|
|
|
SEELIGER, H
Antike Tragödien im Gewande moderner Musik. Ästhetische und metrische Studien.
Leipzig, Breitkopf & Härtel, 1905. 72 S. mit zahlr. Notenbeispielen. Rücken-Broschur (etwas angestaubt).
Référence libraire : 1305293
|
|
|
Segalini Sergio
Callas, les images d'une voix
Van de Velde 1979 In-4 relié sous jaquette un peu fânée, néanmoins bon état d’occasion.
Référence libraire : 73254
|
|
|
SEGALINI Sergio
Callas, les images d'une voix.
Couverture rigide. Reliure toile de l'éditeur. 172 pages. Jaquette 22 x 30 cm. Cachets sur les pages de garde.
Référence libraire : 47753
|
|
|
SEGALINI Sergio
Divas, Parcours D'un Mythe
Arles Actes SUD 1986 In-8 Étroit 140 pp
Référence libraire : 25280
|
|
|
Segalini Sergio
Ruggero Raimondi (Images du chant)
Fayard 1981 In-folio broché. 95 pages. Très bon état d’occasion.
Référence libraire : 73262
|
|
|
Segalini, Sergio
Teresa Berganza
Fayard, coll. « Images du chant » 1982 In-4 cartonnage éditeur sous jaquette. Jaquette en état moyen. La jaquette présente quelques déchirures sans manque. 94 pages. Bon état d’occasion.
Référence libraire : 105949
|
|
|
SEGALINI, Sergio.
LA SCALA. Histoire, mythologie, divas, renseignements pratiques.
in-8 étroit, 285 pages, illustrations, broche, reliure souple éditeur. Bel exemplaire. [BAT-9]
|
|
|
Segond (André)
Georges Thill ou l'age d'or de l'opéra
Jacques-marie Laffont et associés à Lyon 1980 In-8 broché 24 cm sur 16. 277 pages. Bon état d’occasion.
Référence libraire : 11068
|
|
|
Segond (André)
Renata Tebaldi
Editions Jacques-Marie Laffont et associés 1981 Préfacé par Mario del Monaco. In-8 broché 24 cm sur 15. 260 pages. Bon état d’occasion.
Référence libraire : 90108
|
|
|
Segond (André) ; Sebille (Daniel)
Mario del Monaco ou un ténor de légende
Jacques-Marie Laffont et associés à Lyon 1981 In-8, 263 pp. Broché . Illustrations hors-texte en noir.
Référence libraire : 2502
|
|
|
SEGOND, Andre.
RENATA TEBALDI. Preface de Mario Del Monaco.
grand in-8, 258 pages, important cahier d'illustrations, bibliographie et discographie, broche, couverture illustree.- ISBN 2863680498 Bon etat (couverture leg. defr.). [NV-39]
|
|
|
SEGRAIS (Jean Regnault de)
Œuvres diverses de Mr. De Segrais.
Amsterdam, Chez François Changuion, 1723, 2 volumes in-12 (15,5x9cm), xxiv-179-12ff. & 1f.-256pp.-1f., basane marbrée époque, dos lisse orné, avec titre et tomaison, tranches rouges, défauts de reliure (Coiffes, coins, frottements, etc…), petite mouillure en marge par intermittence.
Référence libraire : PHO-2084
|
|
|
SEGUIN ALFRED
BON CHAT BON RAT ! VAUDEVILLE OPERETTE EN UN ACTE - MUSIQUE DE CAMILLE MICHEL.
