‎Arquitectura‎

‎CARLI Carlo Fabrizio,‎

‎Architettura e tradizione‎

‎. 8vo. pp. 70. . Molto buono (Very Good). . . .‎

‎Carli Enzo‎

‎Brunelleschi - 1377-1446 - Collection Art et artistes Série Les architectes.‎

‎A. Hatier. 1949. In-12. Broché. Etat d'usage, Couv. légèrement pliée, Dos satisfaisant, Papier jauni. non paginé, environ 79 pages, couverture contrepliée, quelques illustrations en noir et blanc dans le texte, nombreuses planches de photos et illustrations en noir et blanc - pellicule transparente de la couverture partiellement désolidarisée.. . . . Classification Dewey : 720-Architecture‎

‎Collection Art et artistes Série Les architectes. Classification Dewey : 720-Architecture‎

Referência livreiro : R200133457

‎CARLI, Enzo‎

‎MICHELANGELO - Bergamo 1946 - Ilustrado - Libro en italiano‎

‎Bergamo. Edit. Insistuto Italiano d'Arti Gtrafiche, 1946. 150 láminas ilustradas en b/n fuera texto. 54 p. 4º menor. Tela editorial algo deslucida. Buen ejemplar. Libro en italiano.‎

‎CARLIER (Achille) - FOCILLON (Henri, préf. de).‎

‎L'Eglise de Rampillon.‎

‎Paris, s.é., 1930. Un fort vol. au format in-4 (303 x 242 mm) de vii - 115 pp. et 100 planches photographiques in fine, broché.‎

‎Edition originale de cette monographie de référence, complète de se s100 superbes planches photographiques montées sur onglets. ''L'auteur ne se limite ici pas à l'anatomie de la structure, à un catalogue de mouturations. Il voit comment les choses s'assemblent et s'ajustent pour donner une oeuvre d'art, pour composer une physionomie. Son église est un tout organique, qui vit avec force, dans l'ordre d'une époque, dans le cadre d'un paysage qu'il évoque avec émotion. L'étude qu'il consacre à la sculpture de Rampillon atteste, outre une connaissance approfondie des problèmes iconographiques, la pratique familière des grands ateliers qui ont travaillé dans notre pays au cours du XIIème siècle, l'instinct et la science des formes, enfin, cette rare qualité sensible sans laquelle il n'est guère possible d'entreprendre des recherches''. (in Préface). Coiffes élimés. Dos légèrement ridé. Plats présentant un éclat très légèreent altéré. Quelques rousseurs dans le texte. Du reste, belle condition.‎

Referência livreiro : 17912

‎CARLIER A.‎

‎Histoire de l'habitation. Brochure scolaire illustr?e.‎

‎Broch?. 31 pages. 15x23 cm.‎

‎CARLIER Achille‎

‎L'Église de Rampillon.‎

‎Paris, Achille Carlier, 1930; 300 x 238 mm., (3) ff., VII-87 pp., pp. 97-115, (2) ff., 1(1) f. "erratum" (11 x 52 mm.), 100 planches en phototypie n/b, 15 fig. in-texte (1-13, 18, 19), broché, couverture illustrée, dos passé, déchirure de 10 x 50 mm. en tête du dos, de 10 mm. en pied du dos, de 35 mm. bord inf. de la première de couverture, ouvrage en partie non-coupé, il manque les pages 89 à 96 (fig. 14-17) c'est à dire le cahier n° 12.‎

Referência livreiro : 3551

‎CARLIER Léopold / CARLIER Louis & René‎

‎CARLIER. Travaux d'architectures 1870 -1930. LEOPOLD CARLIER 1839-1922. LOUIS & RENE CARLIER, Architectes diplomés par le gouvernement. Montpellier‎

