‎1900‎

‎Manitta Giuseppe‎

‎Giacomo Leopardi. Percorsi critici e bibliografici (2004-2008). Con appendice (2009-2012)‎

‎ril. A distanza di quasi due anni dalla prima edizione, l'autore presenta, in un medesimo volume, un'ampia discussione critica sugli studi leopardiani usciti tra il 2004 e il 2012 a cui si aggiunge una bibliografia che, per il periodo esaminato, raccoglie oltre 1500 titoli.‎

‎Mann Klaus‎

‎La svolta. Storia di una vita‎

‎br. La prima metà del Novecento fu per Klaus Mann - come per tanti artisti della sua generazione - un precipizio ineludibile, un gorgo di violenza, una scissione insanabile che lo condusse in poco tempo alla morte, da cui era ossessionato. Eppure la sua esistenza fu segnata da una vitalità incoercibile e da una vibrante tensione intellettuale, di cui "La svolta" offre una testimonianza di forza ineguagliata: lo sguardo angosciato e consapevole sul presente, dalla repubblica di Weimar all'ascesa di Hitler; i viaggi a Parigi, in Nordafrica, in Italia - spesso accompagnato dalla sorella Erika e da Annemario Schwarzenbach -, la vita da esiliato prima in Europa e in seguito a New York, fino alla decisione di combattere il nazismo nell'unico modo ormai possibile: arruolarsi nell'esercito degli Stati Uniti. Ma quelli furono anche gli anni della formazione, un percorso che portò Klaus Mann ad amare scrittori come Whitman e Kafka, a stringere rapporti con André Gide, Stefan Zweig e Aldous Huxley, a un impegno umanistico che era acuto sentire, ma anche azione concreta. Saga familiare e libro di viaggio, tormentata riflessione politica e "Bildungsroman", "La svolta" - che il Saggiatore ripropone nella storica traduzione di Barbara Allason - è l'autobiografia letteraria di un grande scrittore che per tutta la vita tentò di fuggire dal cono d'ombra di uno scrittore grandissimo: Thomas Mann, di cui viene offerto in questo libro il ritratto più memorabile, capace di unire l'affetto e l'ammirazione.‎

‎MANN Thomas‎

‎EPISTOLARIO. 1889-1936. A cura di Erika Mann. Lettere a italiani, a cura di Lavinia Mazzucchetti.‎

‎In-8 p., tela editoriale con titolo oro al dorso, pp. 739. Volume XIII de "Tutte le opere di Thomas Mann". Ben conservato.‎

‎Mann Thomas‎

‎Romanzo di una vita‎

‎br. "Non ho mai avuto l'ambizione di essere all'avanguardia letteraria e al corrente coi tempi, mai appartenuto a una scuola o alla consorteria che era di volta in volta al comando. Perciò non fui mai sostenuto da nessuna scuola e raramente lodato dai letterati. Essi vedevano in me un "borghese"... e non a torto." In questa raccolta autobiografica, Mann esplora la maturazione della propria sensibilità filosofica, l'intima ispirazione a Goethe e al realismo tedesco e russo, l'Europa dei totalitarismi e della guerra sullo sfondo. Un inno alla strabiliante consapevolezza artistica e intellettuale dello scrittore, che nello scritto "Romanzo di un romanzo" rivela la genesi e le tappe della stesura del "Doctor Faustus".‎

‎Mann, Heinrich‎

‎Professor Unrat oder das Ende eines Tyrannen : Roman. Illustrationen von Martin Stark 1. Aufl.‎

‎Frankfurt, M. ; Wien ; Zürich : Büchergilde Gutenberg, 2014. 229 S. : Illustrationen ; 24 cm OLeinen, mit Lesebändchen‎

‎Buch in guter Erhaltung, Einband unbestoßen, etwas unfrisch und teilweise etwas lichtrandig gedunkelt, Seiten hell und sauber, ohne Einträge, Buchblock fest und kompakt,‎

Referencia librero : 168219

‎Mann, Klaus‎

‎Kind dieser Zeit.‎

‎Berlin, Transmare, (1932). 331 S. 8° (18,5 x 13 cm). Original-Leinwand.‎

‎Erste Ausgabe. - Schnitt schwach stockfleckig, sonst tadellos. - Vorsatz mit Besitzvermerk "Alverdes", wohl der Schriftsteller Paul Alverdes (1897-1979). *Wilpert/Gühring 13.‎

