‎Orphée‎

‎TÉTREAU, François‎

‎Portrait de femme sur une table‎

‎Montréal Orphée 1985‎

‎in-8, n.p., 17 feuillets. En feuilles sous portefeuille imprimée. :: Edition originale à tirage limité. :: Bon état.‎

Referenz des Buchhändlers : 15875

‎VAUGHAN, William, as Orpheus Junior‎

‎The Golden Fleece‎

‎London: Francis Williams 1626. A remarkable piece of colonial propaganda and one of the earliest books concerned with America First edition published to promote Vaughan's Newfoundland settlement. This fanciful work "draws a parallel between the mission conducted by Jason and his fellow Argonauts to win the golden fleece and the opportunities offered to colonists especially Orpheus junior's 'countreymen of Wales' in Newfoundland" ODNB. William Vaughan 1577-1641 was concerned about the poor economic conditions in Wales and became interested in colonization as a means of improving standards of living. In 1616 he purchased a portion of the Avalon Peninsula and the following year dispatched a few ill-prepared colonists. In honour of its Welsh origin the colony was named Cambriol. Hiring the English mariner Richard Whitbourne in 1618 and as governor Vaughan hoped to attract more colonists: "Whitbourne did his best to reorganize the colony by moving it to a better location but at the same time had to deal with a piratical attack on one of his ships from deserters of the Guiana fleet of Sir Walter Raleigh" Howgego. The colony collapsed in 1619. His attempts to promote it continued throughout the 1620s. Wishing "to obtain more settlers he wrote this allegory in praise of his colony in which truth and fiction are mixed to such an extent that the reader of the present day can hardly separate the one from the other" Church. The map of Newfoundland by Captain John Mason here in facsimile is very rarely found with the book. Small quarto 180 x 134 mm in 3 parts pp. 28 150 106 96 with pagination errors as issued. With facsimile map as often and bound without blank leaves V4 and 2O2. Early 19th-century calf smooth spine divided by gilt rules and lozenges gilt crowned monogram of Arthur Blundell Sandys Trumbull Hill 3rd Marquess of Downshire 1788-1845 to the head of the spine sides ruled in gilt marbled endpapers speckled edges. Fox Pointe Manor library of Howard and Linda Knohl bookplate on front pastedown. Spine and corners sometime repaired minor loss to headcap joints starting in a few places but firm lacking spine label rear endpapers adhered too tightly at gutter 2F3 with minor paper repair at foot: a very good copy. ESTC S119039; Sabin 98693; Church 409; Howgego V18. unknown‎

Referenz des Buchhändlers : 182961

‎Vergilius Maro, Publius (Mitwirkender), Ingeborg (Mitwirkender) Bachmann und Wolfgang (Herausgeber) Storch‎

‎Mythos Orpheus : Texte von Vergil bis Ingeborg Bachmann. hrsg. von Wolfgang Storch / Reclams Universal-Bibliothek ; Bd. 1590 1. Aufl.‎

