‎Chartier emile, dit alain ‎

‎Christine De Daeyer / Thomas Keukens / Arnoud Bozzini‎

‎BELGISCH DESIGN BELGE / Gustave Serrurier-Bovy, Huib Hoste, Jacques Dupuis, Willy Van Der Meeren, Jules Wabbes, Maarten Van Severen, Meurop, Alain Gilles, Christophe Gevers,‎

‎, Design Museum Brussels, 2021 softcover, 275 x 200 mm, 160 pages, Illustrated. EN-FR-NL edition . /new/NEUF ISBN 9782875720689.‎

‎Van art noveau tot hedendaagse creaties via het naoorlogse functionalisme - deze tentoonstelling verkent onder andere het werk van ontwerpers en de productie van Belgische bedrijven en uitgeverijen zoals Gustave Serrurier-Bovy, Huib Hoste, Jacques Dupuis, Willy Van Der Meeren, Jules Wabbes, Maarten Van Severen, Meurop, Alain Gilles, Christophe Gevers, . De l'Art nouveau la cr ation d'aujourd'hui en passant par le fonctionnalisme d'apr s-guerre, cette exposition explore entre autres le travail des designers et la production d'entreprises et de maisons d' ditions belges. Parmi ces designers et producteurs citons : Gustave Serrurier- Bovy, Huib Hoste, Jacques Dupuis, Willy Van Der Meeren, Jules Wabbes, Maarten Van Severen, Meurop, Alain Gilles, Christophe Gevers, . Comment raconter le design aujourd'hui ? En consid rant les objets non seulement dans leur mat rialit mais aussi la mani re dont ils fa onnent notre environnement (im)mat riel, nos interactions sociales et notre perception visuelle. Comment raconter un design vivre et voir ? Comment parler au 21e si cle de l'histoire du design en Belgique? C'est avec ces interrogations que Belgisch design belge, l'exposition au Design Museum Brussels et ce livre qui l'accompagne, souhaitent initier une forme de r flexion. Apr s les livres Panorama et Designing the night, ce projet initie un cycle de propositions sous la forme de pop-ups qui se succ deront dans le temps. Les s lections de pi ces tant t subjectives jamais exhaustives se voudront repr sentatives du design en Belgique depuis les premiers pas de celui-ci jusqu' ses repr sentants actuels les plus passionnants. C'est ici l'occasion de red couvrir certains parmi les designers les plus talentueux comme Maarten Van Severen ou Christophe Gevers et de retracer bri vement leur parcours. Les pi ces d' poques, de mat riaux, de statuts et de natures diff rentes se succ dent telles que les accessoires en bois ou en m tal con us dans les ann es 1950 par Jules Wabbes, Jacques Dupuis et L on Stynen, ou les premiers gadgets en mati re plastique, ustensiles de cuisine d velopp s par les films ACEC ou NOVA ou encore les tabourets de bar en vinyle aux motifs bicolores et ludiques de Willy Van Der Meeren. Ce tour d'horizon confirme par ailleurs, l'importance de la manufacture Boch Keramis ou de la firme Meurop et permet de se pencher, entre autres, sur les carri res de Huib Hoste, Xavier Lust ou Gustave Serrurier-Bovy. Belgisch design belge, une exposition en cours au Design Museum Brussels, jusque fin 2021‎

Referencia librero : 57199

‎CHRISTNACHT ALAIN‎

‎LA NOUVELLE-CALEDONIE‎

‎LA DOCUMENTATION FRANCAISE. 1987. In-8. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Papier jauni. 140 pages. Nombreux tableaux en noir et blanc dans le texte et hors texte. Petites taches sur la couverture.. . . . Classification Dewey : 910-Géographie générale. Voyages‎

‎Classification Dewey : 910-Géographie générale. Voyages‎

Referencia librero : R160134930

‎CHRISTOF ALAIN‎

‎LE GUEPIER D'EUROPE / COLLECTION NATURE.‎

‎DU POINT VETERINAIRE. 1990. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 124 pages augmentées de nombreuses photos couleurs et noir et blanc in et hors texte, dont le 1er plat.. . . . Classification Dewey : 598-Ornithologie‎

