‎Poe edgar‎

‎Poe Edgar Allan and Gris Grimly‎

‎Edgar Allan Poe's TALES OF MYSTERY AND MADNESS‎

‎New York: Atheneum 2004. Hardcover. Fine/Fine. Later printing. Signed and dated by Gris Grimly with his trademark "Be grim!" on the title page. The gently abridged retellings are in Poe's original language and Grimly's wonderfully ghastly full-color spot and full-page art splendidly depicts the mayhem that leads to murder in "The Black Cat" the partying in the "The Masque of the Red Death" the vicious genius of "Hop-Frog" and the dual connotations of "The Fall of the House of Usher." Octavo. Original pictorial boards. A fine copy in fine dust jacket. Atheneum hardcover books‎

Referenz des Buchhändlers : 71315 ISBN : 0689848374 9780689848377

‎Poe Edgar Allan‎

‎Murders in the Rue Morgue in Graham's Magazine‎

‎Graham's Magazine 1841. 1st Edition. Hardcover. Good. The true first appearance of Poe's classic tale Murders in the Rue Morgue considered the first detective story ever published. In original binding. Book is in good condition. This is Graham's compilation of all of their issues starting in February published in 1841. The Murders starts on page 166.Bound magazine. Two volumes in one: Volumes 18 and 19: January-December 1841. Octavo. iv 1-295 1pp. and 12 engraved plates; iv 1-308pp. and 19 engraved plates. Complete. Contains the first printed appearances of: "Murders in the Rue Morgue" considered the world's first detective story "A Descent into the Maelstrom" and three other Poe tales; the complete essay "Secret Writing" in four installments the first two parts of the essay "A Chapter on Autography" and over 50 critical reviews by Poe. Also included are the first revised printings of the poems: "To Helen" and "Israfel." A complete run of 12 monthly issues from 1841 when Poe served as the magazine's literary editor and had reached the peak of his powers and influence both as a writer and editor. The run also includes nine mezzotints by Philadelphia's famous engraver John Sartain one of which illustrates Poe's tale: "The Island of the Fay." A scarce and desirable annual volume. Housed in a custom-made slipcase. Graham's Magazine hardcover books‎

Referenz des Buchhändlers : 1608325

‎Poe Edgar Allan‎

‎Graham's Lady's and Gentleman's Magazine‎

‎Graham 1841. 1st Edition. Hardcover. Good/No Jacket. A bound complete run of 6 monthly issues from 1841 when Poe served as the magazine's literary editor. This volume contains 4 installments of Poe's essay A Few Works of Secret Writing as well as the first appearances of two of his tales and revised printings of some of his poetry. An important contemporary record of one of America's most important writers. Covers detached overall good condition. Graham hardcover books‎

Referenz des Buchhändlers : 1504710

‎Edited and Translated by Glyn S. Burgess and Leslie C. Brook Assistance from Elizabeth W. Poe‎

‎THE OLD FRENCH LAYS OF IGNAURE OISELET AND AMOURS‎

‎Cambridge: D. S. Brewer 2010. First Edition. Hard Cover. Near Fine binding. A fresh clean copy. Bound in blue hardcover with minor shelfwear to the extremities. Volume 18 of the Gallica series. Near Fine binding. D. S. Brewer unknown books‎

Referenz des Buchhändlers : 282366 ISBN : 184384253x 9781843842538

‎Poe Edgar Allan‎

‎Selected Tales of Mystery‎

‎London: Sidgwick & Jackson Ltd 1909. Shaw Byam. 336 pp. Black cloth stamped in gilt and red t.e.g. 16 tipped-in color illustrations by Byam Shaw with printed tissue guards. Modest wear to boards; slight evidence of a removed bookplate to front endpapers; tear with some loss to margin of p. 255; tissue guard to p. 284 torn with a large piece missing from head affecting text. Very Good. <br/><br/> Sidgwick & Jackson, Ltd hardcover books‎

