacques Viot, Jacques Prevert (screenwriters)
Le jour se leve Daybreak Original double weight photograph from the 1939 film
Paris: Productions Sigma 1939. Vintage double weight photograph from the 1939 film. Shot and struck by the film's still photographer Raymond Voinquel with his name in tiny print at the bottom left corner of the image and the film title at the bottom right. <br /> <br /> A striking image shot from the top of a tall tenement stairwell looking straight down as all the tenants looking up. A significant image as well as it is pulled from a location that is at the heart of the story where Jean Gabin-pursued by the police-has barricaded himself in a room at the top of the building after shooting and killing a fellow foundry working in an argument. <br /> <br /> 8.5 x 11. 25 inches. In a museum quality frame. Four small discolorations at the corners of the verso from an old non-archival mounting else about Fine. Productions Sigma unknown
Référence libraire : 135595
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Marcel Carne (director, screenwriter); Henri Jeanson, Henri-Francois Rey (screenwriters); Hal Ellson (novel); Daniele Gaubert, R
Wasteland Six original press photographs from the 1960 film
N.p.: Films Rive Gauche 1960. Six vintage press photographs for the 1960 film. Housed in a brown paper envelope presumably as issued. Envelope with manuscript ink annotation. <br /> <br /> Loosely based on the 1950 novel "Tomboy" by Hal Ellson. A teenage girl tomboy is the leader of a gang of other young people. The crimes they commit become more serious leading her and two other members to be ostracized and on the run. <br /> <br /> Set in the Paris suburbs. <br /> <br /> 7.25 x 5 inches. Good with foxing at the right and left side of the photographs and some wear to the finish. Films Rive Gauche unknown
Référence libraire : 160049
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Marcel Carne (director, screenwriter); Hal Ellson (novel); Jean Jungmann, Manuel Litran (photographers); Henri Jeanson, Henri-Fr
Wasteland Terrain vague 30 original press photographs from the 1960 film
N.p.: N.p. 1960. Collection of 30 vintage press photographs and contact sheets from promotional events for the 1960 French-Italian film here under the original French title "Terrain vague." All photographs housed in a large brown folder with the French title in manuscript ink on the flap. <br /> <br /> Based on Hal Ellson's groundbreaking 1950 cult novel "Tomboy." Dan Gaubert is a tough gang leader who dresses and fights like a man. She and two others including Babar Bras are ostracized due to their behavior and she falls in love with Lucky Cafarelli while Babar commits suicide. A late entry for film noir regular and poetic realist Carné whose notable credits include "Port of Shadows" 1938 "The Devil's Envoys" 1942 and "Children of Paradise" 1945. <br /> <br /> Set in Paris. <br /> <br /> Photos range in size from 4.75 x 6.75 inches to 9 x 11.25 inches. Very Good plus overall foxing to versos light curling and rubbing. N.p. unknown
Référence libraire : 143859
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Marcel Carne director screenwriter; Eugene Dabit novel; Annabella Jean Pierre Aumont Louis Jouvet Arietty starring
Hotel du Nord Set of 3 original photographs from the Los Angeles premiere of the 1938 film
Paris: Societe d'Exploitation et de Distribution de Films 1938. Set of 3 black-and-white still photographs from the US premiere of the 1964 film. Each with a mimeo snipe affixed to the verso as issued noting that the film is making its debut at the Esquire Theatre in Los Angeles. Also on the verso is a stamp for the US distributor THEATRICAL PLAYS. <br/><br/>A very rare set of photographs from Carne's pre-war mood drenched masterpiece that followed the thematically similar "Port of Shadows" and preceding the much greater fame that would come to his work in 1945 with "Children of Paradise" <br/><br/>8 x 10 inches. Fine. <br/><br/>Complete collation details available on request. Societe d'Exploitation et de Distribution de Films unknown books
Référence libraire : 134874
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Marcel Carne director screenwriter; Hal Ellson novel; Jean Jungmann Manuel Litran photographers; Henri Jeanson Henri Francois
Wasteland Terrain vague Collection of 30 original press photographs from the 1960 film
N.p.: N.p. 1960. Collection of 30 vintage press photographs and contact sheets from promotional events for the 1960 French-Italian film here under the original French title "Terrain vague." All photographs housed in a large brown folder with the French title in holograph ink on the flap. <br/><br/>Based on Hal Ellson's groundbreaking 1950 cult novel "Tomboy." Dan Gaubert is a tough gang leader who dresses and fights like a man. She and two others including Babar Bras are ostracized due to their behavior and she falls in love with Lucky Cafarelli while Babar commits suicide. A late entry for film noir regular and poetic realist Carné whose notable credits include "Port of Shadows" 1938 "The Devil's Envoys" 1942 and "Children of Paradise" 1945. <br/><br/>Set in Paris. <br/><br/>Photos range in size from 4.75 x 6.75 inches to 9 x 11.25 inches. Very Good plus overall foxing to versos light curling and rubbing. <br/><br/>Complete collation details available on request. N.p. unknown books
Référence libraire : 143859
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Marcel Carne director screenwriter; Jean Laborde novel; Raymond Voinquel still photographer; Paul Andreota screenwriter; Jacque
Law Breakers Les Assasins de l'Ordre Original photograph Marcel Carne and Jacques Brel on the set of the 1971 film
