‎Librettiste‎

‎Mémoires de Lorenzo Da Ponte. Librettiste de Mozart.‎

‎Mercure de France. 1988. In-8. Br. 332 p. BE.‎

Referenz des Buchhändlers : 37806

‎[Edmond About - Albert Grisar] - Emile de NAJAC - [Lorient 1828 - Paris 1889] - Librettiste français‎

‎Lettre autographe signée à Edmond About - On joint deux autres pièces: "Bon pour trois cent francs" et "Compte de Grisar"‎

‎3 pages in8 - sans date - et 2 pages in8 -‎

‎Trés belle et violente lettre contre Edmond About pour défendre le compositeur belge Albert Grisar: "un homme qui seul vous élevait un marchepied" - Il le fait rire "en se posant en supériorité devant des ignorants" - C'est avec la plus grande joie qu'il a constaté ses nouveaux fours - Il lui joint une petite Némésis d'Albert Millaud sur Edmond About - "vous comprendrez, je pense, le désespoir qu'ont pu avoir les admirateurs du génie de Grisar de le voir s'user à faire des chef-d'oeuvres de musique sur des poèmes impossibles comme les votres" - Il lui manquera, celui qu'il décrie bien haut - "Tout seul, qu'étes vous? Rien" -‎

Referenz des Buchhändlers : 32931

‎[Sarah Bernhardt] Emile Blavet (1838-1924), écrivain, librettiste.‎

‎Lettre autographe signée à Sarah Bernhardt, lettre d'amour‎

‎[Sarah Bernhardt] Emile Blavet (1838-1924), écrivain, librettiste. L.A.S., Hôtel de Bade, sd, 2p 1/2 in-12. Incroyable et étonnante lettre à l'actrice Sarah Bernhardt (1844-1923) : « Vous me disiez hier que vous m'aimiez bien. Et moi donc ! Seulement, chez vous, cela date de quelques semaines, et c'est de l'amitié pure. Chez moi, cela date de deux ans (devinez à quelle époque) et c'est. tout autre chose ! J'ai été bien bien discret, nest-ce pas ? [.] en tout cas, mon indiscrétion est bien inoffensive, puisque vous partez, que je pars, que nous nous sommes dit un long adieu et que nous nous reverrons pas de plusieurs mois, qui sait même de plusieurs années, jamais peut-être. Je suis au lit, très-souffrant. Vos derniers mot d'hier m'ont mis sans dessus-dessous. Ce qui me désespère c'est d'être à l'hôtel. Si vous saviez l'infirmerie que je rêve !. mais bah ç je crois que je serais plus malade encore. Adieu, ma chère Sarah, bon voyage et soyez heureuse. Moi-même je le serais aussi si j'avais la certitude que vous pensez parfois sans trop de déplaisir à certain toqué qui vous aimait bien. De coeur. ». Très belle d'un amoureux éconduit au moment de la séparation [362]‎

Referenz des Buchhändlers : 014934

‎[Wilfred Josephs, composer (1927-1997)] Edward Owen Marsh, librettist, author, translator (Anouilh, Cocteau, Gogol, etc):‎

‎Manuscript Notebook "Rebecca Diary" Notes concerning the libretto of the opera "Rebecca" music by Wilfred Josephs based on the Daphne du Maurier novel‎

‎Opera matinée 1983. Circa 78pp. used some pages added text worked over red boards hinge strain mainly good condition. Indexes to Acts lines through manysections. Contents include: questions for Wilfred Josephs "Sets Scenes Act II"; stage directions; suggestions about characters; directions; music "5 Mrs v H van Hopper tells A. she is hopeless against Rebecca"; "final faults"; sets; dialogue; problems; phone numbers and addresses; more detailed points for Wilfred Josephs; suggested lines for a duet; characters with actors' names e.g. Mrs v. Hoppen Nuala Willis as happened; etc. WITH: Handbill 4pp. for the "World Première of Rebecca Opera North brings alive the dream of Manderley". [Opera matinée 1983] hardcover‎

Referenz des Buchhändlers : 12685

‎Alfred Bunn (1796-1860), theatre manager and librettist [ the Theatre Royal, Birmingham ]:‎

