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Michelangelo Antonioni (director); Enrico Appetito (photographer); Monica Vitti, Lea Massari, Gabriele Ferzetti (starring)
L'Avventura Original oversize photograph from the 1960 film
Rome: Cino del Duca 1960. Vintage oversize double weight borderless glossy press photograph by Enrico Appetito from the 1960 film. Bold notation on the verso noting that the photograph is from the archives of the French cinephile magazine "Cinema 60."<br /> <br /> The first film in Antonioni's famed trilogy followed by La Notte and L'eclisse. A classic scene from the film from the section shot on location in Rome where actresses Lea Massari and Monica Vitti stare wonderingly at the soulless void before them. <br /> <br /> 9.25 x 11.75 inches. Near Fine. <br /> <br /> Criterion Collection 98. Cino del Duca unknown
Referenz des Buchhändlers : 134674
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Michelangelo Antonioni (director); Jeanne Moreau, Marcello Mastroianni (starring)
La Notte Original photograph of Marcello Mastroianni and Jeanne Moreau on the set in 1961
Italy: Nepi Film 1960. Vintage borderless photograph from the set of the 1961 film. A candid aerial photograph of Mastroianni Moreau and two other cast members conversing around a table. With a stamp for Telecine and a few annotations on the verso. <br /> <br /> The second film in the trilogy that begins with "L'Avventura" 1960 and ends with "L'Eclisse" 1962. Shot on location in Milan. <br /> <br /> Probably no one has ever said it better than Bosley Crowther who reviewed the film for the New York Times in 1961: "Too sensitive and subtle for apt description are Antonioni's pictorial fashionings of a social atmosphere a rarefied intellectual climate a psychologically stultifying milieu-and his haunting evocations within them of individual symbolisms and displays of mental and emotional aberrations. Even boredom is made interesting. There is for instance a sequence in which a sudden downpour turns a listless garden party into a riot of foolish revelry exposing the lack of stimulation before nature takes a flagellating hand. Or there's a shot of the crumpled wife leaning against a glass wall looking out into the rain that tells in a flash of all her ennui desolation and despair."<br /> <br /> 9.5 x 7.5 inches. Near Fine. In a custom museum-quality frame archivally mounted with UV glass. <br /> <br /> Criterion Collection 678. Eureka Masters of Cinema 61. Nepi Film unknown
Referenz des Buchhändlers : 138792
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Michelangelo Antonioni (director); Jeanne Moreau, Marcello Mastroianni (starring)
La Notte Original double weight photograph of Michelangelo Antonioni and Jeanne Moreau on the set in 1961
Italy: Nepi Film 1960. Vintage oversize double weight borderless photograph from the 1961 film. A candid on-the-set photograph of director Michelangelo Antonioni cinematographer Gianni Di Venanzo Jeanne Moreau and others working on a balcony shot part of the long party sequence that makes up the last third of the film. <br /> <br /> The second film in the trilogy that begins with "L'Avventura" 1960 and ends with "L'Eclisse" 1962. Shot on location in Milan. <br /> <br /> Probably no one has ever said it better than Bosley Crowther who reviewed the film for the New York Times in 1961: "Too sensitive and subtle for apt description are Antonioni's pictorial fashionings of a social atmosphere a rarefied intellectual climate a psychologically stultifying milieu-and his haunting evocations within them of individual symbolisms and displays of mental and emotional aberrations. Even boredom is made interesting. There is for instance a sequence in which a sudden downpour turns a listless garden party into a riot of foolish revelry exposing the lack of stimulation before nature takes a flagellating hand. Or there's a shot of the crumpled wife leaning against a glass wall looking out into the rain that tells in a flash of all her ennui desolation and despair."<br /> <br /> In a custom museum-quality frame archivally mounted with UV glass. 9 x 12 inches. Near Fine. <br /> <br /> Criterion Collection 678. Eureka Masters of Cinema 61. Nepi Film unknown
Referenz des Buchhändlers : 133246
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Michelangelo Antonioni (director); Ennio Flaiano, Tonino Guerra (screenwriters); Marcello Mastroianni, Jeanne Moreau, Monica Vit
La Notte The Night Three original photographs from the 1961 film
N.p.: N.p. 1961. Three vintage borderless reference photographs from the 1961 Italian film. Stamp of photographer Paul Ronald on the versos of two photographs.<br /> <br /> The second film in director Michelangelo Antonioni's trilogy that begins with "L'Avventura" 1960 and ends with "L'Eclisse" 1962.<br /> <br /> Probably no one has ever said it better than Bosley Crowther who reviewed the film for the New York Times in 1961: "Too sensitive and subtle for apt description are Antonioni's pictorial fashionings of a social atmosphere a rarefied intellectual climate a psychologically stultifying milieu-and his haunting evocations within them of individual symbolisms and displays of mental and emotional aberrations. Even boredom is made interesting. There is for instance a sequence in which a sudden downpour turns a listless garden party into a riot of foolish revelry exposing the lack of stimulation before nature takes a flagellating hand. Or there's a shot of the crumpled wife leaning against a glass wall looking out into the rain that tells in a flash of all her ennui desolation and despair."<br /> <br /> Set and shot on location in Milan.<br /> <br /> 9.25 x 7.5 inches. Near Fine. <br /> <br /> Criterion Collection 678. Eureka Masters of Cinema 61. N.p. unknown
Referenz des Buchhändlers : 159920
