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SANAT DÜNYAMIZ. ÜÇ AYLIK KÜLTÜR VE SANAT DERGISI.
Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 97. Kis: 2006. Ezoterizm ve sanat.
Fine English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 220 p., color and b/w ills. Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 97. Kis: 2006. Ezoterizm ve sanat. 9. Istanbul Bienali "Çekim merkezi" Türk tasvir sanatinda dinsel güç imgeleri. "Bellek ve hayalgücü", "Sinir deneyimleri".
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SANAT DÜNYAMIZ. ÜÇ AYLIK KÜLTÜR VE SANAT DERGISI.
Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 74. Kis 1999. Sanatin 'Gambaz'lari. Palyaço, hokkabaz, soytari.
Fine English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 255, [5] p., color and b/w ills. Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 74. Kis 1999. Sanatin 'Gambaz'lari. Palyaço, hokkabaz, soytari.
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SANAT DÜNYAMIZ. ÜÇ AYLIK KÜLTÜR VE SANAT DERGISI.
Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: No: 72. Yaz: 1999. Denizin huyu suyu.
Fine English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 235, [5] p., color and b/w ills. Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 72. Yaz: 1999. Denizin huyu suyu.
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SANAT DÜNYAMIZ. ÜÇ AYLIK KÜLTÜR VE SANAT DERGISI.
Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 79 Yaz: 2001. Ses, tini, gürültü.
Fine English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 252 p., color and b/w ills. Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 79 Yaz: 2001. Ses, tini, gürültü. Bitez'de büyük bir bahçede. Ilhan Usmanbas'la yasam ve müzik üstüne. Sanat ve inanç. Balthus'ün ardindan bakislar. Kantermiroglu ve Osmanli müzigi.
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SANAT DÜNYAMIZ. ÜÇ AYLIK KÜLTÜR VE SANAT DERGISI.
Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 69-70. Year: 1998. Bizans özel sayisi. Byzantium Special Issue.
As New English Paperback. Pbo. Mint. 4to. (30 x 21 cm). In Turkish. 288, [4] p., color and b/w ills. Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 69-70. Yearl:1998. Bizans özel sayisi. Byzantium Special Issue.
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SANAT DÜNYAMIZ. ÜÇ AYLIK KÜLTÜR VE SANAT DERGISI.
Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 80. Yaz: 2000. Arkeoloji: Dipten gelen sanat. Anadolu Uygarliklarina ikili bakislar.
Fine English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 254, [2] p., color and b/w ills. Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 80. Yaz: 2000. Arkeoloji: Dipten gelen sanat. Anadolu Uygarliklarina ikili bakislar. Müzenin anlami ve islevi. Bir Kent - Bir tainak. James Mellaart'la kazilar, arkeoloji ve Anadolu üstüne. Geçmisin izleri. Bir kaziyi belgelemek.
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SANAT DÜNYAMIZ. ÜÇ AYLIK KÜLTÜR VE SANAT DERGISI.
Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 73. Year: 1999. Yaratici Osmanlilar. Preface by Ilber Ortayli.
Fine English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 305, [3] p., color and b/w ills. Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 73. Year: 1999. Yaratici Osmanlilar. Preface: Ilber Ortayli.
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SANAT TANIMI TOPLULUGU [i.e. THE DEFINITION OF ART GROUP]: (SÜKRÜ AYSAN, SERHAT KIRA, AHMET ÖKTEM with ALPARSLAN BALOGLU AND ISMAIL SARAY).
[CONCEPTUAL ART IN TURKEY] Sanat olarak betik. Texts by Carl Andre, Sükrü Aysan, Robert Barry, Joseph Kosuth, Sol Lewitt, Robert Morris, Bernar Venet.