BARBRE. 1860. In-12. Broché. Etat passable, Couv. défraîchie, Dos satisfaisant, Fortes mouillures. 36 pages - mouillures et rousseurs sans réelle conséquence sur la lecture - déchirure sur la page de titre - couverture d'attente - plats salis - annotation + une étiquette collée sur le 1er plat - tranches salies - quelques annotations au crayon à papier à l'intérieur de l'ouvrage sans conséquence sur la lecture.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
Référence libraire : R240074866
|
|
|
SELBY-LOWNDES JOAN
WORLD BALLET
New-York, Galahad, 1981. In-4 relié toile avec jaquette, 191 pages, illustrations en couleurs.
|
|
|
Selecta opera philosophica
Numeris & capitibus ad usum scholarum distincta notis que illustrata 1786 Hardcover Hardcover Marcus Tullius Cicero
Hardcover. Hardcover. Fair. Almost very good in three-quarter leather with bright gold on red leather titling spine and buckram abrown boards . The text in Latin. 352 pages complete. Paris:Brocas 1786 Opera philosophica Ciceronis . Please see our photographs. Slight loss upper right corner of title page as pictured. Neat pencil underlining in the essay on friendship. No other reader remainder or X library marks hardcover
Référence libraire : 0212Q9PCN8P
|
|
|
Sem Benelli
L'arzigogolo - Poema buffonesco in quattro atti
Brossura, 207 pp., ottimo
|
|
|
SEMBRICH Marcella
Madame Marcella Sembrich. Extrait de l'album Mariani. Figures contemporaines, second volume. Notice biographique de trois pages. Un portrait et un fac-similé d'autographe vantant les mérites du vin de coca Mariani.
- Quatre pages 19 x 27 cm.
Référence libraire : 83417
|
|
|
SEMIHA BERKSOY, (Turkish soprano, opera singer and painter), (1910-2004).
Concert pamphlet signed 'Semiha Berksoy'.
Istanbul: Original Concert Program Pamphlet with Autograph Signature 1955. No Binding. Very Good. Original concert program signed and inscribed by Semiha Berkdoy. 24x12 cm Folded size. Folded. 8 p. fully ills. Signed and inscribed by Berksoy. Semiha Berksoy was a Turkish opera singer and painter. Berksoy started her acting career in the role of Semiha in the first Turkish sound movie Istanbul Sokaklarinda directed by Muhsin Ertugrul in 1931. She was cast in operettas in Istanbul theaters early in her career. She sang in the first Turkish opera Özsoy in 1934 commissioned by Kemal Atatürk composed by Adnan Saygun. She was honored as the First Turkish Opera Singer and awarded the opportunity to go to Berlin Music Academy for further training. She started her international singing career in 1934 performing in Turkey Germany and Portugal becoming known as a Wagnerian soprano. In 1939 for the 75th birthday of Richard Strauss in Berlin she sang the role of Ariadne in Ariadne Auf Naxos becoming the first Turkish prima donna to perform on stage in Europe. Back in Turkey she worked with Carl Ebert helping him in his efforts to create the Turkish State Opera and Ballet. This initiative leads to the creation of the Experimental Stage of the Ankara State Conservatory 1940. She retired from the Istanbul Opera in 1972. She was decorated with the "Atatürk Opera Award" at the 50th-anniversary ceremonies commemorating the introduction of women's rights to vote and to be elected. She received the title of "State Artist" in Turkey in 1998. Following her retirement she remained active mostly as a theater artist. Four years preceding her death at the age of 90 she appeared in a dramatic scene singing Liebestod in Robert Wilson's opera The Days Before: Death Destruction and Detroit III at the Lincoln Center in New York City 1999. <br/> <br/> Original Concert Program Pamphlet with Autograph Signature unknown
Référence libraire : 053357
|
|
|
SEMIHA BERKSOY, (Turkish soprano, opera singer and painter), (1910-2004).
Semiha Berksoy. Artist catalogue. Texts by Ferit Edgü Beral Madra.
