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‎Marcin Maciejewski, J nos G bor Tarbay, Kamil Nowak (eds)‎

‎Hoards from the European Bronze and Iron Ages. Current Research and New Perspectives‎

‎, Brepols, 2025 Paperback, 175 pages, Size:216 x 280 mm, Illustrations:42 b/w, 72 col., 6 tables b/w., 17 maps b/w, 3 maps color, Language: English. *new ISBN 9782503607511.‎

‎Summary Hoards are among the most enigmatic of archaeological finds. The term 'hoard' itself has been applied to different assemblages across space and time, from the Stone Age into the modern era, with an inventory that typically includes artefacts made of valuable raw materials, to which significant symbolic meanings can also be assigned. Archaeologists have been trying to understand this phenomenon for much of the last century, sometimes emphasizing the universal nature of hoards, but more typically focusing on specific regions, chronologies, and finds. They have, for the most part, used results derived from typolo-chronological methods. Contemporary archaeology has, however, developed a broad spectrum of paradigms and methods, and hoardresearch in the twenty-first century draws on an increasingly wide range of approaches. This volume presents examples of research that make use of these multi-faceted approaches through a focus on European hoards of metal objects dating to the Bronze and Iron Ages. The contributors to this volume make use of diverse methods, among them archaeometallurgical analyses, studies of use- and production-wear, destruction patterns, and landscape archaeology, but together, their common denominator is the search for a methodological toolkit that will allow researchers to better understand the phenomenon of hoard-deposition more broadly. TABLE OF CONTENTS List of Illustrations 1. Hoards Research - Past, Present, Future. A Few Words of Introduction Marcin Maciejewski, J nos G bor Tarbay, and Kamil Nowak 2. In an Interpretive Triangle. Main Trends in Research on Hoards in the Nineteenth and Twentieth Centuries: A Central European Perspective Wojciech Blajer 3. The Cognitive Development of Prehistoric Wetland Deposition Tradition Through Mnemonics. Case Studies of Iron Age Wales and Scotland Tiffany Treadway 4. There is a Light that Never Goes Out! New and Old Hoards from the Northern Adriatic Martina Ble?i? Kavur 5. The Urnfield Period Metal Hoards in South Bohemia. Find Circumstances, Topography, and Analyses Ond?ej Chvojka, Jan John, Ji? Kmo?ek, and Tereza ? lkov 6. An Active Search for Hoards? Contributions of a Systematic Field Survey to the Knowledge of Bronze Age Metal Hoarding. The Case Study of Salins-les-Bains, Jura, France Estelle Gauthier and Jean-Fran ois Piningre 7. Ice-marginal Valleys and Hoards. Natural Landscapes, Cultural Practices and their Amazing Convergence in Different Regions of Central Europe (Poland) Marcin Maciejewski 8. Twin Hoards and Hoard Selections from the Late Bronze Age Transdanubia J nos G bor Tarbay 9. Late Bronze Age Hoard from Nowe Kramsko. Is there a Method in Fragments? Kamil Nowak and Nicola Ialongo 10. Comparative Technological Analysis of Middle Bronze Age Bronze Objects from Hoards and Burials Szilvia Gy ngy si, P ter Bark czy, Julianna Cseh, Laura Juh sz, and G za Szab 11. Re-theorizing Deposition in Bronze Age Europe Kristian Kristiansen‎

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‎Martonyi Janos‎

‎Hungaria Regia 1000-1800 fastes et d fis‎

‎, Brepols Publishers 1999, 1999 Softcover, 336 pages, Texte en Francais, 295 x 245 mm, beaucoup illustrations,. ISBN 9782503508818.‎

‎The catalogue begins with the establishment of the Kingdom of Hungary in the year 1000 and runs to the collapse of the dynastic union between Hungary and the Southern Netherlands in the closing years of the 18th century. Some 40 Hungarian museums and church collections are lending works of art: precious metal work paintings and sculptures, armoury, costumes and manuscripts from the world famous library of King Matthias Corvinus' renaissance court. La notion d'Europe centrale fait nouveau partie de notre vocabulaire. L poque o nous divisions sans nuance le continent en Europe de l'Este et Europe de l'Ouest est donc r volue. Nous sommes nouveau conscients de l'unit fondamentale ainsi que de la richesse et des variations de la culture europ enne. C'est pr cis ment cette id e que l'exposition Hungaria regia veut transmettre au plus large public. Pour ce faire le catalogue a t ax e sur trois th mes centraux: les moments-cl s de l'histoire hongroise, le r le que ce pays joue traditionnellement en tant que lieu de rencontre et de passage des cultures europ ennes, et les liens de la Hongrie avec nos contr es. L'exposition d bute avec la fondation du Royaume de Hongrie en l'an 1000 et court jusqu' la dislocation de l'union dynastique de la Hongrie avec les Pays-Bas m ridionaux dans les derni res ann es du XVIIIe si cle. Une quarantaine de mus es et collections eccl siastiques hongroises nous pr tent des oeuvres majeures: orf vrerie, tableaux et sculptures, armes, costumes et manuscrits de la c l bre biblioth que du roi Matthias Corvin.‎

