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SCHROEDER J. [ DESSIN et GRAVURE ]
CONSTANTINOPLE , VUE du BOSPHORE [ TURQUIE ]
Paris . Dufour , Mulat et Boulanger éditeur / Imprimerie Gilquin et Dupain . Vers 1858 - Eau forte 27,5 x 18 cm [ 15,5 x 10,5 cm de Gravure ] - Vers 1858 - SCHROEDER J. [ DESSIN et GRAVURE ]
Referência livreiro : 26217
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SCOLARDI, PAULIN-GERARD
KRIJANICH, MESSAGER DE L’UNITÉ DES CHRÉTIENS ET PÈRE DU PANSLAVISME. Au service de Rome et de Moscou au XVIIe siècle.
PREMIÈRE ÉDITION. In -8 broché, (22,5 X 14 cm) ,261 p. Éditions A. et J. Picard & Cie, Paris, 1947.
Referência livreiro : 290
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SEBAH & JOAILLIER [Pascal Sebah (1823-1886), Polycarpe Joaillier (1848-1904)].
[MIDDLE EAST / SYRIA] Syriens [i.e. Syrians].
Very Good French A small original albumen print photograph by Sebah & Joaillier mounted on paper. Size: 6,5x8 cm. Rare albumen print photograph mounted on a grey album paper taken by Sebah & Joaillier photograph studio of Constantinople, showing Syrian women and men in their traditional clothes. In 1857 photographer Pascal J. Sébah opened a studio in Constantinople, today Istanbul, Turkey. Photographing city views, daily activities, and ancient ruins in the surrounding area, Sébah sold many of his prints to visiting tourists, a prosperous and common market for other contemporary photographers, such as the well-known Abdullah Frères. Tourists would select a range of prints from professional photo studies in the countries they visited and compile a travel album of their journey. In 1888, two years after Pascal J. Sébah passed away, his 16-year-old son Jean (Johannes) became involved in the studio work. Jean started a partnership with another photographer from Istanbul, the Frenchman Policarpe Joaillier, which became a great success. Jean worked both on assignments for the studio and as an individual photographer, which can be determined from the signatures on the works: some prints were signed "Sébah & Joaillier," and others have the signature "J.P. Sébah" The studio flourished and Sébah & Joaillier were named as the official photographers of the Ottoman Empire by the Turkish sultan. In the early 1900s, Joaillier returned to Paris and Sébah continued his work in Constantinople. After different partnerships, the studio was taken over by Ismail Insel and renamed "Foto Sabah" [i.e. Photo Morning].
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SEBAH & JOAILLIER [Pascal Sebah (1823-1886), Polycarpe Joaillier (1848-1904)].
[PHOTOS OF THE BOSPHORUS] Vue du Bosphore. Côte d'Asie et d'Europe. & Vue de la Baie et du Quai de Therapia au Bosphore.
Very Good French Original albumen print photograph by Sebah & Joaillier mounted on cardboard. Size: 25,5x33 cm; photographic size: 21,5x26 cm. Rare albumen print photographs double-sided printed mounted on green cardboard taken by Sebah & Joaillier photograph studio of Constantinople, showing the Bosphorus, view of Therapia Bay and Pier with the Asian and European coasts of the strait. In 1857 photographer Pascal J. Sébah opened a studio in Constantinople, today Istanbul, Turkey. Photographing city views, daily activities, and ancient ruins in the surrounding area, Sébah sold many of his prints to visiting tourists, a prosperous and common market for other contemporary photographers, such as the well-known Abdullah Frères. Tourists would select a range of prints from professional photo studies in the countries they visited and compile a travel album of their journey. In 1888, two years after Pascal J. Sébah passed away, his 16-year old son Jean (Johannes) became involved in the studio work. Jean started a partnership with another photographer from Istanbul, the Frenchman Policarpe Joaillier, which became a great success. Jean worked both on assignments for the studio and as an individual photographer, which can be determined from the signatures on the works: some prints were signed "Sébah & Joaillier," others have the signature "J.P. Sébah" The studio flourished and Sébah & Joaillier were named as the official photographers of the Ottoman Empire by the Turkish sultan. In the early 1900s Joaillier returned to Paris and Sébah continued his work in Constantinople. After different partnerships, the studio was taken over by Ismail Insel and renamed "Foto Sabah" [i.e. Photo Morning].
