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ZEYNEP ORAL.
Leyla Gencer: A story of passion. Edited by Aykut Sengözer.
New New English Original bdg. Dust wrapper. 4to. (27 x 21 cm). In English. 303 p. B/w and color ills. A biographical study on Turkish operatic soprano Leyla Gencer (1928-2008); Known as "La Diva Turca" (The Turkish Diva) and "La Regina" (The Queen) in the opera world,[citation needed] Gencer was a notable bel canto soprano who spent most of her career in Italy, from the early 1950s through the mid-1980s, and had a repertoire encompassing more than seventy roles. She made very few commercial recordings; however, numerous bootleg recordings of her performances exist. In particular, Gencer was associated with the heroines of Donizetti. "IKSV presents the new English version of the Leyla Gencer biography in memory of the great artist who passed away passed last year. Authored by Zeynep Oral, Leyla Gencer-A Story of Passion has kept on luring readers immensely since its first release which resulted in 10 succesive prints in Turkey. Now the English version of the book is ready to appear in the art-lover's collection with its brand new photography and exquisite design. After four years of thorough and passionate research, the biography was first released in Turkish by 1992. Based on Zeynep Oral's conversations with Leyla Gencer and her countless acquaintances from the art scene, the book employs an ingenious, fluid, heart-whole language. With a largely chronological and fragmented storyline, this is a patchworked portrait of the artist in 100 pieces. Taking the reader back to the life and times of Leyla Gencer who made history as the true diva of the 20. century, the book evolves around her overwhelming passion "to sing" and presents how a magnificient universe is shaped by this passion. Designed by Esen Karol, the English version of the book features photographs unpublished to date and a detailed index.".
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Prep by: Isik Tabar Gençer, Ferruh Gençer.
Pan'a armagan. 20. yil, 1986-2006.
Very Good English Paperback. Pbo. Roy. 8vo. 280 p. In Turkish, English and German articles. Contents: 20 yildir. Müzigi okuyabilirsiniz., Isik Tabar Gençer, Ferruh Gençer. Osmanli musikisinin popüler kültür çevresinden çikisi., Bülent Aksoy. Eski bir konserin animsattiklari., Irkin Aktüze. YÖK'ün hazirladigi ve uyguladigi egitim fakülteleri ögretmen yetistirme programlari içinde yer alan "Müzik Ögretmenligi lisans programi"ndaki ders tanimlarinda kullanilan güzes Türkçemiz!, Göktan Ay. Ahmet Adnan Saygun., Yilmaz Aydin. The rise and development of an Ottoman musical tradition in the sixteenth and seventeenth centuries., Cem Behar. Marsias'a agit., Kriton Dinçmen. Halk müzigi kimindir? Halk ezgilerinde eser sahibi ve te'lif haklari sorunu., Melih Duygulu. Franz Liszt (1811 - 1886)., Ertugrul Oguz Firat. Müzik dinleyicisini müzik kitabi okuru yaptilar., Dogan Hizlan. Artik sarkilar söylenmiyor kösk bahçelerinde., Evin Ilyasoglu. Probleme und aufgaben bei der erfirschung Türkischer musik., Ralf Martin Jager. Çagdas müzikte mekânsal çalismalar., Aykut Köksal. Intihaya dogru., Ilhan Mimaroglu. Son söz: 'Alimlayici bir zihin'., Mehmet Nemutlu. Benzerlikler ve farkliliklar: Bütünlesik bir 'Geleneksel Anadolu müzigi' yaklasimina dogru., Okan Murat Öztürk. The semantics of 'old' and 'new' in Turkish musical thought., Eugenia Popescu-Judetz. Süleyman Sevket Tanli ve folklor., Mustafa Sahin. Operanin dogusu ve ilk opera., Sabri Satir. Yenikapi'dan eski sesler., R. Hakan Talu. Müzik yayimciliginda 20 yil., Yalçin Tura. Türk müziginde garsona seslenis: Sâkinâmeler., Recep Uslu. Dokuz sesli diziler., M. Ayhan Zeren.
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MURAT KATOGLU, ERSEN GÜRSEL, ISIK AYDEMIR.
Kadiköy Belediyesi Süreyya Operasi Binasi.
New English Paperback. Pbo. Mint. Large Roy. 8vo. [56] p. Color and b/w photos and ills. Building of Süreyya Opera House in Kadi-Keuy, Istanbul. A short history and architectural study of building which was built such as Chance Elysee Opera House in France. Kadiköy Belediyesi Süreyya Operasi Binasi.
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HRANT PAPAZIAN.
Vonferenvia. Yerazhshtavan Banakhosutiwnk.
Very Good English Paperback. Pbo. Cr. 8vo. (19 x 13 cm). In Armenian. 143, [1] p. B/w and color ills. Signed and inscribed by Papazian. Vonferenvia. Yerazhshtavan Banakhosutiwnk.
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FESTSCHRIFT HRANT PAPAZIAN.
Hrant Papazyan'a medhiyye-i manzume.
Very Good English Paperback. Pbo. Cr. 8vo. (19 x 13 cm). In Armenian and Turkish. 40 p. b/w ills. Signed and inscribed by Papazian. Hrant Papazyan'a medhiyye-i manzume.
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HRANT PAPAZIAN.
Hin Skutary yev mer p'voghots'y. [= Old Scutari and our street].
Very Good English Paperback. Pbo. Cr. 8vo. (19 x 13 cm). In Armenian. Color and b/w ills. 30, [2] p. Signed and inscribed by Papazian. Hin Skutary yev mer p'voghots'y. [= Old Scutari and our street].
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HRANT PAPAZIAN.
Anus (Dilber). Opera 4 perde. Turkish libretto and musical arrangement by Hrant Papazian.
Very Good English Modern cloth made as saved original covers on cloth's faces. Cr. 8vo. (19 x 13 cm). In French. 16 p. Anus (Dilber). Opera 4 perde. Turkish libretto and musical arrangement by Hrant Papazian.
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MUZAFFER BUDAK.
Opera ve bale'de diyalektik.
Very Good English Paperback. Pbo. Cr. 8vo. (19 x 13 cm). In Turkish. 127 p. B/w ills. Dialectics in Opera and Ballet. Opera ve bale'de diyalektik.
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MUZAFFER EVCI.
The Turkish ballet in its 60th year.