‎Alfred Bunn lessee of the Theatre Royal Birmingham. Autograph Letter Signed 'A Bunn' to '- Perkins Esq' apologising for 'The dreadful bustle attendant on producing "Waterloo"'.‎

‎'Birmm: i.e. the Theatre Royal Birmingham Oct. 13: 1824'. The Oxford DNB's entry on Bunn states that from 1819 to 1824 he held the lease of the Theatre Royal Birmingham. 1p. 8vo. Bifolium. Addressed on reverse of second leaf to '- Perkins Esq'. In fair condition with light signs of age and wear. Bunn begins his letter: 'My dear Sir The dreadful bustle attendant on producing "Waterloo" must be my apology. The Music & Manuscript are herewith sent - & not a note or a syllable of either has been copied.' He thanks 'Mr Howes for his kindness' which he offers to reciprocate 'whenever in my power'. It is unclear which version of a pantomime of the Battle of Waterloo is being referred to here but the Duke of Wellington is said to have enjoyed the 1824 production at Astley's Amphitheatre in London and its revivals see Bradby James and Sharratt 'Performance and Politics in Popular Drama'. 'Birmm: [i.e. the Theatre Royal, Birmingham ] | Oct. 13: 1824'. unknown‎

Referenz des Buchhändlers : 17512

‎Andrioli L. librettist Libretto for work: Farinelli Giuseppe . Scipione in Cartagena Sevesi Fabrizio set designer Vacca‎

‎Scipione in Cartagena : dramma per musica da rappresentarsi nel Regio Teatro di Torino nel carnovale del 1815 alla presenza di S.S.R.M Volume 419 1815 Leather Bound‎

‎2021. Leather Bound. New. Size: 19.68 x 24.13 cms This book is available in 5 different Leather color without any extra cost. Explore More Options by Clicking on 'More Images' and Notify Us of Your Choice via Email within 24 hours of placing the order. Presenting an Exquisite Leather-Bound Edition expertly crafted by the prestigious organization “Rare Biblio” with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2021 utilizing the invaluable guidance of the original edition published many years ago in 1815. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page delicately preserving its content without alteration. Due to the vintage nature of these books every page has been manually restored for legibility. However in certain instances occasional blurriness missing segments or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - ita Vol:- Volume 419 Pages:- 53 If it is a multi-volume set then it is only a single volume. Product Disclaimer: Kindly be informed that owing to the inherent nature of leather as a natural material minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION 12x19 Inches: Available Upon Request. hardcover‎

Referenz des Buchhändlers : BIBLB005113845

‎Anelli, Angelo, librettist, Libretto for (work): Zingarelli, Nicola, . Secchia rapita, Opera adaptation of (work): Tassoni, Ales‎

‎La secchia rapita : dramma eroicomico per musica in due atti da rappresentarsi nel Regio Teatro alla Scala nel carnevale dell'anno 1816 Volume 426 1816 Leather Bound‎

‎2016. Leather Bound. New. Size: 14.60 x 22.86 cms This book is available in 5 different Leather color without any extra cost. Explore More Options by Clicking on 'More Images' and Notify Us of Your Choice via Email within 24 hours of placing the order. Presenting an Exquisite Leather-Bound Edition expertly crafted by the prestigious organization “Rare Biblio” with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2016 utilizing the invaluable guidance of the original edition published many years ago in 1816. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page delicately preserving its content without alteration. Due to the vintage nature of these books every page has been manually restored for legibility. However in certain instances occasional blurriness missing segments or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian Vol:- Volume 426 Pages:- 50 If it is a multi-volume set then it is only a single volume. Product Disclaimer: Kindly be informed that owing to the inherent nature of leather as a natural material minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION 12x19 Inches: Available Upon Request. hardcover‎

Referenz des Buchhändlers : BIBLB004724734

‎Artusi, Giulio, abate, librettist, Libretto for (work): Trento, Vittoria, approximately . Teresa vedova, Libretto for (work): La‎

‎Teresa vedova farsa per musica : tratta fedelmente dalla commedia di questo titolo Volume 329 1803 Leather Bound‎

