Nfr. Used - Good. Ships from the UK. Shows some signs of wear and may have some markings on the inside. 100% Money Back Guarantee. Your purchase also supports literacy charities. Nfr unknown
Gallimard Nrf. Good. Soft cover; Good; Ex-Library From The Alliance Francaise Of Washington Dc With Usual Markings In Good Condition Gallimard 1966 Gallimard Nrf paperback
Scala Publishers Ltd 2006. Trade paperback. Very good. No dust jacket as iss. Very good. small bits of crayon markings 128 p. Audience: General/trade. null. Scala Publishers Ltd paperback
Referenz des Buchhändlers : Alibris0000068 ISBN : 2866562763 9782866562762
2005-01-01. New. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May be re-issue. Buy with confidence excellent customer service! unknown
Referenz des Buchhändlers : 2708237721n ISBN : 2708237721 9782708237728
2005-01-01. Good. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May not contain Access Codes or Supplements. May be re-issue. May be ex-library. Shipping & Handling by region. Buy with confidence excellent customer service! unknown
Referenz des Buchhändlers : 2708237721 ISBN : 2708237721 9782708237728
Editions du Cercle de la Librairie 1992 ISBN 2765405115 1992. Book. Good. Soft cover. 8vo - over 7�" - 9�" tall. In-8 broch� Bon Etat. Editions du Cercle de la Librairie 1992 ISBN 2765405115 Paperback
Referenz des Buchhändlers : 6939 ISBN : 2765405115 9782765405115
Warsaw: Galeria Foksal PSP Books 1970. Quarto 29.5 � 21 cm. Single leaf printed to bottom recto and embossed with braille along top edge. Fine. Announcement for an exhibition of Braille-inspired works by Alain Jacquet 1939-2008 the French-born painter associated with the Pop Art movement. Foksal Gallery was founded in 1966 by contemporary artists and former members of the Polish constructivist group of the 1920s. It was intended as a non-commercial space and operated in a nonofficial way managing to stage numerous exhibits of avant-garde and neo-avant-garde art including action art and happenings sometimes by artists of international repute in spite of the limitations of the communist regime. As of June 2020 KVK and OCLC can only trace a copy at Tate Library. unknown
1 'Alain Jacquet : Camouflages et Trames' MAMAC Nice 2005. Card size: 15 x 21 cm. Recto: 'Camouglage Jasper Johns - La voix de son maitre 1963'. Fine. --- 2 'Alain Jacquet : des Images d'Epinal aux Camouflages' Galerie Vallois Paris 2015. Card size: 16 x 16 cm. Illustrated. Fine. Announcement. No Binding. Fine. Ephemera.
Paris: Galerie Georges-Philippe et Nathalie Vallois 2015. First edition. Hardcover. Exhibition catalog for a show that ran September 7 through October 11 2015. Text in English and French by Catherine Millet Anne Tronche and Alain Cueff. Includes numerous color and black and white illustrations. A very good copy in illustrated boards with bumping to the corners and spine ends and with a laid in folded poster. No dust jacket as issued. Galerie Georges-Philippe et Nathalie Vallois unknown
Referenz des Buchhändlers : 157184 ISBN : 2954287128 9782954287126
Paris: Centre Georges Pompidou. 1993. 8vo - over 7�" - 9�". F First Edition Used. H Paper Back. Very Good. Signed and Inscribed By Artist on title page. In red wraps 8vo 64pp. Illustrated. Signed: I Signed and Inscribed By Artist Centre Georges Pompidou unknown
Referenz des Buchhändlers : 0805554 ISBN : 2858507635 9782858507634
Paris: Galerie Georges-Philippe et Nathalie Vallois 2015. First edition. Hardcover. Exhibition catalog for a show that ran September 7 through October 11 2015. Text in English and French by Catherine Millet Anne Tronche and Alain Cueff. Includes numerous color and black and white illustrations. A very good copy in illustrated boards with bumping to the corners and spine ends and with a laid in folded poster. No dust jacket as issued. Galerie Georges-Philippe et Nathalie Vallois unknown books
Referenz des Buchhändlers : 157184 ISBN : 2954287128 9782954287126
