|
|
|
VOLTAIRE
LA PRINCESSE DE BABYLONE suivie de contes divers.
Paris Editions du Trianon "Grande Collection Trianon" 1930. In-8 broché 293pp 1 feuillet non chiffré table. Orné de 9 illustrations hors texte comprises dans la pagination, joliment colorées, de Léon Kraft y compris le frontispice. Exemplaire numéroté sur vélin de Rives, en bon état, frais, non coupé. (4778)
Référence libraire : GITj179
|
|
|
VOLNEY ..//.. Constantin-François de Chasseboeuf, comte de Volney (1757-1820).
Les Ruines ou Méditation sur les révolutions des empires, par M. Volney, député à l'Assemblée nationale de 1789.
Paris, chez Desenne, au Palais Royal, Volland, quai des Augustins, Plassan, hôtel de Thou, rue des Poitevins, n° 18. libraires, janvier 1792, 1 volume, in-8, relié, XVI-295 p.. Seconde édition. Frontispice par P. Martini, 2 planches dépliantes, quelques notes en bas de pages, importantes notes en fin de volume. Reliure légèrement postérieure (vers 1800), pleine basane marron, dos lisse orné de caissons, fleurons et semis de petits fers dorés, pièces de titre rouges et orangées, roulette dorée sur les coupes, accroc au mors du premier plat, petits défauts divers au cuir, mouillure angulaire aux premiers et derniers feuillets.
Référence libraire : 8803
|
|
|
VOLNEY
Les Ruines ou méditations sur les révolutions des empires
Bossange Frères, Libraires 1822 In-8. Reliure de l’époque plein veau marbré, dos lisse orné de roulette et de fers dorés, auteur et titre dorés. XLIX + 368 pp., Frontispice Portrait de Volney, 1 planche Méditation devant les ruines de Palmyre, 2 planches dépliantes in fine. Fragilités sur les charnières, coiffes et coins légèrement usés, corps de l’ouvrage en bon état et complet de ses planches.
Référence libraire : 53722
|
|
|
VOLNEY M. C. - F.
Voyage en Syrie et en Egypte pendant les années 1783, 1784 & 1785, avec deux Cartes géographiques & deux Planches … représentant les ruines du Temple du Soleil et celles de la ville de Palmyre…
1788 Paris, chez Volland, Desenne, 1788; 2 volumes in-8°, demi-basane marbrée à très petits coins de velin, dos lisse orné de fers à la tulipe et petites palettes dorées, titre et tomaison doré sur 2 étiquettes rouges, tranches mouchetées, plats de papier imitant la basane du dos; 383pp.; 458 -(3)pp. 2 cartes dépliantes (Egypte et Syrie), 3 planches dépliantes hors texte, déchirure sans manque au plan du Temple du soleil de Balbeck. Edition originale.
Référence libraire : 11052
|
|
|
VON MALSSAN,
Meine Wallfart nach Mekka
, Hamburg, Alfred Jansfen, 1910, 154pp. + 8pp.ill.out-of-text, hardcover (bit used), in Gotic language
Référence libraire : R12691
|
|
|
VON MALSSAN
Meine Wallfart nach Mekka
Hamburg, Alfred Jansfen, 1910, 154pp. + 8pp.ill.out-of-text, hardcover (bit used), in Gotic language
|
|
|
Vorelli - Maye Paul - Dominus
Partition de la chanson : Algérie France d'Afrique
Partitions sur l'Afrique du nord,Partitions sur les Autres conflits Eschig Max 1930
Référence libraire : 17971
|
|
|
VOSS Jens:
Die Menora. Gestalt und Funktion des Leuchters im Tempel zu Jerusalem. ‘Orbis Biblicus et Orientalis’ 128.
Fribourg : Acad. Press / Göttingen : Vandenhoeck & Ruprecht, 1993, gr. in-8vo, 112 S., illustriert, Rosa Original-Pappband, / orig. Hardcover. Neuwertig.
Référence libraire : 138213aaf
|
|
|
VUILLIER (G.)
La Tunisie
Tours, Alfred Mame et fils, 1896. In-folio, 288 pp., demi-basane caramel, dos à nerfs, couverture conservée (petites taches et rousseurs, épidermures, un mors fendu).
