‎Fin de siglo‎

‎Brissaud, Pierre - 1885 Paris ? 1964‎

‎Le prologue ou La Comédie au Chateau.‎

‎o.J. Pochoir, 1920, auf Bütten. Darstellungsgröße 16:13 cm, Blattgröße 24,5:19 cm. ? Papier leicht vergilbt. Aus: La Gazette du Bon Ton ? No 6, Juillet 1920. ? Pl. 40. Paris, Julien Vogel 1920.‎

‎An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication ?was aimed at bibliophiles and fashionable society,? (Françoise Tétart-Vittu, ?La Gazette du bon ton?, in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium.‎

Referencia librero : 1010-C

‎Brissaud, Pierre - 1885 Paris ? 1964‎

‎La Fête est finie. Robe d?organdi et robe de petite fille, de Jeanne Lanvin.‎

‎o.J. Pochoir, 1920, auf Bütten. Darstellungsgröße 16,9:13,5 cm, Blattgröße 24,7:19 cm. Aus: La Gazette du Bon Ton ? No 4, Mai 1920. ? Pl. 30. Paris, Julien Vogel 1920. Die Modeschöpferin Jeanne Lanvin (1867-Paris-1946) gilt als Begründerin der ?Haute Couture?.‎

‎An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication ?was aimed at bibliophiles and fashionable society,? (Françoise Tétart-Vittu, ?La Gazette du bon ton?, in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium.‎

Referencia librero : 1008-C

‎Lorenzi, Fabio - 1880 ? 1904‎

‎Sophonisbe. Kostümentwurf von Charles F. Worth (1825-1895) für Mme Bartet.‎

‎o.J. Pochoir, auf festem Bütten. Darstellungsgröße 16,7:13,4 cm, Blattgröße 24,4:19,2 cm. Aus: La Gazette du Bon Ton. ? No 1, Janvier 1914 ? Pl. V. Paris, Julien Vogel 1914.‎

‎An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication ?was aimed at bibliophiles and fashionable society,? (Françoise Tétart-Vittu, ?La Gazette du bon ton?, in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium.‎

Referencia librero : 1006-C

‎Lhuer, Victor - 1876 Bukarest ? Paris 1952‎

‎Robe de nansouk bordée de linon bleu de ciel.‎

‎o.J. Pochoir, auf Bütten mit Wasserzeichen: Journal des Dames. 17,8:11 cm. Gedruckt bei J. N. A. et Cie. 1914. Aus ?Journal des Dames et des Modes?, Costumes Parisien, 1914, 177.‎

‎This is a plate-signed hand-coloured pochoir illustration from the 1914 Journal des Dames et des Modes - a Parisian haute couture journal containing these(unbound) artworks published by Tom Antongini from June 1912 until August 1914.‎

Referencia librero : 1003-C

‎Vallée, Armand - 1884 ? Paris ? 1960‎

‎Costumes d?excursion.‎

‎o.J. Pochoir, auf Bütten mit Wasserzeichen: Journal des Dames. 17,8:11 cm. Gedruckt bei J. N. A. et Cie. 1914. Aus ?Journal des Dames et des Modes?, Costumes Parisien, 1914, 166.‎

‎This is a plate-signed hand-coloured pochoir illustration from the 1914 Journal des Dames et des Modes - a Parisian haute couture journal containing these(unbound) artworks published by Tom Antongini from June 1912 until August 1914.‎

Referencia librero : 1001-C

‎Lhuer, Victor - 1876 Bukarest ? Paris 1952‎

‎Veste de drap fin sur jupe de même à tunique de taffetas pékiné.‎

‎o.J. Pochoir, auf Bütten mit Wasserzeichen: Journal des Dames. 17,8:11 cm. Gedruckt bei J. N. A. et Cie. 1914. Aus ?Journal des Dames et des Modes?, Costumes Parisien, 1914, 163.‎

‎This is a plate-signed hand-coloured pochoir illustration from the 1914 Journal des Dames et des Modes - a Parisian haute couture journal containing these(unbound) artworks published by Tom Antongini from June 1912 until August 1914.‎

Referencia librero : 0999-C

‎Französischer Illustrator - tätig um 1914‎

‎Manteau d?après-midi en duvetyn citron, avec une boucle de moire.‎

‎o.J. Pochoir, auf Bütten. 17,8:11 cm. Gedruckt bei Tom Antongini, Paris. Aus ?Journal des Dames et des Modes?, Costume Parisien 1914, 160.‎