Referencia librero : 37076

‎Mann, Thomas‎

‎Bekenntnisse des Hochstaplers Felix Krull. Der Memoiren erster Teil. (1.-20. Tausend).‎

‎(Frankfurt), S. Fischer, 1954. 441 S. 8° (19 x 12,5 cm). Original-Leinwand.‎

‎Erste öffentliche Ausgabe der endgültigen Fassung. - Stockholmer Gesamtausgabe. - Einband minimal lichtrandig und am Rücken wenig verblaßt. - Vorsatz mit Besitzvermerk "Müller-Seidel 1955", wohl der Münchner Germanistik-Professor (1918-2010). *Bürgin I, 99 A. Wilpert/Gühring 1930.‎

Referencia librero : 39116

‎Mann, Thomas‎

‎Buddenbrooks. Verfall einer Familie. Roman. 23. Auflage. 2 Teile in 1 Band.‎

‎Berlin, S. Fischer, 1904. 2 Bl., 566 S., S. (3)-539, 2 Bl. 8° (18,5 x 13,5 cm). Illustrierte Original-Leinwand. [2 Warenabbildungen]‎

‎Etwas schiefgelesen, Vortitel mit privatem Schenkungsvermerk zu Weihnachten 1904. Der Originaleinband bestoßen und fleckig, hinteres Gelenk leicht rissig, Schnitt stockfleckig.‎

Referencia librero : 39118

‎Mann, Thomas‎

‎Fiorenza. 2. Auflage.‎

‎Berlin, S. Fischer, 1906. 170 S., 1 Bl. 8° (18,5 x 12,5 cm). Original-Broschur.‎

‎Unbeschnitten. Papierbedingt leicht gebräunt, Buchblock etwas schiefgelesen, anfangs gering fleckig. Die überstehende Broschur unten bestoßen und mit Knickspuren, Rücken leicht verblaßt.‎

Referencia librero : 27689

‎Mann, Thomas‎

‎Königliche Hoheit. Roman. 3. Auflage (= 3. Tausend).‎

‎Berlin, S. Fischer, 1909. 475 S., 2 Bl. 8° (18,7 x 13,5 cm). Original-Leinwand mit Kopfgoldschnitt (Entwurf: Karl Walser). [2 Warenabbildungen]‎

‎Aus dem Jahr der Erstausgabe. - Vorderes Vorsatzblatt fehlt, das Innengelenk dadurch leicht aufgeplatzt (Bindung fest), der vordere Innendeckel mit Klebespuren. Einband etwas gebräunt und fleckig. *Vgl. Bürgin I, 7.‎

Referencia librero : 39115

‎Manna, Angelo‎

‎L'inferno della poesia napoletana. Versi proibiti di poeti di ogni tempo. Terza edizione riveduta ed ampliata.‎

‎Napoli: Edizioni del Delfino 1991. 444 p. Paperback (a little rubbed and bumped, otherwise a very good and clean copy). broschiert/ Taschenbuch‎

‎Under the impresssum signed by Angelo Manna.‎

Referencia librero : 30499-yk3210

‎Mannin Ethel 1900 1984‎

‎All Experience / by Ethel Mannin‎

‎London : Jarrolds For The Beacon Library 1937. 1st Beacon Library Edition. Fine copy in the original gilt-blocked cloth. Slightest suggestion only of dust-dulling to the panel edges. Remains particularly well-preserved overall; tight bright clean and strong. ; 284 pages; Physical desc. : 284 p. : front. ; 24 cm. Subject: Mannin Ethel 1900-1984 . Europe -- Description and travel. Series: The beacon library ; no.1. London : Jarrolds For The Beacon Library hardcover‎

Referencia librero : 144125

‎Mannin Ethel 1900 1984‎

‎Common-sense and the adolescent‎

‎London : Jarrolds limited 1945 1945. Third Edition. Very good copy in the original gilt-blocked cloth. Spine bands and panel edges slightly dust-toned and rubbed as with age. Fading to spine. Remains particularly well-preserved overall; tight bright clean and strong.; 8vo 8"" - 9"" tall; 288 pages; Description: 288 p. : front. port. ; 19 cm. Subject: Adolescence. Erratum slip tipped in at contents page. London : Jarrolds, limited, [1945] hardcover‎