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SEBASTIEN DE COURTOIS.
Süryaniler. Translator: Ersel Topraltepe.
As New English Paperback. Pbo. Mint. 4to. (28 x 22 cm). Color photos. 159 p. Photographed by Douchan Novakoviç. Süryaniler. Translator: Ersel Topraltepe.
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Sebastien-Roch-Nicolas de Chamfort
Mustapha et Zeangir ou l'amitie fraternelle anecdote ottomane
87 pages IN 8 , reliure plein veau lisse , dos lisse , tres decoré piece de titre Constantinople 1777 , bon etat , photos sur demande
Referência livreiro : 5220
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SEBNEM RUHSAR TEMIR.
Sile and Sile cloth from past to present.= Geçmisten günümüze Sile ve sile bezi.
Fine English Original bdg. HC. 4to. (33 x 25 cm). In English and Turkish. 318 p., color ills. Sile and Sile cloth from past to present.= Geçmisten günümüze Sile ve sile bezi.
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SEBNEM RUHSAR TEMIR.
Sile and Sile cloth from past to present.= Geçmisten günümüze Sile ve sile bezi.
New New English Original bdg. Dust wrapper. 4to. (33 x 25 cm). In English and Turkish. 318 p., color ills. Sile and Sile cloth from past to present.= Geçmisten günümüze Sile ve sile bezi.
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SEDAD H[AKKI] ELDEM - FERIDUN AKOZAN.
Topkapi Sarayi. Bir mimari arastirma.
Fine Fine English Paperback. Pbo. Dust wrapper. 4to. (34 x 24 cm). In Turkish. 128 p., 236 numerous color and b/w plts. Topkapi Sarayi. Bir mimari arastirma. Very fine copy. First and Only Edition. A comprehensive architectural study on Topkapi Palace of Istanbul. ARCHITECTURE Turkish and Islamic arts Topkapi Ottoman culture Palace Constantinople - Istanbul - Konstantinopel.
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SEDAD H[AKKI] ELDEM.
Works of Turkish architecture.= Türk mimari eserleri.
Fine English Original bdg. 4to. (34 x 25 cm). In English and Turkish. [432] p., color and b/w ills. Works of Turkish architecture.= Türk mimari eserleri.
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SEDAD HAKKI ELDEM
Reminiscences of the Bosphorus. Tome I: Istanbul Anilari. Tome II: Bogaziçi Anilari. (2 volumes)
1979 Alarko Egitim Tesisleri - 1979 - 2 volumes in-4, cartonnage avec titre et nom de l'auteur en doré sur le 1er plat et le dos - 343 p. + 398 p. - Très riche iconographie hors texte et pleine page en N&B - Ouvrage bilingue turc / anglais
Referência livreiro : 113063
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SEDAD HAKKI ELDEM, (1908-1988).
[RELIEFS OF ELDEM] Rölöve. 2 volumes set. Vol. 1: Istanbul Bogaziçi köyleri yerlesmesi, resmî kültürel tas binalar, Istanbul ve Anadolu evleri, çesmeler ve selsebiller. Vol. 2: Birgi Çagir Aga Konagi.
