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Artisti: Klee Paul, Kandinsky Wassily
Klee & Kandinsky une confrontation
Testi: Volboudt Pierre. F.to: 11,5x22; pagg. 48; COL e BN; rileg. brossura. Editore: Berggruen & Cie , Paris, .
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Nicholson Ben
Ben Nicholson
Testi: Russell John . F.to: 21x23; COL e BN; rileg. brossura. Editore: Marlborough, London, 1963.
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Klee Paul
Oeuvres des dernières anneés, Paul Klee
Testi: Ueberwasser Walter, Schmidt Georg. F.to: 23x29,5; COL e BN; rileg. brossura. Editore: Galerie Bayeler, Basel, 1965.
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Dubuffet Jean
Dubuffet
F.to: 23x28,5; COL e BN; rileg. brossura. Editore: Galerie Beyeler, Basel, 1965.
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Matisse Henri
Henri Matisse exposition retrospective 1956
Testi: Cassou Jean. F.to: 21x27; BN; rileg. brossura. Editore: Des Musees Nationaux, Paris, 1956.
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Artisti: Braque, Gris, Leger, Picasso
Le Cubisme
Testi: Schmidt Georg. F.to: 25,3x27; COL e BN; rileg. brossura. Editore: Galerie Bayeler, Basel, 1962.
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Newman Barnett
Barnett Newman
F.to: 30x21; pagg. 88; COL e BN; rileg. brossura. Editore: Tate Gallery, London, 1972.
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Chia Sandro
Sandro Chia. Mattinata all’Opera
Testi: Bonito Oliva Achille. F.to: 12x17; pagg. 76; COL e BN; rileg. brossura. Editore: Emilo Mazzoli, Modena, 1979.
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Dokoupil Jiri Georg
Jiri Georg Dokoupil. Drawings I
F.to: 21x28; pagg. 97; BN; rileg. brossura. Editore: Massimo Minini, Brescia, 1989.
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Twombly Cy
Cy Twombly
F.to: 20,5x20,5; pagg. 100; BN; rileg. brossura. Editore: Kestner Gesellschaft, Hannover, 1976.
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Kunst van de 20e eeuw
F.to: 21x22,5; pagg. 312; COL e BN; rileg. brossura. Editore: Museum Boymans-van Beuningen, Rotterdam, 1972.
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Levine Les
Les Levine. Public Mind Les Levine's media sculpture and mass ad campaigns 1969/1990
Testi: Nahas Dominique. F.to: 27,5x25; pagg. 128; COL e BN; rileg. brossura. Editore: Everson museum of art, , 1990.
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Clemente Francesco
art & project. Bulletin 110. Francesco Clemente. Undae clemente flamina pulsae
F.to: 21x29,5; pagg. 2; BN; rileg. brossura. Editore: art & project, Amsterdam, 1979.
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Pollock Jackson
L’Atelier de Jackson Pollock
Un moment décisif de l’art contemporain, illustré par les célèbres photographies de Hans Namuth, prises en 1950 dans la grange de Long Island, où travaillait Pollock. Cinq essais critiques examinent à la fois l’œuvre du plus grand peintre américain et ses rapports avec la photographie. — F.to: 21x30; pagg. 104; BN; rileg. rigida e brossura. Editore: Editions Macula, Paris, 1978.
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Schifano Mario
Mario Schifano. Udienza
Testi: Bonito Oliva Achille. F.to: 31,5x31,5; pagg. 62; COL; rileg. rigida con sovracoperta. Editore: Emilio Mazzoli Editore, Modena, 1993.
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Salvo
Salvo. Interni con funzioni straordinarie.
Testi: Di Pietrantonio Giacinto. F.to: 21x30; COL e BN; rileg. rigida con sovracoperta. Editore: Galleri in Arco, Torino, 1991.
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Artisti: Polke Sigmar, Duchow Achim
Sigmar Polke. Mu Nieltnam Netorruprup
During the 1970s Sigmar Polke travelled extensively, concentrating heavily on photography as a medium. Both in painting and printing his work often has an experimental flavour. This book is half catalogue with a list of 31 prints and half artist’s book which in the second part shows a series of 101 printed photos about dog/bear fights, men from the Far East gathering and smoking in contrast to photos of Hell’s Angels, police and rich people in the West. This chapter called Mu nieltnam netorruprup is equal to the title of print number 31 in the list of works in the first part of the book. — Testi: Jensen Jens Christian. F.to: 14,521; pagg. 160; 101 ills COL e BN; rileg. brossura. Editore: Kunsthalle, Kiel, 1975.
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Pollock Jackson
Jackson Pollock
Testi: Bozo Domenique, Agan G. C. et al. F.to: 28x28; pagg. 420; COL e BN; rileg. brossura. Editore: Centre Georges Pompidou, Paris, 1982.
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Polke Sigmar
Sigmar Polke
F.to: 22x30; pagg. 100; COL e BN; rileg. brossura. Editore: Museum Boymans-van Beunimgen, Rotterdam, 1983.
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Mondrian Piet
Mondrian
Testi: Bucarelli Palma, Oud J. J. P. et al. F.to: 15x21; pagg. 53; COL e BN; rileg. brossura. Editore: Editalia, Roma, 1957.