Referencia librero : 187278

‎Mannin Ethel 1900 1984‎

‎Rebel's Ride : a Consideration of the Revolt of the Individual‎

‎London : Hutchinson Of London 1964. First Edition. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight bright clean and especially sharp-cornered. ; 287 pages; Description: 287 p. ; 22 cm. Subjects: Individualism. Conformity. Radicalism. Social conflict. Notes: Bibliography: p. 277-279. London : Hutchinson Of London unknown‎

Referencia librero : 89829

‎MANNIN Ethel Londra 1900 1984‎

‎Sabishisa Solitidine‎

‎Torino: Frassinelli 1961. Rilegato tela custodia cloth slip-case. Ottimo Fine. Traduzione di Ada Prospero. 8vo. pp. 398. Ottimo Fine. Prima edizione italiana First Italian Edition. Frassinelli, hardcover‎

Referencia librero : 70036

‎Mannino Marco‎

‎Marco Mannino. 20 architetture del XXI Secolo-20 architectures of the XXI century. Ediz. bilingue‎

‎ill.‎

‎Mannocci L. (cur.); Risaliti S. (cur.)‎

‎Solo Gino Severini. Catalogo della mostra (Firenze, 12 luglio-10 ottobre 2019). Ediz. inglese‎

‎ill., ril. Il catalogo della mostra allestita dal 12 luglio al 10 ottobre al Museo del Novecento di Firenze si concentra sulla produzione risalente agli anni Venti e Trenta dell'artista toscano, proponendo una selezione di opere in cui l'iconografia dei soggetti è legata alla Commedia dell'arte, al teatro e alla musica. A partire dagli anni Venti, Severini si appassiona infatti alle figure e alle vicende di maschere della commedia dell'arte, come Pulcinella e Arlecchino. Clown, saltimbanchi, eroi del circo stavano affascinando numerosi artisti quali Picasso, Gris e Rouault, musicisti come Stravinskij e impresari come Djagilev. Le occasioni principali per cimentarsi con questi temi sono rappresentate per Severini dalla decorazione di due ambienti privati: il Castello di Montegufoni, di proprietà di Sir George Sitwell, nei pressi di Firenze, e la Maison di Léonce Rosenberg, suo mercante francese, a Parigi.‎

‎Mannu Giuliana‎

‎Aldo Capitini filosofo dell'azione e della comunicazione‎

‎ill., br. Il saggio ricostruisce criticamente l'opera di Aldo Capitini, con particolare attenzione allo spazio teoretico in cui si intrecciano i rapporti tra morale e politica, individuo e società, ontologia ed esistenza, con riferimento anche al pensiero di Augusto Del Noce. La prima sezione indaga le categorie del pensiero capitiniano che definiscono la sua proposta etico-politica come filosofia dell'azione e della libertà. La seconda parte riguarda il pensiero di Augusto Del Noce, in particolare l'epistolario inedito con Aldo Capitini dal quale emerge, non solo la grande rilevanza dei temi trattati ai fini della ricostruzione dei rapporti intercorsi tra i due pensatori, ma soprattutto un'interpretazione del loro pensare che sostanzia la linea etico-politica del nostro tempo. Il carteggio documenta le traversie, il periodo di crisi, di rivoluzione intellettuale e morale, durante la loro amicizia, mettendo in luce che il nodo teoretico della loro riflessione si ritrova nel valore attribuito all'agire pratico e alla libertà come scopo e tensione continua della coscienza attiva dell'individuo.‎

‎Manset Regis 1900 1978‎

‎A Woman applying makeup with a hand held mirror. Design for the cosmetics brand "Soir de Paris." Original drawing.‎