Istanbul: Akbank 1992. Soft cover. Fine. Paperback. Oblong large 8vo. 23 x 24 cm. In English and Turkish. 36 p. color ills. Signed and inscribed by the artist as 'Coskun Sensoy'a saygilarla'. Dated 2.10.1992. Semiha Berksoy was a Turkish opera singer and painter. Berksoy started her acting career in the role of Semiha in the first Turkish sound movie Istanbul Sokaklarinda directed by Muhsin Ertugrul in 1931. She was cast in operettas in Istanbul theaters early in her career. She sang in the first Turkish opera Özsoy in 1934 commissioned by Kemal Atatürk composed by Adnan Saygun. She was honored as the First Turkish Opera Singer and awarded the opportunity to go to Berlin Music Academy for further training. She started her international singing career in 1934 performing in Turkey Germany and Portugal becoming known as a Wagnerian soprano. In 1939 for the 75th birthday of Richard Strauss in Berlin she sang the role of Ariadne in Ariadne Auf Naxos becoming the first Turkish prima donna to perform on stage in Europe. Back in Turkey she worked with Carl Ebert helping him in his efforts to create the Turkish State Opera and Ballet. This initiative leads to the creation of the Experimental Stage of the Ankara State Conservatory 1940. She retired from the Istanbul Opera in 1972. She was decorated with the "Atatürk Opera Award" at the 50th-anniversary ceremonies commemorating the introduction of women's rights to vote and to be elected. She received the title of "State Artist" in Turkey in 1998. Following her retirement she remained active mostly as a theater artist. Four years preceding her death at the age of 90 she appeared in a dramatic scene singing Liebestod in Robert Wilson's opera The Days Before: Death Destruction and Detroit III at the Lincoln Center in New York City 1999. <br/> <br/> Akbank paperback
Référence libraire : 053360
|
|
|
SEMIHA BERKSOY, (Turkish soprano, opera singer and painter), (1910-2004).
Concert pamphlet signed 'Semiha Berksoy'.
Very Good Turkish Original concert program signed and inscribed by Semiha Berkdoy. 24x12 cm (Folded size). Folded. 8 p., fully ills. Signed and inscribed by Berksoy. Semiha Berksoy was a Turkish opera singer and painter. Berksoy started her acting career in the role of Semiha in the first Turkish sound movie Istanbul Sokaklarinda directed by Muhsin Ertugrul in 1931. She was cast in operettas in Istanbul theaters early in her career. She sang in the first Turkish opera Özsoy in 1934 (commissioned by Kemal Atatürk, composed by Adnan Saygun). She was honored as the First Turkish Opera Singer and awarded the opportunity to go to Berlin Music Academy for further training. She started her international singing career in 1934, performing in Turkey, Germany, and Portugal, becoming known as a Wagnerian soprano. In 1939, for the 75th birthday of Richard Strauss in Berlin, she sang the role of Ariadne in Ariadne Auf Naxos, becoming the first Turkish prima donna to perform on stage in Europe. Back in Turkey, she worked with Carl Ebert helping him in his efforts to create the Turkish State Opera and Ballet. This initiative leads to the creation of the Experimental Stage of the Ankara State Conservatory 1940. She retired from the Istanbul Opera in 1972. She was decorated with the "Atatürk Opera Award" at the 50th-anniversary ceremonies commemorating the introduction of women's rights to vote and to be elected. She received the title of "State Artist" in Turkey in 1998. Following her retirement, she remained active mostly as a theater artist. Four years preceding her death, at the age of 90, she appeared in a dramatic scene singing Liebestod in Robert Wilson's opera The Days Before: Death, Destruction and Detroit III at the Lincoln Center in New York City (1999).
|
|
|
SEMIHA BERKSOY, (Turkish soprano, opera singer and painter), (1910-2004).
Semiha Berksoy. [Artist catalogue]. Texts by Ferit Edgü, Beral Madra.
