‎Pintura tp‎

‎MÜMTAZ SAGLAM, HALIL AKDENIZ.‎

‎Art Collection of the Central Bank of the Republic of Turkey. Vol. 1: A collection of art works showing the development of Torkish painting in the Western sense. Vol. 2: A collection of art works exhibiting modern approaches in post-1950 Turkish art.= Türkiye Cumhuriyeti Merkez Bankasi Sanat Koleksiyonu. Cilt 1: Batili anlamda Türk resim sanatinin gelisme asamalari ve koleksiyondan örnekler. Cilt 2: Türk sanatinda 1950 sonrasi çagdas yaklasimlar ve koleksiyondan örnekler.‎

‎New New English Original bdg. Dust wrapper. In publisher's special box. 4to. (301 p.; 290 p.), color ills. Art Collection of the Central Bank of the Republic of Turkey. Vol. 1: A collection of art works showing the development of Torkish painting in the Western sense. Vol. 2: A collection of art works exhibiting modern approaches in post-1950 Turkish art.= Türkiye Cumhuriyeti Merkez Bankasi Sanat Koleksiyonu. Cilt 1: Batili anlamda Türk resim sanatinin gelisme asamalari ve koleksiyondan örnekler. Cilt 2: Türk sanatinda 1950 sonrasi çagdas yaklasimlar ve koleksiyondan örnekler.‎

‎München‎

‎Möglichst kurzgefaßte Beschreibung der Glyptothek Seiner Majestät des Königs Ludwig I. von Bayern.‎

‎Mchn., Pössenbacher 1868. kl.-8°, 24 S., ohne Umschlag, Titelbl. u. letzte Seite gebr. u. etwas verschmutzt, kl. Randläs., Datierung v. alter Hd. auf Titelbl., zahlreiche Anstr. u. Randnotizen, in einzelne Lagen zerfallen.‎

Referencia librero : EEzz5993

‎Müntz, Eugenio / De Amador, Fernan Felix [Prologue]‎

‎Los precursores del renacimiento‎

‎23.5X17 cm. 282 pages. Gilt hardcover. Text on cover and spine slightly faded. Cover edges slightly rubbed. Pages yellowing. Else in good condition.‎

‎N Toutos, G Fousteres (eds)‎

‎EURETERION TES MNEMEIAKHS ZOGRAPHIKES TOU HAGIOU OROUS: 10os - 17os aeones Corpus of Monumental Painting at Mount Athos: 10th - 17th Centuries‎

‎<p>Athens: Academy of Athens 2010. Brand new. Corps de la peinture monumentale du Mont Athos 10e-17e siecles. In Greek. Hard cover 24X31 cm 462 pp. ill. This book contains the results of the survey carried out at the monasteries of Mount Athos by the Institution "Hagioreitike Hestia". The aim was the recording of all frescoes murals and inscriptions throughout the vast expanse of Mount Athos in ledgers chapels cloisters and cells with a complete and scientifically robust.</p> Academy of Athens hardcover‎

Referencia librero : 166821

‎N. J. Morgan‎

‎Early Gothic Manuscripts (2)‎

‎, Brepols - Harvey Miller, 1988 Hardcover. 374 p., incl. 472 ills., with 8 in colour, 235 x 335 mm, languages: English, Including an index. Fine copy. ISBN 9780905203539.‎

‎This is a survey of early Gothic manuscripts illuminated in the British Isles, setting them in a historical framework, describing the influences at work, defining the types of books and their decoration, and discussing evidence for dating and localization. In England the art of illumination flourished widely in the second half of the 13th century - a time in which the connections with the continent, particularly France, where strong. Artists moved away from the monastic scriptorium to professional workshops in urban centres, and the rise of the Universities resulted in the production of new types of illustrated text. As with cross-fertilization of ideas from Paris to London, Oxford, and Cambridge, so with the styles and techniques of illumination. The magnificent examples catalogued here include the Lambeth, Metz, Douce and Trinity Apocalypses; their relationships are examined and detailed iconography is described. Many of the Bibles and - notably - the Amesbury, Oscott and Rutland Psalters are some of the greatest works of the period, and among surviving religious manuscripts the earliest examples of Books of Hours reveal the increasing range of devotional interests of lay people. Astrological, legal, medical, topographical and historical works are also included, and the volume ends with the remarkable Hereford Mad which summarizes many of the ideas of Earth and Heaven prevailing at the time. The Introduction sets the manuscripts in a historical framework, describes the influences at work, defines the types of books and their decoration, and discusses evidence for dating and localization.‎

