‎Paléographie‎

‎Sigismondo Fanti‎

‎Trattato di scrittura. Theorica et pratica de modo scribendi (Venezia, 1514)‎

‎Pubblicata a Venezia nel 1514, la "Theorica et pratica de modo scribendi" è l'opera d'esordio di un matematico ferrarese, Sigismondo Fanti, che nel 1521 era "inzegnero general" della Serenissima Repubblica e che è noto al lettore di cose cinquecentesche soprattutto per le quartine oracolari del Triompho di fortuna (1527). L'opera era il punto di arrivo della prima stagione di un dibattito che nel Quattrocento aveva coinvolto artisti come Leon Battista Alberti, Mantegna e Leonardo, umanisti e antiquari come Felice Feliciano, matematici come Luca Pacioli, e a sua volta inaugurava la nuova stagione dei trattati di scrittura, destinata a lasciare tracce significative nella cultura grafica della modernità, e non solo di quella italiana. In quattro libri la Theorica offriva una trattazione sistematica della materia, che veniva presentata come un momento fondamentale nella formazione professionale e morale di ogni scrivente. Il primo libro, in particolare, ne illustrava gli aspetti tecnici, sia quelli materiali (si parlava della carta, dell'inchiostro, della penna) che quelli più propriamente teorici (a partire dalle logiche geometriche implicate, soprattutto quelle euclidee). I tre successivi si impegnavano nell'illustrazione analitica, condotta lettera per lettera, dei più importanti modelli grafici allora in corso. Autori: Sigismondo Fanti. Curatori: A. Ciaralli, P. Procaccioli.‎

‎SIJPESTEIJN,P.J.‎

‎Gynaecologische aspecten van de papyrus Ebers.‎

‎Amst., Philips-Duphar, 1972.‎

‎100 p.; profusely illustrated. In slipcase 31 cm (Unfortunately lacking a gathering with the pages 33/40)‎

Referenz des Buchhändlers : 105944

‎SIJPESTEIJN,P.J. & K.A. WORP.‎

‎Literary and semi-literary papyri from the Vienna Papyrus Collection.‎

‎Bruxelles, 1974.‎

‎21 p. Wrappers. 24.5 cm (Offprint Chronique d'Égypte, Tome XLIX, No. 98, 1974) (Slight fold crosswise)‎

Referenz des Buchhändlers : 159584

‎Silvestre J.B.‎

‎Paleographie universelle. Collection de fac-simile d' ecritures de tous les peuples et de tous les temps, tirès des plus authentiques documents de l' art graphique,.de France, d' Italie, d' Allemagne, et d' Angleterre, publies pres les modeles ecrits, dessines et peints sur lieux memes par M. Silvestre, et accomp. d' explications histor. par MM. Champollion Figeac et A. Champollion Fils.‎

‎[Bibliografia] (cm. 61x45) bellissima mz. marocchino originale, nervi, titolo e ricchi fregi in oro al dorso, grandi angoli. E' il solo vol secondo (di 4 voll. 1839-41) che contiene "Grecs et Latins" con scrittura greca antica, onciale, latina, greca e gallica. Capitale corsiva e minuscola. Purtroppo scompleto, contiene solo antiporta, magnifico frontis calligrafato, 84 fogli e 67 tavv. f.t. di straordinaria fattura, incise in cromolitografia e colorate e miniate a mano. E' la più grande opera di paleografia di tutti i tempi, e vero monumento tipografico. Bellissimo esemplare a grandi margini in sontuosa legatura originale di ottima conservazione. * Graesse IV 408; * Brunet V 390; * Olschki Cat. 123 "Bibliografia" n° 1072, Lire 130.000 nel 1948!! Manca a Felkel.[f71] Libro‎

‎SIMPSON (William Kelly)‎

‎The Offering chapel of Kayemnofret in the Museum of Fine Arts, Boston.‎

‎Boston, Department of Egyptian and Ancient neau eastern Art Museum of Fine Arts, 1992. Grand in-4 br., couv. ill., IX-32 pp., 18 fig. in-t., 26 pl. en noir in fine, accompagné de 7 planches dépl. en feuilles, le tout sous un étui ill.‎

‎Très bonne cond. -‎

Referenz des Buchhändlers : 601300

‎Sin ad O'Sullivan, Ciaran Arthur (eds)‎

‎Crafting Knowledge in the Early Medieval Book. Practices of Collecting and Concealing in the Latin West‎