Fine English Paperback. Oblong large 8vo. (23 x 24 cm). In English and Turkish. [36] p., color ills. Signed and inscribed by the artist as 'Coskun Sensoy'a saygilarla'. Dated 2.10.1992. Semiha Berksoy was a Turkish opera singer and painter. Berksoy started her acting career in the role of Semiha in the first Turkish sound movie Istanbul Sokaklarinda directed by Muhsin Ertugrul in 1931. She was cast in operettas in Istanbul theaters early in her career. She sang in the first Turkish opera Özsoy in 1934 (commissioned by Kemal Atatürk, composed by Adnan Saygun). She was honored as the First Turkish Opera Singer and awarded the opportunity to go to Berlin Music Academy for further training. She started her international singing career in 1934, performing in Turkey, Germany, and Portugal, becoming known as a Wagnerian soprano. In 1939, for the 75th birthday of Richard Strauss in Berlin, she sang the role of Ariadne in Ariadne Auf Naxos, becoming the first Turkish prima donna to perform on stage in Europe. Back in Turkey, she worked with Carl Ebert helping him in his efforts to create the Turkish State Opera and Ballet. This initiative leads to the creation of the Experimental Stage of the Ankara State Conservatory 1940. She retired from the Istanbul Opera in 1972. She was decorated with the "Atatürk Opera Award" at the 50th-anniversary ceremonies commemorating the introduction of women's rights to vote and to be elected. She received the title of "State Artist" in Turkey in 1998. Following her retirement, she remained active mostly as a theater artist. Four years preceding her death, at the age of 90, she appeared in a dramatic scene singing Liebestod in Robert Wilson's opera The Days Before: Death, Destruction and Detroit III at the Lincoln Center in New York City (1999).
|
|
|
Semyon Bychkov
Orchestre de Paris 1996-1997 / Musique Symphonique - Musique de chambre - Concerts pour les jeunes - Operas
Orchestre de Paris. 1996. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 124 pages. Nombreuses photographies en noir et blanc dans et hors texte.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
Référence libraire : RO80212627
|
|
|
Seneca, Lucius Annaeus
Opera philosophica et epistolae mit Vorrede des S. Hieronymus. 2 Teile in einem Band.
Venedig, Bernardinus de Choris u. Simon de Luere, 5. Oktober 1490. Fol. 3 nn., 147; 65 num., 1 weißes (= 216) Bll. (Rom. Type, 62 Zeilen; Min. f. Initialen), Mod. Pgmt. unter Verwendung einer lateinischen Handschrift des 15. Jhds. mit zahlr. roten u. blauen Fleuronné-Initialen.
Référence libraire : 47651
|
|
|
Seneca, Lucius Annaeus
Opera, quae extant, omnia, in VI. tomos tributa. Novae huic editioni accesserunt [...]. Authore Dionysio Gothofredo I.C. 6 Teile in 2 Bänden.
Basel, Eusebius Episcopius, 1590. 8°. Mit einigen Holzschn.-Vignetten bzw. -Initialen. 8 Bll., 121 (1) S., 3 Bll.; 319; 232; 120; 287; 531 (1) S., Pgmt.-Bde. d. Zt. m. durchzogenen Bünden, handschriftl. Rückentiteln, Deckel- u. Rückenverg., abgeschrägten Kanten u. dreiseitigem Goldschnitt.
Référence libraire : 58125
|
|
|
SENECHAUD Marcel
"Le répertoire lyrique d'hier et d'aujourd'hui; opéras, opéras comiques, drames lyriques, comédies musicales et ballets dramatiques."
Gérard Billaudot, Editeur, 1971. 13 x 20, 301 pp., quelques illustrations en N/B, broché, couverture à rabats, très bon état.
Référence libraire : 94730
|
|
|
SENECHAUD MARCEL
LE REPERTOIRE LYRIQUE D'HIER ET D'AUJOURD'HUI
GERARD BILLAUDOT. 1971. In-8. Broché. Bon état, Couv. convenable, Dos abîmé, Intérieur frais. 301 pages - nombreuses photos en noir et blanc hors texte. . . . Classification Dewey : 782.1-Théâtre musical, opéra
Référence libraire : RO30131625
|
|
|
SENECHAUD, M.