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Michelangelo Antonioni (director); Marcello Mastroianni, Jeanne Moreau, Monica Vitti, Bernhard Wicki (starring); Ennio Flaiano,
La Notte The Night Five original photographs from the 1961 film
N.p.: N.p. 1961. Five vintage borderless reference photographs from the 1961 film including one oversize photograph showing director Michelangelo Antonioni and a camera crew on the set. French and numeric annotations in manuscript ink and pencil on the versos.<br /> <br /> The second film in Antonioni's trilogy that begins with "L'Avventura" 1960 and ends with "L'Eclisse" 1962.<br /> <br /> Probably no one has ever said it better than Bosley Crowther who reviewed the film for the New York Times in 1961: "Too sensitive and subtle for apt description are Antonioni's pictorial fashionings of a social atmosphere a rarefied intellectual climate a psychologically stultifying milieu-and his haunting evocations within them of individual symbolisms and displays of mental and emotional aberrations. Even boredom is made interesting. There is for instance a sequence in which a sudden downpour turns a listless garden party into a riot of foolish revelry exposing the lack of stimulation before nature takes a flagellating hand. Or there's a shot of the crumpled wife leaning against a glass wall looking out into the rain that tells in a flash of all her ennui desolation and despair."<br /> <br /> Set and shot on location in Milan.<br /> <br /> Four photographs 9.5 x 7 inches one 12.5 x 9.5 inches. Very Good plus. <br /> <br /> Criterion Collection 678. Eureka Masters of Cinema 61. N.p. unknown
Referenz des Buchhändlers : 167658
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Michelangelo Antonioni (director, screenwriter); Tonino Guerra (screenwriter); Monica Vitti, Richard Harris (starring)
Red Desert Il deserto rosso Original photograph of Monica Vitti and Richard Harris from the 1964 film
Rome: Film Duemila 1964. Vintage borderless reference photograph of Monica Vitti and Richard Harris from the 1964 film. "Deserto Ross" stamp on verso. <br /> <br /> Antonioni's first color film and the last in a quartet of films made between 1959 and 1964 about women in modern culture preceded by "L'avventura" "La Notte" and L'Eclisse" and the lie of happiness and better living. This entry very much an antecedent to Todd Haynes' "Safe" 1995 focuses on Vitti a woman trying to survive in the modern world of cultural neurosis and existential doubt. Carlo Di Palma's cinematography remains legendary today for its stunningly colored industrial landscapes beautifully and yet indirectly evoking Vitti's unease alienation and vivid perceptions. <br /> <br /> Shot on location in Ravenna Sardinia and Rome Italy. <br /> <br /> 9.5 x 12 inches. Near Fine. <br /> <br /> BFI 1134. Criterion Collection 522. Godard Histoires du cinema. Rosenbaum 1000. Film Duemila unknown
Referenz des Buchhändlers : 152012
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Michelangelo Antonioni (director, screenwriter); Mark Peploe, Peter Wollen (screenwriters); Jack Nicholson, Maria Schneider, Ste
The Passenger Professione: reporter Original photograph from the 1975 Italian film
N.p.: N.p. 1975. Vintage borderless double weight reference photograph of director Michelangelo Antonioni talking with actors Jack Nicholson and Maria Schneider on the set of the 1975 Italian film. Annotations in manuscript ink on the verso relating to cropping as well as the stamp of Cinema International in London. <br /> <br /> A cynical war correspondent in northern Africa assumes the identity of a deceased arms dealer to gain information for his documentary. Antonioni's final film in a three picture contract with Metro-Goldwyn-Mayer following "Blowup" 1966 and "Zabriskie Point" 1970. <br /> <br /> Set in Chad shot on location in Germany Spain and England. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Rosenbaum 1000. N.p. unknown
Referenz des Buchhändlers : 160516
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Michelangelo Antonioni (director); Peter Wollen, Mark Peploe (screenwriters); Jack Nicholson, Maria Schneider, Steven Berkoff, I
The Passenger Professione: reporter Original photograph of Michelangelo Antonioni on the set of the 1975 film
N.p.: N.p. 1975. Vintage borderless reference photograph from the 1975 film showing director Michelangelo Antonioni behind the camera. With manuscript pencil layout annotations on the verso.<br /> <br /> A cynical war correspondent in northern Africa assumes the identity of a deceased arms dealer to gain information for his documentary. Antonioni's final film in a three picture contract with Metro-Goldwyn-Mayer following "Blowup" 1966 and "Zabriskie Point" 1970. <br /> <br /> Set in Chad shot on location in Germany Spain and England. <br /> <br /> 10 x 8 inches. Very Good plus lightly edgeworn and faintly toned. <br /> <br /> Rosenbaum 1000. N.p. unknown
Referenz des Buchhändlers : 151696
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Michelangelo Antonioni (director, screenwriter); Mark Peploe, Peter Wollen (screenwriters); Jack Nicholson, Maria Schneider, Ste
The Passenger Professione: reporter Original photograph from the 1975 Italian film
N.p.: N.p. 1975. Vintage borderless reference photograph from the 1975 Italian film showing actors Jack Nicholson and Maria Schneider. <br /> <br /> A cynical war correspondent in northern Africa assumes the identity of a deceased arms dealer to gain information for his documentary. Antonioni's final film in a three picture contract with Metro-Goldwyn-Mayer following "Blowup" 1966 and "Zabriskie Point" 1970. <br /> <br /> Set in Chad shot on location in Germany Spain and England. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Rosenbaum 1000. N.p. unknown
Referenz des Buchhändlers : 152317
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Michelangelo Antonioni (director, screenwriter); Mark Frechette, Daria Halprin, Paul Fix, GD Spradlin, Bill Garaway, Kathleen Cl