Very Good Turkish Paperback. Folio. (34 x 24 cm). In Turkish. 2 volumes set: (70 p.; 64 p.). Eldem was a Turkish architect and one of the pioneers of nationalized modern architecture in Turkey. He was born in Istanbul (1908). He graduated from the Academy of Fine Arts (Department of Architecture). Between 1931 and 1932 he traveled to France, England, and Germany with a scholarship from the academy. In 1932 he opened his own office, also started teaching at the Academy of Fine Arts, and continued until retirement in 1978. In 1934 he worked for the National Architecture Seminar in Turkey which was a complete disaster for him because of the discussions between modern architecture and traditional architecture. In 1938 he designed the Turkish Pavilion in New York Exhibition. Sedad Hakki Eldem represented the Turkish Republic at the International Union of Architects in Lozan (1948) after Second World War. Also in the same year, Sedad Hakki worked with his colleague Emin Onat on the project of Istanbul Palace of Justice. He worked on proportions and architectural organizations of Ottoman domestic houses, 18th and 19th-century palaces, and mansions. He was known as a role model and pioneer to reinterpret the Classical Ottoman Patterns in modern architecture. He was a part of the Former Artifacts Maintain Council (Eski Eserleri Muhafaza Encümeni) between 1941 and 1945 and also a part of the Supreme Council of Antiquities and Monument Real Estate (Gayrimenkul Eski Eserler ve Anitlar Yüksek Kurulu) between 1962 and 1978. His thought was about nationalizing Modern Architecture. He basically thought that International Style in architecture should not be applied everywhere. Some things should be changed in the design by considering the national and domestic texture. He has won the international Aga Khan Award for Architecture in 1986 with the project of Zeyrek Social Security Facilities. Sedad Hakki Eldem's architecture has basically 4 main periods. The first of them, between 1928 and 1934, is known for the instability of his work. After that, the second period is popular with modern trials on Ottoman architectural organization. The time frame of this period spans from 1934 until 1952. The third period of his architecture has lost its Ottoman influence, it looks more modernized between 1952 and 1962. The last part of Eldem's Architecture known for his double approach to projects. This final period started in 1962 and lasted until his death in 1988. (Wikipedia).
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SEDAD HAKKI ELDEM, (1908-1988).
Le Yali de Köçeoglu à Bebek sur le Bosphore.= Köçeoglu Yalisi, Bebek, Bogaziçi.
Very Good French Paperback. 4to. (34 x 24 cm). In French and Turkish. 112, [1] p., b/w plts. Le Yali de Köçeoglu à Bebek sur le Bosphore.= Köçeoglu Yalisi, Bebek, Bogaziçi.
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SEDAD HAKKI ELDEM, (1908-1988).
Sa'dabad. [REPRINT EDITION of 1977].
New Turkish Paperback. Folio. (34 x 24 cm). In Turkish. [16], 178 p., 150 plans and photos. Sa'dabad. [REPRINT EDITION of 1977].
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SEDAD HAKKI ELDEM, (1908-1988).
Sedad Hakki Eldem 1: Gençlik yillari. Prep. by Ugur Tanyeli, Edhem Eldem, Bülent Tanju.
New English Paperback. Pbo. 4to. (30 x 24 cm). In Turkish. 210 p., color and b/w ills. Sedad Hakki Eldem 1: Gençlik yillari. He was born in Istanbul in 1908. He graduated from Academy of Fine Arts, department of Architecture. Between 1931 and 1932 he travelled France, England and Germany with scholarship of the academy. In 1932 he opened his own office, also started teaching at the Academy of Fine Arts and continued until retirement at 1978. In 1934 he worked for National Architecture Seminar in Turkey which was a complete disaster for him because of the discussions between modern architecture and traditional architecture. In 1938 he designed the Turkish Pavilion in New York Exhibition. Sedad Hakki Eldem represented Turkish Republic at International Union of Architects in Lozan (1948) after Second World War. Also in the same year Sedad Hakki worked with his colleague Emin Onat on the project of Istanbul Palace of Justice. He worked on proportions and architectural organizations of Ottoman domestic houses, 18th and 19th century palaces and mansions. He known as a role model and pioneer to reinterpret the Classical Ottoman Patterns in modern architecture. He was a part of Former Artifacts Maintain Council (Eski Eserleri Muhafaza Encümeni) between 1941 and 1945 and also a part of Supreme Council of Antiquities and Monument Real Estate. Between 1928 and 1934 defined as preparation years for Sedad Hakki Eldem. At these years the architect worked at Istanbul, Paris and Berlin but there is no built project or something. The only structure that has been built in that period is temporary Turkish pavilion in Budapest Exhibition in 1931. This structure give us so little clues about his searching in architecture. Whereas Sedad Hakki was tried almost every approach popular in these years, also tried to combine them even if they are all contradicted. He even give parts to different architectural elements in one design. For example, one of his trials in Paris, embassy project has Auguste Perret impressions in details, its planimetry has traditional middle "sofa" and "Eyvan" types of components that usually belong to Turkish Architecture. Also the architect inspired by a sheme that peculiar to Iran-Middle East, named "Cihar-bag". At the same time he examined the style of Art Deco, Le Corbusier, Hoffmann, Olbrich, Tessenow and Webb. Despite all of these and his instability of style, he never abandon his researches about traditional and domestic Ottoman civil architecture. He made use of all styles as much as they compromise with traditional architecture. The styles that do not overlap with domestic architecture, are disappeared. TURKISH ARCHITECTURE Biography Istanbul History art Turkish intelligentsia Memoirs.