N.p.: N.p. 1971. Vintage borderless reference photograph of Macel Carne and Jacques Brel on the set of the 1971 film by photographer Raymond Voinquel.<br/><br/>Based on the 1956 French novel "Les Assasins de l'Ordre" by Jean Laborde.<br/><br/>A judge in a small provincial town investigates the death of a man who died after an interrogation while in police custody.<br/><br/>9.5 x 7 inches. Small single faint crease in bottom left corner else Near Fine. N.p. unknown books
Référence libraire : 150462
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Marcel Carne director; Raymond Voinquel photographer; Jean Gabin starring; Jacques Viot Jacques Prevert screenwriters
Le jour se leve Daybreak Original double weight photograph from the 1939 film
Paris: Productions Sigma 1939. Vintage double weight photograph from the 1939 film. Shot and struck by the film's still photographer Raymond Voinquel with his name in tiny print at the bottom left corner of the image and the film title at the bottom right. <br/><br/>A striking image shot from the top of a tall tenement stairwell looking straight down as all the tenants looking up. A significant image as well as it is pulled from a location that is at the heart of the story where Jean Gabin-pursued by the police-has barricaded himself in a room at the top of the building after shooting and killing a fellow foundry working in an argument. <br/><br/>8.5 x 11. 25 inches. In a museum quality frame. Four small discolorations at the corners of the verso from an old non-archival mounting else about Fine. Productions Sigma unknown books
Référence libraire : 135595
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Marcel Carne director; Raymond Voinquel still photographer; Jacques Viot Jacques Prevert screenwriters; Jean Gabin Jacqueline
Le Jour Se Leve Daybreak Original photograph from the 1939 film
N.p.: N.p. 1939. Vintage borderless double weight reference photograph of Jean Gabin and Jacqueline Laurent from the 1939 film. "C. Comercial Radiolux Amanece" stamp and annotations in holographic red and blue pencil on verso. <br/><br/>Francois Gabin pursued by the police has barricaded himself in a room at the top of a building after shooting and killing the Machiavellian Valentin Jules Berry over their mutual love interest Francoise Laurent. <br/><br/>Remade in 1947 as "The Long Night" directed by Anatole Litvak and starring Henry Fonda and Barbara Bel Geddes.<br/><br/>7.75 x 9.75 inches. Very Good plus with some light creasing. <br/><br/>Grant France. N.p. unknown books
Référence libraire : 150150
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Marcel Ophuls (director, screenwriter, subject)
Hotel Terminus: The Life and Times of Klaus Barbie Original photograph of Marel Ophuls from the set of the 1988 film
N.p.: N.p. 1988. Vintage photograph of Marcel Ophuls at work on the 1968 documentary film. <br /> <br /> Ophuls' documentary chronicling the life of Klaus Barbie "The Butcher of Lyon" an SS and Gestapo functionary and Nazi war criminal from his childhood through his deportation from Bolivia to stand trial for crimes against humanity in France in 1983. <br /> <br /> Winner of the Academy Award for Best Documentary and the International Federation of Film Critics FIPRESCI Prize at Cannes where it was premiered.<br /> <br /> 8 x 10 inches. Near Fine. N.p. unknown
Référence libraire : 148206
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Marcel Ophuls (director, screenwriter); Andre Harris (screenwriter)
The Sorrow and the Pity Original program for the 1969 film
New York: Cinema 5 1972. Original American program for the 1969 French documentary film. <br /> <br /> A two-part film exploring collaboration and resistance to the Vichy government and Nazi Germany in the French town of Clermont-Ferrand. Nominated for an Academy Awards for Best Documentary. <br /> <br /> 7.5 x 11 inches in self wrappers. Printed on newsprint. Near Fine with a shallow horizontal fold crease and light soil. Cinema 5 unknown
Référence libraire : 142998
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Marcel Ophuls director screenwriter; Andre Harris screenwriter
The Sorrow and the Pity Original program for the 1969 film
New York: Cinema 5 1972. Original American program for the 1969 French documentary film. <br/><br/>A two-part film exploring collaboration and resistance to the Vichy government and Nazi Germany in the French town of Clermont-Ferrand. Nominated for an Academy Awards for Best Documentary. <br/><br/>7.5 x 11 inches in self wrappers. Printed on newsprint. Near Fine with a shallow horizontal fold crease and light soil. Cinema 5 unknown books
Référence libraire : 142998
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Marcel Pagnol (play, screenwriter); Marc Allegret (director); Raimu, Orane Damazis, Pierre Fresnay (starring)
Fanny Original photograph from the 1932 French film
N.p.: N.p. 1932. Vintage oversize double weight reference photograph from the 1932 film showing the fish stand in the Marseille harbor. With a manuscript pencil annotation on the verso noting the number 8. <br /> <br /> A young fishmonger's daughter discovers she's pregnant with little chance of marriage to the father who has departed overseas for a sailor's life. The second film in director Marc Allegret's delicate lyrical Marseillaise trilogy preceded by "Marius" 1931 and followed by "Cesar" 1936. <br /> <br /> Set and shot on location in Marseille. <br /> <br /> 9 x 11.25 inches. Very Good plus slightly wavy at the bottom edge with some soil on the bottom half of the recto only.<br /> <br /> Criterion Collection 883. Godard Histoires du cinema. N.p. unknown
Référence libraire : 149934
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Marcel Pagnol (Author) Berri, Claude (Film Director)
JEAN DE FLORETTE & MANON OF THE SPRINGS: POSTER.