Referencia librero : 45771

‎N. A.‎

‎Shakespeare Memorial Theatre picture gallery and museum catalogue (Pictures and sculpture).‎

‎Very Good English Shakespeare Memorial Theatre picture gallery and museum catalogue (Pictures and sculpture)., Stanford upon Avon, England, 1956. Paperback. Pbo. Very good. Large demy 8vo. (19 x 13 cm). 58 p. B/w and color ills.‎

‎N/A.‎

‎A. SERVAES.‎

‎, Hasselt, Prov. Begijnhof, 1967., Gebrocheerd, originele geillustreerde (foto) uitgeversomslag z/w, 21x27cm, z.p., geillustreerd z/w.‎

Referencia librero : 9619

‎N/A.‎

‎album nummer 6 - EUGEEN VAN MIEGHEM 1875 - 1930 EN DE ANTWERPSE HAVEN. ( album n 6).‎

‎, Antwerpen, v.z.w. Eugeen Van Mieghem, z.d.** (db)., softcover geniet, originele geillustreerde uitgeversomslag in kleur, 21x30cm, 63pp, geillustreerd in kleur en z/w.‎

‎Tekeningen en pastels uit de verzameling van het Stedelijk Prentenkabinet.‎

Referencia librero : 10668

‎N/A;‎

‎Albert Tersago Beeldhouwwerk Roland De Winter Grafiek,‎

‎Antwerpen, Galerij Brabo, 1980 Stevige papieromslag geillustreerd z/w, 19 x 19 cm., pagina's niet genummerd, z/w illustratie.‎

‎Tentoonstelling In Galerij Brabo, Antwerpen, van 21 september tot 12 oktober 1980.‎

Referencia librero : 41782

‎N/A;‎

‎Archives of Asian Art 55/2005,‎

‎Turnhout, Brepols, 2005 Paperback, V+98 p., 59 b/w ill., 215 x 280 mm.‎

‎JUNHYOUNG MICHAEL SHIN: Iconographic Surrogates: Contemplating Amit 'bha Images in the Late Kory ' Dynasty (Fourteenth Century) JAMES CAHILL: Some thoughts on the History and Post-History of Chinese Painting ROBERT E. HARRIST, JR: A Response to Professor Cahill's "Some Thoughts on the History and Post-History of Chinese Painting" JEROME SILBERGELD: The Evolution of a "Revolution": Unsettled Reflections on the Chinese Art-Historical Mission REBECCA M. BROWN: Patn's Golghar and the Transformations of Colonial Discourse DEBORAH HUTTON: Carved in Stone: The Codification of a Visual Identity for the Indo-Islamic Sultanate of B 'dj'p' r Art of Asia Acquired by North American Museums, 2003-2004. New.‎

Referencia librero : 33601

‎N/A;‎

‎ARTS, ANTIQUES, AUCTIONS,‎

‎, Gent, z.d.**, Gebrocheerd, originele geillustreerde uitgeversomslag in kleur, 29,5x21,5cm, 71pp, geillustreerd in kleur en z/w.‎

‎Van Dyck nummer. In goede staat.‎

Referencia librero : 14463

‎N/A;‎

‎Artiestenblad XIVe jaargang. Nummer 3 1963. Rik Slabbinck in Worpsweide,‎

‎Antwerpen , Artiestenfonds, 1963 Papercover, 24 x 15,5cm., 32pp., z/w illustratie en advertenties van lokale handelaars.‎

‎Driemaandelijks tijdschrift voor kunst en cultuur. In goede staat.‎

Referencia librero : 42485

‎N/A.‎

‎BALTHUS.‎

‎, Geneve, Editions d' Art Albert Skira, 1982.**, Broche, couverture d' editeur illustre en couleur, 23,5x27,5cm, 155pp, illustre en couleur et n/b.‎