Referenz des Buchhändlers : 30505

‎Poe Edgar Allan‎

‎Graham's Lady's and Gentleman's Magazine‎

‎Philadelphia 1842: George R. Graham. Large Octavo. Issues from June to December 1842 inclusive. Contains Poe's retrospective criticism of The Poetry of Rufus Dawes in the October 1842 issue pp. 205-209. Illustrated with 15 color or black & white engravings one plate with a closed tear repair couple of chips to edge of another plate some scattered foxing or staining bound in 3/4 red morocco over marbled paper covered boards by B.S. Merrill covers rubbed edges worn. A very good copy. George R. Graham unknown books‎

Referenz des Buchhändlers : 021103

‎Poe Edgar A.‎

‎The Tales and Poems of Edgar Allan Poe‎

‎Philadelphia nd ca.1900: George Barrie & Son. Limited Edition. Octavo. Limited edition #85 of only 250 copies printed on Imperial Japan paper. In six volumes containing twenty original etchings five photogravures and a new etched portrait of the poet from an original daguerreotype. Plates are in two states with a biographical essay by John H. Ingram. An original subscriber's copy with his name printed under the limitation and with his bookplate and most likely a family member's bookplate. One important feature noted with this publication is the lengthy "The Journal of Julius Rodman". Bound in publisher's pale blue-gray cloth paper spine labels. A very nice clean set with spines very slightly but evenly faded or sunned. George Barrie & Son unknown books‎

Referenz des Buchhändlers : 017267

‎Poe Edgar Allan‎

‎La chute de la maison Usher. Illustré par Isabel Drouin. Traduit de l'anglais par Charles Baudelaire‎

‎Paris: Editions Axium 1969. Isabel Drouin. Wrappers fine. 21 cm.; illus cover. 5 plates one double-page. <br/><br/> Editions Axium unknown books‎

Referenz des Buchhändlers : 25895

‎POE Edgar Allan.‎

‎Tales of Edgar Allan Poe.‎

‎NY:: Random House. Very Good. 1944. Hardcover. B085W2Q5VW . Introduction by Hervey Allen. No indication of printing. Very good in a very good moderate edge wear and aging slipcase. . Random House, hardcover books‎

Referenz des Buchhändlers : 63218

‎Poe Edgar Allan William P. Trent Oliver Huckel John Prentiss Poe Lizette Woodworth Reese and Mrs John C. Wrenshall edited b‎

‎Edgar Allan Poe; a centenary tribute‎

‎Baltimore: Published for the Edgar Allan Poe Memorial Association by Warwick & York 1910. Hardcover. 102p. frontis-portrait of Poe and fifteen other portraits of him on inserted coated stock Association statement and related encomiums hardbound in 7x5 inch diced green cloth boards gilt. Casing is mildly cocked boards mildly edgeworn spine panel a little faded with handling soil and dimmed lettering front pastedown shows traces of bookplate removal some mild foxing on the first pages light shelfwear short quarter-inch tears-with-short -crease to margins of pages 51-56 involves one plate not affecting text or image otherwise sound limited edition #12 of 200 subscription copies out of a total of 600 printed. Free of internal soil and unmarked a good copy. This copy according to the subscriber's list would have been Charles J. Bonaparte's. Published for the Edgar Allan Poe Memorial Association by Warwick & York hardcover books‎

Referenz des Buchhändlers : 127210

‎Poe Edgar A.‎

‎THE CONCHOLOGIST'S FIRST BOOK: OR A SYSTEM OF TESTACEOUS MALACOLOGY ARRANGED EXPRESSLY FOR THE USE OF SCHOOLS . AND ON THE WHOLE BROUGHT UP AS ACCURATELY AS POSSIBLE TO THE PRESENT CONDITIONS OF THE SCIENCE‎

