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‎Anna Koopstra‎

‎HANS MEMLING IN BRUGES.‎

‎, Hannibal Books, 2024 HB, 292 x 245 mm, 208 p, throughout color illustrations, ENG edition ISBN 9789464666892.‎

‎Breathtaking work by Hans Memling, the Flemish Primitive in Bruges The Flemish Primitive artist Hans Memling (c. 1435-1494), who played a crucial role in early Netherlandish painting, is inextricably associated with Bruges. Among his most impressive creations are the St John Altarpiece and the St Ursula Shrine, which he created for St John's Hospital in the city. Seven more of this fifteenth-century master's finest works can also be seen in Bruges, at what is now the St John's Hospital Museum and at the Groeninge Museum. This book describes Memling's breathtaking paintings in close detail, while offering readers the opportunity to (re)discover his oeuvre as a whole. In a series of accessible essays, Anna Koopstra, curator of early Netherlandish painting at Musea Brugge, explores Memling's imagination, his technical brilliance and the cultural context in which the artist lived and worked.‎

Referencia librero : 62844

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‎Anna Koopstra‎

‎HANS MEMLING IN BRUGGE‎

‎, Hannibal Books, 2024 HB, 292 x 245 mm, 208 pages, met illustraties in kleur nieuw! NL tekst. ISBN 9789464666885.‎

‎Het adembenemende werk van Hans Memling, de Vlaamse primitief in Brugge De Vlaamse primitief Hans Memling (ca. 1435-1494), die een cruciale rol speelde in de vroege Nederlandse schilderkunst, is onlosmakelijk verbonden met Brugge. Tot zijn indrukwekkendste creaties behoren ongetwijfeld het Johannesaltaar en het Ursulaschrijn, die hij maakte in opdracht van het Sint-Janshospitaal. Daarnaast zijn nog zeven andere topwerken van de oude meester te bewonderen in het Brugse Museum Sint-Janshospitaal en het Groeningemuseum. Dit boek toont Memlings adembenemende kunstwerken tot in de kleinste details en biedt een unieke gelegenheid om zijn werk beter te leren kennen of te herontdekken. Anna Koopstra, conservator vroeg-Nederlandse schilderkunst van Musea Brugge, vertelt in toegankelijke essays over Memlings verbeeldingskracht, zijn technische meesterschap en de culturele context waarin de schilder leefde en werkte.‎

Referencia librero : 62843

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‎Anna Koopstra‎

‎Jean Bellegambe (c. 1470-1535/36) Making, Meaning and Patronage of his Works‎

‎, Brepols - Harvey Miller, 2023 Hardback,Pages: 160 pages, Size:210 x 297 mm Illustrations:10 b/w, 105 col.Language(s):English. ISBN 9782503574370.‎

‎The book by Anna Koopstra about Jean Bellegambe adds an extremely careful, thorough, and beautifully produced study to the monographs on early Dutch painters. (...) More traditional art historical research?iconographic, stylistic, archival, and historiographic?is combined with modern technical research and a keen eye for drawings and graphics as visual sources for the artist. (?) The beautifully produced and clearly written book represents excellent and versatile art historical research that, through in-depth analysis of a small group of characteristic artworks, offers a new perspective on an important artist, his work and methods, as well as the impact of that distinctive body of work." Drs. Lidewij de Koekkoek (VNK, Frans Hals Museum) - Jury President - 2023 Karel van Manderprijs BIO Anna Koopstra (1980) studied art history at the University of Groningen (MA, 2004) and obtained her doctorate from the Courtauld Institute of Art (PhD, 2016). She has held curatorial positions and research fellowships at the Suermondt-Ludwig Museum (2005-08), The Metropolitan Museum of Art (Slifka interdisciplinary Fellow, 2008-10), The National Gallery (2015-17), and the Courtauld (Associate Caroline Villers Research Fellow, 2016/17). Her research focuses on the technical investigation of paintings, and in particular on the making and meaning of early Netherlandish paintings. SUMMARY Jean Bellegambe (c. 1470- 1535/36), whose career as far as we know spanned the first three decades of the sixteenth century, was a successful painter. His patrons included some of the most high-ranking clerics in the Habsburg-Burgundian Netherlands as well as members of the ruling class of Douai, the town where he lived and worked all his life. This is the first study to appear since Dehaisnes' 1890 monograph that is exclusively devoted to the artist. By reassessing primary evidence - archival documents and material evidence from the works of art themselves - it aims to highlight Bellegambe's artistic achievements. Close scrutiny of his paintings and investigation of the artist's working methods will show that Bellegambe visualised the concerns of his patrons by closely linking the physical characteristics of his works to their original imagery, function and use. This volume presents a series of five case studies of his works that were made for a monastic community, two individual clerics, a town hall and a bourgeois layman, thus providing rich evidence of patronage and audiences. The objective here is to examine how Bellegambe met the challenges posed by these commissions, and to gain further insight into the practice of a skilled artist who - rooted in a long line of craftsmanship and artistic tradition and in close collaboration with his colleagues and patrons - produced a body of highly original works. TABLE OF CONTENTS INTRODUCTION CHAPTER I The Artist?s Life and Career Life Works Posthumous legacy CHAPTER II Oeuvre and Patrons The Anchin Polyptych Similar patrons, similar commissions Other works CHAPTER III Preliminary Observations on Materials and Working Methods Panels and frames Underdrawing and painting technique Technical evidence and questions of attribution Workshop CHAPTER IV Jean Bellegambe and the Convent of Flines: Reconsidering The Cellier Altarpiece Monastic reform and the convent of Flines The evolution of the composition Interpreting the iconographic program Location, audience, date CHAPTER V Clerical Devotion and the Monastic Milieu: The Diptych of the Virgin and Child with Saint Bernard and an Unidentified Cistercian Monk The Virgin and child as an object of clerical devotion The abbess as exemplar CHAPTER VI Self-Representation and Piety for the Here and the Hereafter: Abbot William of Brussels and the Triptych of the Annunciation William of Brussels as a patron Function and location CHAPTER VII Painting as a Moral Compass: Triptych of the Last Judgment The Last Judgment, the Four Last Things, and visions of heaven and hell Function and audience CHAPTER VIII Civic Duty, Charitable Giving, and the Wish to Be Commemorated: The Pottier Triptych and the Pottier Family Reviewing the archival evidence Iconography and meaning Scenes of the life of Saint Anne, demi-grisaille, and the reality of giving CONCLUSION Bibliography‎

Referencia librero : 62968

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‎Anna Koopstra, Christine Seidel, Joshua P. Waterman (eds)‎

‎Tributes to Maryan W. Ainsworth Collaborative Spirit: Essays on Northern European Art, 1350?1650‎

‎, Brepols - Harvey Miller, 2022 Hardback, Pages: 346 pages, Size:210 x 275 mm Illustrations:250 col. Language(s):English. ISBN 9781912554751.‎

‎This volume honors Maryan W. Ainsworth, curator emerita at The Metropolitan Museum of Art and former adjunct professor at Barnard College, whose work as a scholar, curator, and teacher has profoundly impacted the study of early northern European painting. Contributions by leading specialists from museums and academia, including former interns and fellows, reflect Ainsworth?s emphasis on the centrality of the object and on the interdisciplinary methods of technical art history, while also paying homage to the variety of Ainsworth?s research interests as a whole. The essays explore topics such as the working methods of individual artists, workshop practice, artistic collaboration, and patronage across a range of media?mainly painting, but also manuscript illumination, drawing, tapestry, sculpture, and stained glass. TABLE OF CONTENTS Acknowledgments Anna Koopstra, Christine Seidel, and Joshua P. Waterman Maryan W. Ainsworth: An AppreciationChronological Bibliography of Maryan W. Ainsworth Keith Christiansen The Fourteenth-Century Bohemian Virgin and Child Enthroned at The Met: Some Preliminary Thoughts Till-Holger Borchert Collaborator or Follower of Jan van Eyck? The Painter of the Simpson Carson Virgin Reconsidered Stephan Kemperdick Petrus Christus?s Altarpiece of 1452: A New Reconstruction Ron Spronk Jan Provoost before c.1500: The Documentary Evidence Molly Faries Maarten van Heemskerck?s Early Lamentation of Christ: The Beginning of a Long Career Maximiliaan P. J. Martens A Christ as the Man of Sorrows by Quinten Massys Julien Chapuis and Sophie Hoffmann From Wood to Silver: Michel Erhart and Heinrich Hufnagel at the Bode Museum Dagmar Eichberger The Cult of Mary Magdalene and Jacques de Saint-Nectaire?s Tapestry Series for the Abbey Church of La Chaise-Dieu (1518) Diane Wolfthal The Color of Money and Other Temporary Natural Alterations in Silver-Stained Windows Sandra Hindriks Optical Illusion as Epistemological Challenge: Konrad Witz?s Saint Christopher Peter Parshall Ad vivum: Observations on Hugo van der Goes?s Monforte Altarpiece in Berlin Alice Hoppe-Harnoncourt ?PRIMA TABVLA HABET IMAGINES?: A Reconsideration of Bernhard Strigel?s Family Portrait of Emperor Maximilian I Thomas Kren On the Role of an Early-Sixteenth-Century Drawing in Netherlandish Luxury Manuscript Production Daantje Meuwissen A Portable Artistic Resource: The Practical Uses of the Pocket-Size Sketchbook of Cornelis Anthonisz (c.1505?1553) Dan Ewing A Tale of Two Altarpieces: Jan de Beer?s Birmingham and Madrid Paintings Peter van den Brink The Stigmatization of Saint Francis by Joos van Cleve: A New Discovery Sophie Scully The Examination and Treatment of the Annunciation by Joos van Cleve at The Metropolitan Museum of Art Ronda Kasl Things They Do Not Have: Royal Spanish Gifts for the Emperor of China Melanie Gifford Rembrandt and the Rembrandtesque: The Experience of Artistic Process and Its Imitation‎

