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Art Director Jacques Maison & Comprising Group Working Artists
Artists Models Manual Number 3 Female Nude Models Pin-up Photograhy Caucasian & African American Dedicated Artists of America & those Studying Become ArtistsStrong Contrasts Silhouettes Vignettes Drybrush Techniques
New-Son Publications. Magazine Format 1940 s VG AS-IS. New-Son Publications unknown
Referencia librero : 5349
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Art Director Jacques Maison
New Girl Parade Magazine The Vol. V Nude Girl on Covers with Bow & Arrow & Target Nude Photography Pin-Up Girls Dedicated Artists of America & Those Studying Become Artists. Art Styles Their Development & Models with which to Work.
New-Son Publications. Magazine Minor Rub early 1950 s VG AS-IS. New-Son Publications unknown
Referencia librero : 5363
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Art Director Jacques Maison,
New Girl Parade Magazine The Nude Girl on Covers One Looks much Like Marilyn Monroe Front Cover Nude Photography Pin-Up Girls Dedicated Artists of America & Those Studying Become Artists. Art Styles Their Development & Models with which t
New-Son Publications. Magazine Minor Rub No Date Early 1950's VG AS-IS. Soft Cover. New-Son Publications paperback
Referencia librero : 5364
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Art Director: Tadao Yokoo / Masahiro Honda
Popular communication otoko3 Masahiro Motoki Japanese Book
Fashion News Agency 1992. Soft Cover. Fine. KOS03300029 Fashion News Agency paperback
Referencia librero : KOS03300029
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ARTHUR COLLINS (MANAGING DIRECTOR); SIDNEY SMITH, BRAM STOKER (BUSINESS MANAGERS), HENRY IRVING
THEATRE ROYAL DRURY LANE PROGRAMME OF THE ACTORS ASSOCIATION MATINEE TUESDAY 14TH JULY 1903 THE MERCHANT OF VENICE AUTOGRAPH PROGRAMME
LONDON: THE ACTORS ASSOCIATION 1903. 1st Edition . Soft cover. Good to Very Good/No Jacket. Bram Stoker was for many years the stage manager for the great Victorian actor Sir Henry Irving. This is a lovely piece of Edwardian theatre memorabilia a programme bearing both the names of Irving and Stoker. It's in Good to Very Good condition. Covers lightly rubbed and lightly marked the pages are foxed but otherwise clean throughout. A nice piece of theatrical and literary history. <br/> <br/> THE ACTORS ASSOCIATION paperback
Referencia librero : 008434
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Arthur Conan Doyle (story); John Neville, Donald Houston, John Fraser, Robert Morley (starring); James Hill (director); Jim O'Co
A Study in Terror Fog Original screenplay for the 1965 film
London: Compton-Tekli Film Productions / Sir Nigel Films 1965. Draft script for the 1965 horror film here under the working title "Fog." With a single manuscript ink annotation on the front wrapper noting the number 8.<br /> <br /> Mr. Holmes and Dr. Watson team up once again to stop Jack the Ripper from murdering Whitechapel innocents. <br /> <br /> Set in London.<br /> <br /> Blue untitled wrappers with a die-cut title window in the British style. Title page present dated 15th March 1965 with credits for screenwriters Jim O'Connolly and Donald and Derek Ford along with novelist Sir Arthur Conan Doyle. 142 leaves with last page of text numbered 140. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with three silver brads. Compton-Tekli Film Productions / Sir Nigel Films unknown
Referencia librero : 147277
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Arthur Conan Doyle (stories); Marian Grudeff, Ray Jessel (music, lyrics); Jerome Coopersmith (book); Cindy Goldfield (director)
Baker Street Original script for a 2016 staging of the 1965 Broadway musical
N.p.: N.p. 2016. Draft script for a 2016 staging of the successful 1965 Broadway musical held at 42nd Street Moon Theatre in San Francisco. <br /> <br /> The play made its Broadway debut at the Broadway Theatre in February of 1965 running through the end of October of the same year and later transferring to the Al Hirschfeld Theatre then known as the Martin Beck Theatre. The original cast included Fritz Weaver Peter Sallis Martin Gabel and Inga Swenson and garnered four Tony nominations winning one for Best Scenic Design.<br /> <br /> Self wrappers. Title page present undated with credits for playwrights Jerome Coopersmith Marian Grudeff and Raymond Jessel and story credit to Arthur Conan Doyle. 105 leaves with last page of text numbered II-34. Xerographic duplication rectos only with undated tipped-in revisions throughout. Pages about Fine partially bound with a binder clip at the top edges. N.p. unknown
Referencia librero : 169938
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Arthur Conan Doyle (short story); Roy William Neill (director); Edward T Lowe, Jr, Scott Darling, Edmund L Hartmann (screenwrite
Sherlock Holmes and the Secret Weapon Sherlock Holmes Fights Back Sherlock Holmes #2 Archive of three original screenplays and one original post-production script for the 1942 film
Universal City: Universal Pictures 1942. Archive of three scripts and one post-production script for the 1942 film.<br /> <br /> First is a First Draft script under the working title "'Sherlock Holmes' #2" by screenwriters Edward T. Lowe and Scott Darling dated March 24 1942. Ribbon copy typescript on onionskin with annotations in manuscript pencil on several pages inquiries about plotline question marks as well as dates and name of screenwriter Darling. Bound in preceding script are: A two-page carbon typescript breakdown of the story in 21 points with annotation of "1st rough draft" and "One 3/24/42" in manuscript pencil in upper right of first page. A ribbon copy typescript "continuity" breakdown of locations and sequences in ten points dated 4/6/42. A ribbon copy typescript "comments on Sherlock Holmes #2" broken into nine points dated 4-6-42 and a three-page ribbon copy typescript synopsis dated 3/24/42.<br /> <br /> Second is a Third Draft script under the working title "'Sherlock Holmes' #2" crediting screenwriter Scott Darling on front wrapper and Edward T. Love and Scott Darling on title page dated April 22 1942. Annotation in manuscript pencil of "mimeographed pink" on lower right of front wrapper. Ribbon copy typescript on onionskin with several annotations in red or graphite manuscript pencil question marks an asterisk underlines and screenwriter S. Darling's name and date "4-27-42." <br /> <br /> Third is a Draft script under the working title "Sherlock Holmes Fights Back" with name of screenwriter Edmund L. Hartmann on front wrapper. Title page credits to "Additional Changes by Edmund L. Hartmann" and screenwriters Scott Darling and Edward T. Lowe dated May 22 1942. Carbon typescript with mimeograph duplication revision pages. Bound in preceding script is a page describing concept for "The Miss Bently School for Girls" with photograph affixed illustrating concept. Annotations in red and graphite manuscript pencil throughout noting dialogue locations shots characters as well as strikes and dates.<br /> <br /> Lastly a Post-production Dialogue and Contitnuity script dated August 6 1942 with single annotation in manuscript ink on front wrapper.<br /> <br /> Loosely based on the 1903 Sherlock Holmes short story "The Adventure of the Dancing Men" by Sir Arthur Conan Doyle.<br /> <br /> The fourth Sherlock Holmes movie starring Basil Rathbone and Nigel Bruce and the second produced at Universal Studios. Preceded by "Sherlock Holmes and the Voice of Terror" 1942 directed by John Rawlins and followed by "Sherlock Holmes in Washington" 1943 also directed by Roy William Neill who would go on to direct all subsequent Holmes films at Universal.<br /> <br /> Watson and Holmes transplanted from their usual Victorian setting now in England in the midst of WWII have to protect Swiss scientist Dr. Franz Tobel and his invention an advanced bomb site from falling into the hands Nazi Germany as well as Holmes' arch-nemesis Professor Moriarty Lionel Atwill. The first Holmes film to feature Inspector Lestrade Dennis Hoey of Scotland Yard.