‎Strasbourg FDAR. Edition d'architecture, d'industrie et d'économie rurale S.A.R.L. 1931 in 4 (28,5x22,5) 1 volume broché, couverture imprimée, non paginé, avec de nombreuses photographies en noir et blanc, et plans de projets d'architecture réalisés par les Carlier Père et fils, célébres architectes montpelliérains. ''Villa Bianca'', Palavas-les-Flots (1873); Collège de Narbonne (1886); Casernement de Sète (1876); Hôtel particulier à Béziers (1887); Château de la Tour près Béziers (1887); Grands Magasins à Montpellier (1898); Cercle de la Loge à Montpellier (1893); Hôtel de Monsieur Jules Pams à Perpignan (1895), etc. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )‎

‎Très bon Broché‎

Referência livreiro : 20842

‎Carlini, Lorenza‎

‎Un secolo di restauri nel complesso monumentale della Chiesa di San Francesco. 1913-2009.‎

‎Accademia Etrusca. Cortona - Cortona francescana 326 gr.‎

‎Carlisle Municipal Building.‎

‎DEDICATION PROGRAM. Municipal Building Borough of Carlisle.‎

‎(8)p. Pagination includes wraps. Illustrated with photographs. Tall 8vo. Original printed wraps. PA PAMPH 20_28 BX4‎

‎Carlo Beltrame‎

‎Mercurio. A Brig of the Regno Italico Sunk During the Battle of Grado (1812)‎

‎, Brepols, 2019 Paperback, xxxvi + 358 pages, Size:216 x 280 mm, Illustrations:357 b/w, 9 col., 25 tables b/w., 9 maps b/w, Language: English. ISBN 9782503581033.‎

‎Summary The Italian brig Mercurio was escorting the French 80-gun vessel Rivoli from Venice on its very first expedition, in 1812, when it was sunk by an English ship during the Battle of Grado. Since the wreck was identified, the Mercurio has been the site of several underwater excavations, beginning in 2001 and continuing from 2004 to 2011 by a team from the Universit Ca' Foscari of Venice, together with the local Soprintendenza. Their work revealed a number of extraordinary finds and provided a unique insight into life - and death - on a brig during the period of the Napoleonic wars. This volume offers a discussion and catalogue of the finds yielded by the Mercurio, including photogrammetry-plans of the bow and stern, together with an analysis of ship-building technique, detail of the equipment and arms used, and, uniquely, close detail of finds connected to the crew themselves. This is one of the few sites from the Mediterranean where human remains have been preserved, and through the work of anthropologists, it has even been possible to try and identify one of the men named on the crew list. Discovery of buttons, footwear, precious items, and even foodstuffs also serve to shed light on the daily life of the crew. This volume thus draws together a wealth of archaeological and historical information to tell the hitherto untold story of the Mercurio. TABLE OF CONTENTS List of Illustrations Foreword Preface Acknowledgements Introduction - CARLO BELTRAME Part I: Historical Context and the Battle of Grado 1. Napoleon's Italian Navy - PIERO CROCIANI 2. The Event in its Context - CARLO BELTRAME 3. The Mercurio According to the Historical Data - CARLO BELTRAME Part II: The Discovery, the Site, and the Methodology of Investigation 1. The Discovery of the Shipwreck and its Identification - CARLO BELTRAME 2. The Environmental Characteristics of the Site and its Aspect at the Moment of the Discovery -CARLO BELTRAME 3. Conditions of Preservation of the Objects - CARLO BELTRAME 4. The Dynamics of the Sinking and the Formation Processes - CARLO BELTRAME 5. Methods and Techniques of Investigation - CARLO BELTRAME Part III: The Ship 1. The Hull - CARLO BELTRAME 2. Equipment - CARLO BELTRAME 3 Furniture and Lighting -CARLO?BELTRAME AND STEFANIA MANFIO 4. Armament -CARLO BELTRAME 5. Projectiles -CARLO BELTRAME 6. Galley - STEFANIA MANFIO 7. Sanitary and Medical Arrangements - STEFANIA MANFIO Part IV: The Crew 1. Osteological Analysis of the Crew - FRANCESCA BERTOLDI, FIORELLA BESTETTI, ROBERTO CAMERIERE, AND CARLOTTA SISALLI 2. Crew, Uniforms, and Weapons -SOPHIA DONADEL 3. Gunflints - PAOLO BIAGI AND ELISABETTA STARNINI 4. Personal Possessions - CARLO BELTRAME 5. Coins - TOMASO LUCCHELLI Conclusions - CARLO BELTRAME References Appendices Appendix A: Conservation of the Waterlogged Wood - TIZIANA LANAVE Appendix B: The Conservation of the Leather - NECULINA CONDRACHE AND SOPHIA DONADEL Appendix C: The Restoration and Conservation of some Metallic Finds - GIUSEPPE MORETTI Appendix D: Transcriptions of Documents - Documents from Tracy, 2000 Catalogue‎

