‎Christie's‎

‎The Champalimaud Collection : London, 6 & 7 July 2005 [2 Bde. im Schuber].‎

‎London : Christie`s, 2005. 267, 305 S. : zahlr. Ill. ; Sprache: Englisch broschiert‎

‎2 Bde., neuwertiger Zustand, wirken ungelesen, minimale Lagerspuren an Schuber und Einbänden‎

Referenz des Buchhändlers : 48216

‎Christie's [ed.]‎

‎Natural History. Wednesday 17 March 1999.‎

‎London, 1999. 27 cm. 246 S. Mit zahlr. teils farb.Abb. Illustrierter Originalkarton (Softcover). Gutes Exemplar. Christie's Catalogues ; 6085.‎

Referenz des Buchhändlers : 13358AB

‎Gemälde aus der Sammlung Dr. Georg Schäfer : Auktion 31. Januar 2000.‎

‎Düsseldorf : Christie`s, 2000. 312 S. ; zahlr. Ill. broschiert‎

‎sehr guter Zustand, leichte Lagerspuren am Einband, einige Seiten an der unteren Ecke minimal gestaucht‎

Referenz des Buchhändlers : 52962

‎Christie`s‎

‎Fine Chinese Ceramics and Works of Art. New York, Thursday, December 1, 1988.‎

‎New York, Christie`s, 1988. 219 S., zahlr. Abb. Kunstleder‎

‎sehr guter Zustand, privater Kunstledereinband, minimale Lagerspuren am Einband, Seiten zart lichtrandig‎

Referenz des Buchhändlers : 35136

‎Hollywood and Early Cinema Posters.‎

‎New York, Christie's East, December 1997. 4°. 20 S. (263 Nrn.), mit jeweils einer farbigen Abbildung. Orig.-Kartonage. [6 Warenabbildungen]‎

‎Ecken und Kanten etwas berieben und bestoßen.‎

Referenz des Buchhändlers : 22477

‎ohne Autor‎

‎Andy Warhol at Christie's. Prints. - Painting and work on Paper. - Photographs.‎

‎NY., Christie's. 2012. 3 origi.Broschuren, gr.4°, 146/ 130/ 115 Seiten.‎

‎guter Zustand.‎

Referenz des Buchhändlers : 51248

‎Fine French and Continental Furniture and Tapestries. (Auktionskatalog). Christie's London. Thursday 9 December 1993.‎

‎o.J. Ca. 200 S.; sehr zahlr., farb. Illustrationen.‎

‎Gutes Ex.; Einband leicht berieben. - Englisch. - Fine French and Continental Furniture and Tapestries The Properties of The late EARL AMHERST, M.C. The late MICHAEL BEHRENS, Esq. NADA, DUCHESSE DE CARAMAN CAPTAIN D. O. FAIRLIE OF MYRES THE LADY GLENCONNER ST. ANDREW'S CHURCH, GREYSTOKE, PENRITH, CUMBRIA The late MRS. N. E. A. HANNAM THE MEIKLOUR ESTATE TRUST The late MRS. D. H. MOLYNEUX-COHAN BARONESS MICHAEL RABEN MARK SHAND, Esq. The late MRS. J. M. V. STEWART and from various sources Thursday, 9 December 1993 at 10.30 a.m. (Lots 1-182) and 2.30 p.m. (Lots 201-381) precisely At 8 King Street, St. James's, SW1 ? (Titelblatt) // ? A FRENCH PROVINCIAL WALNUT COMMODE of arc-en-arbalette form, the top with moulded edge above three long drawers between keeled angles, a waved apron and on scrolled feet, the back of the top replaced, one back foot replaced, restorations, second quarter 18th Century 52in. (132cm.) wide; 35in. (89cm.) high; 27in. (69cm.) deep THE PROPERTY OF A LADY --- A PAIR OF LOUIS xv GRAINED FAUTEUILS, each with cartouche-shaped padded back and serpentine seat covered in white calico, the back and waved apron centred by rosebud carving, on cabriole legs headed by stylised scallop-shells, previously blue painted, one with repair to one back leg, the other with repairs to back and arms (2) --- THE PROPERTY OF A LADY --- A GERMAN IVORY AND PEWTER-INLAID EBONY, WALNUT AND MAHOGANY CENTRE TABLE, inlaid in premier --- and contre-partie with auricular rectangular top inlaid with a central scrolling foliate arabesque panel centred by a sphinx altar and espagnolette masks with herms, putti and insects, the crossbanded outer border with further scrolled foliate arabesque border, above a similarly-inlaid frieze and on spirally-twisted legs joined by an X-shaped stretcher, restorations, the top and base associated, inscribed WBIO with paper label pest 54in. (137.5cm.) wide; 31Vim. (50cm.) high; WAin. (92cm.) deep --- PROVENANCE: Supplied to the Brunswick family at Korompa, Slovenia --- Thence by descent in the female line to Gabriel Chotek, who married Franz Schonborn Wolfsthall, the house --- being renamed after World War I Dolna Krupa, Hungary. The table remained at Dolna Krupa until the 1930s, --- when it was moved to Vienna, and then, in 1947 to London --- A related room, panelled with pewter and ivory inlay and commissioned by the Brunswick family, remains at Wolfenbüttel Museum. Dolna Krupa, commissioned by Josef Brunswick in the late 18th Century, is now open as a Beethoven Museum. --- (u.v.v.a.)‎