‎This is a plate-signed hand-coloured pochoir illustration from the 1914 Journal des Dames et des Modes - a Parisian haute couture journal containing these(unbound) artworks published by Tom Antongini from June 1912 until August 1914.‎

Referencia librero : 0997-C

‎Boutet de Monvel, Bernard - 1881 Paris ? Azoren 1949‎

‎Un Incroyable et une Cantinière.‎

‎o.J. Pochoir, auf Bütten mit Wasserzeichen: Journal des Dames. 17,8:11 cm. Aus ?Journal des Dames et des Modes?, Costumes Parisien, 1914, 144.‎

‎This is a plate-signed hand-coloured pochoir illustration from the 1914 Journal des Dames et des Modes - a Parisian haute couture journal containing these(unbound) artworks published by Tom Antongini from June 1912 until August 1914.‎

Referencia librero : 0996-C

‎Drian, Etienne - 1885 Bulgnéville ? 1961‎

‎Robe du soir en soi bleu de lune pailletée. Dame in Abendrobe aus blauer Seide.‎

‎o.J. Pochoir, auf Bütten mit Wasserzeichen: Journal des Dames. 17,8:11 cm. Aus ?Journal des Dames et des Modes?, Costumes Parisien, 1914, 133.‎

‎This is a plate-signed hand-coloured pochoir illustration from the 1914 Journal des Dames et des Modes - a Parisian haute couture journal containing these(unbound) artworks published by Tom Antongini from June 1912 until August 1914.‎

Referencia librero : 0993-C

‎Marty, André Edouard - 1882 ? Paris ? 1974‎

‎Le Diner au Chateau. Manteau pour le soir, de Paul Poiret.‎

‎o.J. Pochoir, 1921, auf Bütten. Darstellungsgröße 16,5:13,4 cm, Blattgröße 24,5:19,2 cm. Aus: La Gazette du Bon Ton ? No 6, Année 1921. ? Pl. 46. Paris, Julien Vogel 1921. Paul Poiret (1879-Paris-1944), französischer Couturier und Parfumeur, bekannt für seinen Wagemut, gilt als Vorläufer des Art-déco-Stils. Er gründete 1903 das Modehaus, das seinen Namen trägt.‎

‎An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication ?was aimed at bibliophiles and fashionable society,? (Françoise Tétart-Vittu, ?La Gazette du bon ton?, in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium.‎

Referencia librero : 1026-C

‎Brissaud, Pierre - 1885 Paris ? 1964‎

‎Venez danser. Robe du Soir, de Jeanne Lanvin.‎

‎o.J. Pochoir, 1921, auf Bütten. Darstellungsgröße 15,6:13,5 cm, Blattgröße 24,6:19 cm. Aus: La Gazette du Bon Ton ? No 6, Année 1921. ? Pl. 45. Paris, Julien Vogel 1921. Die Modeschöpferin Jeanne Lanvin (1867-Paris-1946) gilt als Begründerin der ?Haute Couture?.‎

‎An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication ?was aimed at bibliophiles and fashionable society,? (Françoise Tétart-Vittu, ?La Gazette du bon ton?, in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium.‎

Referencia librero : 1025-C

‎Drian, Etienne - 1885 Bulgnéville ? 1961‎

‎Robe de linon de fil.‎

‎o.J. Pochoir, auf Bütten. 17,8:11 cm. Aus ?Journal des Dames et des Modes?, Costumes Parisien, 1913, 98.‎

‎This is a plate-signed hand-coloured pochoir illustration from the 1914 Journal des Dames et des Modes - a Parisian haute couture journal containing these(unbound) artworks published by Tom Antongini from June 1912 until August 1914.‎

Referencia librero : 0990-C

‎Brissaud, Pierre - 1885 Paris ? 1964‎

‎Le Mariage au Chateau.‎

‎o.J. Pochoir, 1913, auf Bütten. Darstellungsgröße 16,6:32,5 cm, Blattgröße 24:37,9 cm. ? Mit vertikaler Mittelfalte, Papier leicht gebräunt, in den Ecken recto Reste einer alten Verklebung. Aus: La Gazette du Bon Ton ? No 7, Mai 1913. ? Pl. 1. Paris, Julien Vogel 1920.‎

‎An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication ?was aimed at bibliophiles and fashionable society,? (Françoise Tétart-Vittu, ?La Gazette du bon ton?, in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium.‎