‎Philadelphia: Published for the Author by Haswell Barrington and Haswell 1839. 156pp. plus 12 lithographed plates. 12mo. Brown sheep-backed lithographed pictorial pink paper over boards. Boards and endsheets soiled and slightly discolored early ink name on upper board and front pastedown spine extremities chipped with split to upper joint cords still sound pencil computations on preliminary blank plates slightly darkened at margins faint marginal tidemark to last few leaves of index and glossary otherwise a good copy. First edition of this unacknowledged adaptation of Thomas Brown's THE CONCHOLOGIST'S TEXT-BOOK Glasgow 1833 edited and with a preface by Poe. This is one of the copies with the plates not in color and plate III is in BAL's state A no priority established. BAL 16131. HEARTMAN & CANNEY pp.41-4. NORMAN LIBRARY 1720. RINDERKNECHT 57990. Published for the Author, by Haswell, Barrington, and Haswell hardcover books‎

Referenz des Buchhändlers : WRCLIT65327

‎Poe Edgar Allan; William Sharp‎

‎TALES OF MYSTERY AND IMAGINATION. Limited edition signed by William Sharp.‎

‎New York NY: Limited Editions Club 1941. Book. Very Good- Condition. Hardcover. Signed by Illustrators. First thus edition. Quarto 4to. xxiv 476 pages of text. Black cloth binding with sliver lettering and decoration with a moderately rubbed spine. Slipcase is lacking the but the book is protected in custom-fitted archival mylar. Number 1300 of 1500 copies signed by illustrator William Sharp. With a preface by Vincent Starrett. Contains 16 black-and-white illustrations. The text is clean and unmarked. First thus edition. Limited Editions Club Hardcover books‎

Referenz des Buchhändlers : 019466

‎Poe Allan Edgar‎

‎A Narrativa de Arthur Gordon Pym‎

‎São Paulo Brazil: Cosac & Naify 2003. Hardcover. Near Fine; light sunning to dustjacket flap edges. grey cloth boards w/ blue printing. 314 pgs. grey & green pictorial dustjacket. Text in Portuguese. Edgar Allen Poe's "The Narrative of Arthur Gordon Pym of Nantucket." Portuguese Edition. Cosac & Naify hardcover books‎

Referenz des Buchhändlers : 177206 ISBN : 8575031082 9788575031087

‎POE Edgar Allan‎

‎TALES OF MYSTERY AND IMAGINATION; Illustrated by Harry Clarke‎

‎NY: Tudor 1933. First Tudor Edition. Harry Clarke. 4to pp. 412. With 8 tipped-in colour plates 24 full-page black-and-white drawings title-page illustration and other vignettes. Bound in black cloth with paper label covers little dusty spine stamping all worn off front hingle little tender a good copy. Tudor unknown books‎