<br /> <br /> March 24 1942 script "'Sherlock Holmes' #2":<br /> Gray titled wrappers dated March 24 1942 with credits for screenwriters Edward T. Lowe and Scott Darling. Title page integral with first page dated 3/24/42 noted as 1st draft screenplay with credits for screenwriters Lowe and Darling. 103 leaves with last page of text numbered 96. Ribbon copy typescript on onionskin rectos only. Pages Near Fine wrapper Very Good with chipping and closed tears to extremities and one large 4.5 inch closed tear on bottom of front wrapper bound with three gold brads.<br /> <br /> April 22 1942 script "'Sherlock Holmes' #2":<br /> Gray titled wrappers noted as THIRD DRAFT on the front wrapper dated April 22 1942 with credits for screenwriter Scott Darling. Title page integral with first page with credits for screenwriters Edward T. Lowe and Scott Darling. 110 leaves with last page of text numbered 110. Ribbon copy typescript rectos. Pages Near FIne wrapper Very Good with closed tears and chipping at extremities bound with three gold brads.<br /> <br /> May 22 1942 script "Sherlock Holmes Fights Back":<br /> Gray titled wrappers with credits for screenwriter Edmund L. Hartmann. Title page present dated May 22 1942 with credits for Additional Chages by screenwriter Edmund L. Hartmann screenwriters Scott Darling and Edwart T. Lowe and author Sir Arthur Conan Doyle. 107 leaves with last page of text numbered 100. Carbon typescript with mimeograph duplication revision pages rectos only with pink revision pages throughout undated. Pages Near Fine wrapper Very Good with large closed tear to front wrapper and chipping and closed tears to extremities bound with three gold brads.<br /> <br /> script:<br /> Titled self wrappers noted as DIALOGUE CONTINUITY on the front wrapperdated August 6 1942 with credits for director Neill. 109 leaves. Mimeograph duplication rectos only. Pages Near Fine bound at top with two gold brads. Universal Pictures unknown
Referencia librero : 149240
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Arthur Conan Doyle (short story); John Rawlins (director); Lynn Riggs, John Bright, Robert Hardy Andrews (screenwriters); Basil
Sherlock Holmes and the Voice of Terror Sherlock Holmes vs. Lord Haw-Haw Sherlock Holmes #1 Sherlock Holmes Saves London Sherlock Holmes and the Voice of Fear Archive of three original screenplays and one original post-production script for the 1942 film
Universal City: Universal Pictures 1942. Archive of three scripts and one post-production script for the 1942 film. May 4 script missing one page likely as used or issued.<br /> <br /> First an early Draft script under the working title "Sherlock Holmes vs. Lord Haw-Haw" by screenwriter John Bright noted as "Contract File Copy" on front wrapper. Carbon typescript preceded by a four page ribbon copy typescript outline dated 3/10/42. Annotation of inquiry into necessary story elements and plotline on title page in manuscript pencil. Several annotations throughout of Bright's name page numbers strikes question mark and dates ranging from 3/10/42 to 3/27/42 in manuscript pencil and ink.<br /> <br /> Second is a Draft script under the working title "Sherlock Holmes #1" by screenwriter Lynn Riggs dated April 2 1942. Annotations in red and graphite manuscript pencil on front wrapper some illegible citing Arthur Conan Doyle and the story upon which script is based and "Copy from which we mimeod yellow script 4/27/42." Carbon typescript on onionskin with annotations in manuscript pencil and ink throughout primarily amending page numbers scene numbers and character names as well as striking the "#1" on title page title and adding "Saves London" amending title to "Sherlock Holmes Saves London" another early working title. <br /> <br /> Third is a Draft script under the working title "Sherlock Holmes' Series #1 'Sherlock Holmes Saves London'" credited as "A Free Adaptation" by Robert Andrews and credits for screenwriters Lynn Riggs and John Bright dated May 4 1942. One annotation in manuscript pencil of the name "M. Nicht" on top right of page 107 likely a stenographer.<br /> <br /> Lastly the post-production Dialogue and Contitnuity script here under the working title "Sherlock Holmes and the Voice of Fear" dated July 28 1942. Annotation on front wrapper in manuscript pencil striking "Fear" in title adding "Terror" amending title to it's release title.<br /> <br /> Based on the 1917 short story "His Last Bow. The War Service of Sherlock Holmes" by Sir Arthur Conan Doyle and loosely on the real-life exploits of Lord Haw-Haw several broadcasters but most notably William Joyce a US born Briton who broadcast Nazi Propaganda from Germany to the UK during WWII. Joyce would be convicted of high treason in 1945 and hanged in 1946 the last person executed for treason in the UK.<br /> <br /> The third Sherlock Holmes movie starring Basil Rathbone and Nigel Bruce and the first produced at Universal Studios. Preceded by "The Adventures of Sherlock Holmes" 1939 directed by Alfred L. Werker and followed by "Sherlock Holmes and the Secret Weapon" 1942 directed by Roy William Neill.<br /> <br /> Watson and Holmes transplanted from their usual Victorian setting and from the WWI setting of the original story are now in England at the start of WWII investigating the mysterious broadcasts by "The Voice of Terror" apparently from Nazi Germany warning of acts of terror moments before their occurrence.<br /> <br /> 3/10/42 script "Sherlock Holmes vs. Lord Haw-Haw":<br /> Gray titled wrappers with credits for screenwriter John Bright. Title page present with credits for screenwriter John Bright. 126 leaves with last page of text numbered 121. Carbon typescript rectos only. Pages Near Fine wrapper Very Good plus with some chipping creasing and closed tears at extremities primarily to front wrapper bound with three gold brads.<br /> <br /> April 2 1942 script "Sherlock Holmes #1":<br /> Gray titled wrappers dated April 2 1942 with credits for screenwriter Lynn Riggs. Title page integral with first page with credits for screenwriter Lynn Riggs. 127 leaves with last page of text numbered 122a. Carbon typescript on onionskin. Pages Near Fine wrapper Very Good plus with some creasing and small closed tears to extremities on front wrapper bound with three gold brads.<br /> <br /> May 4 1942 script "Sherlock Holmes' Series #1 'Sherlock Holmes Saves London'":<br /> Gray titled wrappers dated May 4 1942 with credits for adaptation by Robert Andrews author Sir Arthur Conan Doyle and screenwriters Lynn Riggs and John Bright. Title page integral with first page. 115 leaves with last page of text numbered 113. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 5/8/42 and 5/14/42. Pages Near Fine wrapper Very Good with some chipping creasing and closed tears to extremities bound with three gold brads.<br /> <br /> July 28 1942 Dialogue and Contiuity post-production script:<br /> Title self wrappers noted as DIALOGUE CONTINUITY on the front wrapper dated July 28 1942. 117 leaves. Mimeograph duplication rectos only. Pages Near Fine bound at top with two gold brads. Universal Pictures unknown
Referencia librero : 149229
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Arthur Conan Doyle characters; Billy Wilder director screenwriter; IAL. Diamond screenwriter; Robert Stephens Colin Blakely G
The Private Life of Sherlock Holmes Original poster for the 1970 film
Beverly Hills CA: United Artists 1970. Original one-sheet US poster for the 1970 UK-US film. Style B variant. <br/><br/>Based on Doyle's eponymous sleuth. Holmes Stephens eagerly takes the case to search for Gabrielle's Page missing husband. The clues somehow lead to Loch Ness and the mysterious lake monster a 30-foot model director Wilder had constructed. <br/><br/>Shot on location in Scotland notably at Loch Ness. <br/><br/>27 x 41 inches folded as issued. A few central pinholes else Near Fine. United Artists unknown books
Referencia librero : 139098