Référence libraire : 18115
|
|
|
W. MONTGOMERY WATT.
Geçmisten günümüze Müslüman - Hristiyan diyalogu. Yanlis yaklasimlarin elestirisi. Translation and annotation: Fuat Aydin.
As New English Paperback. Pbo. Mint. Cr. 8vo. (20 x 14 cm). In Turkish. 221 p. Muslim Christrem encounters. Perceptions and misperceptions. Geçmisten günümüze Müslüman - Hristiyan diyalogu. Yanlis yaklasimlarin elestirisi. Translation and annotation: Fuat Aydin.
|
|
|
WARAKSA, Elizabeth A.:
Female figurines from the Mut Precinct. Context and ritual function.‘Orbis Biblicus et Orientalis’ 240.
Fribourg : Acad. Press / Göttingen : Vandenhoeck & Ruprecht, 2009, gr. in-8vo, XI + 246 p., illustrated, Hellblauer Original-Pappband, / orig. Hardcover.
Référence libraire : 138178aaf
|
|
|
Warner Eddie,Les Quatre de Paris - Lucchesi Roger - Lucchesi Roger
Partition de la chanson : Casbah d'Alger
Partitions sur l'Afrique du nord S.E.M.I 1950
Référence libraire : 17974
|
|
|
WARBURTON, David A.:
State and Economy in Ancient Egypt. Fiscal Vocabulary of the New Kingdom. ‘Orbis Biblicus et Orientalis’ 151.
Fribourg : Acad. Press / Göttingen : Vandenhoeck & Ruprecht, 1997, gr. in-8vo, 379 p. + 10 n.numb. p., Rosa Original-Pappband, / orig. Hardcover. Neuwertig.
Référence libraire : 138218aaf
|
|
|
WASERO, Casparo Tigurino (Kaspar WASER 1565 - 1625):
Grammatica Syra. Duobus libris methodice explicata. Editio posterior, priori ita emendatior & locupletior, ut nova videri possit.
Leide (Leiden) Typis Raphelengianis, 1619, kl. in-4to, 8 Bl. (Titelbl. mit hs. Eintragung - Praefatio: A2 kl. Randausriss ohne Textverlust - ein wenig Text durchgestrichen) + 178 S. + 1 Bl. (Inscriptiones), kleiner Stempel unten am Titelblatt ‘Ex Testam ‘Rimmi Olivera’, flexibler Pergament-Einband d. Zeit.
Référence libraire : 104966aaf
|
|
|
WASMUTH, Melanie (Hg.):
Handel als Medium von Kulturkontakt. Akten des Interdisziplinären altertumswissenschaften Kolloquiums (Basel, 30.-31, Oktober 2009) ‘Orbis Biblicus et Orientalis’ 277
Fribourg, Academic Press / Göttingen, Vandenhoeck & Ruprecht, 2015, gr. in-8vo, VIII + 175 S., + 3 Bl., publishers hardbound copy. / Fester Verlags-Pappband.
Référence libraire : 138105aaf
|
|
|
WATTS Alan Wilson
LE BOUDDHISME ZEN
1969 broché (paperback) in-octavo, dos blanc (white spine), couverture illustrée (cover illustrated), sans illustration (no illustration), 245 pages, 1969 à Paris Payot,
Référence libraire : 11465
|
|
|
Weber, Otto
Die Literatur der Babylonier und Assyrer. Ein Überblick.
Lpz., Hinrichs 1907. XVI, 312 S., mit 1 Schrifttaf. u. 2 Abb., HLn. d. Zt., stärker berieben, Vorderdeckel locker u. vom Buchblock gelöst, Klebespuren an Titelrücks. u. Widmungsbl., innen sauberes und gutes Exemplar.
Référence libraire : ORIE0010
|
|
|
WEIGALL, Arthur:
Cléopatre. Sa vie et son temps.
Paris, Payot, 1931, gr. in-8°, 347 p., avec 8 illustations, cachet ‘Nico Blanc’ sur garde, reliure en plein-cuir bordeaux, dos et plats avec filets et encadrements en or, couverture originale conservée. Bel exemplaire
Référence libraire : 88695aaf
|
|
|
Weidner, Stefan
1001 Buch. Die Literaturen des Orients.
Bad Herrenalb, Edition Converso, 2019. Groß-8°. 24 x 16 cm. 429 (1) Seiten. Gebundener Original-Pappband. (Edition Converso).