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Merz Mario
Mario Merz. Opere su carta
F.to: 24x16,5; pagg. 40; COL e BN; rileg. brossura. Editore: Galleria IN ARCO, Torino, 1988.
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Tobey Mark
Mark Tobey. 15 Opere
F.to: 14x21; pagg. 14; BN; rileg. punto metallico. Editore: Galleria Cesarea, Genova, 1977.
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Bill Max
Max Bill. Katalog 4
F.to: 16,5x21; pagg. 100; COL e BN; rileg. brossura. Editore: Kestner Gesellschaft, Hannover, 1968.
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Armleder John
John M. Armleder. At Any Speed
John M. Armleder became internationally famous in the mid-1980s with the Neo-Geo movement. By that time he could already look back on 20 years of artistic achievement as the initiator of Ecart, as a constructivist-inspired graphic artist and as the organizer of art events. Armleder questions the relationship between pictures and things, and his presentations are subtly sensitive and formally exciting works in contemporary art. This text documents an exhibition which shows a selection of his work between 1970 and 1999. — Testi: Brehm Margrit, Cherix Christophe et al. F.to: 23,5x31; pagg. 210; COL e BN; rileg. rigida. Editore: Hatje Cantz Verlag, Ostfildern, 1999.
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Kirkeby Per
Per Kirkeby. Skulpturen und Bilder
F.to: 27x21; pagg. 136; COL e BN; rileg. brossura. Editore: Knoedler, Zürich, 1985.
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Artisti: Almond Darren, Billingham Richard, Brown Glenn, Callery Simon, Chapman Dinos & Jake, Chodzko Adam, Collishaw Mat, Coventry Keith, Davies Peter, Emin Tracey, Finnegan Paul, Francis Mark, Hartley Alex, Harvey Marcus, Matoum Mona, Hirst Damien, Hume
Sensation. Young British Artists from the Saatchi Collection
This volume brings together work which has startled the art world. As a collector and patron of young British artists, Charles Saatchi has been a committed supporter of British art as it is being produced. This support has extended beyond artists of renowned notoriety, such as Rachel Whiteread and Damien Hirst, to others at the cutting edge of art. Published to coincide with an exhibition at the Royal Academy in the autumn of 1997, this volume features work by more than 40 controversial or radical artists working in Britain. The book's essays introduce the critical context of the work and document the phenomenon of the British art scene of the 1990s. There are contributions from Norman Rosenthal, Exhibitions Secretary at the Royal Academy of Arts, the historian Lisa Jardine, critics Richard Shone and Brooks Adams, and painter and critic Martin Maloney. The essays reveal the achievements of young artists in Britain and the role played by innovative patronage. — Testi: Adams Brooks, Shone Richard et al. F.to: 24x30; pagg. 222; 104 ill. COL e 75 BN; rileg. rigida con sovracoperta. Editore: Thames & Hudson, London, 1997.
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Meese Jonathan
Jonathan Meese. Young Americans
F.to: 23x32; pagg. 36; 27 COL e 5 BN; rileg. brossura. Editore: Buchhandlung Walther König, Köln, 2002.
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Lupertz Markus
Markus Lupertz
Testi: Bonito Oliva Achille. COL e BN; rileg. brossura. Editore: Galleria In Arco, Torino, 1989.
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das Buch zur Documenta X
F.to: 24x18; pagg. 830; COL e BN; rileg. rigida. Editore: Hatje Cantz Verlag, Ostfildern, 1997.
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Kelly Ellsworth
Ellsworth Kelly
pagg. 8; COL; rileg. Punto metallico. Editore: Galerie Denise René Hans Mayer, Düsseldorf, 1972.
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Gallo Giuseppe
Giuseppe Gallo. Oh, Vocazione
Testi: Braun Emily, Sperone Gian Enzo. COL; rileg. rigida con sovracoperta. Editore: Gian Enzo Sperone, Roma / Gian Ferrari, Milano, 1991.
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Polke Sigmar
Sigmar Polke. Rasterfahndung
Testi: Staeck Klaus. F.to: 21x30; pagg. 210; rileg. brossura. Editore: Stedelijk Museum, Amsterdam, 2011.
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Schiele Egon
Schiele e il suo tempo
Testi: Smola Franz, Leopold Rudolf. F.to: 28x30; pagg. 184; 144 COL e 40 BN; rileg. brossura. Editore: Skira, Milano, 2010.
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Artisti: Meidner Ludwig, Dix Otto, Grosz George, Lachnit Wilhelm, Schad Christian, Mense Carl, Hubbuch Karl, Jurgens Grete
Aspetti della nuova oggettività
Opere di Ludwig Meidner, Otto Dix, George Grosz, Wilhelm Lachnit, Christian Schad, Carl Mense, Karl Hubbuch, Grete Jurgens — Testi: Bertonati Emilio. pagg. 220; BN; rileg. brossura. Editore: Centro Di, Firenze, 1968.
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Buvoli Luca
Not-a-superhero: The return of Dr. Logos
Testi: Colapietro Marco. pagg. 40; COL e BN; rileg. Punto metallico. Editore: Loft Arte, Valdagno, 1993.