Referência livreiro : 65955

‎Carlo Cesare Malvasia, Elizabeth Cropper (ed), Lorenzo Pericolo (ed)‎

‎Felsina Pittrice: Volume IX: Life of Guido Reni‎

‎, Brepols - Harvey Miller, 2019 Hardback, 2 vols, 1152 pages, Size:220 x 280 mm, Illustrations:9 b/w, 367 col., Languages: English, Italian. ISBN 9781909400696.‎

‎Summary Celebrated by Malvasia as the creator and promoter of the new maniera moderna, Guido Reni (1575-1642) introduces the fourth age of painting: a period marked by an original and sometimes bold elaboration of the notion of artistic perfection developed by the Carracci and embodied more specifically by Ludovico's "synthesis of styles." Art in Italy could have declined once again after the deaths of the Carracci, but thanks to Guido and Domenichino, Francesco Albani and Guercino, painting is restored to its full blossoming, and, as a result, the Carracci lesson spreads and triumphs throughout Italy. In assessing Guido's role in promoting this artistic vanguard, Malvasia finds himself in a theoretical impasse. On the one hand, he cannot resist his infatuation with Guido's work. Endowed with spellbinding powers, Guido's paintings constitute the greatest luxury of modernity insofar as they reflect an endless search for aesthetic refinement and transcendental beauty both in the representation of the human body and in the orchestration of light, color, and impasto. On the other hand, Malvasia balks at embracing Guido's "last manner." In Malvasia's eyes, Guido's final production is both exceedingly sophisticated and tainted by its very sophistication: delicacy verges on feebleness, transcendence coalesces into purposeless abstraction, divine vision engenders incompleteness, and sprezzatura turns into apparent negligence. Furthermore, for Malvasia Guido is both a paragon of virtue and the self-indulgent victim of the gambling demon. With acuity, Malvasia praises Guido the money maker, the self-confident artist able to overhaul the mechanisms of the art market by exponentially increasing the value of painting. And yet, Malvasia cannot help but condemn Guido the money squanderer, the indebted painter who gambles away his reputation and jeopardizes the quality of his sublime output. Illustrated with numerous color images, these two volumes provide a critical edition and annotated translation of Malvasia's life of Guido. Based on a radical reassessment of the historical documentation and a profound investigation of Malvasia's art criticism, these volumes offer the most thorough treatment to date of the artist's work.‎

Referência livreiro : 65997

‎Carlo Cresti‎

‎Villas of Tuscany‎

‎New York NY: The Vendome Press 1993. Reprint. Hardcover. Near Fine/Fine. Photographs by Massimo Listri. Here is the sequel to Rizzoli's bestselling universally acclaimed books on Palladian villas and Venetian palaces realized by the same photographer and designers with a marching lavishness of layout and wealth of information from description on front flap of dust jacket. Bound in navy blue cloth and titled in gold on front and spine. Decorated end-papers. Illustrated with beautiful color photography throughout. Indexed 477 pp. Pictorial dust jacket titled in white. Book is in near fine condition with minor foxing on page edges. Dust jacket is in fine condition. Due to this book's size and/or weight additional shipping may be needed. Full refund if not satisfied. The Vendome Press hardcover‎