Référence libraire : 60276BB
|
|
|
Weisberg, Gabriel P.; von Bonsdorff, Anna-Maria; Selkokari, Hanne
JAPANOMANIA IN THE NORDIC COUTNRIES 1875-1918.
Cartonato editoriale illustrato, cm24.5x30, pp 296; 295 illustrazioni per la maggior parte a colori, nel testo e fuori testo. Catalogo della mostra, testo in inglese.
|
|
|
WERNER, Rudolf:
Kleine Einführung ins Hieroglyphen-Luwische unter Mitarbeit von Barbara Lüscher. ‘Orbis Biblicus et Orientalis’ 106.
Fribourg : Acad. Press / Göttingen : Vandenhoeck & Ruprecht, 1991, gr. in-8vo, XII + 101 S., ill., Rosa Original-Pappband, / orig. Hardcover. Neuwertig.
Référence libraire : 138206aaf
|
|
|
WETTENGEL, Wolfgang:
Die Erzählung von den beiden Brüdern. Der Papyrus d’Orbiney und die Königsideologie der Ramessiden. ‘Orbis Biblicus et Orientalis’ 195.
Fribourg Academic Press / Göttingen, Vandenhoeck & Ruprecht., 2003, gr. in-8vo, 301 S., Hellblauer Original-Pappband, / orig. Hardcover.
Référence libraire : 138162aaf
|
|
|
WIESE, André B.:
Die Anfänge der ägyptischen Stempelsiegel-Amulette. Eine typologische und religionsgeschichtliche Untersuchung zu den ‘Knopfsiegeln’ und verwandten Objekten der 6. bis frühen 12. Dynastie.. ‘Orbis Biblicus et Orientalis’ Series Archaeologica, 12..
Fribourg , University Press / Göttingen, Vandenhoeck & Ruprecht, 1996, in-4to, XXI ++ 194 p. + 93 Tafeln+ 3 Blatt, Orig. Verlagsband gebunden,/ Hardcover. Copy as new.
Référence libraire : 137989aaf
|
|
|
Wieger (Léon)
La Chine à travers les ages. Précis. Index biographique. Index bibliographique
(Shangaï), imprimerie de Hien-Hien 1924 Seconde edition. Grand in-8 demi-chagrin marron a coins, 531 pp. Index bibliographique. Dos leg. depigmente en queue ; tout petit trou 1 mm sur le mors du premier plat, en queue ; coin inferieur du second plat leg. recourbe vers l'ext. ; champs tres leg. frottes ; page de garde dechiree sur 4 cm ; leg. traces d'humidite 0,5 cm sur 8 sur les marges ext. des pages. Bon etat general.
Référence libraire : 9279
|
|
|
WIESE, André:
Zum Bild des Königs auf Ägyptischen Siegelamuletten. ‘Orbis Biblicus Et Orientalis’ 96.
Fribourg : Acad. Press / Göttingen : Vandenhoeck & Ruprecht, 1990, gr. in-8vo, XV + 205 S.illustriert + 31 Tafeln, Original-Leinen + OU / orig. clothbound, Jackett (Hardcover). Neuwertig.
Référence libraire : 138244aaf
|
|
|
WILSON (Annie) et BEK (Lilla).-
Les couleurs. Le corps et l'esprit. Traduction de Sandra Messiez. 2e édition.
P., L'Originel (Collection "Le Corps Conscient"), 1987, in 8° broché, 190pp. ; illustrations ; couvetrure illustrée en couleurs.
Référence libraire : 30554
|
|
|
WILLIAM BECKFORD
VATHEK
Préface de S.Mallarmé, illustrations de Van Hamme, édition sur pur fil Lafuma (n°424/842), emboîtage et chemise toilés marron. Très bon état, non coupé.
Référence libraire : 98
|
|
|
Winckler, Hugo
Untersuchungen zur altorientalischen Geschichte.
Lpz., Pfeiffer 1899. IX, 157 S., m. 9 (mitgez.) Textbeilagen, HLn. d. Zt., etwas berieben, Name auf Innentit., dieser leicht gebr.