Zabriskie Point Original photograph of Mark Frechette Daria Halprin and Michelangelo Antonioni on location for the 1970 film
N.p.: N.p. 1968. Vintage reference photograph from the 1970 film showing actors Mark Frechette and Daria Halprin talking with director Michelangelo Antonioni while on location in the desert. Annotations in manuscript pencil on the verso identifying subjects and crediting photographer Bruce Davidson with Magnum Photos.<br /> <br /> Antonioni's great American experiment and the only film the director ever made in the United States written for the screen by a young Sam Shepard. Though made from an Italian's perspective the film stands today as a great visual statement on the American West in the late 1960s rampant consumerism and the hippie zeitgeist. <br /> <br /> 8 x 10 inches with wide top and bottom margins. Fine.<br /> <br /> Godard Histoires du cinema. Rosenbaum 1000. N.p. unknown
Referenz des Buchhändlers : 167659
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Michelangelo Antonioni (director, screenwriter); Franco Rossetti, Sam Shepard, Tonino Guerra, Clare Peploe (screenwriters); Mark
Zabriskie Point Five original reference photographs from the 1970 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Near Fine. <br /> <br /> Godard Histoires du cinema. Rosenbaum 1000. Metro-Goldwyn-Mayer [MGM] unknown
Referenz des Buchhändlers : 144970
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Michelangelo Antonioni (director, screenwriter); Bruce Davidson (photographer); Franco Rossetti, Sam Shepard, Tonino Guerra, Cla
Zabriskie Point Original photograph of Daria Halprin from the 1970 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Vintage studio still photograph of Daria Halprin seemingly trapped in the middle of a mid-century modern glass vestibule from the 1970 film. Mimeo snipe on the verso.<br /> <br /> Antonioni's great American experiment and the only film the director ever made in the United States written for the screen by a young Sam Shepard. Though made from an Italian's perspective the film stands today as a great visual statement on the American West in the late 1960s rampant consumerism and the hippie zeitgeist. <br /> <br /> 8 x 10 inches with wide horizontal margins. Near Fine. <br /> <br /> Rosenbaum 1000. Godard Histoires du cinema. Metro-Goldwyn-Mayer [MGM] unknown
Referenz des Buchhändlers : 148876
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Michelangelo Antonioni director screenwriter; Bruce Davidson still photographer; Franco Rossetti Sam Shepard Tonino Guerra C
Zabriskie Point Original double weight photograph from the set of the 1970 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Vintage double weight photograph of director Michelangelo Antonioni and members of the cast and crew on location in the Mojave Desert shooting the 1970 film. Shot by noted photographer Bruce Davidson. With holograph annotations in pencil and blue pen on the verso.<br/><br/>Antonioni's great American experiment and the only film the director ever made in the United States written for the screen by a young Sam Shepard. Though made from an Italian's perspective the film stands today as a great visual statement on the American West in the late 1960s rampant consumerism and the hippie zeitgeist. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Godard Histoires du cinema. Rosenbaum 1000. Metro-Goldwyn-Mayer [MGM] unknown books
Referenz des Buchhändlers : 144408
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Michelangelo Antonioni director screenwriter; Bruce Davidson still photographer; Franco Rossetti Sam Shepard Tonino Guerra C
Zabriskie Point Original photograph of Daria Halprin from the 1970 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Vintage studio still photograph of Daria Halprin seemingly trapped in the middle of a mid-century modern glass vestibule from the 1970 film. Mimeo snipe on the verso.<br/><br/>Antonioni's great American experiment and the only film the director ever made in the United States written for the screen by a young Sam Shepard. Though made from an Italian's perspective the film stands today as a great visual statement on the American West in the late 1960s rampant consumerism and the hippie zeitgeist. <br/><br/>8 x 10 inches with wide horizontal margins. Near Fine. <br/><br/>Rosenbaum 1000. Godard Histoires du cinema. Metro-Goldwyn-Mayer [MGM] unknown books
Referenz des Buchhändlers : 148876
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Michelangelo Antonioni director screenwriter; Franco Rossetti Sam Shepard Tonino Guerra Clare Peploe screenwriters; Mark Fre
Zabriskie Point Collection of 5 original reference photographs from the 1970 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Near Fine. <br/><br/>Godard Histoires du cinema. Rosenbaum 1000. Metro-Goldwyn-Mayer [MGM] unknown books
Referenz des Buchhändlers : 144970
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Michelangelo Antonioni director screenwriter; Gerard Brach Tonino Guerra screenwriters; Tomas Milian Daniela Silverio Christ
Identification of a Woman Identificazione di una donna Collection of three original photographs from the 1982 Italian film
Grunwald Germany: Concorde Film 1982. Collection of three vintage borderless reference photographs from the German release of the 1982 Italian film. With mimeo snipes on the verso.<br/><br/>Antonioni's rarely discussed final feature and one of his greatest achievements. A recently divorced director pursues a new relationship with a younger woman who he imagines could play the leading role in his next film. She quickly vanishes and he embarks on a search to find her sparking up a series of romances with other women. Winner of the 35th Anniversary Prize at the 1982 Cannes Film Festival.<br/><br/>Shot on location in Venice and Rome. <br/><br/>9.5 x 7 inches. Near Fine. <br/><br/>Criterion Collection 585. Concorde Film unknown books