Referenz des Buchhändlers : 50498

‎Cartoon Al Capp ~ Edgar Allen Poe‎

‎NEVERMORE‎

‎New Jersey or New York: Al Capp 1930. UNIQUE. Framed. Very Good. Al Capp. Oil painting framed 15 1/2" H by 18 5/8" W; image: 13 7/16" x 16 7/16" signed by Al Capp with facial caricature of a man with bulbous eyes & two teeth plus initials; with the Edgar Allen Poe-based caption "Nevermore" in gold with black highlighting and double underlining above a cartoon of a drunken black raven with orange beak passed out upside down in a martini glass while still holding an olive with pimento. On the tattered brown paper backing there is the ink inscription: "PRESENT from MR. ACE" / The One and Only 1981" and an old browned newspaper cut-out of an Edgar Allen Poe caricature see below. Panel beneath the brown paper reads: Visit our Grecian Art Pavilion Ltd. Home of the "Hellenic Art Festival" Exquisite Oil Paintings Watercolors and select Handicrafts by Greek Artists 95-42 Queens Blvd. Rego Park N.Y. 11374 212 275-1745 Opposite Alexanders with auction tag Stamp faded on brown paper reads: Hellenic Art Center Ltd. 2804 Stenway Street Astoria N.Y. 1805 210-545-5093 Original Oil Paintings Framing & Frames in Stock. "Nevermore" is Al Capp's amusing painted parody of Edgar Allen Poe's famous croaking Raven adapted to point the negative moral of drunkenness for alcoholics. This remarkable and unique framed oil is in a somewhat worn wooden frame; executed on board ; and signed with Capp's unusual early caricature face & initials. Al Capp 1909-79 has been called--correctly I believe--the "Mark Twain of cartoonists." Other comparisons have likenened his work to that of Charles Dickens who also used social satire lampoons reformist topicality and memorable names for his unforgettable characters. Thus Capp observed that Dickens might have written comics if he had been alive today. As Capp also liked to emphasize: "No artist who can write should avoid words; no author who can draw should avoid drawing." From his boyhood on Al Capp was an enthusiastic reader of "literary classics" to name a few: adventure novels Dickens Thackeray Conrad Trollope G.B. Shaw and Edgar Allen Poe. During the late '40's and '50's when public fears mounted about violence and horror in comics having negative effects on children Capp used the example of Poe to illustrate that great authors and their works were not deemed to have such negatives. In this remarkable use of a major Poe image--that of the Raven who croaked "Nevermore"--Al only slightly twists it humorously to point a moral against alcoholism. Of course Poe himself suffered from alcoholism . . . and more while Capp was always a teetotaller though he too suffered in later life from a "cocktail" of drugs he took to cope with manic-depressive tendencies and chronic pain caused by the early amputation of most of his right leg. No doubt in part because of the mysterious alchemy created by the interaction of his comedic genius with his physical and emotional problems Capp's comic-based social satire was brilliant inventive frequently controversial enormously influential and topical--having persisted for 40 or more years through the middle of the 20th century with numerous repercussions to this day. Capp's characters and related creations have become part of American folklore; among them Dogpatch and its folksy denizens: Mammy and Pappy Yokum; Li'l Abner and a bevy of busty-and-leggy femmes fatals: Daisy Mae Stupifying Jones Wolf Gal Lena the Hyena and Available Jones. For many the depressed region of "Slobbovia" still resonates. Capp's inventive genius led to other memorable creations such as "Sadie Hawkins' Day" from 1937 and the mass merchandising of "Shmoos" 1948ff. "Kigme's" and "Kickapoo Joy Juice." Several of Capp's memorable phrases have also entered everyday use such as "amoozin and confoozin" or during the Cold War the name "Nogoodnik." Likewise musicals and movies have been made of "Li'l Abner" while an Arkansas' theme park named "Dogpatch" opened in 1968. A high school dropout Al Caplin took a succession of art courses from several distinguished art schools before he invariably dropped out. Accordingly his brilliant gifts as a cartoonist were honed on the job after constant practice. Highly relevant to the dating of our oil "Nevermore" during Al Capp's school-and-early apprentice years he sometimes worked in oils. Because this rare--but undated--cartoon has been executed in oils we can delimit its creation to Capp's early creative years. For a brief time Capp was active as a boardwalk caricaturist around Asbery Park New Jersey. At that time--about 1931-32--he hung out with an alcoholic portrait sketcher named Anderson. That Capp strongly rejected having a similarly depressed tawdry and boozy life as a starving artist suggests the milieu in which this memorable piece may have been created. Instead as a lifelong teetotaller Al soon took his portfolio of drawings to New York City where he began his strenuous climb toward recognition and prominence. Also about this time though he was still signing his work as "A. G. Caplin" in the early 1930s he formally changed his name to "Al Capp" after he turned 22 in early 1931. We can thus place the creation of this piece to around this period. Comparison of Al Capp's signatures over his career--especially this caricature & initial--indicates that this example is from earlier in his career. Most famous for "Li'l Abner" he began his famous strip on August 8 1934 while his first full color Sunday strip came out on February 24 1934. The beloved strip