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‎Mark Cruse, Gabriella Parussa‎

‎iconographie de l'Epistre Othea de Christine de Pizan‎

‎, Brepols, 2026 Paperback, 221 p., 156 x 234 mm, Illustrations:102 col., Language(s):French. *New . ISBN 9782503611501.‎

‎Ce volume pr sente une tude de l'iconographie de l'Epistre Othea de Christine de Pizan dans le manuscrit 606 du fonds fran ais de la Biblioth que nationale de France. Compos par Christine vers 1400, l'Epistre Othea est un prosim tre la forme complexe, dans lequel le sens est le produit des relations qui s' tablissent entre chaque texte en vers, et la glose et l'all gorie qui suivent, r dig s en prose. Par sa forme, son contenu, et sa vis e didactique, l?Epistre rompt avec les textes po tiques brefs que Christine composait auparavant et marque le d but de sa carri re d? crivaine moralisatrice voulant instruire la noblesse fran aise. Bien que l?Epistre ne soit pas le texte le plus connu et le plus appr ci de nos jours, il s?agit d?un texte majeur dans la vie de la premi re femme de lettres de la litt rature fran aise : le nombre de manuscrits conserv s (presque une cinquantaine) atteste de l?accueil que lui ont r serv les lecteurs et lectrices du XVe si cle. Le manuscrit 606 du fonds fran ais de la Biblioth que nationale de France, produit entre 1405 et 1408, faisait partie l?origine du deuxi me recueil des oeuvres de Christine, commandit par Louis d?Orl ans, fils du roi Charles V (r. 1364-1380) et fr re du roi Charles VI (r. 1380-1422). Dans ce manuscrit, chaque ensemble texte-glose-all gorie de l?Epistre est compl t par l?ajout d?une miniature. Le manuscrit fr. 606 est le plus ancien des trois manuscrits pr sentant un cycle complet de 101 enluminures ex cut s sous sa supervision. Il montre l?approche innovatrice de Christine en ce qui concerne l?organisation textuelle et le rapport entre l?image et le texte, sa capacit mobiliser une quipe d?artistes de qualit (ici le Ma tre de l? p tre Oth a et son atelier, le Ma tre au safran, et le Ma tre d?Egerton), ainsi que son d sir de valoriser le r le de la femme dans l?histoire et la soci t . Quelques ann es plus tard, le peintre responsable de l?iconographie du manuscrit Harley 4431 de la British Library (le c l bre Manuscrit de la Reine ) reprendra en l?imitant la structure de l?ensemble des enluminures du fr. 606 et la composition de chacune d?entre elles. Le manuscrit fr. 606 est ainsi d?une grande importance pour l?histoire de l?art, de la litt rature et des id es.‎

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‎Mark Atherton, Kazutomo Karasawa, Francis Leneghan (eds)‎

‎Ideas of the World in Early Medieval English Literature‎

‎, Brepols, 2022 Hardback, 442 pages, Size:156 x 234 mm, Illustrations:17 b/w, 7 col., Language: English. ISBN 9782503599571.‎

