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Curated by BESTE GÜRSU.
Matrakçi Nasuh: 16th century genius.= 16. yüzyil dahisi. [Exhibition catalogue].
New English Paperback. Pbo. Small 4to. (27 x 19 cm). In English and Turkish. 132 p., color ills. Matrakçi Nasuh: 16th century genius.= 16. yüzyil dahisi. [Exhibition catalogue].
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Curated by BETTINA PAUST.
Joseph Beuys. Zeichnung als fundus. Arbeiten aus dem Museum Schloss Moyland.= Joseph Beuys. Aslolan çizgidir. Schloss Moyland Müzesi Koleksiyonundan bir seçki. 18 Februar.= Subat / 31 Marz . Mart 2005. Kazim Taskent Sanat Galerisi. [Exhibition catalogue]. Prep. by Veysel Ugurlu. Edited by Mine Haydaroglu.
Fine English Paperback. Pbo. 4to. (29 x 22 cm). In German and Turkish. 192 p. Color and b/w ills. Dieses Ausstellungsbuch wurde anlässlich der von 18. Februar bis 31. März 2005 in Yapi Kredi Kâzim Taskent Gallerie verwirklichten Ausstellung "Joseph Beuys - Zeichnung als Fundus" vorbereitet. Nebenseits dem Ausstellungskatalog, das Buch enthält Textbeiträge von Peer Steinbrück, Bettina Paust, Franz Joseph van der Grinten, Ali Akay, Barbara Streider und Canan Beykal. ART OF PAINTING GErman painting History of art. Joseph Beuys. Zeichnung als fundus. Arbeiten aus dem Museum Schloss Moyland.= Joseph Beuys. Aslolan çizgidir. Schloss Moyland Müzesi Koleksiyonundan bir seçki. 18 Februar.= Subat / 31 Marz . Mart 2005. Kazim Taskent Sanat Galerisi. [Exhibition catalogue]. Prep. by Veysel Ugurlu. Edited by Mine Haydaroglu.
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Curated by DENIZHAN ÖZER.
Existence in art.= Sanatta varolus. [Exhibiton catalogue].
New English Original bdg. HC. Large 8vo. (25 x 23 cm). In English and Turkish. 332 p., color ills. Sanatta varolus.= Existence in art. [Exhibiton catalogue].
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Curated by INGE SCHOLZ-STRASSER, PETER PAKESCHI.
Freud and contemporary art.= Freud ve çagdas sanat. [Exhibition catalogue].
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English and Turkish. 86 p., color and b/w ills. Freud and contemporary art.= Freud ve çagdas sanat. [Exhibition catalogue]. Contemporary artists' tributes to Freud donated to his museum upon his death début in Istanbul in "Freud and Contemporary Art".
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Curated by IOLA LENZI, ILKAY BALIC.
Contemporary art from Southeast Asia: The roving eye.= Güneydogu Asya'dan çagdas sanat: Göçebe bakis. [Exhibition catalogue].
New English Paperback. Pbo. 4to. In English and Turkish. 126 p., color ills. "The exhibition's catalogue features, besides Iola Lenzi's comprehensive curatorial overview, three fresh essays by Philippines art historian and professor Flaudette May Datuin, freelance writer and visual artist Leigh Toop (who focuses on contemporary Thai installation art) and Indonesia-based Malaysian columnist and author Karim Raslan. Comprising installation and process photos from the works in the exhibition, the catalogue of ''The Roving Eye'' is printed with multiple covers, all of 8 with unique cover art.".
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Curated by KAREN SMITH.
Out of ink: Interpretations from Chinese contemporary art.= Mürekkepten: Çin güncel sanatindan yorumlamalar. [Exhibition catalogue]. 11 April - 20 July 2019. Artists: Xu Bing, Chen Haiyan, Jian-Jun Zhang, Xing Danwen, Luo Yongjin, Sun Yanchu, Qiu Anxiong, Li Ming, Xu Hongming, Chen Guangwu, Liang Wei, Zhou Fan, and Tang Bohua.
