|
Jacques Rivette (director, screenwriter); Monique Valentin (photographer); Denis Diderot (novel); Jean Grualt (screenwriter); An
The Nun La Religieuse Three original oversize photographs from the 1966 film
N.p.: N.p. 1966. Three vintage oversize borderless reference photographs from the 1966 film showing an altercation between actress Anna Karina and three nuns. With the stamp of still photographer Monique Valentin on the verso and two with a stamp noting year 1966.<br /> <br /> Based on Denis Diderot's eighteenth century novel following a young woman whose family forces her into a convent. A flurry of controversy surrounded the film's production and release as a result of its critical stance toward the Catholic Church leading the French Minister of Information to ban its release. A large-scale campaign was subsequently launched in its defense and the ban was lifted in 1967 when it was shown at Cannes Film Festival and nominated for the Palme d'Or.<br /> <br /> Shot on location in Villeneuve-les-Avignon Gard France. <br /> <br /> 14.25 x 9.75 inches. Lightly creased to the edges else Near Fine. <br /> <br /> Vogel Film as a Subversive Art. N.p. unknown
Référence libraire : 151742
|
|
|
Jacques Rivette (director); Denis Diderot (novel); Jean Gruault, Jaques Rivette (screenwriters); Anna Karina, Liselotte Pulver,
The Nun La Religieuse Original French poster for the 1966 film
N.p.: Rome Paris Films 1966. Vintage French Moyenne poster for the 1966 film. Nominated for a Palme d'Or at the 1966 Cannes Film Festival. <br /> <br /> A flurry of controversy surrounded the production and release of Rivette's film. Upon facing pressure from the French Catholic Church regarding its critical religious and sexual content the new Minister of Information Yvon Bourges banned its release. As a result a massive campaign was launched in its defense eventually leading to the ban being lifted. <br /> <br /> The story is based on Denis Diderot's eighteenth century novel of the same title. It was conceived as a practical joke devised by Diderot to persuade the Marquis de Croismare to return to Paris. He assumed the identity of a desperate young woman forced into a convent and wrote elaborate letters to the Marquis beseeching him to help her. Eventually Diderot compiled the letters and built on them to create his novel. Like the film it too faced censorship and was not officially published until after the writer's death. <br /> <br /> Shot on location in Villeneuve-les-Avignon Gard France. <br /> <br /> 23.5 x 31 inches folded. Near Fine with two manuscript ink and graphite annotations to the verso and light edgewear. <br /> <br /> Vogel Film as a Subversive Art. Rome Paris Films unknown
Référence libraire : 139960
|
|
|
Jacques Rivette director screenwriter; Denis Diderot novel; Jean Grualt screenwriter; Anna Karina Liselotte Pulver Micheline
The Nun La Religieuse Original photograph of Anna Karina from the 1966 film
N.p.: Rome Paris Films 1966. Vintage borderless French reference photograph of actress Anna Karina from the 1966 film. With a stamp specific to the French release for the film on the verso. <br/><br/>Based on Denis Diderot's eighteenth century novel following a young woman whose family forces her into a convent. A flurry of controversy surrounded the film's production and release as a result of its critical stance toward the Catholic Church leading the French Minister of Information to ban its release. A large-scale campaign was subsequently launched in its defense and the ban was lifted in 1967 when it was shown at Cannes Film Festival and nominated for the Palme d'Or.<br/><br/>Shot on location in Villeneuve-les-Avignon Gard France. <br/><br/>9 x 6.75 inches. Near Fine.<br/><br/>Vogel Film as a Subversive Art. Rome Paris Films unknown books
Référence libraire : 149326
|
|
|
Jacques Rivette director screenwriter; Honore de Balzac novel; Pascal Bonitzer Christine Laurent screenwriter; Michel Piccoi
La Belle Noiseuse Collection of 5 original photographs from the 1991 film
Paris: Pierre Grise Productions 1991. Collection of 5 vintage borderless photographs from the 1991 film including one of Jacques Rivette and Emmanuelle Beart on the set. <br/><br/>Inspired by Balzac's novella "Le chef-d'oeuvre inconnu" Jacques Rivette's "La Belle Noiseuse" "The Beautiful Troublemaker" is a masterful 4 hour study of the creative process and the emotional tolls taken on artist model and family. <br/><br/>A once famous now reclusive painter Frenhofer Piccoli and his wife Liz Jane Birkin are visited by a young artist Nicolas David Bursztein and his girlfriend Marianne Beart. Frenhofer is inspired to take up work on a painting "La Belle Noiseuse" he abandoned a decade earlier with Marianne replacing the former model Liz. <br/><br/>Set in and shot on location in Assas Herault France. <br/><br/>One photograph 5 x 7 inches remaining four photographs 7 x 5 inches. Near Fine very light edgewear. <br/><br/>Cannes Palme d'Or Nominee 1991. Cannes Grand Prix 1991. Rosenbaum 1000. Ebert III. Pierre Grise Productions unknown books
Référence libraire : 145836
|
|
|
Jacques Rivette director screenwriter; Marilu Parolini screenwriter; Bulle Ogier Jean Pierre Kalfon starring
L'amour fou Crazy Love Original photograph from the 1969 film
Paris: Cocinor 1969. Vintage oversize borderless reference photograph from the 1969 film showing actress Bulle Ogier in a tense moment while sitting on a large bed. With holograph annotations to the verso regarding layout along with a dealer stamp. <br/><br/>As a theater group prepares for a production of Racine's tragedy "Andromaque" we follow the collapsing marriage of the production's director and his lead actress.<br/><br/>12 x 9.5 inches. Very Good plus with a shallow diagonal crease affecting the bottom left corner. Cocinor unknown books