‎Classification Dewey : 598-Ornithologie‎

Referencia librero : R320045752

‎CHRISTOF ALAIN‎

‎LE ROLLIER D'EUROPE / COLLECTION NATURE.‎

‎DU POINT VETERINAIRE. 1990. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 192 pages augmentées de nombreuses photos couleurs et noir et blanc in et hors texte, dont le 1er plat.. . . . Classification Dewey : 598-Ornithologie‎

‎Classification Dewey : 598-Ornithologie‎

Referencia librero : R320045753

‎Christof, Alain‎

‎Le rollier d'Europe.‎

‎1991 Maisons Alfort, Point Vétérinaire, 1991 : In-12 Raisin, Cartonnage d'éditeurs. 192 pp., 59 photos couleurs, nombreuses illustrations et cartes in-texte, monographie de cette rare espèce Très bon état, Couv. fraîche, Dos impeccable, Intérieur frais.‎

Referencia librero : VV32394

‎Christol, Alain‎

‎Le lexique culinaire latin : l'alimentation animale Kubaba French Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referencia librero : 2140257642.G ISBN : 2140257642 9782140257643

‎Christophe Merlin et Alain Mabanckou‎

‎L'Europe depuis l'Afrique‎

‎Editions Naïve 2009. Paperback. Very Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations. Editions Naïve paperback‎

Referencia librero : I-293-193 ISBN : 2350212033 9782350212036

‎Christopher Spence; JohnWillard Pomeroy; Alain Pietroniro (eds)‎

‎Prediction in Ungauged Basins: Approaches for Canada's Cold Regions‎

‎Ottawa: Environment Canada 2005. New! Paper bound proceeds of a workshop in Yellowknife in March 2004 to discuss how to improve abilities to predict streamflow in the Mackenzie Valley and similar cold regions of Canada. Pp218. Tight and unmarked - a fine copy. 375 grams. Scarce. We welcome all reasonable offers on our books and also offer local curbside pick-up. All books in stock and available for immediate shipment from Winnipeg Manitoba. Ottawa: Environment Canada, 2005 unknown‎

Referencia librero : 31072 ISBN : 1896513034 9781896513034

‎Christophe Moret, Francesco Berardinelli‎

‎Le livres des pâtes‎

‎2006, Éditions Alain Ducasse. Envoi d'Alain Ducasse à l'ancien directeur de l'Hôtel du Palais à Biarritz. In-8 carré, broché, 348pp. Très bon exemplaire‎

Referencia librero : CUI607M

‎Christopher Stringer et Alain Kihm‎

‎Survivants: Pourquoi nous sommes les seuls humains sur terre‎

‎, , 2012 Couverture souple, 466 pages, 20.5 x 14 cm, Fran ais. En bon tat. ISBN 9782070121946.‎

‎L'Afrique passe aujourd'hui pour le berceau de nos premiers anc tres humains ; est-elle galement le lieu originel de notre esp ce Homo sapiens et de ce qui lui est propre : le langage, l'art, la technologie complexe ? L'hypoth se de cette double sortie d'Afrique, d'abord tay e par les restes fossiles, se nourrit des donn es arch ologiques et g n tiques, y compris, depuis peu, l'ADN des fossiles n andertaliens. L' v nement essentiel - le passage du cr ne une forme moderne - est assur ment advenu en Afrique il y a quelque 150 000 ans, mais les facteurs qui le sous-tendent demeurent pour la plupart inconnus. La "modernit " est un composite dont les l ments sont apparus divers moments et en divers lieux, et qui se sont ensuite progressivement assembl s pour prendre la forme que nous lui reconnaissons aujourd'hui. La pr minence de l'Afrique tient donc son tendue g ographique et la taille de ses populations humaines - qui ont offert davantage d'occasions aux variations morphologiques et comportementales, ainsi qu'au d veloppement et la pr servation des innovations - plus qu' une voie volutive sp cifique ce continent. Quelles sont les causes et les modalit s de la dispersion des hommes modernes hors d'Afrique ? Sont-ils une esp ce distincte des populations archa ques tels les N andertaliens au point que les contacts avec ces derniers seraient cause de leur extinction ? Les caract res archa ques rencontr s dans les fossiles et les g nes des hommes modernes hors d'Afrique sont-ils le signe d'une hybridation ? La question de nos origines et de l' volution r cente d voile la force qu'ont exerc e la d mographie, la d rive g n tique et la s lection culturelle. L' volution aurait pu emprunter quantit d'autres chemins, qui auraient conduit l'absence d'humanit . En la mati re, la diff rence est parfois troite entre chec et succ s.‎