As New English Original bdg. HC. Mint. 4to. (33 x 22,5 cm). In English. 167 p. Color and b/w ills. The Turkish ballet in its 60th year.
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NAZAN IPSPROGLU.
Sihirli Flüt ve Aida: Mozart ve Verdi'de insan.
New English Paperback. Pbo. Large 8vo. In Turkish. 119 p. Ills. Sihirli Flüt ve Aida: Mozart ve Verdi'de insan.
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Edited by NIYAZI ÖLMEZ.
Sesler hazinesi. Dünden bugüne Istanbul'da opera ve koromuz.
New English Paperback. Pbo. Large Roy. 8vo. (25 x 18 cm). In Turkish. 184 p. B/w and color ills. Sesler hazinesi. Dünden bugüne Istanbul'da opera ve koromuz.
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BELMA ÇAKMUR.
Hofmannsthals Erzahlung die Frau ohne Schatte. Studien zu werk und Innenwelt des Dichters.
Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In German. [x], 283 p. Hofmannsthal's narrative; the woman without a shadow. A study on the world of imagination of the poet and their works. Hofmannsthals Erzahlung die Frau ohne Schatte. Studien zu werk und Innenwelt des Dichters.
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MURAT KATOGLU, ASLI AYHAN.
[Opera-ballet posters and prints] Operanin Türkiye'deki hikayesi: Opera-bale afisleri, 1941-2011.
New Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 441 p., fully color ills. Operanin Türkiye'deki hikayesi: Opera-bale afisleri, 1941-2011. Opera-ballet posters and prints. "From the perspective of our country's prestige opera and ballet are as important as theatre and cinema. In comparison with other spheres of cultural life we have a strong sense of pride in our music and performing arts which were discovered by us much earlier than in any other country of the Middle East or Far East. A nice proof of this can be found in the presented literary work, which introduces us to the detailed study carried out throughout the years by Murat Katoglu and Asli Ayhan. This substantial piece of art, which can be characterized as a brief visual history of the opera and ballet in Turkey, demonstrates the development process we got through not only in the music and performing arts, but also in the graphic arts.".
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CEVAT MEMDUH ALTAR.
Opera tarihi. 4 volumes set.
As New English Paperback. Pbo. Mint. Roy. 8vo. (24 x 17 cm). In Turkish. 4 volumes set: (1225 p.)., ills. Comprehensive study on 450 years of history of the opera. Opera tarihi. 4 volumes set.
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SABRI SATIR.
Operada gerçekçilik ve bes gerçekçi opera.
Fine English Paperback. Pbo. Cr. 8vo. (19 x 13 cm). In Turkish. 231 p. Study on five 'realist opera compositions' and realism in the opera. Operada gerçekçilik ve bes gerçekçi opera.
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JAK DELEON.
Cumhuriyet dönemi Türk balesi.= Ballet in Turkey.
Fine English Paperback. Roy. 8vo. (24 x 17 cm). In Turkish and summary in English. 260 p. (218-260 pp. a concise summary in English). Cumhuriyet dönemi Türk balesi.= Ballet in Turkey. Contents; Classical ballets and Turkey.; Ninette de Valois and the intial formal steps.; The Ankara State Ballet.; The Istanbul State Ballet.; The contemporary ballet company., Turkish choreographs.
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GÜLÜMSER ISÇELEBI.
Uçarcasina: On the 70th anniversary of the Republic the Turkish ballet in photographs.= Uçarcasina: Cumhuriyetin 70. yilinda fotograflarla balemiz.
Very Good Very Good English Original bdg. Dust wrapper. 4to. (36 x 28 cm). In English and Turkish. 112 p., color photos. 1500 copies were printed. Uçarcasina: On the 70th anniversary of the Republic the Turkish ballet in photographs.= Uçarcasina: Cumhuriyetin 70. yilinda fotograflarla balemiz.
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VELIMIR HLEBNIKOV, ALEKSEY KRUÇENIH, KAZIMIR MALEVICH.
Günesin zapti. [= Pobeda nad solntsem]. Translated by Sabri Gürses. Edited by Armagan Ekici.
New Turkish Paperback. Pbo. Cr. 8vo. (19 x 13 cm). In Turkish. 64 p., color ills.; and separate booklet of illustrations. Günesin zapti. [= Pobeda nad solntsem]. Translated by Sabri Gürses. Edited by Armagan Ekici. Victory over the Sun (Russian: ?????? ??? C??????, Pobeda nad Solntsem) is a Russian Futurist opera premiered in 1913 at the Luna Park in Saint Petersburg. The libretto written in zaum language was contributed by Aleksei Kruchonykh, the music was written by Mikhail Matyushin, the prologue was added by Velimir Khlebnikov, and the stage designer was Kasimir Malevich. The performance was organized by the artistic group Soyuz Molodyozhi. The opera has become famous as the event where Malevich made his first "Black Square" painting (in 1915). The opera was intended to underline parallels between literary text, musical score, and the art of painting, and featured a cast of such extravagant characters as Nero and Caligula in the Same Person, Traveller through All the Ages, Telephone Talker, The New Ones, etc. The audience reacted negatively and even violently to the performance, as have some subsequent critics and historians. A documentary film about the opera was made in 1980.
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CEVAT MEMDUH ALTAR, (1902-1995).
George Bizet ve Carmen operasi.
Very Good Turkish Paperback. 12mo. (18 x 12 cm). In Turkish. 30 p., b/w plts. George Bizet ve Carmen operasi. George Bizet and Carmen Opera. First Edition.
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DIKRAN CHUHACIYAN [TIKRAN TCHOUKHADJIAN], (1837-1898).
Leblebici Hor Hor [Aga] opereti. Chamli Isquender.= Kudmânizade Samli Iskender. Text by Takvor Nalyan.
Fine Turkish, Ottoman (1500-1928) Paperback. 4to. (28 x 20 cm). In Ottoman script and transcription into Latin letters. 16, [2] p. 1 b/w portrait of Samli Iskender. Leblebici Hor Hor [Aga] opereti. Chamli Isquender.= Kudmânizade Samli Iskender. Text by Takvor Nalyan. Not in Özege for this edition. Leblebici Horhor (Horhor the Chickpea Seller) is an 1875 Turkish-language operetta by the Ottoman-Armenian composer Dikran Tchouhadjian. Leblebici Horhor is often claimed as the first original Turkish operetta, though Tchouhadjian's Arif'in Hilesi (Arif's Trick) was at least year earlier - it is reported in 1874. Tigran Tchoukhajian was an Armenian composer, conductor, public activist and the founder of the first opera institution in the Ottoman Empire. He is considered the first opera composer in Turkish history.