Référence libraire : ORIE0004
|
|
|
Winckler, Hugo (Berarb.)
Auszug aus der Vorderasiatischen Geschichte.
Lpz., Hinrichs 1905. 2 Bl. Titelei, 86 S., mit 45 Blankoblatt durchschossen zu Vermerkzwecken, HLn. d. Zt., berieben, Kap. gering bestoß., zahlr. Bleistiftvermerke im Text und auf den Notizseiten.
Référence libraire : ORIE0006
|
|
|
Winer, Georg Benedict
Handbuch der theologischen Literatur hauptsächlich der protestantischen nebst kurzen biographischen Notizen über die theologischen Schriftsteller.
Leipzig, Carl Heinrich Reclam, 1838-40. XII, 920 Seiten (doppelspaltig), 1 Bl., VI, 1020 Seiten (doppelspaltig), 3 Bl. Später blaugrüne Pappbände mit Papierrückenschildchen. Unbeschnittene Exemplare. 2 Bände. Dritte, sehr erweiterte Auflage.
Référence libraire : 436BB
|
|
|
WITTE, Markus / DIEHL, Johannes F. (Hrsg.):
Israeliten und Phonizier: Ihre Beziehungen im Spiegel der Archaologie und der Literatur des Alten Testaments und seiner Umwelt. ‘Orbis Biblicus et Orientalis’ 235.
Fribourg, Academic Press / Göttingen, Vandenhoeck & Ruprecht, 2008, gr. in-8vo, VIII + 292 S. mit Abb. + 6 Bl., publishers hardbound copy. / Fester Verlags-Pappband.
Référence libraire : 138109aaf
|
|
|
WOODROFFE JHON.
The Garland of letters. (Varnamala). Studies in the Mantra-Satra. Whit a foreword by Prof T. M. P. Mahadevan, M. A. Ph. D. Prof. of Philosophy, University of Madras. Fourth Edition.
In 8°, tutta tela con sovraccoperta editoriale illustrata, pp. 285, (3); esemplare molto buono, lievi bruniture ai soli risguardi. (ZB3/A) (La spedizione standard è SEMPRE tracciata con raccomandata - piego di libri, eventuale FATTURA da richiedere all'ordine) (ZB3/A)
|
|
|
WÄFLER, Markus:
Tall al-Hamidiya 3: Zur historischen Geographie von Idamaras zur Zeit der Archive von Mari und Subat-enlil/Sehna. Orbis Biblicus et Orientalis - Series Archaeologica 21
Fribourg , University Press / Göttingen, Vandenhoeck & Ruprecht, 2001, in-4to, 304 S. + Karten in Einbandtasche, (S. 137 - 144 mit Falte / falsch gebunden) illustrated publ. binding / ill. hardcover. Copy as new.
Référence libraire : 138028aaf
|
|
|
WÄFLER, Markus:
Tall al-Hamidiya 4: Vorbericht 1988-2001. / 1 volume Pläne, Zus. 2 Bde. Orbis Biblicus et Orientalis - Series Archaeologica 23
Fribourg , University Press / Göttingen, Vandenhoeck & Ruprecht, 2003, in-4to, 250 S. + 33 Tafeln + arabic text / Pläne illustrated publ. binding / ill. hardcover. Copy as new.
Référence libraire : 138034aaf
|
|
|
YILDIRIM TILAVER.
Amadeo Preziosi, 1842-1882. For the love of Istanbul.= Aus liebe zu Istanbul.= Istanbul askina. [Exhibition catalogue]
New English Paperback. Pbo. 4to. (29 x 21 cm). In English, German and Turkish. 79 p. Color ills. Amadeo Preziosi, 1842-1882. For the love of Istanbul.= Aus liebe zu Istanbul.= Istanbul askina. [Exhibition catalogue]. A biographical study and selected paintings of the orientalist painter Preziosi, (1816-1882).
|
|
|
YILDIZ MORAN, (The first female Turkish photographer), (1932-1995).
[FIRST FEMALE PHOTOGRAPHER OF TURKEY] [Original b/w unnamed photograph: Anatolian girl behind the sieves signed by Yildiz Moran].
