‎Blasons‎

‎Arms, Dorothy Noyes (text) & John Taylor Arms (etchings & drawings)‎

‎Churches of France‎

‎New York: MacMillan 1929. 179 pp.with 51 high-quality reproductions of etchings nad drawings of churches and cathedrals including Notre Dame Rouen Chartes Bayeux Albi Quimper much more. First printing. Clean. 1st Printing. Cloth. Near Fine/No Jacket. Folio - over 12" - 15" tall. MacMillan hardcover‎

Referenz des Buchhändlers : 005691

‎Arms, Dorothy Noyes‎

‎CHURCHES OF FRANCE‎

‎1929. Arms John Taylor. Arms John Taylorillus. CHURCHES OF FRANCE by Dorothy Noyes Arms. Macmillan NY 1929. 4to cloth 179pp. 51 reproductions of etchings. Text by Mrs. Arms contains valuable material about Arms' working methods background information about the subjects and how they were selected. The illustrations are much better than those in the catalogue raisonne. The book is a useful supplement to the catalogue with reference to the French Churches series of etchings which include some of Arms' finest and best known works e.g. Le Penseur de Notre Dame Lace in Stone. VG. There is a companion volume Hill Towns of Northern Italy published 1932 which is similarly useful for the series which includes Venetian Filigree etc. hardcover‎

Referenz des Buchhändlers : 2832

‎Arms, Dorothy Noyes [John Taylor Arms]‎

‎Fishing Memories‎

‎The Macmillan Company New York 1938. 1st Edition. Hardcover. Very Good/No Jacket. Inscribed on the title page: "For Harriet and John Finucane our friends from Dorothy Noyes Arms John Taylor Arms." An early memoir about fishing from a woman uncommon signed. As the foreword says "Since time immemorial fishing has been considered a purely masculine sport. . . . for the unknown sisterhood of the rod and reel this little book is written." Dorothy and John have each signed separately and the inscription to their friends is in John's hand. Interestingly a previous inscription is present but very faded. John Taylor Arms was a well-known artist. Though he didn't do the illustrations in this volume--those belong to William J. Schaldach--the book is dedicated to him: "To J.T.A. to whose keen love of angling and joyous companionship in the days spent beside lake or brook or river I owe my happy fishing memories." Chapters range from at least Maine to Wyoming from trout to salmon with a lot in-between. Gilt fish on front and gilt lettering on the spine blue cloth. A very good book with stain to lower corner of front board light sunning to spine and toning to pages lacking the dust jacket. // Wood River = Books specializes in ecology natural history nature writing the environment and environmental literature with a special passion for association copies and notable inscriptions. The Macmillan Company, New York hardcover‎

Referenz des Buchhändlers : ABE-1680757161243

‎Arms, Dorothy Noyes‎

‎FISHING MEMORIES‎

‎Schaldach William J. Schaldach William J.illus. FISHING MEMORIES by Dorothy Noyes Arms. Macmillan NY 1938 First Printing. 8vo. cloth DJ 184pp. illustrated with 16 full page drawings and many head- and tail-pieces. The author and her husband the etcher John Taylor Arms to whom the book is dedicated were ardent fishermen. The book is a memoir of their many fishing trips. Fine DJ has losses along its top. hardcover‎

Referenz des Buchhändlers : 9664

‎ARMS, Dorothy Noyes ARMS, John Taylor (illus)‎

‎Hill Towns and Cities of Northern Italy.‎

‎New York:: The Macmillan Company 1932. First edition; No. 29 of 100 copies signed by Dorothy Noyes Arms. publisher's two-toned cloth . Very slightest of use to the cloth; clean tight and sound. Folio. With Fifty-Six Reproductions of Etchings Aquatints and Drawings by John Taylor Arms including a frontispiece original etching signed by John Taylor Arms. The Macmillan Company, hardcover‎

Referenz des Buchhändlers : 80572

‎Arms, Dorothy Noyes‎

‎Hill Towns and Cities of Northern Italy with Fifty-Six Reproductions of Etchings Aquatints and Drawings‎

‎NY: MacMillan & Book Society. Very Good in Fair dust jacket. 1932. First Edition. Hardcover. Color Illustrations; 217 pages; 56 full page etchings aquatints and drawings. 9 X 12". Publisher's salmon cloth. Spine somewhat darkened contents clean and unmarked. DJ chipped with 2" loss ar upper left corner. Clipped DJ. . MacMillan & Book Society hardcover‎

Referenz des Buchhändlers : 37143

‎Arms, George Warren‎

‎Poetry Explication: A Checklist of Interpretation Since 1925 of British and American Poems Past and Present‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referenz des Buchhändlers : 1258276178.G ISBN : 1258276178 9781258276171

