‎Collections‎

‎TYRTAEUS‎

‎Fragmenta edidit veterum testimonia collegit Carolus Prato‎

‎Roma Edizioni dell'Ateneo 1968. IX1021533 p. Cloth. 22 cm Lyricorum Graecorum quae exstant 3 hardcover‎

Référence libraire : 157372

‎Tzahou-Alexandri, Olga; Elsy Spathary; Efi Lygouri; Yannis Vichos and Timothy Cullen Et Al.‎

‎TAXIDEUONTAS ME TO PLOIO TES KYRENEIAS STO CHRONO KAI STO MYTHO / A VOYAGE INTO TIME AND LEGEND ABOARD THE KYRENIA SHIP‎

‎Minor rubbing to rear wrap. Light shelfwear. ; Bilingual edition in Greek and English. ; 112 pages‎

‎Tzetzes, Giovanni [John]; Giovanna Pace (A Cura Di)‎

‎GIOVANNI TZETZES: LA POESIA TRAGICA; Edizione Critica Traduzione E Commento.‎

‎M. D'Auria Editore. 2011. Second Edition. Softcover. Very Good. Some creasing to front wrap.; Speculum. Contributi Di Filologia Classica; 179 pages . 8870923193 . M. D'Auria Editore paperback‎

Référence libraire : 34542 ISBN : 8870923193 9788870923193

‎Töpfer, Johann Gottlob:‎

‎Neues Paeludien-Buch für die Orgel. Eine Sammlung von Choral-Vorspielen. Zweite, durchgesehene und berichtigte Ausgabe‎

‎123 S. Quer-4°. Gestochene Noten. Durchgehender leichter Feuchtfleck. Randeinriss Seite 1.‎

‎Türkoglu Sabahattin‎

‎Petit guide du Musée d'Ephese.‎

‎Ticaret Matbaacilik t.a.s. non daté. In-16. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 15 pages agrafées - quelques figures en noir et blanc hors texte.. . . . Classification Dewey : 708-Galeries, musées, collections d'art‎

‎Classification Dewey : 708-Galeries, musées, collections d'art‎

Référence libraire : R160220343

‎UEDA (Reikichi), BUSHELL (Raymond).‎

‎The Netsuke Handbook of Ueda Reikichi.‎

‎Charles E. Tuttle 1979 1 vol. relié in-8, cartonnage toilé rouge de l'éditeur, 325 pp., nombreuses reproductions, index, glossaire. Sans la jaquette, sinon très bon état. Nouveau tirage de 1979.‎

Référence libraire : 68046

‎UELSMANN, Jerry N Text by Alex Alberro and Nora M Alter‎

‎Jerry N. Uelsmann: Referencing Art.‎

‎<p>Tuscon: Nazraeli Press 2003. First edition / First printing. <i><b>Signed by Jerry N. Uelsmann on the title page.</b></i> Maroon cloth. Fine. Issued without dust jacket. Archival clear jacket supplied.</p> Nazraeli Press, hardcover‎

Référence libraire : 17271 ISBN : 0821215191 9780821215197

‎Ugo Bienvenu‎

‎Lorem Ipsum - Pavillon français de la 18e exposition internationale d'architecture - La Biennale di Venezia 2023- french pavillion at the 18th international architecture exhibition, la biennale di venezia 2023 - ball theater la fete n'est pas finie‎

‎INSTITUT FRANCAIS / REPUBLIQUE FRANCAISE. 2023. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. environ 70 pages illustrées en couleur et noir/blanc - en francais et anglais - jaquette correcte. . . . Classification Dewey : 708-Galeries, musées, collections d'art‎

‎Classification Dewey : 708-Galeries, musées, collections d'art‎

Référence libraire : RO20259976

‎Ullman, Micha‎

‎Micha Ullman: 1980-1988‎

‎21x27 cm. 17+59 pages. Softcover. Cover slightly rubbed. Else in good condition.‎

‎Ulrike M ller‎

‎Private Collectors in Brussels, Antwerp, and Ghent, ca. 1780-1914 Between Public Relevance and Personal Pleasure‎

‎, Brepols - Harvey Miller, 2024 hardcover, dusjacket, Pages: 376 pages,Size:216 x 280 mm , Illustrations:19 b/w, 128 col., 3 tables b/w. Language(s):English FINE. ISBN 9782503606194.‎