Very Good Turkish Original silver gelatin photographic print mounted on cardboard. 53x42 cm (Photo size: 38x30 cm). Signed by Yildiz Moran. Yildiz (Vahid) Moran Arun was born on 24 July 1932, in Istanbul. She is the youngest of three children born to Nemide Moran and Ahmet Vahid Moran. Her father, Ahmet Vahid Moran, was a military officer who served in important positions both at home and abroad. He was the writer of Turkey's very first English-Turkish dictionary printed in Latin script in 1924. In 1950, Yildiz Moran quit her high school education during her final year at Robert College and, following the guidance of her uncle, the art historian Mazhar Sevket Ipsiroglu, went to Great Britain to study photography. After completing her education at Bloomsbury Technical College (1950-52) and Ealing Broadway Technical College, she began to work for John Vickers, the acclaimed photographer of The Old Vic. Moran combined her technical and theoretical knowledge with the practical experience she gained at the studio and stage shoots. She had the opportunity to meet famous artists of the time. The exhibitions and works she saw during her time in Great Britain helped her develop her photographic vision. Following her internship period, she began to make a living taking portrait and lobby photographs. She opened her first exhibition in 1953 in Cambridge. In 1954, she held four more exhibitions in London. All these shows attracted much attention. In her first exhibition, her entire collection was sold. She went traveling in Europe. After making a photo book on Spain and Portugal, she returned to Turkey in 1954. Between 1955 and 1962, she held five solo exhibitions. In 1963, she married Özdemir Asaf (Halit Özdemir Arun) and gave birth to three children in four years. She dedicated the rest of her life to her children. She opened her last exhibition in 1970, in Istanbul. After that, she only took part in retrospective exhibitions. She quit her professional photography career and began to work as a translator and dictionary writer. Between 1981 and 1987, she prepared the complete works of Özdemir Asaf for publication and translated some of his poetry and prose into English. In 1982, the Istanbul State Academy of Fine Arts Photography Institute awarded her with honorary membership on account of her contributions to the art of photography. Lyrically conveying a universal language through her own perspective, Moran became a school in herself with her "timeless" photographs. Turkey's first academically-trained photographer, Yildiz Moran is renowned for the new vision and aesthetic she introduced into photography and considered to be one of the best photographers of all time. Masterfully combining the tradition of the East with the aesthetic of the West, she left behind a legacy of black and white photographs beautifully composed to capture the world of light and shadow reflecting on people and lands. Considering the conditions in the world of photography in the 1950s and 1960s, it is a great achievement that she defined at the age of 20 her passion for photography as the foundation of her life, became the first academically-trained woman photographer in her country, acquired in-depth knowledge of the discipline and combined this knowledge with her talent and hard work. "The camera must be like an extension of your being so that it doesn't create an obstruction between you and your subjects. Anything that has poetry in it is the subject of photography. My only intention has always been to photograph what was universal while staying true to the concept embodied by my subject." Besides her portraits, landscapes, and abstract details, she is also known for her photographs reflecting the lives of the Anatolian people. As a woman photographer traveling in Anatolia, she accessed otherwise inaccessible environments, moments, and perspectives; and, with profound respect, she conveyed the purity of the people she met there and allowed us... (Biography: Merih Akogul).
|
|
|
YILDIZ MORAN, (The first female Turkish photographer), (1932-1995).
[FIRST FEMALE PHOTOGRAPHER OF TURKEY] Original unnamed photograph: Heap on the seashore.