‎Arms, Goodsil Filley‎

‎History of the William Taylor Self-Supporting Missions in South America‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Referenz des Buchhändlers : 1017311587.G ISBN : 1017311587 9781017311587

‎Arms, Goodsil Filley‎

‎History Of The William Taylor Self-Supporting Missions In South America 1921‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referenz des Buchhändlers : 1436875471.G ISBN : 1436875471 9781436875479

‎Arms, Hiram Phelps‎

‎The Intermarriage Of The Deaf: Its Mental Moral And Social Tendencies 1887‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Referenz des Buchhändlers : 1162221925.G ISBN : 1162221925 9781162221922

‎Arms, John Taylor‎

‎A Tower of Saint Front Perigueux‎

‎1928. Etching with drypoint on antique cream laid paper 12 x 5 9/16 305 x 142 mm; sheet 13 1/4 x 8 1/2 inches 337 x 216 mm. Signed dated and inscribed in the lower margin in pencil. Although Fletcher specifies only 2 trial proofs Arms himself has inscribed "Trial Proof VII" in pencil in the lower margin. An impression aside from the regular edition of 100 printed on 18th century paper with a contemporary inscription in ink in the upper right corner which reads "Cent quatre vingt quatre" one hundred twenty four. There are some areas of light discoloration in the margins that date to the origin of the paper. Printed by Frederick Reynolds assisted by Henry Carling. A magnificently detailed impression in excellent condition. <br /> <br /> Fletcher 212. Périgueux has one of the most extensive old towns in the Dordogne department in France. The Périgueux Cathedral was originally built in the 12th century but it was rebuilt by the architect Paul Abadie between 1852 and 1895. The base of the bell tower was part of the original church. Today the square bell tower has three tiers pierced with arches that support a tall dome. In Arms' etching the bell tower looms above a narrow cobblestone alley lined with ancient stone buildings. In perhaps a tribute to Whistler Arms left building surfaces unmarked by his etching needle. Light vertical passages draw the viewer's eye toward the darker more detailed center of the image. One's eyes move upward with the play of shadow texture and light toward the imposing domed bell tower.<br /> <br /> Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown‎

Referenz des Buchhändlers : 2317

‎Arms, John Taylor‎

‎Afterglow; Geddington England‎

‎1938. Etching on antique Emberlin 1846 cream laid paper with a parial watermark of Britannia or Seated Victory set in a cartouche surmounted by the Crown of England 3 1/4 x 5 1/2 inches 83 x 140 mm full margins. Signed dated and inscribed "Ed. 150 II" in pencil lower margin. Non-archival tape tabs at the top corners recto well outside of the image area otherwise in excellent condition. Fletcher states an unknown number of first state proof impressions and 13 second state proof impressions; he also states a regular edition of 231 second state impressions. Arms's hand inscription regarding the numbering on this print remains slightly mysterious although Fletcher does descibe other instances in which recorded edition numbers appeared to be incomplete or incorrect so not an anomoly in this instance. The very special paper hand chosen for this impression would indicate that this is a proof impression perhaps a presentation proof of the second state aside from an unrealized run of 150. <br /> <br /> Fletcher 315. Paper: Arms was typical of the artists of this period - he was obsessed with paper a mania for collecting paper that could/would improve an edition. The quantity he left after his death distributed by his wife to fellow artists witnesses his love for finely made paper -paper interesting because of texture color distinctive weave.<br /> <br /> The earliest paper known to have been used by Arms came from a Baptismal Register Kirchen Ordnung The Reformed Church Middletown Dauphin County Pennsylvania 1708 bought in a bookshop in Philadelphia.<br /> <br /> His early prints 1915-1919 evidence paper taken from old books with gilded edges. Some prints appear on stationary from the Cisalpine Napoleonic Italy still bearing the estampe of the office or department; others carry penned ink page numbers taken from old ledgers of the Eighteenth Century-all beautiful shades of grey blue and green handmade ribbed and otherwise. Some of his color aquatints were printed on full sheets of heavy chine or Japanese vellum giving a sense of luxury in the richness of the stock and the width of the margins. There was a myriad of modern papers gleaned in England France Italy and the United States. -William Dolan Fletcher A Man For All Times p. 15. unknown‎

Referenz des Buchhändlers : 827

‎Arms, John Taylor‎

‎American Etchers Vol.V.‎

‎Crafton Collection 1930. Hardcover. Very Good. in x in x in. 2nd printing. Tipped in plates. Lightly read if read at all. No markings in book. Binding is fine. DJ with shelf wear to edges. Crafton Collection hardcover‎