BERKELEY: NORTH POINT PRESS. Fine with no dust jacket. 1987. Poster. Promotional POSTER. 15" X 22" Fine on single printed sheet. Features a full-color scene from the Claude Berri directed film adaptation of Marcel Pagnol's novels. Nicely suited for framing. G . NORTH POINT PRESS. unknown
Référence libraire : 309994
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Marcel Pagnol (director); Jean Giono (novel); Roger Corbeau (photographer); Raimu, Ginette Leclerc, Fernand Charpin (starring)
La femme du boulanger The Baker's Wife Original photograph of Marcel Pagnol Robert Bassac and Robert Vattier on the set of the 1938 French film
N.p.: N.p. 1937. Vintage double weight photograph from the 1938 film. A candid on-the-set photograph by the film's credited still photographer Roger Corbeau capturing a scene in the town square between the town priest Robert Vattier and schoolteacher Robert Bassac with the camera crew just to the left director Marcel Pagnol looking on in the center background and several members of the cast waiting just outside the frame to the far right. With Roger Corbeau's photo credit "PHOTO ROGER CORBEAU" at the bottom left of the frame. With a stamp for the Cinemonde Archives on the verso.<br /> <br /> An extraordinary "fourth wall" shot demonstrating at once the method and the magic of Pagnol's filmmaking as well as his relentless interest in provincial life in France. <br /> <br /> Loosely based on Jean Giono's 1932 novel "Blue Boy" the film follows a small-town baker's wife who runs away with a handsome younger shepherd leaving the baker heartbroken and unable to work. The villagers who initially laugh at his cuckoldry soon take the matter very seriously and organize a plan to find the wife and to bring her back to her husband. <br /> <br /> 9.25 x 7 inches. About Fine. N.p. unknown
Référence libraire : 150439
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Marcel Pagnol (director); Roger Corbeau (photographer)
Marcel Pagnol and Raimu on the set of "Le femme du boulanger" The Baker's Wife 1938
N.p.: N.p. 1937. Vintage double weight photograph from the 1938 film. A candid on-the-set photograph by the film's credited still photographer Roger Corbeau of a cafe scene featuring the film's principal character actor Raimu with the camera crew just to the left in the shadows the borders of the studio set clearly visible. With Roger Corbeau's photo credit "PHOTO ROGER CORBEAU" at the bottom left of the frame. On the verso is a rubber stamp for the Cinemonde Archives. <br /> <br /> An extraordinary "fourth wall" shot demonstrating at once the method and the magic of Pagnol's filmmaking as well as his relentless interest in provincial life in France. In this film a new baker Aimable Raimu settles down in a small French village. His wife Aurelie is beautiful and much younger than he. She departs with a shepherd the night after Aimable produces his first breads. Aimable is so afflicted that he cannot work anymore. The villagers who initially laugh at his cuckoldry soon take the matter very seriously they want the bread and organize a plan to find Aurelie and to bring her back to the bakery and her husband. <br /> <br /> In a custom museum-quality frame archivally mounted with UV glass. 9.25 by 7 inches. Four tiny single pinholes at the corners within the white marginal border. Near Fine overall. N.p. unknown
Référence libraire : 133241
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Marcel Pagnol director; Roger Corbeau photographer
Marcel Pagnol on the set of "Le femme du boulanger" The Baker's Wife 1938
N.p.: N.p. 1937. Vintage double weight photograph from the 1938 film. A candid on-the-set photograph by the film's credited still photographer Roger Corbeau of a cafe scene featuring the film's principal character actor Raimu with the camera crew just to the left in the shadows the borders of the studio set clearly visible. With Roger Corbeau's photo credit "PHOTO ROGER CORBEAU" at the bottom left of the frame. On the verso is a rubber stamp for the Cinemonde Archives. <br/><br/>An extraordinary "fourth wall" shot demonstrating at once the method and the magic of Pagnol's filmmaking as well as his relentless interest in provincial life in France. In this film a new baker Aimable Raimu settles down in a small French village. His wife Aurelie is beautiful and much younger than he. She departs with a shepherd the night after Aimable produces his first breads. Aimable is so afflicted that he cannot work anymore. The villagers who initially laugh at his cuckoldry soon take the matter very seriously they want the bread and organize a plan to find Aurelie and to bring her back to the bakery and her husband. <br/><br/>In a custom museum-quality frame archivally mounted with UV glass. 9.25 by 7 inches. Four tiny single pinholes at the corners within the white marginal border. Near Fine overall. N.p. unknown books
Référence libraire : 133241
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Marcel Varnel (director); Roger Burford (screenwriter); Walter Hackett (playwright); Clifford Mollison, Wendy Barrie, Zelma O'Ne
Freedom of the Seas Original screenplay for the 1934 film
Elstree: British International Pictures 1934. Draft script for the 1934 film. With manuscript pencil and ink annotations on the front wrapper and first leaf.<br /> <br /> A wimpy foppish clerk is fired from his job and as a last resort enlists in the Navy.<br /> <br /> Tall orange titled wrappers noted as copy No. 1 dated 25th January 1934. Title page present dated 25th January 1934. 139 leaves with last page of text numbered 137. Mimeograph duplication rectos only. Pages Very Good wrapper Very Good with soiling and dampstaining to both and rusting near the page binding with silver prong binding. British International Pictures unknown