Sehr gutes Ex. - Beilage. - Englisch; französisch. - Alain Georges Frank Jacquet (* 22. Februar 1939 in Neuilly-sur-Seine, Frankreich; ? 4. September 2008 in New York City, USA) war ein französischer Maler und Grafiker und wichtiger Vertreter der US-amerikanischen Pop-Art-Bewegung. ... Alain Jacquet studierte Architektur an der Universität Grenoble und an der École des Beaux-Arts in Paris. Als Maler war er ein Autodidakt. Er hatte seine erste Einzelausstellung 1961 in der Galerie Breteau in Paris. Im Jahr 1961 nahm ar an der Biennale de Paris teil, auch wieder im Jahr 1965, wo er auch auf der Biennale von San Marino vertreten war. Im Jahr 1968 war er mit 10 grafischen Pop-Art-Arbeiten Teilnehmer der 4. documenta in Kassel. Er war Anfang der 1960er Jahre Mitbegründer der Kunstrichtung Mec'art (Mechanical art). Jacquet lebte in New York City und Paris und lehrte an der École Nationale Supérieure des Arts Décoratifs. ... (wiki) // In the eyes of several generations of critics and art lovers, the importance of Alain Jacquet's work in the history of recent art is beyond doubt, and it should not be long before it impresses itself on a wider public by virtue of its acute relation to its period and, at the same time, its perfect singularity. Ten years younger than Andy Warhol, Jacquet was a contemporary both of the American Pop artists (he began transferring photographs onto canvas using the silkscreen method in 1964) and of the artists of the anti-form and conceptual movements (he was the only Frenchman invited by Harald Szeemann to exhibit in When Attitudes Become Form, in 1969). A pioneer of new supports and technologies (Plexiglas, vinyl, digital images and inkjet printing), he was also a precursor of the Simulationists: he "remade" Roy Lichtenstein's Hot Dog (1963) only a few months after the original itself, and used the silkscreen process to disguise sheets of Plexiglas as corrugated iron and cotton bags as jute bags (1968). Finally, before the practice became common, he created event-based or site-specific works (exhibition of the electrical circuitry at Galerie Yvon Lambert in 1968, smoke in 1969), environments {Cylindres, 1961, Fresque tolas, 1963 [pp. 10-15, 22-23, 70-76]), and installations {The Churn, Venice Biennale, 1976). To which we must add his strange revisiting of an ancestral practice such as knitting (Le Tricot de Varsovie, 1969) and very personal take on the assisted readymade, as Marcel Duchamp called it, with Watering can (1972) and Saint-Jean-Baptiste (1981). That said, I do get a bit annoyed when I hear people refer to him as a "French Pop artist." His work is so diverse and complex, and has so many more ramifications of meaning than Pop produces, let alone the Simulationists or the hi-tech artists. For example, in his early days, Jacquet's source in popular culture was not comics, but images d'Epinal, those popular woodblocks that were the forerunners of cartoons. These carry a whole weight of historical references and their titles, as repeated by Jacquet, give them a poetic, ironic dimension. Moreover, far from just formally simplifying, Jacquet transformed these images into enigmatic puzzles that we are still unpicking today. Unlike many artists of the period, he did not yield to the seduction of images, but dislocated this in an explosion of colours. Compare Warhol's Do It Yourself series (1962) with Jacquet's Camouflages (1963), both made using painting by numbers books. The colours that Warhol distributes in the numbered areas preserve the forms and codes of naturalism: the petals of the flowers are pink or yellow, the stems and the leaves, green. In the classical manner, Warhol applies the local colour, whereas with his French counterpart the colour overruns or divides the drawing, weaving a tangle of abstract forms over the figurative image, forcing the viewer to struggle, in a sense, with their own gaze: will it judge the harmonious distribution of colours ? (Vorwort) ISBN 9782954287126
Oniro 2007. Hardcover. Good. Disclaimer:A copy that has been read but remains in clean condition. All pages are intact and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting and the copy can include previous owner inscriptions. An ex-library book and may have standard library stamps and/or stickers. At ThriftBooks our motto is: Read More Spend Less.Dust jacket quality is not guaranteed. Oniro hardcover
Referenz des Buchhändlers : G8497543041I3N10 ISBN : 8497543041 9788497543040
Oniro 2007-11-01. Hardcover. Very Good. 100% satisfaction guaranteed! We ship quicklySatisfaction Guaranteed. Please contact us with any inquiries. We ship daily. Oniro hardcover
Referenz des Buchhändlers : BLK400096536 ISBN : 8497543041 9788497543040
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