Referência livreiro : 061217 ISBN : 0865651442 9780865651449

‎Carlo Cresti‎

‎LE CORBUSIER. I Maestri del Novecento collana diretta da H. L. Jaddé e A. Busignani.‎

‎1969 / 95 pages. Relié avec jaquette. Editions Sadea Sansoni.‎

‎Bon état malgré la jaquette piquée et des rousseurs éparses sur les pages. / Buone condizioni nonostante la giacca trapuntata e gli arrossamenti sparsi sulle pagine.‎

Referência livreiro : ARCHI116M

‎Carlo Cresti:‎

‎LE CORBUSIER‎

‎Vg (no dj, clean black cloth boards with one small chip at base of spine and tiny puncture mark front board, ex-owner's small label front fixed endpaper else contents clean and bright throughout) quarto. First edition. 44pp text with b/w illustrations, and 46pp colour plates. Text in Italian throughout.‎

‎Carlo Fea‎

‎Discorso intorno alle Blle arti in roma recitato nell’adunanza degli Arcadi‎

‎In-8°; pp XXVI, 1 cb; Brossura editoriale. Erudito Discroso di Fea sulle belle arti romane, siano esse gli splendidi esempi di statuaria classica, di pittura rinascimentale o di architettura. Ci sono anche pagine illuminate sulla capacità delle belle arti di creare economia e si tratta del possesso delle belle arti. Pochi anni dopo Fea fu l’estensore del chirografo di pio VII in cui era in nuce l’idea della tutela dei beni culturali, un testo resosi necessario in seguito alle spoliazioni napoleoniche e in cui si ripristinava la carica di ispettore delle belle arti poi conferita a Canova. Un timbro di libreria al front.‎

‎Carlo Fontana‎

‎Utilissimo trattato dell’Acque correnti diviso in tre libri nel quale si notificano le misure ed esperienze di esse. I guochi e scherzi li quali per mezzo dell’Aria e del Fuoco vengono operati dall’Acqua. con diversi necessari ammaestramenti intorno al modo di far condotti fistole bottini ed altro per condurre l’acque nei luoghi destinati. Con una esatta notizia di quello ch’è stato operato intorno alla conduttura dell’acqua di Bracciano‎

‎In-folio, cc. (8), pp. 196, cc. (6). Nel testo 80 belle incisioni su rame a mezza pagina, e due a doppia pagina; con la raffigurazione del lago di Bracciano e del suo sistema delle acque. Frontespizio restaurato non nella parte di testo. Trattato sull’acqua, sui corsi e i bacini che si trovano in natura, sul modo di deviarne i corsi, canalizzarli, costruire condotte e acquedotti per la distribuzione; l’interazione dell’acqua con gli altri elementi; Ogni capitolo dei tre libri accanto alla descrizione ha un’illustrazione, dalla rappresentazione della terra, a quella delle condotte, al sistema dei vasi comunicanti, a una serie di 20 interessanti incisioni che raffigurano le fontane, i vasi e gli scherzi e i giochi che si facevano nei giardini per sorprendere gli invitati. A p. 196 l’elenco delle “opere che fino ad ora sono uscite alla luce” e “l’altre poi che tengo di già in pronto”. Legatura in piena pergamena coeva. Riccardi I 466‎

‎Carlo Mollino, Brigitte Schindler, Enoc Perez‎

‎MOLLINO / INSIDES‎

‎, Silvana Editoriale, 2020 HB, 240 x 200 mm, 112 p, 40 illustraties E/ IT edition. ISBN 9788836646302.‎