Référence libraire : 149347
|
|
|
Jacques Rivette director screenwriter; Pascal Bonitzer Marilu Parolini Suzanne Schiffman screenwriters; Jane Birkin Geraldin
Love on the Ground L'Amour par terre Original photograph from the 1984 French film
London: Cannon-Gala 1984. Vintage reference photograph of director Jacques Rivette and actress Jane Birkin on the set of the 1984 French film. With a printed mimeo snipe affixed to the verso. <br/><br/>Fiction and reality begin to mix when a theatre troupe begins to rehearse a play in a mysterious mansion. <br/><br/>Set and shot on location in Paris and Hauts-de-Seine France.<br/><br/>10 x 8 inches. Fine. Cannon-Gala unknown books
Référence libraire : 149571
|
|
|
Jacques Rivette director screenwriter; Pascal Bonitzer Marilu Parolini Suzanne Schiffman screenwriters; Jane Birkin Geraldin
Love on the Ground L'Amour par terre Original photograph on the set of the 1984 film
Neuilly-sur-Seine France: Gaumont 1984. Vintage borderless photograph of director Jacques Rivette and actors Geraldine Chaplin and Facundo Bo on the set of the 1984 film. <br/><br/>Fiction and reality begin to mix when a theatre troupe begins to rehearse a play in a mysterious mansion. <br/><br/>7 x 4.5 inches. Near Fine. Gaumont unknown books
Référence libraire : 145127
|
|
|
Jacques Rivette director; Denis Diderot novel; Jean Gruault Jaques Rivette screenwriters; Anna Karina Liselotte Pulver Michel
The Nun La Religieuse Original French poster for the 1966 film
N.p.: Rome Paris Films 1966. Vintage French Moyenne poster for the 1966 film. Nominated for a Palme d'Or at the 1966 Cannes Film Festival. <br/><br/>A flurry of controversy surrounded the production and release of Rivette's film. Upon facing pressure from the French Catholic Church regarding its critical religious and sexual content the new Minister of Information Yvon Bourges banned its release. As a result a massive campaign was launched in its defense eventually leading to the ban being lifted. <br/><br/>The story is based on Denis Diderot's eighteenth century novel of the same title. It was conceived as a practical joke devised by Diderot to persuade the Marquis de Croismare to return to Paris. He assumed the identity of a desperate young woman forced into a convent and wrote elaborate letters to the Marquis beseeching him to help her. Eventually Diderot compiled the letters and built on them to create his novel. Like the film it too faced censorship and was not officially published until after the writer's death. <br/><br/>Shot on location in Villeneuve-les-Avignon Gard France. <br/><br/>23.5 x 31 inches folded. Near Fine with two holograph ink and graphite annotations to the verso and light edgewear. <br/><br/>Vogel Film as a Subversive Art. Rome Paris Films unknown books
Référence libraire : 139960
|
|
|
Jacques Rivette director; Jean Gruault screenwriter Betty Schneider Daniel Crohem Francoise Prevost Jean Claude Brialy starr
Paris nous appartient Paris Belongs to Us Original French moyenne poster for the 1961 film
Paris: Ajym Films 1961. Original French moyenne poster affiche for the 1961 French film. Winner of the 1962 Sutherland Trophy for best first or second feature by the British Film Institute. Scarce with only two copies found in Cine-ressources. <br/><br/>A labor of love released after numerous financial woes and a three-year production schedule "Paris Belongs to Us" did not cause the same stir as did the debuts of Rivette's "Cahiers du Cinema" peers though today it is seen as a film with an importance on the same level as the first works of Truffaut Godard and Chabrol. <br/><br/>Rivette retained his post at the journal throughout the 1960s even serving as editor from 1963 to 1965 as the French New Wave was in full swing. It wasn't until the start of the 1970s that Rivette's filmmaking career took off but the sensibilities and aesthetic values behind beloved masterpieces such as "Celine and Julie Go Boating" and "La belle noiseuse" are well on display in an exceptional first effort. <br/><br/>Rivette's career is generally defined by his adherence to long-form storytelling and a sense of structural reflexivity. This first feature serves as a perfect preamble to the epics that followed offering early insight into his sense for both larger scope and narrative complexity. At a confident 140 minutes the runtime of "Paris Belongs to Us" is roughly 40 minutes longer than any other first feature of the French New Wave though it pales in comparison to his later work particularly the twelve-hour "Out 1". Further with its focus on a theatrical Shakespeare production Rivette uses film to comment on its relationship to the stage a theme he would address in future films. <br/><br/>Set and shot in the streets and apartments of Paris. <br/><br/>23 x 31.5 inches folded as issued. Small exhibitor or distributor stamp to recto and verso. About Near Fine with small clean staple holes at corners and vertical fold very minor fold separation at edges and center. A wonderful of example of an unrestored and scarce poster for a landmark debut feature. <br/><br/>BFI 656. Ajym Films unknown books
Référence libraire : 137039
|
|
|
Jacques Rouffio (director, screenwriter); Joseph Kessel (novel); Jacques Kirsner (screenwriter); Romy Schneider, Michel Piccoli
