‎Ópera ballet‎

‎MENDES (Catulle).‎

‎Gwendoline. Opéra en trois actes.‎

‎Paris Charpentier et Fasquelle 1911 1 vol. broché in-12, broché, non rogné, 46 pp. Deuxième édition de cet opéra mis en musique par Emmanuel Chabrier. Un des 15 exemplaires numérotés sur Hollande, seul grand papier. Dos un peu passé.‎

Referencia librero : 49267

‎MENDES (Catulle).‎

‎Gwendoline. Opéra en trois actes.‎

‎Paris Charpentier et Fasquelle 1927 1 vol. broché in-12, broché, 46 pp. Papier un peu jauni.‎

Referencia librero : 126929

‎MENDES (Catulle).‎

‎Gwendoline. Opéra en trois actes.‎

‎Paris Dentu, s.d. [1886] 1 vol. broché in-12, broché, 42 pp. Edition originale de cet opéra dont Emmanuel Chabrier composa la musique. Petit manque angulaire au plat supérieur de la couverture et papier un peu jauni.‎

Referencia librero : 126930

‎MENDES CATULLE‎

‎GWENDOLINE - OPERA EN TROIS ACTES‎

‎LIBRAIRIE CHARPENTIER ET FASQUELLE. 1927. In-12. Broché. Bon état, Couv. partiel. décollorée, Dos satisfaisant, Intérieur frais. 46 pages. . . . Classification Dewey : 782.1-Théâtre musical, opéra‎

‎Représenté sur la scène de l'Académie Nationale de Musique (Théâtre de l'Opéra) le 3 mai 1911 / musique de Emmanuel Chabrier Classification Dewey : 782.1-Théâtre musical, opéra‎

Referencia librero : R240114661

‎MENDES CATULLE‎

‎La Reine Fiammette‎

‎CHOUDENS. 1904. In-12. Broché. Bon état, Couv. défraîchie, Coiffe en pied abîmée, Intérieur frais. 124pp. . . . Classification Dewey : 782.1-Théâtre musical, opéra‎

‎Livret en 4 actes et 6 tableaux. Textes de Mendès et musique de Leroux. Théatre National de l'Opéra-Comique. Classification Dewey : 782.1-Théâtre musical, opéra‎

Referencia librero : RO20030288

‎Meneghini,Giovanni Battista & Allegru, Renzo‎

‎My Wife, Maria Callas‎

‎At the age of 85, the author decided to offer this extraordinarily candid portrait of the most famous soprano of the century. He dictated these reminiscences shortly before his death, drawing upon unpublished autobiographical notes left by his wife, his own diaries, and dozens of intimate letters written to him by her when she was away on tour and published here for the first time. "Maria Callas Mia Moglie" was written with the collaboration of Renzo Allegri and translated from Italian by Henry Wisneski who also wrote the introduction .331p. + plates Book‎

‎MENGEDE Bernd‎

‎Arnold Schönbergs Oper "Moses und Aron" - Ansätze einer differenzierenden Strukturanalyse‎

‎Bonn, 2002 288pp., 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der Rheinischen Friedrich-Wilhelms-Universität zu Bonn), stamp at verso of title page, most pages are still uncut, text is clean and bright, good condition, M108959‎

Referencia librero : M108959

‎MENGÜ ERTEL, (1931-1999).‎

‎Mengü. Posters.= Affiches.= Afisler.= Plakate. Text by Alexandre Alexandre.‎

‎Very Good Very Good English Paperback. Pbo. Folio. (40 x 29 cm). In English, French, German and Turkish. [4], [16] p., full page color ills. Mengü. Posters.= Affiches.= Afisler.= Plakate. Text by Alexandre Alexandre. After graduating from the Istanbul State Academy of Fine Arts, he began to design theatre posters with the support of Muhsin Ertugrul. He participated in international poster exhibitions and biennales 1966 and held his first personal exhibition in Istanbul in 1969. He has posters in Munich, Amsterdam and Warsaw. Ertel is the winner of various awards, including the Grand Prize at the International Paris Cinema Posters Competition, and the Achievement Award at the Graphics 83 Exhibition Ihap Hulusi Poster Competition in 1983. He, as a graphic artist, uses communicative features and original aesthetic values in his theatre and cinema posters. Following on from Ihap Hulusi, he created a new era in cinema and theatre posters which reflect his discipline and ambition. Extremely rare.‎

‎Menotti, Gian Carlo‎

‎Il console. Dramma musicale in 3 atti‎

‎Mm 130x195 Prima versione italiana - Brossura editoriale di 72 pagine. Versione ritmica dall'americano di Fedele D'Amico. Copertina brunita, peraltro ottimo esemplare. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.‎

‎Meredith Martin (ed)‎

‎Reimagining the Ballet des Porcelaines. A Tale of Magic, Desire, and Exotic Entanglement‎

‎, Brepols - Harvey Miller, 2022 Hardback, 168 pages, Size:220 x 280 mm, Illustrations:84 col., Language: English. ISBN 9781912554812.‎