Référence libraire : 146328
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Marcel Varnel (director); Bert Lee, RP Weston (play); Marriott Edgar, Val Guest (screenwriters); Jimmy Nervo, Teddy Knox, Bud Fl
O-Kay for Sound Original photograph of Chesney Allen and Graham Moffat on the set of the 1937 film
N.p.: N.p. 1937. Vintage publicity photograph from the set of the 1937 film showing actors Chesney Allen Graham Moffat and other crew members posing around a camera setup. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> Allen and Moffat were members of the Crazy Gang a group of British entertainers formed in the 1930s and popular throughout the wartime years. The gang produced a string of comedy films directed by Marcel Varnel "O-Kay for Sound" being the first followed by "Alf's Button Afloat" in 1938 "The Frozen Limits" in 1939 "Gasbags" in 1941 and "Life is a Circus" in 1958. <br /> <br /> 10 x 8 inches. Very Good plus faintly toned. N.p. unknown
Référence libraire : 151224
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Marcel Varnel (director); Reginald Beckwith (play); Mabel Constanduros, David Evans, Norman Lee, Doreen Montgomery, Nicholas Phi
This Man Is Mine Christmas Week-End Original screenplay for the 1946 British film
N.p.: N.p. 1945. Draft script for the 1946 British film here under the working title "Christmas Week-End." Copy belonging to uncredited Art Director George Provis with his name in blue pencil along the top of the front wrapper. With manuscript pencil annotations on seven pages including rough storyboard sketches and set sketches on the versos.<br /> <br /> Not to be confused with the 1934 US pre-Code film directed by John Cromwell.<br /> <br /> George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films.<br /> <br /> Based on the 1944 hit West End play "A Soldier for Christmas" by Reginald Beckwith. The well-to-do Ferguson family's plans for a quiet Christmas are disrupted by the arrivals of their married eldest daughter who had a row with her husband a girl from the Women's Auxiliary Air Force WAAF previously a servant in the house and a Canadian soldier named Bill who was sent by his Colonel as a punishment for getting into too many fights with British troops.<br /> <br /> Green untitled wrappers. 187 leaves with last page of text numbered 187. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with a prong binding. N.p. unknown
Référence libraire : 166140
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Marcel Varnel director; Bert Lee RP. Weston play; Marriott Edgar Val Guest screenwriters; Jimmy Nervo Teddy Knox Bud Flanaga
O-Kay for Sound Original photograph of Chesney Allen and Graham Moffat on the set of the 1937 film
N.p.: N.p. 1937. Vintage publicity photograph from the set of the 1937 film showing actors Chesney Allen Graham Moffat and other crew members posing around a camera setup. <br/><br/>From the archive of film historian and author Joel Finler.<br/><br/>Allen and Moffat were members of the Crazy Gang a group of British entertainers formed in the 1930s and popular throughout the wartime years. The gang produced a string of comedy films directed by Marcel Varnel "O-Kay for Sound" being the first followed by "Alf's Button Afloat" in 1938 "The Frozen Limits" in 1939 "Gasbags" in 1941 and "Life is a Circus" in 1958. <br/><br/>10 x 8 inches. Very Good plus faintly toned. N.p. unknown books
Référence libraire : 151224
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Marcel Viller (Director)
Dictionnaire de Spiritualité Tome 2 Deuxième Partie
Beauchesne et Ses Fils. Used - Acceptable. Paris: Beauchesne et Ses Fils 1953. Rebound. Volume 2. Part 2. 4to Hardcover. pp1266-2707. French. Ex-Library Reading Copy. Boards soiled. Half title page and title page detached but present. Pages toned. Penciled notations to original front wrapper. With usual library markings. catholicism catholic reference Inquire if you need further information. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES. Beauchesne et Ses Fils hardcover
Référence libraire : MA07A-07069
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Marcello Fondato (director); Dacia Maraini (screenwriter); Glauco Cortini (photographer); Claudia Cardinale, Catherine Spaak, Ro
Diary of a Telephone Operator Certo certissimo. anzi probabile Original photograph of Claudia Cardinale and Catherine Spaak from the 1969 film
N.p.: Clesi Cinematografica 1969. Vintage borderless reference photograph from the 1969 film showing actors Catherine Spaak and Claudia Cardinale. With the stamp of photographer Glauco Cortini to the verso along with a manuscript ink annotation identifying the actors. <br /> <br /> A woman's obsession with finding a husband ruins her friendship with her best friend and roommate.<br /> <br /> Set and shot on location in Rome. <br /> <br /> 12 x 8 inches. Near Fine. Clesi Cinematografica unknown
Référence libraire : 149345
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Marcello Fondato director; Dacia Maraini screenwriter; Glauco Cortini still photographer; Claudia Cardinale Catherine Spaak Ro
Diary of a Telephone Operator Certo certissimo. anzi probabile Original photograph of Claudia Cardinale and Catherine Spaak from the 1969 film