Le Repertoire lyrique d’hier et d’aujourd’hui. Operas - Operas-comiques - Drames lyriques - Comedies musicales et ballets dramatiques.
in-8°, 301 pages, ill. hors texte N&B, broche, couv. plast. à rabats. Bel exemplaire. [DV-16]
|
|
|
Senofonte
Anabasi Vol. I - II - III - IV La spedizione di Ciro
Quattro volumi composti. Brossura in cartoncino flessibile. Copertina con alette illustrata. Pagine in buonissimo stato. Lingue presenti greco e italiano, con testo tradotto a fronte. Introduzione e note di Pierluciano Guardigli. Traduzione di Lela Mazzone. Numero pagine 560 USATO
|
|
|
Sensini Ugo
Catalogo della biblioteca del Liceo Musicale di Bologna. Libretti d'opera in musica. Volume V
<p>25,5 cm, brossura origimale, p. xvi, 560 con catalogo descrittivo per ordine alfabetico dei musicisti, rielaborando schede di Gaetano Gaspari. Volume intonso in ottime condizioni</p>
|
|
|
senza autore
The white-haired Girl A Modern Revolutionary Ballet - La fille aix cheveux blancs Ballet moderne révolutionnaire
BUONE CONDIZIONI
|
|
|
Serafini, Giuliano (a cura di / edited by / sous la direction)
Mariani Chez Capucci
Mm 245x285 Catalogo della mostra di Firenze, Villa Bardini, 27 febbraio - 01 maggio 2016. Volume in copertina rigida, 95 pagine profusamente illustrate a colori. Testo in lingua italiana, inglese e francese - italian-english-french texts. Copia in condizioni di nuovo, spedizione in 24 ore dalla conferma dell'ordine.
|
|
|
Serge Leslie, author (ballet and dance)..:
Serge Leslie author ballet and dance Autograph Letter Signed to Ifan Kyrle Fletcher bookseller specialising in Performing Arts.
Los Angeles March 1858. Ballet. Fletcher was a bookseller specialising in Performing Arts and founder of the Society for Theatre Research. One page 4to chipped four small tears fold mark punch-holes small hole in centre but complete and legible. He thanks Fletcher for submitting a print to "us" Leslie and Niles but they decline regretfully requesting others from the Romantic Period as they occur. "The 'Pas de Quatre' is most beautiful and now graces our walls." He requests an English translation of "Stepanow alphabet les Mouvements du Corps Humain". He refers to an enclosed cheque and asks if Fletcher has a copy of "Lo Barbarino Campanini " giving publishing detail. Fletcher has added some annotation in pencil revealing his acting on the requests. Los Angeles, March 1858. unknown
Référence libraire : 2048
|
|
|
Serge Lifar
Histoire du Ballet
Pierre Waleffe 1966 1966. Cet ouvrage de Serge Lifar publié en 1966 par Pierre Waleffe retrace l'histoire du ballet de la danse académique et de l'art chorégraphique. Il est richement illustré et s'inscrit dans la réflexion théorique de Lifar sur la danse classique dont il fut un acteur majeur en tant que danseur chorégraphe et théoricien
Référence libraire : 500387808
|
|
|
SERGIO MARTINOTTI, LUCIANO MIGLIAVACCA, GRAZIELLA DE FLORENTIIS, AGOSTINA ZECCA LATERZA, SERGIO RENZI, GIORGIO SIRIBALDI LUSO, LUIGI ROSSI, GIAMPIERO TINTORI, ADRIANO BASSI, GIORGIO VITALI, PIERO SANTI, MARIA PIA FERRARIS CASTELLI, FRANCO FAYENZ, ORNELLA
LE CAPITALI DELLA MUSICA. MILANO
Il testo è stato scritto in occasione dell'Anno Europeo della Musica 1985 dal Nuovo Banco Ambrosiano<br/>Collana LE CAPITALI DELLA MUSICA<br/>Legatura rilegato in tela editoriale con sovracoperta<br/>Formato Quarto<br/>Num Pagine 216<br/>Illustrazioni numerose a colori e in b/n in testo e fuori testo<br/>Prima Edizione
|
|
|
SERGIO TRAVI
PICCOLA STORIA DEL REAL TEATRO DI SAN CARLO