New English Paperback. 4to. (29 x 24 cm). In English and Turkish. 159 p., color ills. Out of ink: Interpretations from Chinese contemporary art.= Mürekkepten: Çin güncel sanatindan yorumlamalar. [Exhibition catalogue]. 11 April - 20 July 2019. Artists: Xu Bing, Chen Haiyan, Jian-Jun Zhang, Xing Danwen, Luo Yongjin, Sun Yanchu, Qiu Anxiong, Li Ming, Xu Hongming, Chen Guangwu, Liang Wei, Zhou Fan, and Tang Bohua. Out of Ink: Interpretations from Chinese Contemporary Art explores the essential ideals of the ink painting tradition as manifest in the work of 13 contemporary artists at work in China today. Their art does not necessarily rely upon conventional materials - ink, paper, or brush - but encapsulates the cultural spirit of ink. The experimental forms of expression that underscores their practice are a prism through which to understand how artists are rethinking the conventions of ink to forge new ties to the present cultural context, and enrich this weighty tradition in the process. The exhibition curated by Karen Smith echoes content familiarly seen in ink painting, such as landscapes or natural forms, as single or juxtaposed elements from the natural world, as well as the role of calligraphy. These reveal the spirit of ink, a core value that is its most enduring esoteric quality, yet, none of the artists presented here claim to be ink artists. Instead they work with, appropriate, manipulate, or deconstruct, the spiritual and aesthetic ethos of "ink" as cultural metaphor, philosophical system, and as understanding of relationship between man and the physical world of form and space. In their respective ways, each artist makes a contribution to the future possibilities of a medium that has been the dynamic pulse of the nation's culture through China's long civilization.
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Curated by LYNN GUMPERT, NED RIFKIN.
Paradise lost, paradise regained: American visions of the new decade.= Kaybolan cennet, bulunan cennet: Günümüzün Amerikan sanati. [Exhibition catalogue].
Fine English Original binding with original dust wrapper. Small 4to. (25,5 x 21 cm). In Turkish and English. 127 p. Color ills. Paradise lost, paradise regained: American visions of the new decade.= Kaybolan cennet, bulunan cennet: Günümüzün Amerikan sanati. [Exhibition catalogue].
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Curated by MARISA OROPESA, MARIA TORAL.
Goya, witness of his time: Engravings and paintings.= Goya, zamaninin tanigi: Gravürler ve resimler. [Exhibition catalogue]. Edited by Begüm Akkoyunlu Ersöz, Tania Bahar.
New English Paperback. 4to. (28 x 24 cm). In English and Turkish. 389 p., color and b/w ills. Goya, witness of his time. Engravings and paintings.= Goya, zamaninin tanigi. Gravürler ve resimler. [Exhibition catalogue]. Edited by Begüm Akkoyunlu Ersöz, Tania Bahar. Francisco de Goya (1746-1828), known as one of the most unique artists of European painting and a pioneer of modern painting, was introduced to the Turkish audience for the first time with four series of engravings, along with a selection of oil paintings, at the Pera Museum in 2012. Curated by Marisa Oropesa, the exhibition consisted of works from Spain and Italy's leading museums and private collections. As one of the best narrators of darkness, the exhibition united Goya's various oil paintings and engraving series-Caprichos, Disasters of War, Tauromaquia, Proverbs or Follies- that bear witness to a turbulent period in Spain and Europe. The works in the catalogue, besides his career as a court painter and portraitist, explore Goya's extraordinary imagination, along with his reflections of the social circumstances of the era, from a critical perspective. The catalogue seeks to shed light upon Goya's extraordinary imagination with his realistic and at times frightening style that makes him one of the best narrators of darkness separating him from his contemporaries, as his art transcends time, influencing 20th century modernism.
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Curated by NAZAN ÖLÇER, MARIA TSANTSANOGLOU.
The Russian avant-garde dreaming the future through art and design. [Exhibition catalogue].