‎2016. Leather Bound. New. Size: 19.68 x 24.13 cms This book is available in 5 different Leather color without any extra cost. Explore More Options by Clicking on 'More Images' and Notify Us of Your Choice via Email within 24 hours of placing the order. Presenting an Exquisite Leather-Bound Edition expertly crafted by the prestigious organization “Rare Biblio” with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2016 utilizing the invaluable guidance of the original edition published many years ago in 1803. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page delicately preserving its content without alteration. Due to the vintage nature of these books every page has been manually restored for legibility. However in certain instances occasional blurriness missing segments or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian Vol:- Volume 329 Pages:- 28 If it is a multi-volume set then it is only a single volume. Product Disclaimer: Kindly be informed that owing to the inherent nature of leather as a natural material minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION 12x19 Inches: Available Upon Request. hardcover‎

Referenz des Buchhändlers : BIBLB005451855

‎BARBIER Paul Jules (1825-1901), poète, dramaturge et librettiste français‎

‎L.A.S., 24 juin 1879, à un ami‎

‎2 pages in-12.‎

‎Il a pris la résolution de ne plus accepter aucune collaboration. "Je suis arrivé à une époque de ma vie où ce n’est pas trop de toutes mes forces pour mener à bonne fin les divers travaux trop long-temps retardés qui m’attendent encore…" Il poursuit par une critique sévère du drame de Madame de Banka. "Il y a assurément là un sujet, mais il y a aussi une bien grande inexpérience. L’auteur indique des situations dont il tire à peine parti. Les développements nécessaires manquent absolument dans l’action comme dans les caractères. Cela ne dépasse pas les proportions d’une esquisse. Encore certains traits y sont-ils laissés dans le vague au point de compromettre la logique et la clarté. Pour ne prendre qu’un exemple, je vous citerai cette accusation de Melchior qui ne repose que sur une allégation mensongère et dont il serait si facile à Andréa d’exiger la preuve. C’est là pourtant que servir tout l’intérêt du drame. Pour tout dire c’est comme une maison dont les quatre murs seraient debout, mais dont l’intérieur resterait à construire." Il demande à son interlocuteur d’aviser Madame de Banka de l’impossibilité d’accepter sa proposition.‎

Referenz des Buchhändlers : 265

‎Charles Deslys (1821-1885), écrivain, librettiste.‎

‎Lettre autographe signée‎

‎Charles Deslys (1821-1885), écrivain, librettiste. L.A.S., 24 novembre, 1p in-12. A Emile Rochard (1850-1918), alors directeur de l'Ambigu. Difficile à lire. Il demande deux fauteuils pour le soir. Peu commun [384]‎

Referenz des Buchhändlers : 016640

‎Collasse [Colasse], Pascal; [Lully, Jean-Baptiste]; [Pic, Jean (librettist)]‎

‎La Naissance de Venus Opera mis en Musique Par Monsieur Collasse Maistre de la Musique de la Chapelle du Roy. Et representé sur Theatre de l’Academie Royale de Musique pour la premier fois le premier jour de May 1696‎