DISPONIBILITÀ GARANTITA AL 99%; SPEDIZIONE ENTRO 12 ORE DALL'ORDINE. FONDO DI MAGAZZINO PARI AL NUOVO. LIEVISSIMI SEGNI DEL TEMPO. Il volumetto, curato da Sergio Travi, con un'introduzione storica di Francesco Canessa, è ricco di illustrazioni. Racconta le vicende del San Carlo e dei più famosi compositori, cantanti, danzatori, direttori d'orchestra ed impresari che hanno reso grande il San Carlo, il più antico teatro d'opera in Europa fondato per volontà di Carlo di Borbone nel 1737. Teatro San Carlo, Napoli, il teatro più antico d'Europa, costruito nel 1737. Teatro San Carlo, Naples, the oldest theatre in Europe, built in 1737. Descrizione bibliografica Titolo: Piccola storia del Real Teatro di San Carlo Autore: Sergio Travi Curatore: Sergio Travi Introduzione di: Francesco Canessa Editore: Napoli: Casa Editrice Fausto Fiorentino, 1996 Lunghezza: 94 pagine; 18 cm; illustrato ISBN: 8885346375, 9788885346376 Collana: Stagioni d'Italia Soggetti: Teatro San Carlo, Storia, Musica, Opera Lirica, Balletto, Arte, Spettacolo, Pubblico, Compositori, Opere liriche, Rappresentazioni teatrali, Cultura classica, Orchestre sinfoniche, Strumenti musicali, Aristocrazia, Palcoscenico, Palchi, Architettura, Teatri lirici napoletani, Palazzo Reale, Reali, History, Opera, Italy, Naples, Geschichte, Musiktheater, Neapel, Conservatorio, San Pietro a Majella, Archivio, Scala, Milano, Fenice, Venezia, Settecento, Sceneggiatura, Antonio Niccolini, Ottocento, Vincenzo Bellini, Pierre Hus, Direttori, Carlo di Borbone, Risanamento urbanistico, Carasale, Grandi Impresari, Domenico Barbaja, Pasquale Di Costanzo, Tenori, Cantanti, Caffarello, Gaetano Majorano, Verdi, Nessun dorma, Va pensiero, Pavarotti, Caterina Gabrielli, Gioacchino Conti, Donizetti, Rossini, Dumas, Stendhal, Viaggio in Italia, Voyage, Stagioni, Programmi, Aida, Traviata, Libri illustrati, Librettisti, Libri fuori catalogo, Storia locale, Music, Ballet, Art, Entertainment, Audience, Composers, Theater plays, Classical culture, Symphony orchestras, Musical instruments, Aristocracy, Stages, Architecture, Neapolitan opera houses, Royal Palace, Conservatory, San Pietro a Majella, Archive, Milan, Venice, Eighteenth century, Screenplay, Nineteenth century, Directors, Urban renewal, Carasale, Great Impresarios, Tenors, Singers, Travel in Italy, Seasons, Programs, Illustrated books, Librettists, Out of print books, Local history, Puccini Parole e frasi comuni allievi Antonio apprezzato artisti ballerini Ballet Baritono Bellini Bianca e Fernando Cammarano cantante capitale borbonica Carasale Carla Fracci carriera Caruso Caterina Gabrielli Cimarosa compositore Covent Garden Debutto direttore d'orchestra Domenico Barbaja Duprez esibizioni Esordio San Europa Fernando De Lucia Gabriella Gaetano Donizetti Garden di Londra Gioacchino Gioachino Rossini Giovanni San Giuseppe infatti interpretando opere interprete Isabella Colbran Leopoldo Mugnone Lucia di Lammermoor Madrid maestro Malibran Mascagni Mercadante messa in scena Metropolitan New York musica musicale napoletana New York Niccolini nuovo opere di Rossini Pacini Paisiello palco palcoscenico Pasquale Di Costanzo periodo Pietro a Majella principali italiani protagonista rappresentazioni Reale repertorio Roberto De Simone ruolo Salvatore San Carlino sancarliana Sarro Scala di Milano scenografia scritturato scuola seguito Soprintendente spettacoli stagione successo teatro napoletano Teatro Regio tenore tournée Venezia Vienna vocale Zingarelli
|
|
|
Serrano Francisco, Dazzi Gualtiero
La rosa de Ariadna- Opéra en un acte de Gualtiero Dazzi
Centre dramatique national. Non daté.. In-8. Broché. Etat passable, Coins frottés, Agrafes rouillées, Intérieur acceptable. 59 pages. Envoi (photo disponible). Rares rousseurs. Quelques illustrations en noir et blanc.. . . A l'italienne. Classification Dewey : 782.1-Théâtre musical, opéra
Référence libraire : RO30367844
|
|
|
SERRE (Solveig).