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SEDAD HAKKI ELDEM, (1908-1988).
Sedad Hakki Eldem 2: Retrospektif. Prep. by Bülent Tanju, Ugur Tanyeli.
New English Paperback. Pbo. 4to. (30 x 24 cm). In Turkish. 322, [2] p., color and b/w ills. Sedad Hakki Eldem 2: Retrospektif. Sedad Hakki Eldem's architecture has basically 4 main period. First of them is known by instability of his works, it was between 1928 and 1934. After that, second period is popular with modern trials on Ottoman architectural organization the time period of this part starts with 1934, until 1952. Third period of his architecture has lost its Ottoman influence, it looks like more modernized between 1952 and 1962. Last part of Eldem's Architecture known with his double approach on projects. Time period of that leading years started at 1962 until his death at 1988. TURKISH ARCHITECTURE Biography Istanbul History art Turkish intelligentsia Memoirs.
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SEDAD HAKKI ELDEM.
A survey of Turkish kiosks and pavilions.= Köskler ve kasirlar. 2 volumes.
Fine Turkish In modern clothes. 4to. (33 x 24 cm). In English and Turkish. 2 volumes set: (xvii, [3], 357 p.; [8], 447 p.), b/w and color plates. Sedad Hakki Eldem was a Turkish Architect. One of the pioneers of nationalized modern architecture in Turkey. He was born in Constantinople (1908). He graduated from the Academy of Fine Arts (department of Architecture). Between 1931 and 1932 he travelled to France, England and Germany with a scholarship of the academy. In 1932 he opened his own office, also started teaching at the Academy of Fine Arts and continued until retirement in 1978. In 1934 he worked for the National Architecture Seminar in Turkey which was a complete disaster for him because of the discussions between modern architecture and traditional architecture. In 1938 he designed the Turkish Pavilion in New York Exhibition. Sedad Hakki Eldem represented Turkish Republic at International Union of Architects in Lausanne (1948) after Second World War. Also in the same year Sedad Hakki worked with his colleague Emin Onat on the project of Istanbul Palace of Justice. He worked on proportions and architectural organizations of Ottoman domestic houses, 18th and 19th century palaces and mansions. He was known as a role model and pioneer to reinterpret the Classical Ottoman Patterns in modern architecture. He was a part of Former Artifacts Maintain Council (Eski Eserleri Muhafaza Encümeni) between 1941 and 1945 and also a part of Supreme Council of Antiquities and Monument Real Estate (Gayrimenkul Eski Eserler ve Anitlar Yüksek Kurulu) between 1962 and 1978. His thought was about nationalizing the Modern Architecture. He basically thought that International Style in architecture should not applied everywhere. Some things should be changed in the design by considering the national and domestic texture. He has won the international Aga Khan Award for Architecture in 1986 with the project of Zeyrek Social Security Facilities. Sedad Hakki Eldem's architecture has basically 4 main periods. The first of them, between 1928 and 1934, is known by the instability of his work. After that, the second period is popular with modern trials on Ottoman architectural organization. The time frame of this period spans from 1934 until 1952. The third period of his architecture has lost its Ottoman influence, it looks more modernized between 1952 and 1962. The last part of Eldem's Architecture known for his double approach on projects.This final period started in 1962, and lasted until his death in 1988. (Source: Wikipedia). Extremely rare.