Referencia librero : 62967

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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‎Anna Magdalena Blomley‎

‎Bronze Coins of Eastern Mount Ossa in the Thessalian Perioikic Region of Magnesia. Homolion, Eureai, Eurymenai, and Meliboia‎

‎, Brepols, 2024 Hardback, xxviii + 232 pages, Size:152 x 229 mm, Illustrations:226 b/w, 7 tables b/w., Language: English. ISBN 9780897223959.‎

‎Summary This monograph examines the Late Classical and Hellenistic bronze coinages of five mints in the Thessalian perioikic region of Magnesia. At the core of this work lies a new die-study of the coins produced by the strategically and economically important coastal cities of Homolion and Meliboia as well as the lesser-known mints of Eureai, Eurymenai, and Rhizous. Combining this die-study with a close examination of the cities' topographical context in a border region between Thessaly and Macedon and drawing on archaeological data from Magnesia and beyond, the monograph addresses key questions concerning the chronology, denominations, and circulation patterns of the bronze issues minted on eastern Mount Ossa. This analysis not only throws new light on coin production in Late Classical and Hellenistic Magnesia, but also allows a discussion of the possible military and non-military functions of the region's different bronze issues. Placing the coins of Eureai, Eurymenai, Homolion, Meliboia, and Rhizous in their wider context, this monograph furthermore addresses broader issues in the history of Thessalian coinage. In particular, the monograph's regional approach offers an unusual opportunity to examine to what extent Thessaly's Late Classical and Hellenistic civic coins were genuinely local in design, production, and function. The monograph thus both explores the coins of Mount Ossa and contributes towards a better understanding of the introduction and development of bronze coinages in the wider Thessalian region and beyond. TABLE OF CONTENTS Preface Abbreviations List of Tables List of Figures List of Plates 1. Setting the Scene: Thessalian Bronze Coinages 2. The Topography and Political Geography of Eastern Mount Ossa 3. The Cities of Eastern Mount Ossa and their Coinages (Homolion, Meliboia, Eurymenai, Rhizous, and Eureai) 4. The Chronology of the Coinages of Mount Ossa 5. The Bronze Coinages of Northeastern Magnesia: Circulation, Denominations, and Patterns of Minting Activity 6. The Bronze Coinages of Northeastern Magnesia: Two Possible Functions 7. Conclusion: Bronze Coinages between Magnesia, Thessaly, and Macedone Bibliography Appendix I: Catalogue of Coins Appendix II: Tables Indexes (Coins by Collection, Coins by Excavation and Findspot, Coins by Auction, Sources, General) Plates‎

Referencia librero : 65012

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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‎Anna Maria And Roberto Del Signore‎

‎The Basilica of Saint Paul: Outside the Walls‎

‎Pontificia Amminstazione della Patriarcale Basilica di San Paolo Roma 1991 Near Fine Softcover 70 pages 7"x10" illustrated in colour throughout text in English. The work is illustrated by a series of photographs by Giorgio Vasari. <br /><br /> Pontificia Amminstazione della Patriarcale Basilica di San Paolo, Roma paperback‎

Referencia librero : 2405

Biblio.com

Don Wood Bookseller
Canada Canadá Canadá Canada
[Libros de Don Wood Bookseller]

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‎Anna Maria Maetzke‎

‎PIERO DELLA FRANCESCA : Les oeuvres‎

‎, Silvana Editoriale , 2013 Hardcover dusjacket, 240 pages, Texte en Francais, 290 x 240 mm, neuf!, 150 illustrations en couleur. ISBN 9788836624645.‎

‎Cette monographie est d di e un des plus grands artistes de la Renaissance italienne, Piero della Francesca (Borgo Sansepolcro, aux alentours 1416/1417-1492). Chaque oeuvre du ma tre, du Bapt me du Christ la Nativit conserv es la National Gallery, est pr sent e avec une image en pleine page et attentivement tudi e, tant du point de vue historique qu'esth tique, sans n gliger les fortunes critiques au cours des si cles. Un int r t particulier est r serv la splendide s rie de fresques, avec La l gende de la Vraie Croix dans la basilique de San Francesco d'Arezzo, consid r e comme son chef d'oeuvre. L'auteur, qui nous devons les restaurations de la Chapelle, propose dans cette tude les r sultats des interventions sur la moiti des surfaces peintes, accompagn s d'images des fresques apr s restauration. Le volume repr sente un instrument complet et maniable pour tous ceux qui veulent se rapprocher de l'oeuvre de Piero della Francesca.‎

Referencia librero : 59412

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
[Libros de ERIK TONEN BOOKS]

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‎Anna Marie Roos, Vera Keller (eds)‎

‎Collective Wisdom. Collecting in the Early Modern Academy‎

‎, Brepols, 2022 Hardback, 325 pages, Size:178 x 254 mm, Illustrations:51 col., Language: English. ISBN 9782503588063.‎

‎Summary This volume analyses how and why members of scholarly societies such as the Royal Society, the Society of Antiquaries of London, and the Leopoldina collected specimens of the natural world, art, and archaeology in the seventeenth and eighteenth centuries. These scholarly societies, founded before knowledge became subspecialised, had many common members. We focus upon how their exploration of natural philosophy, antiquarianism, and medicine were reflected in collecting practice, the organisation of specimens and how knowledge was classified and disseminated. The overall shift from curiosity cabinets with objects playfully crossing the domains of art and nature, to their well-ordered Enlightenment museums is well known. Collective Wisdom analyses the process through which this transformation occurred, and the role of members of these academies in developing new techniques of classifying and organising objects and new uses of these objects for experimental and pedagogical purposes. TABLE OF CONTENTS Vera Keller and Anna Marie Roos, Introduction Kelly J. Whitmer, Putting Play to Work: Collections of Realia and Useful Play in Early Modern Educational Reform Efforts Chantal Grell, Tito Livio Burattini, a Seventeenth-Century Engineer and Egyptologist Georgiana Hedesan, University Reform and Medical Alchemy in Ole Worm's Museum Wormianum (1655) Fabien Kr mer, The Curiosi as Collectores: The Publications of the Academia Naturae Curiosorum, c. 1652-1706 Vera Keller, Vernacular Knowledge, Learned Medicine, and Social Technologies in the Leopoldina, 1670-1700, or, How to Publish on Sirens, Dragons, and Basilisks Philip Beeley, 'The Antiquity, Excellence, and use of Musick': Wallis, Wanley, and the Reception of Ancient Greek Music in Late Seventeenth-Century Oxford Julia A. Schmidt-Funke, Urban Fabric and Knowledge of Nature: Physicians as Naturalists in Early Modern Commercial Towns Kim Sloan, Sloane's Antiquities: Providing a 'Body of History' through Beads, Bottles, Brasses and Busts Dustin Frazier Wood, Antiquarian Science and Scientific Antiquarianism at the Spalding Gentlemen's Society Anna Marie Roos, The First Egyptian Society Louisiane Ferlier, Collective Wisdom in the Digital Age: Digitizing Early Modern Collections at the Royal Society‎