Referenz des Buchhändlers : mon0000033191

‎Arms, John Taylor‎

‎ARCH OF THE CONCA PERUGIA‎

‎1926. Arms John Taylor. Arms John Taylor. ARCH OF THE CONCA PERUGIA. Etching 1926. 10 1/4" x 14 5/8 plus margins. Framed to 18 x 22 inches. Signed in pencil and annotated "Trial Proof No. 6"; only state. Fletcher 175. There were 12 trial proofs and an edition of 100. Printed by Frederick Reynolds. In excellent condition. Number 4 of the Italian Series and one of Arms' "Preferred" plates. Dorothy Noyes Arms Hill Towns of Northern Italy Macmillan 1930 P. 70. unknown‎

Referenz des Buchhändlers : 13886

‎Arms, John Taylor; Arthur Heintzelman‎

‎Arthur WM Heintzelman‎

‎MINTON BALCH & CO. As New. 1927. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 31 pages 12 plates chronological list of etchings done from 1915 -1926 "Modern American Etchers" Series 4to. -- with a bonus offer-- . MINTON BALCH & CO hardcover‎

Referenz des Buchhändlers : 82598

‎Arms, John Taylor‎

‎BATTLE WAGON - U.S.S. ALABAMA OUTFITTING AT NORFOLK NAVY YARD CRANE SHIP KEARSARGE ALONGSIDE - 1942‎

‎Arms John Taylor. BATTLE WAGON - U.S.S. ALABAMA OUTFITTING AT NORFOLK NAVY YARD CRANE SHIP KEARSARGE ALONGSIDE - 1942 . F.376. Etching and drypoint 1943. Sixth State Inscribed "VI" lower left and signed and dated 1943 lower right. This is a proof printed by Charles White aside from the edition of 872. In excellent condition. unknown‎

Referenz des Buchhändlers : 13975

‎Arms, John Taylor‎

‎Bourges; The Cathedral of St. Étienne‎

‎1925. Etching on watermarked handmade F J Head & Co cream laid paper with a deckle edge 14 1/8 x 9 1/8 inches 358 x 232 mm; sheet 18 1/8 x 11 inches 461 x 280 mm full margins. Signed and dated in pencil in the lower margin. Although the work is not identified by the artist given the special nature of the paper it is likely one of a very limited number of trial proof impressions. Minor mat tone otherwise in superb condition. <br /> <br /> Fletcher 166. unknown‎

Referenz des Buchhändlers : 2332

‎Arms, John Taylor‎

‎Cathedral de Saint Julien le Mans‎

‎Etching on antique cream laid paper with a deckle edge 9 1/8 x 9 3/4 inches 232 x 248 mm; sheet 12 1/8 x 12 3/4 inches 307 x 323 mm full margins. Signed and dated in pencil in the lower right margin. In excellent condition with some extremely minor uniform toning a light pencil notation "56" in the lower margin perhaps in the artist's hand and with the upper-right extreme corner loosely dog-eared well outside of the image area. Paper tape tabs at the top right and left corner verso. A magnificently detailed image with excellent inking and rich burr. <br /> <br /> <br /> Fletcher 206. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown‎

Referenz des Buchhändlers : 2035

‎Arms, John Taylor‎

‎Cavendish Church‎

‎1944. Etching on cream laid paper with a deckle edge and with an unidentified watermark with an "AL" inside an ovoid cartouche with a garter and buckle likely English 19th century 9 1/2 x 5 1/2 inches 242 x 140 mm; sheet 13 x 7 1/2 330 x 190 mm full margins. Signed titled dated and numbered "II" in pencil in the lower margin. In very good condition with some minor mat tone and uniform age tone with paper tape at the top and bottom corners at the right sheet edge verso. A trial proof from a total of 13 proof impressions. A good impression on antique paper.<br /> <br /> English Series No. 11.<br /> <br /> Fletcher 181. On an impression of this work belonging to William Dolan Fletcher Arms mentions that he spent 236 hours on the first state and an additional 53 1/2 hours on the second state.<br /> <br /> Awards:<br /> 1945: Annual Exhibition of the Royal Academy London<br /> 1945: Best Print in Exhibition 22nd Annual Exhibition Arts & Crafts Assoc. Meriden CT.<br /> 1947: Honorable Mention for Excellence 30th Annual Exhibition Chicago Society of Etchers Chicago IL.<br /> 1948: Special Mention for Excellence 30th Annual Exhibition Palm Beach Art League West Palm Beach FL.<br /> <br /> Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown‎