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SEDAT MURAT, LEVENT SAHIN.
Dünden bugüne Istanbul'da ulasim.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 530, [5] p. A historical study on transport in Istanbul. Dünden bugüne Istanbul'da ulasim.
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SEFA KAPLAN.
Istanbul in the eyes of Western travellers. Edited by Alper Çeker.
New New English Original binding with original dust wrapper. 4to. (35 x 24 cm). 223 p. B/w and color ills. This book does not only aim at reminding us once more of Istanbul's past glory days, but also draws our attention to the point that at this moment of time, Istanbul is again a world city where many people from various language backgrounds can be found crowding its streets day and night. The impressions of famous Western travelers of years gone by, share the book's pages with the interpretations of contemporary ¿stanbul written by Sefa Kaplan. ISTANBUL Constantinople Travel Memoirs Ottoman culture Social life Description.
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SEFIK MEMIS.
Bize belediye baksin: Belediye hizmetlerinin karikatürlerle 100 yili, (1872-1972).
New Turkish Original bdg. HC. 4to. (28 x 21 cm). In Turkish. 223 p., color and b/w ills. Bize belediye baksin: Belediye hizmetlerinin karikatürlerle 100 yili, (1872-1972).
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SEGUR Comte de
HISTOIRE DU BAS-EMPIRE.
Paris Didier 1843. 2vol in-8 broché 577 551pp. Quelques rousseurs.
Referência livreiro : GIT00e4c
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SEHER ERDOGAN ÇELTIK.
Ali Emiri'nin Osmanli Tarih ve Edebiyat mecmuasi.
New English Paperback. Pbo. Demy 8vo. (21 x 14 cm). In Turkish. 277 p. Ali Emiri'nin Osmanli tarih ve Edebiyat mecmuasi. A study on Ali Emiri's 'Osmanli Tarih ve Edebiyat Mecmuasi' (Ottoman History and Literature Journal). OTTOMANIA Periodicals Reference Scholar.
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SELAHATTIN GIZ, (1914-1994).
Beyoglu 1930: Selahattin Giz'in fotograflariyla 1930'larda Beyoglu. Text by Ali Ozdamar. Preface by Demir Özlü.
New Turkish Paperback. Oblong large 8vo. (22 x 25 cm). In Turkish. 142, [2] p., b/w photos. Beyoglu 1930: Selahattin Giz'in fotograflariyla 1930'larda Beyoglu. Text by Ali Ozdamar. Preface by Demir Özlü.
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SELAHATTIN GIZ.
Dört mevsim Istanbul. [Album of photograhs].
New Turkish Paperback. Oblong large 8vo. (20 x 24 cm). In Turkish. 144 p., b/w photos. Dört mevsim Istanbul. [Album of photograhs].
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SELAHATTIN KARA.
Istanbul. [=Istanbul Paintings Exhibition].
Fine English Paperback. Pbo. 4to. Fully color ills. 40 p. In Turkish. Istanbul. [=Istanbul Paintings Exhibition].
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SELAHATTIN ÖZPALABIYIKLAR.
Türk edebiyatinda Beyoglu.
Very Good English Paperback. Pbo. Mint. Large demy 8vo. (22 x 17 cm). 405 p. Beyoglu (Pera) in Turkish literature. An thematic anthology. TURKISH LITERATURE Constantinople - Istanbul Beyoglu Pera Minorities Ottoman culture Turkish Republic.
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SELIM ILERI.
Yildizlar altinda Istanbul.
Fine English Paperback. Pbo. Oblong large 8vo. (18 x 19 cm). In Turkish. 223 p., b/w ills. Second Edition. Yildizlar altinda Istanbul.
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SELIM KARAHASANOGLU.