Referenz des Buchhändlers : 1175492

‎Jewellery and Silver by Bulgari which will be sold at auction by Christie's International ... Wednesday February 17, 1993. (Auktionskatalog).‎

‎St. Moritz, 1993. Ca. 150 S.; zahlr. farb. Illustr.; 27,5 cm. Originalleinen mit Schutzumschlag.‎

‎Gutes Exemplar. - Text von Diana Scarisbrick. - Englisch. - Like the ancient Romans before them, Bulgari have set their stamp on an empire which reaches far beyond the confines of their native Italy. In addition to the flagships of Tokyo, Rome and New York, there are now thirty shops world-wide, two of them in London. Just as the Emperor Augustus imposed Roman law and institutions on his subject peoples, so Bulgari makes absolutely no concessions to local tastes: the stock and designs of the shops are identical everywhere. It is this universality which is the secret of their success. Bulgari jewellery can be worn with equal panache by all women, whether of oriental or western birth, of whatever type of beauty-blonde, red-head or brunette-and irrespective of age. Whereas most modern designs seem to repeat each other, and differ only in minor details, a Bulgari jewel stands out, being quite unlike anyone else's, yet striking a balance between originality and elegance. How has this come about? The story begins in 1879, when the founder, Sotirio Bulgari, came from Greece to seek his fortune as a silversmith in Rome. He prospered and by 1905 had premises not only in the Via Condotti, but branches in Naples and the resorts of Lucerne and St. Moritz. The name, 'The Old Curiosity Shop' which he chose for his enterprise, taken from the title of the novel of Charles Dickens, shows that his aim was to attract the attention of the many noble and rich British and American visitors brought by boat and railway to the towns of Italy and Switzerland. He must have made sure that a call at the St. Moritz shop would compare with the many agreeable distractions offered by the spa 'on the roof of Europe'. There, every summer, the young connoisseur Bernard Berenson was in his element, staying in the comfort of the Hotel Caspar Badrutt. ? (D. S.) / ... A LADY'S GOLD EVENING BAG ---- The ribbed gold oval exterior of shell design with pave-set diamond push-piece, the interior with fitted mirror and two compartments, silk handle, gross weight 394 grams (including mirror) ---- Signed by Bulgari AN EXQUISITE GEM-SET, DIAMOND AND 18K GOLD ORANGE TREE ---- With chrysoprase and gold leaves, and coral oranges in a lapis lazuli pot to the mother-of-pearl and circular-cut diamond stand, circa 1970, in a pink leather fitted case ---- With jeweller's mark for Bulgari ---- AN 18K GOLD, ENAMEL AND DIAMOND COMPACT ---- The ribbed gold and white enamel oval exterior of shell design with pave-set diamond thumb-piece, the interior with fitted mirror, lipstick holder and powder compartment, circa 1970, gross weight 198 grams (including mirror, enamel slightly chipped) ---- Signed by Bulgari, no. 130 ---- A GOLD AND DIAMOND EVENING BAG ---- Of oval section, the matt and polished ribbed gold exterior with cushion-shaped diamond push-piece, gross weight 354 grams, in a black silk fitted case ---- Signed by Bulgari ---- (u.v.v.a.m.)‎