achieved an enormous circulation of 25-million by 1946. And between 1937 and 1947 it is estimated that each day about 70 million people read his "Li'l Abner" comic strip. Artist-writer Capp often remarked: "I think of myself as a novelist and of 'Abner' as a novel a page of which is pulled every day. At the end of the year I've written 365 pages fully illustrated." The remarkable period of the Thirties also saw the birth of Chester Gould's "Dick Tracy" 1931 and "Terry and the Pirates" 1934; while "Superman" Action Comics came into being in 1938. Capp created the comic strip of "Abbie an' Slats" in 1937. During World War II because he had lost most of his right leg in a trolley-car accident Capp was 4-F. He actively participated in creating promotions for war bonds and regularly visited wounded vets for whom he regularly drew pictures. The tone of our piece doesn't seem appropriate though for a possible hospital visit. During the war and through most of the later 1940's however Capp also created devastating pre-Mad magazine parodies. Among them he lampooned Milt Caniff's "Steve Canyon" with his own "Milton Goniff's 'Steve Cantor'"; John Steinbeck's Grapes of Wrath the Ford film of 1940; and his friend Chett Gould's "Dick Tracy" in contrast to Capp's ridiculous detective "Fearless Fosdick" 1942ff. Al overstepped contemporary legal boundaries with a strip parody of "Gone wif the Wind" starring "Wreck Butler" and "Scallop O'Hara" in late 1942. As a result Margaret Mitchell threatened to sue his publisher for $76-million thereby causing Capp to drop the spoof and formally apologize in another cartoon. Stylistically our "Nevermore" is a take-off or parody of Poe's very well-known ominous raven. During the early 1940s several cartoonists created similar crows and ravens. Capp's raven resembles Chuck Jones' "Mynah bird" that he created for Warner Brothers from 1939-41. Likewise Cliff Edwards' "Jim Crow" appeared in Disney's "Dumbo" in 1941. One also notes nose art that WWII pilots used to decorate their warbirds "Old Crow Express" being one such; as well as Paul Terry's very popular "Heckle & Jeckle"--actually two Magpies not ravens--that he created in 1946 for Terrytoons. Because of this ravenesque flocking I would put a terminus a quem date on Capp's fine piece of the mid-1940s. The above date spread circa 1929-1946 is reinforced by a survey of Al Capp's other bird sketches--not just ravens or crows. This too suggests that the simplicity and humor of his raven in "Nevermore" dates from an earlier phase of his long career. Examination of other birds--particularly parrots--indicates that his "bird-style" became more elaborate and decorative over time e.g. "The Parrots of Wimpole Street" Oct. 1959 drawn by Capp &/or Frazee lot 582 in Nate D. Sanders' 2013 catalog; a flamboyant and wildly colored parrot drawn by Capp in 1974 lot 710 in Sanders. We thus provisionally date our Edgar Allen Poe parody to between the late 1920's through the mid-1940's; and cartoon styles he used--in keeping with other cartoonists--during the 1940's as reflected by the cartoon of Capp's raven. Accordingly "Nevermore" fits within the period late 1920's through the immediate post-WWII period say 1946. The possible reverberation of Capp's antagonism to alcoholism pronounced in 1931-32; his use of paint as medium as during his student and impoverished apprentice days; coupled with the slight wear to the finish of the paint however suggest a date closer to the 1930's than the 1940's. We conjecture that this piece was possibly executed in New Jersey and taken with the cartoonist to New York as part of his portfolio in the early 1930's. One notes that Al Capp once again used oils near the end of his life when he had an exhibition of large paintings of notable "Li'l Abner" characters at the New York Cultural Center April 15-May 11 1975. At this time neither the finish subject backing nor size of our parody fit his late spurt of productivity in oils. The matter of dating is somewhat complicated by the brown paper backing writing stamp and framer's ad beneath it. The brown paper backing of the painting has become tattered but one can still read "For MR. ACE / "The One and Only" as well as next to it the clear date "1981." Given the early suggested dates for the creation of Capp's artwork we assume that this painting was given after Capp's death in 1979 to "Mr. ACE / The One and Only" whomever that was in "1981." Also on the paper backing there was previously a taped & now removed for safe-keeping small ~ 3" newspaper clippling depicting a caricature of Edgar Allen Poe with his famous raven not by Capp with a date of "1967" appearing on its verso. We cannot be certain who cut out this clipping but the "1967" date provides a terminus after which the clipping was cut. One can also identify the Greek framer see above. Given the convergence of likely dates around the late 1920's/early 1930s-early 1940s however these later indications of framing suggest that the painting was gifted--perhaps more than once--sometime between 1967 and 1981. For additional references see especially a recent catalog of Al Capp cartoons issued by Nate D. Silver Inc. in September 2013; as well as Michael Schumacher & Denis Kitchen Al Capp: A Life to the Contrary Bloomsbury 2013--especially pages 20 on Al's early reading; 34 on the alcoholic caricaturist Anderson; 81 112-13 136 on Poe; 162 on Stenbeck's plaudits; & pages 251-52: where Capp observed that when he took up oils in the 1970's he hadn't used that medium since art school. Al Capp unknown books‎