Referencia librero : 70878

‎CHURCHILL (Allen).‎

‎The Theatrical 20'S.‎

‎New York McGraw-Hill Book Company 1975 1 vol. relié in-4, cartonnage sous jaquette illustrée, 326 pp. (déchirure au dos de la jaquette), nombreuses photos en noir, index. Texte en anglais. Post-it avec le tampon des Archives Alain Resnais. Bon exemplaire. Exemplaire provenant de la bibliothèque d'Alain Resnais.‎

Referencia librero : 112380

‎Chénicourt Alain‎

‎L'inflation ou l'anti-croissance‎

‎Robert Laffont. 1971. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 258 pages - couverture contre-pliée - quelques figures en noir et blanc dans le texte - quelques petites annotations sur les premières page de l'ouvrage. . . . Classification Dewey : 330-Economie‎

‎Classification Dewey : 330-Economie‎

Referencia librero : R160215734

‎Cifali Mireille, André Alain‎

‎Écrire l'expérience : Vers la reconnaissance des pratiques professionnelles‎

‎Presses Universitaires de France Broché 2007 In-8 (15,1 x 21,7 cm), broché, 403 pages ; zone légèrement brunie au premier plat en tête, par ailleurs bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

Referencia librero : cv3046

‎CINEMA]‎

‎Ciné-club de minuit.‎

‎Bruxelles 1964 1 vol. broché in-8 carré, broché, non paginé (64 pages). Brochure éditée à l'occasion de la 150e émission du ciné-club de minuit, fondé en 1955, présentant à pleine page des photographies des 150 films diffusés, dont Muriel d'Alain Resnais. Textes et tables de Paul Davay. Couverture et mise en page de Jean-Michel Folon. Brochage fragile (quelques feuillets détachés). Exemplaire provenant de la bibliothèque d'Alain Resnais.‎

Referencia librero : 112912

‎Cinquini, Alain‎

‎1990s American Actor‎

‎Monte-Carlo: Alain Cinquini 1996. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Monte-Carlo: Alain Cinquini, 1996 unknown‎

Referencia librero : 73-2082

‎Cinquini, Alain‎

‎1990s American Actor‎

‎Monte-Carlo: Alain Cinquini 1996. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Monte-Carlo: Alain Cinquini, 1996 unknown‎

Referencia librero : 73-2080

‎Cinquini, Alain‎

‎A Bicyclette‎

‎St. Paul: Alain Cinquini 1999. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. St. Paul: Alain Cinquini, 1999 unknown‎

Referencia librero : 73-2224

‎Cinquini, Alain (1941-2021); Marc Chagall (1887-1985)‎

‎A collection of original photographs of Marc Chagall and Jean Louis Prat of the Fondatioin Maeght.‎