Very Good Turkish Paperback. 4to. (27,5 x 20 cm). In Turkish. 32, [30] p., color and b/w ills., serigraph and mimeograph printing on paper and fabric, 1 folded plate (Ismail Saray's photo). This very interesting and rare book includes the texts on the first 32 pages. Some texts were translated from English and French languages by Sükrü Aysan, Nazli Damlaci, and Faruk Ulay. Articles in the first 32 pages: Kavramsal sanat [i.e. Conceptual art] by Sükrü Aysan.; Felsefenin sonu sanatin baslangici [i.e. The end of philosophy and the beginning of art] by Joseph Kosuth.; Kavramsal sanat üzerine paragraflar [i.e. Paragraphs on Conceptual Art] by Sol Lewitt.; Kavramsal sanat üzerine tümceler [i.e. Sentences on Conceptual Art] by Sol Lewitt.; Not, by Bernar Venet.; Giris notu, by Joseph Kosuth, and Inekleri düzene sokmak için bir yöntem [i.e. A Method For Sorting Cows] by Robert Morris. They're the first and the earliest translations (and for some only) in Turkey on the Conceptual Art. The Definition of Art Group is an original Conceptual Art approach. Conceptual Art was founded to research the structure and nature of art. Conceptual artists question the structure of art through a progression of work that refers to the concept of art. What is being considered is a work or an idea directed towards the analysis of all the facets of and contradictions within the concept of art. Sol LeWitt said, "this type of art is related to all intellectual processes". Impressionism and Cubism gave the first formulas for questioning art. Later, as a result of Duchamp's systematic operations about art's boundaries, function, language, and its being, art again became an intellectual process. Today, the subject of art itself and its place in the universe has reached a stage where its effort is directed towards understanding existence. The stages of this change make twentieth-century art history. Only an art audience informed about the development of art can comprehend contemporary work. To be able to understand today's artistic endeavors, it is necessary to make a conceptual history of art. Pure Conceptual Art by taking this situation to its extreme point, accepts no other audience or observer than the ones actively participating in the making of the work. Thus, art transforms into a state as serious as a science that needs no audience. When using the term, Conceptual Art or its more characteristic name, Analytical Art, in referring to a specific period in the history of Conceptual Art as an approach to art, one is speaking of art that has completely eliminated the production of objects and all plastic art forms. But if one considers the broader understanding of conceptualism, within our twentieth-century art, in addition to the side that verifies by analyzing itself, there is also a logical and philosophical dimension directed towards the comprehension of its structure. In other words, a strongly intellectual art continues its hegemony today. In our time, art without an idea can not be effective. (Source: Official site of Sanat Tanimi Toplulugu). In 1961, philosopher and artist Henry Flynt coined the term "concept art" in an article bearing the same name which was appeared in a proto-Fluxus publication An Anthology of Chance Operations. Flynt's concept art, he maintained, devolved from his notion of "cognitive nihilism," in which paradoxes in logic are shown to evacuate concepts of substance. Drawing on the syntax of logic and mathematics, concept art was meant jointly to supersede mathematics and the formalistic music then current in serious art music circles. Therefore, Flynt maintained, to merit the label concept art, work had to be an object-critique of logic or mathematics via linguistic paradox, a quality which is absent from subs... The use of pure Turkish language in this book is pointed to and this book was printed for an exhibition held between 'March 22 - April 5, 1980'. Printed to only 200 copies and all copies were numbered. This is 49 no. (49/200). Extremely r
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Sandberg, H
Der Weg. Eingel. von A. Zweig.
Dresden, Vlg. d. Kunst, (1966). Quer-4°. 70 Aquatinta-Radierungen. OLwd. Letzte S. am Rand leicht fingerfleckig.
Référence libraire : 123311
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Sandberg, H
Mein Brecht-Skizzenbuch.
(Berlin), Aufbau, (1978). M. Zahlr. Abb. 75 S. OLwd.
Référence libraire : 120147
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Sandler, Irving
Art of the Postmodern Era. From the late 1960s to the early 1990s.
Icon Edition (1996). Lex.-8°, XXX, 636 S., mit 200 Textabb. u. 8 Farbtaf., OHLn. m. farb. ill. OU., fast wie neu. In Englisch.
Référence libraire : EEzz8762
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Sandner, Ingo
Spätgotische Tafelmalerei in Sachsen. Mit Texten von Helmut Wilsdorf und Arndt Kiesewetter. Aufnahmen von Asmus Steuerlein.
Dresden und Basel, Verlag der Kunst, 1993. 4°. 30,5 x 25 cm. 381 Seiten. Original-Leinenband mit Original-Schutzumschlag.
Référence libraire : 47570CB
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Sandner, J
Hans Hesse. Ein Maler d. Spätgotik in Sachsen.
Dresden, Vlg. d. Kunst, 1983. 4°. M. 74 (teils farb.) Taf. u. 65 Abb. 173 S. OLwd.
Référence libraire : 501612
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Sandrart, Joachim von
Teutsche Academie der Bau- Bildhauer- und Maler-Kunst worinn die Regeln und Lehrsätze dieser Künste gegeben, nicht weniger zu mehrerer Erläuterung die besten Exempel der alten und neuen Künstler in Kupfer beygefüget worden, wie solche in Rom auf das genaueste abgezeichnet sind. Nebst den Lebensbeschreibungen der besten griechischen, römischen und neuen Künstler, ingleichen der Anzeige ihrer vornehmsten Werke. Zusammen getragen und mit vielen Kupfern gezieret durch Joachim von Sandrart auf Stockau. Nunmehr aber bey dieser neuen Ausgabe verändert, in eine bessere Ordnung gebracht und durchgehends verbessert, von Johann Jacob Volkmann. 3 Bände [in 8 Teilbänden; komplett].