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Arthur Conan Doyle short story; John Rawlins director; Lynn Riggs John Bright Robert Hardy Andrews screenwriters; Basil Rathbo
Sherlock Holmes and the Voice of Terror Sherlock Holmes vs. Lord Haw-Haw Sherlock Holmes #1 Sherlock Holmes Saves London Sherlock Holmes and the Voice of Fear Archive of three original screenplays and one original post-production script for the 1942 film
Universal City: Universal Pictures 1942. Archive of three scripts and one post-production script for the 1942 film.<br/><br/>First an early Draft script under the working title "Sherlock Holmes vs. Lord Haw-Haw" by screenwriter John Bright noted as "Contract File Copy" on front wrapper. Carbon typescript preceded by a four page ribbon copy typescript outline dated 3/10/42. Annotation of inquiry into necessary story elements and plotline on title page in holograph pencil. Several annotations throughout of Bright's name page numbers strikes question mark and dates ranging from 3/10/42 to 3/27/42 in holograph pencil and ink.<br/><br/>Second is a Draft script under the working title "Sherlock Holmes #1" by screenwriter Lynn Riggs dated April 2 1942. Annotations in red and graphite holograph pencil on front wrapper some illegible citing Arthur Conan Doyle and the story upon which script is based and "Copy from which we mimeod yellow script 4/27/42." Carbon typescript on onionskin with annotations in holograph pencil and ink throughout primarily amending page numbers scene numbers and character names as well as striking the "#1" on title page title and adding "Saves London" amending title to "Sherlock Holmes Saves London" another early working title. <br/><br/>Third is a Draft script under the working title "Sherlock Holmes' Series #1 'Sherlock Holmes Saves London'" credited as "A Free Adaptation" by Robert Andrews and credits for screenwriters Lynn Riggs and John Bright dated May 4 1942. One annotation in holograph pencil of the name "M. Nicht" on top right of page 107 likely a stenographer.<br/><br/>Lastly the post-production Dialogue and Contitnuity script here under the working title "Sherlock Holmes and the Voice of Fear" dated July 28 1942. Annotation on front wrapper in holograph pencil striking "Fear" in title adding "Terror" amending title to it's release title.<br/><br/>Based on the 1917 short story "His Last Bow. The War Service of Sherlock Holmes" by Sir Arthur Conan Doyle and loosely on the real-life exploits of Lord Haw-Haw several broadcasters but most notably William Joyce a US born Briton who broadcast Nazi Propaganda from Germany to the UK during WWII. Joyce would be convicted of high treason in 1945 and hanged in 1946 the last person executed for treason in the UK.<br/><br/>The third Sherlock Holmes movie starring Basil Rathbone and Nigel Bruce and the first produced at Universal Studios. Preceded by "The Adventures of Sherlock Holmes" 1939 directed by Alfred L. Werker and followed by "Sherlock Holmes and the Secret Weapon" 1942 directed by Roy William Neill.<br/><br/>Watson and Holmes transplanted from their usual Victorian setting and from the WWI setting of the original story are now in England at the start of WWII investigating the mysterious broadcasts by "The Voice of Terror" apparently from Nazi Germany warning of acts of terror moments before their occurrence.<br/><br/>3/10/42 script "Sherlock Holmes vs. Lord Haw-Haw":<br/>Gray titled wrappers with credits for screenwriter John Bright. Title page present with credits for screenwriter John Bright. 126 leaves with last page of text numbered 121. Carbon typescript rectos only. Pages Near Fine wrapper Very Good plus with some chipping creasing and closed tears at extremities primarily to front wrapper bound with three gold brads.<br/><br/>April 2 1942 script "Sherlock Holmes #1":<br/>Gray titled wrappers dated April 2 1942 with credits for screenwriter Lynn Riggs. Title page integral with first page with credits for screenwriter Lynn Riggs. 127 leaves with last page of text numbered 122a. Carbon typescript on onionskin. Pages Near Fine wrapper Very Good plus with some creasing and small closed tears to extremities on front wrapper bound with three gold brads.<br/><br/>May 4 1942 script "Sherlock Holmes' Series #1 'Sherlock Holmes Saves London'":<br/>Gray titled wrappers dated May 4 1942 with credits for adaptation by Robert Andrews author Sir Arthur Conan Doyle and screenwriters Lynn Riggs and John Bright. Title page integral with first page. 115 leaves with last page of text numbered 113. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 5/8/42 and 5/14/42. Pages Near Fine wrapper Very Good with some chipping creasing and closed tears to extremities bound with three gold brads.<br/><br/>July 28 1942 Dialogue and Contiuity post-production script:<br/>Title self wrappers noted as DIALOGUE CONTINUITY on the front wrapper dated July 28 1942. 117 leaves. Mimeograph duplication rectos only. Pages Near Fine bound at top with two gold brads. Universal Pictures unknown books
Referencia librero : 149229
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Arthur Conan Doyle short story; Roy William Neill director; Edward T. Lowe Jr. Scott Darling Edmund L. Hartmann screenwriters
Sherlock Holmes and the Secret Weapon Sherlock Holmes Fights Back Sherlock Holmes #2 Archive of three original screenplays and one original post-production script for the 1942 film
Universal City: Universal Pictures 1942. Archive of three scripts and one post-production script for the 1942 film.<br/><br/>First is a First Draft script under the working title "'Sherlock Holmes' #2" by screenwriters Edward T. Lowe and Scott Darling dated March 24 1942. Ribbon copy typescript on onionskin with annotations in holograph pencil on several pages inquiries about plotline question marks as well as dates and name of screenwriter Darling. Bound in preceding script are: A two-page carbon typescript breakdown of the story in 21 points with annotation of "1st rough draft" and "One 3/24/42" in holograph pencil in upper right of first page. A ribbon copy typescript "continuity" breakdown of locations and sequences in ten points dated 4/6/42. A ribbon copy typescript "comments on Sherlock Holmes #2" broken into nine points dated 4-6-42 and a three page ribbon copy typescript synopsis dated 3/24/42.<br/><br/>Second is a Third Draft script under the working title "'Sherlock Holmes' #2" crediting screenwriter Scott Darling on front wrapper and Edward T. Love and Scott Darling on title page dated April 22 1942. Annotation in holograph pencil of "mimeographed pink" on lower right of front wrapper. Ribbon copy typescript on onionskin with several annotations in red or graphite holograph pencil question marks an asterisk underlines and screenwriter S. Darling's name and date "4-27-42." <br/><br/>Third is a Draft script under the working title "Sherlock Holmes Fights Back" with name of screenwriter Edmund L. Hartmann on front wrapper. Title page credits to "Additional Changes by Edmund L. Hartmann" and screenwriters Scott Darling and Edward T. Lowe dated May 22 1942. Carbon typescript with mimeograph duplication revision pages. Bound in preceding script is a page describing concept for "The Miss Bently School for Girls" with photograph affixed illustrating concept. Annotations in red and graphite holograph pencil throughout noting dialogue locations shots characters as well as strikes and dates.<br/><br/>Lastly a Post-production Dialogue and Contitnuity script dated August 6 1942 with single annotation in holograph ink on front wrapper.<br/><br/>Loosely based on the 1903 Sherlock Holmes short story "The Adventure of the Dancing Men" by Sir Arthur Conan Doyle.<br/><br/>The fourth Sherlock Holmes movie starring Basil Rathbone and Nigel Bruce and the second produced at Universal Studios. Preceded by "Sherlock Holmes and the Voice of Terror" 1942 directed by John Rawlins and followed by "Sherlock Holmes in Washington" 1943 also directed by Roy William Neill who would go on to direct all subsequent Holmes films at Universal.