La passante du Sans-Souci Original photograph from the set of the 1982 film
Paris: Elephant 1982. Vintage borderless oversized reference photograph from the 1982 film depicting director Jacques Rouffio going over the script with actress Romy Schneider on the set. Scheider's final film before her untimely death. Based on the 1936 novel by Joseph Kessel. <br /> <br /> 12 x 7.75 inches. Fine. Elephant unknown
Référence libraire : 139662
|
|
|
Jacques Rouffio director screenwriter; Joseph Kessel novel; Jacques Kirsner screenwriter; Romy Schneider Michel Piccoli starri
La passante du Sans-Souci Original photograph from the set of the 1982 film
Paris: Elephant 1982. Vintage borderless oversized reference photograph from the 1982 film depicting director Jacques Rouffio going over the script with actress Romy Schneider on the set. Scheider's final film before her untimely death. Based on the 1936 novel by Joseph Kessel. <br/><br/>12 x 7.75 inches. Fine. Elephant unknown books
Référence libraire : 139662
|
|
|
Jacques Tati (director, screenwriter, starring); Jean L'Hote, Jacques Lagrange (screenwriters); Jean-Pierre Zola, Adrienne Serva
Mon Oncle Original photograph of Jacques Tati on the set of the 1958 film
N.p.: N.p. 1958. Vintage borderless reference photograph from the set of the 1958 film showing director Jacques Tati smoking a cigarette and watching as cameraman Paul Rodier films a scene. With two Cine-Revue stamps on the verso along with manuscript ink and pencil layout annotations. <br /> <br /> Tati's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. <br /> <br /> Set in the Parisian suburbs. <br /> <br /> 9.5 x 7 inches. Near Fine. N.p. unknown
Référence libraire : 151249
|
|
|
Jacques Tati (director, screenwriter, starring); Jean L'Hote, Jacques Lagrange (screenwriters); Jean-Pierre Zola, Adrienne Serva
Mon Oncle Original photograph of Jacques Tati on the set of the 1958 film
N.p.: N.p. 1958. Vintage borderless reference photograph from the 1958 film showing director Jacques Tati filming an outdoors scene. National Film Archive stamp on the verso along with annotations in manuscript ink and pencil regarding cropping. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> Tati's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. <br /> <br /> Set in the Parisian suburbs. <br /> <br /> 7.75 x 10 inches. Near Fine. N.p. unknown
Référence libraire : 155857
|
|
|
Jacques Tati (director, screenwriter, starring); Jean L'Hote, Jacques Lagrange (screenwriters); Jean-Pierre Zola, Adrienne Serva
Mon Oncle Original photograph of Jacques Tati on the set of the 1958 film
N.p.: N.p. 1958. Vintage reference photograph from the 1958 film showing director Jacques Tati and a camera operator filming an outdoors scene. National Film Archive stamp on the verso along with annotations in manuscript ink and pencil regarding cropping. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> Tati's second of four films featuring the inimitable Monsieur Hulôt. In this chapter Hulôt strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. <br /> <br /> Set in the Parisian suburbs. <br /> <br /> 10 x 8 inches. Near Fine. N.p. unknown
Référence libraire : 157095
|
|
|
Jacques Tati (director, screenwriter, starring); Jacques Lagrange, Jean L'Hote (screenwriters); Jean-Pierre Zola, Adrienne Serva
Mon Oncle Original photograph of Jacques Tati and Mylene Demongeot at the premiere of the 1958 film
N.p.: N.p. 1958. Vintage borderless black and white photograph of director Jacques Tati at the premiere of his 1958 film preparing to pour a celebratory toast of champagne into an empty paper sleeve for the vinyl single from the film's soundtrack held by actress Mylene Demongeot.<br /> <br /> Tati's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. <br /> <br /> 8 x 10 inches. Near Fine. N.p. unknown
Référence libraire : 150440
|
|
|
Jacques Tati (director, screenwriter, starring); Jacques Lagrange, Jean L'Hote (screenwriters)
Mon Oncle Original photograph from the 1958 film
Paris: Gaumont 1958. Vintage photograph of Jacques Tati as Monsieur Hulot from the 1958 film. <br /> <br /> The director's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. <br /> <br /> 7.25 x 5 inches. Near Fine with a shallow diagonal crease to one corner. <br /> <br /> Criterion Collection 111. Ebert II. Rosenbaum 1000. Gaumont unknown
Référence libraire : 139689
|
|
|
Jacques Tati (director, screenwriter, starring); Jacques Lagrange, Jean L'Hote (screenwriters)
Mon Oncle Three original photographs from the set of the 1958 film
Neuilly-sur-Seine France: Gaumont 1958. Three vintage borderless photographs showing director Jacques Tati at work on the set of the 1958 film. With the stamps of the French Film Office's New York address as well as film information on the verso. <br /> <br /> The director's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. <br /> <br /> 7.25 x 9.5 inches. Near Fine. <br /> <br /> Criterion Collection 111. Ebert II. Rosenbaum 1000. Gaumont unknown
Référence libraire : 143634
|
|
|
Jacques Tati (director, screenwriter, starring); Pierre Aubert, Jacques Lagrange, Henri Marquet (screenwriters); Nathalie Pascau
Monsieur Hulot's Holiday Les Vacances de Monsieur Hulot Original photograph from the 1953 film