Referenz des Buchhändlers : 149294
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Michelangelo Antonioni director screenwriter; Gerard Brach Tonino Guerra screenwriters; Tomas Milian Daniela Silverio Christ
Identification Of A Woman Identificazione Di Una Donna Original screenplay for the 1982 film
Rome: Iterfilm 1982. Agency draft script in English for the 1982 Italian film. <br/><br/>Antonioni's rarely discussed final feature and one of his greatest achievements. Niccolo Tomas Milian a recently divorced movie director pursues a new relationship with a younger woman Mavi Daniela Silverio who he imagines could play the leading role in his next film. She quickly vanishes and he embarks on a search to find her sparking up a series of romances with other women. Winner of the 35th Anniversary Prize at the 1982 Cannes Film Festival.<br/><br/>Shot on location in Venice and Rome. <br/><br/>Blue untitled agency wrappers. Title page present with credits for director Michelangelo Antonioni. 91 leaves with last page of text numbered 82. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads.<br/><br/>Criterion Collection 585. Iterfilm unknown books
Referenz des Buchhändlers : 144397
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Michelangelo Antonioni director screenwriter; Julio Cortazar short story; Arthur Evans still photographer; Tonino Guerra Edwar
Blow-Up Collection of 20 original photographs from the 1966 film
N.p.: N.p. 1966. Collection of 20 vintage borderless photographs from the 1966 film 18 reference photographs and 2 fashion photographs of Rosaleen Murray and Ann Norman. Mimeo snipes on the verso of three of the photographs. <br/><br/>Inspired by the 1959 short story "Las Babas del Diablo" by Julio Cortazar.<br/><br/>Michelangelo Antonioni's first English-language film marking the beginning of the final phase of his work co-produced by companies in Italy the United States and the United Kingdom and featuring an international cast. The director's brash use of color set design non-standard editing techniques and typical emphasis of atmosphere over plot would carry over into the two major films that followed "Zabriskie Point" 1970 and "The Passenger" 1975. <br/><br/>In his 2009 essay on the film Danny Lyon notes "It is apt that through his established style Antonioni made a movie that is perhaps closest to communicating the myth of the swinging Sixties scene but also the confusion of the time. . Britain's new and very chaotic cultural revolution was perhaps most effectively captured by an Italian."<br/><br/>Winner of the Palme d'Or. Nominated for two Academy Awards for Best Director and Best Screenplay.<br/><br/>8 x 10 inches. Lightest edgewear else Near Fine. <br/><br/>Complete collation details available on request.<br/><br/>Criterion Collection 865. Ebert I. Grant UK/Italy. N.p. unknown books
Referenz des Buchhändlers : 148795
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Michelangelo Antonioni director screenwriter; Mark Peploe Peter Wollen screenwriters; Jack Nicholson Maria Schneider Steven
The Passenger Professione: reporter Original photograph from the 1975 Italian film
N.p.: N.p. 1975. Vintage borderless reference photograph from the 1975 Italian film showing actors Jack Nicholson and Maria Schneider. <br/><br/>A cynical war correspondent in northern Africa assumes the identity of a deceased arms dealer to gain information for his documentary. Antonioni's final film in a three picture contract with Metro-Goldwyn-Mayer following "Blowup" 1966 and "Zabriskie Point" 1970. <br/><br/>Set in Chad shot on location in Germany Spain and England. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Rosenbaum 1000. N.p. unknown books
Referenz des Buchhändlers : 152317
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Michelangelo Antonioni director screenwriter; Sergio Strizzi still photographer; Tonino Guerra Elio Bartolini Ottiero Ottieri
L'Eclisse The Eclipse Original photograph of Monica Vitti from the 1962 film
N.p.: N.p. 1962. Vintage borderless reference photograph of Monica Vitti sitting on a sofa and staring into the existential void from the 1962 film. "ROMA's Press Photo" stamp on verso with address in Rome for same. <br/><br/>The third and final chapter of Michelangelo Antonioni's trilogy preceeded by "L'Avventura" 1960 starring Gabriele Ferzetti and Monica Vitti and "La Notte" 1961 starring Marcello Mastrioianni Jeanne Moreau and Monica Vitti.<br/><br/>Vittoria Vitti leaves her fiance Riccardo Francisco Rabal for Piero Alain Delon a young stock broker obsessed with material possessions and wealth.<br/><br/>Awarded the Jury Special Prize and nominated for the Palme d'Or at the 1961 Cannes Film Festival.<br/><br/>Shot on location in Rome and Verona Italy. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Criterion Collection 278. Rosenbaum 1000. Vogel Film as a Subversive Art. Scorsese My Voyage to Italy. N.p. unknown books
Referenz des Buchhändlers : 148877
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Michelangelo Antonioni director screenwriter; Tonino Guerra screenwriter; Monica Vitti Richard Harris starring
Red Desert Il deserto rosso Original photograph of Monica Vitti and Richard Harris from the 1964 film
Rome: Film Duemila 1964. Vintage borderless reference photograph of Monica Vitti and Richard Harris from the 1964 film. "Deserto Ross" stamp on verso. <br/><br/>Antonioni's first color film and the last in a quartet of films made between 1959 and 1964 about women in modern culture preceded by "L'avventura" "La Notte" and L'Eclisse" and the lie of happiness and better living. This entry very much an antecedent to Todd Haynes' "Safe" 1995 focuses on Vitti a woman trying to survive in the modern world of cultural neurosis and existential doubt. Carlo Di Palma's cinematography remains legendary today for its stunningly colored industrial landscapes beautifully and yet indirectly evoking Vitti's unease alienation and vivid perceptions. <br/><br/>Shot on location in Ravenna Sardinia and Rome Italy. <br/><br/>9.5 x 12 inches. Near Fine. <br/><br/>BFI 1134. Criterion Collection 522. Godard Histoires du cinema. Rosenbaum 1000. Film Duemila unknown books