<br/><br/>Watson and Holmes transplanted from their usual Victorian setting now in England in the midst of WWII have to protect Swiss scientist Dr. Franz Tobel and his invention an advanced bomb site from falling into the hands Nazi Germany as well as Holmes' arch-nemesis Professor Moriarty Lionel Atwill. The first Holmes film to feature Inspector Lestrade Dennis Hoey of Scotland Yard.<br/><br/>March 24 1942 script "'Sherlock Holmes' #2":<br/>Gray titled wrappers dated March 24 1942 with credits for screenwriters Edward T. Lowe and Scott Darling. Title page integral with first page dated 3/24/42 noted as 1st draft screenplay with credits for screenwriters Lowe and Darling. 103 leaves with last page of text numbered 96. Ribbon copy typescript on onionskin rectos only. Pages Near Fine wrapper Very Good with chipping and closed tears to extremities and one large 4.5 inch closed tear on bottom of front wrapper bound with three gold brads.<br/><br/>April 22 1942 script "'Sherlock Holmes' #2":<br/>Gray titled wrappers noted as THIRD DRAFT on the front wrapper dated April 22 1942 with credits for screenwriter Scott Darling. Title page integral with first page with credits for screenwriters Edward T. Lowe and Scott Darling. 110 leaves with last page of text numbered 110. Ribbon copy typescript rectos. Pages Near FIne wrapper Very Good with closed tears and chipping at extremities bound with three gold brads.<br/><br/>May 22 1942 script "Sherlock Holmes Fights Back":<br/>Gray titled wrappers with credits for screenwriter Edmund L. Hartmann. Title page present dated May 22 1942 with credits for Additional Chages by screenwriter Edmund L. Hartmann screenwriters Scott Darling and Edwart T. Lowe and author Sir Arthur Conan Doyle. 107 leaves with last page of text numbered 100. Carbon typescript with mimeograph duplication revision pages rectos only with pink revision pages throughout undated. Pages Near Fine wrapper Very Good with large closed tear to front wrapper and chipping and closed tears to extremities bound with three gold brads.<br/><br/>script:<br/>Titled self wrappers noted as DIALOGUE CONTINUITY on the front wrapperdated August 6 1942 with credits for director Neill. 109 leaves. Mimeograph duplication rectos only. Pages Near Fine bound at top with two gold brads. Universal Pictures unknown books
Referencia librero : 149240
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Arthur Conan Doyle stories; Basil Dean director screenwriter; Oliver HP. Garrett F. Hugh Herbert Garrett Fort screenwriters;
The Return of Sherlock Holmes Original screenplay for the 1929 film
Hollywood: Paramount Pictures 1929. Early Treatment script for the 1929 film the first Sherlock Holmes film to have been produced with sound and the first to include the Holmes utterance "Elementary my dear Watson" a phrase never used by Doyle though that statement regrettably does not appear in this draft. <br/><br/>The first known treatment was written by Oliver P. Garrett followed by this one scripted by F. Hugh Herbert and the final writing credits went to Garrett Fort and director Basil Dean. This treatment differs substantially from the finished film and is more faithful to Doyle's source material. A rare surviving artifact from the great detective's earliest days on the screen. <br/><br/>Tall side-stapled self wrappers noted as an "Outline Treatment" on the front wrapper rubber-stamped project No. 1491 and MASTER FILE dated May 21 1929 with a credit for screenwriter Herbert. 52 leaves mixed original and carbon typescript on yellow stock with a few holograph pencil annotations on the first leaf including "1st Rough Draft." Very Good condition with some wear to the first leaf at the bottom stitch. Paramount Pictures unknown books
Referencia librero : 121976
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Arthur Dean (director, screenwriter); Chris Keith (screenwriter); Lisa Blak, E Brown, Arthur Dean (starring)
Dean and Keith's Frustrated Cherie Two original photographs from the 1969 film
N.p.: Distribpix 1969. Two vintage studio still photographs from the 1969 film. Provenance stamps on the versos.<br /> <br /> When middle-aged Chandler finds himself impotent due to astrological reasons his young bride finds satisfaction elsewhere. <br /> <br /> Shot on location in New York. <br /> <br /> 8 x 10 inches. Very Good plus one with a wax pencil annotation in the bottom margin. Distribpix unknown
Referencia librero : 161745
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Arthur Dreifuss (director); Mary C McCall Jr, Earl Baldwin (screenwriters); Jo Morrow, Jack Jones, Brian Donlevy, Hans Conried (
Juke Box Rhythm Original poster for the 1959 musical
Culver City CA: Columbia Pictures 1959. Vintage subway poster also referred to as two-sheet from the 1959 musical.<br /> <br /> Princess Ann travels to New York to select her coronation wardrobe and is photographed dancing with Riff the son of impoverished theatrical producer who is unaware she's a princess. When aspiring fashion designer Balenko shows Riff a newspaper photo of him dancing with royalty he tracks down the princess. Released as a part of a double bill with the 1959 horror film "The Tingler" directed by William Castle.<br /> <br /> 41 x 53.5 inches. Folded as issued. Very Good plus with pinholes and starting at the center folds. Columbia Pictures unknown
Referencia librero : 164259
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Arthur Dreifuss (director, screenwriter); Hal Collins (screenwriter); Richard Todd, James MacArthur, Susan Oliver, Mark Goddard,
The Love Ins Original photograph from the 1967 film
Culver City CA: Columbia Pictures 1967. Vintage reference photograph from the 1967 film. <br /> <br /> When two students are expelled for publishing an off-campus newspaper their professor resigns to advocate for youth movements and the use of LSD. The students eventually have a change of heart about their professor. <br /> <br /> Set in and shot on location in San Francisco. <br /> <br /> 10 x 8 inches. Very Good plus. <br /> <br /> Weldon 1983. Columbia Pictures unknown
Referencia librero : 159200
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Arthur Hailey (novel); Jerry London (director); Robert Hamilton (screenwriter); Rock Hudson, Lee Remick, Blair Brown, Ralph Bell
Wheels: Episode V Original screenplay for the fifth and final episode of the 1978 television mini-series
Universal City: Universal Studios 1977. Rainbow Revision Draft script for the fifth and final episode of the 1978 mini-series which aired on NBC on May 15 1978. Laid in are three Shooting Call sheets two copies of one dated December 16 1977 and one dated December 20 1977.<br /> <br /> Based on the 1971 novel by Arthur Hailey and starring Rock Hudson and Lee Remick the five part 1978 NBC mini-series which aired on May 7-9 and 14-15 was an insider's look at the day-to-day operations of National Motors a large fictitious US automobile manufacturer and was nominated for two Primetime Emmy Awards and a Golden Globe award.<br /> <br /> Set in late 1960s Detroit. <br /> <br /> Front wrapper integral with title page dated July 15 1977 with credits for screenwriter Robert Hamilton and author Arthur Hailey. 110 leaves with last page of text numbered 106. Mimeograph duplication on pink leaves rectos only with blue yellow green pink and white revision pages throughout dated variously between 10/7/77 and 10/26/77. Pages Very Good plus with light foxing and wear to the extremities bound with two gold brads. Universal Studios unknown
Referencia librero : 167417
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Arthur Hiller (director); Erich Segal (novel, screenwriter); Howard G, Minsky (producer); Ali MacGraw, Ryan O'Neal (starring)
Love Story Original photograph from the set of the 1970 film