Küçükköy - Taslitarla, Gaziosmanpasa: Bir ilçenin öyküsü.
New English Paperback. Demy 8vo. (21 x 15 cm). In Turkish. 144 p., b/w and color ills, no date. Küçükköy - Taslitarla Gaziosmanpasa bir ilçenin öyküsü. ISTANBUL Urban history Sociology.
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SELIM NÜZHET GERÇEK.
Istanbul'dan ben de geçtim. Haz; Ali Birinci, Ismail Kara.
Fine English Paperback., Fine., 23 x 16 cm, 296 p., b/w ills. "Istanbul'dan ben de geçtim., SELIM NÜZHET GERÇEK, Haz: Ali Birinci - Ismail Kara, Kitabevi, Istanbul, 1997"
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SELIN KUTUCULAR.
Büyükada cuisine: My grandfather's table. When the tastes and the feelings meet at Büyükada.
New New English Original bdg. with original dust wrapper. Oblong large 8vo. 216 p. Color and b/w ills. In English. Büyükada cuisine: My grandfather's table. When the tastes and the feelings meet at Büyükada. Gourmand World Cookbook Awards After the loss of her grandfather (a bureaucrat, a man of good taste, an admirer of Büyükada) she realized her book project, named Büyükada Cuisine, to immortalize his memory. Contents: Foreword.; Introduction; My Grandfather.; Sabahattin Bilgütay; Recipes.; Thoughts.; A letter to my grandfather.
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SELÂHADDIN GÜNGÖR.
Fatih'in büyük zaferleri. 500ncü fetih yildönümü. Cover: Fuat Yilmaz.
Very Good English Paperback. Pbo. Large Roy. 8vo. (25 x 17 cm). B/w ills. 31, [1] p. There're Bartlett's engravings interior. The Conqueror's great victories. 500th anniversary of the conquest of Istanbul. Fatih'in büyük zaferleri. 500ncü fetih yildönümü. Cover: Fuat Yilmaz.
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SELÇUK DEMIREL.
Dans la boule d'Istanbul.
Very Good French Paperback. Roy. 8vo. (25 x 17 cm). In French. 62 p., color ills. Dans la boule d'Istanbul. 1Istanbul couche, en imposent qu'on lui pardonne, lorsqu'elle accouche.".
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SELÇUK DEMIREL.
Dans la boule d'Istanbul.
New French Paperback. Roy. 8vo. (25 x 17 cm). In French. 62 p., color ills. Dans la boule d'Istanbul. 1Istanbul couche, en imposent qu'on lui pardonne, lorsqu'elle accouche.".
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SELÇUK EREZ.
Istanbul nerededir, orada kimler yasar.
Fine English Paperback., Fine., 20 x 14 cm, 111 p. "Istanbul nerededir orada kimler yasar, SELÇUK EREZ, Sel Yayincilik, Istanbul, 1995"
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SEMA AKKOYUN ÖZBAY.
Living together in Istanbul.= Istanbul'da birlikte yasamak.
New English Paperback. Demy 8vo. (22 x 15 cm). In English and Turkish. 264 p., ills. Living together in Istanbul.= Istanbul'da birlikte yasamak. Sema Akkoyun Özbay tells us about the architectural structure, location and importance of the holy temples of Muslims, Christians and Jews in Istanbul in this book, Living Together in Istanbul. "This book compiled sacred spaces of three religions in Istanbul for the memory of tolerance. Let us proceed by remembering the civilization is to pay respect to various colors through the soul of the sounds of azan, church bell and the hymns raising up from the synagogue, to live altogether, to be reborn, to die and to revive altogether; for brand new and beautiful paces".
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SEMA AKKOYUN ÖZBAY.
Waterfront residences and mansions of Istanbul.= Istanbul'un yalilari ve köskleri.