Referenz des Buchhändlers : 152012
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Michelangelo Antonioni director; Enrico Appetito photographer; Monica Vitti Lea Massari Gabriele Ferzetti starring
L'Avventura Original oversize photograph from the 1960 film
Rome: Cino del Duca 1960. Vintage oversize double weight borderless glossy press photograph by Enrico Appetito from the 1960 film. Bold notation on the verso noting that the photograph is from the archives of the French cinephile magazine "Cinema 60."<br/><br/>The first film in Antonioni's famed trilogy followed by La Notte and L'eclisse. A classic scene from the film from the section shot on location in Rome where actresses Lea Massari and Monica Vitti stare wonderingly at the soulless void before them. <br/><br/>9.25 x 11.75 inches. Near Fine. <br/><br/>Criterion Collection 98. Cino del Duca unknown books
Referenz des Buchhändlers : 134674
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Michelangelo Antonioni director; Jeanne Moreau Marcello Mastroianni starring
La Notte Original double weight photograph of Michelangelo Antonioni and Jeanne Moreau on the set in 1961
Italy: Nepi Film 1960. Vintage oversize double weight borderless photograph from the 1961 film. A candid on-the-set photograph of director Michelangelo Antonioni cinematographer Gianni Di Venanzo Jeanne Moreau and others working on a balcony shot part of the long party sequence that makes up the last third of the film. <br/><br/>The second film in the trilogy that begins with "L'Avventura" 1960 and ends with "L'Eclisse" 1962. Shot on location in Milan. <br/><br/>Probably no one has ever said it better than Bosley Crowther who reviewed the film for the New York Times in 1961: "Too sensitive and subtle for apt description are Antonioni's pictorial fashionings of a social atmosphere a rarefied intellectual climate a psychologically stultifying milieu-and his haunting evocations within them of individual symbolisms and displays of mental and emotional aberrations. Even boredom is made interesting. There is for instance a sequence in which a sudden downpour turns a listless garden party into a riot of foolish revelry exposing the lack of stimulation before nature takes a flagellating hand. Or there's a shot of the crumpled wife leaning against a glass wall looking out into the rain that tells in a flash of all her ennui desolation and despair."<br/><br/>In a custom museum-quality frame archivally mounted with UV glass. 9 x 12 inches. Near Fine. <br/><br/>Criterion Collection 678. Eureka Masters of Cinema 61. Nepi Film unknown books
Referenz des Buchhändlers : 133246
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Michelangelo Antonioni director; Jeanne Moreau Marcello Mastroianni starring
La Notte Original photograph of Marcello Mastroianni and Jeanne Moreau on the set in 1961
Italy: Nepi Film 1960. Vintage borderless photograph from the set of the 1961 film. A candid aerial photograph of Mastroianni Moreau and two other cast members conversing around a table. With a stamp for Telecine and a few annotations on the verso. <br/><br/>The second film in the trilogy that begins with "L'Avventura" 1960 and ends with "L'Eclisse" 1962. Shot on location in Milan. <br/><br/>Probably no one has ever said it better than Bosley Crowther who reviewed the film for the New York Times in 1961: "Too sensitive and subtle for apt description are Antonioni's pictorial fashionings of a social atmosphere a rarefied intellectual climate a psychologically stultifying milieu-and his haunting evocations within them of individual symbolisms and displays of mental and emotional aberrations. Even boredom is made interesting. There is for instance a sequence in which a sudden downpour turns a listless garden party into a riot of foolish revelry exposing the lack of stimulation before nature takes a flagellating hand. Or there's a shot of the crumpled wife leaning against a glass wall looking out into the rain that tells in a flash of all her ennui desolation and despair."<br/><br/>9.5 x 7.5 inches. Near Fine. In a custom museum-quality frame archivally mounted with UV glass. <br/><br/>Criterion Collection 678. Eureka Masters of Cinema 61. Nepi Film unknown books
Referenz des Buchhändlers : 138792
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Michele Carey, Slim Pickens, Ed Lauter (starring); Barry Shear (director); Gary Thomas Rowe (biography); Lane Slate (screenwrite
Undercover with the KKK Inside the Ku Klux Klan Original screenplay for the 1979 television movie
Burbank CA: Columbia Pictures Television 1978. Revised Draft script for the 1978 film seen here under the working title "Inside the Ku Klux Klan." <br /> <br /> Dramatizes the experiences of Gary Thomas Rowe Jr. an undercover FBI agent who infiltrated Alabama's Eastview Klavern 13 widely known as the most violent branch of the Klan in the nation as part of the FBI's Counterintelligence Program COINTELPRO. <br /> <br /> Although not depicted in the film Rowe would go on to become an actual Klan member and was implicated in the 16th Street Baptist Church bombing as well as the shooting of a civil rights worker and other acts of violence against freedom riders and activists-all crimes for which he was never charged. <br /> <br /> Set in Alabama shot on location in Nevada City Roseville and Sacramento California.<br /> <br /> Beige titled Columbia Pictures Television wrappers dated January 17 1978 noted as REVISED DRAFT on the front wrapper. Title page present dated January 17 1978 noted as REVISED DRAFT with credits for Rowe and screenwriter Lane Slate. 124 leaves with last page of text numbered 122. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Columbia Pictures Television unknown