‎Summary Across three thematically-linked sections, this volume charts the development of competing geographical, national, and imperial identities and communities in early medieval England. Literary works in Old English and Latin are considered alongside theological and historical texts from a range of disciplinary perspectives. Accounts of travel, foreign contacts, conversion, migration, landscape, nation, empire, and conquest are set within the continual flow of people and ideas from East to West, from continent to island and back, across the period. The fifteen contributors investigate how the early medieval English positioned themselves spatially and temporally in relation to their insular neighbours and other peoples and cultures. Several chapters explore the impact of Greek and Latin learning on Old English literature, while others extend the discussion beyond the parameters of Europe to consider connections with Asia and the Far East. Together these essays reflect ideas of inclusivity and exclusivity, connectivity and apartness, multiculturalism and insularity that shaped pre-Conquest England. TABLE OF CONTENTS Acknowledgments, List of Figures, List of Abbreviations Introduction: Foreign Contacts, Landscapes, and Empire-Building ? MARK ATHERTON, KAZUTOMO KARASAWA, AND FRANCIS LENEGHAN Here, There, and Everywhere? Alfred and the East ? DANIEL ANLEZARK The Wanderings of Saturn: Psychogeography, Psalms, and Solomon and Saturn ? RACHEL BURNS Otherwheres in the Prose Texts of the Nowell Codex ? S. C. THOMSON Rome away from Rome: India, Rome, and England in lfric's 'Life of St Thomas' ? LUISA OSTACCHINI Christ Embracing the World: lfric's Description of the Crucifixion in 'De Passione Domini' ? KAZUTOMO KARASAWA A Place in the World Babel and Beyond: Thinking Through Migration in Genesis A ? DANIEL THOMAS The Sound-World of Early Medieval England: A Case Study of the Exeter Book Storm Riddle ? BRITTON BROOKS The Place of Stillness: Greek Patristic Thought in Cynewulf's Juliana ? ELENI PONIRAKIS St Rumwold in the Borderland ? HANNAH BAILEY The World of Ealdorman Byrhtnoth: A Landscape Biography ? MARK ATHERTON Nation and Empire Mapping Empire: Two World Maps in Early Medieval England ? HELEN APPLETON Good Neighbours? Representations of Britons, Welsh, Picts, and Scots in Pre-Conquest English Sources ? CAITLIN ELLIS From (North-)East to West: Geographical Identities and Political Communities in the Ninth- to Eleventh-Century Anglo-Scandinavian World ? RYAN LAVELLE Kings, People, and Lands: The Rhetoric of The Battle of Brunanburh?PAUL CAVILL End of Empire? Reading?The Death of Edward?in MS Cotton Tiberius B I ? FRANCIS LENEGHAN Index‎

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‎Marc Lebeau (ed)‎

‎Identity, Diversity & Contact. from the Southern Balkans to Xinjiang, from the Upper Palaeolithic to Alexander‎

‎, Brepols, 2021 Paperback, xvi + 360 pages, Size:216 x 280 mm, Illustrations:130 b/w, 18 col., 8 tables b/w., 17 maps b/w, 3 maps color, Language: English. ISBN 9782503589497.‎

‎Summary This volume presents peer-reviewed contributions based on papers first presented at the biennial International Congress 'The East' (ICE). Dedicated to the archaeology and history of a region that spans from the Southern Balkans and the Eastern Mediterranean, via the Near and Middle East, the Persian Gulf, and the Caucasus, across to Central Asia, Pakistan, and Xinjiang, the ICE series encourages the publication of research that cuts across not just geographical and chronological boundaries, but also the borders that exist between disciplines. The first ICE Conference chose as its theme 'Identity, Diversity, and Contact', and the papers drawn together in this volume comprise several sub-topics, including evolution and resilience, movement, mobility, and migration, long distance and the longue dur e, and cultural and economic contacts. TABLE OF CONTENTS The East Collection and the International Congress ICE 1 - The East: An Introduction - MARC LEBEAU A Closer Look at the Anatolian Prehistoric Arts - MARCEL OTTE The Dispersal of Pressure D bitage Technology to Central and Southwest Asia - YOSHIHIRO NISHIAKI Bronze Age Oases in the Tarim Basin (Xinjiang, China): Identities, Early Contacts and Interaction Networks (3rd-2nd mill. BC) - CORINNE DEBAINE-FRANCFORT The Neolithisation of Central Asia: Emergence of Cultural Identities and Long-Distance Networks - FR D RIQUE BRUNET Pazyryk in its Landscape Setting: The Materials and Materiality of Cultural Contact - KAREN S. RUBINSON & KATHERYN M. LINDUFF When East and West First Met: The Nature of Cultural and Technological Transmissions at the Dawn of the Silk Roads - ALISON BETTS, PETER JIA, MICHAEL SPATE, QI MENG & MUMTAZ YATOO Made in Indus, Made in Oman, and Made in Susiana: Meluhha and Makkan at Kish, Telloh, and Susa as seen from Weights and Ingots - ENRICO ASCALONE Migrations, Transfers, Exchanges, Convergences? Assessing Similarities and Differences among the Earliest Farmers between the Daulatabad and Kachi Plains (southern Iran and Pakistan) - BENJAMIN MUTIN & OMRAN GARAZHIAN The Human Remains from the Collective Iron-Age Burial ff Hatsarat (Armenia) - FRANCESCA BERTOLDI, RUZAN MKRTCHYAN, ASHOT PILIPOSYAN, PIERA ALLEGRA RASIA, ROBERTO CAMERIERE & HASMIK SIMONYAN The Crown of Death: Diadems with Repouss Decoration in the Early Bronze Age - VITTORIA DALL'ARMELLINA Fortified Kura-Araxes Settlements in the Highlands of Eastern Anatolia: Lake Van Basin and Mt A?r? -AYNUR ZFIRAT In the Pre-Urartian Period, Were the Societies of the Eastern Anatolian Highlands Egalitarian? A General Review - MEHMET I?IKLI Road Connections of the Second Millennium BC that Connect the Coastal Region of Giresun to Lycus Basin - SALIH KAYMAK I Figurines with Coffee-bean-eyes from the Khabur and Beyond: Significance of an Iconographic Detail - ALEXANDER PRU A Ceramic Tale of Three 'oikumenai' from the Qara Dag Area (Iraqi Kurdistan) - JOHNNY SAMUELE BALDI & MELANIA ZINGARELLO Provincial Identity via Middle Assyrian Mortuary Material - PETRA M. CREAMER Is the Luwian Language an Ethnic or a Cultural Marker in Iron Age Syria? - GUY BUNNENS Oluz H y k: Persian (Achaemenid) Settlement in North-central Anatolia - ?EVKET D NMEZ & MONA SABA The Role of Syria in Inter-Regional Exchanges in the Second Half of the Third Millennium BC: Some Remarks - MARIA GIOVANNA BIGA On the Origin of Near Eastern Cylinder Seals in the Early Bronze Age Aegean: New Evidence from the Northern and Central Levantine Coast - HERMANN GENZ Emerging Complexity: The East Aegean/Western Anatolia and Crete in the Middle Bronze Age (c. 2000-1700 BCE) - OURANIA KOUKA Hittites and Neo-Hittites in Northern Syria: New Perspectives for their Interrelations - WINFRIED ORTHMANN‎