Nürnberg, verlegt durch Johann Andreas Endter, 1768-1775. 2°. 41,5 x 27,5 cm. XXXVII, 94; 90; 32; 130; 116; 188; 424; 226 Seiten, [24] Blatt. Insgesamt 801 Tafeln. Halblederbände der Zeit auf 6 Bünden mit marmoriertem Deckelbezug. Band I,3 abweichend in hellerem Halbleder im Stile der Zeit gebunden. [8 Warenabbildungen]
Référence libraire : 3883FB
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Sandro Capeti
Mosaici Di Ravenna
No marks or inscriptions. Tiny crease in centre of rear cover. A very clean very tight copy with bright unmarked boards and no bumping to corners. Includes some double-page fold-out images in excellent condition. 57pp. A series of beautiful mosaics to be found in Ravenna in Italy. Text in English, Italian, French and German.
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Sandu Publishing Co
Walled City. The Art of the Mural
Gingko Press, Berkeley, 2017. 240 S. ; 29 x 21,5 cm ; Pp. ;
Référence libraire : 124055
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Saneatsu Mushanokoji: Author/Mizusawa Lab: Painting
Ikkyu-san Tonchi and the Master of Life Boys and Girls Kodansha Bunko B-14 <Japanese Version>
Kodansha N.A. Soft Cover. Fine. Volume: 1 Kodansha paperback
Référence libraire : 2111902153101552
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sans
"PEINTURE… LEUR VIOLON D'INGRES". PENDANT UNE SEULE JOURNEE. EXPOSITION-VENTE. AU BENEFICE DE L'ALIAH DES JEUNES. GALERIE CHARPENTIER. PARIS. 15/01/1962. FRANCOISE SAGAN,,,. (42 grams)
PETIT IN 8. BR [BE]. 20 PP. SANS ILL [BE].
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sans
56EME SALON DE MONTROUGE. EDITION 2011. ART CONTEMPORAIN. [CONSTANCE NOUVEL. DAVID ORTSMAN. DANIEL OTERO TORRES. BENJAMIN OTTOZ. JEAN-MICHEL PANCIN. STEPHANE PUJOL. JENA-CHARLES DE QUILLACQ. JOSUE RAUSCHER. RAPHAEL DE GOROSTARZU…].. (1808 grams)
IN 4 CARRE. ENV 80 FEUILLETS ET 2 DOSSIERS BR AVEC EMBOITAGE [TBE]. ENV 400 ILL EN NOIR ET COULEURS [TBE].
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SANS
A PRIVATE VIEW. THE COLLECTION OF SIDNEY F. BRODY. THE CRICHTON COLLECTION. JASPER JOHN'S FLAG. ICONIC KLIEN. JOHN µS AND RAUCHENBERG. DOUBLE WARHOL. MANDEVILLE. FRA ANGELICO. LEONARDO. PATEK PHILIPPE.. (384 grams)
PETIT IN 4. BR [BE]. 100 PP. ENV 80 ILL EN NOIR ET COULEURS [TBE].
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SANS
ALAN DAVIE. GIMPEL FILS. LONDON. 29/03/1966. (126 grams)
IN 4. BR [BE]. 20 PP. 12 ILL EN NOIR ET COULEURS [BE].
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SANS
ALBUM. RIJKSMUSEUM AMSTERDAM. 256 MEESTERWERKEN / MASTERPIECES / CHEFS-D'ŒUVRES / MEISTERWERKE. [GEERTEN TOT SINT JANS. VAN ALKMAAR. MEESTER VAN HET AMSTERDAMSE STERFBED VAN MATIA. MEESTER VAN SPES NOSTRA. MEESTER VAN DE VIRGO INETR VIRGINES…].. (462 gram
IN 8. BR [BE]. ENV 260 PP. 256 ILL EN NOIR [BE].
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SANS
ANDRE LANSKOY. VINGT GOUACHES. GALERIE CHARPENTIER. PARIS 1960. (62 grams)
IN 4. BR [BE]. 8 PP. 1 ILL EN NOIR [BE].
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SANS
BORES. VINGT-ET-UNE PEINTURES. GALERIE LOUIS CARRE. PARIS. 04/04/1962-05/05/1962. (254 grams)
IN 4 CARRE. BR AVEC COUV REMPLIEE [BE]. ENV 60 PP. 21 ILL EN NOIR ET COULEURS [TBE].