Referencia librero : 1040-C

‎Monogrammist mfn - französischer Modezeichner, tätig um 1913‎

‎Costume tailleur du matin en lainage vert-de-gris, ceinture parements et col en taffetas écossais jaune et gris.‎

‎o.J. Pochoir, auf Bütten. 17,8:11 cm. Aus ?Journal des Dames et des Modes?, Costumes Parisien, 1913, 58.‎

‎This is a plate-signed hand-coloured pochoir illustration from the 1914 Journal des Dames et des Modes - a Parisian haute couture journal containing these(unbound) artworks published by Tom Antongini from June 1912 until August 1914.‎

Referencia librero : 0985-C

‎Georges Lepape & Pierre Mourgue - Paris, La Gazzette du BonTon, 1921‎

‎La Matinée ensoleillée. Anzeige der Firma Ameublements de Style / Chez Mercier Frères / Tapissier-Décorateurs / 100, Rue du Faubourg-Saint-Antoine, Paris.‎

‎o.J. Pochoir, 1921, auf Bütten. Darstellungsgröße 13,7:12,6 cm, Blattgröße 24,6:19,2 cm. ? Verso: 3 weitere Inserate. [2 Warenabbildungen]‎

‎An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication ?was aimed at bibliophiles and fashionable society,? (Françoise Tétart-Vittu, ?La Gazette du bon ton?, in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium.‎

Referencia librero : 1038-C

‎Barbier, George - 1882 Nantes ? Paris 1932‎

‎Me voici! Robe, de Worth.‎

‎o.J. Pochoir, 1924, auf Bütten. Darstellungsgröße 16,8:13,5 cm, ?lattgröße 24,5:19 cm. Aus: La Gazette du Bon Ton ? No 1, Année 1924. ? Pl. 3. Paris, Julien Vogel 1924-1925. Charles Frederick Worth (185-1895) war ein englischer Modeschöpfer, der als einer der Begründer der ?Haute Couture? gilt.‎

‎An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication ?was aimed at bibliophiles and fashionable society,? (Françoise Tétart-Vittu, ?La Gazette du bon ton?, in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium.‎

Referencia librero : 1035-C

‎Dammy, H. Robert - geb. ca. 1890, Illustrator‎

‎Manteau de velours frappé Citron. Col velours blanc et Renard blanc. Abendrobe.‎

‎o.J. Pochoir, auf Bütten mit Wasserzeichen: Journal des Dames. 17,8:11 cm. Aus ?Journal des Dames et des Modes?, Costumes Parisien, 1913, 50.‎

‎This is a plate-signed hand-coloured pochoir illustration from the 1914 Journal des Dames et des Modes - a Parisian haute couture journal containing these(unbound) artworks published by Tom Antongini from June 1912 until August 1914.‎

Referencia librero : 0983-C

‎Pichon, Marcelle - französische Illustratorin, tätig um 1921‎

‎La Tonnelle. Robes de Garden-Party.‎

‎o.J. Pochoir, 1921, auf Bütten. Darstellungsgröße 17:13,5 cm, Blattgröße 24,5:18,7 cm. Aus: La Gazette du Bon Ton ? No 6, Année 1921. ? Pl. 43. Paris, Julien Vogel 1921.‎

‎An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication ?was aimed at bibliophiles and fashionable society,? (Françoise Tétart-Vittu, ?La Gazette du bon ton?, in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium.‎

Referencia librero : 1024-C

‎Barbier, George - 1882 Nantes ? Paris 1932‎

‎Le Belvédère, Robe-Manteau, de Worth.‎

‎o.J. Pochoir, 1924, auf Bütten. Darstellungsgröße 16,9:13,5 cm, ?lattgröße 24,5:19,1 cm. Aus: La Gazette du Bon Ton ? No 7, Année 1924. ? Pl. 36. Paris, Julien Vogel 1924. Charles Frederick Worth (185-1895) war ein englischer Modeschöpfer, der als einer der Begründer der ?Haute Couture? gilt.‎

‎An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication ?was aimed at bibliophiles and fashionable society,? (Françoise Tétart-Vittu, ?La Gazette du bon ton?, in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium.‎