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‎Mark Meekers‎

‎In het oog van de stilte‎

‎, Uitgeverij P, 2021 Oorspronkelijk uitgeversomslag, 77 pagina's, 24 x 17 cm. Nederlandstalig. Als nieuw. ISBN 9789493138360.‎

‎In het oog van de stilte‎

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‎Marinette Bruwier‎

‎Industrie et Soci t en Hainaut et en Wallonie du XVIIe au XXe Si cle, Recueil d'articles de Marinette Bruwier.‎

‎Bruxelles, Credit Communal, 1996 cartonnage illustre de l' diteur, pages 414, 24 x 16 cm. ISBN 5411572080942.‎

‎Industrie et Soci t en Hainaut et en Wallonie du XVIIe au XXe Si cle, Recueil d'articles de Marinette Bruwier.‎

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‎Marnef, Guido / B. Blond , S. Geens, H. Greefs, W. Ryckbosch, T. Soens, P. Stabel‎

‎Inequality and the City in the Low Countries (1200-2020)‎

‎, Brepols 2020, 2020 Hardcover, 409 pages., 178 x 254 mm, English, . ISBN 9782503588681.‎

‎Social inequality is one of the most pressing global challenges at the start of the 21st century. Meanwhile, across the globe at least half of the world?s population lives in urban agglomerations, and urbanisation is still expanding. This book engages with the complex interplay between urbanisation and inequality. In doing so it concentrates on the Low Countries, one of the oldest and most urbanised societies of Europe. It questions whether the historic poly-nuclear and decentralised urban system of the Low Countries contributed to specific outcomes in social inequality. In doing so, the authors look beyond the most commonly used perspective of economic inequality. They instead expand our knowledge by exploring social inequality from a multidimensional perspective. This book includes essays and case-studies on cultural inequalities, the relationship between social and consumption inequality, the politics of (in)equality, the impact of shocks and crises, as well as the complex social relationships across the urban network and between town and countryside.‎

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‎Marcin Przybyla, Karol Dziegielewski (eds)‎

‎Inheritance, Social Networks, Adaptation. Bronze and Early Iron Age Societies North of the Western Carpathians‎

‎, Brepols, 2025 Hardback, 820 pages, Size:210 x 297 mm, Illustrations:124 b/w, 277 col., 46 tables b/w., 2 tables col., Language: English. *new ISBN 9782503616773.‎