‎In the first half of the nineteenth century, Belgium was repeatedly praised as a country of collectors and amateurs, and private art and antique collectors were important and highly visible actors in urban cultural life. At a time when the public museum was still a relatively recent innovation, private collections were quite easily accessible for local and international visitors of the same social rank as the collectors. By the beginning of the twentieth century, however, the collector?s position in the public sphere had changed dramatically. Private collections were less accessible to an ever-expanding and increasingly culture-consuming public, and functioned more strongly in the context of the personal and explicitly private aims and networks of their owners. This book uncovers the premises and reasons for private collectors? shifting public role and relevance in nineteenth-century Brussels, Antwerp and Ghent. It examines the specific social, cultural, political, artistic and material context of private collectors? activity. Its main focus is on three related issues: 1) collectors? social profiles and networks; 2) collectors? tastes; and 3) the function, accessibility, display and reception of the collections. Attention is also paid to the differences between Brussels, Antwerp and Ghent with regard to the urban collecting cultures. The book intends to further our understanding of the diverse ways in which private collectors interacted with the social, cultural and artistic life of their cities and what the collectors? changing relationship to the public sphere can tell us about broader shifts in nineteenth-century culture, art and society.TABLE OF CONTENTS Private collectors and the public sphere: An introduction 1. The collector as a research subject 2. Towards a collective biography 3. Of amateurs, connoisseurs and collectionneurs 4. Sources, methods and the urban dimension 5. Looking ahead 1. An elite cultural practice in an age of transition 1.1. Preserving national heritage at the dawn of the nineteenth century 1.2. Belgian amateurs through the eyes of international travellers, ca. 1780-1860 1.3. Transformation of the collector scene, ca. 1860-1914 1.4. Personal profiles, artistic taste and local identities 1.5. Gender norms and the exclusivity of private collections 2. Enlightenment and the persistence of noble collecting, ca. 1780-1860 2.1. Arenberg. A rich tradition of collecting 2.2. The picture gallery and the art historical canon 2.3. Patronage and politics 2.4. Contemporary art and (semi-)private spaces 2.5. The adaptation and (dis)continuation of an influential model 3. Local historiography and Romantic imagination, ca. 1815-1880 3.1. Ghent as a city of antiquarian collecting 3.2. Heritage and experience in the Mus e Minard-Van Hoorebeke 3.3. The collector?s cabinet as a place of artistic inspiration 3.4. Family bonds, gender and the maintenance of a legacy 3.5. The end of Romantic collecting 4. The rise of Belgian art and its patrons, ca. 1830-1860 4.1. Cultural politics and the public life of private collections 4.2. Th odore de Coninck and the encouragement of the Belgian school in Ghent 4.3. The lithograph album: Dissemination and self-presentation 4.4. Common goals, distinct tastes ? 4.5. ? and personal agendas 5. The amateur in an expanding art world, ca. 1850-1900 5.1. Inventing the golden age of private collections: Politics and nostalgia 5.2. The Huybrechts family and the status of contemporary art in Antwerp 5.3. Elite sociability and the collector?s private realm 5.4. Forging a new position in the public sphere 5.5. The public-private divide 6. The cultural significance of the aesthete, ca. 1880-1914 6.1. Personal taste and national representativeness 6.2. Charles-L on Cardon and his multiple roles in the art world 6.3. The lure of the Early Flemish Masters 6.4. The private interior as a work of (national) art 6.5. A model of taste 6.6. Private collections and public impact 7. The emancipation of female taste, ca. 1890-1914 7.1. The disinterested maecenas and the collection as an alternative social space 7.2. Emma Lambotte and the avant-garde in Antwerp 7.3. The home as a means of self-expression and distinction 7.4. Women and the canon of modern Belgian art‎

Référence libraire : 63823

‎Umbstaetter, H D‎

‎The Red-Hot Dollar And Other Stories From The Black Cat‎

‎<p>First edition first impression July 1911. Octavo. 5 page introduction by Jack London. Title page in red and black. Original tan cloth stamped in red and black with pictorial cat design. No dust jacket. Very good. 239 pages 18 pages of publisher's ads.</p><p>Signature on front free endpaper: "Compliments of Harry Rodd.</p><p>BAL 11930.</p><p>Woodbridge 1033.</p> L. C. Page & Company hardcover‎

Référence libraire : 2222030

‎UN GROUPE DE LIBRAIRES PARISIENS‎

‎CATALOGUE DE LIVRES RARES IMPRIMES ET MODERNES, ANCIENS ET MODERNES, SUR LES SUJETS LES PLUS VARIES - IV.‎

‎IMP. CENTRALE OUEST. 1956. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 132 pages - quelques planches en noir et blanc . . . . Classification Dewey : 708-Galeries, musées, collections d'art‎

‎CATALOGUE DE VENTE AUX ENCHERES Classification Dewey : 708-Galeries, musées, collections d'art‎