Referenz des Buchhändlers : 170251
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Michele Grubert, Alban Ceray, Michele Perello, Marie-Christine Chireix (starring); Alain Nauroy (director); Monique Andre (scree
Le Cri du désir Erotic Sex Games Four original photographs from the 1977 adult film
N.p.: N.p. 1977. Four vintage matte-finish borderless reference photographs from the 1977 French adult film all showing actress Michèle Grubert. <br /> <br /> A newly married nurse is attracted to the son of her husband and begins a sexual relationship with him. <br /> <br /> Three photographs 9.25 x 7 inches one photograph 7 x 5 inches. Very Good plus one lightly faded and all four slightly curled. <br /> <br /> Bier 386. N.p. unknown
Referenz des Buchhändlers : 159958
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Michele Lupo (director); Lionello De Felice, Ernesto Guida (screenwriters); Roger Brown, Scilla Gabel, Giacomo Rossi Stuart, Dan
Revenge of the Gladiators Collection of 19 original photographs from the 1964 film
Los Angeles: Paramount Pictures 1964. Collection of 19 vintage studio still photographs from the 1964 film.<br /> <br /> Released in the US under the title "Revenge of the Gladiators" it was originally released in Italy under the title "La vendetta di Spartacus" or "The Revenge of Spartacus" which it is also known by. "Revenge of the Gladiators" was the first of Michele Lupo's gladiator trilogy and was shot back to back with the second in the trilogy 1964's "Seven Slaves Against the World" which was followed by "Seven Rebel Gladiators" from 1965 all three of which feature much of the same cast.<br /> <br /> After Sparticus' crucifixion rumors circulate that he is in fact still alive and has organized an army to fight the Romans. Roman legionary Valerio Roger Brown discovers the deceit and unsuccessfully attempts to warn the Spartacists.<br /> <br /> 8 x 10 inches. Near Fine. Paramount Pictures unknown
Referenz des Buchhändlers : 146714
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Michele Lupo director; Lionello De Felice Ernesto Guida screenwriters; Roger Brown Scilla Gabel Giacomo Rossi Stuart Daniele
Revenge of the Gladiators Collection of 19 original photographs from the 1964 film
Los Angeles: Paramount Pictures 1964. Collection of 19 vintage studio still photographs from the 1964 film.<br/><br/>Released in the U.S. under the title "Revenge of the Gladiators" it was originally released in Italy under the title "La vendetta di Spartacus" or "The Revenge of Spartacus" which it is also known by. "Revenge of the Gladiators" was the first of Michele Lupo's gladiator trilogy and was shot back to back with the second in the trilogy 1964's "Seven Slaves Against the World" which was followed by "Seven Rebel Gladiators" from 1965 all three of which feature much of the same cast.<br/><br/>After Sparticus' crucifixion rumors circulate that he is in fact still alive and has organized an army to fight the Romans. Roman legionary Valerio Roger Brown discovers the deceit and unsuccessfully attempts to warn the Spartacists.<br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request. Paramount Pictures unknown books
Referenz des Buchhändlers : 146714
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Michele Morgan, Henri Vidal (starring); Henri Decoin (director, screenwriter); Michel Audiard, Pierre Roustang, Albert Valentin
Too Late to Love Porquoi viens-tu si tard Four original photographs from the 1959 film
Neuilly-sur-Seine France: Gaumont / Ulysse Productions 1959. Four items including three vintage borderless reference photographs and one vintage reference photograph from the 1959 film. <br /> <br /> A small-town reporter helps a lawyer incriminate a wine-selling company revealing how the merchants target poor people and youth in their advertising campaigns. <br /> <br /> Shot on location in Paris and Yvelines France. <br /> <br /> One photograph 9.5 x 7.25 two photographs 7 x 5 inches one photograph 5.25 x 4 inches. Very good plus with some curling at the edges and one photograph with some foxing on the verso. Gaumont / Ulysse Productions unknown
Referenz des Buchhändlers : 160052
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Michelle Pfeiffer, Michael Keaton, Danny DeVito, Christopher Walen (starring); Tim Burton (director); Daniel Waters (screenwrite
Batman Returns Original publicity photograph of Michelle Pfeiffer from the 1992 film
N.p.: N.p. 1992. Vintage borderless satin-finish color publicity photograph from the 1992 film showing Michelle Pfeiffer in costume as Catwoman. <br /> <br /> Sequel to Tim Burton's 1989 classic "Batman" following the Dark Knight as he faces off against Catwoman and the Penguin. <br /> <br /> 8 x 10 inches. About Fine. N.p. unknown
Referenz des Buchhändlers : 168068
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Michio Sato/Screenplay Saburo Endo/Director
Shinjuku Love Hotel Weekend Hidden Heaven Movie Script
Nikkatsu 1973. Soft Cover. Fine. The book is in fine condition. Nikkatsu paperback
Referenz des Buchhändlers : 2080602108200629
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Michiru Yamazaki (Actor), Junko Takeuchi (Actor), Tensai Okamura (Director)
Medabots DVD-BOX 1 5 Volumes
supervision 2010. Soft Cover. Fine. Number of books: 1 supervision paperback
Referenz des Buchhändlers : 2090202120415030
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Mick Jagger, Len Jenkin (screenwriters); Gene Taft (director, screenwriter); Nick Mancuso, Byron Thames, Leslie Ackerman, Richar
Blame It on the Night Tin Soldiers Original screenplay for the 1984 film