Hollywood: Paramount Pictures 1970. Vintage borderless studio still photograph of director Arthur Hiller and a camera crew capturing a sidewalk scene with actors Ali MacGraw and Ryan O'Neal. With the stamp of Cinemagence to the verso. <br /> <br /> Nominated for seven Academy Awards including Best Picture Best Director Best Original Screenplay Best Actor for Ryan O'Neal Best Actress for Ali McGraw and Best Supporting Actor for John Marley and winning one for Best Original Score. <br /> <br /> 9.75 x 8 inches. Near Fine. Paramount Pictures unknown
Referencia librero : 153220
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Arthur Hiller (director); Erich Segal (screenwriter, novel); Ali MacGraw, Ryan O'Neal, John Marley, Ray Milland (starring)
Love Story Original photograph from the 1970 film
Los Angeles: Paramount Pictures 1970. Vintage borderless still photograph of Ali MacGraw Ryan O'Neal and Arthur Hiller on the set of the 1970 film. With typed identifying description manuscript annotations regarding layout and press agency stamps on the verso. <br /> <br /> Based on screenwriter Erich Segal's novel of the same name. Oliver Barrett IV Ryan O'Neal a wealthy Harvard Law student and Jennifer Cavilleri Ali MacGraw a working class music student fall in love despite their class differences. As their love grows into a serious relationship and eventually marriage they face the disapproval of the Oliver's father despite Jenny's attempts to find common ground. Winner of the 1971 Academy Award for Best Original Score and nominated for six others. <br /> <br /> Shot on location in California New York China Massachusetts and England. <br /> <br /> 9.5 x 7.5 inches. Near Fine. Paramount Pictures unknown
Referencia librero : 144319
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Arthur Hiller (director); George Wells (screenwriter); Natalie Wood, Ian Bannen, Dick Shawn, Peter Falk (starring)
Penelope Original photograph of Arthur Hiller Natalie Wood and Ian Bannen on the set of the 1966 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1966. Vintage reference photograph from the 1966 film showing director Arthur Hiller inspecting camera angles for actors Natalie Wood and Ian Bannen in between takes while filming on location in Central Park for the 1966 film. With a mimeo snipe on the verso. <br /> <br /> A bored kleptomaniac housewife decides to steal 60 thousand dollars from the bank where her husband works.<br /> <br /> Set and shot on location in New York.<br /> <br /> 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
Referencia librero : 149376
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Arthur Hiller (director); William Peter Blatty (screenwriter); Warren Beatty, Leslie Caron, Bob Cummings, Keenan Wynn (starring)
Promise Her Anything Original screenplay for the 1965 film
N.p.: N.p. 1965. Final Draft script for the 1965 film. With a "With Compliments" card from Seven Arts Productions laid in with the script along with a set of three stapled revision pages on pink stock.<br /> <br /> In order to provide a father figure for her infant son a recently widowed woman attempts to choose between two marital prospects-the grumpy child psychologist for whom she works or her hippie next-door neighbor.<br /> <br /> Set in Greenwich Village NY.<br /> <br /> Blue untitled wrappers with a die-cut title window in the British style. Title page present noted as Final Draft with credits for screenwriter William Peter Blatty. 124 leaves with last page of text numbered 122. Mimeograph duplication rectos only with pink revision pages laid in dated 21.1.65. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
Referencia librero : 146897
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Arthur Hiller/Director Dudley Moore + Mary Steen Bergen + Janet Aylber Shochiku Co, Ltd
romantic comedy
Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
Referencia librero : 2090502113714970
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Arthur Hiller (director); John Fusco (screenwriter, producer); John Goodman, Kelly McGillis, Trini Alvarado, Bruce Boxleitner (s
The Babe Original screenplay for the 1992 film
Universal City CA: Universal Pictures 1990. Revised script for the 1992 film. <br /> <br /> A biography of famed baseball legend Babe Ruth who was born in Baltimore and given to an orphanage there by his father. He soon demonstrates his amazing hitting ability and adopted by a scout who has him play for the Orioles until he is sold to the Red Sox and consequently angers the owner and is sold to the Yankees for whom he helps win the 1932 World Series. He is soon pushed out of the spotlight by Lou Gehrig and eventually sold to the Braves. At the end a boy he met at the start of his career is all grown up and reminds him that Ruth is still his hero and that he's the best. <br /> <br /> Set in Baltimore New York Boston Pittsburgh Chicago shot on location in Chicago and California. <br /> <br /> Title page present dated November 22 1990 noted as Revised with credits for screenwriter John Fusco. 132 leaves with last page of text numbered 131. Later generation photocopy. Pages Very Good plus wrapper missing bound with two gold brads. Universal Pictures unknown
Referencia librero : 140555
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Arthur Hiller (director); Andrew Bergman (screenwriter); Peter Falk, Alan Arkin, Richard Libertini, Nancy Dussault (starring)
The In-Laws Original one sheet poster for the 1979 film
Burbank CA: Warner Brothers 1979. Vintage one sheet poster for the 1979 film. <br /> <br /> Alan Arkin stars as Sheldon an unassuming dentist from New Jersey who on the eve of his daughter's wedding meets the groom's father Vince played by Peter Falk a strange mysterious and volatile man who in the next 24 hours draws him into madcap misadventures from New York to Central America.<br /> <br /> Remade in 2003 directed by Andrew Flemming and starring Michael Douglas and Albert Brooks.<br /> <br /> Shot on location in Mexico New Jersey New York and California. <br /> <br /> 27 x 41 inches. Folded as issued. Near Fine. <br /> <br /> Criterion Collection 823. Warner Brothers unknown
Referencia librero : 127312
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Arthur Hiller director; Carlotta Monti Cy Rice novel; Bob Merrill screenwriter; Rod Steiger Valerie Perrine John Marley Jack
W. C. Fields and Me Original photograph from the set of the 1976 film
Universal City: Universal Pictures 1976. Vintage photograph of director Arthur Hiller and actor Rod Steiger on the set of the 1976 film. Mimeo snipe on the verso. <br/><br/>A dramatization of the latter part of the famous showman's life. Based on a memoir by Carlotta Monti Fields' partner during the last fourteen years of his life. <br/><br/>Shot on location in California. <br/><br/>10 x 8 inches. Near Fine. Universal Pictures unknown books
Referencia librero : 145403
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Arthur Hiller director; Colin Higgins screenwriter; Gene Wilder Jill Clayburgh Richard Pryor Patrick McGoohan starring
Silver Streak Two original photographs from the 1976 film
London: Twentieth Century-Fox 1977. Two vintage black-and-white still photograph from the 1977 UK release of the 1976 US film. Features Jill Clayburgh with mimeograph snipes and ink annotations on the verso. <br/><br/>A book editor on a trip from Los Angeles to Chicago thinks he witnesses a murder on a train. When no one believes him he starts investigating on his own. <br/><br/>8 x 10 inches. Near Fine. Twentieth Century-Fox unknown books
Referencia librero : 132355
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Arthur Hiller director; Erich Segal screenwriter novel; Ali MacGraw Ryan O'Neal John Marley Ray Milland starring
Love Story Original photograph from the 1970 film
Los Angeles: Paramount Pictures 1970. Vintage borderless still photograph of Ali MacGraw Ryan O'Neal and Arthur Hiller on the set of the 1970 film. With typed identifying description holograph annotations regarding layout and press agency stamps on the verso. <br/><br/>Based on screenwriter Erich Segal's novel of the same name. Oliver Barrett IV Ryan O'Neal a wealthy Harvard Law student and Jennifer Cavilleri Ali MacGraw a working class music student fall in love despite their class differences. As their love grows into a serious relationship and eventually marriage they face the disapproval of the Oliver's father despite Jenny's attempts to find common ground. Winner of the 1971 Academy Award for Best Original Score and nominated for six others. <br/><br/>Shot on location in California New York China Massachusetts and England. <br/> <br/>9.5 x 7.5 inches. Near Fine. Paramount Pictures unknown books