Very Good Turkish Original silver gelatin photographic print mounted on cardboard. 53x42 cm (Photo size: 38x30 cm). Signed by Yildiz Moran. Yildiz (Vahid) Moran Arun was born on 24 July 1932, in Istanbul. She is the youngest of three children born to Nemide Moran and Ahmet Vahid Moran. Her father, Ahmet Vahid Moran, was a military officer who served in important positions both at home and abroad. He was the writer of Turkey's very first English-Turkish dictionary printed in Latin script in 1924. In 1950, Yildiz Moran quit her high school education during her final year at Robert College and, following the guidance of her uncle, the art historian Mazhar Sevket Ipsiroglu, went to Great Britain to study photography. After completing her education at Bloomsbury Technical College (1950-52) and Ealing Broadway Technical College, she began to work for John Vickers, the acclaimed photographer of The Old Vic. Moran combined her technical and theoretical knowledge with the practical experience she gained at the studio and stage shoots. She had the opportunity to meet famous artists of the time. The exhibitions and works she saw during her time in Great Britain helped her develop her photographic vision. Following her internship period, she began to make a living taking portrait and lobby photographs. She opened her first exhibition in 1953 in Cambridge. In 1954, she held four more exhibitions in London. All these shows attracted much attention. In her first exhibition, her entire collection was sold. She went traveling in Europe. After making a photo book on Spain and Portugal, she returned to Turkey in 1954. Between 1955 and 1962, she held five solo exhibitions. In 1963, she married Özdemir Asaf (Halit Özdemir Arun) and gave birth to three children in four years. She dedicated the rest of her life to her children. She opened her last exhibition in 1970, in Istanbul. After that, she only took part in retrospective exhibitions. She quit her professional photography career and began to work as a translator and dictionary writer. Between 1981 and 1987, she prepared the complete works of Özdemir Asaf for publication and translated some of his poetry and prose into English. In 1982, the Istanbul State Academy of Fine Arts Photography Institute awarded her honorary membership on account of her contributions to the art of photography. Lyrically conveying a universal language through her own perspective, Moran became a school in herself with her "timeless" photographs. Turkey's first academically-trained photographer, Yildiz Moran is renowned for the new vision and aesthetic she introduced into photography and is considered to be one of the best photographers of all time. Masterfully combining the tradition of the East with the aesthetic of the West, she left behind a legacy of black and white photographs beautifully composed to capture the world of light and shadow reflecting on people and lands. Considering the conditions in the world of photography in the 1950s and 1960s, it is a great achievement that she defined the age of 20 her passion for photography as the foundation of her life, became the first academically-trained woman photographer in her country, acquired in-depth knowledge of the discipline and combined this knowledge with her talent and hard work. "The camera must be like an extension of your being so that it doesn't create an obstruction between you and your subjects. Anything that has poetry in it is the subject of photography. My only intention has always been to photograph what was universal while staying true to the concept embodied by my subject." Besides her portraits, landscapes, and abstract details, she is also known for her photographs reflecting the lives of the Anatolian people. As a woman photographer traveling in Anatolia, she accessed otherwise inaccessible environments, moments, and perspectives; and, with profound respect, she conveyed the purity of the people she met there and allowed us... (Biography: Merih Akogul).
|
|
|
YILDIZ MORAN, (The first female Turkish photographer), (1932-1995).
[FIRST FEMALE PHOTOGRAPHER OF TURKEY] Original unnamed photograph: Mihrab of the Mosque in the Alhambra.
Very Good Turkish Original silver gelatin photographic print mounted on cardboard. 