Referencia librero : 10772

‎N/A.‎

‎BENNI EFRAT/ MICHAEL GITLIN/ OSVALDO ROMBERG/BUKY SCHWARTZ. ( 4 volumes)‎

‎, Antwerpen, MUHKA, 1991., Originele uitgeversomslag, 21x27,5cm, 31pp + 32pp + 32pp + 32pp, geillustreerd in kleur en z/w.‎

‎Aspekten van Israelische kunst. Tekst nederlands/ english.‎

Referencia librero : 9605

‎N/A;‎

‎Breugel a Rubens: l'ecole de peinture anversoise 1550-1650‎

‎, Antwerpen, Snoeck-Ducaju/ Koninklijk Museum voor Schone Kunsten, 1993, paperback, editeur couverture illustree couleur originale, 25,5 x32cm, 335pp, illustration detaillee de couleur et n / b. ISBN 9053490490469.‎

‎A l'occasion de l'exposition au Musee royal des Beaux-Arts, Anvers, 19/12/1992-8/03/1993. Bon etat‎

Referencia librero : 43625

‎N/A;‎

‎BRUNO VEKEMANS,‎

‎Antwerpen, Stockmans, 2002 Bound, red half-cloth illustrated cardboard, 230 x 325mm., pages not numbered, 184 full page colour illustrations. ISBN 9789077207024.‎

‎Vekemans' forte is painting. His earlier work consisted mainly of gouaches on cartridge paper but nowadays he mostly paints with oil on canvas or behind glass and some work and/or studies using mixed techniques: gouache, aquarelle, and ink on paper. "In my paintings, I believe it is the image that counts, not the message. I do not want to express social commitment through my work. Reality is more overwhelming than imagination. How the paint was applied to the surface tells the story, not the actual rendering which is only of secondary importance." Vekemans has chosen resolutely for figurative painting. Images he found or images stored in his memory, but always recognisable and distilled from what is called "real life". He records these images using his own, personal style and without overshadowing conceptualism. His work does not make any sharp criticism, metaphoric reflection, and sociological considerations. Bruno Vekemans is only interested in the actual image, the picture that acquires power and authority through its own content. He shows scenes from reality which will make you quiver with emotion. His paintings depict moments of tranquility and intimacy although they are placed within the context of activity. Some viewers may experience melancholy, quietness or a special atmosphere but this is real beauty in the eyes of Bruno Vekemans. His palette reveals much about him: colours that balance between opening and covering but which are always intense and convincing. New book.‎

Referencia librero : 20785

‎N/A.‎

‎CARL BUCHHEISTER.‎

‎, Bruxelles, Galerie Les Contemporains, 1963., Broche, couverture papier, frontispice - photo, 165 x 220mm., pages ne sont pas numerotees, illustration en couleur et en n/b.‎

‎Edition quadrilingue Fr/Nl/Angl/All. Bon etat.‎

Referencia librero : 18904

‎N/A.‎

‎CATALOGUS SCHILDERKUNST OUDE MEESTERS,‎

‎Antwerpen , Koninklijk Museum voor Schone Kunsten, 1988 Geillustreerde kartonomslag, 155 x 230mm., 525pp., zeer uitgebreide z/w illustratie.‎

‎in goede staat.‎

Referencia librero : 19999

‎N/A.‎

‎CHRONOLOGIE IMPRESSIONISTE.‎

‎, Paris, Reunion des Musees Nationaux, 1981 Broche, couverture d' editeur illustre en couleur, 21x29,5cm, z.p, illustre en couleur et n/b.‎

Referencia librero : 9782

‎N/A.‎

‎DAS BILD VOM BAUERN.‎

‎, Berlin, Museum fur Deutsche Volkskunde, 1978., Brosschiert, Original-Umschlag illustriert koloriert, 17x24cm, 160pp, illustriert s/w.‎

‎Vorstellungen und Wirklichkeit vom 16. Jahrhundert bis zur Gegenwart.‎

Referencia librero : 10714

‎N/A;‎

‎DUTCH PAINTING OF THE GOLDEN AGE FROM THE ROYAL PICTURE GALLERY MAURITSHUIS,‎

‎The Hague, Royal Picture Gallery, 1982 Illustrated cardboard cover in colour, 240 x 280mm., 127pp., profoundly illustrated in colour and b/w.‎