N.p.: N.p. 1954. Vintage borderless reference photograph of Jacques Tati as Monsieur Hulot from the classic 1954 film. <br /> <br /> Good-natured bumbling Mr. Hulot decides to take a summer trip to the French coast where he wreaks benevolent chaos on the residents of a small seaside resort. The film which introduced Jacques Tati's beloved character to the world followed by "Mon Oncle" 1958 "Play Time" 1967 and "Trafic" 1971. <br /> <br /> Shot on location on the coast of France. <br /> <br /> 6.75 x 9 inches. Very Good plus with pinholes at the corners and light creasing on the bottom edge.<br /> <br /> Criterion Collection 110. Ebert I. Rosenbaum 1000. N.p. unknown
Référence libraire : 160512
|
|
|
Jacques Tati (director, screenwriter, starring); Pierre Aubert, Jacques Lagrange, Henri Marquet (screenwriters); Nathalie Pascau
Monsieur Hulot's Holiday Les Vacances de Monsieur Hulot Original photograph from the 1953 film
N.p.: N.p. 1954. Vintage oversize borderless reference photograph from the classic 1954 film showing Jacques Tati on the beach. Number stamp and annotations in manuscript ink on the verso. <br /> <br /> Good-natured bumbling Mr. Hulot decides to take a summer trip to the French coast where he wreaks benevolent chaos on the residents of a small seaside resort. The film which introduced Jacques Tati's beloved character to the world followed by "Mon Oncle" 1958 "Play Time" 1967 and "Trafic" 1971. <br /> <br /> Shot on location on the coast of France. <br /> <br /> 9.25 x 11.25 inches. Very Good plus with light wear at the corners and a couple of tiny bruises at the bottom right corner.<br /> <br /> Criterion Collection 110. Ebert I. Rosenbaum 1000. N.p. unknown
Référence libraire : 162412
|
|
|
Jacques Tati (director, screenwriter, starring); Pierre Aubert, Jacques Lagrange, Henri Marquet (screenwriters); Nathalie Pascau
Monsieur Hulot's Holiday Les Vacances de Monsieur Hulot Original photograph from the 1953 film
N.p.: N.p. 1954. Vintage oversize borderless reference photograph from the classic 1954 film showing Jacques Tati on the tennis court. Dutch blindstamp on the top right corner and Dutch provenance label on the verso.<br /> <br /> Good-natured bumbling Mr. Hulot decides to take a summer trip to the French coast where he wreaks benevolent chaos on the residents of a small seaside resort. The film which introduced Jacques Tati's beloved character to the world followed by "Mon Oncle" 1958 "Play Time" 1967 and "Trafic" 1971. <br /> <br /> Shot on location on the coast of France. <br /> <br /> 12 x 9.5 inches. Very Good plus.<br /> <br /> Criterion Collection 110. Ebert I. Rosenbaum 1000. N.p. unknown
Référence libraire : 166109
|
|
|
Jacques Tati (director, screenwriter, starring); Pierre Aubert, Jacques Lagrange, Henri Marquet (screenwriters); Nathalie Pascau
Monsieur Hulot's Holiday Les Vacances de Monsieur Hulot Four original photographs from the 1953 film
N.p.: N.p. 1954. Four vintage borderless reference photographs from the 1954 film. With agency labels on the verso along with manuscript ink and pencil annotations regarding layout.<br /> <br /> Good-natured bumbling Mr. Hulot decides to take a summer trip to the French coast where he wreaks benevolent chaos on the residents of a small seaside resort. The film which introduced Jacques Tati's beloved character to the world followed by "Mon Oncle" 1958 "Play Time" 1967 and "Trafic" 1971. <br /> <br /> Shot on location on the coast of France. <br /> <br /> 7 x 5 inches. Very Good plus.<br /> <br /> Criterion Collection 110. Ebert I. Rosenbaum 1000. N.p. unknown
Référence libraire : 149741
|
|
|
Jacques Tati (director, screenwriter, starring); Pierre Aubert, Jacques Lagrange, Henri Marquet (screenwriter); Nathalie Pascaud
Monsieur Hulot's Holiday Les Vacances de Monsieur Hulot Original photograph from the 1953 film
France: DisCina 1954. Vintage borderless photograph of director Jacques Tati during on a promotional tour for his 1953 film. Mimeo snipe on the verso. <br /> <br /> The film that introduced Jacques Tati's bumbling and hilarious Monsieur Hulot to the world. Nominated for an Academy Award.<br /> <br /> Shot on location on the coast of France. <br /> <br /> 5 x 7 inches. Near Fine. <br /> <br /> Criterion Collection 110. Ebert I. Rosenbaum 1000. DisCina unknown
Référence libraire : 144577
|
|
|
Jacques Tati (director, screenwriter, starring)
Parade Original color photograph from the set of the 1974 film
France: Gray-Film 1974. Vintage oversize borderless color photograph of director and star Jacques Tati on the set of the 1974 French film. <br /> <br /> Tati's final film in which the beloved director plays a circus clown. Shown out of competition at Cannes and then released in France as a television movie. <br /> <br /> 11.75 x 9.5 inches. Near Fine. <br /> <br /> BFI. Criterion Collection 731. Rosenbaum 1000. Gray-Film unknown
Référence libraire : 145146
|
|
|
Jacques Tati (director, screenwriter, starring); Jacques Lagrange (screenwriter); Barbara Dennek, Rita Maiden (starring)
Playtime Four original oversize color photographs from the 1967 film
N.p.: N.p. 1967. Four vintage borderless color reference photographs from the 1967 film. <br /> <br /> A masterpiece of French cinema. Using his own money director Jacques Tati meticulously constructed a second "Paris" outside of Paris for the third-and most magnificent-of the four Hulot films following "Monsieur Hulot's Holiday" 1953 and "Mon Oncle" 1958. The third feature finds him in the much-modernized heart of the city with its complexities unfolding revolving deconstructing and reconstructing before his eyes. <br /> <br /> Set in Paris.<br /> <br /> Approximately 10.5 x 8.5 inches. Light wear at the corners else Near Fine. N.p. unknown
Référence libraire : 159622
|
|
|
Jacques Tati (director, screenwriter, starring); Jacques Lagrange (screenwriter); Barbara Dennek, Rita Maiden (starring)