‎Summary How did societies change between the Early Bronze Age and the Early Iron Age? And what was the impetus that led to these changes - social contacts and innovation, intergenerational contacts, or perhaps simply adaptation? Taking these questions as its starting point, this richly detailed volume explores four different regions of southern Poland to compare and contrast the mechanisms that drove socio-cultural change in the region between the second and the first half of the first millennium BC. Drawing on standardized sets of archaeological data, the chapters gathered here examine the interplay of different factors influencing cultural change across five key parameters: environment; settlement patterns; settlement organization; economy; and material culture. The result is a beautifully illustrated volume that offers important insights into Central and Eastern European prehistory, made accessible for an English-speaking audience. TABLE OF CONTENTS Introduction, Marcin S. Przybyla, Karol Dziegielewski Part 1. Analysis of Source Data 1.1. Geographical Location of the Study Region and Test Areas, Karol Dziegielewski, Marta Korczynska-Cappenberg 1.2. Timeline 1.2.1. Bronze and Early Iron Ages Around the Western Carpathians: Civilizational Transformations in Central Europe in the 2nd and 1st Millennia BC, Jan Chochorowski, Karol Dziegielewski, Marcin S. Przybyla 1.2.2. Periodisation of the Bronze and Early Iron Ages on the Upper Vistula River, Karol Dziegielewski 1.2.3. Periodisation of the Bronze and Early Iron Ages in the Dunajec Valley, Marta Korczynska-Cappenberg, Marcin S. Przybyla 1.3. Transformations of Natural Environment 1.3.1. Environmental Changes in the Bronze and Early Iron Ages in Loess Areas of the Upper Vistula Basin (Test Area 1), Michal Wasilewski, Anna Gawlik 1.3.2. Environmental Changes in the Bronze and Early Iron Ages in the Upper Vistula Valley near Krak w (Test Area 2), Karol Dziegielewski, Dorota Nalepka, Maria Litynska-Zajac 1.3.3. Environmental Changes in the Bronze and Early Iron Ages in the Middle Dunajec Basin (Test Area 3), Marta Korczynska-Cappenberg, Katarzyna Korzen, Magdalena Moskal-del Hoyo, Maria Litynska-Zajac 1.3.4. Environmental Changes in the Bronze and Early Iron Ages in the Mountain Section of the Dunajec Valley (Test Area 4), Marcin S. Przybyla, Katarzyna Korzen, Magdalena Moskal-del Hoyo 1.4. Settlement Network 1.4.1. Methodology of Fuzzy Logic Mapping, Geostatistical Analyses and Cartographical issues, Marta Korczynska-Cappenberg, Klaus Cappenberg 1.4.2. Settlement Network in the Bronze and Early Iron Ages in Loess Areas of the Upper Vistula Basin (Test Area 1), Anna Gawlik 1.4.3. Settlement Network in the Bronze and Early Iron Ages in the Upper Vistula Valley near Krak w (Test Area 2), Michal Mazur, Karol Dziegielewski 1.4.4. Settlement Network in the Bronze and Early Iron Ages in the Middle Dunajec Basin (Test Area 3), Marta Korczynska-Cappenberg 1.4.5. Settlement Network in the Bronze and Early Iron Ages in the Mountain Section of the Dunajec Valley (Test Area 4), Marcin S. Przybyla, Joanna A. Markiewicz 1.5. Settlement Structure and Organisation 1.5.1. Organisation of Intra-settlement Space in Bronze and Early Iron Age Settlements from the Upper Vistula Basin (Test Areas 1 and 2), Karol Dziegielewski, Anna Gawlik, Michal Mazur 1.5.2. Organisation of Intra-settlement Space in Bronze and Early Iron Age Settlements from the Middle Dunajec Basin (Test Area 3), Marta Korczynska-Cappenberg, Tobias L. Kienlin 1.5.3. Organisation of Intra-settlement Space in Bronze and Early Iron Age Settlements from the Mountain Section of the Dunajec Valley (Test Area 4), Marcin S. Przybyla 1.6. Subsistence Economy 1.6.1. Late Bronze Age and Early Iron Age Farming and Animal Husbandry in the Loess Areas of the Upper Vistula Basin (Test Area 1), Krystyna Wasylikowa, Magdalena Moskal-del Hoyo, Dalia Pokutta, Anna Gawlik 1.6.2. Bronze Age and Early Iron Age Farming and Animal Husbandry in the Upper Vistula Valley near Krak w (Test Area 2), Karol Dziegielewski, Maria Litynska-Zajac, Ulana Gocman, Michal Mazur 1.6.3. Bronze Age and Early Iron Age Farming in the Middle Dunajec Basin (Test Area 3), Marta Korczynska-Cappenberg, Maria Litynska-Zajac, Magdalena Moskal-del Hoyo, Katarzyna Cywa 1.6.4. Bronze Age and Early Iron Age Farming and Animal Husbandry in the Mountain Section of the Dunajec Valley (Test Area 4), Marcin S. Przybyla, Ulana Gocman, Aldona Mueller-Bieniek 1.7. Pottery Manufacture 1.7.1. Notes on the Method of Classification of Ornaments and Morphological Features of Ceramic Vessels, Marcin S. Przybyla, Karol Dziegielewski, Anna Gawlik, Marta Korczynska-Cappenberg, Michal Mazur 1.7.2. Continuation and Change in Pottery Manufacture in the Upper Vistula Basin (Test Areas 1 and 2), Karol Dziegielewski, Michal Mazur 1.7.3. Continuation and Change in Pottery Manufacture in the Middle Dunajec Basin (Test Area 3), Marta Korczynska-Cappenberg 1.7.4. Continuation and Change in Pottery Manufacture in the Mountain Section of the Dunajec Valley (Test Area 4), Marcin S. Przybyla Part 2. Comparative Analyses 2.1. Interconnectivity: Geographic and Social Space, Marcin S. Przybyla, Marta Korczynska-Cappenberg, Klaus Cappenberg, Joanna A. Markiewicz, Karol Dziegielewski 2.2. Economy: Trends of Diachronic Changes and Local Specificity, Marta Korczynska-Cappenberg, Marcin S. Przybyla, Karol Dziegielewski, Klaus Cappenberg 2.3. Thoughts on Wealth and Social Differentiation, Consumption of Bronze, and Craft Specialisation, Karol Dziegielewski, Marcin S. Przybyla, Marta Korczynska-Cappenberg Part 3. Concluding Remarks 3.1. From Pots and Farmsteads to Demography: Exploring the Interplay of Cultural Transmission Patterns, Marcin S. Przybyla, Karol Dziegielewski Part 4. Specialist Analyses 4.1. Micromorphology and Physico-chemical Properties of Soils and Sediments from Maszkowice and Janowice Sites, Magdalena Makiel, Wojciech Szymanski, Mateusz Stolarczyk 4.2. Analysis of Animal Bone Remains from Trench 9 on Site 6 at Janowice (AZP 106-65/61), Plesna Commune, Ulana Gocman References Appendices: Lists of Bronze Age and Early Iron Age Sites Included in the Project List of Radiocarbon Dates used in the Chronometric Analysis for the Upper Vistula Area (Chapter 1.2.2)‎