Referencia librero : 64564

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‎Anna Moraht -Fromm‎

‎PALIMPSEST form and meaning of a recently discovered late medieval panel from Nuremberg.‎

‎BE - , De Backker medieval art, Hardcover 57 PAGES Color illustrations .‎

‎PALIMPSEST form and meaning of a recently discovered late medieval panel from Nuremberg.‎

Referencia librero : 64385

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ERIK TONEN BOOKS
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‎Anna Russakoff‎

‎Imagining the Miraculous: Miraculous Images of the Virgin Mary in French Illuminated Manuscripts, ca. 1250-ca. 1450‎

‎, Brepols, 2019 Hardback, xvii + 194 pages, Size:205 x 255 mm, Illustrations:94 b/w, Language: English. ISBN 9780888442154.‎

‎Summary This is not a book about miraculous images of the Virgin Mary (be they icons, sculptures, altarpieces, or reliquaries) but about their representations in French illuminated manuscripts from ca. 1250 to ca. 1450. Most of these depictions of the Virgin Mary cannot be identified even tangentially with particular surviving images (such as the Virgins of Rocamadour, Soissons, Chartres, and Laon). Rather, these illustrations point to the ubiquity of local miraculous Marian images in devotional practices from the thirteenth to the fifteenth century in French-speaking regions. This book analyzes depictions of material images and the animated miracles they perform, and traces their evolution from the earliest narratives of Marian miracles written in Old French to texts and images produced at the Burgundian court of the late Middle Ages. Beginning with the most extensive compilation of Gautier de Coinci's Miracles de Nostre Dame, the study then examines lesser-known anonymous works such as the Vie des P res and encyclopedic collections including the French version of Vincent of Beauvais' Speculum historiale and the Ci nous dit, as well as a theatrical production of the Miracles de Nostre Dame par personnages, before concluding with the prose rendering of the Miracles by Jean Mi lot. Imagining the Miraculous explores the ways in which these works depict physical images, such as panel paintings and sculptures, on the manuscript page. Each chapter provides a detailed iconographical analysis of the miniatures and the diverse techniques of visual narrative they harness, serving also to show how attentive reading of their reception can help us understand how the miniatures themselves might have led viewers to imagine the miraculous moment when an image comes to life.‎

Referencia librero : 66047

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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‎Anna Rutherford ed.‎

‎Populous Places. Australian Cities and Towns‎

‎Dangaroo Sydney 1992. First Edition. Softcover. Very Good Condition. Size: 8vo - over 7.75 - 9.75" tall. x 285pp. Internally clean. Binding firm spine slightly cocked and faded. Edges slightly marked. Illustrated. Quantity Available: 1. Shipped Weight: Under 500 grams. Category: Architecture; Australia; Modern; Sociology & Culture. ISBN: 1871049776. ISBN/EAN: 9781871049770. Pictures of this item not already displayed here available upon request. Inventory No: 32794. . 9781871049770 Dangaroo paperback‎

Referencia librero : 32794 ISBN : 1871049776 9781871049770

Biblio.com

Dreadnought Books
United Kingdom Reino Unido Reino Unido Royaume-Uni
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€22.84 Comprar

‎Anna Tummers , Christopher Atkins‎

‎FRANS HALS : Oog in oog met Rembrandt, Rubens en Titiaan‎

‎, Nai010 Uitgevers/Publishers 2013, 2013 Softcover, 160 pagina's, Nederlands, 285 x 235 mm, boek in prima staat, met veel illustraties in kleur, . ISBN 9789462080522.‎

‎2013 is uitgeroepen tot Frans Hals Jaar. Het is dan precies 100 jaar geleden dat het Frans Hals Museum zijn deuren opende. De belangrijkste tentoonstelling in dit jubileumjaar is 'Frans Hals. Oog in oog met Rembrandt, Rubens en Titiaan', waarin sleutelstukken van Frans Hals worden gepresenteerd te midden van schilderijen van beroemde collega's onder wie Titiaan, Rembrandt, Van Dyck, Jordaens en Rubens. In de gelijknamige publicatie worden alle werken uit de tentoonstelling zij aan zij gepresenteerd, zodat de lezer de meesterwerken kan vergelijken en kan zien hoe de kunstenaars elkaar inspireerden. Deze bijzondere confrontaties van meesterschilders zijn essentieel om zeventiende-eeuwse kunst te begrijpen. Beroemde schilders maakten hun werken immers vaak in reactie op elkaar, met de bedoeling de ander te overtreffen en iets bijzonders neer te zetten. Internationale specialisten werpen een nieuw licht op Hals' virtuositeit, zijn rol in de zeventiende eeuw en zijn artistieke relatie met zijn collega's uit Antwerpen (Rubens, Van Dyck) en Amsterdam (Rembrandt).‎

Referencia librero : 56473

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‎Annaclara Cataldi Palau‎

‎Angela Burdett-Coutts Collection of Greek Manuscripts‎

‎, Brepols, 2021 Hardback, 472 pages, Size:216 x 280 mm, Illustrations:80 b/w, 102 col., Language: English. ISBN 9782503593760.‎

‎Summary Baroness Angela Burdett-Coutts (1814-1906), descendant of a wealthy and well-known family of bankers, inherited quite young, through a series of unpredictable circumstances, the enormous fortune of Thomas Coutts, her maternal grand-father. She spent most of her long life in London, where she occupied a prominent position in society, becoming well-known not only for her splendid life-style and her important literary and political acquaintances, as, for instance, Charles Dickens and Admiral Nelson, but also for her active role as a philanthropist. This book explores a little-known side of her life; although she did not know Greek, she became the owner of ca. 100 Greek manuscripts, mostly theological, datable between the tenth and the sixteenth century, a part of which she donated to Highgate School. The manuscripts, with all the Baroness's possessions, were dispersed at auction in 1921 and in 1987 and are now mainly divided between American and European University Libraries. This book has identified for the first time the Baroness's Greek manuscripts, located and described them in detail, with special attention to their script style and their origin, adding to their description one or two plates of each codex. TABLE OF CONTENTS Part I: History of the collection Chapter 1: Angela Burdett-Coutts' life. The formation of her collection of Greek manuscripts Chapter 2: The sale of Angela Burdett-Coutts collection of Greek manuscripts Chapter 3: Angela Burdett-Coutts Greek manuscripts Chapter 4: Provenance of the Burdett-Coutts manuscripts Chapter 5: List and description of Burdett-Coutts manuscripts from Epirote monasteries or churches Chapter 6: Burdett-Coutts manuscripts from the Meteora. Their present location in various libraries Chapter 7: Two Burdett-Coutts manuscripts with plaques from the Russian monastery of Solovki applied to the bindings Chapter 8: Ann Arbor, University of Michigan Library, SCRC, Mich. Ms. 15 (B.-C. III. 5), a manuscript belonging to the Ferrar Group ('Family 13') Chapter 9: Burdett-Coutts manuscripts with a decoration Chapter 10: Burdett-Coutts manuscripts with a remarkable decoration Part II: Description of the Burdett-Coutts manuscripts Description of the Burdett-Coutts manuscripts in Ann Arbor Description of the Burdett-Coutts manuscripts in Athens Description of the Burdett-Coutts manuscripts in various libraries The lost manuscripts Appendix Index of Manuscripts and Illustrations Index of Names‎

Referencia librero : 65114

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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‎Annales - Economies / Sociétés / Civilisations - Revue bimestrielle publiée avec le concours du C.N.R.S et de l'Ecole des Hautes Etudes en Sciences Sociales - Ed Armand Colin‎

‎Annales Echanges de marchandises, échanges de dieux ( W. G. L. Randles ) - Nationalismes haïtiens, 1915 - 1946 ( D. Nicholls ) - Démographie et croissance en Italie du Sud , XVIIème - XVIIIème siècles ( G. Delille ) - Sur la démographie médiévale ( M. Terrisse ) - Malthus démenti ? LA Sardaigne au Moyen Age ( J. Day ) - Mobilité et cycle de vie au XVIII ème siècle ( E. Todd ) - Les barrières de l'An VII ( G. Arbellot ) - Tissu urbain et architecture ( F. Boudon ) - La croissance de Belleville ( Xixème - XXème siècles) ( G. Jacquemet ) - La monnaie musulmane ( G. Hennequin ) - L'Islamn ancien récupérée à l'histoire ( H. Djait ) - Islam et monde arabe‎