‎, Brepols, 2023 Paperback, 524 pages, Size:178 x 254 mm, Illustrations:7 b/w, 19 col., 22 tables b/w., Language: English. ISBN 9782503602479.‎

‎Summary Collection and concealment were hallmarks of early medieval book culture. Materials of all kinds were collected, collated, concealed, condensed, correlated, paraphrased, reorganised, and repurposed in early medieval manuscripts. This volume of essays explores how knowledge was made in the early medieval book in the Latin West through two interrelated practices: collecting and concealing. It provides case studies across cultures and areas (e.g. exegesis, glossography, history, lexicography, literature, poetry, vernacular and Latin learning). Collectio underpinned scholarly productions from miscellanies to vademecums. It was at the heart of major enterprises such as the creation of commentaries, encyclopaedic compendia, glosses, glossaries, glossae collectae, and word lists. As a scholarly practice, collectio accords with the construction of inventories of inherited materials, the ruminative imperative of early medieval exegesis, and a kind of reading that required concentration. Concealment likewise played a key role in early medieval book culture. Obscuration was in line with well-known interpretative practices aimed at rendering knowledge less than immediate. This volume explores the practices of obscuring that predate the twelfth-century predilection, long recognised by historians, for reading that penetrates beneath the ?covering? (integumentum, involucrum) to reveal the hidden truth. Cumulatively, the papers spotlight the currency of two crucial practices in early medieval book culture - the practices of collection and concealment. They demonstrate that early medieval authors, artists, compilers, commentators, and scribes were conspicuous collectors and concealers of knowledge. TABLE OF CONTENTS Sin ad O'Sullivan, Collecting and Concealing in the Field of the World Anna A. Grotans, Understanding the Scope of Knowledge in Early Medieval St Gall Mariken Teeuwen, The Intertwining of Ancient and Late-Antique Authorities in the Margins of Carolingian Manuscripts Michael W. Herren, Philology and Mercury after the Wedding: Truth and Fiction in Three Didactic Works David Ganz, Latin Shorthand and Latin Learning Franck Cinato, Critical Cumulation? How Glossaries were Constituted in the Early Middle Ages (6th-8th Centuries) Patrizia Lendinara, Unveiling the Sources of the Glosses to the Third Book of the Bella Parisiacae Urbis by Abbo of Saint-Germain-des-Pr s Rosalind C. Love, ?But what Polybius the Greek Physician Says is More Correct?: Sources of Knowledge in the Glosses to Boethius's Consolation of Philosophy at Tenth-Century Canterbury Kees Dekker, Collecting Encyclopaedic Knowledge in the Vocabularius Sancti Galli Evina Stein, Early Medieval Catechetic Collections Containing Material from the Etymologiae and the Place of Isidore of Seville in Carolingian Correctio John J. Contreni, Hic continentur ista: Collecting and Concealing in an Early Ninth-Century Instruction-Reader (Laon, Biblioth que Municipale ?Suzanne Martinet,? MS 265) Ildar Garipzanov, Graphic Ciphers and the Early Medieval Practices of Collectio and Concealment Andy Orchard, Building a Splendid Library: The Background and Context of the Bibliotheca magnifica Michael James Clarke, Medieval Scholarship and Intertextuality: A Case Study of Saxo Grammaticus on the Giants Ciaran Arthur, Harvesting Wisdom from Books and the Beauty of the Unknown Index of Manuscripts General Index‎

Referenz des Buchhändlers : 64325

‎Siracusa Ilacqua, Dora‎

‎I manoscritti di Tommaso Cannizzaro demologo.‎

‎cm. 15,5 x 21,5, viii-96 pp. con 2 tavv. f.t. Biblioteca di ?Lares? 207 gr. viii-96 p.‎

‎Sittig, Ernestus‎

‎ANCIENT GREEK THEOPHORIC PROPER-NAMES De Graecorum Nominibus Theophoris‎

‎Very minor shelfwear. ; Unchanged Reprint of 1912 ed. ; 8.8 X 5.8 X 0.8 inches; 167 pages‎

‎SMITH (M.)‎

‎The liturgy of opening the mouth for breathing.‎

‎Oxford, Griffith Institute, Ashmolean museum, 1993. In-4, cart. éd. bleue marine, titre doré en long, X-129 pp., 11 planches d'ill. photogr. dépl. en n/b., texte en anglais sur 2 colonnes, appendices, bibliographie, glossaire.‎