L'Opéra de Paris (1749-1790). Politique culturelle au temps des Lumières.
CNRS Editions, 2011 gr. in-8°, 304 pp, 15 illustrations et plans, graphiques et tableaux, biblio, index, broché, couv. illustrée, bon état
Référence libraire : 124782
|
|
|
SERVAT Henry-Jean
Luis Mariano, les mélodies du bonheur
Hors Collection 2013 In-4 relié 28 cm sur 23,2. 156 pages. Très bon état d’occasion.
Référence libraire : 73249
|
|
|
SERVIERES, Georges.
FREISCHUTZ. Opéra romantique en trois actes, musique de Carl Maria von Weber, traduction du poème de Johann Friedrich Kind, précédée d'un historique de l'œuvre et de ses adaptations françaises.
in-12, 187 pp., broché, couv.- RARE Bel exemplaire. [FRA-3]
|
|
|
Sessa Andrea
Il melodramma italiano (1901-1925). Dizionario bio-bibliografico dei compositori
brossura Il volume fornisce un quadro del teatro musicale italiano tra il 1901 e il 1925, con particolare attenzione ai compositori ignorati da dizionari e repertori. Un periodo contraddistinto da un notevole eclettismo, nel quale nessuna delle numerose opere che ogni anno appaiono sulle scene, ad eccezione di quelle di Giacomo Puccini, riesce a conquistarsi una popolarità duratura, ma che nello stesso tempo presenta un'impressionante ricchezza di temi, stili e figure di considerevole rilevanza nella storia della musica italiana.
|
|
|
Sessa Andrea
Il melodramma italiano 1861-1900. Dizionario bio-bibliografico dei compositori
brossura
|
|
|
Sessa, Andrea
Il melodramma italiano (1861-1900). Dizionario bio-bibliografico dei compositori.
cm. 17 x 24, viii-536 pp. Historiae Musicae Cultores - Biblioteca Catalogato comunemente come una stagione di transizione per il melodramma italiano, l?ultimo quarantennio dell?Ottocento ?, musicalmente parlando, un territorio in gran parte inesplorato dove, accanto a Giuseppe Verdi e agli altri operisti pi? conosciuti, una moltitudine di compositori lotta per trovare spazio e dignit? artistica. Il tempo ne ha quasi del tutto cancellato gli sforzi. Questo dizionario si propone di recuperarne le tracce per offrire a studiosi e appassionati una nuova prospettiva di ricerca. Usually considered as a period of transition for Italian Melodrama, the last forty years of the nineteenth-century, in terms of music, are largely unexplored where, apart from Giuseppe Verdi and other equally famous composers, many others struggle to achieve a position in the operatic world and time has almost cancelled their efforts. This dictionary endeavours to track them down thus offering scholars and music lovers a new research perspective. 955 gr. viii-536 p.