‎In-8 - 30 ème année N° 4 - Juillet / Août 1975‎

‎bel état‎

Referencia librero : 9940

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Librairie Le Père Pénard
Lyon France Francia França France
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‎Annales - Economies / Sociétés / Civilisations - Revue bimestrielle publiée avec le concours du C.N.R.S et de l'Ecole des Hautes Etudes en Sciences Sociales - Ed Armand Colin‎

‎Economie et architecture médiévale ( R.S. Lopez ) - L'économie d'un village alpin au XVIème siècle ( Paul Canestrier ) - En Beauvaisis: problèmes démographiques du XVIIème siècle ( Pierre Goubert ) - Critiques et traditions d'origines en orientalisme ( Jacques Berque ) - Aux sources de l'inspirations artistique ( Yves Renouard ) - ouveaux regards et réflexions sur l'U.R.S.S ( Georges Friedmann ) - Economie et budget à Madère ( 1591 - 1641 ) ( Frédéric MAuro ) A Florence au XViième siècle ( R. Romano ) - Villes du Nord, villes du Midi ( Lucien Febvre ) - La propagande ( Jacques Godechot ) - Romantisme social ? ( Jacques Dautry ) - A propos d'un article sur la Révolution française ( Albert Soboul ) - Morale de noirs ? ( Roger Bastide )‎

‎In-8 - 7ème année N°4- Oct / Dec / 1952‎

‎bel état malgré des annotations au crayon à papier‎

Referencia librero : 10532

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Librairie Le Père Pénard
Lyon France Francia França France
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‎ANNALES DE L'INSTITUT TECHNIQUE DU BATIMENT‎

‎5 articles sur les barrages en Afrique du Nord. (62 pages). N? 5. Septembre-Octobre 1936.‎

‎Broch?. 92 pages + publicit?s. Petite mouillure en marge.‎

‎ANNALES DES PONTS ET CHAUSSEES‎

‎Annales des Ponts et Chaussées. Mémoires et documents. 7e série. Tome VII. 1894. 1er semestre. Mémoires et documents relatifs a l'art des constructions et au service de l'ingénieur. Lois, décrets, arrêtés et autres actes.‎

‎Reliure demi-chagrin. 848 pages. 14x22cm.‎

MareMagnum

Librairie Loic Simon
Saint Sulpice sur Loire, FR
[Libros de Librairie Loic Simon]

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‎Annamarie Pluhar‎

‎Shared Housing‎

‎Bauhan Publishing 2011-06-01. Paperback. As New. Bauhan Publishing paperback‎

Referencia librero : 148 ISBN : 0872331431 9780872331433

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‎Anne Adriaens-Pannier‎

‎KURSAAL AND PROMENADE (PHOEBUS FOCUS XXXII) L on Spilliaert (1881-1946) and Atmospheric Solitude by the Sea‎

‎, Phoebus Focus XXXII, 2023 PB+, 210 x 148 mm, 112 p, ENG, ill. in colour / b/w, New, ISBN 9789464666458.‎

‎Als eenzame wandelaar in het ochtendgloren van Oostende laat L on Spilliaert (1881-1946) zich begeesteren door de desolate en onheilspellende verlatenheid van de zeedijk. De fascinatie voor ruimtewerking en de expressie van oneindigheid liggen aan de grondslag van de talrijke dijkzichten die Spilliaert tussen 1907 en 1909 cre ert en waarmee hij een unieke formele vernieuwing inluidt. Ontdek het beklijvende werk Kursaal en zeedijk dat in deze Phoebus Focus centraal staat.‎

Referencia librero : 62211

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‎Anne Adriaens-Pannier‎

‎Kursaal and Promenade. L on Spilliaert (1881-1946) and Atmospheric Solitude by the Sea Anne Adriaens-Pannier‎

‎, Hannibal Books, 2023 softcover, 112 pages, 21 x 14.8 cm, Quadrichromy Illustrated., English edition. . ISBN 9789464666458.‎

‎A lone walker at dawn in Ostend, L on Spilliaert (1881-1946) is entranced by the bleak and ominous desolation of the promenade. A fascination with spatiality and the expression of infinity underlie the numerous dyke scenes Spilliaert created between 1907 and 1909, heralding a unique, formal innovation. Learn more about the compelling Kursaal and Promenade that is the centrepiece of this Phoebus Focus.‎

Referencia librero : 61596

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‎Anne Adriaens-Pannier‎

‎Kursaal en zeedijk L on Spilliaert (1881-1946) en atmosferische eenzaamheid bij de zee‎

‎, Hannibal Books, 2023 softcover, 112 pages, 21 x 14.8 cm, Quadrichromy Illustrated., Nederlandstalige editie . ISBN 9789464666441.‎

‎Als eenzame wandelaar in het ochtendgloren van Oostende laat L on Spilliaert (1881-1946) zich begeesteren door de desolate en onheilspellende verlatenheid van de zeedijk. De fascinatie voor ruimtewerking en de expressie van oneindigheid liggen aan de grondslag van de talrijke dijkzichten die Spilliaert tussen 1907 en 1909 cre ert en waarmee hij een unieke formele vernieuwing inluidt. Ontdek het beklijvende werk Kursaal en zeedijk dat in deze Phoebus Focus centraal staat.‎

Referencia librero : 61597

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‎Anne Adriaens-Pannier‎

‎L ON SPILLIAERT : LE R VE DES AUTRES ( FR )‎

‎, Van de Wiele 2018, 2018 Hardcover, 240 pages, FR, 295 x 220 mm, tres bon etat, illustrations en couleur et n/b. ISBN 9789076297729.‎

‎Elles sont pratiquement inconnues de la plupart des amateurs d'art: les illustrations de L on Spilliaert (1881-1946) dans des ditions de l'oeuvre d' crivains belges comme mile Verhaeren, Maurice Maeterlinck, Franz Hellens, Paul Neuhuys et bien d'autres. Spilliaert a illustr leurs recueils de po sie et pi ces de th tre, et m me un livre pour enfants, de dessins l'encre de Chine et l'aquarelle, o il a laiss libre cours son inspiration dans sa visualisation de l'univers onirique des auteurs. Ce volet foisonnant de son art est enfin d voil au public par la sp cialiste de Spilliaert, Anne Adriaens-Pannier. L'ouvrage accompagne l'exposition Le r ve des autres La Maison Spilliaert Ostende (du 19 novembre 2017 au 2 avril 2018), o sont r unies les ditions en question, rehauss es de dessins originaux ou d'illustrations imprim es, et des oeuvres autonomes de l'artiste en rapport avec son travail d'illustrateur. Les pi ces expos es, issues de collections publiques et particuli res, pr sentent pour la premi re fois - et probablement la seule - un panorama complet des cr ations de Spilliaert inspir es de la litt rature.‎

Referencia librero : 58933

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‎Anne Adriaens-Pannier‎

‎L ON SPILLIAERT. DE DROOM VAN ANDEREN‎

‎, Van de Wiele, hardcover, 290 x 215 mm, 240 pagina's, throughout illustrations NL edition. ISBN 9789076297712.‎

‎Bij de meeste kunstliefhebbers zijn ze vrijwel onbekend: de illustraties van L on Spilliaert (1881-1946) in uitgaven van het werk van Belgische schrijvers als Emile Verhaeren, Maurice Maeterlinck, Franz Hellens, Paul Neuhuys en vele anderen. Spilliaert illustreerde hun dichtbundels en theaterstukken, en zelfs een kinderboek, met tekeningen in Oost-Indische inkt en aquarelverf, of liet zijn inspiratie de vrije loop bij het visualiseren van de droomwereld van de auteurs. Dit rijke deelgebied van zijn kunst wordt door Spilliaertspecialiste Anne Adriaens-Pannier eindelijk voor het publiek ontsloten. Dit boek begeleidt de tentoonstelling De droom van anderen in Het Spilliaert Huis in Oostende (van 19 november 2017 t.e.m. 2 april 2018), waar de uitgaven met originele tekeningen of gedrukte illustraties en aanverwante autonome werken samen te zien zijn. De stukken, uit openbare en particuliere collecties, bieden voor het eerst, en waarschijnlijk eenmalig, een volledig beeld van Spilliaerts literair ge nspireerde creaties.‎