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SANS
COLLECTION E. SECRETAN. TOME II. 12/07/1889. (3068 grams)
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SANS
CORNEILLE. GOUACHES RECENTES. GALERIE MATHIAS FELS & CIE. PARIS. 26/11/1964.. (96 grams)
PETIT IN 4. BR [BE]. ENV 10 PP. ENV 30 ILL EN NOIR ET COULEURS [BE].
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SANS
DEWASNE. GALERIE DANIEL CORDIER. 14/02/XXXX-18/03/XXXX. INVITATION. (44 grams)
FEILLET IN 8 OBLONG [BE]. 3 ILL EN NOIR [BE].
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SANS
FERGUS HALL MASTER PAINTINGS. DUTCH. FLEMISH AND BRITISH OLD MASTERS. 2011. LONDON. [BEERSTRATEN. BEGA. VAN BEIJEREN. BOTH. VAN DYCK. DE LUST. VAN DE NEER. VAN OSTADE. SAFTLEVEN. STORCK. WIJNANTS. BEALE. CONSTABLE. GILPIN. HERRING. LELY…]. (560 grams)
IN 4. BR [TBE]. 94 PP. ENV 60 ILL EN COULEURS [TBE].
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SANS
GHIKA. GALERIE ALEXANDRE IOLAS. PARIS. NEW YORK. GENEVE. MARS 1965.. (270 grams)
IN 4. BR [BE]. ENV 20 PP. ENV 20 ILL EN NOIR ET COULEURS [BE].
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SANS
GRAU - GARRIGA. PUNTS I CONTRAPUTS…TRILINGUE ESPAGNOL-ANGLAIS-FRANCAIS. (116 grams)
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SANS
HITOSHI MORI. PEINTURES. GALERIE DE LA BOUQUINERIE DE L'INSTITUT. PARIS.. (136 grams)
IN 4 CARRE. BR [BE]. 24 PP. ENV 20 ILL EN COULEURS. [TBE]
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SANS
IANTHE RUTHVEN. SNAILS DANCING AND OTHER WORK. MARTIN SUMMERS FINE ART LTD. LONDRES. 23/11/2006-20/12/2006. AVEC UNE INVITATION. (130 grams)
IN 4 CARRE. BR AVEC COUV REMPLIEE [MOY]. 16 PP. ENV 15 ILL EN NOIR ET COULEURS. [TBE]
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SANS
KANDINSKY. GALERIE KARL FLINKER. 08/02/1961-04/03/1961. INVITATION. (38 grams)
IN 4 ALLONGE. FEUILLET [MOY]. 2 ILL EN NOIR ET COULEURS [BE].
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SANS
KANDINSKY. UITGAVE STEDELIJK MUSEUM. AMSTERDAM. 1948.. (48 grams)
PETIT IN 8. BR [BE]. ENV 20 PP. ENV 10 ILL EN NOIR [BE].
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SANS
KLEE. KANDINSKY. BRANCUSI. SCULPTURES. GALERIE EUROPE. PARIS. FEVRIER-MARS 1961. INVITATION.. (16 grams)
IN 12. FEUILLET. INVITATION. 1 ILL EN COULEURS [BE]
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SANS
L'UOMO E L'ARTE. GRUPPO CV. N°1. CENTRO D'ARTE CONTEMPORANEA E PRIMITIVA. MILANO.. (218 grams)
IN 4. SPÏRALE [BE]. ENV 30 PP. ENV 25 ILL EN NOIR ET COULEURS [BE]
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SANS
LYBINKA. GALERIE PEINTRES DU MONDE. PARIS. NOVEMBRE 1965. (54 grams)
IN 4. FEUILLE AVEC CHEMISE [BE]. 5 ILL EN NOIR [BE].
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SANS
MASAO HAIJIMA. GALERIE TAMENAGA. PARIS. TOKYO. OSAKA.. (180 grams)
IN 4 CARRE [BE]. ENV 30 PP. ENV 20 ILL EN NOIR ET COULEURS [TBE].
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SANS
MAURICE ROCHER. GALERIE PIERRE MARIE VITOUX. PARIS. 20/10/1992-28/11/1992. AVEC ENVOI DE MARIE VITOUX. (220 grams)
IN 4. BR [BE]. 32 PP. 17 ILL EN NOIR ET COULEURS. [TBE]
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SANS
MIHAILOVITCH. GALERIE RIVE GAUCHE. PARIS. 22/04/1958-09/05/1958. (10 grams)
IN 12. DEPLIANT [BE]. 1 ILL [BE].