‎Leipzig : Reclam, 1997. 291 S. ; 19 cm kart.‎

‎Sehr geringe Lese- und Alterungsspuren, keine Einträge Wolfgang Storch: Orpheus.................................................. 11 I DER GANG IN DEN HADES Vergil: Georgica..................................................................... 28 Ovid: Metamorphosen............................................................ 31 Angelo Poliziano: Die Tragödie des Orpheus...................... 41 Rainer Maria Rilke: Orpheus. Eurydike. Hermes................ 56 II ORPHISCHER GESANG [Dem Orpheus zugeschrieben:] Orfeus der Argonaut [Prooemium an Apollo]................................................. 60 Aristophanes: Die Vögel......................................................... 62 Orphische Hymnen............................................................... 63 Apollonios Rhodios: Die Argonauten................................... 66 [Dem Orpheus zugeschrieben:] Orfeus der Argonaut [Die Gewinnung des Goldenen Vlieses]......................... 69 Wjatscheslaw Iwanow: Orpheus......................................... 75 Pawel Florenski: »Hielt er es nicht für einen Raub« .... 76 Dino Campana: La Verna. Rückkehr................................... 77 Gottfried Benn: Orphische Zellen......................................... 80 Adonis: Orpheus..................................................................... 81 III DER DEN TOD ÜBERWUNDEN HAT: ORPHEUS - CHRISTUS Clemens von Alexandrien: Mahnrede an die Heiden .... 84 Laktanz: Göttliche Institutionen............................................ 86 Eusebius: Theophanie............................................................ 87 Kyrill von Alexandrien: Gegen Julian............................... . 88 Pedro Calderön de la Barca: Der göttliche Orpheus............. 90 Novalis: Hymnen an die Nacht...............................................137 Ruben Dario: »Sum«.................................. 143 Muriel Rukeyser: Das Gedicht als Maske. Orpheus IV DER WEISE Horaz: Die Dichtkunst.............................................................. 146 Boethius: Trost der Philosophie.............................................. 147 Thomas von Aquin: Kommentar zu der Schrift »Über die Seele« des Aristoteles........................................................... 149 Dante Alighieri: Das Gastmahl.............................................. 149 Giovanni Boccaccio: Orpheus, der neunte Sohn Apollons . 151 Marsilio Ficino: Die Herkunft des Eros..................................156 Giovanni Pico della Mirandola: Über die Würde des Menschen..............................................................................160 Francis Bacon: Orpheus oder die Philosophie.........................161 Johann Wolfgang von Goethe: Urworte. Orphisch.............. 164 Andre Breton: Ode an Charles Fourier..................................170 V DIE MUSIK VOR ALLEN DINGEN Manilius: Astrologie................................................................. 174 Lukian: Der ungebildete Büchernarr..................................... 174 William Shakespeare: Lied / Song........................................... 176 Gerard de Nerval: El Desdichado........................................... 177 Stephane Mallarme: Zuhöchst emporgereckt der Onyx krallen Wut / Ses purs ongles tres haut dediant leur onyx....................................................................................... 178 Paul Valery: Das Paradoxon des Architekten.........................179 Paul Valery: Orpheus / Orphee.............................................. 184 Victor Segalen: In einer tönenden Welt..................................185 Ossip Mandelstam: Geisterhaft das Flimmern auf der Bühne / üyTB MeppaeT npiiapaHHax cpena.........................191 Rainer Maria Rilke: Die Sonette an Orpheus. Erster Teil, I-III................................................................................... 193 Wysten Hugh Auden: Orpheus / Orpheus...............................195 Hermann Broch: Vom Schöpferischen.................................. 196 Alberto Savinio: Warum Orpheus den Frauen gefiel .... 196 Maurice Blanchot: Der Blick des Orpheus...............................201 Joseph Brodsky: Orpheus und Artemis / Opcjteü h ApTeMHga..........................................................................208 VI DER TOD DES DICHTERS Eratosthenes: Katasterismoi.................................................... 212 Phanokles: Lieblinge oder die Schönen....Alexander Blök: Die Häuser wachsen wie Wünsche empor................................................................................ 214 Rainer Maria Rilke: Die Sonette an Orpheus. Erster Teil, XXVI; Zweiter Teil, XXVI.................................................214 Yvan Goll: Der neue Orpheus..................................................216 Pierre Jean Jouve: Orpheus.....................................................220 Gottfried Benn: Orpheus' Tod..................................................221 Cesare Pavese: Der Untröstliche.............................................. 223 Salvatore Quasimodo: Dialog / Dialogo..................................228 Heiner Müller: Orpheus gepflügt........................................... 230 Lawrence Durrell: Orpheus.....................................................231 Jannis Ritsos: An Orpheus........................................................ 232 Adonis: Spiegel für Orpheus.....................................................233 Edward Bond: Orpheus hinter dem Stacheldraht................233 Wolfgang Hilbig: evokation.....................................................237 VII DIE RÜCKKEHR DER EURYDIKE Euripides: Alkestis.................................................................... 240 Platon: Das Gastmahl.............................................................. 241 Francisco de Quevedo: Liebeswiderstand / Contraposiciön amorosa.............................................................................242 Algernon Charles Swinburne: Eurydike / Eurydice.............244 Georg Trakl: Passion................................................................. 245 H(ilda) D(oolittle): Eurydike..................................................246 Jean Cocteau: Eurydike / Eurydice........................................ 251 Yvan Goll: Eurydike................................................................. 252 Edith Sitwell: Eurydike........................................................... 254 Hans Erich Nossack: Orpheus und.......................................... 258 Robert Graves: Eurydike........................................................... 260 Margaret Atwood: Orpheus (1).............................................. 261 Ingeborg Bachmann: Dunkles zu sagen.................................. 263 ANHANG Marcus Deufert: Orpheus in der antiken Tradition.............266 Kattrin Deufert: Orpheus und die Anfänge eines Musik theaters in der Renaissance............................................. 274 Ausgewählte Literatur.............................................................. 280 Quellenverzeichnis................................................................. 284 ISBN 9783379015905‎