Referenz des Buchhändlers : 2041

‎Arms, John Taylor‎

‎Ceignac Aveyron‎

‎1950. Etching on antique cream laid paper with a deckle edge and an unidentified round watermark with an arm holding a torch 3 1/2 x 5 5/8 inches 89 x 144 mm; sheet 5 3/4 x 8 3/8 inches 146 x 212 mm full margins. Signed titled and inscribed "II" in pencil in the lower margin. One of 6 six proof impressions of the 2nd state of 2 aside from the regular edition of 300. Printed by Charles S. White. In good condition with minor mat tone and some inscriptions in pencil in the lower margin on ther verso. Ex-collection Atlantic Gallery Washington DC with the label on the mat-back. <br /> <br /> Fletcher 422. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown‎

Referenz des Buchhändlers : 2053

‎Arms, John Taylor‎

‎Chartres The Magnificent‎

‎1948. Etching on handmade cream laid paper 3 1/2 x 4 1/4 inches 890 x 108 mm full margins. Signed dated and inscribed "III" in pencil lower margin. Edition of 150 third state of three. No. 49 from the French Church Series. A beautiful bright inky impression in excellent condition with astonishing detail.<br /> <br /> Fletcher 411 iii/III. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown‎

Referenz des Buchhändlers : 698

‎Arms, John Taylor‎

‎Chartres; Cathedral of Notre Dame from the River‎

‎1927. Etching on handmade Japon paper with a deckle edge 13 1/8 x 9 7/8 inches 333 x 252 mm; sheet 18 1/4 x 13 3/4 inches 463 x 349 mm full margins. Signed dated and inscribed "Second State Trial Proof III" in pencil in the lower margin. This trial proof is the third impression of only 3 aside from regular second state edition of 100. Two trial proofs of the first state exist however the regular first state was never published. Bottom margin very slightly trimmed still leaving full margins and an unobtrusive printing anomaly occurring as a fine line across the upper-right quadrant of the sheet otherwise in superb condition. Printed by Frederick Reynolds. <br /> <br /> Fletcher 193. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown‎

Referenz des Buchhändlers : 2033

‎Arms, John Taylor‎

‎Churches of France‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Referenz des Buchhändlers : 1025525426.G ISBN : 1025525426 9781025525426

‎Arms, John Taylor‎

‎Corbel on Gate House Stokesay Castle; Shropshire Corbel‎

‎1944. Etching on cream wove paper 3 3/16 x 1 9/16 inches 81 x 41 mm full margins. Signed dated and inscribed "II" in pencil lower margin and with an inscription and dedication in the artist's hand in the lower margin. From the second state of 2 before the reduction of the plate. Fletcher states a total of three trial proofs an unknown number of first state impressions and a regular edition of 136 second state impressions. We believe this impression may be an unrecorded second state trial proof impression. In very good condition with notations in pencil in the margins and paper tape at the top corners on the verso and a dog-eared upper right corner well outside of image area. <br /> <br /> Fletcher 382. No. 32 from the Miniature Series <br /> No. 12 from the English Series <br /> <br /> The inscription in Arms's hand reads: An experiment on wood textures! To my friend FitzRoy Carrington J.T.A. <br /> <br /> FitzRoy Carrington was born in Surbiton Surrey in England; he was educated at Victoria College Jersey before coming to New York City in 1886. He worked for Frederick Keppel & Co. a dealer of etchings and engravings between 1892 and 1913 and became a member of the firm in 1899. In 1911 the year before he published Prints and their Makers 1912 he became the editor of The Print Collector's Quarterly. After 1913 he became a lecturer on the history of engraving at Harvard University and a curator of prints at the Museum of Fine Arts Boston. He subsequently authored Engravers and Etchers: Six Lectures Delivered on the Scammon Foundation at the Art Institute of Chicago 1917 and On Print Collecting 1929. He died in 1954. -Dumbarton Oaks Research Library and Collection. unknown‎

Referenz des Buchhändlers : 1261

‎Arms, John Taylor‎

‎Coutances‎

‎1926. Etching on thin bluish-green cream laid paper 9 1/4 x 4 3/4 inches 233 x 120 mm full margins. Signed and dated in pencil lower margin. First and only state. Printed by Frederick Reynolds. In very good condition with two or three very minor points of light discoloration in the lower left margin outside of image area. Printing anomaly along the extreme left sheet edge well outside of image area. A beautiful inky impression. Comparable impressions of this work may be found in the permanent collections of the Art Institute of Chicago the Toledo Museum of Art and the Cleveland Art Museum. <br /> <br /> Fletcher 197. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown‎

Referenz des Buchhändlers : 685