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Paladino Mimmo
Giardino chiuso
Testi: Bonito Oliva Achille. F.to: 25,5x31; pagg. 48; 8 COL e 12 BN; rileg. brossura con copertina in plastica. Editore: Galleria Emilio Mazzoli, Modena, 1983.
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Artisti: Rainer Arnulf, Fendi Peter
Arnulf Rainer - Peter Fendi. Pseudologica
Testi: Gorsen Peter. pagg. 96; rileg. brossura. Editore: Mazzotta, Milano, 1988.
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Scheibl Hibert
Hubert Scheibl. Odradek [signed]
Testi: Cameron Dan, Testori Giovanni. F.to: 20x27,5; pagg. 160; 40 COL e 16 BN; rileg. rigida telata. Editore: Galleria Emilio Mazzoli, Modena, 1989.
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Dine Jim
Jim DIne
F.to: 22x28; pagg. 12; 8 BN; rileg. Punto metallico. Editore: Robert Fraser Gallery, London, 1965.
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Katz Alex
Alex Katz at Cheat Lake
a major exhibition of paintings with the artist-in-residence at Mont Chateau Lodge, Morgantown, West Virginia, August 1st to 31st — Testi: Burton Scott. pagg. 12; BN; rileg. Punto metallico. Editore: West Virginia University, 1968.
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Awazu Kiyoshi
Awazu Kiyoshi: Scrapbook
A collection of Kiyoshi Awazu's works up to 1970 including his design works, illustrations, sketches, mangas, etc. "Scrapbook" also contains essays — F.to: 15x21; pagg. 460; COL e BN; rileg. brossura in custodia di cartone. Editore: Tabata Shoten, Tokyo, 1970.
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Richter Gerhard
Gerhard Richter
Testi: Rainbird Sean, Severne Judith. F.to: 23,5x29,5; pagg. 146; rileg. brossura. Editore: Tate Gallery Publishing, London, 1991.
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Paladino Mimmo
Mimmo Paladino: Vasi ermetici
libro ad apertura doppia con rilegatura a "S", interamente in carta pergamena — Testi: Bonito Oliva Achille. F.to: 24,5x30,5; pagg. 40; COL; rileg. rigida in pergamena. Editore: Galleria Emilio Mazzoli, Modena, 1994.
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Artisti: Van Warmerdam Marijke, Dumas Marlene
Wave and the fog of war
pagg. 30; BN; rileg. brossura. Editore: A&Mbookstore Edizioni, Milano, 2012.
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Pancrazzi Luca
Luca Pancrazzi. Blow Flow Raw. Catalogo non autorizzato
pagg. 64; BN; Editore: Gli Ori, Prato, 2011.
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Pollock Jackson
Jackson Pollock
Testi: O'Connor Francis V.. rileg. brossura. Editore: Museum of Modern Art, New York, 1967.
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Explosion: Painting as Action
In the years following the Second World War, artists across the world began to attack the most basic premises of painting, in ways that were both aggressive and playful. The creative act itself was deemed as important as the painting that resulted from it, creating an energetic interzone between painting and performance in which chance procedures, the movement of bodies and the participation of spectators were all recruited as tools. <I>Explosion! Painting as Action</I> explores the connections and cross fertilizations between painting, performance and conceptual art from the late 1940s to the present. Examining painting, photography, video, performance, dance and sound art, this volume includes works by Lynda Benglis, Niki de Saint Phalle, Cai Guo-Qiang, the Gutai Group, Allan Kaprow, Yves Klein, Alison Knowles, Ana Mendieta, Rivane Neuenschwander, Yoko Ono, Jackson Pollock, Robert Rauschenberg, Carolee Schneemann, Shozo Shimamoto, Lawrence Weiner and many others. — Testi: Robinson Julia, Tiampo Ming. pagg. 240; rileg. brossura. Editore: Buchhandlung Walther König, Köln, 2012.
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Fontana Lucio
Omaggio a Fontana
Testi: Crispolti Enrico, Fontana Lucio. F.to: 21x22; BN; rileg. brossura. Editore: Beniamino Carucci, Roma, 1971.
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Mondino Aldo
Aldo Mondino
pagg. 12; 12; rileg. Punto metallico. Editore: Studio Marconi, Milano, 1966.
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Alys Francis
Francis Alys - Don't Cross The Bridge Before You Get To The River
Belgian artist Francis Alÿs employs a broad range of media, from painting to performance, and his diverse body of work often explores urbanity and spatial objectivity through investigations of the tension between poetics and politics, individual action and impotence. Operating within the interdisciplinary space of art, architecture, and social practice, his idealistic and symbolic actions accentuate political challenges and anxieties. Central to this catalogue for a solo exhibition of work by Alÿs at the Museum of Contemporary Art in Tokyo are his actions at Key West (USA) and Havana, and at the Strait of Gibraltar. Included are essays by curators Yuki Kamiya and Kazuhiko Yoshizaki. — pagg. 122; COL e BN; rileg. brossura. Editore: Seigensha Art Publishing, Kyoto, 2013.
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