N.p.: Clesi Cinematografica 1969. Vintage borderless reference photograph from the 1969 film showing actors Catherine Spaak and Claudia Cardinale. With the stamp of photographer Glauco Cortini to the verso along with a holograph ink annotation identifying the actors. <br/><br/>A woman's obsession with finding a husband ruins her friendship with her best friend and roommate.<br/><br/>Set and shot on location in Rome. <br/><br/>12 x 8 inches. Near Fine. Clesi Cinematografica unknown books
Référence libraire : 149345
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Marcello Mastroianni (starring); Christopher Morahan (director); Ernesto Gastaldi, Ronald Harwood, Pierre Rouve, NF Simpson (scr
Diamonds for Breakfast Original screenplay for the 1968 film
London: Bridge Films 1968. Draft script for the 1968 British film. Copy belonging to an unknown crew member with their annotations in manuscript ink throughout noting props and new characters. <br /> <br /> A man who claims to be the rightful heir to the Russian Imperial Jewels hires a motley crew of petty thieves and cat burglars to steal them from a museum. <br /> <br /> OCLC locates no holdings. AMPAS shows one holding. <br /> <br /> Shot on location in London and Oxfordshire. <br /> <br /> Tall red wrappers with a die-cut title window in the British style. Title page present undated with credits for screenwriters Ernesto Gastaldi Ronald Harwood Pierre Rouve and N.F. Simpson. 126 leaves with last page of text numbered 124. Xerographic duplication rectos only. Pages Very Good wrapper Very Good with creasing affecting the final 15 leaves and rear wrapper and front wrapper reinforced with yellow tape on the edges. Bound internally with three silver brads. Bridge Films unknown
Référence libraire : 158735
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Marcello Mastoianni, Anita Ekberg, Anouk Aimee (starring); Federico Fellini (director, screenwriter); Ennio Flaiano, Tullio Pine
La Dolce Vita Four original photographs from the 1960 film
N.p.: N.p. 1960. Four vintage borderless reference photographs from the 1960 film all four showing actress Anita Ekberg.<br /> <br /> Federico Fellini's most pivotal film if not his finest. Unlike the more sentimental and abstract films that would follow "La Dolce Vita" is an unflinching 7-day journey through 1960s Rome with a jaded journalist at the center of the story constantly surrounded by revelry beautiful women and a beautiful city but no semblance of happiness or love. Winner of the Palme d'Or. Winner of one Academy Award and nominated for three others including Best Director and Best Screenplay. <br /> <br /> Shot on location in Rome and Vatican City Italy. <br /> <br /> 7 x 5 inches. Near Fine. <br /> <br /> Criterion Collection 733. Ebert I. Scorsese My Voyage to Italy. N.p. unknown
Référence libraire : 162324
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Marco Bellocchio (director, screenwriter); Sergio Bazzini (screenwriter); Franco Nero, Miou-Miou, Michele Placido, Ekkehardt Bel
Victory March La Marche Triomphale Original oversize color photograph of Miou-Miou from the 1976 Italian film
N.p.: N.p. 1976. Vintage oversize borderless color reference photograph of actress Miou-Miou from the 1976 Italian film. With two stamps on the verso one for La Excelsior Films N.V. and the other a large capital "F."<br /> <br /> A young college graduate with staunch anti-military beliefs finds himself unwittingly enlisted in the Italian army where he begins a relationship with his cruel captain's beautiful wife.<br /> <br /> Set and shot on location in Rome.<br /> <br /> 11.75 x 9.25 inches. Near Fine. N.p. unknown
Référence libraire : 149663
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Marco Bellocchio director screenwriter; Sergio Bazzini screenwriter; Franco Nero Miou Miou Michele Placido Ekkehardt Belle s
Victory March La Marche Triomphale Original oversize color photograph of Miou-Miou from the 1976 Italian film
N.p.: N.p. 1976. Vintage oversize borderless color reference photograph of actress Miou-Miou from the 1976 Italian film. With two stamps on the verso one for La Excelsior Films N.V. and the other a large capital "F."<br/><br/>A young college graduate with staunch anti-military beliefs finds himself unwittingly enlisted in the Italian army where he begins a relationship with his cruel captain's beautiful wife.<br/><br/>Set and shot on location in Rome.<br/><br/>11.75 x 9.25 inches. Near Fine. N.p. unknown books
Référence libraire : 149663
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Marco Ferreri (director, screenwriter); Gerard Brach, Rafael Azcona (screenwriters); Gerard Depardieu, James Coco, Marcello Mast
Bye Bye Monkey Rêve de singe Two original photographs from the 1978 film
Paris: Roissy Films 1978. Two vintage borderless reference photographs from the 1978 film. Manuscript ink annotations on the verso. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> A darkly comic dystopian fantasy set in New York about a lonely French electrician who attempts to raise a baby chimpanzee. <br /> <br /> Shot on location in New York City. <br /> <br /> 9.5 x 7 inches. Near Fine. Roissy Films unknown
Référence libraire : 155852
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Marco Ferreri (director, screenwriter); Gerard Brach, Rafael Azcona (screenwriters); Gerard Depardieu, James Coco, Marcello Mast
Bye Bye Monkey Rêve de singe Original photograph from the 1978 film