Referencia librero : 1030-C

‎Marty, André Edouard - 1882 ? Paris ? 1974‎

‎Les Plaisirs de la Campagne. Robe de Paul Poiret.‎

‎o.J. Pochoir, 1921, auf Bütten. Darstellungsgröße 17,3:13,6 cm, Blattgröße 24,4:19 cm. Aus: La Gazette du Bon Ton ? No 4, Année 1921. ? Pl. 32. Paris, Julien Vogel 1921. Paul Poiret (1879-Paris-1944), französischer Couturier und Parfumeur, bekannt für seinen Wagemut, gilt als Vorläufer des Art-déco-Stils. Er gründete 1903 das Modehaus, das seinen Namen trägt.‎

‎An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication ?was aimed at bibliophiles and fashionable society,? (Françoise Tétart-Vittu, ?La Gazette du bon ton?, in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium.‎

Referencia librero : 1029-C

‎Taquoy, Maurice - 1878 Mareuil-sur-ay/Region Marne - 1952‎

‎Tenue d?Equipage. Carrik en drap souris. Frau in Jagdkleidung mit Reitgerte.‎

‎o.J. Pochoir, auf Bütten. 17,8:11 cm. Aus ?Journal des Dames et des Modes?, 1912, 27.‎

‎This is a plate-signed hand-coloured pochoir illustration from the 1914 Journal des Dames et des Modes - a Parisian haute couture journal containing these(unbound) artworks published by Tom Antongini from June 1912 until August 1914.‎

Referencia librero : 0981-C

‎Siméon, Fernand - 1884 ? Paris ? 1928‎

‎Deshabillé de Mousseline de soi glycine drapé et bordé de fourrure. Petite casaque de velours noir frappé. Junge Frau in einem Hauskleid vor einem Spiegel stehend.‎

‎o.J. Pochoir, auf Bütten mit Fragment eines Wasserzeichens. 17,8:11 cm. Aus ?Journal des Dames et des Modes?, 1912, 26.‎

‎This is a plate-signed hand-coloured pochoir illustration from the 1914 Journal des Dames et des Modes - a Parisian haute couture journal containing these(unbound) artworks published by Tom Antongini from June 1912 until August 1914.‎

Referencia librero : 0979-C

‎Brissaud, Pierre - 1885 Paris ? 1964‎

‎Faites-moi celle-ci? Robe de Soir, de Doeuillet.‎

‎o.J. Pochoir, 1921, auf Bütten. Darstellungsgröße 15,9:13,5 cm, Blattgröße 24,6:19,2 cm. Aus: La Gazette du Bon Ton ? No 8, Année 1921. ? Pl. 60. Paris, Julien Vogel 1921. Paul Poiret (1879-Paris-1944), französischer Couturier und Parfumeur, bekannt für seinen Wagemut, gilt als Vorläufer des Art-déco-Stils. Er gründete 1903 das Modehaus, das seinen Namen trägt.‎

‎An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication ?was aimed at bibliophiles and fashionable society,? (Françoise Tétart-Vittu, ?La Gazette du bon ton?, in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium.‎

Referencia librero : 1014-C

‎Jiménez de Cisneros, Francisco‎

‎PORTRAIT Ximenes. (urspr. Gonzalo Jimenez, 1436 Torrelaguna - 1517 Roa, spanischer Theologe). Brustbild en profil. Stahlstich.‎

‎[Ca. 1850]. 5 x 4,5 cm. Feinkartonpassepartout.‎

‎Miniatur-Porträt. - Kirchenfürst u. Reformator, Erzbischof von Toledo, Beichtvater der Königin Isabella, 1507 von Papst Julius II. zum Großinquisitor ernannt, ein Amt, das er grausam u. unerbittlich ausübte. - Mit diagonalem Wasserrand‎

Referencia librero : 57960

‎Heil, Axel / Martial, Julien‎

‎Erró - Grimaces. Übersetzungen Margrit Brehm.‎

‎(Karlsruhe, Ernest Rathenau Verlag, 2018). 262; 26 nn. S. Mit über 1200 Grimassen-Bildern u. weiteren, teils farbigen Abb. 31 cm. OHLn.‎

‎Weißer Druck auf schwarzem Papier. - Erró forderte zwischen 1964 und 1967 Künstlerinnen und Künstler, Musiker, Dichter, Galeristen, Kritiker und Kuratoren auf, für ihn Grimassen zu schneiden. Aus 173 Aufnahmen wurde ein 40minütiger Film, der wiederum für das vorliegende Buch Pate stand. - U.a. mit den Grimassen von Marcel Duchamp, Man Ray, Jim Dine, Friedensreich Hundertwasser, Claes Oldenburg, Frank Stella u.v.a. - Gutes, sauberes Exemplar‎

Referencia librero : 93410