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SANS
PAUL WUNDERLICH. LITHOGRAPHIES.. (90 grams)
IN 8 ALLONGE. BR [BE]. 20 PP. 30 PPL EN NOIR ET EN COULEURS. [BE]
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SANS
PREMIERE EXPOSITION EN France DE UNO SVENSSON. PEINTURES ET GOUACHES-COLLAGES. GALLERI LATINA-STOCKHOLM. FLORENCE HOUSTON-BROWN. PARIS. 21/11/1966-14/12/1966. (32 grams)
PETIT IN 8. BR [BE]. ENV 20 PP. ENV 10 ILL EN NOIR [BE].
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SANS
RECENT ACQUISITIONS 2010. OLD MASTER PAINTINGS [DE ARELLANO. VAN BEYEREN. BIZET. BLOEMAERT. BRUEGHEL THE YOUNGER. DE CAULLERY. COOSEMANS. DANLOUX. DE FAVARY. GARGORI. VAN GOYEN. GRIFFIER THE ELDER. GUARDI. DE HEUSCH. KAUFFMANN…].. (428 grams)
IN 4. BR {BE]. ENV 80 PP. ENV 60 ILL EN COULEURS [TBE].
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SANS
RIJKSMUSEUM. AMSTERDAM. ALBUM PICTURE BOOK. TABLEAUX. GEERTGEN TOT ST. JANS. MEESTER VAN ALKMAAR. MEESTER VAN HET AMSTERDAMSE STERFBED VAN MARIA. MEESTER VAN SPES NOSTRA. MEESTER VAN DE VIRGO INTER VIRGINES. JAN MOSTAERT. CORNELISZ VAN OOSTSANEN…. (212 gr
IN 8. BR [BE]. ENV 100 PP. ENV 100 ILL EN NOIR ET BLANC. [BE]
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SANS
RUBIN. FIFTIETH ANNIVERSARY EXHIBITION. DALZELL HATFIELD GALLERIES. LOS ANGELES. 04/12/19??-15/01/19??. AVEC UN ENVOI DE L'ARTISTE. AVEC 2 CARTE POSTALES. (72 grams)
IN 4. BR [BE]. 16 PP. 8 ILL EN NOIR E 2 CARTES POSTALES EN COULEURS [BE]. AVEC UN ENVOI DE L'ARTISTE.
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SANS
SELECTION OF MASTER PAINTINGS XIVTH TO XXTH CENTURY. CATALOGUE N°22. GALERIE JEAN-FRANCOIS HEIM. PARIS. [DI PACINO. BURGKMAIR. CLOUET. DE NOME. JORDEANS. POERSON. WERNER. VAN POELENBURGH. BISSCHOP. MARIESCHI. LACROIX DE MARSEILLE. WENZEL PETER…]. (450 gra
IN 4 ALLONGE. BR [TBE]. 52 PP. ENV 60 ILL EN COULEURS [TBE].
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Santei Haruma's Kunisada painting
Ming raven black painting first volume book exhaustion book <Japanese Version>
Tsuta-ya Kichizo ita 1863. Soft Cover. Fine. Number of books: 1 Tsuta-ya Kichizo ita paperback
Référence libraire : 2110502151102744
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Santi, Bruno
Boticelli [English Edition]
Scala, Antella, 1991. 80 S. ; 28 x 21 cm ; kart. ;
Référence libraire : 125807
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Santucci, Ennio ; Matthiae, Guglielmo [Intr.] / Trubiani, Bruno [Commentary]
Gli Affreschi della Cattedrale di Atri
320x250 mm. 27 pages & 90 plates. Hardcover laid in slipcase. Spine yellowing. Pages slightly yellowing. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
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Sanz de Soto, Emilio
Rocio Urquijo
Madrid España: Brizzolis 2002. 1st Edition . Hardcover. Near Fine/No Jacket. 4to - over 9¾ - 12" tall. Urquijo Rocio. Presumed 1st ed. Probably published in 2002 but no publication date given. Bilingual in Spanish and English. 10.75 x 10.5 inches. Purple buckram with blind-stamped lettering. Unbumped with sharp corners. The text block is firmly bound in. Over 100 pages focusing on the artist's colorful drawings paintings and needlepoints. Numerous full-color full-page plates on glossy stock. Includes a summary of illustrations chronology and bibliography. A tiny blurred dot on the front pastedown/FEP. Light off-setting/fingering marks at top of blank page introducing the Painting section. Else a Near Fine copy in a lovely and sturdy full-color slipcase. Gently read. 2 lbs. 11 oz. <br/> <br/> Brizzolis hardcover
Référence libraire : 008099 ISBN : 8460740382 9788460740384
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