‎1 October - 12 December 1983. Art Gallery of Ontario / Toronto. In good condition.‎

Referencia librero : 28812

‎N/A.‎

‎EDMOND VAN DOOREN 1896 - 1965. DROMEN VAN EEN TOEKOMSTWERELD.‎

‎Brussel, Rene Magritte Museum., 2008 softcover geillustreerde kartonomslag, 205 x 295mm., 67pp., mooi en uitgebreid geillustreerd in kleur en z/w. ISBN 9789080760127.‎

‎Er zijn weinig kunstenaars die zowel de toekomst schilderden als het verleden, zowel abstract als impressionistisch of zelfs pointillistisch, zowel architecturale composities als klassieke landschappen, zowel werelden bevolkt met machines als ouderwetse stadsgezichten. Vrijwel de enige die dat allemaal deed was Edmond van Dooren. Een deel van die werken is subliem, een deel is achterhaald. Alleen de eerste komen in dit boek aan bod. Geslaagde werken van Van Dooren houden steeds de aandacht vast: ze zijn geweldig sterk gecomponeerd. Wat de kunstwereld meer dan veertig jaar na zijn dood nog niet beseft heeft: dit oeuvre is echt apart en werd door niemand geevenaard. Nieuw boek.‎

Referencia librero : 20157

‎N/A;‎

‎EMIEL CLAUS,‎

‎Roeselare/Roulers, Joseph Soubry, z.d. Stevig papieren farde A4-formaat, bevattende 4 reproducties in kleur.‎

‎Farde nr. 34. Tweetalige uitgave. In goede staat.‎

Referencia librero : 29021

‎N/A;‎

‎FARBZAUBER. IMPRESSIONISMUS UND EXPRESSIONISMUS IN DER SAMMLUNG WURTH/ MAGIC OF COLOUR. IMPRESSIONISM AND EXPRESSIONISM IN THE WURTH COLLECTION,‎

‎Kunzelsau, Swiridoff, 2006 Gebunden, Leinen mit Schutzumschlag, 230 x 285mm., 184S., illustriert. ISBN 9783899290851.‎

‎Die mit reinen Farben aufgebauten Bilder der Impressionisten bewiesen der nachsten Generation, dass diese Farben, die man zur Beschreibung von Naturerscheinungen verwenden kann, auch ganz unabhangig von diesen Erscheinungen, in sich selbst die Kraft haben, die Gefuhle der Betrachter anzusprechen.? (Henri Matisse) Mit Werken aus einer Zeit, die die modernistische Kunstauffassung in wesentlichen Punkten begrundete, geht der Katalogband auf eine der spannendsten Epochen der Kunstgeschichte ein. Denn indem die Kunstler des Impressionismus und Spatimpressionismus die Konzentration auf die Malerei und auf die Realitat des Leinwandbildes an sich lenkten, statt weiter an der illusionistischen Darstellung von Raum und Form im Bild festzuhalten, schufen sie eine malerische Autonomie, die sich im 20. Jahrhundert stringent mit den Expressionisten fortsetzte. In der Ausstellung der Sammlung Wurth wie im begleitenden Katalog sind neben den Pionieren dieser bedeutenden Kunstrichtungen wie Claude Monet, Camille Pissaro, Alfred Sisley, Ernst Ludwig Kirchner, Emil Nolde oder Max Beckmann auch weniger gelaufige Namen wie Heinrich von Zugel, Josef Engelhart, Hermann Scherer oder Elisabeth Ivanowa Epstein zu sehen. Guter Zustand.‎

Referencia librero : 27774

‎N/A;‎

‎FLEMISH EXPRESSIONISM,‎

‎Brussels, Ministry of National Education and Flemish Culture, 1980 Geillustreerde kartonomslag in kleur, 165 x 240mm., 46pp., colour illustration, 72 b/w plates.‎

‎Tampa Museum, August 7 - September 8, 1980. High Museum of Art, Atlanta, October 3 - November 28. In good condition.‎

Referencia librero : 28630