Playtime Original oversize photograph from the 1967 film
N.p.: N.p. 1967. Vintage oversize borderless color reference photograph from the 1967 film. <br /> <br /> A masterpiece of French cinema. Using his own money director Jacques Tati meticulously constructed a second "Paris" outside of Paris for the third-and most magnificent-of the four Hulot films following "Monsieur Hulot's Holiday" 1953 and "Mon Oncle" 1958. The third feature finds him in the much-modernized heart of the city with its complexities unfolding revolving deconstructing and reconstructing before his eyes. <br /> <br /> Set in Paris.<br /> <br /> Approximately 9.5 x 12 inches. Light wear at the corners else Near Fine. N.p. unknown
Référence libraire : 159120
|
|
|
Jacques Tati (director, screenwriter, starring); Jacques Lagrange (screenwriter); Barbara Dennek, Rita Maiden (starring)
Playtime Three original photographs from the 1967 film
Paris: Jolly Film 1967. Three vintage reference photographs one borderless from the 1967 film. With manuscript annotations regarding layout to the verso and one with the stamp of Specta Films.<br /> <br /> A masterpiece of French cinema. Using his own money director Jacques Tati meticulously constructed a second "Paris" outside of Paris for the third-and most magnificent-of the four Hulot films following "Monsieur Hulot's Holiday" 1953 and "Mon Oncle" 1958. The third feature finds him in the much-modernized heart of the city with its complexities unfolding revolving deconstructing and reconstructing before his eyes. <br /> <br /> Set in Paris.<br /> <br /> 7 x 5 inches. Very Good plus with light edgewear. Jolly Film unknown
Référence libraire : 149330
|
|
|
Jacques Tati (director, screenwriter, starring); Jacques Legrange, Bert Haanstra (screenwriters); Tony Knepper, Franco Ressel, M
Trafic Traffic Original oversize color photograph from the 1971 French film
N.p.: N.p. 1971. Vintage oversize borderless color reference photograph from the 1971 French film.<br /> <br /> The final film to feature Jacques Tati as the iconic lovable Monsieur Hulot following "Les Vacances de Monsieur Hulot" 1953 "Mon Oncle" 1958 and "Playtime" 1967. This feature finds Hulot as a naive but intrepid Parisian automobile designer whose plan to show off his newly created camper car at an auto show in Amsterdam is waylaid by a plethora of roadway obstacles including Dutch customs a car accident and a slow-moving mechanic.<br /> <br /> Set and shot on location in Paris and the Netherlands.<br /> <br /> 11.75 x 9.5 inches. Near Fine. N.p. unknown
Référence libraire : 149665
|
|
|
Jacques Tati (director, starring); John Kender (photographer)
Trafic Traffic Original press photograph promoting the US release of the 1971 film
N.p.: John Kender 1972. Vintage double weight black-and-white press photograph of director Jacques Tati walking against traffic at the corner of 45th Street and 7th Avenue in New York City. With the stamp of photographer John Kender on the verso. <br /> <br /> Unfailingly sublime here Tati is shown during his visit to New York for the November 1972 US premiere of his 1971 film "Trafic." In the distance two theaters can be seen The Astor Theatre and an unidentified theatre screening "The Valachi Papers" and "Lady Sings the Blues."<br /> <br /> 8 x 10 inches. Slightly irregular margins as struck. Near Fine. John Kender unknown
Référence libraire : 135907
|
|
|
Jacques Tati director screenwriter starring
Parade Original color photograph from the set of the 1974 film
France: Gray-Film 1974. Vintage oversize borderless color photograph of director and star Jacques Tati on the set of the 1974 French film. <br/><br/>Tati's final film in which the beloved director plays a circus clown. Shown out of competition at Cannes and then released in France as a television movie. <br/><br/>11.75 x 9.5 inches. Near Fine. <br/><br/>BFI. Criterion Collection 731. Rosenbaum 1000. Gray-Film unknown books
Référence libraire : 145146
|
|
|
Jacques Tati director screenwriter starring
Parade Original French poster for the 1974 film
N.p.: Gray-Film 1974. Vintage French petite poster for the 1974 French film originally released in France as a television movie. <br/><br/>Jacques Tati's final film in which the beloved director plays a circus clown. <br/><br/>24 x 32 inches folded. Small holograph pencil notation to the verso else Near Fine. <br/><br/>BFI. Criterion Collection 731. Rosenbaum 1000. Gray-Film unknown books
Référence libraire : 139976
|
|
|
Jacques Tati director screenwriter starring; Fischer Nobisch designer; Henri Marquet Rene Wheeler screenwriters; Paul Frankeu
Jour de Fete Original French poster for the 1970s re-release 1949 film
Paris: Cady Films 1970. French petite poster from the 1970s re-release of the 1949 film. <br/><br/>In Jacques Tati's charming and beautifully plotless pre-Hulot first feature Tati is Francois a contented and happy postman in a small unhurried French village. Francois is at ease with his job and leisurely performs his duties peddling away on his rounds upon his beloved bicycle. A carnival comes to town and one of the attractions is a film depicting the United States Postal Service's fast and efficient postal delivery system. The narrator in the film exhorts "Rapidite rapidite." Francois takes up the call and attempts to Americanize his work style. <br/><br/>In a manner that has become legendary in the eyes of film history Tati originally shot this film in two simultaneous processes: a black-and-white version and an experimental color version called "Thomson-Color." He was forced to release the black-and-white version when he ran into problems printing the color version choosing to hand-tint select sequences. Finally in the late 1990s his daughter a film editor prepared and released a color version of the entire film. <br/><br/>24 x 32 inches folded. Small holograph pencil notation to the verso else Near Fine. <br/><br/>BFI 603 Criterion Collection 730. Godard Histoires du cinema. Rosenbaum 1000. Cady Films unknown books