Referencia librero : 52967

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‎Anne Adriaens-Pannier‎

‎Leon Spilliaert from the Depths of the Soul.‎

‎, ludion, 2019 Hardback, 290 x 250 mm, 336 pages, 400 illustrations. English edition. **VERY FINE condition !. ISBN 9789491819902.‎

‎Rooted in the Symbolist tradition of the fin-de-siecle and drawn to the avant-garde, Leon Spilliaert (1881-1946), was a loner who never occupied a clear place in the art of his time. He shared not only his home port of Ostend with James Ensor, but also his sense of mockery and irony, non-conformity and an urge to view the world differently. Spilliaert, however, created a spiritual visual language of his own, experimenting with pastels and gouache, playing with purified expanses of colour and elegant lines. The moonlit sea, solitary, vacantly gazing figures, beaches stripped of all human presence, empty rooms and stylized, backlit silhouettes - Spilliaert invariably evoked an atmosphere of mystery, magic and alienation in line and colour. Anne Adriaens-Pannier, former curator at the Royal Museums of Fine Arts in Brussels, has been working on the catalogue raisonne of his oeuvre since 1995 at the Spilliaert family's request. She pays tribute to the artist with this beautifully illustrated book, in which she describes his drawings and paintings, as well as referring to his book illustrations and lithographs. The author presents Spilliaert as a link between the major art movements in the fascinating era in which he lived and worked. A unique book about an exceptional artist.‎

Referencia librero : 52243

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‎Anne Adriaens-Pannier‎

‎Leon Spilliaert. Le reve des autres, Illustrateur de Verhaeren, Maeterlinck, Hellens,‎

‎, Van de Wiele, 2018 Couverture reliee, HB, 300 x 220 mm, 240 p, throughout illustrations, Texte en Francais. ISBN 9789076297729.‎

‎Elles sont pratiquement inconnues de la plupart des amateurs d'art: les illustrations de Leon Spilliaert (1881-1946) dans des editions de l'oeuvre d'ecrivains belges comme Emile Verhaeren, Maurice Maeterlinck, Franz Hellens, Paul Neuhuys et bien d'autres. Spilliaert a illustre leurs recueils de poesie et pieces de theatre, et meme un livre pour enfants, de dessins a l'encre de Chine et a l'aquarelle, ou il a laisse libre cours a son inspiration dans sa visualisation de l'univers onirique des auteurs. Ce volet foisonnant de son art est enfin devoile au public par la specialiste de Spilliaert, Anne Adriaens-Pannier. L'ouvrage accompagne l'exposition Le reve des autres a La Maison Spilliaert a Ostende (du 19 novembre 2017 au 2 avril 2018), ou sont reunies les editions en question, rehaussees de dessins originaux ou d'illustrations imprimees, et des oeuvres autonomes de l'artiste en rapport avec son travail d'illustrateur. Les pieces exposees, issues de collections publiques et particulieres, presentent pour la premiere fois - et probablement la seule - un panorama complet des creations de Spilliaert inspirees de la litterature.‎

Referencia librero : 51715

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‎Anne Adriaens-Pannier ; Hans Sizoo‎

‎Guy Leclercq : recente werken 2006-2017‎

‎, Lannoo 2018, 2018 Hardcover, 160 pagina's, NL/FR, 305 x 250 x 20 mm, in prima staat, illustr. in kleur ISBN 9789401449335.‎

‎Schuwde Guy Leclercq zich aanvankelijk niet om aan zijn schilderijen een narratieve inhoud toe te kennen, vaak met citaten ontleend aan tribale culturen en symbolen uit de etnografie, vanaf 1990 is daarvan nog weinig van te merken. In zijn meest recente creaties beperkt de kunstenaar zich vaak tot een geometrisch ge nspireerd vormenarsenaal, dat doorgaans wordt ondersteund door een rudimentair kleurenpalet van zwarte, grijze en witte tonen. De compositievlakken zijn geenszins egaal maar opgebouwd met onderlagen waardoor ze licht gaan vibreren.‎

Referencia librero : 57025

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‎Anne Adriaens-Pannier ; Sylvie Wuhrmann ; Aur lie Couvreur‎

‎L ON SPILLIAERT AVEC LA MER DU NORD.‎

‎, Snoeck Publishers (Belgium), 2023 PB+, 290 x 240 x 18 mm, FR, 192 pages , illustr. en couleur / n/b , Nouveau. ISBN 9789461617774.‎

‎Autodidacte, form au contact de la litt rature de son temps et persuad de son destin d'artiste lu, tel que le concevait Nietzsche, L on Spilliaert (1881-1946) est l'auteur d'une oeuvre d'une profonde originalit , nourrie d'interrogations m taphysiques et de culture flamande, et r alis e presque exclusivement sur papier. M langeant les techniques graphiques comme l'encre de Chine, la mine de plomb, la craie noire, le pastel, les crayons de couleur, puis l'aquarelle et la gouache, l'Ostendais tisse des liens avec le symbolisme et l'expressionnisme contemporains, et semble annoncer, dans ses paysages les plus radicaux, simplifi s l'extr me, l'abstraction g om trique et le minimalisme.‎

Referencia librero : 60894

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‎Anne Adriaens-Pannier ; Sylvie Wuhrmann ; Aur lie Couvreur‎

‎L ON SPILLIAERT EN DE NOORDZEE.‎

‎, Snoeck Publishers (Belgium), 2023 Softcover +, 290 x 240 x 20 mm, 187 pag. NL, NIEUW, met ill. in kleur / z/w. ISBN 9789461617644.‎

‎L on Spilliaert (1881-1946) was een autodidact die werd gevormd door het contact met de literatuur van zijn tijd en die overtuigd was van zijn roeping als uitverkoren kunstenaar, waarin hij aan Nietzsche doet denken. Hij was de maker van een bijzonder origineel oeuvre ge nspireerd door metafysische vraagstellingen en de Vlaamse cultuur, en bijna uitsluitend op papier gemaakt. In een mix van grafische technieken zoals Oost-Indische inkt, potlood, zwart krijt, pastel, kleurpotloden en ook aquarel en gouache knoopte de Oostendenaar banden aan met het symbolisme en expressionisme van zijn tijd en leek hij in zijn meest radicale, uiterst vereenvoudigde landschappen de geometrische abstractie en het minimalisme aan te kondigen. Anne Adriaens-Pannier is wereldwijd Spilliaertexpert en heeft al ontelbare publicaties op haar naam staan gewijd aan de Oostendse kunstenaar. Zij cureert ook de expo in Lausanne.‎

Referencia librero : 60888

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‎Anne Adriaens-Pannier, Edouard Derom, Jeffery Howe,‎

‎L ON SPILLIAERT : Dwalen door de stilte‎

‎, Snoeck Publishers (Belgium), HB, 260 x 215 mm, 48 pages, 30 Kleurenillustraties Nieuw NL edition. ISBN 9789461618948.‎

‎In de werken van L on Spilliaert (Oostende 1881-Brussel 1946) schuilt achter de beelden een mysterie dat fascineert. Steeds terugkerende motieven in zijn tekeningen zijn de eenzaamheid van de mens en de onmetelijkheid van de zee. Spilliaert gaat op zoek naar de ziel van voorwerpen uit zijn dagelijks leven en van plaatsen in zijn geboortestad Oostende. Uit zijn aangrijpende zelfportretten spreekt een huiver die door het afdalen in zijn diepste zelf teweeg wordt gebracht. Zijn werken geven blijk van een op reflectie en spirituele meditatie gerichte geest en getuigen van een verlangen om de symbolen van tijdloosheid van de natuur te doorgronden. Deze tentoonstelling presenteert eenentwintig werken die nauw aansluiten bij Spilliaerts artistieke zoeken en die rechtstreeks uit het familiebezit komen. De drietalige catalogus bij de tentoonstelling biedt een overzicht van de geschiedenis van de ontdekking van Spilliaerts werk in binnen- en buitenland, en plaatst zijn oeuvre in de bredere context van de kunst van zijn tijd. De publicatie bevat ook een uniek interview met de kleinzoon van de kunstenaar en beschrijft in korte hoofdstukken de bijzondere artistieke bijdrage van de gepresenteerde werken. Met teksten van Spilliaertspecialiste Anne Adriaens-Pannier, Edouard Derom en Jeffery Howe, en met een interview met Spilliaerts kleinzoon Johan van Rossum.‎

Referencia librero : 63143

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‎Anne Adriaens-Pannier, Edouard Derom, Jeffery Howe,‎