‎Paris: Chez Christophe Ballard seul Imprimeur du Roy pour la Musique rüe Saint Jean de Beauvais au Mont-Parnasse 1695. Typeset music and text woodcut head and tailpieces and initials. In contemporary leather. Spine and edges gilt. Red title vignette on spine. Marbled endpapers. Green silk bookmark ribbon. Ownership stamp on title page and some random pages of “Francoeur†a member of the distinguished French musician family. Contemporary musical note in ink on p. 272. A small wormhole at the lower outer corner throughout the first third of the book broaden between 2b–4c affecting the print space. Trace of crease to the first pages. Extremities somewhat worn corners bumped foxing throughout. Otherwise in fine condition. Typeset music and text woodcut head and tailpieces and initials. In contemporary leather. Spine and edges gilt. Red title vignette on spine. Marbled endpapers. Green silk bookmark ribbon. Ownership stamp on title page and some random pages of “Francoeur†a member of the distinguished French musician family. Coll.: ã4 a–f4 A–Z4 Aa–Ll4 M2; Pag.: 8 i–xlvii 1 275 1 p. Some pages misnumbered: pp. 46–7 as 49–49 pp. 190–1 as 198–9. Extremely scarce first edition of Collasse’s opéra-ballet La Naissance de Vénus.<br> <br /> <br /> La Naissance de Vénus by Collasse is an early example of an opéra-ballet the genre of French Baroque lyric theatre combining elements of opera and ballet it’s music is mostly newly composed but also includes inserted excerpts of Lully’s 1665-court ballet of the same name. Cowart 2014The present first edition of the score was published already in 1695 while the opera was premiered only on May 1 1696.<br> <br /> <br /> Pascal Collasse 1649–1709 was a French Baroque composer who learned music from Jean-Baptiste Lully and became his favorite disciple later an assistant and main collaborator. Besides composing some ten operas Collasse assisted in the composition of Lully's works for the intermediate parts and harmonization and completed Lully’s unfinished work Achille et Polyxène. Lully helped him to obtain a position as a musician at the Court Collasse was one of the four Masters of the Chapelle Royale from 1683 to 1704. His later years were devoted to alchemy. <br> <br /> <br /> Scarce we could trace copies in institutional holdings in France BnF Université de Strasbourg Sorbonne and the UK BL. No auction records on RBH.<br> <br /> <br /> Literature: Cowart G. 2014. The Triumph of Pleasure: Louis XIV and Politics of Spectacle. University of Chicago Press p. 164. Chez Christophe Ballard, seul Imprimeur du Roy pour la Musique, rüe Saint Jean de Beauvais, au Mont-Parnasse unknown‎

Referenz des Buchhändlers : 2793

‎Composer George Gershwin,Librettist Dubois Heyward,Librettist Ira Gershwin,Du Bose Heyward (Lyrics)‎

‎Porgy and Bess: An American Folk Opera Piano-Vocal Score‎

‎Gershwin / Chappell Publishing 1935T. paperback. Good. 1.3000 11.9000 8.9000. Gershwin / Chappell Publishing paperback‎

Referenz des Buchhändlers : mon0003648586

‎D'Ormeville, Carlo, librettist‎

‎Lina : dramma lirico in tre atti 1877 Leather Bound‎

‎2022. Leather Bound. New. Size: 19.68 x 24.13 cms Presenting an Exquisite Leather-Bound Edition expertly crafted by the prestigious organization “Rare Biblio” with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2022 utilizing the invaluable guidance of the original edition published many years ago in 1877. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page delicately preserving its content without alteration. Due to the vintage nature of these books every page has been manually restored for legibility. However in certain instances occasional blurriness missing segments or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian Pages:- 58. If it is a multi-volume set then it is only a single volume. Product Disclaimer: Kindly be informed that owing to the inherent nature of leather as a natural material minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION 12x19 Inches: Available Upon Request. hardcover‎

Referenz des Buchhändlers : BIBLB021034136

‎DIBDIN, Charles (librettist/composer)‎

‎Four Original Mezzotint Posture or Droll Prints-- "Poor Tom Bowling"; "Paddy Bull's Expedition"; "The Soldier's Adieu": "Walter and His Three Graces.".‎

