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FERRER MORALES, Ascensión.
La pintura mural. Su soporte, conservación, restauración y las técnicas modernas.
Universidad de Sevilla, 1995, 25 x 17'5 cm., símil piel, conserva cubiertas originales, 45 fotografías en colores, 224 págs. - 1 h.
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FERRES, Antonio y GROSSO, Alfonso.
Francisco Peinado bajos los ángeles.
M., Ediciones Rayuela, 1978, 25'5 x 22 cm., tela original con sobrecubiertas, retrato y numerosas ilustraciones, algunas a color, 108 págs.
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FERRO PAYERO Mª Jesus (Texto introductorio, revision y verificacion de las fichas).
CATALOGO ARTISTICO DE LOS MINISTERIOS DE FOMENTO Y MEDIO AMBIENTE.
Más de 250 ilustraciones en color.
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FERRUH BASAGA, (Turkish painter), (1914-2010).
Ferruh Basaga: Sanatta 65 yil. [Exhibition catalogue]. 15 Subat - 31 Mart 2001. Preface by Ilknur Ersöz. Text by Ahmet Kamil Gören.
New Turkish Paperback. 4to. (27 x 22 cm). In Turkish. 94, [2] p., color and b/w ills. 1500 copies were printed. This exhibition catalogue prepared for the Ferruh Basga Exhibition held on February 15 - March 31, 2001 at Galeri Binyil in Istanbul, is one of the best references for Ferruh Basaga (1914-2010) and his paintings and art. Introduction; Text by Ahmet Kamil Gören (pp. 7-44); exhibition (fully color ills.) (pp. 45-84) and biography of the painter (pp. 85-94).
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FETHI ARDA.
Fethi Arda. Resim sergisi. 3-25 Kasim 1998. Ankara Sanat Galerisi. Text by: Erhan Karaesmen. [Exhibition catalogue].
Fine English Paperback. Pbo. 36 p. In Turkish. Color ills. 4to. (29 x 23 cm). Fethi Arda. Resim sergisi. 3-25 Kasim 1998. Ankara Sanat Galerisi. Text by: Erhan Karaesmen. [Exhibition catalogue].
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FEVZI KARAKOÇ.
Fevzi Karakoç Retrospective.= Fevzi Karakoç Retrospektif. [Exhibition catalogue]. Texts by Marcus Graf.
New English Paperback. Pbo. 4to. (30 x 24 cm). Bilingual n English and Turkish. 160 p., color ills and b/w photographs. Fevzi Karakoç Retrospective.= Fevzi Karakoç Retrospektif. [Exhibition catalogue]. Texts by Marcus Graf. TURKISH ART OF PAINTING Modern art Retrospective Exhibition History of art Contemporary art.
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FIERENS, Paul.
VAN GOGH.
21x16. 31p. + XXXII láms. Fotogr. Col. Palettes. Trilingüe al inglés y alemán. Marca y sello anterior poseedor. Enc. Cart. Ed. Sobrecubierta.
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FIERENS-GEVAERT, M. et LAES, Arthur.
Musée Royal des Beaux-Arts de Belgique. Catalogue de la Peinture Ancienne.
Bruxelles, 1922, 18,5 x 13,5 cm., cartoné original rasgado por el lomo, 352 págs. + 54 láminas en papel couché.
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FIERENS-GEVAERT.
La Peinture a Bruges. Guide historique et critique.
Bruxelles et Paris, Librairie Nationale d'Art et d'Histoire, 1922, 29 x 22,5 cm., 83 págs. + 96 láminas. (Lomo algo deteriorado).
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FIKRET MUALLA.
Drawings from Sainte-Anne.= Sainte-Anne desenleri, 1953 / 1956 / 1957.
New English Paperback. 4to. In English and Turkish. 88 p., ills. Drawings from Sainte-Anne.= Sainte-Anne desenleri, 1953 / 1956 / 1957. Maybe for the first time (at least in this country) an exhibition is taking place at a location so much identifiable with its essence; a hospital gallery. Fikret Muallâ, a legendary figure of contemporary Turkish painting, used to end up from time to time at mental institutions both in Turkey and in France, because of his unconventional behavior, Bohemian lifestyle and his alcoholism. We are pleased to host Fikret Muallâ at the American Hospital¿s Gallery, the Operations Room, in his own country; 60 years after these drawings were made.
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Fin, J.
J. FÍN (1916-1969). Exposición Antológica - Barcelona 1971 - Muy ilustrado
Barcelona, Ayuntamiento de Barcelona, septiembre-octubre 1971. Numerosas ilustraciones en color y b/n. 119p. 4º mayor. Rústica editorial ilustrada con solapas. Muy buen ejemplar.
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FINSEN Hanne.
HOMMAGE A L'ART FRANÇAIS. DE COUBERT A SOULAGES. DESSINS FRANÇAIS DU MUSEE DU LOUVRE, DU MUSEE NATIONAL D'ART MODERNE, PARIS, ET DU CABINET DES ESTAMPES, COPENHAGUE/HYLDEST TIL FRANSK KUNST. FRA COURBET TIL SOULAGES. FRANSKE TEGNINGER FRA MUSEE DU LOUVRE.
Texto bilingüe frances-danes. Ilustraciones intercaladas.
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FITCHER, Otto.
Albrecht Durers. Leben und merte von...
Munchen, s.a. (comienzos del Siglo XX), 27 x 20'5 cm., cartoné original, XXIV - 95 págs. con profusión de de ilustraciones reproduciendo obras de Durero.
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FITOUSSI Michèle
Helena Rubinstein, la femme qui inventa la beauté.
Paris, Bernard Grasset, 2010. 14 x 23, 494 pp., nombreuses illustrations en N/B, broché, très bon état.
Référence libraire : 43170
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FL OREZ, Rafael - Solana, José
J. SOLANA - Madrid 1973 - Ilustrado
Madrid, Servicio de Publicaciones del Ministerio de Educación y Ciencia, 1973. Colección Artistas Españoles Contemporáneos nº 47. Algunas ilustraciones en color y b/n. 113p. 8º menor. Rústica editorial ilustrada con solapas. Muy buen ejemplar.
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FLAMAND, Elie-Charles
EL RENACIMIENTO I - Madrid 1969 - Muy ilustrado
Madrid, Aguilar Ediciones, 1969. Colección Historia general de la pintura nº 9. Numerosas ilustraciones en color y b/n. 207p. 4º mayor. Cartoné editorial ilustrado. Muy buen ejemplar.
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FLEM, Jean-Paul Le.
Un artista-diplomático en el tiempo de Olivares: Pierre-Paul Rubens.
Universidad de Valladolid, 1990, 24 x 16,6 cm., cartulina editorial, dedicatoria manuscrita del autor, separata, pág. 163 a 192.
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FLETCHER, Jennifer y GIL, Lluís.
Petrus Paulus Rubens.
Barcelona, Ediciones Nauta, 1975, 31,5 x 23,5 cm., cartoné original, 86 págs. con ilustraciones intercaladas, incluso 40 láminas en colores + 1 h.
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FLORES ARROYUELO Francisco J.
GARCIA-OCHOA.
Láminas con reproducciones a color intercaladas en el texto. ARTISTAS ESPAÑOLES CONTEMPORANEOS.
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FLOREZ, Rafael
J. SOLANA - Madrid 1973 - Ilustrado
Madrid, Dirección General de Bellas Artes, 1973. Colección Artistas Españoles Contemporáneos nº 47. Algunas ilustraciones en color y b/n. 113p. 8º. Rústica editorial ilustrada. Muy buen ejemplar.
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FLÓ, Eduard - CASALS I CORTÈS, Núria
EDUARD FLÒ - Badalona 1982 - Molt il·lustrat
Badalona, Museu de Badalona, 1982. Nombroses il·lustracions en color i b/n. 111p. 4t major. Rústica editorial il·lustrada. Molt bon exemplar.
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FOCILLON, Henry.
Rembrandt.
Paris, Plon, 1936, 23'5 x 17'5 cm., 59 págs. con ilustraciones intercaladas, algunas a toda página - 2 h.
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FONT, Lamberto
LA EUCARISTÍA. El tema eucarístico en el arte de España - Barcelona 1952 - Ilustrado
Barcelona, Edit. Seix Barral, 1952. Repertorio iconográfico seleccionado y anotado por Enrique Bagué y Juan Petit. Estudio preliminar de L. Font. Numerosas láminas ilustradas en b/n. 145 p. 4º. Tela editorial con dorados en el lomo y portada algo deslucida. Buen ejemplar.
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FORCADA, Josep M.
JOSEP M. FORCADA. PINTOR - Barcelona 2010 - Molt il·lustrat
Barcelona, Edit. Edimurtra, 2010. Nombroses il·lustracions en color fora text. 67 p. 8è major apaisat. Rústica editorial il·lustrada. Molt bon exemplar.
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FORTUN PAESA Antonio.
APORTACION AL ESTUDIO DE LA PINTURA CONTEMPORANEA. EL GRUPO 'AZUDA 40'.
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Fortuny, Marià
AGENDA FORTUNY - Barcelona 2010 - Muy ilustrado - Texto en castellano e inglés.
Barcelona, Edit. Polígrafa, 2010. Numerosas ilustraciones en color. s/p. 8ºmayor. Tela editorial. Con funda de cartrón, algo rozada y con leve corte. Texto en castellano e inglés. Buen ejemplar.
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Fortuny, Marià
DESTINO nº 1935. 2 noviembre 1974 - A LOS CIEN AÑOS DE LA MUERTE DE FORTUNY - Ilustrado
Barcelona, Destino, 1974. 70 p. Folio. Rústica editorial ilustrada rozada. Buen ejemplar. Especial sobre Marià Fortuny. Largo reportaje de Néstor Luján muy ilustrado. Además, artículos de Dionisio Ridruejo, Francisco Umbral, Josep Pla sobre Portugal, Baltasar Porcel, Alvaro Cunqueiro, Ricard Salvat y Jaume Sobrequés sobre Pere Bosch Gimpera, Pere Gimferrer sobre Ionesco, etc.
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Forworded by Agnieszka Morawinska.
Orientalism in Polish art.= Polonya sanatinda Oryantalizm. [Exhibition catalogue]. 24 October 2014 - 18 January 2015, Pera Museum.
New English Paperback. Pbo. 4to. (30 x 24 cm). In English and Turkish. 360 p., color and b/w ills. The exhibition highlights the orientalist trend in Polish painting, as well as drawings and graphic arts. The works in the exhibition cover a wide period from the 17th to the early 19th centuries. Among others, the exhibition includes drawings by Christian Kamsetzer of his Turkish travels, as well as oriental scenes by artists like Zmurko and Brandt. The artworks exemplify topics related to the Ottoman world, and to a lesser extent, the Near East and North African regions. One section of the exhibition is dedicated to Stanislaw Chlebowski, the court artist of Sultan Abdülaziz. Works by other artists who had visited Turkey, among them Jan Matejko, Waclaw Pawliszak, Jan Ciaglinski, and Jacek Malczewski, are also included. Selected from the collections of Polish institutions ranging from the National Museums in Warsaw, Kraków, Poznan, and Wroclaw, the University Library in Warsaw, to Lazienki Palace Museum, the exhibition brings together approximately 190 works. The apogee of Orientalism, which refers to a cultural current in Europe centred on an interest in the cultures of the East manifesting itself in art, architecture, music, literature, and the theatre, arrived in the 19th century, when a distinct Orientalist current sprang forth from academic painting, inspired first and foremost by the cultures of the Islamic countries of the Middle East and North Africa, as well as of Moorish Spain. In the specific case of Poland, interest in the Orient goes back to medieval times; a natural result of her geographic location, which rendered Poland particularly susceptible to influences from the East. To a large extent, this period in Polish history was defined by successive wars with the Ottomans, and it left an indelible trace in culture. A variety of equestrian types, generic skirmishes and great historic battles were depicted many times by various skilled artists, as well as Oriental characters, landscapes, and genre scenes -first and foremost of the harem. The latter subject matter, popular among audiences, was often taken up by painters who had never been to the East themselves. Exhibition catalogue presents works by the artists among them Jan Matejko, Waclaw Pawliszak, Jan Ciaglinski, Jacek Malczewski, and especially Stanislaw Chlebowski, the court artist of Sultan Abdülaziz, are included, and also sheds light on the artistic influences of Poland's cultural interaction with the East, different from the Western Orientalist approach, through history, diplomacy, battles and travellers.
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FOSCA François.
RENOIR.
Papel cuché, decenas de reproducciones pictóricas en color y blanco-negro.
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FOSCA, François - Tintoret
TINTORET - Paris 1929 - Ilustrado - Livre en français
Paris. Edit. Albin Michel, 1929. 100 láminas ilustradas en b/n. 173 p. 4º. Rústica editorial con protección transparente con cortes. Buen ejemplar. Livre en français.
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FOSCA, François.
RENOIR, HIS LIFE AND WORK.
21x16. 271p. Fotogr. Enc. Tela ed.
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Fra Angélico
FRA ANGÉLICO - Barcelona 1955 - Ilustrado
Barcelona, Edit. Skira - Carroggio, 1955. Colección El Gusto de Nuestro Tiempo. Numerosas ilustraciones en color en láminas montadas. 126 p. 8º. Tela editorial con sobrecubierta ilustrada. Muy buen ejemplar.
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FRAGONARD
FRAGONARD 1732- 1806. Orígens i influències. De Rembarndt al s. XXI - Barcelona 2006 - Molt il·lustrat
Barcelona, Edit. La Caixa, 2006. Nombroses il·lustracions en color. 220 p. Foli. Rústica editorial il·lustrada amb solapes. Molt bon exemplar.
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FRANCASTEL, Pierre
HISTORIA DE LA PINTURA FRANCESA. Desde la Edad Media hasta Picasso - Madrid 1989 - Ilustrado
Madrid, Edit. Alianza, 1989. Colección Alianza Forma 84. Numerosas ilustraciones en b/n fuera texto. 530 p. 4º. Rústica editorial ilustrada. Muy buen ejemplar.
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FRANCIA, Peter de.
El Impresionismo. Con 24 reproducciones seleccionadas por Viktor Griessmaier.
B., EDHASA, 1957, 18'5 x 13'5 cm., cartoné original con sobrecubiertas, 15 págs. - 24 láminas en colores
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FRANCISCIS Alfonso de.
LA PITTURA POMPEIANA.
Laminas a color y a plena pagina, algunas plegadas. FORMA E COLORE Nº 5.
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FRANCO GERVASIO.
Franco Gervasio. Lights in landscapes. [Exhibiton catalogue]. Curated and texts by Ahmet Kamil Gören, Luigi Cerutti, Alessandro Ubertis. Translated by Esin Gören, Raffaella Lincesso.
New English Paperback. Large 8vo. (22 x 21 cm). In Italian, English and Turkish. 72 p., color ills. Franco Gervasio's first verified exhibition was "Franco Gervasio - Lights In Landscapes - from Italian abstracts Landscapes to Istanbul lights at Galeri Artist - Istanbul" in Istanbul in 2008, and the most recent exhibition was Franco Gervasio - Places of the soul at Casa del Mantegna in Mantova in 2015. Franco Gervasio is most frequently exhibited in Italy, but also had exhibitions in Turkey. Gervasio has at least two solo shows and one group show over the last 7 years. A notable show was Franco Gervasio - Lights In Landscapes - from Italian abstracts Landscapes to Istambul lights at Galeri Artist - Istanbul in Istanbul in 2008. Other notable shows were at Casa del Mantegna in Mantova and Fiere di Parma in Parma. Franco Gervasio has been exhibited with Patricio Reig and Andrea Giovannini. (Artfacts). One of printed 1000 copies. "Alla ricerca della luce della natura": L'avventura artistica di Franco Gervasio.
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FRANZ BABINGER, (1891-1967).
Ein Weiteres Sultansbild von Gentile Bellini aus russischem Besitz.
Very Good German Paperback. Roy. 8vo. (24 x 17 cm). In German. 20 p., iv numerous b/w plates (Tafeln). Ein Weiteres Sultansbild von Gentile Bellini aus russischem Besitz. A study on Gentile Bellini, (1430-1507), was an Italian painter of the school of Venice. He came from Venice's leading family of painters, and at least in the early part of his career was more highly regarded than his younger brother Giovanni Bellini, the reverse of the case today. From 1474 he was the official portrait artist for the Doges of Venice, and as well as his portraits he painted a number of very large subjects with multitudes of figures, especially for the Scuole Grandi of Venice, wealthy confraternities that were very important in Venetian patrician social life. In 1479 he was sent to Constantinople by the Venetian government when the Ottoman Sultan Mehmed II requested an artist; he returned the next year. Thereafter a number of his subjects were set in the East, and he is one of the founders of the Orientalist tradition in Western painting. His portrait of the Sultan was also copied in paintings and prints and became known all over Europe.
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FRANÇOIS AUGUSTE RODIN, (1840-1917).
Heykelin büyük ustasi Rodin Istanbul'da. [Exhibition catalogue].
New Turkish Paperback. Pbo. 4to. (27 x 24 cm). In Turkish. 400 p., color and b/w ills. The Sabanci University Sakip Sabanci Museum (SSM) hosts works by the French sculptor Auguste Rodin. The exhibition titled "The Master Sculptor Rodin in Istanbul" comprises 203 artworks selected from the collection of the Rodin Museum in Paris. The exhibition features the artist's bronze, plaster and marble sculptures, archival photographs, many drawings as well as some pieces from his collection of antique-style statues. Among nearly 100 sculptures that will be exhibited by SSM, which aims to promote wider public appreciation of the art of sculpture through the works of a renown master sculptor, are Rodin's masterpieces like The Thinker, The Kiss, The Burghers of Calais, The Monument to Balzac and The Walking Man. In addition to 18 statues and many other diassembled-assembled pieces drawn from The Gates of Hell, on which Rodin worked for long years but could not succeed to complete, 20 antique-style statues from Rodin's special collection are displayed at the exhibition. The bronze horse statue, after which the Horse Mansion was named and which has been saluting the Bosphorus since 1952, has been replaced with the Monument to Victor Hugo for the first time on the occasion of the exhibition. The statue of the renown poet, writer and thinker Victor Hugo made by Rodin is 1.85 m in height and 2.85 m in width. The photographs and sketches exhibited along with the other works enable visitors to track the artist's journey from his early works to his most famous masterpieces, and also shed light on the artist as a sketcher and a collector. The bilingual exhibition catalogue, which was prepared in Turkish and English, and whose texts were compiled by Samih Rifat, briefs on Rodin's life and artistic journey. The exhibition also proposes a set of events such as conferences, sculpture workshops and training programs for the kids. The exhibition, which is sponsored by Akbank and held in cooperation with the Rodin Museum in Paris and the French Cultural Center, will be open until September 3, 2006. The Artist - Born in Paris on November 12, 1840, François-Auguste-René Rodin discovered sculpture after he attended La Petite École, a special school for drawing and mathematics, and began to improve his drawing skill. He rented his first workshop in 1864 and met Rose Beuret, aged 20. In 1871, he exhibited his works in Belgium for the first time. In 1875, he started to work on a life-size human body, which he called The Bronze Age. In 1882, he sculptured the figures of Adam, Eve and the Thinker. After a while, he met Camille Claudel who soon became his mistress and biggest rival. In 1883, he created his Monument to Victor Hugo, and was commissioned by the City Council of Calais to sculpture the Monument to the Burghers of Calais two years later. The following year, he completed The Kiss. In 1888, the state commissioned The Kiss in marble for the Universal Exhibition. In 1889, he exhibited together with Claude Monet, the famous French painter and one of the founders of impressionism. In 1895, he bought the Villa des Brillants in Meudon and started to build up his collection of paintings and antique statues. The Rodin Pavilion was inaugurated at the Alma Square in Paris on the occasion of the Universal Exhibition of 1900, and a major exhibition of Rodin took place in Prague in 1902. In 1904, the first exhibition of a large-scale plaster of The Thinker took place at the International Society in London, then a bronze version of it at the Salon de Paris. The Thinker was placed in front of the Panthéon in 1906, which was later taken to Hôtel Biron (now the Rodin Museum) in 1908. The French National Assembly decided to establish the Rodin Museum in the Hôtel Brion in memory of the artist who handed over his collections to the state through three successive donations. On January 29, 1917, Rodin married Rose Beuret. Rose died on February 14, Valentine's Day. Die
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FREUD, Lucian
QUELQUES RÉFLEXIONS SUR LA PEINTURE - Paris 2010 - Ilustrado
Paris, Edit. Centre Pompidour, 2010. Ilustraciones en color. 39p. 8º. Rústica editorial ilustrada. Libro en francés e inglés. Livre en français. Book in English. Muy buen ejemplar.
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Freud, Lucian - FAGIOLO, Marco
LUCIAN FREUD. LA RIVINCITA DELLA PITTURA - 2009 - Muy ilustrado
Edit. Aion, 2009. 61 p. de texto. 16 ilustraciones en color fuera texto. 8º. Rústica editorial ilustrada. Libro en italiano. Muy buen ejemplar.
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Freud, Lucian - GAYFORD, Martin
L'HOMME À l'ÉCHARPE BLEU. POSER POUR LUCIAN FREUD - Paris 2010 - Ilustrado
Paris, Edit. Thames&Hudson, 2010. Numerosas ilustraciones en color. 241p. 8º major. Rústica editorial ilustrada con solapas. Livre en français. Muy buen ejemplar.
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FROMETIN, Eugenio.
La pintura en Bélgica y Holanda. (Les maitres d'autrefois). Traducción por Luis de Terán.
M., La España Moderna, s.a. (comienzos del siglo XX), 23 x 14'5 cm., 302 págs. - 7 h.
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Fuente, Mº V. de la - GARCÍA-VIÑO, M.
Mª V. DE LA FUENTE - Madrid 1973 - Muy ilustrado
Madrid, Edit. Dir. Gen. Bellas Artes, 1973. Artistas españoles contemporáneos. 68. Numerosas ilustraciones en color y negro. 80 p. 8º. Rústica editorial ilustrada. Muy buen ejemplar.
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FUNI, Achille
12 OPERE DE ACHILLE FUNI - Milano 1946 - Muy ilustrado
Milano, Edic. del Milione, 1946. 12 opere di Achille Funi presentate da Pietro Torriano. 12 ilustraciones montadas en color. Folio. Rústica editorial ilustrada. Bordes levemente rozados. Muy buen ejemplar. Libro en italiano.
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FUNI, Achille
12 Opere di ACHILLE FUNI - Milano 1946 - Ilustrado
Milano, Edit. Milione, 1946. 12 láminas montadas en color. s/p. Folio. Rústica editorial con lámina montada. Libro en italiano. Muy buen ejemplar.
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FURRIOLS- PLADEVALL - RICART - VERNIS
QUATRE ARTISTES DE VIC. FURRIOLS. PLADEVALL, RICART. VERNIS - Barcelona 1983 - Il·lustrat
Barcelona, Edit. Gen. Cat, 1983. Il·lustracions en color i negre. s/p. 4t.major. Rústica editorial il·lustrada. Molt bon exemplar.
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FUSTER Antonio F.
EL PEQUEÑO FORMATO EN EL IMPRESIONISMO ESPAÑOL.
18 láminas en blanco y negro sobre papel cuché intercaladas en el texto.
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FÀBREGA, Jaume.
Sabillón. La vella saviesa pictòrica del Nou Món. La vieja sabiduría pictórica del Nuevo Mundo. The ancient pictorial wisdom of the New World.
B., EGEDSA, 1991, 30,5 x 24 cm., tela original con sobrecubiertas,7 hojas de texto con ilustraciones intercaladas + 26 láminas en colores + 2 hojas. (Se refiere al pintor hondureño Gregorio Sabillón Guerrero).
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FÀBREGA, Àngel
EL MISSAL DE SANTA EULÀLIA. CÒDEX a, 1403 - Madrid 1977 - Molt il·lustrat - Tirada especial
Madrid, Edit. Edilan - Caixa d'Estalvis Sagrada Família, 1977. Nombroses làmines en color. El llibre i el seu contingut per A. Fàbrega. La decoració i la il·lustració del Missal per P. Bohigas. Nombroses làmines en color. Amb Caplletres. 143 p. Foli. Pell editorial estampada. Vores i llom un pèl gastats. Bon exemplar. Petany a la tirada especial, relligada amb pell, de 30 exemplars nominatius. Aquest, el del fióleg Pere Bohigas, autor de l'article sobre la decoració del Missal. El Missal de Santa Eulália: [códex de la catedral de Barcelona a. 1493] ; el Missal de Santa Eulalia de la catedral de Barcelona: el llibre i el seu contingut pel doctor Ángel Fabrega i Grau. La decoració i la il·lustració del Missal de Santa Eulalia Edilán pel professor Pere Bohigas i Balaguer. Texto en catalán y traducción castellana. 141 pp (91 de texto + láminas facsímil).
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