Referenz des Buchhändlers : 1257067

‎Voß, Johann Heinrich‎

‎Hesiods Werke und Orfeus der Argonaut‎

‎Heidelberg: bei Mohr und Zimmer, 1806. 3 Bll., 354 S. ; 17 x 11 cm ; Halbleder.‎

‎Erste Ausgabe. Halbledereinband, 3 Blatt, 354 Seiten. Buchrücken an voderen Gelenk der Länge nach geplatzt (aber nicht lose). Einband etwas berieben. Vorderer Buchdeckel leicht gelockert. Leeres Vorsatzblatt mit altem Besitzvermerk. Seiten mäßig fleckig. hwR.-L.-1435‎

Referenz des Buchhändlers : 129804

‎Warden, John‎

‎ORPHEUS The Metamorphoses of a Myth‎

‎Minor wear; 238 pages; The Myth of Orpheus, shaman and teacher, musician and lover, is the subject of this study. Contents: Orpheus of Virgil and Ovid: flebile nescio quid. W. S. Anderson; Songs of Orpheus and the New song of Christ (Eleanor Irwin) ; Sparagmos: Orpheus among the Chrisitians (Patricia Vicari) ; Orpheus and Ficino (Warden) ; Myth of Orpheus in Italian Renaissance Art, 1400-1600 (Scavizzi) ; Orfeo and Euridice, the first two operas (Timothy J. McGee) ; Orpheus and the Devil in Calderon's El Divino Orfeo c. 1634 (Pedro Leon) ; Triumph of Art, of Death: Orpheus in Spenser and Milton (Vicari).‎

‎Warden, John‎

‎ORPHEUS The Metamorphoses of a Myth‎

‎Minor Shelfwear. Faint foxing to top of textblock. Else fine. ; 272 pages; The Myth of Orpheus, shaman and teacher, musician and lover, is the subject of this study. Contents: Orpheus of Virgil and Ovid: flebile nescio quid. W. S. Anderson; Songs of Orpheus and the New song of Christ (Eleanor Irwin) ; Sparagmos: Orpheus among the Chrisitians (Patricia Vicari) ; Orpheus and Ficino (Warden) ; Myth of Orpheus in Italian Renaissance Art, 1400-1600 (Scavizzi) ; Orfeo and Euridice, the first two operas (Timothy J. McGee) ; Orpheus and the Devil in Calderon's El Divino Orfeo c. 1634 (Pedro Leon) ; Triumph of Art, of Death: Orpheus in Spenser and Milton (Vicari).‎

‎West, M. L.‎

‎THE ORPHIC POEMS‎

‎Dustjacket has minor shelfwear and rubbing. ; A large number of Greek religious poems in hexameter were attributed to Orpheus, as they were to similar miracle-man figures like Bakis, Musaeus, Abaris, Aristeas, Epimenides, and the Sybil. Of this vast literature, only two examples survive whole: a set of hymns composed at some point in the 2nd or 3rd century AD, and an Orphic Argonautica composed somewhere between the 4th and 6th centuries AD. Earlier Orphic literature, which may date back as far as the 6th century BC, survives only in papyrus scraps or in quotations by later authors. ; 296 pages; Sandpiper reprint of 1983 Edition.‎

‎William Orpheus Shewmaker‎

‎The Pisgah Book 1784-1909: A Memorial a Lesson an Inspiration Classic Reprint‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referenz des Buchhändlers : 133217843X.G ISBN : 133217843X 9781332178438

‎Wunderlich, Werner (Hg.)‎

‎Literarische Symbolfiguren.‎

‎Bern, Paul Haupt (Facetten deutscher Literatur, Bd. 1), 1989. Von Prometheus bis Svejk. Beiträge zu Tradition und Wandel 212 S. (23 cm) illustrierter Pappband / gebundene Ausgabe‎

‎1. Aufl.; Gut und sauber erhalten.‎

Referenz des Buchhändlers : 59102

‎ZANOTTO, FRANK, BIORDI, TAMBURI, CIARROCCHI, ECC:‎

‎Orfeo Tamburi opera incisa.‎

‎In-8° gr. Carrè, pp. 283 con moltisssime riproduzioni delle opere. leg. in cartone edit. con ill. al piatto.‎