‎Summary In September 1739 at the ch teau de Morville near Paris, a group of elite amateur artists staged a ballet pantomime known as the ?Ballet des Porcelaines,? and sometimes also as ?The Teapot Prince.? Written by the comte de Caylus, with music by Grandval, it tells the story of a prince who searches for his beloved on a faraway island ruled by an evil magician. The magician has turned the island's inhabitants into porcelain, an event the audience witnesses in the form of a male and female singer who spin around on stage until they transform into vases. Aside from the libretto and the score, nothing survives of the Ballet des Porcelaines. The costumes and choreography are unknown. Although it inspired later famous ballets featuring sleeping beauties and porcelain princesses, it seems to have been staged only twice: first in 1739 and again two years later on the grounds of the estate, next to a lake encircled by vases and an illuminated arch suggesting a nighttime performance. The ch teau's owner served as France's foreign minister and promoted trade with Asia. We can assume some kind of chinoiserie imagery and context for the ballet, which can be interpreted both as a standard fairy tale love story and as an allegory for the intense European desire to know and steal the secrets of porcelain manufacture. The ballet is an example of the deep intertwining of visual and performing arts in eighteenth-century France, and to an enchantment with Asia embodied on stage and in life by porcelain goods. The plot's animation of porcelain also relates to a period understanding of the permeable boundary between persons and things manifested in a variety of cultural forms. The ballet exemplifies the profound sense of magic, mystery, and desire that porcelain instilled in European viewers (who referred to it as ?white gold?), an effect that is lost on many museumgoers today. TABLE OF CONTENTS Preface and Acknowledgments Meredith Martin Contributors I HISTORICAL REIMAGININGS Once Upon a Time at the Ch teau de Morville: Commerce, Colonialism, and Chinoiserie in the Ballet des Porcelaines Meredith Martin My Porcelain Sickness Phil Chan Conjuring 1740: A Tale of Europe's Obsession with Porcelain Charlotte Vignon II ARTISTIC INTERVENTIONS Costume Design: Q&A with Harriet Jung Meredith Martin Choreography: Q&A with Xin Ying Meredith Martin Entering the Ivory Tower of Baroque Ballet Patricia Beaman Musically Steeping a Pot of Tea Leah Nelson Finding the Sound in Between Sugar Vendil III THE LOST BALLET The Manuscript: Libretto and Score Le Prince Pot- -Th : Ballet Pantomime French Transcription Dominique Qu ro The Teapot Prince: A Pantomime Ballet Annotated English Translation Christine Jones IV CONTEMPORARY RESTAGINGS Photographs of the MET Peformance, December 6, 2021 Making the Porcelain Dance Wolf Burchard, The Metropolitan Museum of Art, New York Chinese Fantasies of Porcelain on the Cusp Between Life and Death Judith T. Zeitlin, The University of Chicago Living Things or the Collector as Audience:Animate Porcelain Dancers Elizabeth Rouget, Princeton University A Smash Hit in the Making Mia Jackson and Kate Tunstall, Waddesdon Manor and University of Oxford A Teapot Prince and His Enchanted Palace: The Royal Pavilion, Brighton Alexandra Loske, The Royal Pavilion and Museums Trust Brighton & Hove A Porcelain Room and a Teapot Prince:Maria Amalia's Salottino di porcellana and Le Prince Pot- -Th in Naples Sarah K. Kozlowski and Sylvain Bellenger, The Museum and Royal Park of Capodimonte, Naples Palazzo Grassi or the Past Revisited Bruno Racine, Palazzo Grassi, Venice The S vres Manufactory: Three Centuries of a Ballet of Porcelain Romane Sarfati and Charlotte Vignon, S vres-Manufacture et mus e nationaux Works Cited‎

Referencia librero : 64896

‎MERIMEE Prosper‎

‎CARMEN.‎

‎Paris Le Vasseur et Cie 1943. In-4 en feuilles sous chemise et étui cartonnés 148pp. Orné par Jean Traynier d'une vignette sur le titre, 1 frontispice, 5 têtes de chapitres, 14 illustrations hors texte le tout en couleurs, gravé à l'eau forte. Tiré à 450 exemplaires, celui-ci 1 des 325 numérotés sur vélin d'Arches à la forme. Pâles brunissures par endroits causées par la composition chimique des gravures.‎

‎Edition illustrée avec goût par Jean Traynier.‎

Referencia librero : GITa698

‎Merimée (Prosper)‎

‎Carmen‎

‎1930 éditions Kra collection poivre et sel 1930 In8 broché 142 pages‎

‎illustrations de dubout réhaussé au pochoirbon exemplaire‎

Referencia librero : 6401

‎MERLIN (Olivier).-‎

‎Le Bel Canto.‎

‎1961 Paris, Julliard, 1961, in 8° broché, 372 pages.‎

‎...................... Photos sur demande ...................‎

Referencia librero : 2903

‎Merlin Olivier‎

‎Le bel canto - Collection Mappemonde.‎

‎Julliard. 1961. In-8. Broché. Etat d'usage, Couv. convenable, Dos plié, Papier jauni. 366 pages.. . . . Classification Dewey : 782.1-Théâtre musical, opéra‎