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‎Marilee Boyd Meyer ; David Acton ; Beverly K. Brandt‎

‎Inspiring Reform : Boston's Arts and Crafts Movement‎

‎, Harry N. Abrams, 1997 Hardcover, 248 pages, English, 365 x 230 x 30 mm, In Fine Condition!.,Oblong, Illustrated dustjacket, illustrations in colour / b/w. ISBN 9780810963412.‎

‎This book reproduces more than 150 works dating from the 1890s to the 1930s. They include examples of furniture, ceramics, metalwork, jewellery, textiles, photography, book arts and typography, and wood-block prints. Boston's Society of Arts and Crafts was the first such organization in the USA. Published to mark the centenary of its founding, and examining Boston's role in the growth of the nation's Arts and Crafts movement. Essays by specialists explore each medium, and there is also discussion of Boston's many reform societies, settlement houses, trade schools, craft workshops and publishers, which helped to propel the Arts and Crafts movement to national significance.‎

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‎Marcel Mathys‎

‎Invitation: Marcel Mathys, Sculpteur, Galerie Numaga 2, 27 novembre 1971‎

‎, Galerie Numaga 2 , 1971 Softcover, 2-sided, 20.5 x 20 cm, Fran ais. En bon tat.‎

‎Invitation: Marcel Mathys, Sculpteur, Galerie Numaga 2; 27 novembre 1971‎

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‎Mariacarmela Montesanto‎

‎Iron Age Pottery from Tell Atchana / Ancient Alalakh. A Typological and Functional Analysis‎

‎, Brepols, 2026 Hardback, Pages: x + 182, Size:216 x 280 mm, Illustrations:28 b/w, 27 col., 3 tables b/w., 1 tables col., Language: English. ISBN 9782503621609.‎

‎Summary Tell Atchana, ancient Alalakh, lies in the Amuq Valley in modern Hatay, southern T rkiye. Long thought to have been abandoned by the end of the Late Bronze Age, recent excavations reveal partial Iron Age occupation, prompting a reassessment of the site's chronology. This book discusses the Iron Age occupation on the site, presenting detailed stratigraphic data and a morphological analysis of the pottery assemblage from the excavated square to establish a relative chronological framework. It also examines the assemblage functionally to identify changes or continuities in habits and actions across the Late Bronze to Iron Age transition and within the Iron Age itself. Through this approach, the study sheds new light on the nature and dynamics of Iron Age I occupation at Tell Atchana. TABLE OF CONTENTS List of Illustrations Abbreviations Chapter 1: Historical Background Chapter 2: The Amuq Valley and Tell Atchana / Ancient Alalakh Chapter 3: Pottery Typology Chapter 4: Functional Analysis Chapter 5: Final Remarks Plates and Catalogue Works Cited Index‎