Referencia librero : 144319
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Arthur Hiller director; Erich Segal screenwriter; Ali MacGraw Ryan O'Neal John Marley starring
Love Story Original photograph from the 1970 film
Hollywood: Paramount Pictures 1970. Vintage borderless studio still photograph from the 1970 film. Snipe affixed to the verso. <br/><br/>Based on Erich Segal's classic novel whose central character Oliver Barrett IV Segal states was inspired by two notable Harvard students politician and philanthropist Al Gore romantic hero aspect and actor/director Tommy Lee Jones sensitive stud aspect both attendees at the Ivy League school in 1968. Ryan O'Neal and Ali MacGraw both received numerous accolades for their performances and the film won an Academy Award 1971 for Best Original Score composed by Francis Lai. Lai's other credits include the ending credits theme song for the 1992 short blaxploitation/sci-fi satire "Gayniggers sic from Outer Space" and the soundtrack to the "Love Story" sequel "Oliver's Story" 1978. <br/><br/>Shot on location in California New York China Massachusetts and England. <br/><br/>8 x 10 inches. Fine with a red holograph notation to the snipe. Paramount Pictures unknown books
Referencia librero : 141441
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Arthur Hiller director; George Wells screenwriter; Natalie Wood Ian Bannen Dick Shawn Peter Falk starring
Penelope Original photograph of Arthur Hiller Natalie Wood and Ian Bannen on the set of the 1966 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1966. Vintage reference photograph from the 1966 film showing director Arthur Hiller inspecting camera angles for actors Natalie Wood and Ian Bannen in between takes while filming on location in Central Park for the 1966 film. With a mimeo snipe on the verso. <br/><br/>A bored kleptomaniac housewife decides to steal 60 thousand dollars from the bank where her husband works.<br/><br/>Set and shot on location in New York.<br/><br/>10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
Referencia librero : 149376
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Arthur Hiller director; John Fusco screenwriter producer; John Goodman Kelly McGillis Trini Alvarado Bruce Boxleitner starri
The Babe Original screenplay for the 1992 film
Universal City CA: Universal Pictures 1990. Revised script for the 1992 film. <br/><br/>A biography of famed baseball legend Babe Ruth who was born in Baltimore and given to an orphanage there by his father. He soon demonstrates his amazing hitting ability and adopted by a scout who has him play for the Orioles until he is sold to the Red Sox and consequently angers the owner and is sold to the Yankees for whom he helps win the 1932 World Series. He is soon pushed out of the spotlight by Lou Gehrig and eventually sold to the Braves. At the end a boy he met at the start of his career is all grown up and reminds him that Ruth is still his hero and that he's the best. <br/><br/>Set in Baltimore New York Boston Pittsburgh Chicago shot on location in Chicago and California. <br/><br/>Title page present dated November 22 1990 noted as Revised with credits for screenwriter John Fusco. 132 leaves with last page of text numbered 131. Later generation photocopy. Pages Very Good plus wrapper missing bound with two gold brads. Universal Pictures unknown books
Referencia librero : 140555
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Arthur Hiller director; Murray Schisgal play screenwriter; Eli Wallach Anne Jackson Bob Dishy starring
The Tiger Makes Out Original photograph from the 1967 film
Culver City CA: Columbia Pictures 1967. Vintage studio still photograph of Anne Jackson and Sudie Bond from the 1967 film. <br/><br/>Based on Murray Schisgal's 1963 play "The Tiger."<br/><br/>Lonely frustrated and alienated mailman Ben Harris Eli Wallach decides he has had enough and set to get a girl Anne Jackson the only way he can by kidnapping her. <br/><br/>Set in and shot on location in New York City. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request. Columbia Pictures unknown books
Referencia librero : 148092
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Arthur Hiller director; Neil Simon screenwriter; Jack Lemmon Sandy Dennis and Sandy Baron starring
The Out of Towners Two original color photographs from the 1969 film
Hollywood: Paramount Pictures 1969. Two vintage color studio still photographs from the 1969 film. <br/><br/>This goofy comedy of errors follows the story of an Ohio businessman played by Jack Lemmon who travels with his mousy wife Sandy Dennis to New York City for a game-changing job opportunity. However the couple is met by nothing but trouble on their journey and begin to regret ever leaving Ohio. <br/><br/>Set in Manhattan shot on location in New York and Massachusetts. <br/><br/>10 x 8 inches. Near Fine with a small crease to the bottom left corner. Paramount Pictures unknown books
Referencia librero : 139465
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Arthur Hiller director; Neil Simon screenwriter; Paul Nathan producer; Jack Lemmon Sandy Dennis starring
The Out of Towners The Out-of-Towners Original screenplay for the 1970 film
Hollywood: Paramount Pictures 1969. Final Draft script for the 1970 film. Here under its slightly different hyphenated working title. <br/><br/>A seminal New York comedy and an Arthur Hiller high spot shot on location in the city in early 1970. A document of the times it captures the city's lovable insanity in countless ways from airports to garbage strikes to Central Park muggers to hotels. <br/><br/>Shot on location in New York City Long Island and Boston. <br/><br/>Blue green titled wrappers with die-cut window. Title page present dated March 6 1969 noted as FINAL DRAFT with credits for screenwriter Simon producer Nathan and director Hiller. 138 leaves mimeograph duplication with the last leaf of text numbered 137. Pages Near Fine wrapper Near Fine internally bound with two gold brads. Paramount Pictures unknown books
Referencia librero : 128885
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Arthur Hiller director; Paddy Chayefsky screenwriter; William Bradford Huie novel; James Garner Julie Andrews James Coburn sta
The Americanization of Emily Collection of eight original photographs from the 1964 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1964. Collection of eight vintage studio still photographs from the 1964 film. <br/><br/>Based on William Bradford Huie's 1959 novel. A biting antiwar satire which follows a laconic US Navy officer who falls in love with a British woman shortly before being sent off on a dangerous D-Day mission. <br/><br/>Shot on location in London England and Oxnard California. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Complete collation details available on request. Metro-Goldwyn-Mayer [MGM] unknown books
Referencia librero : 150636
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Arthur Hiller director; Robert Shaw play; Edward Anhalt screenwriter; Maximilian Schell starring
The Man in the Glass Booth Original screenplay for the 1975 film