‎Saint Paul de Vence: July 1983. 3 silver prints and one color print. 17 x 13 18 x 13 19 x 13 cm. Signed and dated on 3 versos. Jean-Louis Prat:"Around the exhibition - with Marc Chagall'Special issue. Marc Chagall "BONJOUR LA PATRIE!".Chagall often used to drop in to the Maeght Foundation which was close to the Les Collines house-studio built by the artist in Saint-Paul in the shade of tall pine trees. During his walks in the rare hours set aside for rest how hard he always worked! invariably accompanied by his wife Vava he would visit us at the Foundation to see the latest works or take another look at pictures by artists he liked: Pierre Bonnard Henri Matisse Fernand Leger Georges Bracque Joan Miro and many other contemporaries who had been pioneers of the new art like he was.L'Est Républicain - 04 nov. 2012 : Tout commence quand il tombe sur Yves Montand Paul Newman et leurs femmes respectives. « Je suis allé leur demander pour faire une photo. Newman n’a pas voulu. Simone Signoret m’a dit que c’était bien d’avoir demandé… Montand a compris que je serai là à la sortie du restaurant et a quasiment organisé une séance en montrant la montagne à Paul Newman. ».Alain Cinquini a sa première photo de stars. Qu’il n’exploite pas durant plusieurs jours. C’est sur les conseils d’un copain qu’il prend enfin contact avec l’agence Gamma. Le début d’une belle carrière.En un quart de siècle Alain Cinquini prendra entre 80.000 et 100.000 clichés de stars parmi les plus grandes devenant l’un des photographes indépendants incontournables du sud de la France et de Monaco. Il entretiendra des relations privilégiées avec des vedettes du cinéma et des artistes comme Armand ou César entre autres. Bref un parcours exemplaire au cours duquel il ne volera jamais une image et ne violera jamais l’intimité de ses « clients ». Tout l’inverse des paparazzis au sens où on l’entend aujourd’hui : « J’ai une façon de travailler dans le respect des personnes sans doute parce que j’ai été élevé ainsi. Certains de mes collègues se demandaient parfois comment j’arrivais à avoir certaines photos. C’était simplement parce que j’étais bien vu que je faisais mon boulot correctement. Et avec correction… Avoir une bonne réputation dans ce milieu-là ça compte ça ouvre des portes. Expertise by: David ZERBIB : 24 Av. du Prado 13006 Marseille France; Paul BENARROCHE 8 boulevard Alphonse Daudet 13960 SAUSSET les PINS06 10 25 64 93 Saint Paul de Vence: July 1983 unknown‎

Referencia librero : 16-4768

‎Cinquini, Alain‎

‎A la table de Bono signed by Cinquini‎

‎Saint Paul: Alain Cinquini 1998. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Saint Paul: Alain Cinquini, 1998 unknown‎

Referencia librero : 73-2789

‎Cinquini, Alain‎

‎Actors‎

‎St. Paul: Alain Cinquini 1996. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. St. Paul: Alain Cinquini, 1996 unknown‎

Referencia librero : 73-2207

‎Cinquini, Alain‎

‎Adamo Jean-Michel Folon Roger Vergé‎

‎St. Paul: Alain Cinquini 2000. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. St. Paul: Alain Cinquini, 2000 unknown‎

Referencia librero : 73-2084

‎Cinquini, Alain‎

‎Aimé Maeght‎

‎Cannes: Alain Cinquini 1983. 3x3.5 cm slide. 6 slides. Negatives. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Cannes: Alain Cinquini, 1983 unknown‎

Referencia librero : 73-6133

‎Cinquini, Alain‎

‎Aimé Maeght‎

‎Cannes: Alain Cinquini 1983. 3x3.5 cm slide. 6 slides. Negatives. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Cannes: Alain Cinquini, 1983 unknown‎

Referencia librero : 73-6132

‎Cinquini, Alain‎

‎Alain Delon‎

‎Monte Carlo: Alain Cinquini 2000. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Monte Carlo: Alain Cinquini, 2000 unknown‎

Referencia librero : 73-2229

‎Cinquini, Alain‎

‎Alain Delon Arielle Dombasle Justine Levy B.H.L. signed by Cinquini‎

‎St. Paul: Alain Cinquini 1996. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. St. Paul: Alain Cinquini, 1996 unknown‎

Referencia librero : 73-2671