‎London: Robert Sayer 1791-1794. The 1790s witnessed a minor boom in ‘Posture’ prints of subjects taken from Charles Dibdin’s songs. Posture prints often referred to as Song Sheets or Drolls were mezzotints measuring roughly 14 x 10 inches which were advertised for sale in both colored and uncolored versions. Upon the print we can see the lyrics and an etched accompanying image. In the main the major audience for these was the middle class and they are representative of the most popular songs of the era. Three of the four prints offered here were written by Charles Dibdin uncle of the venerable Thomas Frognall Dibdin. The composer/writer of Walter and His Three Graces is unknown though likely Dibdin as well and while Dibdin wrote the music for “A Soldier’s Adieu†the libretto was written by Isaac Bickerstaff. The four mezzotints on offer here are;Poor Tom Bowling 1791 Paddy Bull's Expedition 1792 The Soldier's Adieu 1793 Walter and his Three Graces 1794. On the upper left of each lyric area is the Sayer stock number and they are respectively; 274 275 296 & 316. All were printed by Robert Sayer and are glassed in their original frames. A Soldier’s Adieu has an overabundance of lyrics and the frame covers the imprint and date. Toning and some staining but in remarkably good condition considering their fragility. “Poor Tom Bowling†& “Paddy Bull’s Expedition†are recorded by OCLC in one copy only each are and both at Yale although unquestionably the Bodlean has copies but they are offline. No auction records.Robert Sayer was a leading publisher and seller of prints maps and maritime charts in Georgian Britain. He is chiefly remembered for his atlases and other cartographic works publishing the Mundane System 1774 of Samuel Dunn and the famous North American Pilot 1775 He would have issued these song sheets as a bread-and-butter steady source of income. He was not the only printer issuing these song sheets as they were steady sellers to all classes. "Such songs would constitute a major but feasible luxury for a skilled labourer such as a coachman with an income of 15 to 20s. per week†N. Grindle. And they were immensely popular and many printers of the time put forth a number of them including S. W. Fores. Even American printers entered the fray with the venerable Isaiah Thomas publishing Charles Dibdin's 'Nancy or the Sailor's Journal’ in 1798 Dibdin's most popular song Poor Tom Bowling based on the life of Charles’ brother was unquestionably his masterpiece. Even the literati of the day were admirers of Dibdin’s songs with Thoreau claiming Poor Tom Bowling as one of his favorite songs. Furthermore there is an extant manuscript book of vocal music entitled ‘Songs and Duetts’ copied out in Jane Austen’s hand. "Included in this manuscript book is ‘The Soldier’s Adieu’ by Charles Dibdin; with two brothers in the Navy Jane however crossed out the reference to ‘soldier’ and replaced it with ‘sailor’†Jane Austen’s House.Charles Dibdin 1745-1814 British musician dramatist novelist actor and songwriter As his parents had plans for him to become a cleric he was sent to Winchester but his inherent love of music soon had him abandoning that path and he was soon employed as a singing actor. He was to pursue music as a vocation for the rest of his life and is considered the most popular songster of 18th century England. His military and naval songs were especially loved "It was said his sea songs were worth ten thousand sailors to the cause of England and were officially appropriated by the British navy to use during the war with France.†His reputation grew and grew and eventually he owned a small London theater called the Sans Souci which he opened in 1795 to host his one-man shows. Numerous books devoted to his songs were published in the late eighteenth and early nineteenth century.Provenance: Collection of John B. and Marie-Teresa Vander Sande Robert Sayer unknown‎

Referenz des Buchhändlers : 76499

‎Edmond Audran (1840-1901), French composer of operettas [Henry Brougham Farnie (1836-1889), Scottish librettist]:‎

‎Printed handbill poem. Part Song. "The Torpedo and the Whale" From Comic Opera "Olivette" By Audran.‎

‎Without date or place. 1p. 16mo. On a piece of watermarked laid paper 17 x 10.5 cm. Fair on lightly-aged paper with a manuscript correction 'tracts' to 'tracks'. In three numbered stanzas Farnie's version being in effect an entirely new poem: 'This Fish was indeed Oh! A Woolwich Torpedo But Oh! But Oh! The big whale did not know.' 'Les noces d'Olivette' was first performed in Paris in 1879; Farnie's English language adaptation starring Florence St. John was performed at the Strand Theatre in London from 1880 to 1881. This version without date or place does not correspond to any of the six versions listed on COPAC. Without date or place. unknown‎

Referenz des Buchhändlers : 12301

‎Edmond Gondinet (1828-1888), écrivain, librettiste.‎

‎Lettre autographe signée à Heugel‎

‎Edmond Gondinet (1828-1888), écrivain, librettiste. L.A.S., sd, 1p in-8. A Heugel. Il demande trois places pour le concert de l'hippodrome, pour un ami. [385]‎