Référence libraire : 139975
|
|
|
Jacques Tati director screenwriter starring; Fischer Nobisch designer; Henri Marquet Rene Wheeler screenwriter; Paul Frankeur
Jour de Fete Original German poster for the 1949 film
Munich: Atlas International Film 1960. Original German oversize A00 poster for a circa 1960 re-release of the 1949 French film. Designed by Fischer Nobisch. <br/><br/>From the collection of noted film historian Amos Vogel. Full provenance available. <br/><br/>In Jacques Tati's charming and beautifully plotless pre-Hulot first feature Tati is Francois a contented and happy postman in a small unhurried French village. Francois is at ease with his job and leisurely performs his duties peddling away on his rounds upon his beloved bicycle. A carnival comes to town and one of the attractions is a film depicting the United States Postal Service's fast and efficient postal delivery system. The narrator in the film exhorts "Rapidite rapidite." Francois takes up the call and attempts to Americanize his work style. <br/><br/>In a manner that has become legendary in the eyes of film history Tati originally shot this film in two simultaneous processes: a black-and-white version and an experimental color version called "Thomson-Color." He was forced to release the black-and-white version when he ran into problems printing the color version choosing to hand-tint select sequences. Finally in the late 1990s his daughter a film editor prepared and released a color version of the entire film. <br/><br/>46 x 65 inches non-archivally mounted on board. Moderate wear and toning to both poster and board but presents very nicely. Very Good plus overall. <br/><br/>Shipping billed at cost. Item can only be shipped within the US. <br/><br/>BFI 1048. Criterion Collection 730. Godard Histoires du cinema. Rosenbaum 1000. Atlas International Film unknown books
Référence libraire : 130329
|
|
|
Jacques Tati director screenwriter starring; Jacques Lagrange Jean L'Hote screenwriters
Mon Oncle Original photograph from the 1958 film
Neuilly-sur-Seine France: Gaumont 1958. Vintage borderless photograph from the 1958 film. With holograph annotations and an agency stamp on the verso. <br/><br/>The director's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. <br/><br/>7 x 5 inches. Near Fine. <br/><br/>Criterion Collection 111. Ebert II. Rosenbaum 1000. Gaumont unknown books
Référence libraire : 144831
|
|
|
Jacques Tati director screenwriter starring; Jacques Lagrange Jean L'Hote screenwriters
Mon Oncle Original photograph from the 1958 film
Paris: Gaumont 1958. Vintage photograph of Jacque Tati as Monsieur Hulot from the 1958 film. <br/><br/>The director's second of four films featuring the inimitable "Monsieur Hulot." In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. <br/><br/>7.25 x 5 inches. Near Fine with a shallow diagonal crease to one corner. <br/><br/>Criterion Collection 111. Ebert II. Rosenbaum 1000. Gaumont unknown books
Référence libraire : 139689
|
|
|
Jacques Tati director screenwriter starring; Jacques Lagrange Jean L'Hote screenwriters
Mon Oncle Three original photographs from the set of the 1958 film
Neuilly-sur-Seine France: Gaumont 1958. Three vintage borderless photographs showing director Jacques Tati at work on the set of the 1958 film. With the stamps of the French Film Office's New York address as well as film information on the verso. <br/><br/>The director's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. <br/><br/>7.25 x 9.5 inches. Near Fine. <br/><br/>Criterion Collection 111. Ebert II. Rosenbaum 1000. Gaumont unknown books
Référence libraire : 143634
|
|
|
Jacques Tati director screenwriter starring; Jacques Lagrange screenwriter; Barbara Dennek Rita Maiden starring
Playtime Collection of three original photographs from the 1967 film
Paris: Jolly Film 1967. Collection of three vintage reference photographs one borderless from the 1967 film. With holograph annotations regarding layout to the verso and one with the stamp of Specta Films.<br/><br/>A masterpiece of French cinema. Using his own money director Jacques Tati meticulously constructed a second "Paris" outside of Paris for the third-and most magnificent-of the four Hulot films following "Monsieur Hulot's Holiday" 1953 and "Mon Oncle" 1958. The third feature finds him in the much-modernized heart of the city with its complexities unfolding revolving deconstructing and reconstructing before his eyes. <br/><br/>Set in Paris.<br/><br/>7 x 5 inches. Very Good plus with light edgewear. Jolly Film unknown books
Référence libraire : 149330
|
|
|
Jacques Tati director screenwriter starring; Jacques Lagrange Art Buchwald screenwriters
Playtime Original photograph from the 1967 film
Paris: Jolly Film 1967. Vintage borderless still photograph from the 1967 film. <br/><br/>Monsieur Hulot first came to the attention of the world during his beach vacation in "Monsieur Hulot's Holiday" 1953 then reappeared in a modern French neighborhood in "Mon Oncle" 1958. The third feature finds him in the city whose complexities unfold revolve deconstruct and reconstruct before his eyes. <br/><br/>A masterpiece of French cinema. Using his own money director Tati meticulously constructed a second "Paris" outside of Paris for the third-and most magnificent-of the four Hulot films. <br/> <br/>7 x 5 inches. Near Fine. <br/><br/>Criterion Collection 112. Ebert III. Rosenbaum 100. Jolly Film unknown books