Referenz des Buchhändlers : 1175332

‎Catalogue of Fine Marine Pictures.‎

‎London, Christie, Manson & Woods, May 1968. Gr.-8° Mit 8 Tafeln. 48 S. Orig.-Karton.‎

Referenz des Buchhändlers : 13863

‎Christie's (ed.)‎

‎Valuable Natural History and Travel Books, Atlases and Maps. Wednesday, 25 October 1995 at 10.30.‎

‎London, 1995. 27 cm. 129 (1) S. Mit zahlr. teils farb.Abb. Illustrierter Originalkarton (Softcover). Gutes Exemplar. Christie's Auction Catalogues ; Nr. 5484.‎

‎Enthalten 156 Lose. Beiliegend Ergebnisliste.‎

Referenz des Buchhändlers : 13357AB

‎Christie's (ed.)‎

‎Valuable Printed Books and Manuscripts, including Natural History. Wednesday 17 November 2004.‎

‎London, 2004. 27 cm. 173 (1) S. Mit zahlr. teils farb.Abb. Illustrierter Originalkarton (Softcover). Gutes Exemplar. Christie's Auction Catalogues ; Nr. 6952.‎

‎Enthalten 160 Lose.‎

Referenz des Buchhändlers : 13345AB

‎Christie's Amsterdam (Hrsg.)‎

‎Decorative Garden Statuary and Garden Furniture. Saturday Sales at Christie's. Furniture, Pictures, Silver and Plate, Porcelain and Works of Art.‎

‎Amsterdam, 1990. 26,5 cm. 43 (7), 47 (7) S. Mit zahlreichen Abb., davon 2 Farbtafeln. Originalkarton (Softcover). [3 Warenabbildungen] Tadelloses gepflegtes Exemplar.‎

‎Katalog der Auktion am 21.April 1990 mit 212 (Garten) und 301 (Übrige) Losen. Der Katalog ist ein Wendekatalog, also durch Drehung von beiden Seiten beginnend und in der Mitte zusammentreffend.‎

Referenz des Buchhändlers : 6361AB

‎Freud, Lucian‎

‎Lucian Freud. The Printer's Proof. Etchings by Lucian Freud. From the Studio Prints Archive. (Auktion / Ausstellung). Christie's. Wednesday 15 February 2012. Auctioneer: Richard Lloyd.‎

‎London; Christie's, 2012. 117 Seiten; zahlr., auch farbige Illustrationen; 27 cm; kart.‎

‎Sehr gutes Exemplar. - Mit illustr. Einband. - Englisch. - Text von Craig Hartley "Freud as an Etcher". - Illustrationen: Large Head ----- Esther ----- The Egyptian Book ----- Bella in her Pluto T-Shirt ----- Garden in Winter ----- Head of Ali ----- Pluto aged 12 ----- After Chardin ----- Head of a Naked Girl ----- Solicitor's Head ----- The Painter's Garden ----- Girl with fuzzy Hair ----- Before the Fourth ----- The New Yorker ----- The Painter's Doctor ----- Donegal Man ----- Bella ----- Naked Man on a Bed / u.a.m. -- INHALT : Calendar of Auctions --- Auction Information --- Christie's International Print Department --- Specialists and Services for this Auction --- Property for Sale --- Important Notices and Explanation of Cataloguing Practice --- Buying at Christie's --- Storage and Collection --- Conditions of Sale and Limited Warranty --- Salerooms and Offices Worldwide --- Christie's Specialist Departments and Services --- Absentee Bids Form --- Catalogue Subscriptions. // Lucian Freud (* 8. Dezember 1922 in Berlin; ? 20. Juli 2011 in London) war ein britischer Maler. Er war einer der bedeutendsten Porträtmaler des 20. Jahrhunderts. Der Kunstkritiker Robert Hughes bezeichnete ihn 2004 als ?Großbritanniens größten lebenden Maler?. ... (wiki)‎