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YAVUZ DALOGLU.
Türk Devrimi'nin] Tiyatro ve Opera Komitesi raporu.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 176 p. Türk Devrimi'nin] Tiyatro ve Opera Komitesi raporu. Report on theater and opera in the early Republican years.
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TANBURI CEMIL, (1873-1916).
Rehber-i mûsikî.
Very Good Turkish, Ottoman (1500-1928) Original decorative cloth bdg. in Ottoman style. 4to. (29 x 21 cm). In Ottoman script. 146 p., b/w ills. and musical scores. Litho. Rehber-i mûsikî. (French: Tambouri Djemil Bey), (1873, Istanbul - July 28, 1916, Istanbul) was an Ottoman tambur, yayli tambur, kemençe, and lavta virtuoso and composer, who has greatly contributed to the taksim (taqsim), (improvisation on a makam / maqam) genre in Ottoman classical music. His son, Mesut Cemil Bey, was an equally renowned Turkish tambur virtuoso. First Edition. Extremely rare. Özege 16642. Akdogu I, 82.
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Prep. by ISMAIL AKSU, ASLI AYHAN, BAHRI FERHAT BIRDEN et alli.
Opera - Bale Kostüm Sergisi. Katalog. 09 Mart - 06 Haziran 2017, Kadiköy Belediyesi Süreyya Operasi Fuayeleri. [Exhibition catalogue].
New Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 135 p., color and b/w ills. Opera - Bale Kostüm Sergisi. Katalog. 09 Mart - 06 Haziran 2017, Kadiköy Belediyesi Süreyya Operasi Fuayeleri. [Exhibition catalogue]. Exhibition catalogue on costumes and their designs of Turkish opera and ballets throughout its history. For honour of tenth anniversary of Sureyya Opera Building.
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ROBERT WAGNER, (Taksim Istanbul State Opera and Ballet General Director of Music and German maestro between 1987-1990s).
[Autograph typescript letter signed as 'R. Wagner'. To Nurettin Kamil Irdelp].
Very Good Turkish Original typescript with autograph signed letter sent to Turkish cardiologist Nurettin Kamil Irdelp, (1902-1992) with its envelope. 1 p. Dated 10 February 1976. It' written: Muhterem doktor bey, Bana gönderdiginiz kitabinizi ilgi ile okudum. Nezaketinize tesekkür ederim. Don Giovanni premieri için söylediginiz güzel sözler ve bu kitp için candan tesekkür ederim". (Reverend Mr. doctor, I read your book with interest. Thank you for your kindness. Thank you for all the good words and sayings for the Don Giovanni premiere.) -trasltd-. He was Taksim Istanbul State Opera and Ballet General Director of Music and maestro in German origin between 1987-1990s in Turkey. He taught and worked with Turkish composers and maestros such as Orhan Tanrikulu and others.
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KEMAL ÖZ, (Turkish politician and Mayor of Izmit city between 1931-1950).
[Autograph letter signed 'Kemal'].
Very Good Turkish, Ottoman (1500-1928) Original autograph letter signed as Izmit belediye reisi Kemal'. Letterhead of TC IzmitBelediye Dairesi. 1 p. Dated 16-17/1/1934. Puncher holes at left side and slight stains. Kemal Öz was a politician in the period of early Republican Turkey. He was mayor of Izmit city (belediye reisi) between the years of 1931-1950.
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SAMIPASAZADE SEZAI, (1859-1936), (Turkish writer, intelligent, pioneer of novel and short story in the Ottoman Turkey).
[Autograph letter signed 'Sezai' sent to Türkgeldi family].
Very Good Turkish, Ottoman (1500-1928) Original autograph letter signed as 'Sezai' by Samipasazade Sezai to Türkgeldi family. In Ottoman script. 4 p., last page has Ali Fuat Türkgeldi's autograph note on Samipasazade Sezai's death as: "[Samipasazade] Sezai Bey; 26 Nisan 1936 Pazar aksami saat dokuzu yirmi geçe [21:20] ölmüstür.". Sezai's letter starts as 'Pek muhterem kardesim'. Used blue ink with a fountain pen. Ali Fuat Türkgeldi, (1867-1935) was an Ottoman historian and politician. He is the son of Celâl Bey, the undersecretary of the Ministry of Interior and the son of Cemal Bey in the Reform period (Tanzimat - Westernization) period), the director of Translation Chamber. Sezai Turkish realist storyteller, novelist. He is the author of Sergüzest (Adventure) which is one of the first realistic novels of Turkish literature. Also he was pioneer of the modern short story in Turkish literature with Küçük seyler 'Little things' he wrote in 1892. Between 1885 and 1901 he lived in Istanbul (this letter dated probably in that period) and had a literary period. He was close friends with Abdülhak Hamit and Recaizade Ekrem. He met with Namik Kemal whom he met when he was 17-18. He did not produce many works like other Tanzimat writers; wrote one novel, two small story books, and travel memoirs. In 1888, he published a novel called Sergüzest (A story about a Pasazade and his love story), after which he became one of the first writers of Turkish literature after Semseddin Sami, Namik Kemal and Ahmet Mithat Efendi. He translated Alphonse Daudet's 'Jak' into Turkish. For thinking that he was being held under 'surveillance' for his novel, he went to Paris in 1901 and stayed there until the declaration of the Constitutional Monarchy in 1908. He met the Young Turks in Paris; He joined the Committee of Union and Progress and came to a respected place in the community in a short time. Upon the declaration of the Constitutional Monarchy, he returned to Istanbul and was appointed as ambassador to Madrid. As WW 1 began, he moved from Madrid to Switzerland, where he stayed until the end of the war. His only novel, Serguzest, was the first novel in Turkish literature to deal entirely with captivity; the novel, in which the system of concubinance and slavery was criticized, was his most famous work. It was translated into French by Besim Ömer Pasha. e combined romance and realism in her writings. He combined romanticism and realism in his writings. He gave works with the motto of "l'art pour l'art".
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AKTÖR SADI [(FIKRET) HÜSEYIN SADI KARAGÖZOGLU], (1890-1941), (Turkish actor, screenwriter and director).