‎L ON SPILLIAERT : L'arpenteur du silence‎

‎, Snoeck Publishers, 2024 HB, 260 x 215 mm, 48 pages, 30 illustration color. FR edition. ISBN 9789461618955.‎

‎Les oeuvres de Spilliaert (Ostende 1881-Bruxelles 1946) fascinent par le myst re de leurs images. Dessinateur, il explore la solitude de l' tre humain et de l'immensit de la mer. Il voque la vie des lieux de sa ville natale d'Ostende et des objets de son quotidien. Ses autoportraits saisissants traduisent l'angoisse de la echerche vers le plus profond de son tre. Ses cr ations refl tent un esprit de r flexion et de m ditation spirituelle, qu'il exerce en sondant les symboles d'intemporalit de la nature. Cette exposition pr sente vingt et une oeuvres, au plus pr s de ses recherches et qui proviennent directement de la famille. L' dition d'un catalogue, en trois langues, accompagnant l'exposition donne un aper u de l'historique de la d couverte de l'oeuvre de Spilliaert en Belgique et l' tranger et situe l'oeuvre dans un contexte plus large dans l'art de son temps. Il pr sente le t moignage unique de son petit-fils et retrace dans des courts chapitres l'apport artistique original des oeuvres pr sent es. Avec des textes de (la sp cialiste de Spilliaert) Anne Adriaens-Pannier, Edouard Derom, Jeffery Howe et avec un entretien avec le petit-fils de Spilliaert, Johan van Rossum.‎

Referencia librero : 64124

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‎Anne Adriaens-Pannier, Edouard Derom, Jeffery Howe,‎

‎L ON SPILLIAERT : Wandering through Silence‎

‎, Snoeck Publishers, 2024 HB, 260 x 215 mm, 48 pages, 30 illustration color. ENG edition. ISBN 9789461618962.‎

‎The works of Spilliaert (Ostend 1881-Brussels 1946) fascinate for the mystery of their images. His drawings explore the solitude of human beings and of the sea's immensity. He evokes the life of various locations around his hometown of Ostend, and of objects drawn from his everyday life. His striking self-portraits translate the anguished plumbing of his deepest depths. His creations reflect a spirit of reflection and spiritual meditation, which he exercises by surveying the symbols of nature's timelessness. This exhibition presents twentyone works, intimately revealing his searches and studies, and directly provided by his family. The publication of a catalogue, in three languages, accompanying the exhibition provides an overview of the history of the discovery of Spilliaert's oeuvre in Belgium and abroad, and situates his body of work within a wider context of the art of his time. It presents a unique interview with his grandson, as well as brief chapters retracing the singular artistic contributions of the presented works. With texts by (the Spilliaert specialist) Anne Adriaens-Pannier, Edouard Derom and Jeffery Howe, as well as an interview with Spilliaert's grandson, Johan van Rossum.‎

Referencia librero : 64123

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‎Anne Adriaens-Pannier, Le la Jarbouai, Laurence Des Cars (Pr facier)‎

‎L on Spilliaert: Lumi re et solitude.‎

‎, R union des Mus es, , 2020 Hardcover- Couverture reliee 208 pages, 130 Illustrations, 29x23cm.Texte en Francais Exhibition catalogue. ISBN 9782711875276.‎

‎L on Spilliaert est consid r comme l'un des peintres belges les plus importants, c t de R. Magritte, J. Ensor, P. Delvaux.... Pourtant, il est moins connu... Homme des solitudes inqui tantes, des perspectives infinies, Spilliaert (1881-1946) surprend, d route par des ?uvres inclassables, inventant un symbolisme singulier de la nuit int rieure. Spilliaert est n Oostende. Ses promenades nocturnes dans la ville d serte seront une source d'inspiration pour son oeuvre. Il est presque enti rement autodidacte. Il est influenc par les courants artistiques de la fin de si cle : le symbolisme et l'expressionnisme. Spilliaert est un explorateur de l'inconscient et des angoisses existentielles au moment o les sciences humaines avancent dans la compr hension de la psych . Il est passionn par Nietzsche, Schopenhauer, Chateaubriand et Lautr amont. Le catalogue se concentre sur les ann es 1896 1919, les plus intenses dans la carri re de l'artiste, et pr sente ses oeuvres les plus radicales. Exposition du 13 octobre 2020 au 10 janvier 2021 au Mus e d'Orsay, Paris. L on Spilliaert: Lumi re et solitude (Mus e d'Orsay & Grand Palais) aantalIn winkelwagen L on Spilliaert is considered to be one of the most important Belgian painters, alongside R. Magritte, J. Ensor, P. Delvaux?. However, he is less well known? A man of disquieting solitudes and infinite perspectives, Spilliaert (1881-1946) surprised and disconcerted by unclassifiable works, inventing a singular symbolism of the inner night. Spilliaert was born in Oostende. His night walks in the deserted city were a source of inspiration for his work. He is almost entirely self-taught. It is influenced by the artistic currents of the end of the century: symbolism and expressionism. Spilliaert is an explorer of the unconscious and existential anxieties at a time when the human sciences are advancing in their understanding of the psyche. He is passionate about Nietzsche, Schopenhauer, Chateaubriand and Lautr amont. The catalogue focuses on the years 1896 to 1919, the most intense years in the artist?s career, and presents his most radical works. Exhibition from October 13, 2020 to January 10, 2021 at the Mus e d?Orsay. IN FRENCH!‎

Referencia librero : 57442

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‎Anne Adriaens-Pannier, Michel Draguet‎

‎COBRA, Catalogue d'exposition‎

‎, Lannoo/BOZAR, 2008 Couverture rigide illustr , 320 pages, 30 x 23 cm. FR.‎

‎Cr Paris en novembre 1948 par des artistes, peintre ou crivains, venus de Copenhague (Jorn), Bruxelles (Dotremont, Noiret) et Amsterdam (Appel, Corneille, Constant), le mouvement CoBrA reste m connu hors d?Europe. Assimil tant t une queue de com te surr aliste, tant t une manifestation nordique de l?art tachiste ou informel, Cobra est aussi per u comme une formule europ enne de l?expressionnisme abstrait tel qu?il fleurit alors aux tats-Unis.‎

Referencia librero : 66227

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‎Anne Autissier‎

‎UITBUNDIG VERLEDEN De Bourgondi rs door Romantische ogen‎

‎, Snoeck Publishers , 2021 PB+, 280 x 250 mm, 160 pages , 132 illustraties. NL edition. fine. ISBN 9789461616777.‎

‎Teruggrijpen naar het verleden, het is iets van alle tijden. Net als vandaag was geschiedenis ook in de negentiende eeuw populair. Het is de eeuw waarin verschillende nieuwe naties ontstaan en andere zich sterker gaan profileren op het internationale toneel. Tijdens de Romantiek groeit een hernieuwde belangstelling voor de Bourgondische hertogen, van Filips de Stoute tot de roemrijke keizer Karel. Zo treden de vijftiende- en zestiende-eeuwse Bourgondische vorsten in verschillende Europese landen opnieuw op de voorgrond. Als de aartsvaders van de Lage Landen verschijnen ze op schilderijen, in de literatuur en beeldhouwkunst. Maar het beeld van de vorsten verschilt sterk van land tot land: wat vertellen ze ons over de negentiende-eeuwse visie op het verleden? En over de manier waarop wij vandaag omgaan met onze geschiedenis? In Uitbundig Verleden. De Bourgondi rs door Romantische ogen kijk je vanuit een hedendaagse context, met een kritische blik en een veranderend perspectief naar het verleden. De ondergrondse exporuimte van Museum Hof van Busleyden doet aan als eennegentiende-eeuws monumentaal museum en toont met een veertigtal werken het verlangen naar de grootsheid van weleer. Museum Hof van Busleyden - 27.11.2021 - 27.02.2022. Uitbundig Verleden is een samenwerking tussen Museum Hof van Busleyden en het Monast re royal de Brou in Bourg-en-Bresse (Frankrijk).‎

Referencia librero : 57502

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‎Anne Baldassari‎

‎Ic nes de l'Art moderne: La collection Morozov‎

‎, Co dition Gallimard/Fondation Louis Vuitton, 2021 cartonnage illustre de l'editeur, 524 pages Illustrated. 28.5 x 5.1 x 30.5, Texte en Francais Exhibition catalogue. ISBN 9782072904585.‎