Paris: Roissy Films 1978. Vintage oversize borderless color photograph of Gerard Depardieu and the star chimpanzee from the 1978 film. With manuscript ink annotations on the verso. <br /> <br /> An Italian-French production about a man who lives in a New York City basement and works as a jack of all trades for the owner of a wax museum and a feminist theater group. He finds an abandoned chimpanzee on the beach who he attempts to raise. A bleak and desolate depiction of New York City. Filmed in English and released dubbed in both French and Italian. <br /> <br /> Shot on location in New York City. <br /> <br /> 9.5 x 12 inches. Very Good plus. Roissy Films unknown
Référence libraire : 144304
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Marco Ferreri (director, screenwriter); Bernard Prim (photographer); Rafael Azcona (screenwriter); Catherine Deneuve, Marcello M
Don't Touch the White Women! Original photograph from the 1974 film
Paris: Films sans Frontieres 1974. Vintage borderless press photograph showing director Marco Ferreri on the set of the 1974 French-Italian film with camera and crew behind him. With stamps of photographer Bernard Prim and French magazine "Paru dans le point" as well as manuscript annotations on the verso. <br /> <br /> A farcical reenactment of the events leading up to and including The Battle of Little Big Horn anachronistically set in a contemporary area of Paris slated for urban renewal. <br /> <br /> 9.25 x 6.25 inches. Near Fine. <br /> <br /> Cox 10000 Ways to Die. Films sans Frontieres unknown
Référence libraire : 144958
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Marco Ferreri (director, screenwriter); Sergio Amidei, Anthony Foutz (screenwriters); Ben Gazzara, Ornella Muti, Susan Tyrrell (
Tales of Ordinary Madness Storie di ordinaria follia Original photograph of Ben Gazzara and Katya Berger from the 1981 film
N.p.: N.p. 1981. Vintage borderless color reference photograph from the 1981 film showing Ben Gazzara and Katya Berger on a beach. Annotations in manuscript ink on the verso.<br /> <br /> Based on the 1972 short story collection "Erections Ejaculation Exhibitions and General Tales of Ordinary Madness" by Charles Bukowski. The first film adaptation of Bukowski's work and one of the most challenging films of the 1980s.<br /> <br /> Shot on location in California New York and Georgia. <br /> <br /> 6.5 x 9.5 inches. Very Good plus with the finish on the top portion of the photograph lightly worn. N.p. unknown
Référence libraire : 156644
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Marco Ferreri (director, screenwriter); Rafael Azcona (screenwriter); Ugo Tognazzi, Annie Girardot (starring)
The Ape Woman La donna scimmia Original photograph from the 1964 film
Italy: Compagnia Cinematografica Champion 1964. Vintage borderless press photograph from the set of the 1964 film. Shown is Annie Giarardot the "ape woman" in the film in a dressing room with two other semi-clothed "normal" women conveying an immediate irony as she looks up at her husband Ugo Tognazzi standing in the doorway. With the stamps of both the French Dalmas and Italian Publifoto photo agencies on the verso. <br /> <br /> Inspired by the real life story of Julia Pastrana who suffered from a condition that caused excessive hairiness and was exhibited in a freak show and mummified after her death by her husband/manager. Nominated for the Palme d'Or at Cannes. <br /> <br /> 8.25 x 10.5 inches. Near Fine with a touch of rubbing to the edges and slight curl. Compagnia Cinematografica Champion unknown
Référence libraire : 143345
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Marco Ferreri (director, screenwriter); Velio Cioni (photographer); Rafael Azcona (screenwriter); Ugo Tognazzi, Marian Vlady (st
The Conjugal Bed Four original oversize photographs from the set of the 1963 film
Italy: Sancro Film 1963. Four vintage oversize borderless reference photographs from the 1963 Italian film. With the stamps of photographer Velio Cioni and two press agencies on the verso. Two of the photographs show crew members putting the finishing touches on a mannequin of Jesus while director Ferreri looks on. <br /> <br /> A satire of masculinity and chauvinism where a man marries a much younger woman the woman wanting nothing more than to have a child. The mental and physical strain of trying to please her drives the man to a heart attack and death. Nominated for a Palme d'Or at Cannes where Marina Vlady also won for Best Actress. <br /> <br /> 11.5 x 9.5 inches. Very Good plus. Sancro Film unknown
Référence libraire : 142070
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Marco Ferreri (director, screenwriter); Gianfranco Salis (photographer); Liliane Betti, Massimo Bucchi, Paolo Costella (screenwr
The Flesh La Carne Original double weight photographs from the 1991 film
Italy: MMD 1991. Vintage borderless double weight photograph from the 1991 film. With a stamp on the verso identifying the film and photographer. <br /> <br /> A black comedy in which a divorced man falls for a beautiful woman who uses magic to turn him into a sex slave. He doesn't seem to mind until she gets bored and wants to leave him and the things take a darker turn. Nominated for the Palme d'Or at Cannes. <br /> <br /> 11.75 x 7.5 inches. Light creasing to the corners else Near Fine. MMD unknown
Référence libraire : 143062
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Marco Ferreri (director); Rafael Azcona, Dante Matelli (screenwriters); Gerard Depardieu, Ornella Muti, Michel Piccoli, Renato S
The Last Woman L'ultima donna Original double weight photograph of Ornella Muti from the 1976 film