[Autograph letter signed 'Sadi' sent to Vasfi Riza Zobu].
Very Good Turkish, Ottoman (1500-1928) Original autograph letter signed as 'Sadi' sent to Vasfi Riza Zobu. 1 p. In Ottoman script. Letterhead 'Ferah: Sinema-varyete-tiyaro'. Dated 31-12-1929, Istanbul. It starts as 'Muhterem Vasfi Riza bey'... Used black ink with fountain pen. It's a letter of appeal. Vasfi Riza Zobu was born on December 5, 1902 in Constantinople, Ottoman Empire. He was an actor, known for Karim beni aldatirsa (1933), Ankara postasi (1928) and Milyon avcilari (1934). He died on November 23, 1992 in Istanbul, Turkey. Aktör Sadi started his art career as a theater actor. He appeared on the stage at school along with Muvahhit (actor, husband of paintress Bedia Muvahhit), writer Refik Halit (Karay) and Refi 'Cevat (Ulunay). After the proclamation of the Second Constitutional Monarchy, he started the professional theater company which was founded by Resat Ridvanand the playwright Ibnürrefik Ahmet Nuri (Sekizinci). Bican Efendi series, in which he played the title role after the WW 1, was accepted from the first comedy of Turkish cinema history.
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FETHI TEVETOGLU, (1916-1989), (Turkish author, doctor, politician and encyclopedist).
[Autograph letter and envelope signed 'Dr. Tevetoglu' sent to Bedia and Subhi Tevetoglu].
Very Good Turkish Original autograph letter signed as 'Dr. Tevetoglu' with its original envelope San Antonio stamped. 2 p. Sent to Bedia and Subhi Tevetoglu. Letter tells them academic speeches and other plans besides daily works and some feelings of Fethi Tevetoglu. Letter was sent from San Antonio, USA.
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TAHIR KUTSI MAKAL, (Turkish poet, writer), (1937-1999).
[Autograph typescript letter signed 'Tahir'].
Very Good Turkish Original typescript with autograph signed letter by Tahir Kutsi Makal. 1 p. Dated 6/19/1964. No letterhead. Letter says to an unknown person (probably he/she was one of authors of am important Turkish literary periodical 'Hisar') "My reverend master, I found a copy of the article, presenting. Henceforth we broke one's duck. Hopefully I will continue. Salute to all 'Hisar' authors., Tahir Kutsi Makal.".
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KEMAL SUNAL, (Turkish cinema, TV, theater actor), (1944-2000).
[Autograph play report signed 'K. Sunal'].
Very Good Turkish Original report with autograph signatures and notes. 1 p. 23 x 17 cm. In Turkish. It's a 'play report' of Ulvi Uraz Theater in Üsküdar, Baglarbasi district in Istanbul. Dated 8/7/1970. Written play's name: Murtaza. As stage manager (rejisör) signed by Ulvi Ural (owner of theater house) and as stage administrator signed by famous Turkish actor Kemal Sunal, (1944-2000). He was a Turkish actor. With Hababam Sinifi, Kapicilar Krali and Davaro, Sunal gained large popularity amongst Turkish cinema goers and was famed for his character "Saban", a role he frequently played. His characters in films often reflected the problems common Turkish people faced in their country. Scarce.
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MUZAFFER KÂMIL GÖRDUYSUS, (Turkish Consul of Komotini, 1943-1947).; ISMAIL HAKKI OKDAY, (Son of last Ottoman vizier Ahmet Tevfik Pasha, groom of last Ottoman sultan Vahideddin, soldier, diplomat and philatelist), (1881-1977).
[Autograph dedicated business card of Muzaffer K. Görduysus to Ismail H. Okday].
Very Good Turkish Original business card with autograph dedication. In Turkish. Muzaffer Görduysus was Turkish consul of Komotini (Gümülcine) between the years of 1943-1947. Dedicated to Ismail Hakki Okday, (1881-1977) who was son of last Ottoman vizier Ahmet Tevfik Pasha, groom of the last Ottoman sultan Vahdeddin, soldier, diplomat and philatelist.
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MUSIR IBRAHIM EDHEM PASHA, (1819-1893), (Turkish marshall, Ottoman statesman and Grand Vizier of Sultan Abdulhamid II).
[Business card of Ibrahim Edhem Pasha -Müsir-].
Very Good Turkish, Ottoman (1500-1928) Original business card. Slightly chipped left bottom corner. In Ottoman script. Ibrahim Edhem Pasha, (1819-1893) was an Ottoman statesman, who held the office of Grand Vizier in the beginning of Abdul Hamid II's reign between 5 February 1877 and 11 January 1878. He served numerous administrative positions in the Ottoman Empire including minister of foreign affairs in 1856, then ambassador to Berlin in 1876, and to Vienna from 1879 to 1882. He also served as a military engineer and as Minister of Interior from 1883 to 1885. In 1876-1877, he represented the Ottoman Government at the Constantinople Conference. Ibrahim Edhem Pasha was the father of Osman Hamdi Bey, a well-known archaeologist and painter, as well the founder of the Istanbul Archaeology Museum and the Mimar Sinan Fine Arts University. Another son, Halil Edhem Eldem took up the archaeology museum after Osman Hamdi Bey's death and has been a deputy for ten years under the newly founded Turkish Republic. Yet another son, Ismail Galib Bey, is considered as the founder of numismatics as a scientific discipline in Turkey. Later generations of the family also produced illustrious names. The architect Sedat Hakki Eldem, a cousin, is one of the pillars of the search for modern architectural styles adopted by the Republic of Turkey (called the Republican style in the Turkish context) in its early years and which marks many important buildings dating from the period of the 1920s and the 1930s. A great-grandson, Burak Eldem, is a writer while another, Edhem Eldem, is a renowned historian. More names include Erol Eldem, Tiana Eldem, Levent Eldem and Ercan Eldem, an architect. (Source: Wikipedia).
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SALIH MUNIR PASHA, (1859-1939), (Turkish diplomat and statesman).
[Business card of Salih Münir Pasha with autograph notes].