Référence libraire : 144751
|
|
|
Jacques Tati director screenwriter starring; Jacques Legrange Bert Haanstra screenwriters; Tony Knepper Franco Ressel Mario
Trafic Traffic Original oversize color photograph from the 1971 French film
N.p.: N.p. 1971. Vintage oversize borderless color reference photograph from the 1971 French film.<br/><br/>The final film to feature Jacques Tati as the iconic lovable Monsieur Hulot following "Les Vacances de Monsieur Hulot" 1953 "Mon Oncle" 1958 and "Playtime" 1967. This feature finds Hulot as a naive but intrepid Parisian automobile designer whose plan to show off his newly created camper car at an auto show in Amsterdam is waylaid by a plethora of roadway obstacles including Dutch customs a car accident and a slow-moving mechanic.<br/><br/>Set and shot on location in Paris and the Netherlands.<br/><br/>11.75 x 9.5 inches. Near Fine. N.p. unknown books
Référence libraire : 149665
|
|
|
Jacques Tati director screenwriter starring; Jean L'Hote Jacques Lagrange screenwriters; Jean Pierre Zola Adrienne Servantie
Mon Oncle Original photograph of Jacques Tati on the set of the 1958 film
N.p.: N.p. 1958. Vintage borderless reference photograph from the set of the 1958 film showing director Jacques Tati smoking a cigarette and watching as cameraman Paul Rodier films a scene. With two Cine-Revue stamps on the verso along with holograph ink and pencil cropping annotations. <br/><br/>Tati's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. <br/><br/>Set in the Parisian suburbs. <br/><br/>9.5 x 7 inches. Near Fine. N.p. unknown books
Référence libraire : 151249
|
|
|
Jacques Tati director starring
Playtime Play Time Original French grande poster for the 1967 film
Paris: Jolly Film 1967. Original French grande poster for the 1967 French film.<br/><br/>Monsieur Hulot first came to the attention of the world during his beach vacation in "Monsieur Hulot's Holiday" 1953 then reappeared in a modern French neighborhood in "Mon Oncle" 1958. The third feature finds him in the city whose complexities unfold revolve deconstruct and reconstruct before his eyes. <br/><br/>A masterpiece of French cinema. Using his own money director Tati meticulously constructed a second "Paris" outside of Paris for the third-and most magnificent-of the four Hulot films. <br/><br/>Near Fine with light toning to the folds 47 x 63 inches folded as issued.<br/><br/>Criterion Collection 112. Jolly Film unknown books
Référence libraire : 112915
|
|
|
Jacques Tati director starring; John Kender photographer
Trafic Traffic Original press photograph promoting the US release of the 1971 film
N.p.: John Kender 1972. Vintage double weight black-and-white press photograph of director Jacques Tati walking against traffic at the corner of 45th Street and 7th Avenue in New York City. With the stamp of photographer John Kender on the verso. <br/><br/>Unfailingly sublime here Tati is shown during his visit to New York for the November 1972 US premiere of his 1971 film "Trafic." In the distance two theaters can be seen The Astor Theatre and an unidentified theatre screening "The Valachi Papers" and "Lady Sings the Blues."<br/><br/>8 x 10 inches. Slightly irregular margins as struck. Near Fine. John Kender unknown books
Référence libraire : 135907
|
|
|
Jacques Tourneur (director); Charles Bennett, Hal E Chester (screenwriters); Dana Andrews, Peggy Cummins, Niall MacGinnis, Mauri
Curse of the Demon Night of the Demon Original publicity photograph of Dana Andrews and Peggy Cummins from the 1957 film
London: Columbia Pictures 1957. Vintage publicity photograph of Dana Andrews and Peggy Cummins from the 1957 film seen here under its UK title "Curse of the Demon." With a printed mimeo snipe affixed to the verso. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> A cynical American professor arrives in London for a parapsychology conference and soon finds himself embroiled in a satanic cult.<br /> <br /> Set and shot on location in England.<br /> <br /> 8 x 10 inches. Near Fine. Columbia Pictures unknown
Référence libraire : 151449
|
|
|
Jacques Tourneur (director); Cornell Woolrich (novel); Ardel Wray, Edward Dein (screenwriter); Isabel Jewell, Dennis O'Keeve (st
The Leopard Man Original photograph from the 1943 film
Culver City CA: RKO Radio Pictures 1943. Vintage black-and-white studio photograph from the 1943 film noir. Based on the 1942 novel "Black Alibi" by Cornell Woolrich. <br /> <br /> 8 x 10 inches. Very Good condition with edge creasing and a few closed tears and with two cello tape repairs to the verso. <br /> <br /> Grant US. Selby US. Spicer US. Rosenbaum 1000. RKO Radio Pictures unknown
Référence libraire : 135506
|
|
|
Jacques Tourneur director; Charles Bennett Hal E. Chester screenwriters; Dana Andrews Peggy Cummins Niall MacGinnis Maurice
Curse of the Demon Night of the Demon Original publicity photograph of Dana Andrews and Peggy Cummins from the 1957 film
London: Columbia Pictures 1957. Vintage publicity photograph of Dana Andrews and Peggy Cummins from the 1957 film seen here under its UK title "Curse of the Demon." With a printed mimeo snipe affixed to the verso. <br/><br/>From the archive of film historian and author Joel Finler.<br/><br/>A cynical American professor arrives in London for a parapsychology conference and soon finds himself embroiled in a satanic cult.<br/><br/>Set and shot on location in England.<br/><br/>8 x 10 inches. Near Fine. Columbia Pictures unknown books