‎This is an ancient Egyptian mortuary text preserved in four manuscripts, located in Berlin, Strasbourg, Paris and Oxford. All are written in Demotic script and date to the early part of the 1st century AD. The purpose of this liturgy was threefold: to revivify the deceased oerson for whom it was recited, to provide them with offerings in the form of clothing and sustenance, to reintegrate them within the cosmos, ensuring their freedom of movement and acceptance among the company of gods. The liturgy is edited with an introduction, transliteration and translation, commentary, bibliography, glossary and photographs of all four versions. The Strasbourg MS contains additional textual material, of uncertain relation to the liturgy proper, which is treated as an appendix. Comme neuf. - Frais de port : -France 8,4 € -U.E. 10 € -Monde (z B : 15 €) (z C : 33 €)‎

Referenz des Buchhändlers : 606216

‎Solmsen, Felix & Ernestus [Ernst] Fraenkel (Eds. )‎

‎INSCRIPTIONES GRAECAE AD INLUSTRADAS DIALECTOS SELECTAE Scholarum in Usum Edidit Felix Solmsen. Editionem Quartam Auctum Et Emendatam Curavit Ernestus Fraenkel‎

‎Light foxing to endpapers & textblock. Light rubbing. Corner of ffep has been clipped (to remove former owner's name? ). A few pages have tiny blue 'x' to margins. ; Text in Ancient Greek; Preface in Latin. ; Bibliotheca Scriptorum Graecorum Et Romanorum Teubneriana TEUBNER; 12mo 7" - 7½" tall; 113 pages‎

‎SOMERS Veronique (ed.)‎

‎Palimpsestes et éditions de textes : les textes littéraires (Actes du colloque tenu à Louvain-la-Neuve, septembre 2003)‎

‎Louvain-la-Neuve, Institut Orientaliste 2009 iv + 340pp., brochure originale, 27cm., dans la série "Publications de l'Institut orientaliste de Louvain (PIOL)" volume 56, très bon état (état de neuf, new condition), ISBN 978-90-429-1981-5, X93249‎

Referenz des Buchhändlers : X93249

‎Soret.‎

‎Carnaval des animaux Camille Saint-Saens. Facsimile Edition of the Autograph Manuscript.‎

‎, Brepols Publishers, 2018 Hardcover, 192 pages., 127 colour ill., 300 x 366 mm, ISBN 9782503581224.‎

‎If there is one work, in all of Saint-Saens musical output that supremely captures the disposition so typical of the composer, it is the Carnival of the Animals. The collection De main de maitre showcases the facsimiles of the most prestigious scores of the Music Department of the National Library of France. Camille Saint-Saens? extremely long career as a virtuoso, as a brilliant pianist and organist (no fewer than seventy-six years of concerts) and his daunting catalogue of works (close to six hundred are known) have helped shape the image of him as a tutelary figure, omnipresent in the musical landscape of his time, the uncontested master of French music, showered with honours and glory, yet the champion of what was, in the young 20th century, an outmoded aesthetic. Such an image ignores, however, that from the outset of his career, at the end of the 1850s, until the 1890s, Saint-Saens was, on the contrary, regarded in the artistic world as an agitator, as a propagator of new ideas and as an intermediary between French and Germanic cultures. Republican from his earliest days, he was a major figure in musical life, involved in many concert societies, most notably the Societe nationale de musique, which he founded in 1871. He was also a polemicist, whose quill was much feared and who used the press as his vehicle of choice, to disseminate his ideas, attract public attention, and conquer new audiences. Similarly, if the image of the ?official? Saint-Saens, at home with the stage and the institutions and their etiquette, has endured, that of the ?intimate? Saint-Saens, known by a faithful few for his sparkling conversation, his sharp humour and taste for puns, has been lost. If there is one work, in all of Saint-Saens? musical output that supremely captures the disposition so typical of the composer, it is the Carnival of the Animals. Dedicated to the autograph manuscript of Camille Saint-Saens? famous Carnival of the Animals (1835-1921), this volume sheds a distinctive light on the musician?s personality. Completed in February 1886, The Carnival of the Animals was created for friends and performers close to Saint-Saens and was performed about fifteen times between 1886 and 1894 to a small audience. Because Camille Saint-Saens feared that his ?zoological fantasy? would damage his reputation, the work was published in its entirety only after his death. Since then, its immense popularity has continued to grow, so much so that it is now enjoyed by music lovers and the general public alike. Presented by Marie-Gabrielle Soret, a specialist of Camille Saint-Saens, who provides a detailed description of the work and the context of its creation, the facsimile includes the fourteen pieces of The Carnival of the Animals. It reveals the composer?s handwriting, all the performance directions as he noted them, but also to the playful animal drawings with which he decorated his score ? a fish for ?Aquarium, the skeleton of a dinosaur for ?Fossiles?, the pale blue pencil silhouette of a swan to illustrate the famous Swan. La collection ? De main de maitre ? presente les fac-similes des partitions les plus prestigieuses du departement de la Musique de la Bibliotheque nationale de France. Dedie au manuscrit autographe du celebre Carnaval des animaux, de Camille Saint-Saens (1835-1921), ce volume eclaire la personnalite du musicien sous un jour particulier. Acheve en fevrier 1886, Le Carnaval des animaux fut cree pour des amis et interpretes proches de Saint-Saens et joue a une quinzaine de reprises entre 1886 et 1894 aupres d?un public restreint. Camille Saint-Saens craignant que cette ? fantaisie zoologique ? ne nuise a sa reputation, l?oeuvre ne fut publiee dans son integralite qu?apres la mort du compositeur. Depuis lors, son immense succes n?a cesse de croitre, si bien qu?elle est aujourd?hui appreciee tant par les melomanes que par le grand public. Presente par Marie-Gabrielle Soret, specialiste de Camille Saint-Saens, qui nous livre une description detaillee de l?oeuvre et du contexte de sa creation, le fac-simile comprend les quatorze pieces du Carnaval des animaux. Il permet d'acceder a la graphie du compositeur, a l'ensemble des indications telles qu?il les a notees, mais aussi aux facetieux dessins animaliers dont il emailla sa partition ? un poisson pour ? Aquarium ? , un squelette de dinosaure pour ? Fossiles ? , ou encore la pale silhouette au crayon bleu d'un cygne pour accompagner la celebre piece dediee a cet oiseau. Marie-Gabrielle Soret est conservateur en chef au Departement de la musique a la Bibliotheque nationale de France, responsable de la coordination du traitement des grands fonds d'archives et collections des XIXe et XXe siecles, au Service des collections patrimoniales du Departement de la musique (fonds de compositeurs, interpretes, institutions et societes musicales).‎