Referenz des Buchhändlers : 177 ISBN : 2105455093 9782105455091

‎Poe Edgar Allan Eugene Field EHN. Patterson E. H.‎

‎Some letters of Edgar Allan Poe to E.H.N. Patterson of Oquawka Illinois‎

‎Chicago: Caxton Club 1898. Hardcover. Good- shaken moderate wear rubbing soiling and scuffing to boards. chipping at spine. Salmon cloth boarsd with black-lettered white paper label. 32 pp. 20 numbered pages of plates. Facsimiles. One of 186 copies. "The facsimiles of the six Poe manuscripts are made by the courtesy of Mr. Charles L. Hutchinson owner of the originals"-Note page 7. Caxton Club hardcover books‎

Referenz des Buchhändlers : 174327

‎Poe Edgar Allan 1809 1849‎

‎The POETICAL WORKS Of EDGAR ALLAN POE‎

‎Melbourne: George Robertson 1868. 1st edition thus BAL 16215. "Australian Edition". Original green cloth binding with gilt spine lettering. Yellow eps. Overall VG avg binding wear/some soiling & staining to a few preliminary leaves/period pos to ffep. viii 9 - 144 pp. 12mo. 6-3/4" x 4-3/8" <br/><br/> George Robertson hardcover books‎

Referenz des Buchhändlers : 25606

‎Poe Edgar Allan‎

‎Tales of Edgar Allan Poe‎

‎The Franklin Library Pennsylvania 1979. Limited Edition. Hardcover. Near Fine/No Jacket. Near fine limited edition from The Franklin Library. Leatherette bound with gilt detailing and a satin ribbon book marker. The Franklin Library, Pennsylvania hardcover books‎

Referenz des Buchhändlers : 109127

‎Poe Edgar Allan‎

‎Collected Poems‎

‎The Franklin Library; Franklin Center Pennsylvania 1977. Limited Edition. Hardcover. Fine/No Jacket. Fine limited edition from The Franklin Library. Full leather bound with gilt detailing and a permanent satin ribbon book marker. Part of "The 100 Greatest Masterpieces of American Literature" series. Illustrated by Alan E. Cober. The Franklin Library; Franklin Center Pennsylvania hardcover books‎

Referenz des Buchhändlers : 108330

‎Poe Edgar Allan‎

‎The Masque of the Red Death & Other Tales‎

‎Franklin Center Pennsylvania: The Franklin Library 1981. Leather bound. Fine. Clean tight unread copy. Pristine. Slate grey leather/boards. Gilt decoration all around with four raised bands and gilt lettering to spine. 382 pp. with archival bw illustrations of Frederick Simpson Coburn. All edges gilt. Silk moire end papers with matching satin place-holder ribbon. No dust jacket as issued. Limited Edition published for the subscribers to The Collector's Library of The World's Best-Loved Books. The Franklin Library hardcover books‎