New English Paperback. Roy. 8vo. (23 x 16,5 cm). In English and Turkish. 344 p., ills. Waterfront residences and mansions of Istanbul.= Istanbul'un yalilari ve köskleri. What makes Istanbul a favorite city is its magnificent waterfront residences along the Bosphorus and the sumptuous mansions spreaded into the different points of the city. The stories of these buildings that shine like jewels with their design, colors, outbuildings, gardens and peripheral arrangements have become legendary. "Waterfront Residences and Mansions of Istanbul" harks back to the past by conveying knowledge about these mysterious and enchanting structures.
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SEMA DOGAN.
Ayasofya ve Fossati Kardesler, (1847-1858).
New English Paperback. Pbo. Small 4to. (25 x 25 cm). In Turkish. 213 p., color and b/w ills. Ayasofya ve Fossati Kardesler, (1847-1858). Hagia Sophia and Fossati Brothers' architectural restoration.
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SEMAVI EYICE, (1922-2018).
Galatada Arab camii.
Very Good Turkish Paperback. 4to. (26 x 19 cm). In Turkish. 27 p., b/w ills. Galatada Arab camii. Extremely rare separatum on Arab Mosque in Galata.
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SEMAVI EYICE, (1922-2018).
Son devir Bizans mimarisi. Istanbul'da Palaiologos'lar devri anitlari.
Fine Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. [8], 88, [1] p., 136 numerous b/w ills. Eyice was a Turkish art historian and archaeologist, who specialises in the study of Byzantine and Ottoman art in Istanbul. This book of him on Architeture of last period of Byzantine Empire: Inscriptions of the period of Palaiologos. First book of 'Medieval history of art in Turkey' serie. First Edition. 1000 copies were printed. First Edition.
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SEMAVI EYICE, (1922-2018).
Son devir Bizans mimarisi. Istanbul'da Palaiologos'lar devri anitlari.
Very Good Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. [xi], 150, [1] p., 218 numerous b/w ills. Eyice was a Turkish art historian and archaeologist, who specialises in the study of Byzantine and Ottoman art in Istanbul. This book of him on Architeture of last period of Byzantine Empire: Inscriptions of the period of Palaiologos. First book of 'Medieval history of art in Turkey' serie. Enlarged Second Edition.
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SEMAVI EYICE, (Turkish art historian and archaeologist, who specialized in the study of Byzantine and Ottoman art in Istanbul), (1922-2018).
Typescript letter signed 'Semavi Eyice', sent to Dr. Cemal [Kozanoglu], (1927-2001).
Fine Turkish Original typescript letter signed by Semavi Eyice. Some autograph corrections as well by Eyice. 31x22,5 cm. In Turkish. Twenty lines. 7.5.1981 dated. He mentions Fatih Mosque in Silivri which transformed from an old Byzantine church. The letter includes very interesting information Silivri, and Selimbria, with its ancient name. For instance, in the 1960s, the district governor of Silivri sold the land of this church/mosque for five Turkish Lira per square meter. In addition to this, he says that Silivri is a Turkish district were always destroyed its own historical artifacts. In the continuation of the letter, he indicates that he adds to this sending an off-print including his article related to the Byzantine monuments in Thrace and containing mentioned church in Silivri.
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SEMAVI EYICE, AHMET ERTUG.
Istanbul: City of domes. Photography by Ahmet Ertug.
New English Original bdg. Hardbound in setalux cloth and in special and original slipcase. Large 4to. (36.5 x 26 cm). Color and b/w ills. 132 p. This beautiful book on the Byzantine and Ottoman architectural heritage of Istanbul contains detailed images of the city's domed structures accompanied by an illuminating essay by Prof. Semavi Eyice on the historical development of the city's spaces since the earliest days.
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SEMAVI EYICE.
Bizans devrinde Bogaziçi.
New Turkish Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 134 p., 77 color and b/w plates, 2 maps. The Bosphorus in the period of Byzantine Empire. Bizans devrinde Bogaziçi.
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SEMAVI EYICE.
Bizans devrinde Bogaziçi.
Very Good Turkish Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 184 p., b/w plts. 1350 copies were printed. First Edition. Bizans devrinde Bogaziçi. The Bosphorus in the period of Byzantium.
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SEMAVI EYICE.