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‎Mart J.M. Franken‎

‎J.M. (Jan) van Hardeveld (1891-1953) : Over (zakelijk) expressionisme, modernistische betonwoningen en traditionalisme‎

‎, Uitgeverij Verloren, 2023 Paperback, 266 pag. NL, 225 x 225 mm, NIEUW, met illustraties / foto's in kleur / z/w. ISBN 9789464550641.‎

‎J.M. (Jan van Hardeveld (1891-1953), architect te Amsterdam, heeft in zijn omvangrijke oeuvre alle toen gangbare stijlen toegepast. Gedurende zijn hele carri re heeft hij de flexibiliteit gevoeld om te ontwerpen op een wijze, die hem en zijn opdrachtgevers uit de verschillende gremia passend achtten. Die veelzijdigheid is ook terug te vinden in zijn vele functies en publicaties, waarin hij die pluriformiteit in bouwen bepleitte. Die houding leidde er wel toe dat hij, bekeerling tot het katholicisme op latere leeftijd, in felle debatten verwikkeld raakte met die katholieke architecten, die onder aanvoering van prof. M.J. Granpr Moli re in de jaren dertig van de vorige eeuw uitdroegen dat er door hen slechts in n stijl mocht worden gebouwd: het traditionalisme. Van Hardevelds leven en werk zijn tot nog toe onderbelicht gebleven. Waarschijnlijk komt dat deels omdat hij niet een vernieuwende eigen stijl heeft ontwikkeld, deels omdat hij nauwelijks tot geen archief heeft nagelaten. Deze monografie laat zien dat die onderbelichting niet terecht is. Deze bonas-uitgave zet zijn leven en werk vol in de schijnwerpers. Mr. Mart J.M. Franken ma (Bergen op Zoom, 1950) was na zijn rechtenstudie van 1973 tot 2016 advocaat in Breda. Vanaf 2013 studeerde hij Kunst- en Cultuurwetenschappen aan de Open Universiteit te Heerlen. Zijn bachelor behaalde hij eind 2018 en zijn master begin 2021. Zijn masterscriptie ging over de positie van de Amsterdamse architect Jan van Hardeveld (1891-1953) in de (katholieke) bouwkunst, meer in het bijzonder over zijn bijdrage aan het debat over de katholieke architectuur in het interbellum. Voor deze bonas-uitgave zette hij zijn onderzoek over deze architect voort, met name ten aanzien van het door deze geproduceerde oeuvre.‎

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‎Marie-Puck Broodthaers‎

‎Jacques Charlier‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1987 couverture cartonn e, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS Jacques Charlier CATALOGUE DE L'EXPOSITION‎

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‎Martha Cecilia Bustamante De la Ossa‎

‎Jacques Solomon (1908-1942). Le destin tragique d'un physicien engag . Une valise de manuscrits dans la clandestinit‎

‎, Brepols, 2026 Hardback, Pages: 472, Size:216 x 280 mm, Illustrations:33 b/w, 172 col., Language: French. ISBN 9782503624174.‎

‎Summary Jacques Solomon occupe une place part dans l'univers scientifique contemporain fran ais. Il est la plus jeune toile de la petite constellation parisienne de physiciens th oriciens des ann es 1930. Les questions tr s pointues qui se posent alors dans le domaine quantique sont au coeur de sa r flexion, li e la quantification des champs lectromagn tique et gravitationnel, aux ph nom nes nucl aires et aux rayons cosmiques. Ses travaux ont rapproch la physique fran aise du centre de l'histoire de la physique th orique europ enne de la premi re moiti du XX si cle. Il est un produit de l'Europe scientifique mais aussi de l'Europe politique. T moin de la mont e de Hitler au pouvoir en 1933, il ne voit de salut que dans le communisme et dans le Parti communiste fran ais. Cette plong e dans le militantisme politique, ne fait que prolonger un mode de pens e des chercheurs parisiens ouverts aux avant gardes et aux d bats d'id es. Solomon milite au sein de l'Union Rationaliste et du Cercle de la Russie neuve. Tous leurs membres s'opposent au fascisme mais peu de scientifiques ont pouss aussi loin que Solomon le militantisme. En ao t 1940, il fonde la r sistance universitaire communiste avec Georges Politzer. Sous l'Occupation, il vit dans la clandestinit et participe la R sistance. Fusill par les nazis en 1942, il est Mort pour la France . Il laisse derri re lui une oeuvre en suspens. Outre les travaux publi s, celle-ci comprend une masse de manuscrits contenus dans une valise qu'il gardait avec lui pendant l'Occupation. TABLE OF CONTENTS Chapitre 1: Famille et milieu. D but du XXe si cle Chapitre 2 : Une ann e riche et formatrice (1927) Chapitre 3 : A la d couverte du monde scientifique, intellectuel et politique parisien (1929-1931) Chapitre 4 : Th oricien dans un monde boulevers (1932-1934) Chapitre 5 : Physicien et communiste (1935-1936) Chapitre 6 : Du Coll ge de France l'Universit ouvri re (1937- t 1938) Chapitre 7 : Militantisme, d ceptions et premiers drames (de l'automne 1938 l'automne 1939) Chapitre 8 : Mobilisation. Dans le service de sant militaire (septembre 1939 juin 1940) Chapitre 9 : < Dans la gueule du loup > (octobre 1940-avril 1942) pilogue Bibliographie‎