‎Le second volet de la grande manifestation "Ic nes de l'art moderne" organis e par la Fondation Louis Vuitton r unit plus de 170 chefs-d'oeuvre inestimables de la collection d'art moderne fran ais et russe des fr res moscovites Mikha l et Ivan Morozov.Apr s celui de Sergue Chtchoukine, la Fondation Louis Vuitton poursuit son exploration de l'univers culturel et intellectuel des collectionneurs m c nes russes, pionniers de l'art moderne. Pr sent e pour la premi re fois hors de Russie, la Collection Morozov rassemble des oeuvres iconiques de Manet, Rodin, Monet, Pissarro, Toulouse-Lautrec, Renoir, Sisley, C zanne, Gauguin, Van Gogh, Bonnard, Denis, Maillol, Matisse, Marquet, Vlaminck, Derain et Picasso aux c t s d'artistes embl matiques de l'art russe au tournant du si cle tels que R pine, Vroubel, Korovine, Golovine, S rov, Larionov, Gontcharova, Mal vitch, Machkov, Kontchalovski, Outkine, Sarian ou Konenkov. La pr sentation in dite de ces artistes constitue une red couverte exceptionnelle.Philanthropes des arts, les fr res Mikha l Abramovitch Morozov (1870-1903) et Ivan Abramovitch Morozov (1871-1921) ont domin la vie culturelle moscovite entre la fin du XIX? et le d but du XX? si cle, au m me titre que les Tr tiakov, Mamontov, Riabouchinski et Chtchoukine. Leur soutien inconditionnel l'art contemporain europ en et russe contribuera largement la reconnaissance internationale des peintres modernes fran ais.‎

Referencia librero : 57711

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‎Anne Baldassari‎

‎Icons of Modern Art: The Morozov Collection‎

‎, Gallimard/Fondation Louis Vuitton, 2021 Hardcover, 520 pages, ENG, 305 x 285 x 50 mm, dustjacket, NEW, 545 coloured images, ISBN 9782072904592.‎

‎The Morozov brothers, wealthy Moscow textile merchants Mikhail (1870-1903) and Ivan (1871-1921), played a key role in bringing Impressionist and Post-Impressionist art to Russia in the first decades of the 20th century. Along with Sergei Shchukin, a fellow industrialist and art collector, they created an international audience for French art and had a transformative effect on Russian cultural life. Between the years 1903 and 1914, Ivan Morozov spent more money than any other collector of his time, amassing a stunning collection of works by Matisse, Monet, Picasso, Bonnard, Sisley, Renoir, Signac, Vuillard, Gauguin, Van Gogh, Degas, Pissarro, and, most especially, Cezanne (17 paintings, all of which will be on display). On his bi-annual trips to Paris, he bought from the most discerning dealers, including Paul Durand-Ruel, Ambroise Vollard, and Daniel-Henri Kahnweiler, as well as directly from the artists themselves. His collection comprises 278 paintings, not including 300 paintings by Russian artists (Chagall, Malevich, Serov, Vrubel, Levitan, Larionov, Goncharova) and 28 sculptures. The Morozov collection was nationalised after the October 1917 Revolution, and after World War II it was divided among the Hermitage Museum, the Pushkin State Museum of Fine Arts, and the Tretyakov State Museum. This stunning catalogue has been published for a show of 100 highlights from the Morozov Collection that will run from February 24th to July 25th 2021 at the Louis Vuitton Foundation in Paris. It is the first time that works from the collection will travel abroad since they were acquired. This landmark exhibition will be the only stop for the show outside of Russia.‎

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‎Anne Baldassari ;‎

‎Icons of Modern Art: The Shchukin Collection‎

‎, Editions Gallimard, 2022 Paperback, 456 pages, ENG, 230 x 215 x 28 mm, NEW, illustrations in colour, . ISBN 9782072760778.‎

‎- An exceptional exhibition catalog, a dive into the 19th and 20th century painting - Gathers 130 masterpieces together The Fondation Louis Vuitton's unprecedented 2016 exhibition brought together 130 masterpieces, among the most iconic of the collection created in Moscow by the great Russian art patron, Sergei Shchukin. From Le D jeuner sur l'herbe (1866) by Claude Monet, the Mardi gras (1888-90) by Paul C zanne, Paul Gauguin's Tahitian odalisque Eh quoi, tu es jalouse? (1892), the luminescent panel L'Atelier du peintre (1911) by Henri Matisse, to conclude with Pablo Picasso's Trois femmes (1908), the magnificence of Shchukin's collection is exhibited here. Extended by a group of some 30 major works from the Russian avant-gardes, including Counter Relief (1916) by Vladimir Tatlin, Green Stripe (1917) by Olga Rozanova, and Kazimir Malevich's monochrome painting, Black Suprematie Square (1929), Icons of Modern Art covers the extreme breadth of this journey through 19th- and 20th-century creation. The presentation of these exceptional works, where our collective gaze comes together, constitutes an exemplary painting lesson.‎

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‎Anne Baldassari, Marcel Pochard, Thomas Grenon, Francine Mariani-Ducray‎

‎Picasso/Dora Maar : Il faisait tellement noir.‎

‎, Flammarion, 2006 Paperback, 319 pages, Texte en Francais, 280 x 220 x 25 mm, Tres bon condition, illustrations de couleur / n/b. ISBN 9782080115829.‎

‎A travers les photographies que Dora Maar prend de Picasso ou de ses oeuvres en cours d'ex cution, comme des dessins, peintures, sculptures et po mes que Picasso d die Dora, c'est l'histoire d'une d cennie tragique allant de Guernica 1937 l'Aubade 1942 et au Charnier 1945, que cette exposition et ce catalogue veulent rendre compte. Portant le masque de Minotaure, Picasso conf re successivement Dora les figures de la Sphinge, de la Femme qui pleure, suppliante ou de la mort elle-m me, tandis qu'elle sera son t moin.‎

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‎Anne Bony ; Val rie Grundy , translation : Deke Dusinberre‎

‎Jean-Michel Wilmotte Product Design‎

‎, Skira, 2023 Hardcover,560 pages, ENG / FR., 290 x 250 x 55 mm, NEW, illustrated in colour / b/w. ISBN 9782370741899.‎

‎More than 50 years of product and furniture design from an iconic French architect This is the first publication on the product and interior-design oeuvre of French architect Jean-Michel Wilmotte (born 1948). After founding his own firm in Paris in 1975, Wilmotte became a highly influential figure in interior design and was commissioned for many high-profile projects, including his work on Fran ois Mitterrand's private apartment in the Elys e Palace in 1982. Over the years, the agency has continued its work across architecture, interior and product design, museology and urbanism. Including examples of nearly 1,500 objects and spanning over nearly 50 years, this catalogue raisonn epitomizes Wilmotte's lifelong commitment to design and his strong attention to detail across all endeavors.‎

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‎Anne Bony, Matthew Tyas, Karl Fournier, Emmanuelle Duguet‎

‎PIERRE CULOT : 1938 - 2011‎

‎, Mercatorfonds, 2023 HB, 335 x 250 x 30 mm, 296 p, 75 illustrations, ENG edition, Fine. ISBN 9789462303416.‎

‎Pierre Culot (1938-2011) was a Belgian ceramicist and sculptor. After training with Antoine de Vinck and English master potter Bernard Leach, he worked to build a bridge between British, Japanese and French traditions. He passionately expressed his resolution to be in the world, to be on Earth and in nature, which he understood as the sole generator of life and beauty. Throughout his life he remained faithful to his earliest experiences as a potter, evolving his ceramic works from basic forms (bowls, plates, jugs) to more daring shapes (cruciform vases, gourds, compound pots, inkwells). Shifting his imagination beyond functionality, he created sculptures and by composing outdoor sculpture-walls moved into the landscape.‎

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‎Anne Bony, Matthew Tyas, Karl Fournier, Emmanuelle Duguet‎

‎PIERRE CULOT : 1938 - 2011 c ramiste/sculpteur Belge.‎

‎, Mercatorfonds, 2023 HB, 335 x 250 x 30 mm, 296 pages, 75 illustrations, FR edition, ISBN 9789462303409.‎