Referenz des Buchhändlers : 016675

‎Emile de Najac (1828-1889), écrivain, librettiste.‎

‎Lettre autographe signée à Edmond About‎

‎Emile de Najac (1828-1889), écrivain, librettiste. L.A.S., Paris, 1er octobre 1865, 4p in-8. A l'écrivain Edmond About (1828-1885) avec qui il publia plusieurs pièces. Longue et très intéressante lettre, au ton très amical, mentionnant son opéra-bouffe, Les Douze Innocentes, en préparation [musique d'Albert Grisar], le projet de voyage en Egypte d'About avec « Alex » (i.e. Alexandrine About, son épouse), Augier, Victorien Sardou, le mariage de Léon Cléry, Charles-Edmond Chojecki, Pailleron, Sarcey, un diner avec Offenbach et Nadar, Edmond Didier. About fit bien son voyage en 1867-1868 et en tira un ouvrage de souvenir en 1869, Le Fellah. Très belle lettre. [353-2]‎

Referenz des Buchhändlers : 015327

‎English Comic Opera Dudley H. Bate librettist‎

‎The Travellers in Switzerland. A Comic Opera. . . bound with: PEARCE William librettist. Hartford Bridge: or The Skirts of he Camp . an Operatic Farce. Lacks half-title. bound with: CUMBERLAND Richard The Box-Lobby Challenge a Comedy . 1794 bound with: CROSS J.C. The Purse; or Benevolent Tar: A Musical Drama. Second edition‎

‎London: Debrett; Longman; Debrett; Debrett 1794. All but the last title first editions. 80; 6 42; 4 61 3; 4 32 pp. 1 vols. 8vo. Three quarters blue polished calf gilt spine t.e.g. Upper cover detached. All but the last title first editions. 80; 6 42; 4 61 3; 4 32 pp. 1 vols. 8vo. Debrett; Longman; Debrett; Debrett unknown books‎

Referenz des Buchhändlers : 215352

‎Eugène Scribe (1791-1861), écrivain, librettiste.‎

‎Lettre autographe signée‎

‎Eugène Scribe (1791-1861), écrivain, librettiste. L.A.S., 24 décembre, 1p in-8. A M. David, « administrateur ». « Monsieur, Si je n'en croyais que mon goût particulier, j'aurais encore été aujourd'hui vous faire une visite, mais mes plaisirs finiraient par vous coûter trop cher. C'est donc pour vous faire perdre le moins de temps possible que je vous dis, non de vive voix, mais par écrit que mon ami [Marc] Fournier à qui j'ai fait part de notre conversation, a reconnu toute la bonté et toue la sagesse de vos conseils et qu'il est bien décidé à les suivre. Qu'ainsi donc il restera comme il est, d'après l'assurance que vous m'avez donnée que la prolongation de la maladie ne saurait lui faire perdre sa place. Mille pardons encore une fois d'abuser ainsi de vos bontés. Mon importunité ne peut pas lasser votre complaisance aussi je me dis, avec franchise, le plus obstiné et le plus reconnaissant de vos sollicitudes. Eugène Scribe ». [493]‎

Referenz des Buchhändlers : 020462

‎Eugène Scribe (1791-1861), écrivain, librettiste.‎

‎Lettre autographe signée‎

‎Eugène Scribe (1791-1861), écrivain, librettiste. L.A.S., sd [selon une note février 1840], 1p in-8. « Merci, mon cher confrère, de votre aimable demande. Je vais faire mettre aujourd'hui votre nom sur la liste de location et je tacherai que vous ayez pour la premier représentation la meilleure loge possible. Quant à la répétition, vous n'avez qu'un mot à dire et je suis tout à vos ordres, mais ce ne sera pas de sitôt. Le fer est toujours au théâtre français - ils ont tous tant d'affaires qu'ils n'ont pas le temps d'apprendre leur rôle et je ne sais pas quand nous pourrons avoir une bonne répétition. Votre tout dévoué et de coeur. E Scribe ». [493]‎

Referenz des Buchhändlers : 020464

‎Fabien Sollar (1886-1982), écrivain, librettiste.‎

‎Lettre autographe signée‎

‎Fabien Sollar (1886-1982), écrivain, librettiste. L.A.S., 6 octobre 1920, 1pœ in-8. Il a décidé avec Frappa « qu'il n'y a décidément rien à faire avec l'Amérique, dans les conditions actuelles » et demande par câble à Carl de Vidal Hundt de renvoyer les manuscrits retenus. [324]‎