New English Paperback. 4to. Edition in English. 191 p., color ills. The Russian avant-garde dreaming the future through art and design. [Exhibition catalogue]. The exhibition is co-curated by Dr. Nazan Ölcer Head of Sakip sabanci Museum and Dr. Maria Tsantsanoglou, Head of the George Costakis Collection at State Museum of Contemporary Art, Thessaloniki, and besides the Costakis Collection it contains a selection of 513 works from Moscow's All-Russian Museum of Decorative Arts and Multimedia Art Museum and works from leading private collections in Europe shown together for the first time thus shedding a light upon the important place Russian Avant-Garde occupied in the history of art. The 'Dreaming the Future. Russian Avant-garde Art and Design' exhibition does not only focus on the dramatic changes and radical developments that happened during first quarter of the 20th century and prepared the groundwork for intellectual and artistic progress, not just within the Russian artistic culture, but it is designed to hod a mirror to the effect on world art. The exhibition shows the Russian avant-garde artists that in the early 1900s tried to introduce art as a lifechanging power, the ground-breaking work of the artists in this period where the reformist atmosphere had been brought about by the October Revolution in 1917, and the social design they tried to put into practice supported by the new regime and also the wide boundaries of the future they dreamed of. The exciting technological developments and industrialisation that occurred in the early 20th century turned the avant-garde artists towards science and overcoming the boundaries of the earth, dreams of space reflected the beliefs the artists had in the future and tihs is very vividly reflected in the works displayed in this exhibition.
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Curated by SUSANNE WEISS, INKA GRESSEL.
The event of a thread: Global narratives in textiles.= Iplikten çözülmeler: Tekstilde küresel anlatilar. [Exhibition catalogue].
New English Paperback. 4to. (28 x 24 cm). In English and Turkish. 236 p., color ills. The event of a thread: Global narratives in textiles.= Iplikten çözülmeler: Tekstilde küresel anlatilar. [Exhibition catalogue]. 'The Event of a Thread' brings together 25 international contemporary artists, who use textile to create aesthetic and cultural narratives through objects, installations and video works. The title of the exhibition is a quotation from On Weaving (1965), the reference book by Anni Albers, one of the most important artists from the Bauhaus textile workshops. Albers believed that socio-cultural and economic activities impacted textiles, and stated that 'Just as it is possible to go from any place to any other, so also, starting from a defined and specialized field, can one arrive at a realization of ever-extending relationships. Thus tangential subjects come into view.?' According to Albers, one could discover 'the event of a thread"' at the root of each development. In the exhibition, weaving threads are utilized as a metaphor, which facilitate the interaction of weaving styles, stories and production techniques from different cultures, and mediate the development of new connections between them. Organized in collaboration with the Institute for Foreign Cultural Relations (ifa, Institut für Auslandsbeziehungen), one of the oldest art institutions in Germany, the exhibition is curated by Susanne Weiss and Inka Gressel on the invitation of ifa and aims to build on the original selection by creating new connections in each institution the exhibition travels to, with the assistance of curators at each institution and the addition of new works from local artists. 'The Event of a Thread' brings together a variety of stories ranging from the tradition of quipu used by ancient Andean cultures in South America to the textile techniques from the indigenous people of Wichi in Argentine and from Bedri Rahmi Eyüboglu's revival and adoption of the long-forgotten tradition of yazma (originally used for hand-painted kerchief) to Burhan Dogançay's tapestries created at the Aubusson workshops. The exhibition focuses on the historical, social and cultural meanings of fabrics, investigates the various uses of textile as a tool of expression and brings together different artistic positions that interact with one another within the exhibition space.
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Curated by ÇELENK BAFRA, SENEM KANTARCI.
Harbor.= Liman. [Exhibition catalogue]. 8 January - 4 June 2017. Text by Levent Çalikoglu.