Referenz des Buchhändlers : 51651

‎SOTHEBY'S.-‎

‎Catalogue of celebrated library, the property of the late Major J.R. Abbey. The 8th portion: the Hornby manuscripts, Part I: 34 manuscripts of the 11th to the 15th century. (And:) The 9th portion: the Hornby manuscripts, Part II: 34 manuscipts of the 9th to the 16th century.‎

‎New York, Sotheby Parke Bernet Inc., 1974 - 1975.‎

‎2 volumes: 111 & 96 p., 6 & 5 colour plates, 50 & 41 black and white plates. Hardbound. 28.5 cm (See Major Abbey https://www.thebookcollector.co.uk/features/major-jr-abbey-1894-1969) (Including the price list with the results of both auctions)‎

Referenz des Buchhändlers : 159935

‎SOURGET, Patrick. - SOURGET, Elisabeth.‎

‎Manuscrits et livres précieux. Du Quinzième au Dix-huitième siècle.‎

‎Luisant, Imprimerie Durand sans date, vers 1988, 280x210mm, 410pages, broché. Très bel exemplaire.‎

‎Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

Referenz des Buchhändlers : 77363

‎SOURGET, Patrick. - SOURGET, Elisabeth.‎

‎Manuscrits et livres précieux. Du Moyen Age au Cubisme. Catalogue VI‎

‎Chartres, Librairie Sourget 1989, 300x225mm, 547pages, reliure d'éditeur sous jaquette. Avec la feuille volante des prix. Bel exemplaire.‎

‎Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

Referenz des Buchhändlers : 77365

‎Sous la direction de Concetta Cavallini. Rivista diretta da Giovanni Dotoli. A cura dell'Istituto di Lingua e Letteratura Francese dell'Università di Bari e dell'Istituto di Lingua e Letteratura Francese e dei Paesi Francofoni dell'Università di Milano‎

‎STUDI DI LETTERATURA FRANCESE Vol. XXXVII-XXXVIII (2012-2013) La langue de la poésie française contemporaine‎

‎STUDI DI LETTERATURA FRANCESE Vol. XXXVII-XXXVIII (2012-2013) La langue de la poésie française contemporaine. cm 17 x 24, 168 pp. Biblioteca dell'«Archivum Romanicum» - Serie I: Storia, Letteratura, Paleografia‎