Referenz des Buchhändlers : 010231

‎Ferdinand Langlé (1798-1867), écrivain, journaliste, librettiste de Le Sourd ou l'Auberge pleine d'Adolphe Adam (1803-1856).‎

‎Lettre autographe signée à Jean-Louis-Auguste Commerson‎

‎Ferdinand Langlé (1798-1867), écrivain, journaliste, librettiste de Le Sourd ou l'Auberge pleine d'Adolphe Adam (1803-1856). L.A.S., Paris, 15 octobre 186., 1p in-8. A Jean-Louis-Auguste Commerson (1803-1879), écrivain, journaliste. Entête du Tintamarre dont Commerson était rédacteur en chef. Il lui annonce son retour d'un « voyage à la mer » et mentionne un rendez-vous aux Bouffes, une pièce en trois actes, et demande un rendez-vous. Traces de scotch. [109-2]‎

Referenz des Buchhändlers : 013999

‎Figaro-programme : journal du soir / Jules Noriac, rédacteur en chef ; Jules Prével, secrétaire de la rédaction‎

‎Figaro-programme : journal du soir / Jules Noriac, rédacteur en chef ; Jules Prével, secrétaire de la rédaction- 3 juin 1867- N°144‎

‎journal 4 p.,gd in plano broché,bon état,rare,cachet colportage,pli central‎

‎Jules Prével, né le 7 mai 1835 à Saint-Hilaire-du-Harcouët1, mort le 13 septembre 1889 à Paris (9ème)2, est un journaliste et librettiste français, courriériste théâtral du Figaro. Il a inventé la profession de critique théâtral en créant la rubrique du «courrier des théâtres», qui a pris une importance capitale dans tous les journaux parisiens.Journal essentiellement théâtral, le Figaro-Programme avait pour chroniqueur Victor Koning et pour critique musical Arthur Pougin. Prével faisait les échos des coulisses pour cette feuille vivante et spirituelle, très redoutée du monde des théâtres, qu’elle fustigeait parfois avec vivacité. Sa première gloire date de cette époque où il s’est fait un petit nom au Figaro-Programme. Remise de 20% pour toutes commandes supérieures à 200 €‎

Referenz des Buchhändlers : 26735

‎Gaetano Donizetti (composer); Felice Romani (librettist)‎

‎Anna Bolena - Lyric Tragedy in Two Acts VOCAL- PIANO OPERA SCORE‎

‎Milano Italy: Ricordi 1996. Soft cover. Very Good. 8" x 10.5. Donizetti's powerful tragedy based on the fate of Anne Boleyn Henry VIII's second wife focusing on her downfall and execution after he falls in love with Jane Seymour. It was first performed in 1830 in Milan. 307 pages. CONDITION: An overall VERY GOOD PLUS bright solid unmarked copy with minimal shelf-wear a slight sine-lean and a small faint cover-corner crease. This handsome score is now in a clear protective polypropylene bag for safe storage and transport. <br/> <br/> Ricordi paperback‎

Referenz des Buchhändlers : MSC1929

‎Giacomo Meyerbeer, Romani, composer, librettist Felice‎

‎Marguerite D'Anjou Melodramma Semiserio 2 Acts 1826 Leather Bound‎

‎2015. Leather Bound. New. Size: 19.68 x 24.13 cms This book is available in 5 different Leather color without any extra cost. Explore More Options by Clicking on 'More Images' and Notify Us of Your Choice via Email within 24 hours of placing the order. Presenting an Exquisite Leather-Bound Edition expertly crafted by the prestigious organization “Rare Biblio” with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2015 utilizing the invaluable guidance of the original edition published many years ago in 1826. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page delicately preserving its content without alteration. Due to the vintage nature of these books every page has been manually restored for legibility. However in certain instances occasional blurriness missing segments or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French Vol:- Pages:- 706 If it is a multi-volume set then it is only a single volume. Product Disclaimer: Kindly be informed that owing to the inherent nature of leather as a natural material minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION 12x19 Inches: Available Upon Request. hardcover‎

Referenz des Buchhändlers : BIBLB000383724