‎Collection Mappemonde. Classification Dewey : 782.1-Théâtre musical, opéra‎

Referencia librero : R100070950

‎MERLIN, Olivier.‎

‎Le Chant des sirenes. (Le Bel Canto).‎

‎In-8, 253 pages, lexique, index, rel. cartonnage ed., jaquette illustree plastifiee. Bel exemplaire. [CA32-5]‎

‎MERMET A.‎

‎ROLAND A RONCEVAUX, OPERA EN 4 ACTES‎

‎Michel Lévy Frères - Mme Jonas, Paris. 1865. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos abîmé, Intérieur acceptable. 62 pages.. . . . Classification Dewey : 782.1-Théâtre musical, opéra‎

‎(Très rare) Nouvelle édition. Paroles et musique de A. Mermet. Classification Dewey : 782.1-Théâtre musical, opéra‎

Referencia librero : RO40207332

‎MERMET A.‎

‎ROLAND A RONCEVAUX- OPERA EN QUATRE ACTES- VENDU EN L ETAT‎

‎CALMANN LEVY- MICHEL LEVY FRERES. 1887. In-8 Carré. Broché. Etat passable. Plats abîmés. Dos satisfaisant. Intérieur frais. 62 pages- dos manquant- 2nd plat désolidarisé- pages et 1er plat partiellement désolidarisés Nouvelle Edition‎

‎Mermet A.‎

‎Roland à Roncevaux - Opéra en quare actes‎

‎Michel Lévy Frères. 1885. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos frotté, Intérieur frais. 62 pages. Coiffes abîmées. . . . Classification Dewey : 782.1-Théâtre musical, opéra‎

‎Nouvelle édition. Représenté pour la première fois à Paris sur le théâtre impérial de l'Opéra, le 3 octobre 1864. Classification Dewey : 782.1-Théâtre musical, opéra‎

Referencia librero : RO20239661

‎MERTENS PIERRE.‎

‎LA PASSION DE GILLES‎

‎ISBN : 2903098271. ACTES SUD. 1981. In-12 Carré. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 92 pages‎

‎MERTENS, Pierre.‎

‎La Passion de Gilles. Opera.‎

‎in-12 étroit, 92 pages, broche, couverture illustr Bel exemplaire. [FL-16]‎

‎MERY ET HADOT‎

‎HERCULANUM- OPERA EN QUATRE ACTES‎

‎MICHEL LEVY FRERES. 1861. In-8 Carré. Broché. Etat d'usage. Couv. convenable. Dos frotté. Intérieur frais. 56 pages+ 36 pages catalogue Michel Lévy de juin 1861‎

‎MERY ET HADOT‎

‎HERCULANUM- OPERA EN QUATRE ACTES- VENDU EN L ETAT‎

‎MICHEL LEVY FRERES. 1859. In-8 Carré. Broché. A restaurer. Couv. convenable. Dos abîmé. Mouillures. 56 pages+ 36 pages catalogue Michel Lévy de mars 1859- plats désolidarisés- dos partiellement manquant- pages partiellement désolidarisées- nombreuses annotations au crayon à papier en marge du texte‎

‎MERY- DU LOCLE CAMILLE / VERDI G.‎

‎DON CARLOS- OPERA EN CINQ ACTES‎

‎CALMANN LEVY. NON DATE. In-8 Carré. Broché. Etat passable. Couv. convenable. Dos abîmé. Intérieur frais. 82 pages‎

‎MESSERI V.‎

‎Le Sale di Ricovero e la "Crèche" fiorentina. (Pia Opera Bambino Gesù). Poesia di S. Pellico e Riflessioni di V. Messeri.‎

‎Firenze, Tip. Bonducciana - A. Meozzi (Piazza del Duomo, 27), 1893, in-8, br. edit., pp. 12. Estratto con nvio autografo (per raccolta di fondi) d'una "Suor Margherita": l'asilo per bimbi poveri era in via S. Caterina, a Firenze, ed era gestito dalle Suore di Carità.‎

‎METASTASIO‎

‎Quatre Tragédies-Opéra‎

‎Vienne Vienne: , 1750 1750 Couverture rigide‎

‎2 volumes in-12, veau marron, dos lisse orné, pièces de maroquin rouge et marron, armes au centre des plats, tranches rouges (reliure d'époque). Exemplaire aux armes de Barthélémy-François Thoinard, fils de Barthélémy Seigneur de Cendré, Fermier général et de Marie de Saint-Paire. Fut lui même Fermier général. // 2 12o volumes, brown calf, smooth spine tooled in gilt, red and brown morocco labels, central arms on covers, red edges (contemporary binding). Copy bearing the arms of Barthélémy-François Thoinard, son of Barthélémy Seigneur de Cendré, Fermier général and Marie de Saint-Paire. Himself was a Fermier général.‎

Referencia librero : 000402