|
|
|
Sessa, Andrea
Il melodramma italiano (1901-1925) Dizionario bio-bibliografico dei compositori
Il volume fornisce un quadro del teatro musicale italiano tra il 1901 e il 1925, con particolare attenzione ai compositori ignorati da dizionari e repertori. Un periodo contraddistinto da un notevole eclettismo, nel quale nessuna delle numerose opere che ogni anno appaiono sulle scene, ad eccezione di quelle di Giacomo Puccini, riesce a conquistarsi una popolarità duratura, ma che nello stesso tempo presenta un'impressionante ricchezza di temi, stili e figure di considerevole rilevanza nella storia della musica italiana. This volume offers an overview of Italian opera between 1901 and 1925, with a special focus on composers mostly ignored by dictionaries and inventories. The period was characterized by a remarkable eclecticism, and by the fact that of the many operas staged in those years, only those by Giacomo Puccini obtained an enduring popularity. It was also marked by an impressive variety of themes, styles, and personalities of considerable importance. Historiae Musicae Cultores - Biblioteca 126 cm 17 x 24, 2 tomi di x-1012 pp.
|
|
|
Seydoux (Hélène)
Les femmes et l’Opéra
Ramsay 2004 In-8 broché 24 cm sur 20. 281 pages. Très bon état d’occasion.
Référence libraire : 90066
|
|
|
SEYDOUX HELENE
LAISSE COULER MES LARMES - L'OPERA, LES COMPOSITEURS ET LA FEMINITE
EDITIONS RAMSAY. 1984. In-8. Broché. Etat d'usage, Coins frottés, Dos frotté, Intérieur frais. 354 pages. . . . Classification Dewey : 782.1-Théâtre musical, opéra
Référence libraire : R240127227
|
|
|
SEYDOUX Hélène
Laisse couler mes larmes. L'Opéra, les compositeurs et la féminité
Ramsay Rasay, 1984. In-8 broché de 354 pages. Bon état
Référence libraire : 184155
|
|
|
SEYMOUR, Maurice.
Seymour on Ballet. 101 Photographs. Foreword by Leonide Massine.
Chicago, Pellegrini and Cudahy, 1947, 31,5 x 24 cm., tela original con mancha en la esquina superior interna, retrato + 6 hojas + 101 láminas en blanco y negro con texto de explicación de cada lámina + 2 hojas.
|
|
|
Shakespeare si Opera lui
Culegere Texte critice
ESPLA 1964. Used. For more details please contact me ESPLA unknown
Référence libraire : feb121221
|
|
|
SHAKESPEARE William.
Tutte le Opere. A cura di Mario Praz.
In-8°, legatura editoriale in finta pelle opp. XXI(1)-(2)1366(2). Testo - solo in italiano - su due colonne. La pubblicazione fu un evento editoriale per la cultura italiana; traduzioni di Cecchi, Praz, Bajocchi, Montale, Vittorini, Linati, Pavolini, Baldi, Pccoli, Castelli, Melchiori, Mabellini e altri. Esemplare allo stato di nuovo, in cofanetto muto editoriale.
|
|
|
Shakespeare, William (1564-1616). - Brandl, Alois (Hrsg)
Shakespeares Dramatische Werke [in zehn Bänden]. Übersetzt von August Wilhelm von Schlegel und Ludwig Tieck.
Leipzig; Wien, Bibliographisches Institut, [1897-1899]. 8° (18x12), 76,331; 492; 416; 414; 508; 465; 349; 410; 392; 399 S., PorträtFrontispiz, gefaltetes HandschriftFaksimile, einheitliche grüne Olnbde mit Jugendstil-Schmuckrahmen, rot geprägt RSchild, dreiseitiger GrünSchnitt, florale SchmuckVorsätze, 10 Bände in 10 [so komplett], Band 1: Klammerbindung minimal angerostet, Band 2: hintVorsatzblatt mit kleinem repariertem Einriß, nahezu ohne Gebrauchsspuren, wohlerhalten und frisch, [= Meyers Klassiker-Ausgaben : herausgegeben von Ernst Elster],
Référence libraire : 17156AB
|
|
|
Recevoir par e-mail
Télécharger en PDF
Flux RSS
Lien permanent