Le baptistere de Sainte Sophie d'Istanbul. (Estratto da Atti del IX Congresso Internazionale di Archeologia Cristiana. Roma, 21-27 Settembre 1975).
Very Good French Paperback. 4to. (27 x 19 cm). In French. 257-273 pp., 11 numerous b/w plates. Le baptistere de Sainte Sophie d'Istanbul. (Estratto da Atti del IX Congresso Internazionale di Archeologia Cristiana. Roma, 21-27 Settembre 1975).
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SEMAVI EYICE.
Ortaköy. Tarih - sosyal ve mimari doku.
Fine Turkish Paperback. Oblong large 8vo. (14 x 20 cm). In Turkish. 31 p., b/w ills. Ortaköy. Tarih - sosyal ve mimari doku.
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SEMIHA AKPINAR.
Harita ve sokak planlarinda Büyükada: Eski ve yeni sahipleriyle konutlar, dükkânlar, 1870-1990.
New English Paperback. Oblong folio. (30 x 42 cm). In Turkish. 24 p., ills. Prinkipo in old maps and street plans. Harita ve sokak planlarinda Büyükada: Eski ve yeni sahipleriyle konutlar, dükkânlar, 1870-1990. Prinkipo (Büyükada) in maps and street plans from the last period of Ottoman Empire to 90s. ISTANBUL Constantinople Prinkipo Princess' Islands Social life.
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SEMRA GERMANER, ZEYNEP INANKUR.
Constantinople and the orientalists.
New English Paperback. Pbo. 4to. (29 x 24 cm). In English. 331 p., b/w and color ills. Constantinople and the orientalists. Since the publication of our earlier study; 'Orientalism and Turkey', we have been exploring the ramifications of Orientalism in the Ottoman capital of Istanbul itself, or as it was generally known in the nineteenth and early twentieth century: Constantinople. The present study, documented by both visual and written records, including memories, reveals not only the ways in which Istanbul was perceived and portrayed by European artists in the nineteenth century, but it also tries to represent the contemporary city as it truly lived and breathed. In the present work, the reader will discover the identity of Western artists whose works pictorially limned the Ottoman capital, their favorite subjects ¿the harem, the bath, the coffeehouse, and the slave market- and the nature of their interpretation of these subjects.
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SEMRA GERMANER, ZEYNEP INANKUR.
Constantinople and the orientalists.
Very Good English Paperback. Pbo. 4to. (29 x 24 cm). In English. 331 p., b/w and color ills. Constantinople and the orientalists. Since the publication of our earlier study; 'Orientalism and Turkey', we have been exploring the ramifications of Orientalism in the Ottoman capital of Istanbul itself, or as it was generally known in the nineteenth and early twentieth century: Constantinople. The present study, documented by both visual and written records, including memories, reveals not only the ways in which Istanbul was perceived and portrayed by European artists in the nineteenth century, but it also tries to represent the contemporary city as it truly lived and breathed. In the present work, the reader will discover the identity of Western artists whose works pictorially limned the Ottoman capital, their favorite subjects ¿the harem, the bath, the coffeehouse, and the slave market- and the nature of their interpretation of these subjects.
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SEMRA GERMANER, ZEYNEP INANKUR.
Constantinople and the orientalists. [HC Edition].
New New English Original bdg. Dust wrapper. 4to. (29 x 24 cm). In English. 331 p., b/w and color ills. Constantinople and the orientalists. Since the publication of our earlier study; 'Orientalism and Turkey', we have been exploring the ramifications of Orientalism in the Ottoman capital of Istanbul itself, or as it was generally known in the nineteenth and early twentieth century: Constantinople. The present study, documented by both visual and written records, including memories, reveals not only the ways in which Istanbul was perceived and portrayed by European artists in the nineteenth century, but it also tries to represent the contemporary city as it truly lived and breathed. In the present work, the reader will discover the identity of Western artists whose works pictorially limned the Ottoman capital, their favorite subjects ¿the harem, the bath, the coffeehouse, and the slave market- and the nature of their interpretation of these subjects.
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