Very Good Turkish, Ottoman (1500-1928) Original business card. Autograph notes on card. Autograph note in Ottoman script; print in French. Salih Munir Pasha was one of the grandchildren of Çorlulu Ali Pasha the grand vizier. His father, "Nafia" and Trade Minister Mahmud Jalaleddin Pasha. Salih Münir was born on November 4, 1859 in Istanbul. In 1939, at the age of 80, he died. His education was special. He was one of the first students of "Galatasaray Sultanisi". In 1869, during the wife of Napoleon's wife Empress Ojeni and the Sultan's visit to Galatasaray, 10-year-old Salih Münir's speech in French in the name of Galatasaray School, attracted a lot of attention. Because he was speaking French as his mother-language, he was chosen as a companion of Abdulhamid II the Prince in order to advance her French. Salih Münir's childhood passed with Abdulhamid's childhood, which would later sit on the throne...
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MUSTAFA ASIM ÇALIKOGLU, (Turkish politician, author, scribe of Grand National Assembly of Turkey).
[Business card of Asim Çalikoglu].
Very Good Turkish, Ottoman (1500-1928) Original business card. Scarce. In Ottoman script.
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KHEDIVE ABBAS HILMI PASHA II of EGYPT, (The last Khedive (Ottoman viceroy) of Egypt and Sudan, ruling from 8 January 1892 to 19 December 1914), (1874-1944).
[LE KHEDIVE - Business card of Abbas II of Egypt, Khedive].
Very Good French Original business card. 7x11 cm. Written 'Le Khedive'. Abbas Hilmi Pasha was the last Khedive (Ottoman viceroy) of Egypt and Sudan, ruling from 8 January 1892 to 19 December 1914. In 1914, after Turkey joined the Central Powers in World War I, the nationalist Khedive was removed by the British, then ruling Egypt, in favor of his more pro-British uncle, Hussein Kamel, marking the de jure end of Egypt's four-century era as a province of the Ottoman Empire, which had begun in 1517. Extremely rare. (See. 'Tamga, pençe, tugra, imza' by Kologlu, Orhan. p. 98).
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TEVFIK RÜSTÜ ARAS, (Turkish politician, intellectual), (1883-1972).
[DR. TEWFIK ROUSCHDI [ARAS] - Autograph dedicated business card of Tevfik Rüstü Aras]
Very Good Turkish, Ottoman (1500-1928) Original business card with autograph dedication as 'Tesekkür ve belâga ile tebrik' (Congratulations with thanks and good wishes) in Ottoman script by a pen. Print in French: 'Dr. Tewfik Rouschdi, Ministre des Affaires Etrangers'. Printed in when he was the Minister of Foreign Affairs.
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SUNA KORAT, (Turkish opera artist), (1935-2003).
[Original photo-advert signed 'Suna Korat'].
Very Good Turkish Original b/w photo-advert. (20 x 14 cm). Signed and inscribed by Korat to "Bedros bey" as '... my play-friend'. Dated 1.16.1968. Advert of Rigoletto (Place des Arts - Montreal) S. A. Goumsky - London. Korat (also known as Korad) was a Turkish female opera artist. She made her stage debut as 'Lucia' at Ankara State Opera. He studied on the Italian operas at the Deutsche Oper in Hannover and at the La Scala in Milan. In 1959, she was a soloist in the interpretation of the 9th Symphony in the Beethoven Festival, Germany. She played the leading roles in the opera stages of European, US and African countries. In 1966, she participated in the Verdi Festival in Montreal with famous artists. With her powerful and colorful soprano voice, interpretation and technique, she has gained widespread fame. Scarce.
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TANBURI CEMIL, (1873-1916).
Rehber-i mûsikî [Rahperi moussiki].
Very Good Turkish, Ottoman (1500-1928) Paperback. 4to. (29 x 21 cm). In Ottoman script. 79 p., Portrait of Cemil on cover, b/w ills. and musical scores. Hegira: 1341 = Gregorian: 1925. Rehber-i mûsikî [Rahperi moussiki]. (French: Tambouri Djemil Bey), (1873, Istanbul - July 28, 1916, Istanbul) was an Ottoman tambur, yayli tambur, kemençe, and lavta virtuoso and composer, who has greatly contributed to the taksim (taqsim), (improvisation on a makam / maqam) genre in Ottoman classical music. His son, Mesut Cemil Bey, was an equally renowned Turkish tambur virtuoso. Second Edition. Extremely rare. Özege 16642 / 2. Akdogu I, 82.
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ARIF SAYIL, (1901-1952), (Early Turkish deputy of CHP -Republican Party- from Trabzon city).
[A collection of photographs, newspapers and business cards of Arif Sayil].
Very Good Turkish, Ottoman (1500-1928) Original collection includes photographs of Arif Sayil and two business cards of him with autograph notes. The collection contains a small portrait photograph, two business cards, one is written some Ottoman Turkish notes, a standard sized studio photograph of his youth, gelatin silver small photo of him, a fine studio photograph with his fine clothes and his hat, a photograph showing him among some military stuff and early politicians of Trabzon city (Turkish rugs back), an autograph photograph with his manuscript note '25. yas Trabzon hatirasi, 15,4,1934' [i.e. A souvenir of Trabzon for my 25th age], a studio photo by Weinberg signed by Weinberg, two huge sized portrait photographs, and four photographs showing his funeral in varios sizes. The years of photographs between the 1930-1950s, until his death (his funeral photos). Arif Sayil was an early Turkish deputy of CHP -Republican Party- from Trabzon city and one of the theoretician of Republican Party of Republican Turkey.
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CEVAD MEMDUH ALTAR, (Turkish historian of music, intellectual), (1902-1995).; ZEYNEP ALTAR, (1909-2017).
Autograph celebration signed 'Cevad Memduh Altar & Zeynep Altar'.
Very Good Turkish Original TRT (Turkish Radio Television) New Year Celebration pamphlet. Autograph celebration manuscript signed 'Cevad Memduh Altar' and his wife 'Zeynep Altar'. No date, ca. 1985. Open size: oblong 18,5x26 cm.
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IHAP HULUSI [GÖREY], (1898-1986).
Müsellesten üçgene: Ihap Hulusi [Görey]. Text: Turgut Yasalar. Edited by Ender Merter.