‎Paris: Circa 1928 . Original ink drawing for the publicity of Soir de Paris the perfume-cosmetics line of the Bourjois company. 8 x 8 cm on 9.5 x 16 cm. card stock. Initialed by the artist. History of Bourjois: In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1869 the shop was purchased by Alexandre Napoleon Bourjois and the company was renamed Bourjois. Around 1880 Emile Orosdi became a co-proprietor and in 1898 the business was acquired by Ernest Wertheimer who had already established a reputation of producing perfumes theatrical makeup and a best selling rice face powder called Java. Bourjois invented the first dry rouge in 1890 and marketed the first powder compact. The most successful line was Soir de Paris or Evening In Paris which debuted in 1928. You might find a perfume bottle by Gilot named Soir de Paris this is not a typo this perfume-cosmetics line was trademarked in 1925 prior to Bourjois. Expertise by Elvire Poulain-Marquis & Pierre Poulain : 06 07 79 98 61 5 rue de Saintonge 75003 Paris. Paris: Circa 1928 unknown‎

Referencia librero : 51-4022

‎Manset Regis 1900 1978‎

‎A Woman applying makeup. Design for the cosmetics brand "Soir de Paris." Original drawing.‎

‎Paris: Circa 1928 . Original ink drawing for the publicity of Soir de Paris the perfume-cosmetics line of the Bourjois company. 8 x 8 cm on 22 x 11 cm. card stock. Initialed by the artist. History of Bourjois: In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1869 the shop was purchased by Alexandre Napoleon Bourjois and the company was renamed Bourjois. Around 1880 Emile Orosdi became a co-proprietor and in 1898 the business was acquired by Ernest Wertheimer who had already established a reputation of producing perfumes theatrical makeup and a best selling rice face powder called Java. Bourjois invented the first dry rouge in 1890 and marketed the first powder compact. The most successful line was Soir de Paris or Evening In Paris which debuted in 1928. You might find a perfume bottle by Gilot named Soir de Paris this is not a typo this perfume-cosmetics line was trademarked in 1925 prior to Bourjois. Expertise by Elvire Poulain-Marquis & Pierre Poulain : 06 07 79 98 61 5 rue de Saintonge 75003 Paris. Paris: Circa 1928 unknown‎

Referencia librero : 51-4021

‎Manset Regis 1900 1978‎

‎A Woman in Silhouette applying makeup. Design for the cosmetics brand "Soir de Paris." Original drawing.‎

‎Paris: Circa 1928 . Original ink drawing for the publicity of Soir de Paris the perfume-cosmetics line of the Bourjois company. 8 x 8 cm on 25 x 18 cm. card stock. Initialed by the artist. History of Bourjois: In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1869 the shop was purchased by Alexandre Napoleon Bourjois and the company was renamed Bourjois. Around 1880 Emile Orosdi became a co-proprietor and in 1898 the business was acquired by Ernest Wertheimer who had already established a reputation of producing perfumes theatrical makeup and a best selling rice face powder called Java. Bourjois invented the first dry rouge in 1890 and marketed the first powder compact. The most successful line was Soir de Paris or Evening In Paris which debuted in 1928. You might find a perfume bottle by Gilot named Soir de Paris this is not a typo this perfume-cosmetics line was trademarked in 1925 prior to Bourjois. Expertise by Elvire Poulain-Marquis & Pierre Poulain : 06 07 79 98 61 5 rue de Saintonge 75003 Paris. Paris: Circa 1928 unknown‎

Referencia librero : 51-4020

‎Manset Regis 1900 1978‎

‎An insolent child offering flowers to an elegant couple. Design for the cosmetics brand "Soir de Paris." Original drawins.‎

‎Paris: Circa 1928 . Original ink l drawing for the publicity of Soir de Paris the perfume-cosmetics line of the Bourjois company. 20 x 14cm. and 18 x 19.5 cm with cut-out. on card stock. Initialed and titled by the artist. History of Bourjois: In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1869 the shop was purchased by Alexandre Napoleon Bourjois and the company was renamed Bourjois. Around 1880 Emile Orosdi became a co-proprietor and in 1898 the business was acquired by Ernest Wertheimer who had already established a reputation of producing perfumes theatrical makeup and a best selling rice face powder called Java. Bourjois invented the first dry rouge in 1890 and marketed the first powder compact. The most successful line was Soir de Paris or Evening In Paris which debuted in 1928. You might find a perfume bottle by Gilot named Soir de Paris this is not a typo this perfume-cosmetics line was trademarked in 1925 prior to Bourjois. Expertise by Elvire Poulain-Marquis & Pierre Poulain : 06 07 79 98 61 5 rue de Saintonge 75003 Paris. Paris: Circa 1928 unknown‎