‎The complex and refined creative imagination of Carlo Mollino - an eclectic personality of the Italian twentieth century - is the common thread that unites the research documented in these pages, which combines a selection of photographs from the fifties and sixties, shot by Mollino himself, with the works of Enoc Perez and Brigitte Schindler, artists united by a visionary spirit aimed at experimentation. The volume opens with the shots of the splendid and provocative models portrayed by Mollino (Turin, 1905-1973), through which the author on the one hand explores the beauty of female nature and on the other aims to compose an image - subjective and transfigured - of the woman as the ideal counterpart of his existence. Enoc Perez (San Juan, Puerto Rico, 1967) began a personal investigation in the nineties on a series of iconic twentieth-century architectures, which he transposed into paintings with an indefinite, sometimes dreamlike flavor: among these stands out Casa Mollino - the architect's last enigmatic and secret residence, which now houses the Museum -, visited by the painter in 2019 and the subject of the works presented here. The same house, designed by Mollino down to the smallest detail and conceived as a mirror of his worldview, was a source of inspiration for Brigitte Schindler (Munich, 1972), whose photographs intercept the mystery suspended in the rooms, the subtle connections between the objects carefully chosen and positioned by the owner. The volume includes contributions by Mario Diacono, Fulvio Ferrari, Enoc Perez and Brigitte Schindler, together with extracts from "The message from the dark room" by Carlo Mollino.‎

Referência livreiro : 61300

‎Carlo Perogalli, Maria Grazia Sandri‎

‎Ville delle province di Cremona e Mantova - volume in cofanetto editoriale‎

‎in 4°, tela edit. con titoli oro al piatto e al dorso e sovrac. ill., cofanetto edit. muto - prima edizione - riccamente illustrato in b.n. e a colori nel testo‎

‎Carlo Scarpa Mildred Friedman Sergio Polano‎

‎Carlo Scarpa: Intervening with History 1953-1978‎

‎New York: Monacelli Press pp. 252 color illustrations. ""Carlo Scarpa has long been recognized as one of the most important architects of the 20th century. His exceptional ability to utilize craftsmanship paired with his respect for the past resulted in an architecture unlike any of its time or our time. This book which coincides with the first major exhibition… 1999. First Edition. Paperback. Very Good/No Dj. 4to. Monacelli Press paperback‎

Referência livreiro : 150155 ISBN : 1580930352 9781580930352

‎Carlos Alleene‎

‎Met heldere verf en verlangen Dichters bij Raveel.‎

‎, , 2021 Paperback, 103 pagina's, . ISBN 9789056552497.‎

‎Tussen 2016 en 2020 verscheen er in elke aflevering van Po ziekrant een gedicht van een hedendaagse dichter bij een werk van ROGER RAVEEL. Daarmee werd een mooie traditie voortgezet, want in het verleden lieten vele grote namen zich inspireren door Raveels werk (Hugo Claus, Roland Jooris, Rutger Kopland, ?). Die gedichten worden nu, samen de bijbehorende kunstwerken, gebundeld in een prachtige uitgave naar aanleiding van de grote Raveel-retrospectieve in Bozar (18/3?21/7). Met gedichten van onder anderen Anna Borodikhina, Paul Demets, Annemarie Estor, Lies Van Gasse, Dominique De Groen, Astrid Haerens, Joke van Leeuwen, Arno Van Vlierberghe en Bette Westera, en aangevuld met twaalf speciaal voor het boek geschreven gedichten van onder meer Amina Bel rf, Moya De Feyter, Asha Karami, Jens Meijen en Iduna Paalman. Met heldere verf en verlangen. Dichters bij Raveel is daarmee een uniek overzicht van het werk van Roger Raveel n een staalkaart van de contemporaine Nederlandstalige po zie.‎

Referência livreiro : 57924

‎Carlos Alleene‎

‎WILLIAM PLOEGAERT : ONTSLUIERD‎

‎, Snoeck Publishers (Belgium), 2023 HB, 158 x 210 mm, 96 p, NL edition, Nieuw, met ill. in kleur. ISBN 9789461618702.‎

‎Begeesterd door de recente tekeningen van William Ploegaert besloot auteur en criticus Carlos Alleene de geschiedenis die tot hun ontstaan aanleiding heeft gegeven te ontsluieren. Het leverde een verzameling van herinneringen op, anekdotes vanuit de coulissen en persoonlijke beschouwingen over de weg van kunnen tot kunst, van een prijswinnende kindertekening tot het huidige werk op de iPad waarvan hier de bijna integrale reeks 'Drawings by number' is opgenomen. Het verhaal, in tekst en beelden, van een dienaar van twee meesters (kunst en kunstonderwijs - Ploegaert heeft jaren aan het hoofd gestaan van de Academie voor Beeldende Kunsten in Deinze) dat tegelijk een intiem beeld schetst van een tijdperk.‎