N.p.: N.p. 1983. Revised Draft script for the 1984 film here under the working title "Tin Soldiers." With a single manuscript annotation to the verso of the final leaf noting No. 88.<br /> <br /> After the death of his mother a straitlaced cadet is taken out of his military academy by his alleged father a wild-spirited rock star. <br /> <br /> Shot on location in Arizona and California. <br /> <br /> Green titled wrappers. Title page present dated May 27 1983 noted as TAFT REVISION with credits for screenwriters Gene Taft and Len Jenkin and story credits to Jenkin and Michael Philip Jagger. 130 leaves with last page of text numbered 128. Xerographic duplication rectos only. Pages Very Good lightly foxed on the first and last leaves wrapper Near Fine bound with two gold brads. N.p. unknown
Referenz des Buchhändlers : 152549
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Mickail K. Kalatozov director; Richard L. Adams and Ennio De Concini screenwriters; Sean Connery Claudia Cardinale Hardy Kruge
The Red Tent Collection of 7 photographs from the 1969 film
Hollywood: Cinema International / Paramount Pictures 1969. Collection of 7 vintage black-and-white still photographs from the UK release of the 1969 Soviet Union film. Mimeograph snipes affixed to the versos with studio and distributor rubber-stamps. <br/><br/>An ex-Arctic ship commander remembers the fallen members of a failed Italian expedition. A bobbed Claudia Cardinale lightens the film's desolation in her performance as Nurse Valeria. <br/><br/>8 x 10 inches with no borders as issued. Light stains to the verso of one else Near Fine. Cinema International / Paramount Pictures unknown books
Referenz des Buchhändlers : 132071
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Mickey Rooney, Dan Duryea, Terry Moore (starring); Charles Haas (director); Robert Smith (screenwriter)
Platinum High School Four original photographs from the 1960 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1960. Four vintage studio still photographs from the 1960 film.<br /> <br /> A man travels to a remote military academy to inquire about his son reported to have died in an unspecified accident only to learn that the boy's death was caused by a violent hazing ritual. <br /> <br /> 10 x 8 inches. Lightly toned else Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
Referenz des Buchhändlers : 168180
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Mickey Spillane (novel); Stacy Keach, Don Stroud, Ernie Sabella, Leigh McCloskey (starring); Michael Preece (director); Joseph G
Mickey Spillane's Mike Hammer: Vickie's Song Original screenplay for the 1984 television episode
Burbank CA: Columbia Pictures Television 1983. Revised Final Draft script for the fourth episode of season one of the 1984-1989 television series. The episode originally aired on February 18 1984 on CBS. <br /> <br /> The series followed the adventures of private eye Mike Hammer a character originally created by novelist Mickey Spillane. In this episode Hammer investigates the death by overdose of a successful singer exposing the secrets of a wealthy family in the process. <br /> <br /> Green titled Columbia Pictures Television wrappers noted as REVISED FINAL DRAFT on the front wrapper dated November 13 1983. Title page present noted as REVISED FINAL DRAFT dated November 13 1983 with credit for screenwriter Joseph A. Gunn. 61 leaves with last page of text numbered 56. Xerographic duplication on blue stock rectos only. Pages Fine wrapper about Fine bound with two gold brads. Columbia Pictures Television unknown
Referenz des Buchhändlers : 160076
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Mickey Spillane (author); Tay Garnett (director, screenwriter)
The Delta Factor Original corrected manuscript screenplay for the 1970 film
N.p.: N.p. 1969. Original ribbon copy typescript for Tay Garnett's screenplay adaptation of Mickey Spillane's 1967 novel. Profusely annotated by Garnett in blue and red ink on every page and with a annotations by him at the top right corner of the first leaf: "First Draft Work Copy" "Screenplay by Tay Garnett" and "From Mickey Spillane's novel."<br /> <br /> Raoul Walsh eventually worked with Garnett on the script but this draft precedes his involvement. The film was released on May 15 1970 and starred Yvette Mimieux Christopher George and Yvonne De Carlo. <br /> <br /> 182 leaves rectos only. Leaves supple Very Good plus overall. N.p. unknown
Referenz des Buchhändlers : 136883
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Mickey Spillane author; Tay Garnett director screenwriter
The Delta Factor Original corrected manuscript screenplay for the 1970 film
N.p.: N.p. 1969. Original ribbon copy typescript for Tay Garnett's screenplay adaptation of Mickey Spillane's 1967 novel. Profusely annotated by Garnett in blue and red ink on every page and with a annotations by him at the top right corner of the first leaf: "First Draft Work Copy" "Screenplay by Tay Garnett" and "From Mickey Spillane's novel."<br/><br/>Raoul Walsh eventually worked with Garnett on the script but this draft precedes his involvement. The film was released on May 15 1970 and starred Yvette Mimieux Christopher George and Yvonne De Carlo. <br/><br/>182 leaves rectos only. Leaves supple Very Good plus overall. N.p. unknown books
Referenz des Buchhändlers : 136883
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Mickey Spillane novel; Harry Essex director; Biff Elliot starring
I the Jury Three-sheet film poster
Beverly Hills CA: United Artists 1953. Original American three-sheet illustrated poster for the 1953 film noir "I the Jury" based on the novel by Mickey Spillane directed by Harry Essex and starring Biff Elliot as Mike Hammer. This entry was the first of four Spillane B-movie adaptations made by the small production house Parklane each of which featured a different actor taking on the Hammer role. <br/><br/>Near Fine condition with a repair along one of the folds. Rolled on archival linen 41 x 81 inches. Poster art nicely builds on the lurid illustration from the Signet paperback edition of this title. United Artists unknown books