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‎Marlier, Georges‎

‎Jakob Smits 1856-1928‎

‎, Editions des Cahiers de Belgique, 1931 cartonnage illustre de l'editeur, 16pp text + 16pp ill noir. 15x19cm.‎

‎monograph‎

Référence libraire : 57647

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‎Marie-Puck Broodthaers‎

‎James Coleman‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1988 couverture cartonn e, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS James Coleman CATALOGUE DE L'EXPOSITION‎

Référence libraire : 68892

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‎Marie-Puck Broodthaers‎

‎James Ensor‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1989 couverture cartonn e, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS James Ensor CATALOGUE DE L'EXPOSITION‎

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‎Margreet van der Hut‎

‎Jan van Mieris (1660-1690) : His Life and Work / catalogue raisonne.‎

‎, Casae, 2021 Hardcover, 182 pages; ENG.edition; 305 x 215 x 16 mm, NEW, illustrated in color / b/w. ISBN 9789083103112.‎

‎Jan van Mieris was trained by his famous father Frans, and worked in the tradition of the Leiden 'fijnschilders'. Art historian and former owner M.J. Ripps about his Self-Portrait: "The theme of the artist with the tools of his trade to hand has a robust tradition on both sides of the Alps. In the middle sixteenth-century artists such as Catherina Sanders van Hemessen (c. 1500 - 1566) and Sofonisba Anguissola (c. 1532 - 1625) memorably depicted themselves with brushes, palette, and Mahlstick, as did leading artists of the subsequent generations. Jan van Mieris' self-portrait is in dialogue with that of his father Frans, and engages a tradition that ultimately reaches back to Rogier van der Weyden (1399/1400 - 1464) and forward to Rembrandt van Rijn (1606 - 1669) - critical reference points with which the elder and younger Mieris would have been well acquainted. And by placing themselves at a ledge, father and son invoked a pictorial tradition with roots in Raphael's iconic portrait of Castiglione. In this little self-portrait, thus, grand traditions are encapsulated in miniature."‎

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‎Marc Couwenbergh‎

‎Jan van Nouhuys Grondlegger van de Nederlandse hedendaagse zilverkunst‎

‎NL-, picture Publishing, 2021 Gebonden, Hardcover 160 pages, Illustrated. full colour, 26x26cm. . ISBN 9789492576361.‎

‎JAN VAN NOUHUYS is de meest toonaangevende Nederlandse zilversmid van de afgelopen decennia. Hij verhief het ambacht van zilversmeden tot autonome kunst. Daarbij denkend en werkend vanuit het eeuwenoude vakmanschap; n door anderen te inspireren en te motiveren een plek op te eisen voor hedendaags zilver. Zo initieerde hij het spraakmakende ?Zilver in Beweging? en realiseerde in ruim veertig jaar een oeuvre waarin artistieke zeggingskracht en vakmanschap samengaan. Jan van Nouhuys ? zilverkunst ? grondlegger van de Nederlandse hedendaagse zilverkunst vertelt het verhaal van een man die zilversmid werd, gefascineerd raakte door het vakmanschap van zijn illustere voorgangers uit de zeventiende eeuw, en besefte dat dit vakmanschap het zilver ook een actuele waarde verschaft als de zilversmid tegelijkertijd zich de vrijheid van de kunstenaar eigen maakt. Journalist en kunstcriticus Marc Couwenbergh combineerde zijn monografie over Jan van Nouhuys en het zilver, een verhaal vol scepsis, wantrouwen, bijna-faillisement n eclatant succes, met een analyse van hoe Van Nouhuys, zoekend naar een eigen beeldtaal, een oeuvre opbouwde dat uniek is in kwaliteit en kwantiteit. Een uitgebreid register maakt het boek ook tot een uniek naslagwerk over het moderne Nederlandse zilver. