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ALCALÁ VARGAS, José.
Fuentetaja. Textos: ... Poema: Joaquín Domínguez. Edita: Vicens Corominas.
Barcelona, Imbiasa, 1986, 25 x 27 cm., tela original consobrecubiertas, 3 h. con fotografía del pintor + 61 láminas en colores con reproducciones de cuadros del artista con el tema: "Ese misterio llamado mujer".
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ALCOLEA BLANCH Santiago.
MUSEO DEL PRADO: ESCUELAS ITALIANA Y FRANCESA. ESCUELAS FLAMENCA. HOLANDESA, ALEMANA Y BRITANICAS. ESCUELA ESPAÑOLA (3 TOMOS).
Texto bilingüe español-ingles.
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ALCOLEA Santiago.
VELAZQUEZ.
Magníficas ilustraciones a color.
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ALCOLEA Santiago.
ZURBARAN.
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ALCOLEA, Santiago
L'ART CATALÀ DINS EUROPA - Barcelona 2003 - Il·lustrat
Barcelona, Edit. Pòrtic, 2003. Fotografies en b/n fora text. 522p. 8è major. Rústica editorial il·lustrada. Molt bon exemplar. 1ª edició. Primera edició.
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ALDANA FERNANDEZ Salvador.
ESTEVE EDO.
Láminas con reproducciones a color intercaladas en el texto. ARTISTAS ESPAÑOLES CONTEMPORANEOS.
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Aleixandre, Vicente
HOMENAJE A VICENTE ALEIXANDRE - Sitges 2009 - Ilustrado
Sitges, Edit. Ajuntament de Sitges, 2009. Numerosas ilustraciones en color. 129 p. 4º. Cartoné editorial con sobrecubierta ilustrada. Muy buen ejemplar.
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ALEV ERMIS MAVITAN, (1957-).
Alev Ermis Mavitan Resim Sergisi. [Exhibition catalogue]. 3-25 Nisan 1995. Istanbul Parmakkapi Sanat Galerisi. Text by Sahin Yenisehirlioglu.
New Turkish Paperback. Oblong large 8vo. (20 x 22 cm). In Turkish. [36] p., color ills. Alev Ermis Mavitan Resim Sergisi. [Exhibition catalogue]. 3-25 Nisan 1995. Istanbul Parmakkapi Sanat Galerisi. Text by Sahin Yenisehirlioglu.
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ALEV OSKAY.
Alev Oskay. 'Irony': Complicated Matters Exhibition.= 'Ironi': Karisik Isler Sergisi. 05-26 Subat 2014, Art Gallery. [Exhibition catalogue].
New English Paperback. Pbo. 4to. (28 x 24 cm). In English and Turkish. [22], 64, [2] p., color ills. 500 copies were printed. "Alev Oskay was born in Istanbul in 1970. She was graduated from the Faculty of Fine Arts, Department of Ceramics and Glass at Mimar Sinan University. She worked as an executive assistant in an art gallery in between 1991-1992. She leaded some workshops at Istasyon Art House and gave ceramics lessons in between 1990-1993. She taught at the Faculty of Engineering & Architecture at Trakya University in between 1994 -1999. She had her MA degree in 2001 at I.T.U Social Sciences Institute. She gave ceramics lessons to children with developmental disabilities (i.e. children with autism) at Içgörü Child and Youth Psychology Consultation and Health Center in between 2001-2004. She has been working as a lecturer in the Faculty of Engineering & Architecture, Department of Architecture at Istanbul Kültür University since 1999. She also gives lessons in the ceramics studio that she established within this university since 2004. She continues to work on art in her own studio in Sultanahmet and Istanbul.".
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ALFAGEME RUANO Pedro.
EL ROMANTICISMO SEVILLANO. VALERIANO BÉCQUER, ILUSTRADOR.
veinte reproducciones de oleos a plena pagina intercalados: "La Feria de Sevilla", 1869. "Tipos Andaluces de la Feria de Sevilla", 1869. "Casa de los Señores de Castril en Granada", 1870, ect... Catálogo de Ilustraciones de 1865 a 1925.
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ALFANO MIGIETTI, Francesca
ARTE PERICOLOSA - Barcelona 1990
Barcelona, Edit. Prearo, 1990. 163 p. 8º. Rústica editorial ilustrada. Libro en italiano. Muy buen ejemplar. 1ª edición. Primera edición. 1st edition. First edition.
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ALFRED HRDLICKA.
Alfred Hrdlicka. Texts by Klaus Klemp. Edited by Dogan Paksoy. [Artist catalogue].
New German Paperback. Pbo. 4to. (29 x 24,5 cm). In German and Turkish. 48 p., color and b/w ills. Alfred Hrdlicka. Texts by Klaus Klemp. Edited by Dogan Paksoy. [Artist catalogue]. 1000 copies were printed.
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ALI AKAY.
Kivrimlar: 1990'larda plastik sanatlar.
Fine English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 284 p. Kivrimlar: 1990'larda plastik sanatlar. Plastic arts in 1900's.
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ALI AKAY.
Sanat tarihi: Siradisi bir disiplin.
New Turkish Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 100, [4] p. Sanat tarihi: Siradisi bir disiplin. Sosyolog, küratör Ali Akay Istanbul'da ve Paris'te gerçeklestirdigi bu söylesilerde sanat tarihinin önde gelen isimleriyle konusuyor. Jean Baudrillard: "Bireyin kimligi, burjuva olsun, hümanist olsun, Aydinlanmadan gelen bir kimlik degil; sentez bir kimlik." Georges Didi-Huberman: "Sanat Tarihi, Su Tuhaf Disiplin." Stephen Wright: "Sanat üretilmis kendine özgülükler olarak degil, kendi özgülüklerin üretilme biçimi olarak algilanmalidir." Hubert Damisch: "Beni ilgilendiren sanat tarihi degil, sanat üstüne neyin sorgulanacagi." Edward Lucie-Smith: "Ingilizce yazilmis yayinlarda çagdas sanatin tarihi rehin alindi." Nicolas Bourriaud: "Bir taraftan gelenekselcilige, bir taraftan da globallesmenin getirdigi tektiplesmeye karsi direnis yeni bir modern ruh yaratiyor." Uwe Fleckner: "Warburg üzerine degil, Warburg ile birlikte çalismak istiyorum."
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ALI ARIF ERSEN.
Ali Arif Ersen. Tales.= Masallar. Curator: Amelie Edgü; Texts by Levent Çalikoglu., 11-29 Aralik 2007, Milli Reasürans. [Exhibition catalogue].
New English Paperback. Pbo. 4to. (32 x 23,5 cm). In English and Turkish. 32 p. Color and b/w ills. 1000 copies were printed. Ali Arif Ersen. Tales.= Masallar. Curator: Amelie Edgü; Texts by Levent Çalikoglu., 11-29 Aralik 2007, Milli Reasürans. [Exhibition catalogue].
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ALI DÜZGÜN.
Ali Düzgün. 24 Mayis - 16 Haziran 2001 Emlak Sanat Galerisi Resim Sergisi. Text by: Dr. Mehmet Basbug. [Exhibition catalogue].
Fine English Paperback. Pbo. 32 p. In Turkish. Color ills. 4to. (30 x 21.5 cm). Ali Düzgün. 24 Mayis - 16 Haziran 2001 Emlak Sanat Galerisi Resim Sergisi. Text by: Dr. Mehmet Basbug. [Exhibition catalogue].
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ALI HASSOUN.
Ali Hassoun. Verso Oriente. Testi di Gabriele Mandel Khân, Ivan Quaroni. [Exhibition catalogue]. 24 Aprile - 31 Maggio 2004, Spirale Artecontemporanea.
As New As New English Paperback. Pbo. Dust wrapper. Mint. 4to. (30 x 24 cm). In English and Italian. 45, [1] p. Color ills. For Ali Hassoun, born in Saïda (Lebanon) in 1964, but living in Italy, art is inevitably a borderland, a fertile ridge where two different cultures meet: the traditional, spiritual culture of Islam and the dynamic, evolutionary culture of the West. In this meeting, East and West, North and South are only apparently geographical coordinates. They are rather topical places in the mind, spiritual directions which pass the baton to one another, like the perfect laps in a trip touching in turn upon the extreme opposites of ascension: the zenith and the nadir, Alpha and Omega, vile lead and alchemic gold, the terrestrial world and the imagination, the spirit and the body, and all the possible variants on a polarity which is always merely symbolic. In the artist's works the East and the West continually change sides, alluding to ambiguous meanings, now clear and now hidden. Ali Hassoun's iconography is constructed by stealing from contemporary visual culture images of a variegated humanity intent on the humble occupations of a daily life that has not yet been brutalised by the signs of the technological era. Like a computer hacker, but employing techniques which are entirely manual, Ali metaphorically "copies and pastes" onto his canvas photographs of people taken from the pages of a book or a magazine. He paints portraits of men and women, changing them using an ancient tool which contains within itself the balsamic germ of transfiguration. And yet, in his painting, precise and detailed to the point of verging on hyper-realism, there is nothing of the documentary. Like Emilio Salgari, Hassoun does not need to plough the waves or travel the caravan routes to come up with his visions. His travels are immobile, typical of a multimedia age such as our own, when information abounds but knowledge is rare. An age in which painting has come back into fashion - if it had ever gone out of fashion - but feeling the influence of the clarity of liquid crystal, of the pervasive vocabulary of the big plasma screen, of the hi-tech aesthetic born out of cyber imagery and the virtual settings of videogames. Painting containing gelid icons, the heroines of a new cybernetic sensuality, portraits of aidoru and computer alter egos, replicants and cyborgs, singing the fictitious myth of a trans-human future. In Italy, Ali Hassoun's painting is a return to Vasari's Bella Maniera, the full perfection of the great lesson of the Renaissance: painting with no mediation, no alibis and no tricks. In his works, Arab shepherds, students of the Koranic schools, cabalists, old wise men and African women dressed in fabrics of gaudy colours move about in a scenario in which landscape notation is abolished, swept away by an artificial background, a citation of great masterpieces of Art History, from the Michelangelo of the Sistine Chapel to Picasso's Guernica, from the fourteenth-century Sienese painters - Simone Martini and the Lorenzettis - to Capogrossi. The Levantine faces and statuesque bodies of his African women, the elegance and grace of his Indian maids are surrounded not by a desert, by a marketplace, by the interior of a mosque or a zawiyya nor by a minaret or a medina, but by a world of spirits, of platonic psychopomps floating suspended between Earth and Sky. In his most recent works Ali Hassoun has moved eastward. His women are now wearing the colours of India. They are wheat grinders, water bearers, even cabalists, intent on drawing a five-pointed star in the earth, hiding the secret of the golden section. The birth of a primitive femininity is everywhere, blended with the mystics of the elements - Air, Water, Earth and Fire - transfused in the grammar of light as in the use of clayey colours, in the transparency of ethereal figures and in the symbolism of water. Once again there are images of the "well of science" from which to draw the water of wisdom
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ALIBAU, Salvador
MONTSERRAT: ALIBAU, 2009 - Montserrat 2009 - Il·lustrat
Montserrat, Museu de Montserrat, 2009. Il·lustracions en color fora text. s/p. 8è major. Rústica editorial il·lustrada. Molt bon exemplar.
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ALIBAU, Salvador
SALVADOR ALIBAU INVENTOR I POETA, MESTRE DE LA CEL·LULOSA - Barcelona 2013 - Molt il·lustrat
Barcelona, Edit Fund. Vila Casas, 2013. Nombroses il·lustracions en color fora text. 96 p. 8è apaisat. Rústica editorial il·lustrada. Molt bon exemplar.
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ALIF ART.
Alif Art. Pt. 1: Rare manuscripts and calligraphy collection. Pt. 2: Hifzi Topuz Collection and Ottoman & European works of art.= I. Bölüm: Nadir yazma eserler koleksiyonu. II. Bölüm: Hifzi Topuz Koleksiyonu ve Osmanli & karma sanat eserleri. [Auction catalogue].
New English Paperback. 4to. (27 x 21 cm). In English and Turkish. 336, [1] p., color ills. Alif Art. Pt. 1: Rare manuscripts and calligraphy collection. Pt. 2: Hifzi Topuz Collection and Ottoman & European works of art.= I. Bölüm: Nadir yazma eserler koleksiyonu. II. Bölüm: Hifzi Topuz Koleksiyonu ve Osmanli & karma sanat eserleri. [Auction catalogue].
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ALIYE BERGER [BORONAI], (1903-1974).
Aliye Berger [Boronai]: Yasami / sanati / yapitlari. Photos by Ara Güler.
Very Good Very Good Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 108, [1] p., b/w plates, 14 unnumbered folded color plates. Aliye Berger [Boronai]: Yasami / sanati / yapitlari. Photos by Ara Güler.
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ALIYE BERGER [BORONAI].
Aliye Berger [Boronai]. 24.12.1903 - 9.8.1974. [Exhibition catalogue]. 16 Ekim - 1 Kasim 1975, DGSA. Texts by Orhan Peker, Halikarnas Balikçisi et all.
Very Good English Paperback. Large 8vo. (26 x 14 cm). In Turkish, English, and French. 47, [1] p. Color and b/w plates. Aliye Berger [Boronai]. 24.12.1903 - 9.8.1974. [Exhibition catalogue]. 16 Ekim - 1 Kasim 1975, DGSA. Texts by Orhan Peker, Halikarnas Balikçisi et all.
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ALLENDE-SALAZAR, Juan.
Discurso leído por... en el acto de su recepción pública en la Real Academia de Bellas Artes de S. Fernando... Y contestación de D. Elías Tormo.
Madrid, 1930, 25 x 17 cm., rústica editorial, 79 págs. + 2 h. (Tema: Los grandes maestros de la pintura española y el arte moderno).
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Allorlo - BONEU, Jaime
ALLORLO - Madrid 1973 - Muy ilustrado
Madrid, Edit. Dir. Gen. Bellas Artes, 1973. Artistas españoles contemporáneos. 58. Numerosas ilustraciones en color y negro. 87 p. 8º. Rústica editorial ilustrada. Muy buen ejemplar.
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Almada Negreiros
ALMADA NEGREIROS - Madrid 1984 - Ilustrado
Madrid, Edit. Fundación Juan March, 1984. Numerosas ilustraciones en color b/n fuera texto. S.N. Apaisado. Rústica editorial ilustrada. Muy buen ejemplar.
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ALONSO RUZ, Maria.
MUSEO NICANOR PIÑOLE.
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ALTAN GÜRMAN, (1935-).
Altan Gürman. Prep. by Basak Doga Temür, Süreyyya Evren. Texts by Baris Acar, Selen Ansen, Ahu Antmen, Duygu Demir, Bora Gürdas, Ali Kayaalp, Iz Öztat, Nermin Sabasili. [Catalogue of the artist].
New English Original cloth bdg. 4to. (29 x 24 cm). In English and Turkish. 217, [3] p., color and b/w ills. Altan Gürman. Prep. by Basak Doga Temür, Süreyyya Evren. Texts by Baris Acar, Selen Ansen, Ahu Antmen, Duygu Demir, Bora Gürdas, Ali Kayaalp, Iz Öztat, Nermin Sabasili. Every endeavour to review and write the history of contemporary art in Turkey calls upon the name of a pioneering, founding artist who marks a turning point, a moment of beginning: Altan Gürman (1935-1976). Altan Gürman s oeuvre is brought to viewers for the first time in such an exhaustive capacity through one of the inaugural exhibitions at Arter s new building in Dolapdere. The catalogue accompanying the exhibition, curated by Basak Doga Temür, not only features almost all of Altan Gürman s works included in the Arter Collection, but also presents to readers various documents, drawings, sketches, correspondences, photographs, class notes, slides, and meticulous arrangements from the artist s archives, as well as his theses permeated with a new concept of art that would leave its imprint on the 1960s and 1970s. The book includes essays by Baris Acar, Selen Ansen, Ahu Antmen, Duygu Demir, Bora Gu?rdas, Ali Kayaalp, Iz Öztat and Nermin Saybasili which carefully reread Altan Gürman from an art historical perspective, address the artist s impact and various stages of evolution, and open Gürman s works to new encounters by approaching each one individually. Both the exhibition and the accompanying book pay a collective homage to a mind-opening artist who passed away at a young age
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ALVAR, Manuel.
LAS CASTAS COLONIALES EN UN CUADRO DE LA REAL ACADEMIA ESPAÑOLA.
22x22. 43p. Fotogr.
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AMADO, Miguel
OPÇOES & FUTUROS - OPTIONS & FUTURES - Lisboa 2008 - Muy ilustrado
Lisboa, Edit. Fund. PLMJ, 2008. Obras da colecçao da Fundaçao PLMJ. Works from the collection of the PLHM Foundation. Numerosas ilustraciones en color. 208 p. 4º mayor. Cartoné editorial ilustrado. Book in Portugues and English. Muy buen ejemplar. Este projecto insere-se na linha de actuação da Fundação PLMJ dedicada à divulgação da arte portuguesa contemporânea através de trabalhos patentes no seu acervo. Assim, na sequência de exposições dedicadas à fotografia, ao vídeo e aos anos 1980 e 1990, a Fundação PLMJ promove, agora, um projecto centrado nos novos valores, assim traçando uma panorâmica da arte portuguesa da geração pós-2000. Comissariada por Miguel Amado, a exposição reúne cerca de 80 obras realizadas, em diversos meios de expressão, por artistas cujas carreiras começaram ao longo dos últimos anos. De entre os 30 criadores presentes, destacam-se Adriana Molder, Bruno Pacheco, Carlos Bunga, Joana Pimentel, João Maria Gusmão + Pedro Paiva, Pedro Barateiro, Ricardo Jacinto, Ricardo Valentim, Rita Sobral Campos e Rodrigo Oliveira. Com "Opções & Futuros", a Fundação PLMJ cumpre, mais uma vez, a sua missão divulgadora da criação contemporânea do nosso país. Assim, a Fundação PLMJ contribui para a afirmação da criação emergente no contexto nacional. Esta aposta em novos valores decorre do espírito inovador prosseguido pela Fundação PLMJ e constitui um gesto pioneiro no panorama coleccionista em Portugal.
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Amagat
AMAGAT - Girona 1992
Girona, Edit. Sales Municipals d'Exposició, 1992. Nombroses il·lustracions en color fora text. 16 p. 4t major. Rústica editorial il·lustrada. Molt bon exemplar. Primera edició. 1a edició. First edition. 1st edition.
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AMAT, Frederic
AMAT. CUATRO PAISAJES DE FONDO 1975-1992 - Barcelona 1994 - Muy ilustrado
Barcelona, Edit. Fund. Miró, 1994. Numerosas ilustraciones en color. 249p. 4º mayor. Rústica editorial ilustrada. Muy buen ejemplar. Libro en castellano e inglés. Book in English.
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Amat, Frederic
FREDERIC AMAT - Barcelona 1976 - Il·lustrat
Barcelona, Galería Trece, 1976. Presentación de Francesc Vicens. 15 hojas con reproducciones de obras. 8º apaisado ilustrado levemente rozado. Muy buen ejemplar.
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Amat, Frederic
FREDERIC AMAT - Barcelona 1996 - Il·lustrat
Barcelona, Edit. Galeria Cypruss, 1996. Nombroses il·lustracions en color. Fotografia de les ceràmiques de Francesc Català Roca. 8è. Rústica editorial il·lustrada. Molt bon exemplar. Dedicatòria d'antic posseïdor.
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ANDERS, Günther
GEORGE GROSZ - Paris 2005 - Ilustrado
Paris, Edit. Allia, 2005. Ilustraciones en b/n. 89 p. 8º. Rústica editorial ilustrada con solapas. Livre en français. Muy buen ejemplar.
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ANDERSEN Janice.
LA VIE ET L'OEUVRE DE RENOIR.
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ANDREW BROWN.
Güncel sanat ve ekoloji. [= Art and ecology now].
New New English Original bdg. HC. 4to. (29 x 25 cm). In Turkish. 255, [3] p., color ills. Eco awareness has had an enormous impact across all cultural and political spectrums, not least in the art world. This accessible and thought-provoking book is the first in-depth exploration of the ways in which contemporary artists are confronting nature, the environment, climate change and ecology. Organized into six chapters, the book moves through the various levels of artists engagement, from those who act as independent commentators, documenting and reflecting on nature, to those who use the physical environment as the raw material for their art, and those committed activists who set out to make art that transforms both our attitudes and our habits. More than 300 illustrations feature the work of 95 artists and art collectives from all over the world, including The Artist as Family, Nyaba Leon Ouedraogo, Yao Lu, Tue Greenfort, Eva Jospin, Ravi Agarwal, Nadav Kander, Naoya Hatakeyama, Tattfoo Tan, Berndnaut Smilde, Simon Starling, and Jennifer Allora and Guillermo Calzadilla.