New English Paperback 4to. (28 x 24 cm). In English and Turkish. 215 p., color ills. Istanbul Modern's new exhibition focuses on 'harbor' as a theme of multiple dimensions as the museum occupies a former dry cargo warehouse transformed into a modern museum building right in the area known as the Port of Istanbul. Exploring how port areas are reflected in the visual arts, not only as geographical locations but also as sites of social and economic interaction, the exhibition also delves into the symbolic and metaphorical aspects of the concept of 'harbor'. Emphasizing the relationship of the city of Istanbul with the sea and ports, "HARBOR" takes a close look at the cultural and social life that has developed on the seaside and around ports in the art of Turkey from the nineteenth century to the present. Built on curatorial research in the fields of maritime culture in Turkey, social history, and the visual arts, the exhibition also includes a timeline. Summarizing the history of Istanbul through harbors, from archaeological work on the Harbor of Theodosius (Yenikapi) to the present, the timeline highlights major transformations and turning points in the city's relationship with the sea and ports. The "HARBOR" exhibition catalogue features texts, quotes, photographs, and visuals about the artists and works in the exhibition, as well as essays in which the curators present the conceptual framework of the exhibition. Published bilingually in Turkish and English, the catalogue includes the timeline as well as an article about the ports of Istanbul by Prof. Murat Güvenç, director of the Istanbul Studies Center at Kadir Has University, who advised the exhibition team in preparing the timeline. Built at the Haliç Dockyards in Istanbul, the vessel Bastarda was designed as part of the project "Darzana?: Two Arsenals, One Vessel" for the Pavilion of Turkey at the 15th International Architecture Exhibition, La Biennale di Venezia. It was reconstructed within the scope of the exhibition and is on view in the museum courtyard.
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Curator: MOHAMMAD KHAZAEE.
The 10th Tehran International Poster Biennial. 19 October - 11 November 2009 Tehran Museum of Contemporary Art. Cover Design: Biennial Poster, Ghobad Shiva. Executive Director: Amir Abdolhosseini. Publication Director: Mohammad Hassan Estabi.
Fine English Paperback. Pbo. 4to. (27 x 22,5 cm). In Persian and English. 156 p. Ills. The 10th Tehran International Poster Biennial. 19 October - 11 November 2009 Tehran Museum of Contemporary Art. Cover Design: Biennial Poster, Ghobad Shiva. Executive Director: Amir Abdolhosseini. Publication Director: Mohammad Hassan Estabi.
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Curators: EVGENIA PETROVA, TAYFUN BELGIN.
Scenes from Tsarist Russia. 19th century Russian classics from the State Russian Museum Collection.= Çarlik Rusyasi'ndan sahneler. Rus Devlet Müzesi Koleksiyonu'ndan 19. yüzyil Rus klasikleri. [Exhibition catalogue].
New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. 192 p., color ills. 'Scenes from Tsarist Russia: 19th Century Russian Classics from the State Russian Museum Collection, not only presented art lovers with a selection of masterpieces being displayed for the first time in Turkey, but also offered scenes of Russian history through Russian Realist paintings. The masterpieces from the rich collection from the State Russian Museum in St. Petersburg reflected every aspect of life including labour and poverty, the world of children, public festivals, war and death, scenes from bourgeois life, and revolution. In literature, music, and fine arts, the "Russian spirit" is depicted as a world of emotions in which love, sorrow, and death run rampant. After the 1860s, Realist conventions came to dominate the genre scenes. Progressive artists of Russia began portraying the fundamental problems of the period such as social injustice, serfdom (until 1861, peasants were considered as property of landowners in Russia), child labor, subjugation of women, and poverty. Daily life hence became a point of interest in art. In the 1870s and particularly after the 1880s, a more positive attitude came into view; the artists gradually diverged from depicting painful worlds. The public was no longer the victim, but a powerful subject. A tendency to poeticize folklore, as well as the public perception of nature and the universe began to emerge. Social problems were addressed in their entirety; analysis replaced condemnation. The exhibition, which included artists from Repin to Makovsky, Yaroshenko to Shishkin along with many others, presented not only Russia of the period with all its different aspects, but with its themes and characters the exhibition offered audiences a unique experience, one similar to reading the works of the great Russian writers such as Nikolai Gogol and Fyodor Dostoevsky.'.
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Curators: EVGENIA PETROVA, TAYFUN BELGIN.
Scenes from Tsarist Russia. 19th century Russian classics from the State Russian Museum Collection.= Çarlik Rusyasi'ndan sahneler. Rus Devlet Müzesi Koleksiyonu'ndan 19. yüzyil Rus klasikleri. [Exhibition catalogue].