Référence libraire : 151449
|
|
|
Jacques Tourneur director; Cornell Woolrich novel; Ardel Wray Edward Dein screenwriter; Isabel Jewell Dennis O'Keeve starring
The Leopard Man Original photograph from the 1943 film
Culver City CA: RKO Radio Pictures 1943. Vintage black-and-white studio photograph from the US release of the 1943 film. Based on the 1942 novel "Black Alibi" by Cornell Woolrich. <br/><br/>8 x 10 inches. Very Good condition with edge creasing and a few closed tears and with two cello tape repairs to the verso. <br/><br/>Complete collation details available on request. RKO Radio Pictures unknown books
Référence libraire : 135506
|
|
|
Jacques Villeret Director Name : Francis Veber
banquet of eccentrics
Not Available 1998. Soft Cover. Fine. Number of books: 1 Not Available paperback
Référence libraire : 2090202120410292
|
|
|
Jacquet, Luc (director); Roberts, Jordan (written narration); Maison, Jerome (photographs)
Deluxe Leather Edition March of the Penguins National Geographic with accompanying 27 x 39.5 March of the Penguins Poster
Washington DC: National Geographic Society / Bonne Pioche 2006. 1st Edition 1st Printing. Hardcover. New. 4to - over 9¾ - 12" tall. New; Deluxe Leather Edition with accompanying 27 x 39.5 March of the Penguins Poster. See description and scans. Washington DC: National Geographic Society 2006 publisher / Bonne Pioche. First Edition of the very scarce Deluxe Edition of National Geographic's March of the Penguins based on Editions Michel Lafon's La Marche de L'Empereur. This is not the standard hardcover issue but the fine grain synthetic leather-bound lightly padded Deluxe Edition see scans; also included is the 27" x 39.5" oversized poster see scan; please NOTE that the poster was shipped here by NGSD in twelve-fold hence will be shipped by us folded as well. Quarto navy blue fine grain synthetic leather lightly padded boards silver imprinting on front cover and spine silver-black satin page-marker ribbon All Edges Silver; 157 pp. 1. New; pristine and immaculate; removed from original packaging only for scanning and description. Note that the "light" spots in the frontal scan are reflective scanning artifacts only; these are not real. The scarcest edition of the luxuriantly photographically illustrated and eminently readable and collectible book form of director Luc Jacquet's production. A collector piece wall-to-wall. Please see scans. NG1 <br/> <br/> National Geographic Society / Bonne Pioche hardcover
Référence libraire : 62746 ISBN : 0792261828 9780792261827
|
|
|
Jacquet, Luc (director); Roberts, Jordan (written narration); Maison, Jerome (photographs)
March of the Penguins National Geographic. Deluxe Leather Edition with accompanying 27 x 39.5 March of the Penguins Poster
Washington DC: National Geographic Society / Bonne Pioche 2006. 1st Edition 1st Printing. Hardcover. As New. 4to - over 9¾ - 12" tall. New and still in NGS original shrinkwrap; see description and scans. Washington DC: National Geographic Society 2006 publisher / Bonne Pioche. First Edition of the very scarce Deluxe Edition of National Geographic's March of the Penguins based on Editions Michel Lafon's La Marche de L'Empereur. This is not the standard hardcover issue but the fine grain synthetic leather-bound lightly padded Deluxe Edition see scans; also included is the 27" x 39.5" oversized poster see scan; please NOTE that the poster was shipped here by NGSD in twelve-fold hence will be shipped by us folded as well. Quarto navy blue fine grain synthetic leather lightly padded boards silver imprinting on front cover and spine silver-black satin page-marker ribbon All Edges Silver; 157 pp. 1. New; pristine and immaculate; still in original NGS shrinkwrap. Note that the "light" spots in the frontal scan are reflective scanning artifacts only; these are not real. The scarcest edition of the luxuriantly photographically illustrated and eminently readable and collectible book form of director Luc Jacquet's production. A collector piece wall-to-wall. Please see scans. LG11 <br/> <br/> National Geographic Society / Bonne Pioche hardcover
Référence libraire : 60599 ISBN : 0792261828 9780792261827
|
|
|
Jade East, Ron Jeremy, George Payne, Ambrosia Fox (starring); Phil Prince (director); Phil Prince [as Mea Culpa] (screenwriter)
Forgive Me I Have Sinned Original screenplay for the 1983 film
Los Angeles: Avon Productions 1983. Draft script for the 1983 pornographic film. With annotations in manuscript pencil on the first leaf presumably made by screenwriter-director Phil Prince indicating the name of the actor to be associated with each character. <br /> <br /> A cult leader called "The Confessor" hears confessions from rape victims "cleanses" the female ones with sex and then arranges for all victims and sometimes himself to then recursively rape their own male or female rapists. IMDB.<br /> <br /> Title page integral with cast of characters no wrapper as issued undated. 31 leaves with last page of text numbered 29. Xerographic duplication rectos only. Pages Near Fine unbound. Avon Productions unknown
Référence libraire : 166412
|
|
|
Jaime Tatay Nieto, director
Razon y fe, revista de cultura N° 1431 ; enero 2018,
GLN-751, Universidad Pontificia de Comillas, Madrid 2008
Référence libraire : 1656001957450
|
|
Recevoir par e-mail
Télécharger en PDF
Flux RSS
Lien permanent