Referenz des Buchhändlers : 1220106

‎Important Impressionist and Modern Paintings from a European Estate. May 10, 1994.‎

‎Christie's; New York, 1994. 48 S.; einige farb. Abb. Originalleinen mit Schutzumschlag.‎

‎Gutes Ex. - Mit Eintrittskarte und Ergebnisliste. - Paul Cezanne: Coussin sur une chaise; Maurice de Vlaminck: Paysage de banlieue; Pablo Picasso: Violon, bouteille et verre; Georges Braque: Pipe et compotier; Picasso: La couseuse; Fernand Leger: Composition jaune et noire; Gauguin: L'Aven a travers Pont-Aven. // The seven objects in this collection mark important developments in French art and culture over the course of four decades. As a group, they trace a temporal arc from late Impressionism to the biomorphic abstraction of the 1930s. The Impressionists, Paul Gauguin wrote in his Tahitian manuscript Diverses Choses, "heed only the eye and neglect the mysterious centers of thought, so falling into merely scientific reasoning. They are the officials of tomorrow, as bad as the officials of yesterday ..." Gauguin made this remark in 1896-1897, having long eliminated the last vestiges of Impressionist facture from his work. As the comment suggests, Gauguin was deeply concerned about the social and historical implications of advanced art. Impressionism had gained wide acceptance by the middle classes he so disdained; it was the legitimate cultural patrimony of the businessman and the flâneur. In contrast, Gauguin sought to explore the spiritual in art, identifying a redemptive role for the avant-garde in the Symbolist aesthetic he had been pursuing for eight years. Gauguin's mature style dates to his second trip to Brittany in 1888, during which time he painted L'Aven à travers Pont-Aven. In a sheltered landscape, two Breton peasant women and a male farmer carrying a hoe are nestled in hilly depressions, their presence barely detectable in the gently contoured land. The space of the composition is radically flattened and the perspective telescoped. As Gauguin compresses and simplifies the objects of the Breton landscape and its inhabitants, he invests great meaning in pictorial form and structure in order to translate his sensations before nature into symbolic form. A linear arabesque carries the eye through the visual field, weaving a kind of spatial tapestry that is echoed in Gauguin's insistent brushwork. Vertical accents provided by the trees and the edge of the house establish the outlines of a rudimentary grid that serves to lock the serpentine rhythm of the composition firmly in place. And color is heightened and carefully orchestrated in a range of analagous hues and glaring complementaries, as Gauguin constructs an ideal, synthetic order in which landscape, figure, and architecture effortlessly merge. L'Aven à travers Pont-Aven communicates the artist's longing for a spiritual union of man and nature in response to the excessive materialism of the modern world. Gauguin's Pont-Aven is the site of a lost organic unity whose formal counterpart is expressed in the artist's meandering line. The synthetic transformation of nature that Gauguin had first envisioned in Brittany, and subsequently in Tahiti, inspired an entire generation of French painters. For Henri Matisse, André Derain and Maurice de Vlaminck, the examples of Paul Gauguin, Vincent van Gogh and Paul Signac justified formal purity and bold experiments in chromatic and spatial structure. Both van Gogh and Gauguin had been honored with memorial retrospectives at the Salon d'Automne, in 1903 and 1905 respectively; Signac, who was Matisse's mentor, presided over the Salon des Independents. Valminck studied in depth the work of all three painters during his Fauve period, but it was van Gogh and Gauguin who left the most lasting imprint on the younger artist's work. In the magnificent Paysage de banlieue of 1905-06, Vlaminck's staccato, choppy brushstroke and intense, pure palette immediately reveal his debt to van Gogh, while the structure of the composition as a series of continuous horizontal bands vertically stacked and opening into the background recalls both Gauguin and Cézanne. From the former, Vlaminck also borrowed the flat planes of color that define the rooftops of the houses in the upper right. (Introduction)‎

Referenz des Buchhändlers : 1030072

‎Furniture, Clocks, Sculpture, and Works of Art. (Auktion / Ausstellung). Christie's Amsterdam.‎