‎SPAGNOLO Antonio‎

‎L'EVANGELIARIO PURPUREO VERONESE. Nota. In: Atti della R. acc. d. Scienze di Torino, disp. 12-13, 1898-99.‎

‎Il saggio consta di 16 pp. (da p. 199 a p. 214) del fasc. in-8°, bross. edit., piatto anteriore staccato. Caratteri (onciali), perg., inchiostro, iniziali, abbreviazioni, interpunzione ecc. Il fascicolo contiene inoltre, tra l'altro: 1) onoranze a Tommaso VALLAURI; 2) BRUSA. Correzione straordinaria di condanne penali. 3) Relazione tra i Savoia a Venezia da Amedeo VI a Carlo II (III) 11166 - 1553‎

‎Sparkes, Brian A. & Lucy Talcott‎

‎POTS AND PANS OF CLASSICAL ATHENS‎

‎Scholar's name to ffep (Jenifer Neils). ; Excavations of the Athenian Agora Picture Book No. 1; 32 pages‎

‎Speciale,Lucinia.‎

‎Montecassino e la Riforma Gregoriana. L'Exultet Vat. Barb. lat. 592.‎

‎<br/> STATO: NUOVO.<br/> TITOLO: Montecassino e la Riforma Gregoriana. L'Exultet Vat.Barb.lat.592. <br/> AUTORE: Speciale,Lucinia.<br/> EDITORE: Viella<br/> DATA ED.: 1991,<br/> COLLANA: Coll.Studi di Arte Medievale,3.<br/> EAN: 9788885669154‎

‎STERCAL, Claudio.‎

‎Il Medius Adventus. Saggio di lettura delgi scritti di Bernardo di Clairvaux. Bibliotheca Cisterciensis 9.‎

‎Roma, Editiones Cistercienses 1992, 265x185mm, 336pagine, in brossura. Con sovracopperta. Buone condizioni‎

‎Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

Referenz des Buchhändlers : 90000

‎STIENNON, Jacques‎

‎PALÉOGRAPHIE DU MOYEN AGE‎

‎Paris Armand Colin 1973 in 8 (24x16) 1 volume broché, couverture illustrée à rabats, 352 pages, avec de nombreuses reproductions en noir et blanc, dont fac-similés d'écritures et de manuscrits. Collection U. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )‎

‎Très bon‎

Referenz des Buchhändlers : 41929

‎STIENNON,J.‎

‎Paléographie du Moyen Age.‎

‎Paris, Colin, 1973.‎

‎352 p., illustrations. Stiff wrappers 23 cm‎

Referenz des Buchhändlers : 113632

‎STONE (Michael E.) & CHAZON (Esther G.) [ed. by]‎

‎Biblical Perspectives : Early Use & Interpretation of the Bible in Light of the Dead Sea Scrolls. Proceedings of the First International Symposium of the Orion Center, 12-14 May 1996.‎

‎Leiden, Brill, 1998. In-8, rel. éd. pleine-toile noire sous jaquette, VIII-291 pp., texte en anglais, indices, index.‎

‎Collection : Studies on the texts of the desert of Judah edited by F. Garcia Martinez, A.S. Van der Woude. Volume XXVIII. Comme neuf - Frais de port : -France 7,15 € -U.E. 9 € -Monde (z B : 14 €) (z C : 24 €)‎

Referenz des Buchhändlers : 602655

‎STORNAJOLO Cosimus‎

‎Codices Urbinates Latini, tomus III: Codices 1001-1779 [in: Bibliothecae Apostolicae Vaticanae codices manu scripti recensiti]‎

‎Roma, Typis Polyglottis Vaticanis 1921 Volume 3 (out of 3): XL + LXXI + 835pp., text in Latin, 30cm., solid hardcover binding in black cloth, original softcover preserved and bound in, small stamp on title page, text and interior are clean and bright except for few occasional foxing, in the series "Bibliotheca Apostolica Vaticana Codices Manuscripti recensiti" vol.5, good condition, weight: 3.1kg., R107221‎

Referenz des Buchhändlers : R107221

‎Stoppacci, Patrizia. - Parigi, Maria Cristina.‎

‎I manoscritti datati della Provincia di Arezzo.Manoscritti datati d’Italia 15.‎

‎Firenze, Edizioni del Galluzzo - sismel 2007, 300x220mm, X- 100pagine, legatura del editore con sovracopperta. Exemplaire à l'état de neuf.‎

‎66 incisione b/n, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

Referenz des Buchhändlers : 70069