New New English Original bdg. Dust wrapper. In special slip-case. 4to. (31 x 24 cm). In Turkish. 173, [2] p., color ills. Müsellesten ücgene: Ihap Hulusi [Görey]. Text: Turgut Yasalar. Edited by Ender Merter. Ihap Hulusi Görey was the first Turkish graphic artist best known for his illustrations on posters and labels of several Turkish brands in the Republican era. Ihap Hulusi's father was a well-known architect in Cairo and he wanted his son become a successful diplomat. For this Ihap Hulusi was sent to English schools in Cairo. However, his primary interest was in painting. In the meantime, he took lessons in painting by mail from Germany. In 1920, after graduating from the high school, Ihap Hulusi went to Munich, Germany, and studied painting for five years specializing in illustrations. Following his return, Ihap Hulusi's father enrolled him to the Ministry of Foreign Affairs in Istanbul against his will. So Ihap Hulusi dropped off after a while and devoted himself to commercial graphic art. Ihap Hulusi's first work was the illustration for a toothpaste advertisement poster. In 1929 he established his first workshop in Istanbul and designed 1930 the famous bottle label for the Turkish liquor Raki brand "Kulüp Rakisi". This artwork on the bottle label is still in use today. With the Latin alphabet reform in 1928, Atatürk commissioned him in 1934 to make illustrations in order to promote the adoption of the new Turkish alphabet. The graphic artwork showed Atatürk teaching the new Turkish alphabet to a little girl, Atatürk's adoptive daughter Ülkü. His first private exhibition was held in 1935 in Istanbul. Several exhibitions followed at home and abroad. Ihap Hulusi Görey got famous and performed illustrations for state and private companies until 1977. He worked uninterruptedly 45 years for the tickets of the Turkish State lottery, which come out three times a month. He designed the bottle labels of various products of the Turkish State Monopoly 35 years long. He illustrated also posters for the famous brands like the British whisky John Haig, Italian Cinzano and Fernet Branca. Görey designed also logos for some companies, which helped them get easily recognized and well known. In his late life he was much involved in performing calligraphy. He was called the "man who illustrated the Republic" or the "king of the graphic art". Ihap Hulusi Görey died on March 27, 1986 in Istanbul. He was succeeded by his fourth wife... (Wikipedia). Printed to 1000 copies.
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CIHAD BABAN, (1911-1984).
Yüzyilin büyük kavgasi Çin-Rus anlasmazligi.
Very Good Turkish Paperback. Cr. 8vo. (20 x 14 cm). In Turkish. 87 p. Yüzyilin büyük kavgasi Çin-Rus anlasmazligi. A study on Russian-Chinese conflicts. First and Only Edition. Mustafa Cihad Baban was a Turkish journalist, author, and a parliamentary deputy in the 1950s and 1960s. Baban attended Galatasaray High School, Istanbul, and graduated from Istanbul University in 1934. As a journalist, Baban contributed to newspapers including Son Posta, Yeni Sabah, Cumhuriyet, and Tercüman, and he was one of the founders of the Turkish Journalists' Association in 1946. He also wrote a variety of books. Baban was elected in the 1946 general election for the Democratic Party, representing Istanbul. He was re-elected in the 1950 general election and 1954 general election, representing Izmir Province until the 1957 elections, in which he was not elected. He was a member of the constituent assembly which wrote the 1961 Constitution of Turkey, and was Minister of Tourism and Promotion (January to August 1961) in the 1960-1 post-coup government of Cemal Gürsel. In the October 1961 general election he was elected again for the Republican People's Party representing Istanbul, and in the 1965 general election representing Çanakkale. He later served as Minister of Culture in the 1980-3 post-coup government of Bülend Ulusu.
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CIHAD BABAN, (1911-1984).
Politika galerisi (Büstler ve portreler).
Very Good Turkish Paperback. Cr. 8vo. (20 x 14 cm). In Turkish. 459 p., ills. Politika galerisi (Büstler ve portreler). First Edition. Mustafa Cihad Baban was a Turkish journalist, author, and a parliamentary deputy in the 1950s and 1960s. Baban attended Galatasaray High School, Istanbul, and graduated from Istanbul University in 1934. As a journalist, Baban contributed to newspapers including Son Posta, Yeni Sabah, Cumhuriyet, and Tercüman, and he was one of the founders of the Turkish Journalists' Association in 1946. He also wrote a variety of books. Baban was elected in the 1946 general election for the Democratic Party, representing Istanbul. He was re-elected in the 1950 general election and 1954 general election, representing Izmir Province until the 1957 elections, in which he was not elected. He was a member of the constituent assembly which wrote the 1961 Constitution of Turkey, and was Minister of Tourism and Promotion (January to August 1961) in the 1960-1 post-coup government of Cemal Gürsel. In the October 1961 general election he was elected again for the Republican People's Party representing Istanbul, and in the 1965 general election representing Çanakkale. He later served as Minister of Culture in the 1980-3 post-coup government of Bülend Ulusu.
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CIHAD BABAN, (Turkish journalist, Minister of Culture, author, and a parliamentary deputy in the 1950s and 1960s), (1911-1984).
Autograph dedicated business card of Cihad Baban.
Very Good Turkish, Ottoman (1500-1928) Original business card with autograph dedication as 'Saygilarimla' (With my regards) in Turkish by a pen. 5,5x9 cm. Cihad Baban as Turkish Minister of Culture. Mustafa Cihad Baban was a Turkish journalist, author, and a parliamentary deputy in the 1950s and 1960s. Baban attended Galatasaray High School, Istanbul, and graduated from Istanbul University in 1934. As a journalist, Baban contributed to newspapers including Son Posta, Yeni Sabah, Cumhuriyet, and Tercüman, and he was one of the founders of the Turkish Journalists' Association in 1946. He also wrote a variety of books. Baban was elected in the 1946 general election for the Democratic Party, representing Istanbul. He was re-elected in the 1950 general election and 1954 general election, representing Izmir Province until the 1957 elections, in which he was not elected. He was a member of the constituent assembly which wrote the 1961 Constitution of Turkey, and was Minister of Tourism and Promotion (January to August 1961) in the 1960-1 post-coup government of Cemal Gürsel. In the October 1961 general election he was elected again for the Republican People's Party representing Istanbul, and in the 1965 general election representing Çanakkale. He later served as Minister of Culture in the 1980-3 post-coup government of Bülend Ulusu.
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AUGUSTE DURAND, (French music publisher, organist, and composer), (1830-1909).
[SHEET MUSIC] Ire Valse pour piano, Op. 83 par.