Los Angeles: Cinevision Ltee 1974. Final script for the 1975 film "The Man in the Glass Booth" directed by Arthur Hiller based on the play by Robert Shaw written for the screen by Edward Anhalt and starring Maximilian Schell. In a custom quarter leather clamshell box.<br/><br/>A complex thriller built around a Jewish businessman who survived the concentration camps in World War II. Well-known for being bizarrely and viciously antisemitic he is unexpectedly put on trial for reputed war crimes. The film version was initially disowned by the playwright likely due to the near-riots and early closure of the play due to misunderstandings and misinterpretations over its meaning. Shaw changed his mind after seeing the finished film but it was by that time too late to add his name to the credits and he died a few years later. The film did quite well upon its release and Maximilian Schell was later nominated for an Academy Award for Best Actor in a Leading Role. Almost completely unavailable for viewing in any form for nearly twenty years the film has recently been remastered and released on DVD and is considered by many to be a career performance for Schell. <br/><br/>Yellow titled wrappers with titles stamped in silver on the front wrapper. Title page present with a date of 4/10/74 and credits for Anhalt and Shaw. 107 leaves mechanical duplication with non-colored revision pages throughout dated variously between 4/3/74 and 4/9/74. Pages Near Fine wrapper Very Good plus bound with two gold brads. Cinevision Ltee unknown books
Referencia librero : 115207
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Arthur Hiller director; William Peter Blatty screenwriter; Warren Beatty Leslie Caron Bob Cummings Keenan Wynn starring
Promise Her Anything Original screenplay for the 1965 film
N.p.: N.p. 1965. Final Draft script for the 1965 film. With a "With Compliments" card from Seven Arts Productions laid in with the script along with a set of three stapled revision pages on pink stock.<br/><br/>In order to provide a father figure for her infant son a recently widowed woman attempts to choose between two marital prospects-the grumpy child psychologist for whom she works or her hippie next-door neighbor.<br/><br/>Set in Greenwich Village NY.<br/><br/>Blue untitled wrappers with a die-cut title window in the British style. Title page present noted as Final Draft with credits for screenwriter William Peter Blatty. 124 leaves with last page of text numbered 122. Mimeographed rectos only with pink revision pages laid in dated 21.1.65. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
Referencia librero : 146897
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Arthur Knight (director); Brigette Baum, Cindy Courtland, Carole Wilson (starring)
Around the World with Nothing On Lust for the Sun Collection of 16 original photographs from the 1963 film
N.p.: Advent Film Productions 1963. Collection of 16 vintage studio still photographs from the 1963 film. Housed in the original brown paper envelope. <br /> <br /> One of only two productions from Advent Film the other being Arnold Louis Miller's 1962 release "Nudes of All Nations." Before the rise of sexploitation films in the late 1960s the "nudie" film was produced featuring documentary-style directing with scenes shot at various nude camps around the world primarily in Europe and the US. <br /> <br /> 10 x 8 inches. About Near Fine. Advent Film Productions unknown
Referencia librero : 158694
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Arthur Knight (director); Jervis MacArthur (screenwriter); Jack Taylor, Leslie Crawford, Bob Bryant, Julie Martin (starring)
My Bare Lady My Seven Little Bares Collection of 14 original photographs from the 1963 nudie film
N.p.: Advent Films / Union Films 1963. Collection of 14 vintage reference photographs from the 1963 British film. <br /> <br /> A "naturist" film about a woman who falls in love with a Korean War veteran and decides to join in with his nudist lifestyle.<br /> <br /> Shot on location in Kent.<br /> <br /> 10 x 8 inches. Very Good plus slightly age toned. Advent Films / Union Films unknown
Referencia librero : 158484
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Arthur Laurents director playwright; Viveca Lindfors David Opatoshu Richard Dow Robyn Goodman starring
Scream Original script for the 1978 play
N.p.: N.p. 1978. Draft script for the 1978 play which opened Off-Broadway at the Alley Theatre in Houston. With a few small holograph ink and pencil annotations to the title page.<br/><br/>A concentration camp survivor living in New York lures a man she suspects to be a former Nazi to her house where she drugs him and attempts to exact a confession for his wrongdoings.<br/><br/>Set in Queens New York.<br/><br/>Red titled Studio Duplicating Service wrappers with credits for director and playwright Arthur Laurents. Title page present with credits for director and playwright Arthur Laurents. 99 leaves with last page of text numbered 4-22. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good bound with two gold brads. N.p. unknown books
Referencia librero : 147523
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Arthur Lubin (director); Ben Grauman Kohn, Scott Darling, Sidney Sutherland (screenwriters); Ray Jones (photographer); John Wayn
Adventure's End Two original publicity photographs by photographer Ray Jones from the 1937 film
Universal City: Universal Pictures 1937. Two vintage publicity photographs including one photograph of John Wayne and Diana Gibson and one double weight photograph of Wayne and Paul White<br /> <br /> From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. <br /> <br /> John Wayne stars as a pearl diver who signs up to sail on a whaling vessel whose captain Montagu Love marries Wayne to his daughter Diana Gibson to protect him against his first mate Moroni Olsen. Previously considered a lost film the Library of Congress holds the only known complete print as the film had not been duplicated for distribution since its general release in 1937.<br /> <br /> 9.5 x 7.5 inches and 10 x 8 inches. Near Fine overall. Universal Pictures unknown
Referencia librero : 165105
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Arthur Lubin (director); Scott Darling (screenwriter); John Wayne, Louise Latimer, Robert McWade (starring)
California Straight Ahead! Original photograph of John Wayne and Louise Latimer on the set of the 1937 film
Universal City: Universal Pictures 1937. Vintage photograph of John Wayne and Louise Latimer on the set of the 1937 film with a mimeo snipe on the verso. Not to be confused with the 1925 silent film of the same name.<br /> <br /> From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. <br /> <br /> John Wayne stars as the manager of a trucking company who pits his trucking fleet in a contest against a train to deliver aviation parts to the Pacific coast before a labor strike takes place.<br /> <br /> Shot on location in Santa Clarita and Newhall California. <br /> <br /> 10 x 8 inches. Near Fine. Universal Pictures unknown
Referencia librero : 165097
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Arthur Lubin (director); Herbert Baker (story); Devery Freeman (screenwriter); James B Allardice (screenwriter); Dorothy Reid (s
Francis Joins the WACS Original screenplay for the 1954 film
Universal City CA: Universal Pictures 1954. Final Draft script for the 1954 film. The fifth of seven films in the popular "Francis the Talking Mules series all made in the 1950s. Copy belonging to technical advisor Major Lane Carlson with his name in manuscript blue ink on a label affixed on the front wrapper and his annotations throughout. Carlson acted as a consultant on the military aspects of the film as the film involves Francis joining the Army going to the Pentagon etc. <br /> <br /> Salmon titled wrappers noted as Final Screenplay on the front wrapper dated February 9 1954. 157 leaves Multilith duplication with blue pink and yellow revision pages throughout dated variously between 2-17-54 and 4-5-54. Pages and wrapper Very Good plus in a three ring binder used during production. Universal Pictures unknown
Referencia librero : 131088
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Arthur Lubin (director); Leonard Praskins, Barney Slater (screenwriter); Irene Dunne, Dean Jagger, Joan Evans, Richard Crenna, E
It Grows On Trees Three original photographs from the set of the 1952 film