Référence libraire : R320094527

‎Unesco - Les années Rimbaud - Crearc - Adec - Fnac‎

‎Exposition Arthur Rimbaud 21 octobre - 9 novembre 1991 -‎

‎Les années Rimbaud. 1991. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette comprenant environ une 40aine de feuillets. + 1 livret d'environ 10 pages illustré en noir et blanc.. . . . Classification Dewey : 708-Galeries, musées, collections d'art‎

‎Classification Dewey : 708-Galeries, musées, collections d'art‎

Référence libraire : RO80215143

‎Unger, G F:‎

‎Sally Quinns Reiter‎

‎Lübbe 1995. Ohne Schutzumschlag Broschiert Sehr gut ISBN 3404451783 Lübbe, unknown‎

Référence libraire : 104446 ISBN : 3404451783 9783404451784

‎Union Centrale Des Arts Décoratifs‎

‎Icônes de Macédoine du XIe au XVIIe siècle‎

‎Palais du louvre 1965 43 pages in8. 1965. broché. 43 pages. Catalogue publié à l'occasion de l'exposition "Icônes de Macédoine du XIe au XVIIe siècle" présentée au Palais du Louvre en 1965. L'ouvrage documente des collections yougoslaves d'art sacré byzantin avec une préface d'André Grabar et un texte de K. Balabanov‎

‎Bon état‎

Référence libraire : 3860

‎Union touristique des rives et coteaux de Gironde‎

‎Les hauts de Gironde à travers les âges - Catalogue exposition archéologique homamge à Pierre de Gilbert 22 au 28 septembre 1979 - Salle de la Mairie Saint-Savin-de-Blaye.‎

‎Lithographie Saint-André. 1979. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Catalogue d'environ 15 pages agrafées - une carte en noir et blanc hors texte - une page de dessins en noir et blanc (le travail du silex).. . . . Classification Dewey : 708-Galeries, musées, collections d'art‎

‎Classification Dewey : 708-Galeries, musées, collections d'art‎

Référence libraire : R320162973

‎United States Central Intelligence Agency Information Management Services Historical Collections Division‎

‎The Central Intelligence Agency Presents: Stories of Sacrifice & Dedication: Civil Air Transport AIr American and the CIA: National Museum of the United States Air Force Dayton OH 2 June 2011 5: 30p-9: 00p‎

‎Washington DC: United States Central Intelligence Agency 2011. Presumed first edition. first printing. Wraps. Very good. 56 p. Includes illustrations. Contains a DVD in rear pocket. Selected documents from the Air American Archives. Occasional footnotes. This was produced with the Center for the Study of Intelligence and the National Museum of the United States Air Force. From WIkipedia: "Air America was an American passenger and cargo airline established in 1950 and covertly owned and operated by the Central Intelligence Agency's CIA Special Activities Division from 1950 to 1976. It supplied and supported United States covert operations in Southeast Asia during the Vietnam War.In August 1950 the CIA secretly purchased the assets of Civil Air Transport CAT an airline that had been started in China in 1946 by Gen. Claire Lee Chennault of Flying Tigers fame and Whiting Willauer. 1 In 1951 the parent company of Air America's forerunner Civil Air Transport CAT was reorganized. The owner Chennault was approached by the CIA who bought out the company through a holding company the American Airdale Corporation. Under this agreement CAT was allowed to keep its initials and the company was reorganized as Civil Air Transport Inc. On 7 October 1957 American Airdale was reorganized to add another layer of obfuscation to its ownership. The new Pacific Corporation became a holding company for Air Asia Company Air Asia Taiwan Ltd; Air America Inc; Civil Air Transport Inc; Southern Air Transport; Intermountain Aviation; Bird and Sons known as BirdAir; and Robinson Brothers. CAT attempted to change its name to Air America at the same time but objections from Air France and American Airlines delayed the name change for two years. Air America's slogan was "Anything Anywhere Anytime Professionally". Air America aircraft including the de Havilland Canada DHC-4 Caribou and Fairchild C-123 Provider flew many types of cargo to countries such as the Republic of Vietnam the Kingdom of Laos and Cambodia. It operated from bases in those countries and also from bases in Thailand and as far afield as Taiwan and Japan. It also on occasion flew top-secret missions into Burma and the People's Republic of China. Air America U-10D Helio Courier aircraft in Laos on a covert mountaintop landing strip LS "Lima site"Air America's headquarters moved several times during its existence 808 17th St. NW 1964 801 World Center Bldg late 1964 815 Connecticut Ave NW July 1968 and 1725 K Street NW 1972 all in Washington DC. Marana Arizona was the principal continental United States maintenance base for Air America of which was located at Pinal Airpark. edit Operations during the Vietnam War Second Indochina WarFrom 1959 to 1962 the airline provided direct and indirect support to CIA Operations "Ambidextrous" "Hotfoot" and "White Star" which trained the regular Royal Laotian armed forces. After 1962 a similar operation known as Project 404 fielded numerous U.S. Army attachés ARMA and air attachés AIRA to the U.S. embassy in Vientiane. From 1962 to 1975 Air America inserted and extracted U.S. personnel provided logistical support to the Royal Lao Army Hmong army under command of Royal Lao Army Major General Vang Pao and combatant Thai "volunteer" forces transported refugees and flew photo reconnaissance missions that provided valuable intelligence on NLF activities. Its civilian-marked craft were frequently used under the control of the Seventh/Thirteenth Air Force to launch search and rescue missions for U.S. pilots downed throughout Southeast Asia. Air America pilots were the only known private U.S. corporate employees to operate non-Federal Aviation Administration-certified military aircraft in a combat role although many of them were actually military personnel who had been transferred to the airline. By the summer of 1970 the airline had some two dozen twin-engine transport aircraft another two dozen short-take off-and-landing aircraft and 30 helicopters dedicated to operations in Burma Cambodia Thailand and Laos. There were more than 300 pilots copilots flight mechanics and airfreight specialists based in Laos and Thailand. United States, Central Intelligence Agency paperback‎