53x42 cm (Photo size: 38x30 cm). Signed by Yildiz Moran. Yildiz (Vahid) Moran Arun was born on 24 July 1932, in Istanbul. She is the youngest of three children born to Nemide Moran and Ahmet Vahid Moran. Her father, Ahmet Vahid Moran, was a military officer who served in important positions both at home and abroad. He was the writer of Turkey's very first English-Turkish dictionary printed in Latin script in 1924. In 1950, Yildiz Moran quit her high school education during her final year at Robert College and, following the guidance of her uncle, the art historian Mazhar Sevket Ipsiroglu, went to Great Britain to study photography. After completing her education at Bloomsbury Technical College (1950-52) and Ealing Broadway Technical College, she began to work for John Vickers, the acclaimed photographer of The Old Vic. Moran combined her technical and theoretical knowledge with the practical experience she gained at the studio and stage shoots. She had the opportunity to meet famous artists of the time. The exhibitions and works she saw during her time in Great Britain helped her develop her photographic vision. Following her internship period, she began to make a living taking portrait and lobby photographs. She opened her first exhibition in 1953 in Cambridge. In 1954, she held four more exhibitions in London. All these shows attracted much attention. In her first exhibition, her entire collection was sold. She went traveling in Europe. After making a photo book on Spain and Portugal, she returned to Turkey in 1954. Between 1955 and 1962, she held five solo exhibitions. In 1963, she married Özdemir Asaf (Halit Özdemir Arun) and gave birth to three children in four years. She dedicated the rest of her life to her children. She opened her last exhibition in 1970, in Istanbul. After that, she only took part in retrospective exhibitions. She quit her professional photography career and began to work as a translator and dictionary writer. Between 1981 and 1987, she prepared the complete works of Özdemir Asaf for publication and translated some of his poetry and prose into English. In 1982, the Istanbul State Academy of Fine Arts Photography Institute awarded her honorary membership on account of her contributions to the art of photography. Lyrically conveying a universal language through her own perspective, Moran became a school in herself with her "timeless" photographs. Turkey's first academically-trained photographer, Yildiz Moran is renowned for the new vision and aesthetic she introduced into photography and is considered to be one of the best photographers of all time. Masterfully combining the tradition of the East with the aesthetic of the West, she left behind a legacy of black and white photographs beautifully composed to capture the world of light and shadow reflecting on people and lands. Considering the conditions in the world of photography in the 1950s and 1960s, it is a great achievement that she defined the age of 20 her passion for photography as the foundation of her life, became the first academically-trained woman photographer in her country, acquired in-depth knowledge of the discipline and combined this knowledge with her talent and hard work. "The camera must be like an extension of your being so that it doesn't create an obstruction between you and your subjects. Anything that has poetry in it is the subject of photography. My only intention has always been to photograph what was universal while staying true to the concept embodied by my subject." Besides her portraits, landscapes, and abstract details, she is also known for her photographs reflecting the lives of the Anatolian people. As a woman photographer traveling in Anatolia, she accessed otherwise inaccessible environments, moments, and perspectives; and, with profound respect, she conveyed the purity of the people she met there and allowed us... (Biography: Merih Akogul).
|
|
|
ZAKI
L'Egypte. Confidences peintes par Zaki, 1er prix International, Paris 1939. Vingt reproductions signées par le peintre. Tirage limité.
Zeitoun: Zaki, s. d. in-4, portefeuille à rabats comprenant 20 planches en couleurs contrecollées sur papier fort, tache sur le premier plat de la couverture et dos avec manque. Vues d'Egypte aux couleurs impressionnistes.
Référence libraire : 1106832
|
|
|
ZAWADZKI, Stefan:
Garments of the Gods. Studies on the Textile Industry and the Pantheon of Sippar according to the Texts from the Ebabbar Archive. ‘Orbis Biblicus et Orientalis’ 218.
Fribourg Academic Press / Göttingen, Vandenhoeck & Ruprecht., 2006, gr. in-8vo, XXI + 254 S., illustr. Hellblauer Original-Pappband, / orig. Hardcover.
Référence libraire : 138147aaf
|
|
|
ZAWADZKI, Stefan:
Garments of the Gods. Volume 2: Texts. ‘Orbis Biblicus et Orientalis’ 260.
Fribourg Academic Press / Göttingen, Vandenhoeck & Ruprecht., 2013, gr. in-8vo, XIV + 743 S., illustr. on plates, Hellblauer Original-Pappband, / orig. Hardcover.
Référence libraire : 138150aaf
|
|
|
ZEKI VELIDI TOGAN, (1890-1970), EMEL ESIN et alli.
Studies on pre-Islamic Turkish art.= Islamiyetten önceki Türk sanati hakkinda arastirmalar. Türk kültürü el kitabi. Vol. II, Ch. I a. Edited by Emel Esin, Halil Inalcik, Oktay Aslanapa.
Very Good English Paperback. 4to. (28 x 20 cm). In English, French, and Turkish. [6], 530, [2] p., color and b/w plates, 1 folded map. Studies on pre-Islamic Turkish art.= Islamiyetten önceki Türk sanati hakkinda arastirmalar. Türk kültürü el kitabi. Vol. II, Ch. I a. Edited by Emel Esin, Halil Inalcik, Oktay Aslanapa. First and Only Edition.
|
|
|
ZEYNEP ÖGEL, ULYA SONEY.
Coffee break: The adventure of coffee in Kütahya tiles and ceramics.