New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. 192 p., color ills. 'Scenes from Tsarist Russia: 19th Century Russian Classics from the State Russian Museum Collection, not only presented art lovers with a selection of masterpieces being displayed for the first time in Turkey, but also offered scenes of Russian history through Russian Realist paintings. The masterpieces from the rich collection from the State Russian Museum in St. Petersburg reflected every aspect of life including labour and poverty, the world of children, public festivals, war and death, scenes from bourgeois life, and revolution. In literature, music, and fine arts, the "Russian spirit" is depicted as a world of emotions in which love, sorrow, and death run rampant. After the 1860s, Realist conventions came to dominate the genre scenes. Progressive artists of Russia began portraying the fundamental problems of the period such as social injustice, serfdom (until 1861, peasants were considered as property of landowners in Russia), child labor, subjugation of women, and poverty. Daily life hence became a point of interest in art. In the 1870s and particularly after the 1880s, a more positive attitude came into view; the artists gradually diverged from depicting painful worlds. The public was no longer the victim, but a powerful subject. A tendency to poeticize folklore, as well as the public perception of nature and the universe began to emerge. Social problems were addressed in their entirety; analysis replaced condemnation. The exhibition, which included artists from Repin to Makovsky, Yaroshenko to Shishkin along with many others, presented not only Russia of the period with all its different aspects, but with its themes and characters the exhibition offered audiences a unique experience, one similar to reading the works of the great Russian writers such as Nikolai Gogol and Fyodor Dostoevsky.'.
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Daix (Pierre)
L'ordre et l'aventure. Peinture, modernité et répression totalitaire.
Flammarion 8 Janvier 1992 Broché au format 23.5 X 15.5 cm, couverture ill, 287 pages, le texte émaillé de 105 vignettes en noir et XII planches sous couché ht. recto. . Sources, index et tables des illustrations. Très agréable exemplaire. Épuisé.
Référence libraire : 19943 ISBN : 270030456
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Dali salvador
Visages cachés
1973 Paris le cercle du nouveau livre 1973 in8, pleine toile de l'éditeur, plat orné de la signature de Dali en lettres rouges, dans un encadrement or et argent, 442 pp + 26 pages de photographies et biographies, exemplaire numéroté joli exemplaire
Référence libraire : 2322
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Damiron, Charles :
Faïence (La) de Lyon. XVIe - XVIIe et XVIIIe siècles.
Paris, Dorbon-Aîné (Lyon, Imprimerie Rey et Bellegarde -Ain- pour les planches en couleurs ou en héliogravure), 1926 ; deux tomes, grand in-4, brochés ; (2) ff. blancs, XI, (1 bl.), 68, (3) planches recto en noir et blanc représentant 20 vignettes, (4) pp. dont 3 blanches, XXIII planches recto, dont 11 en couleurs, toutes protégées par des serpentes légendées, représentant 109 pièces, (2) pp., (2) ff. blancs, couverture crème rempliée illustrée en couleurs avec large encadrement à décor Renaissance ; (1) f. blanc, (4), 50, (2) pp., XVI planches recto, dont 6 en couleurs, avec serpentes légendées, représentant 115 pièces, (2) pp., couverture crème rempliée, illustrée en couleurs avec large encadrement à décor rocaille ; les décors des deux couvertures sont de Ch. Repelin.
Référence libraire : 6395
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Daniel, Glyn (Hrsg.)
Alt-Irland
Köln, Verlag M. DuMont Schauberg, 1960. Maire und Liam de Paor. Frühchristliches Irland - mit Tafeln, Zeichnungen und Karten - OLwd. m. OU., 278 S.
Référence libraire : 42429
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DAPHNE WRIGHT.
Traits of Sidney. Texts by Laura Mansfield, Shirley MacWilliam.
As New English Paperback. Pbo. Mint. Cr. 8vo. 819 x 13 cm). In English. Color ills. [30] p. Traits of Sidney. Texts by Laura Mansfield, Shirley MacWilliam.
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DARIDAN Geneviève
Sept siècles de sculpture japonaise. Rencontres avec l'occident
Paris, Hachette, 1963. In-4 relié en toilé d'éditeur rouge au titre blanc, jaquette ill. et autre jaquette transparente, 148 p. Très nombreuses ill. pleine page, héliogravures en noir. Parfait état.
Référence libraire : 16795
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DAULTE François.