Referência livreiro : 62327

‎Carlos Alleene‎

‎ZULMA : MUSE ET MANAGEUSE (FR.) (Roger Raveelmuseum)‎

‎, Snoeck Publishers (Belgium), 2024 Hardcover, 128 pages, FR. edition, 280 x 210 x 20 mm, Nouveau, illustr. de couleur, *****Expo: 11/02/2024 - 05/05/2024, Roger Raveelmuseum, Zulte *****. ISBN 9789461619082.‎

‎L'exposition Zulma, muse et manageuse, constitue un ultime hommage cette femme exceptionnelle, qui fut non seulement la muse de Roger Raveel, mais aussi sa manageuse avant la lettre. Son nom restera jamais li l'oeuvre de cet artiste unique. Bref, sans Zulma, pas de Roger Raveel, ni de Mus e Roger Raveel. La l gende veut qu'aux c t s de chaque artiste important se tienne une femme: Georgette aux c t s de Ren Magritte, Nel de Rik Wouters, Gusta de Gustave De Smet et Marthe de Pierre Bonnard. Zulma tait la femme aux c t s de Roger Raveel. Zulma De Nijs tait tout pour Raveel. Ou, comme l'a dit Hugo Claus dans le vers de son po me Voor de poort [Devant le portail]: " tre pr sente, c'est suffisant". Et elle l'a t , tant dans la vie que dans l'oeuvre de l'artiste. D s les premi res oeuvres de Raveel, on la reconna t clairement. C'est elle qui a pos pour des tableaux d sormais classiques tels que Femme au bras rouge (1949), Femme au revolver (1950) ou Femme au miroir (1953). M me dans les oeuvres produites par la suite, il est difficile de savoir combien de fois Raveel l'a repr sent e, de face ou de dos, dans ses dessins, ses gravures et ses tableaux. Il n'y r fl chissait m me plus, tant c' tait une vidence. Il pouvait la portraiturer avec pr cision en un tour de main. Zulma assise la table, jouant aux cartes, faisant de mots crois s, la fen tre, regardant l'atelier, etc. Quasi toute son existence fut habit e par la pratique artistique de Raveel. Elle l'a toujours d fendu, a lutt ses d buts contre l'incompr hension de son oeuvre et n'a jamais h sit r primander certains critiques. Le temps - tous gards, le critique le plus fiable - lui a finalement donn raison.‎

Referência livreiro : 63148

‎CARLOS ARROYO PUERTAS‎

‎L'EGLISE SAINT MARTIN. FROMISTA (PALENCIA).‎

‎AYUTAMIENTO DE FROMISTA / JUNTA DE CASTILLA Y LEON. NON DATE. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Brochure de 4 pages illustrée de photos en couleurs.. . . . Classification Dewey : 720-Architecture‎

‎Classification Dewey : 720-Architecture‎

Referência livreiro : R260155439

‎Carlos Callejo‎

‎El monasterio de Guadalupe‎

‎<p>In Spanish. Hardcover with DJ. 160 pp. Bibliography; profusely illustrated. Book in excellent condition apparently never used. DJ has tears and edge wear but is basically complete. Ships immediately.</p> Plus Ultra hardcover‎

Referência livreiro : biblio766

‎Carlos Ginatta‎

‎ARCHITECTURE without architecture: Biomimicry design‎

‎Germany: VDM Verlag Dr. M�ller 2010. paperbackillustrated throughout147 pagesa few page edges creased otherwise very good.Shelf 240. First Edition. Paperback. Very Good/No Jacket. 8vo - over 7�" - 9�" tall. VDM Verlag Dr. M�ller Paperback‎

Referência livreiro : 110858 ISBN : 3639261739 9783639261738