New English Paperback. Oblong 12mo. (11 x 12 cm). In English. 61 p., color and b/w ills. Pera Museum presents a selection from the Suna and Inan Kirac Foundation Kütahya Tiles and Ceramics Collection focusing on coffee, which was at the center of drinking culture during Ottoman era and continued to be so through the Republic of Turkey. One of the three big collections of Suna and Inan Foundation, Kütahya tiles and ceramics have been an important branch of Ottoman arts and crafts from the 18th to the 20th century. Preserving its cultural importance since its first discovery, coffee pursued its adventure in our daily lives with contribution of ceramics masters from Kütahya. Coffee cups, jugs, ewers and water pipes have become essential companions of both coffee and its rituals.
|
|
|
ZIMMER HEINRICH.
Maya, ou le reve cosmique dans la mythologie hindoue. Traduit de l'allemand par Michele Hulin. Preface de Madeleine Biardeau.
In 8°, brossura editoriale illustrata con alette, pp. 33, (2); ottimo esemplare. (ZD5/A) 2213018952 (ZD5/A)
|
|
|
ZISCHKA ANTONIO.
Il Giappone nel mondo. L'espansione nipponica dal 1854 al 1934. Con fotografie e schizzi dell'autore.
In 8°, brossura con sovraccoperta editoriale, pp. X, 324, (2), con tavole illustrate n.t. b/n; lieve difetto alla testa del dorso per il resto buon esemplare. (ZD5/A) (ZD5/A)
|
|
|
ZONARO Fausto - THALASSO Adolphe
Déri Sé'adet, ou Stamboul porte du bonheur. Scènes de la vie turque.
Paris, Piazza 1908 In-8, maroquin vert ép., dos à nerfs orné de caissons, encadrement de filets sur les plats et en contreplats, tranches dorées sur témoins, couvertures et dos conservés rel. signée Wendling, 217 pp. 50 compositions en couleurs dont 26 à pleine page, 8 planches rehaussées à l’encre dorée, dont la couverture. Texte dans un encadrement ornemental. Dos passé, infimes frottements.
Référence libraire : 104049
|
|
|
Zwei theologisch-philologische Werke - I. Michaelis, Christian Benedict
Syriasmus, id est, grammatica linguae syriacae, cum fundamentis necessariis, tum paradigmatibus plenioribus, tum denique ubere syntaxi, et idiomatibus linguae, instructa. -. II. Georgi, Christian Sigismund: Vindiciarum Novi Testamenti ab Ebraismis libri tres: Qvibvs qvicqvid Ebraismi a Thoma Gatakero Io. Vorstio Io. Oleario reliqvis Graecae novi foederis dictioni est affictvm... 2 Werke in 1 Bd.
Halle, Druckerei d. Waisenhauses, 1741, Frankfurt/Leipzig, Samuel Godofred Zimmermann, 1732. [I. Michaelis:] 4 Bll., 176 S. Mit gestoch. Titelvign. HPgt. d. Zt. mit hs. Rückentitel. - Erste Ausgabe. - [II. Georgi:]: 3 Bll., 360 S., 8 Bll. (Indices).
Référence libraire : 90202
|
|
|
ZWINGENBERGER, Uta:
Dorfkultur der frühen Eisenzeit in Mittelpalästina. ‘Orbis Biblicus et Orientalis’ 180.
Fribourg Academic Press / Göttingen, Vandenhoeck & Ruprecht., 2001, gr. in-8vo, XX + 592 p., Hellblauer Original-Pappband, / orig. Hardcover.
Référence libraire : 138160aaf
|
|
|
ZWICKEL, Wolfgang:
Räucherkult und Räuchergeräte. Räuchergeräte : exegetische und archäologische Studien zum Räucheropfer im Alten Testament. ‘Orbis Biblicus Et Orientalis’ 97.
Fribourg : Acad. Press / Göttingen : Vandenhoeck & Ruprecht, 1990, gr. in-8vo, 353 S.illustriert , Original-Leinen + OU / orig. clothbound, Jackett (Hardcover). Neuwertig.
Référence libraire : 138245aaf
|
|
|
ÂGNES KELECSÊNYI - MBA KEM ÂGOTA BÂBA DISISLERI BASKANLIGI.
Macaristan'dan olgular Dogu kâsifi Macarlar.
New Turkish Paperback. Large 8vo. (21 x 21 cm). In Turkish. 24 p., b/w and color ills. Macaristan'dan olgular Dogu kâsifi Macarlar.
|
|
|
Recevoir par e-mail
Télécharger en PDF
Flux RSS
Lien permanent