L'aquarelle française au XIXe siècle.
Fribourg, Office du Livre, 1969. In-4°, pleine toile, jaquette illustrée. Avec 41 planches en couleurs et 10 lavis à pleine page, nombreuses illustrations in-texte.
Référence libraire : 8
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Daudy Philippe
Le XVIIe siècle
Septimus Editions L'univers de l'art Cartonné avec jaquette 1981 2 volumes in-4 (27.5*17.5), cartonnés sous jaquette illustrée, 206+207pp., iconographie abondante, in et hors texte, en couleurs ou en noir et blanc, témoignages et documents, muséographie, dictionnaire, bibliographie et table des illustrations ; très bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Référence libraire : bf3358
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Dautrey Philippe
Vignory
Zodiaque La carte du ciel Dos carré collé 1964 "In-12 (12 x 16 cm.), dos carré collé, couverture illustrée couleurs à larges rabats, 63 pages, très belles photographies de Zodiaque en héliogravure, n°14 de la collection ""La carte du ciel"" ; coiffes et coins frottés, légères traces aux plats, intérieur frais, assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
Référence libraire : cr983
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David Henri
J. Gamelin Sa vie et son uvre ( 1738 - 1802)
1928 Auch, Bouqueth, 1928 In 4 broché, couverture illustrée en couleurs, nombreuses planches ht, protégées par des serpentes, exemplaire non coupé et numéroté sur moyen age, tirage à 300 exemplaires , rare
Référence libraire : 3053
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DAVID Henri.
Jean Gamelin, sa vie et son oeuvre (1738-1802).
à Auch, Société anonyme Th. Bouquet, 1928.
Référence libraire : 655
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DAVID HOCKNEY, MARTIN GAYFORD.
Magaradan bilgisayar ekranina resmin tarihi. [= A history of pictures. From the cave to the computer screen]. Translated by Mine Haydaroglu.
New New Turkish Original bdg. Dust wrapper. 4to. (28 x 24 cm). Edition in Turkish. 360 p., color and b/w ills. Magaradan bilgisayar ekranina resmin tarihi. [= A history of pictures. From the cave to the computer screen]. Translated by Mine Haydaroglu.
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DE MATOS Emes-Manuel ] sous la direction de
Alternes 1
Association Océanie Paris, Association Océanies, 1980. Petit In-4 carré broché agrafé, couverture illustrée de 72 pages. Textes de ou sur Pascal Verbena, Michel Nedjar, HONG tong, Keiïchi Tahara, Cesar, Pan Yuan She, etc
Référence libraire : 175361
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DE MATOS Emes-Manuel ] sous la direction de
Alternes 2 - 3
Association Océanie Paris, Association Océanies, 1981. Petit In-4 carré broché agrafé, couverture illustrée de 72 pages. Textes de ou sur Bram Van Velde, Sylvie Gessa, Michèle burles, etc. Bon état
Référence libraire : 175362
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DE MATOS Emes-Manuel ] sous la direction de
Alternes 4 - 5
Association Océanie Paris, Association Océanies, 1983. Petit In-4 carré broché agrafé, couverture illustrée de 72 pages. Textes de ou sur Hebert Reeves, Aude d'Apchon, Yves Baume, Emmanuel Pierre, Emes Manuel de Matos, etc. Illustrations à système : Chaque exemplaire est unique et comporte 17 pages de travaux originaux d'artistes. Bon état
Référence libraire : 175363
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DE MATOS Emes-Manuel ] sous la direction de
Alternes 6 - 7
Association Océanie Paris, Association Océanies, 1985. Petit In-4 carré broché , couverture illustrée de 122 pages. Textes de ou sur Bernard d'Espagnat Physique & Réalité. Emès-Manuel de Matos Transition. Mireille Bathut d'Haussy Anthropologie. Jean-Claude Bohin Récits & Peintures . André Lauro Peinture & Sculpture . Christian-Gabrielle Guez Ricord - Stonehenge . Gonçalo Duarte Rétrospective Illustrations à système : Chaque exemplaire est unique et comporte des pages de travaux originaux d'artistes. Bon état
Référence libraire : 175364
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De Luis, Carlos
Catalogo de las Salas de Arte Asturiano Prerromànico del Museo Arqueologico Provincial
Oviedo, Diputacion provincial de Asturias, coll. « Memorias del Servicio de Investigaciones Arqueologicas », n° 4 - 5 1961 In-4 broché 28,5 cm sur 20. 62 pages. 29 planches en noir et blanc. Ex libris sur page de garde. Bon état d’occasion.