Referenz des Buchhändlers : 107833
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Midant,Jean-Paul (Director)
DICCIONARIO AKAL DE LA ARQUITECTURA DEL SIGLO XX
Akal . Bueno. 2004tapa dura con sobrecubierta.Expurgo bibliotecasellos y códigos.21x30.SINOPSIS:En las páginas del presente diccionario en el que han colaborado más de 160 autores de 29 países el lector encontrará más de 2.200 entradas ilustradas con 2.700 fotografías y una bibliografía individualizada. En ellas no sólo tienen cabida los arquitectos sino también los movimientos las revistas los críticos las agencias los teóricos las instituciones los materiales y los prototipos creados por nuestro siglo desde la estación de servicio a la sala de cine desde el rascacielos a la ciudad jardín. También están presentes las relaciones de la arquitectura con la filosofía la fotografía y la política. El diccionario une a esta pretensión de globalidad el análisis más riguroso convirtiéndose así en una herramienta de trabajo imprescindible tanto para el especialista como para el simple aficionado. Akal hardcover
Referenz des Buchhändlers : LV103092 ISBN : 8446017474 9788446017479
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Middleton, William Dana, MD, FACR (Professor of Radiology, Director of Ultrasonography, Mallinckrodt Institute of Radiology, Was
Ultrasound: The Requisites
Hardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
Referenz des Buchhändlers : ria9780323086189_inp ISBN : 0323086187 9780323086189
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Middleton, Brad (Author)/ Melton, Founder/Director J Gordon (Foreword)
Un-Dead TV: The Ultimate Guide to Vampire Television
By Light Unseen Media 2016. Hardcover. New. 558 pages. 7.50x1.19x9.25 inches. By Light Unseen Media hardcover
Referenz des Buchhändlers : x-1935303619 ISBN : 1935303619 9781935303619
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Miguel Anxo Pena González (Director)
Revista cuatrimestral de investigación teológica : Salmanticensis, Vol, 67-Fasc, 3 (Teología Práctica), Septiembre-Diciembre 2020,
GLN-756, Universidad Pontificia de Salamanca 2020
Referenz des Buchhändlers : 1656952419183
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Miguel as MI Bonns Iglesias (director, screenwriter); Enrique Josa (screenwriter); Nadiuska, Ramiro Oliveros, Gil Vidal, Luis In
Rape Collection of 25 original photographs with flyer and original envelope from the 1976 film
Spain: Profilmes 1976. Collection of 25 vintage borderless photographs for the international release of the 1976 Spanish exploitation film. Also included in the original plain brown paper envelope and a glossy full-color two sided flyer for the film featuring a synopsis in English French and Spanish. <br /> <br /> Two friends travel to a remote village to investigate the mysterious death of a friend only to uncover a possible supernatural explanation in a young woman the villagers claim is a witch. <br /> <br /> Photographs 9.5 x 7 inches. Near Fine. <br /> <br /> Flyer 8.25 x 11.5 inches. Near Fine. Profilmes unknown
Referenz des Buchhändlers : 144976
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Miguel as MI. Bonns Iglesias director screenwriter; Enrique Josa screenwriter; Nadiuska Ramiro Oliveros Gil Vidal Luis Indun
Rape Collection of 25 original photographs with flyer and original envelope from the 1976 film
Spain: Profilmes 1976. Collection of 25 vintage borderless photographs for the international release of the 1976 Spanish exploitation film. Also included in the original plain brown paper envelope and a glossy full color two sided flyer for the film featuring a synopsis in English French and Spanish. <br/><br/>Two friends travel to a remote village to investigate the mysterious death of a friend only to uncover a possible supernatural explanation in a young woman the villagers claim is a witch. <br/><br/>Photographs 9.5 x 7 inches. Near Fine. <br/><br/>Flyer 8.25 x 11.5 inches. Near Fine. Profilmes unknown books
Referenz des Buchhändlers : 144976
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Miguel as MI. Bonns Iglesias director screenwriter; Enrique Josa screenwriter; Nadiuska Ramiro Oliveros Gil Vidal Luis Indun
Rape Original advertising flyer for the 1976 film
Spain: Profilmes 1976. Original glossy full color two sided advertising flyer for international release of the 1976 film featuring a synopsis in English French and Spanish. <br/><br/>Two friends travel to a remote village to investigate the mysterious death of a friend only to uncover a possible supernatural explanation in a young woman the villagers claim is a witch. <br/><br/>8.25 x 11.5 inches. Near Fine. Profilmes unknown books
Referenz des Buchhändlers : 144977
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Miguel Campo Ibañez (Director)
CONFER, revista de vida religiosa N° 192 ; oct,/dic, 2011 : A los 15 años de Vita consecrata,
GLN-998, Conferencia Española de Religiosos (CONFER), 2011
Referenz des Buchhändlers : 1733240424723
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Miguel Campo Ibañez (Director)
CONFER, revista de vida religiosa N° 199 ; julio/sept, 2013 : Espacios de evangelización, Realidades y deseos,
GLN-998, Conferencia Española de Religiosos (CONFER), 2013
Referenz des Buchhändlers : 1733239960447
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Miguel Campo Ibañez (Director)
CONFER, revista de vida religiosa N° 200 ; oct,/dic, 2013,
GLN-998, Conferencia Española de Religiosos (CONFER), 2013
Referenz des Buchhändlers : 1733240042461
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Miguel Campo Ibañez (Director)
CONFER, revista de vida religiosa N° 201 ; enero/marzo 2014,
GLN-998, Conferencia Española de Religiosos (CONFER), 2014
Referenz des Buchhändlers : 1733240127860
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