Very Good French Paperback. Folio. (34 x 25 cm). In French. 15 p. 7 p. Stains on pages and cover. [SHEET MUSIC] Ire Valse pour piano Op. 83 par. Marie-Auguste Massacrié-Durand was a French music publisher, organist, and composer. Durand was born in Paris and studied at the Paris Conservatoire with François Benoist. He started as an organist in 1849 in Saint-Ambroise, then at St. Genevieve, St. Roch and St. Vincent de Paul (1862-74). Together with Louis Schoenewerk and other sponsors, Durand founded the company Durand-Schoenewerk & Cie. in December 1869 and acquired the important catalogue of the Paris music publisher Gustave Flaxland (1821-1895), which had grown from approximately 1,200 titles in 1847 to 1,400 titles in 1869. This included the French rights to the early Wagner operas. Following a dispute, the company dissolved on 18 March 1885 and was sold at auction in May 1896. Auguste Durand and Louis Schoenewerk bought the firm in its entirety, and they reconstituted the company with Durand's son Jacques (1865-1928). In November 1891, Jacques replaced Schoenewerk and the name changed to A. Durand & fils. Jacques assumed control of the company in 1909 when his father died, and brought in his cousin Gaston Choisnel (d. 1921) as a partner. Durand became an expert in the publication of works by French composers including Victorin de Joncières, Edouard Lalo, Jules Massenet, Claude Debussy, Camille Saint-Saëns, Maurice Ravel, Albert Roussel and Paul Dukas. The company also published the French editions of Tannhäuser, The Flying Dutchman and Lohengrin by Richard Wagner and many editions of old masters including, in particular, a complete critical edition of Rameau edited under the initial direction of Saint-Saëns. Between 1910 and 1913, Auguste and, after his death, his son Jacques organised concerts to raise awareness of new music. In 1914, Jacques published under the title Édition classique Durand & fils important nineteenth-century works for piano including the music of Chopin edited by Debussy, of Mendelssohn by Ravel and of Schumann by Gabriel Fauré. [.]. Sotiri Christides [sic. Christidis] who is an contemporary of Andria, started music publications in 1905's. Christides published on almost all the areas of music under the captions in Greek and Ottoman languages. He published some various Turkish marches and operets' scores besides Western music. He gave as the address 'Edition S. Christides: Grand Rue de Pera, 215, Constantinople). Hemay be stated that he published almost 1000 musical scores [.]. (Source: Musical publications from Ottoman Empire up today, 1876-1986.; BÜLENT ALANER).
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VARIOUS.
[SHEET MUSIC] Ztin aponoa zou: N. Kokkinou.; Serenate d'amore: G. Ingenito.; Mi Lizmoniz: E. di Capua.; I. Petalouda: N. Kokkinou. Di Azma kai Klidekumvalon.
Very Good Greek, Modern (post 1453) Paperback. Folio. (32 x 25 cm). In Greek. 3 p. [SHEET MUSIC] Ztin aponoa zou: N. Kokkinou.; Serenate d'amore: G. Ingenito.; Mi Lizmoniz: E. di Capua.; I. Petalouda: N. Kokkinou. Di Azma kai Klidekumvalon. Sotiri Christides [sic. Christidis] who is an contemporary of Andria, started music publications in 1905's. Christides published on almost all the areas of music under the captions in Greek and Ottoman languages. He published some various Turkish marches and operets' scores besides Western music. He gave as the address 'Edition S. Christides: Grand Rue de Pera, 215, Constantinople). Hemay be stated that he published almost 1000 musical scores [.]. (Source: Musical publications from Ottoman Empire up today, 1876-1986.; BÜLENT ALANER).
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LÜTFULLAH SURURI [ERULUÇ], (Turkish Tenor, First Turkish Founder of Operette in Turkey and Husband First Muslim operette prima donna, and Father of Gülriz Sururi), (1904-1967).
Autograph letter signed 'Lütfullah' sent to Vasfi Riza Zobu.
Very Good Turkish, Ottoman (1500-1928) Original autograph letter signed as 'Lütfullah' sent to Vasfi Riza Zobu. 1 p. In Ottoman script. No letterhead. It starts as 'Aziz agabeyimiz Vasfi bey' [= Our beloved brother]. Dated February 17, 1946. Lütfullah Sururi, one of the first artists who contributed to the current level in the coming opera in Turkey. He is one of the first operetta tenors after Cemal Sahir. They performed many times together with his wife Suzan Lütfullah (the first Turkish and Muslim primadonna). He is one of the founders of the Public Operetta and Süreyya Opera House. He was the director of Istanbul Theaters until his death after his wife's death. He joined the Muhlis's Operette Ensemble (Muhlis Sabahattin Operetta Community) and took on the 'Jeune' roles, he sang tenor songs on the stage for many years. Vasfi Riza Zobu, (1902-1992), was born on December 5, 1902, in Constantinople, Ottoman Empire. He was an actor, known for Tosun Pasha (1939), Karim Beni Aldatirsa (1933) and Milyon Avcilari (1934). He died on November 23, 1992, in Istanbul, Turkey. Extremely rare.
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EVIN ILYASOGLU.
Ben Leyla Gencer: La Diva Turca.