N.p.: N.p. 1976. Vintage borderless double weight reference photograph from the 1976 film showing actress Ornella Muti. <br /> <br /> A chauvinistic engineer has recently been abandoned by his wife leaving him with their nine month-old son. He embarks on an affair with his son's daycare worker but trouble looms when the exposure of the relationship threatens his custody rights. A film that generated controversy at the time of its release for its graphic depiction of sexuality and male nudity and for its shocking final scene. <br /> <br /> Set and shot on location in Paris. <br /> <br /> 10 x 8 inches. About Fine. N.p. unknown
Référence libraire : 153227
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Marco Ferreri (director); Gerard Depardieu, Ornella Muti (starring); Rafael Azcona, Dante Matelli (screenwriters); Michel Piccol
The Last Woman La dernière femme Original photograph from the 1976 film
N.p.: N.p. 1976. Vintage borderless reference photograph from the 1976 film showing actors Gérard Depardieu and Ornella Muti. Annotation in manuscript pencil on the verso noting the name of photographer Tazio Secchiarolli. <br /> <br /> A chauvinistic engineer has recently been abandoned by his wife leaving him with their nine month-old son. He embarks on an affair with his son's daycare worker but trouble looms when the exposure of the relationship threatens his custody rights. A film that generated controversy at the time of its release for its graphic depiction of sexuality and male nudity and for its shocking final scene. <br /> <br /> Set and shot on location in Paris. <br /> <br /> 10 x 8 inches. Very Good plus with light edgewear. N.p. unknown
Référence libraire : 158156
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Marco Ferreri (director); Rafael Azcona, Dante Matelli (screenwriters); Gerard Depardieu, Ornella Muti, Michel Piccoli, Renato S
The Last Woman L'ultima donna Original photograph of Marco Ferreri on the set of the 1976 film
N.p.: N.p. 1976. Vintage borderless matte-finish reference photograph from the set of the 1976 film showing director Marco Ferreri gesturing to his right with actor Renato Salvatori in the background. <br /> <br /> A chauvinistic engineer has recently been abandoned by his wife leaving him with their nine month-old son. He embarks on an affair with his son's daycare worker but trouble looms when the exposure of the relationship threatens his custody rights. A film which generated controversy at the time of its release for its graphic depiction of sexuality and male nudity and for its shocking final scene. <br /> <br /> Set and shot on location in Paris. <br /> <br /> 9.25 x 7 inches. About Fine. N.p. unknown
Référence libraire : 150431
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Marco Ferreri (director, screenwriter); Rafael Azcona (screenwriter); Marcello Mastroianni, Catherine Spaak, Ugo Tognazzi (starr
The Man with the Balloons Break-Up Original photograph of Catherine Spaak from the 1968 film
N.p.: N.p. 1968. Vintage reference photograph of Catherine Spaak from the 1968 film.<br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> A wealthy industrialist's obsession with balloons derails his life and his relationship with his beautiful fiancée.<br /> <br /> 8 x 10 inches. About Fine. N.p. unknown
Référence libraire : 162112
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Marco Ferreri (director, screenwriter); Rafael Azcona (screenwriter); Marcello Mastroianni, Catherine Spaak, Ugo Tognazzi (starr
The Man with the Balloons Original photograph from the 1968 film
N.p.: Compagnia Cinematografica Champion 1968. Vintage photographs from the 1968 absurdist comedy "The Man with the Balloons" also known as "Break Up" from the prolific Italian director Marco Ferreri. <br /> <br /> Marcello Mastroianni plays Mario Fuggetta a wealthy industrialist whose obsession with balloons derail his life and his relationship with his beautiful fiancee Giovanna Catherine Spaak. He'll drive himself mad trying to find out how much air a balloon can take before bursting. <br /> <br /> 8 x 10 inches. Near Fine light wear on corners. Compagnia Cinematografica Champion unknown
Référence libraire : 145934
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Marco Ferreri director screenwriter; Bernard Prim still photographer; Rafael Azcona screenwriter; Catherine Deneuve Marcello M
Don't Touch the White Women! Original photograph from the 1974 film
Paris: Films sans Frontieres 1974. Vintage borderless press photograph showing director Marco Ferreri on the set of the 1974 French-Italian film with camera and crew behind him. With stamps of photographer Bernard Prim and French magazine "Paru dans le point" as well as holograph annotations on the verso. <br/><br/>A farcical reenactment of the events leading up to and including The Battle of Little Big Horn anachronistically set in a contemporary area of Paris slated for urban renewal. <br/><br/>9.25 x 6.25 inches. Near Fine. <br/><br/>Cox 10000 Ways to Die. Films sans Frontieres unknown books
Référence libraire : 144958
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Marco Ferreri director screenwriter; Gerard Brach Rafael Azcona screenwriters; Gerard Depardieu James Coco Marcello Mastroia
Bye Bye Monkey Reve de singe Original photograph from the 1978 film