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Andrex - Oberfeld C. - Vincy Raymond
Partition de la chanson : Avec sa brosse à rimmels Exemplaire couleur différente ( mauve) Chansonnette
Cidale 1942 approx.
Référence libraire : 19133
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ANDY WARHOL.
Andy Warhol: Pop art for everyone.= Andy Warhol: Herkes için pop sanat. [Exhibition catalogue]. Prep. by Begüm Akkoyunlu Ersöz, Tania Bahar. Translated by Ayse Düzkan.
New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. 111 p. Color and b/w ills. "The exhibition is composed of selected works of Andy Warhol from the Zoya Museum Private Collection in Slovakia, Modra. Included in the show are silkscreen series and drawings exhibited for the first time in Turkey, iconic works such as Campbell's Soup, Cowboys and Indians, Endangered Species, and Flowers, accompanied by portraits of well-known important figures.". Andy Warhol: Pop art for everyone.= Andy Warhol: Herkes için pop sanat. [Exhibition catalogue]. Prep. by Begüm Akkoyunlu Ersöz, Tania Bahar. Translated by Ayse Düzkan.
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ANDY WARHOL.
Warhol in motion. Films and polaroids.= Warhol hareket halinde. Filmler, polaroidler.
Fine English Paperback. Demy 8vo. (21 x 14 cm). In English and Turkish. 38 p., ills. Warhol in motion. Films and polaroids.= Warhol hareket halinde. Filmler, polaroidler.
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ANGUERA, Pere.
Gaudi & Reus. Museu Salvador Vilaseca Reus - 2002. Museu Salvador Vilaseca. Exposicio permanent, Raval de Santa Anna, 59. Reus el el temps de Gaudi.
Barcelona, Insitut Municipal de Museus de Reus sin fecha, ca .1979, 300x240mm, 203 páginas, libro en rústica. Ejemplar bello.
Référence libraire : 50452
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ANGULO IÑIGUEZ, Diego.
Cinco nuevos cuadros de Zurbarán.
M., Instituto Diego Velázquez, 1944, 27'5 x 19'5 cm., separata, dedicatoria del autor, 9 págs. - 8 láminas con 12 figuras.
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ANGULO IÑIGUEZ, Diego.
La Anunciación del pintor mejicano Fray Alonso López de Herrera.
M., Revista de Indas, 24'5 x 17 cm., separata, 5 págs. - 1 lámina.
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ANGULO ÍÑIGUEZ, Diego.
José Antolinez.
Madrid, Artes y Artistas, 1957, 23 x 16'5 cm., cartoné original con sobrecubiertas, 43 págs. y 48 láminas en papel couché.
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ANGULO ÍÑIGUEZ, Diego.
Juan de Borgoña
Madrid, Artes y Artistas, 1954, 23 x 16'5 cm., cartoné original con sobrecubiertas, 37 págs. y 48 láminas en papel couché.
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Anonimo
Segreti di bellezza. Pubblicazione mensile dell'Hermes
In 16, pp. 166 + (2) con ill. n.t. Danni al dorso. Br. edit. Catalogo con i prodotti dell'Istituto Hermes di Milano: cosmetici, maquillage, creme viso, prodotti per capelli, tinte, parrucche, reggiseni, corsetteria, profumeria, prodotti per le mani, prodotti per il dimagrimento.
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ANONIMO.
DICCIONARIO UNIVERSAL DEL ARTE Y DE LOS ARTISTAS. PINTORES.
25x18. 324p. 304p. 306p. 3 Vols. Fotogr. Trad. J. E. Cirlot. Enc. Cart. Ed. Sobrecubierta.
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ANONIMO.
PINTORES FLAMENCOS EN EL MUSEO DEL PRADO.
23x17. Spp. Fotogr. Es una agenda. Cortes dorados. Enc. Guaflex ed.
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APARICIO Octavio.
MURILLO.
Colección Pinacoteca.
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APARICIO Octavio.
VELAZQUEZ.
Colección Pinacoteca.
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APARICIO, Octavio.
LAS CACERIAS EN LA PINTURA DEL MUSEO DEL PRADO.
40x30. 76p Lám.
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