Référence libraire : 67239

‎University of Oklahoma Western History Collections‎

‎Guide to Photographs in the Western History Collections of the University of Oklahoma‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Référence libraire : 0806134747.G ISBN : 0806134747 9780806134741

‎Universitätsstadt Tübingen‎

‎TÜBINGER ANTIKEN Griechische Kunstwerke Aus Dem Besitz Des Archäologischen Instituts Der Eberhard-Karls-Universität‎

‎Foxing/spotting to wraps. Some yellowing to wraps. Scholar's faded name to inner cover (Cedric Boulter). ; 68 pages‎

‎Updike John‎

‎Problems and Other Stories‎

‎<p>Limited first edition. Octavo. Dust jacket unclipped. Enclosed in publisher's slip case. Fine. 260 pages.</p><p>Copy #332/350 signed on colophon.</p> Alfred A. Knopf hardcover books‎

Référence libraire : 2221620

‎UPDIKE, John‎

‎An Oddly Lovely Day Alone‎

‎<p>Folio 6 3/4" x 17 1/2". Broadside. Printed in red and black on cream paper. Fine fresh. One of 276 numbered copies signed by Updike.</p> Richmond, Waves Press, 1979. unknown‎

Référence libraire : 305147

‎UPSTONE ROBERT, SEROTA NICHOLAS‎

‎CHEFS-D'OEUVRE DE LA TATE GALLERY, LONDRES‎

‎Abbeville. 1996. In-32. Broché. Bon état, Couv. convenable, Dos plié, Intérieur frais. 320 pages. Photo en couleur en frontispice. Illustré de nombreuses photos en couleur.. . . . Classification Dewey : 708-Galeries, musées, collections d'art‎

‎(Rare) 'Petit Carré'. Avant-propos de Nicholas Serota. Classification Dewey : 708-Galeries, musées, collections d'art‎

Référence libraire : RO40218148

‎URSEAU CH‎

‎LE MUSEE SAINT-JEAN D'ANGERS - LES BATIMENTS, LES COLLECTIONS LES PIECES LES PLUS CURIEUSES‎

‎IMP. DU COMMERCE. 1924. In-16. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 108 pages. Ecritures sur le premier plat et en page de titre.. . . . Classification Dewey : 708-Galeries, musées, collections d'art‎

‎Classification Dewey : 708-Galeries, musées, collections d'art‎

Référence libraire : RO30088889

‎US Central Intelligence Agency, Office of Information Management Services, Historical Collections Division U S‎

‎A City Torn Apart: Building of the Berlin Wall‎

‎Washington DC: Central Intelligence Agency 2011. First Edition. First Printing. very good. Quarto 46 DVD wraps illus. maps fold-out timeline. DVD in pocket inside rear cover. This document was released in conjunction with a symposium given on 27 October 2011 at the National Archives and Records Administration Washington DC. The Berlin Wall collection features CIA memorandums summaries and estimates; Department of the Army documents and summaries; documents from the historical collections of SHAPE and the Department of State; and materials from the presidential libraries of Harry S. Truman Dwight D. Eisenhower John F. Kennedy and Lyndon B. Johnson. Central Intelligence Agency paperback‎

Référence libraire : 56013

‎USA:‎

‎U.S.A. 1946. Compositions for piano by contemporary American composers‎

‎26 S. 4°. OU. Tintenvermerk auf Titelbl. Werke von Ernest Bacon, Paul Creston, Anis Fuleihan, Frederick Jacobi, Werner Josten, G.F. McKay, Walter Piston, William Grant Still und Clifford Vaughan.‎