Paris: Roissy Films 1978. Vintage oversize borderless color photograph of Gerard Depardieu and the star chimpanzee from the 1978 film. With holograph ink annotations on the verso. <br/><br/>An Italian-French production about a man who lives in a New York City basement and works as a jack of all trades for the owner of a wax museum and a feminist theater group. He finds an abandoned chimpanzee on the beach who he attempts to raise. A bleak and desolate depiction of New York City. Filmed in English and released dubbed in both French and Italian. <br/><br/>Shot on location in New York City. <br/><br/>9.5 x 12 inches. Very Good plus. Roissy Films unknown books
Référence libraire : 144304
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Marco Ferreri director screenwriter; Gianfranco Salis still photographer; Liliane Betti Massimo Bucchi Paolo Costella screenw
The Flesh La Carne Original double weight photographs from the 1991 film
Italy: MMD 1991. Vintage borderless double weight photograph from the 1991 film. With a stamp on the verso identifying the film and photographer. <br/><br/>A black comedy in which a divorced man falls for a beautiful woman who uses magic to turn him into a sex slave. He doesn't seem to mind until she gets bored and wants to leave him and the things take a darker turn. Nominated for the Palme d'Or at Cannes. <br/><br/>11.75 x 7.5 inches. Light creasing to the corners else Near Fine. MMD unknown books
Référence libraire : 143062
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Marco Ferreri director screenwriter; Rafael Azcona screenwriter; Ugo Tognazzi Annie Girardot starring
The Ape Woman La donna scimmia Original photograph from the 1964 film
Italy: Compagnia Cinematografica Champion 1964. Vintage borderless press photograph from the set of the 1964 film. Shown is Annie Giarardot the "ape woman" in the film in a dressing room with two other semi-clothed "normal" women conveying an immediate irony as she looks up at her husband Ugo Tognazzi standing in the doorway. With the stamps of both the French Dalmas and Italian Publifoto photo agencies on the verso. <br/><br/>Inspired by the real life story of Julia Pastrana who suffered from a condition that caused excessive hairiness and was exhibited in a freak show and mummified after her death by her husband/manager. Nominated for the Palme d'Or at Cannes. <br/><br/>8.25 x 10.5 inches. Near Fine with a touch of rubbing to the edges and slight curl. Compagnia Cinematografica Champion unknown books
Référence libraire : 143345
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Marco Ferreri director screenwriter; Rafael Azcona screenwriter; Marcello Mastroianni Catherine Spaak Ugo Tognazzi starring
The Man with the Balloons Original photograph from the 1968 film
N.p.: Compagnia Cinematografica Champion 1968. Vintage photographs from the 1968 absurdist comedy "The Man with the Balloons" also known as "Break Up" from the prolific Italian director Marco Ferreri. <br/><br/>Marcello Mastroianni plays Mario Fuggetta a wealthy industrialist whose obsession with balloons derail his life and his relationship with his beautiful fiancee Giovanna Catherine Spaak. He'll drive himself mad trying to find out how much air a balloon can take before bursting. <br/><br/>8 x 10 inches. Near Fine light wear on corners. Compagnia Cinematografica Champion unknown books
Référence libraire : 145934
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Marco Ferreri director screenwriter; Velio Cioni still photographer; Rafael Azcona screenwriter; Ugo Tognazzi Marian Vlady sta
The Conjugal Bed Collection of 4 original oversize photographs from the set of the 1963 film
Italy: Sancro Film 1963. Collection of four vintage oversize borderless reference photographs from the 1963 Italian film. With the stamps of photographer Velio Cioni and two press agencies on the verso. Two of the photographs show crew members putting the finishing touches on a mannequin of Jesus while director Ferreri looks on. <br/><br/>A satire of masculinity and chauvinism where a man marries a much younger woman the woman wanting nothing more than to have a child. The mental and physical strain of trying to please her drives the man to a heart attack and death. Nominated for a Palme d'Or at Cannes where Marina Vlady also won for Best Actress. <br/><br/>11.5 x 9.5 inches. Very Good plus. Sancro Film unknown books
Référence libraire : 142070
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Marco V Sanchez (Economic Affairs Officer), Rob Vos (Director Of The Development Policy And Analysis Division), Enrique Ganuza (
Public Policies for Human Development Achieving the Millennium Development Goals in Latin America
PalgravMacmillan 2020. 1ST. Hardcover. New/New. PalgravMacmillan hardcover
Référence libraire : AME_9780230247765 ISBN : 0230247768 9780230247765
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Marco Vicario director screenwriter; Noelle Gillmore and Mariano Ozores screenwriters; Rossana Podesta Philippe Leory Gastone
Seven Golden Men Sette uomini d'oro Original photograph from the 1965 film
London: Warner-Pathe Distributors 1966. Vintage full-color still photograph from the 1966 UK release of the 1965 Italian-French film. <br/><br/>Full of twists criminals glamor and a swinging 1960s soundtrack this story centers around a brilliantly planned and executed robbery of a gold depository in Switzerland. <br/>Famed "Helen of Troy" 1956 star Rossana Podesta is captivating as the femme fatale girlfriend of the head robber. <br/><br/>A story set in Switzerland shot on location in Switzerland and Italy. <br/><br/>8 x 10 inches. Near Fine. Warner-Pathe Distributors unknown books
Référence libraire : 132755
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