Référence libraire : 110368
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de Castris Léone
Entre tradition et modernité. Peinture italienne des XIVe et XVe siècles.
Galerie Sarti, coll. « Catalogue », n° 9 2008 Livre en français, anglais. In-4 relié 28,30 cm sur 23. 281 pages. Jaquette en bon état. Bon état d’occasion.
Référence libraire : 98549
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de Lojendio Dom Luis Maria
Navarre romane
Zodiaque, coll. « La nuit des temps », n° 26 1967 In-8 reliure éd. sous jaquette 22 cm sur 17. Jaquette en bon état. 399 pages. Bon état d’occasion.
Référence libraire : 98035
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DE CHENNEVIERES Philippe ..//.. Philippe de Chennevières (1820-1899).
Notes d'un compilateur sur les sculpteurs et les sculptures en ivoire.
Amiens, Lenoël-Herourt, sd (1857), 1 volume, in-8, relié, 91 p.. Imprimé avec faux-titre seul, notes et sources au bas des pages. Reliure d'époque, cartonnage de papier marbré, dos lisse, pièce de titre de maroquin rouge, peite usure aux angles et aux coiffes, petit manque de papier à la coiffe inférieure. Ex-libris en timbre-poste, avec monogramme TS et n° manuscrit, collé au dos du faux titre.
Référence libraire : 7255
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Defregger, F
F. Defegger-Album mit 16 losen Tafeln: Die Heimkehr der Sieger; Der Zitherspieler; Das Tischgebet; Die Brautwerbung; Das letzte Aufgebot; Andreas Hofer in der Hofburg zu Innsbruck; Sepp's erster Brief; Andreas Hofer's letzter Gang; Ankunft auf dem Tanzboden; Touristen auf der Alm; Speckbacher und sein Sohn Andreas; Gute Aussicht; Die Wilderer in der Sennhütte; Holzknechte in der Sennhütte; Der Besuch; Der Abschied der Sennerin.
Verlag von Franz Hanfstaengl München. 1890. 16 lose Bildtafeln. 33*49,5 cm (quer). OLeinenflügelmappe.
Référence libraire : 154709
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DELERM Philippe
Intérieur. Une rencontre avec le peintre Hammershoi
Elytis Elytis, 2019. In-8 broché de 79 pages illustrées de photos. Très bon état
Référence libraire : 175755
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Delvoye Charles
L'Art Byzantin.
Relié arthaud 1967 In-8 relié. 460 pages. 220 photographies en héliogravure, 4 planches en couleurs, 36 plans d’édifice. Bon état d’occasion.
Référence libraire : 59869
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Dell'Acqua Jean Albert
L'opera completa del Pisanello
Rizzoli Classici dell'arte Album cartonné avec jaquette 1972 In-4 (24,5 x 31,5 cm.), album cartonné, 1er plat illustré, 111 pages, abondante iconographie couleurs et noir et blanc in-texte, texte en italien, Apparati critici e filologici di Renzo Chiarelli ; coiffes et coins un peu frottés, quelques traces aux plats, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Référence libraire : sd113
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DELROSAY F.:
La Question Louis XVII, simple memento chronologique.
Paris / Lyon / Bordeaux, Librairie de l'Art indépendant / Stéphane Guillard / Bureaux de la légitimité, 1890. In-12 de 8-208 pages, demi-chagrin rouge, dos à 5 nerfs orné de roulettes, filets et titre dorés, tranches mouchetées.