‎Pierre Culot (1938-2011) tait un c ramiste/sculpteur Belge. Pierre Culot a t form par Antoine de Vinck et le ma tre potier anglais Bernard Leach. Il appartient la g n ration des c ramistes des ann es 1950 qui ont fait de leur m tier une forme d'art. L'argile qu'il a tourn e, fa onn e en plaques, gratt e et vernie est devenue un ustensile quotidien d'une pr sence majestueuse. Tout au long de sa vie, il est rest fid le son exp rience initiale de la poterie et a laiss son travail voluer de la c ramique aux formes basiques (bols, assiettes, carafes) d'autres ?uvres plus audacieuses (vases cruciformes, calebasses, pots composites, encriers). Attach la beaut du geste, qu'il ma trise la perfection, il fait voluer ses pi ces, les faisant voluer dans la taille et l'effet de surface, m lant dans chacune terre crue et gla ure exub rante dans des variations uniques. Son nergie vitale irr sistible s'est nourrie au contact de la nature. Son imagination a transcend la fonctionnalit et il s'est fondu dans le paysage avec des murs sculpt s. A partir de 1967, il collecte des blocs de pierre pour cr er des cicatrices min rales dans les jardins. Le rythme, la solidit et le poids de ces murs de pierre et de b ton surprennent tant par leur audace que par leur humilit . Pierre Culot a laiss la nature le soin d'achever l'?uvre. Il a con u une douzaine de ces murs. Il a conserv cette chelle monumentale pour cr er, parall lement aux murs, de grandes sculptures de pierre, ou un m lange de brique et de granit, de brique et de brique, ou de brique et de gr s. Ils sont install s dans la verdure et invitent le spectateur p n trer dans cet entre-deux, le vide, pour une exp rience exceptionnelle. Les ?uvres de Pierre Culot expriment la dualit , le passage, la compl mentarit des forces, dans un langage architectural librement interpr t d'arcs, de portails et de contreforts. Ses sculptures ont galement t r alis es pour des galeries et des mus es (Bruxelles, Londres, Paris, Amsterdam, Luxembourg). Les tuiles de gr s qu'il r unit dans de petites architectures anim es sont baptis es chapiteaux, rang e de st les, sculptures-tours, ouverture de la terre ou homme debout. Dans son ?uvre, Pierre Culot exprime avec passion son d sir d' tre au monde, d' tre sur terre, dans la nature, seule g n ratrice de vie et de beaut . De nombreuses photographies en couleurs et en noir et blanc t moignent du travail de cet artiste-artisan au parcours unique et aux multiples facettes.‎

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‎Anne Croquet, Laure Eggericx‎

‎BRUSSELS CREATIVE CITY / BRUXELLES TENDANCES.‎

‎, Snoeck, 2013 softcover , ill, French tekst. Pagination: 224 Dimensions: 16,5 x 19,5 cm. . ISBN 9782930327389.‎

‎Bruxelles innove. Bruxelles bouillonne. Bruxelles deborde de creativite et d?initiatives. Sous des airs faussement modestes, vogue une cite dans le vent, dynamique et moderne. Ville verte et coloree, Bruxelles se voit oser le mariage de l'art, de la mode, du design et de la culture. De l'autre cote du miroir, la ville surprend et emerveille. Pour ceux qui veulent decouvrir le Bruxelles contemporain et creatif encore largement meconnu, ce guide s?impose. En mettant en evidence le dynamisme creatif et la vitalite culturelle de Bruxelles, il propose une experience urbaine totale et completement contemporaine : ou loger, boire, manger, acheter, explorer, deambuler tout en decouvrant les dernieres tendances en matiere de mode, design, architecture, creations artistiques. Au c?ur de chaque quartier et pour chaque rubrique, une selection de lieux totalement originaux et uniques de par leur offre et leur cadre : boutiques de createurs, hotels design, galeries d?art contemporain, immeubles d?architecture contemporaine, mobilier urbain, amenagement urbain, ..‎

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‎Anne Croquet, Laure Eggericx‎

‎BRUSSELS CREATIVE CITY / BRUXELLES TENDANCES.‎

‎softcover , ill, French tekst. Pagination: 224 Dimensions: 16,5 x 19,5 cm. . ISBN 9782930327389. Bruxelles innove. Bruxelles bouillonne. Bruxelles deborde de creativite et d?initiatives. Sous des airs faussement modestes, vogue une cite dans le vent, dynamique et moderne. Ville verte et coloree, Bruxelles se voit oser le mariage de l'art, de la mode, du design et de la culture. De l'autre cote du miroir, la ville surprend et emerveille. Pour ceux qui veulent decouvrir le Bruxelles contemporain et creatif encore largement meconnu, ce guide s?impose. En mettant en evidence le dynamisme creatif et la vitalite culturelle de Bruxelles, il propose une experience urbaine totale et completement contemporaine : ou loger, boire, manger, acheter, explorer, deambuler tout en decouvrant les dernieres tendances en matiere de mode, design, architecture, creations artistiques. Au c?ur de chaque quartier et pour chaque rubrique, une selection de lieux totalement originaux et uniques de par leur offre et leur cadre : boutiques de createurs, hotels design, galeries d?art contemporain, immeubles d?architecture contemporaine, mobilier urbain, amenagement urbain, ..‎

‎Anne Croquet, Laure Eggericx‎

‎Brussels creative city : architectuur, urbanisme, design, mode, kunst, cultuur‎

‎softcover , ill, text in Nederlands. 244pp, Afmetingen: 16,5 x 19,5 cm . ISBN 9789461611215. Brussel is niet alleen de politieke hoofdstad van Europa maar ontpopt zich zeer nadrukkelijk als creatieve hotspot en trendsetter in design. Ontwerpers, shops, galerijen, architecten vinden na Milaan, Londen en Berlijn nu ook de weg naar Brussel. Het event Design September (5-30/9) is, met niet minder dan 100 culturele en commerciele events, een must geworden voor iedereen die van design houdt. Dit boek geeft een overzicht van de places-to-be voor ?design in Brussels? : van leuke shoppingadressen tot galerijen en gebouwen waar je echt moet geweest zijn.‎

‎Anne Croquet, Laure Eggericx‎

‎Brussels creative city : architectuur, urbanisme, design, mode, kunst, cultuur‎

‎, Snoeck, 2013 softcover , ill, text in Nederlands. 244pp, Afmetingen: 16,5 x 19,5 cm . ISBN 9789461611215.‎

‎Brussel is niet alleen de politieke hoofdstad van Europa maar ontpopt zich zeer nadrukkelijk als creatieve hotspot en trendsetter in design. Ontwerpers, shops, galerijen, architecten vinden na Milaan, Londen en Berlijn nu ook de weg naar Brussel. Het event Design September (5-30/9) is, met niet minder dan 100 culturele en commerciele events, een must geworden voor iedereen die van design houdt. Dit boek geeft een overzicht van de places-to-be voor ?design in Brussels? : van leuke shoppingadressen tot galerijen en gebouwen waar je echt moet geweest zijn.‎

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‎Anne Dagbert Jean-Michel Phéline Collectif‎

‎Marc Couturier‎

‎Editions Ereme 2006 187 pages 26x20x2cm. 2006. Broché. 187 pages.‎

‎French édition -L'article peut présenter de légères marques de stockage et/ou de lecture mais du reste en très bon état d'ensemble - Expédié soigneusement dans une enveloppe à bulles depuis la France‎

Referencia librero : 30813

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‎Anne Dagbert Jean-Michel Phéline Collectif‎

‎Marc Couturier‎

‎Editions Ereme 2006 187 pages 26x20x2cm. 2006. Broché. 187 pages.‎

‎French édition - L'article qui n'a jamais été lu présente des marques de stockage sur la couverture et/ou les tranches mais du reste en très bon état d'ensemble. Envoi soigné dans un emballage adapté depuis la France‎

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‎Anne Dary, Nadine Gu rin‎

‎Breughel et leur entourage: dans les collections du mus es franc-comtois‎

‎, Musee des Beaux-Arts 1996, 1996-1998 Paperback, 16 pages, Texte en Francais , 285 x 240 mm, . ISBN 9782910598075.‎

Referencia librero : 55207

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‎Anne De Courcy‎

‎Kitchens Plan Your Home‎

‎Littlehampton Book Services Ltd 1969. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item250grams ISBN:028937068X Littlehampton Book Services Ltd paperback‎

Referencia librero : 7211472 ISBN : 028937068X 9780289370681

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‎Anne De Courcy‎

‎Starting from Scratch Plan Your Home‎

‎Littlehampton Book Services Ltd 1970. This book has soft covers. Ex-library With usual stamps and markings In fair condition suitable as a study copy. Dust Jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item450grams ISBN:0289796857 Littlehampton Book Services Ltd paperback‎

Referencia librero : 4352843 ISBN : 0289796857 9780289796856

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