‎1999. 182 S.; zahlr. farb. Illustr.; 26,5 cm; kart.‎

‎Gutes Ex. - Englisch. - INHALT : FURNITURE. CLOCKS, SCULPTURE AND WORKS OF ART ---- Christie's Specialists and Services for this Sale ---- Information for Buyers (English/Dutch) ---- Collection and storage charges (English/Dutch) ---- Catalogue - Individual lot descriptions of works of art in this sale ---- Absentee Bids Form ---- Amsterdam Departments ---- Catalogue Subscription Order Form ---- Information for Sellers (English/Dutch) ---- Additional Information for International Buyers (English/Dutch) ---- Conditions of Business (English/Dutch) ---- Pricelists Previous Sales ---- Selling Locations and Representatives ---- Sales Calendar.‎

Referenz des Buchhändlers : 1162219

‎German and Austrian Art '99. London, Thursday, 7 October 1999 at 2pm. [Auction catalogue / Auktionskatalog].‎

‎London: Christie's 1999. 403 Seiten. Mit zahlreichen Illustrationen auf Kunstdruckpapier, Faltafeln und Auktionsresultats-Liste. 4° (25-35 cm). Illustrierte Orig.-Broschur. [Softcover / Paperback].‎

‎Cover a bit rubbed, else very good copy.‎

Referenz des Buchhändlers : 90324

‎The di Portanova Collection, 20 October 2000.‎

‎London, Christie?s, 2000. 235 S., mit farbigen Abbildungen. Gr.-8°. Orig.-Karton.‎

‎Gutes Exemplar.‎

Referenz des Buchhändlers : 30910

‎Impressionist and Modern Paintings, Drawings and Sculpture (Part I). Monday, 26 June, 1995.‎

‎London, 1995. 4°. 144,(2) S. (54 Nrn.)., mit zahlreichen, teils farbigen Abbildungen. Orig.-Karton.‎

‎Einband etwas berieben; Ecken gering bestoßen.‎

Referenz des Buchhändlers : 13748

‎Christie's. Impressionist and Modern Paintings, Watercolours, Sculpture (Part II). 29 November 1994.‎

‎London, 1994. 4°. 200,(12) S. (297 Nrn.)., mit zahlreichen farbigen Abbildungen. Orig.-Karton.‎

‎Ergenisliste der erzielten Preise liegt lose bei. - Einband etwas berieben; Ecken etwas bestoßen.‎

Referenz des Buchhändlers : 13753

‎Christie's Magazine. Russian Edition.‎

‎New York, Christie's, 1997. 24 S. Original-Broschur. Mit zahlreichen farbigen Abbildungen und Illustrationen. Mit Abhandlung zur Geschichte von Christie's in Rußland ("Christie's in russia: A History").‎

‎Sehr gutes Exemplar very good copy).‎

Referenz des Buchhändlers : SB-16377

‎CHRISTIE'S‎

‎Nineteenth Century Impressionist and Modern Paintings, Drawings and Sculpture - Christie's London, 6 July 1979‎

‎22pp.text + 19 plates out-of-text in bl/w, with index, 391 lots‎

‎CHRISTIE'S‎

‎Impressionist and modern paintings, drawings and sculpture - Christie's London, 30 March 1982‎

‎75pp.with illustrations in colour & bl/w, with index, lots nrs.101-226, few annotations, with price list, G‎

‎CHRISTIE'S‎

‎Impressionist and modern paintings, drawings and sculpture - Christie's London, 3 July 1981‎

‎63pp.with illustrations in colour & bl/w, with index, lots nrs.301-397, small annotations on few pages, with price list, G‎

‎CHRISTIE'S‎

‎Impressionist and modern paintings and sculpture - Christie's London, 29 March 1982‎

‎106pp.with illustrations in colour & bl/w, with index, 46 lots, annotations on some pages, G‎

‎CHRISTIE'S‎

‎Impressionist and modern paintings and sculpture (part II) - Christie's London, 27 March 1984‎

‎80pp.with illustrations in colour & bl/w, with index, lots nrs.301-388, ill.cover, with price list, VG‎