Referenz des Buchhändlers : 161663

‎POE Edgar Allan‎

‎Murders in the Rue Morgue‎

‎First Photoplay Edition With Black-and-White Film Stills POE Edgar Allan. The Murders in the Rue Morgue. and Other Tales of Mystery. New York: Grosset & Dunlap n.d. c.a. 1932. First photoplay edition. In publisher's dust jacket. Octavo 8 x 5 3/8 inches; 202 x 136 mm. 4 315 1 publisher's ads pp. "Illustrated with scenes from the Universal Photoplay presented by Carl Laemmle." With photographic endpapers frontispiece and six additional movie still black-and-white plates one of which is double paged. These film stills are from the Universal motion picture of "The Murders in the Rue Morgue" starring Bela Lugosi. Full publisher's red cloth. Front board and spine lettered in black. Top edge green. Black-and-white photographic endpapers. The smallest amount of shelfwear to head and tail of cloth spine. In publisher's full color illustrated dust jacket. Some chipping along top and bottom edge of jacket. A few small chips at head and tail of jacket spine. Overall an about fine book in a very good and exceptionally bright dust jacket. The Murders in the Rue Morgue is the holy grail of mystery and detective fiction and one of the cornerstones of that genre. Poe wrote it during the height of his literary powers and it remains to this day the standard by which all mystery fiction if compared. BAL. Heartman and Canny. HBS 68209. $1850 Grosset & Dunlap hardcover books‎

Referenz des Buchhändlers : 68209

‎Poe Edgar Allen‎

‎Tales of Mystery and Imagination.‎

‎Westport. : Easton Press. 1975. Hardcover full brown leather raised bands gilt decorations all edges gilt silk endpapers ribbon marker. . Bookplate to pastedown otherwise fine no dustjacket as issued. . 8vo. Easton Press. hardcover books‎

Referenz des Buchhändlers : 288171

‎Faulkner William sourcework: Poe James screenwriter‎

‎Original British Quad Poster for: SANCTUARY‎

‎London: Zanuck / Twentieth Century-Fox 1961. Original highly pictorial British Quad Crown poster 30 x 40"; 76 x 102 cm. Previously folded some light use at edges some small patches of black construction paper tipped to the corners on the verso otherwise very good. A poster issued to promote the UK release -- designated as "X ADULTS ONLY" -- of the second film adaptation of Faulkner's novel based on a screenplay by James Poe directed by Tony Richardson and starring Lee Remick Yves Montand Bradford Dillman Odetta and Strother Martin. SANCTUARY was previously filmed in 1933 as the highly controversial pre-code THE STORY OF TEMPLE DRAKE. Zanuck / Twentieth Century-Fox unknown books‎

Referenz des Buchhändlers : WRCLIT71273

‎Poe Edgar A.: Simeon Fernand‎

‎SIGNED WOODCUT FRONTISPIECE‎

‎Paris: Schmied Grav. - Imp. 1920. Original woodcut in black on pale blue laid paper 14.5 x 8.5 cm plus margins. Matted. One of fifty numbered copies signed by the artist in pencil in the lower margin. From the portfolio series CENT FRONTISPIECES published ca. 1920. Siméon illustrated an edition of Poe's HISTOIRES . in 1924. Schmied, Grav. - Imp. unknown books‎

Referenz des Buchhändlers : WRCLIT70069

‎Poe Edgar Allan‎

‎A CHAPTER ON AUTOGRAPHY‎

‎Springfield MO: International Grapho Analysis Society Inc 1952. Cloth. Portrait plate facsimiles. One of 1239 numbered copies. Gilding oxidized ink name and date. otherwise very good. International Grapho Analysis Society, Inc hardcover books‎

Referenz des Buchhändlers : WRCLIT79550