New Turkish Original bdg. HC. 4to. (29 x 23 cm). In Turkish. 352 p., color and b/w ills. Ben Leyla Gencer: La Diva Turca. Ünlü keman virtüozu Isaac Stern Ilk 79 Yilim adli kitabinin önsözünde söyle der: "Müzigin hizmetine girmek bir meslek edinmek degil, bir yasam biçimidir. Bunun için iki seye sahip olmalisin: Birincisi, ne olmak istedigin hakkinda küçük yastan itibaren kesin bir fikre; ikincisi, o isteginin gerçeklesmesi için gereken özgüvene, mücadele gücüne ve gurura." Iste Leyla Gencer in müzik serüveni bu düsüncenin hayata yansimasi olmustur adeta. Safranbolulu bir baba ile Polonyali bir annenin kizi olan Leyla Gencer Çubuklu da dünyaya geldi, Fransiz dadisinin çokkültürlülügü ve evde piyano çalan annesinin söyledigi Lehçe sarkilar araciligiyla henüz hayatinin ilk yillarinda müzikle tanisti. Soprano Arangi-Lombardi ile çalismasi hayatinin dönüm noktalarindan biri oldu. Ilk opera temsilini Ankara da verdi. 1953 te Italyan radyosundaki kaydiyla da ilk kez sesini dünyaya duyurdu.Leyla Gencer, küçük yasindan itibaren sahnede olmayi aklina koymustu. Özgüveniyle, çaliskanligiyla, savasçi kisiligiyle hayatini bu fikre göre sekillendirdi. Opera kültürü olmayan bir ülkeden çikip, bu kültürle evrilmis bir ülkenin, Italya nin ortasinda kendini ispat etmek için verdigi mücadelelerle, tam yirmi bes yil boyunca operanin mabedi sayilan La Scala nin prima donna si oldu. Sonraki yirmi bes yil da, ölünceye kadar, egitimci olarak opera dünyasina hizmet etti.Zamaninin büyük sopranolariyla girdigi rekabetle, tarihi sefler ve rejisörlerle birlikte çalismasiyla, büyük bestecilerin gölgede kalmis yapitlarini kesfetmesiyle, repertuvarindaki yetmis üç opera ve canli temsillerden kaydedilen sesiyle yirminci yüzyil opera tarihine geçmeyi basaran La Diva Turca, bugün de Divalarin Divasi olarak anilmaktadir.Ben Leyla Gencer La Diva Turca kitabi, sesiyle ve dramatik gücüyle iz birakan sanatçiyi kisilestirerek kendini var etme yolculugunda yasadigi coskularini, hayal kirikliklarini, sevinçlerini, acilarini kendi agzindan hikâyelestirirken, okuru operanin coskulu yillarina götürüp müzik dünyasinda bir yolculuga çikariyor.
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KHEDIVE ABBAS HILMI PASHA II of EGYPT, (The last Khedive (Ottoman viceroy) of Egypt and Sudan, ruling from 8 January 1892 to 19 December 1914), (1874-1944).
[FINE ALS / ROYALTY / KHEDIVE] Autograph letter signed 'Abbas Hilmi'.
Very Good Turkish, Ottoman (1500-1928) Original autograph manuscript letter signed by Khedive Abbas Hilmi Pasha II of Egypt. 20,5x16,5 cm. In Ottoman script. 1 p. 6 lines. Sent to an unknown recipient who he called 'Efendim hazretleri' in elqab of the letter. He mentions that he received a telegraph of the recipient. He celebrated 'eid' ('Iyd-i said'). Abbas II Helmy Bey, was the last Khedive (Ottoman viceroy) of Egypt and Sudan, ruling from 8 January 1892 to 19 December 1914. In 1914, after the Ottoman Empire joined the Central Powers in World War I, the nationalist Khedive was removed by the British, then ruling Egypt, in favor of his more pro-British uncle, Hussein Kamel, marking the de jure end of Egypt's four-century era as a province of the Ottoman Empire, which had begun in 1517. Abbas Hilmy, the great-great-grandson of Muhammad Ali, was born in Alexandria, Egypt on 14 July 1874.[4] He succeeded his father, Tewfik Pasha, as Khedive of Egypt and Sudan on 8 January 1892. In 1887 he was ceremonially circumcised together with his younger brother Mohammed Ali Tewfik. The festivities lasted for three weeks and were carried out under great pomp. As a boy, he visited the United Kingdom, and he had a number of British tutors in Cairo including a governess who taught him English.[5] In a profile of Abbas II, the boys' annual, Chums, gives a lengthy account of his education. His father established a small school near the Abdin Palace in Cairo where European, Arab and Ottoman masters taught Abbas and his brother Mohammed Ali Tewfik. An American officer in the Egyptian army took charge of his military training. He attended school at Lausanne, Switzerland; then, at the age of twelve, he was sent to the Haxius School in Geneva, in preparation for his entry into the Theresianum in Vienna. In addition to Arabic and Ottoman Turkish, he had good conversational knowledge of English, French, and German. He was still in college in Vienna when he assumed the throne of the Khedivate of Egypt upon the sudden death of his father, 8 January 1892. He was bare of age according to Egyptian law; normally, eighteen in cases of succession to the throne. For some time he did not cooperate very cordially with the British, whose army had occupied Egypt in 1882. As he was young and eager to exercise his new power, he resented the interference of the British Agent and Consul General in Cairo, Sir Evelyn Baring, later made Lord Cromer. At the outset of his reign, Khedive Abbas II surrounded himself with a coterie of European advisers who opposed the British occupation of Egypt and Sudan and encouraged the young khedive to challenge Cromer by replacing his ailing prime minister with an Egyptian nationalist. At Cromer's behest, Lord Rosebery, the British foreign secretary, sent Abbas II a letter stating that the Khedive was obliged to consult the British consul on such issues as cabinet appointments. In January 1894 Abbas II made an inspection tour of Sudanese and Egyptian frontier troops stationed near the southern border, the Mahdists being at the time still in control of Sudan itself. At Wadi Halfa the Khedive made public remarks disparaging the Egyptian army units commanded by British officers. The British commander of the Egyptian army, Sir Herbert Kitchener, immediately threatened to resign. Kitchener further insisted on the dismissal of a nationalist under-secretary of war appointed by Abbas II and that an apology be made for the Khedive's criticism of the army and its officers. By 1899 he had come to accept British counsels. Also in 1899 British diplomat, Alfred Mitchell-Innes was appointed Under-Secretary of State for Finance in Egypt, and in 1900 Abbas II paid a second visit to Britain, during which he said he thought the British had done good work in Egypt and declared himself ready to cooperate with the British officials administering Egypt and Sudan. He gave his formal approval for the establishment of a sound system of justice for Egyptian nationals, a great reduction in taxation...
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Published by S. CHRISTIDIS.
[SHEET MUSIC] Se mia trellin Zanthoula. Lyrics by D. Tzeretopoulou. Music by N. Kokkinou.
Very Good Greek, Modern (post 1453) Paperback. Folio. (32 x 25 cm). In Greek. 4 p. [SHEET MUSIC] Se mia trellin Zanthoula. Lyrics by D. Tzeretapoulou. Music by N. Kokkinou. Sotiri Christides [sic. Christidis] who is contemporary of Andria, started music publications in the 1905's. Christides published in almost all the areas of music under the captions in Greek and Ottoman languages. He published some various Turkish marches and operettas' scores besides Western music. He gave as the address 'Edition S. Christides: Grand Rue de Pera, 215, Constantinople). He may be stated that he published almost 1000 musical scores [.]. (Source: Musical publications from Ottoman Empire up today, 1876-1986.; BÜLENT ALANER).
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