Referencia librero : 51-4015

‎Manset Regis 1900 1978‎

‎Dans la loge. A woman seated in front of her dressing table with a man in a tuxedo. kissing her hand Design for the cosmetics brand "Soir de Paris." Original drawings.‎

‎Paris: Circa 1928 . Original ink drawings for the publicity of Soir de Paris the perfume-cosmetics line of the Bourjois company. 27 x 15.5 cm. and 17 x 13.5 cm. on card stock. Initialed and titled by the artist. History of Bourjois: In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1869 the shop was purchased by Alexandre Napoleon Bourjois and the company was renamed Bourjois. Around 1880 Emile Orosdi became a co-proprietor and in 1898 the business was acquired by Ernest Wertheimer who had already established a reputation of producing perfumes theatrical makeup and a best selling rice face powder called Java. Bourjois invented the first dry rouge in 1890 and marketed the first powder compact. The most successful line was Soir de Paris or Evening In Paris which debuted in 1928. You might find a perfume bottle by Gilot named Soir de Paris this is not a typo this perfume-cosmetics line was trademarked in 1925 prior to Bourjois. Expertise by Elvire Poulain-Marquis & Pierre Poulain : 06 07 79 98 61 5 rue de Saintonge 75003 Paris. Paris: Circa 1928 unknown‎

Referencia librero : 51-4017

‎Manset Regis 1900 1978‎

‎L�vriers. An elegant couple dining in a rooftop restaurant in Paris with greyhounds racing below. Design for the cosmetics brand "Soir de Paris." Two original drawings‎

‎Paris: Circa 1928 . Original ink and pencil drawings for the publicity of Soir de Paris the perfume-cosmetics line of the Bourjois company. 22 x 15.5 cm. and 15.5 x 15.5 cm.on card stock. Initialed by the artist with an indiscernible title. History of Bourjois: In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1869 the shop was purchased by Alexandre Napoleon Bourjois and the company was renamed Bourjois. Around 1880 Emile Orosdi became a co-proprietor and in 1898 the business was acquired by Ernest Wertheimer who had already established a reputation of producing perfumes theatrical makeup and a best selling rice face powder called Java. Bourjois invented the first dry rouge in 1890 and marketed the first powder compact. The most successful line was Soir de Paris or Evening In Paris which debuted in 1928. You might find a perfume bottle by Gilot named Soir de Paris this is not a typo this perfume-cosmetics line was trademarked in 1925 prior to Bourjois. Expertise by Elvire Poulain-Marquis & Pierre Poulain : 06 07 79 98 61 5 rue de Saintonge 75003 Paris. Paris: Circa 1928 unknown‎

Referencia librero : 51-4010

‎Manset Regis 1900 1978‎

‎Tous les suffrages. An elegant woman surrounded by 4 bowing men in tuxedoes. Design for the cosmetics brand "Soir de Paris." Original drawings.‎

‎Paris: Circa 1928 . Original ink and pencil drawings for the publicity of Soir de Paris the perfume-cosmetics line of the Bourjois company. 22 x 15.5 cm. and 18 x 19.5 cm with cut-out. on card stock. Initialed and titled by the artist. History of Bourjois: In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1869 the shop was purchased by Alexandre Napoleon Bourjois and the company was renamed Bourjois. Around 1880 Emile Orosdi became a co-proprietor and in 1898 the business was acquired by Ernest Wertheimer who had already established a reputation of producing perfumes theatrical makeup and a best selling rice face powder called Java. Bourjois invented the first dry rouge in 1890 and marketed the first powder compact. The most successful line was Soir de Paris or Evening In Paris which debuted in 1928. You might find a perfume bottle by Gilot named Soir de Paris this is not a typo this perfume-cosmetics line was trademarked in 1925 prior to Bourjois. Expertise by Elvire Poulain-Marquis & Pierre Poulain : 06 07 79 98 61 5 rue de Saintonge 75003 Paris. Paris: Circa 1928 unknown‎

Referencia librero : 51-4014