Référence libraire : 9974
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DELEVOY Robert L
Le symbolisme
Skira Skira, 1982. In-4 carré de 219 pages illustrées. Très bon état
Référence libraire : 177224
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Delobbe Karine
Le film d'animation
PEMF Histoire d'un art Album cartonné 2003 In-4 (20,5 x 26 cm.), album cartonné, couverture illustrée, 33 pages, illustrations couleurs et noir et blanc in-texte ; menus incidents aux mors, comme neuf. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Référence libraire : dc677
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DELACROIX (Eugène)
Lettres, recueillies (1815 à 1863), et publiées par Philippe BURTY, avec fac-simile de lettres
Paris, A. Quantin, 1878 - gr. in-8 : xx, 394 pp., 6 fac-simile de lettres h.-t. - demi-veau bleu d'ép. avec un accroc, très beau portrait de Delacroix gravé en front.
Référence libraire : 2231
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DELACROIX Eugène
Lettres intimes
Gallimard Gallimard, 1995. In-12 broché de 215 pages. Collection L'Imaginaire. Très bon état
Référence libraire : 175757 ISBN : 2070741192
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DELABORDE (Henri, vicomte) peintre d’histoire et historien d’art. Il fut également en 1855, conservateur du cabinet des estampes de la Bibliothèque impériale (1811-1899)
Manuscrit autographe signé intitulé, « LES DUCS D’URBIN - leur influence sur les arts et sur la littérature en Italie ». 73 p. in-folio, montées sur onglet et reliées dans un volume in-folio, demi-basane brune. Il fut l’un des premiers biographes d’Ingres avec Amaury-Duval. (Ingres, sa vie, ses travaux, sa doctrine). Rare.
Très intéressante étude abondamment corrigée, d’une petite écriture avec de nombreux repentirs et ajouts en marge, sur les ducs d’Urbin, à propos du livre du grand collectionneur d’art James Dennistoun, (1803-1855) « Memoirs of the Dukes of Urbino » paru en 1851. A la suite de cet important article, consacré d’abord aux ducs de la maison de Montefeltro, puis à la maison Della Rovere, on a relié les méticuleuses notices et notes de lecture de Delaborde sur les princes les évènements historiques, les artistes….
Référence libraire : 11BC22
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Delaruelle E.
Saint-Bertrand
Zodiaque La carte du ciel Dos carré collé 1965 "In-12 (12 x 16 cm.), dos carré collé, couverture illustrée couleurs à larges rabats, 63 pages, très belles photographies de Zodiaque en héliogravure, n°20 de la collection ""La carte du ciel"" ; coiffes et coins un peu frottés, légères traces aux plats, intérieur frais, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
Référence libraire : cr976
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Delaveau (Philippe)
Écrire la peinture.
Éditions Universitaires, 1991. (Institut français, King's college 1987). In-8, broché, couverture unie, 274 pages. Bel exemplaire.
Référence libraire : 19674 ISBN : 271130440
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Delacroix Eugène
Écrits d'Eugène Delacroix . Tomes I et II
Plon-Edition d'Histoire et D'Art Deux volumes non séparés 97 et 98 pages,In-12°, brochés, rousseurs marginales superficielles et belle intégrité mécanique.
Référence libraire : 8334
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DEMMIN Auguste
Encyclopédie historique, archéologique, biographique, chronologique et monogrammatique des beaux-arts plastiques, architecture et mosaïque céramique, sculpture, peinture et gravure [Tomes I & II seuls]
Furne, Jouvet et Cie, éditeurs 1874 2 volumes. In-4, reliures éditeur pleine percaline marron, 2436 pp. en continu, figures dans et hors-texte. Reliures de travail, charnières fragilisées, un plat détaché. En l’état.
Référence libraire : 67316
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Demoule Jean-Paul ; Cabezuelo Ulysse ; Giraud Jean-Pierre ; Bourguignon Laurence
La France archéologique - Vingt ans d'aménagements et de découvertes
Hazan 2004 In-4 relié 29,0 cm sur 25,0. 256 pages. Jaquette en bon état. Bon état d’occasion.
Référence libraire : 130786
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DEMARGNE Pierre
Naissance de l'art grec
Editions Gallimard Editions Gallimard, 1964. In-4 relié pleine toile rouge éditeur de 448 pages. Pas de jaquette. Nombreuses reproductions dans et hors-texte, en noir et en couleurs. Collection L'Univers des formes. Bon état
Référence libraire : 159496
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