Universal City: Universal International Pictures 1952. Three vintage linen backed keybook photographs of members of the cast and crew on the set of the 1952 film. Mimeo snipe and manuscript annotations on the verso of each. <br /> <br /> One photo shown. Please inquire to see others.<br /> <br /> A family facing financial troubles realizes that the two trees they recently brought home from the nursery are money trees each bearing five and ten dollar bills. At first this mysterious luck is a relief but quickly the police the IRS and media outlets all get involved and the family struggles to discern the right way to handle all this new cash.<br /> <br /> 10 x 8 inches. Near Fine. Universal International Pictures unknown
Referencia librero : 145121
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Arthur Lubin (director); Oscar Brodney, Harry Ruskin (screenwriters); Maureen O'Hara, George Nader, Victor McLagen, Rex Reason,
Lady Godiva of Coventry Three original photograph from the set of the 1955 film
Universal City: Universal International Pictures 1955. Three vintage linen backed photograph from the set of the 1955 film. Mimeo snipe affixed to the verso. <br /> <br /> A telling of the 11th century legend of the English noblewomen Lady Godiva who famously rode on horseback with only her long hair covering her body as an appeal to her husband's oppressive taxation of his tenants. <br /> <br /> 10 x 8 inches. Near Fine. Universal International Pictures unknown
Referencia librero : 144941
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Arthur Lubin (director); Herbert J Biberman (novel); Elliot Paul, Dick Irving Hyland (screenwriters); Louis Armstrong, Billie Ho
New Orleans Six original photographs from the 1947 film
Beverly Hills CA: United Artists 1947. Six vintage photographs from the 1947 film musical including four reference photographs and two studio still photographs. <br /> <br /> A musical romance featuring Billie Holiday and Louis Armstrong along with an all-star cast of jazz musicians from Armstrong's band including Kid Ory Zutty Singleton Barney Bigard and Bud Scott. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Hirschhorn The Hollywood Musical. United Artists unknown
Referencia librero : 165406
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Arthur Lubin (director); Samuel Hoffenstein (screenwriter); Gaston Leroux (novel); Claude Rains, Nelson Eddy, Susanna Foster (st
Phantom of the Opera Original keybook photograph from the 1943 film
Universal City: Universal Pictures 1943. Vintage keybook reference photograph of Arthur Lubin and camerman on a crane above the opera house audience from the 1943 film. Mimeo snipe on verso. <br /> <br /> Loosely based on the 1910 novel by Gaston Leroux. The second Universal film based on the story following Rupert Julian's 1925 silent film. Nominated for four Academy Awards and winning two including one for Best Cinematography.<br /> <br /> Set in Paris.<br /> <br /> 8 x 10 inches. Very Good plus with light creasing and edgewear. <br /> <br /> Weaver and Brunas Universal Horrors 1931-1946. Universal Pictures unknown
Referencia librero : 152391
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Arthur Lubin (director); Victor McLaglen, Jackie Cooper, Ona Munson, Peggy Moran (starring); Lester Cole (screenwriter)
The Big Guy Original post-production script for the 1939 film
Universal City CA: Universal Pictures 1939. Post-production Continuity and Dialogue script for the 1939 film. <br /> <br /> A prison warden must decide between keeping a huge lot of stolen goods and saving a man from the electric chair.<br /> <br /> Tall yellow titled wrappers. Title page present noted as production No. 1032 with credits for director Arthur Lubin and actors Victor McLaglen and Jackie Cooper. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads at the top edge. Universal Pictures unknown
Referencia librero : 151805
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Arthur Lubin (director); Laurence Marks, Milton Pascal (screenwriter); Ed Wynn, William Smith, Herb Vigran (starring)
The Ed Wynn Show: Laurie's Career Original screenplay for the 1958 television episode
Burbank CA: National Broadcasting Company NBC 1958. Revised Final Draft script for the 1958 television episode of "The Ed Wynn Show." Copy belonging to actor Tom Irish with his name in green manuscript ink on the front wrapper and notation in green ink to a single page. Irish played an uncredited bit part named "Biff." <br /> <br /> In 1958 veteran vaudeville comedian Ed Wynn creator of the innovative live skit-based 1949 television show of the same name tried his hand at a third television series: a short-lived sitcom that would last only one season. <br /> <br /> Though Wynn was one of few beloved vaudevillians to make a successful transition to the small screen with his first show featuring high profile Hollywood guests and winning a Primetime Emmy Award for Best Live Show in 1950 his success would not last indefinitely. As television grew he would shift towards more serious dramatic roles. The 1958 iteration of "The Ed Wynn Show" would be the last series he put his name on before taking a spate of guest appearances and dramatic roles in various television shows and films. <br /> <br /> Yellow titled wrappers noted as production No. 4477 dated October 29 1958 with credits for screenwriters Laurence Marks and Milton Pascal. Title page present dated October 29 1958 noted as REVISED FINAL DRAFT with credits for screenwriters Marks and Pascal. 43 leaves with last page of text numbered 38. Mimeograph on eye-rest green stock with yellow revision pages throughout dated October 31 1958. Pages Very Good plus wrapper Very Good bound with two gold brads. National Broadcasting Company [NBC] unknown
Referencia librero : 139786
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Arthur Lubin director; Edmund L. Hartmann screenwriter
Ali Baba and the Forty Thieves Original screenplay for the 1944 film screenwriter's corrected draft
Universal City CA: Universal Pictures 1943. Revised Final Draft script for the 1944 film. Screenwriter Hartmann's final submission for the master mimeo with profuse holograph corrections typeovers attached text and pasted-in text throughout. <br/><br/>The second of Universal's Technicolor fantasy adventures after "Arabian Nights" 1942 and "White Savage" 1943 loosely based on the classic Arabian Nights tales with a fitting score by Edward Ward to match Lubin's directorial flair. A fun but often overlooked desert romp. <br/><br/>Tan titled wrappers noted as copy No. 110 and rubber-stamped production No. 7142 dated May 25 1943 with credit for screenwriter Hartmann. 149 leaves mimeograph duplication with blue and yellow revision pages throughout dated variously between 6-1-43 and 7-24-43. Pages Near Fine wrapper Very Good bound with three gold brads. Wrapper encapsulated in mylar. <br/><br/>Weaver p. 565. Universal Pictures unknown books
Referencia librero : 130860
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Arthur Lubin director; Herbert Baker story; Devery Freeman screenwriter; James B. Allardice screenwriter; Dorothy Reid screenwri
Francis Joins the WACS Original screenplay for the 1954 film
Universal City CA: Universal Pictures 1954. Final Draft script for the 1954 film. The fifth of seven films in the popular "Francis the Talking Mules series all made in the 1950s. Copy belonging to technical advisor Major Lane Carlson with his name in holograph blue ink on a label affixed to the front wrapper and his annotations throughout. Carlson acted as a consultant on the military aspects of the film as the film involves Francis joining the Army going to the Pentagon etc. <br/><br/>Salmon titled wrappers noted as Final Screenplay on the front wrapper dated February 9 1954. 157 leaves mimeograph duplication with blue pink and yellow revision pages throughout dated variously between 2-17-54 and 4-5-54. Pages and wrapper Very Good plus in a three ring binder used during production. Universal Pictures unknown books
Referencia librero : 131088
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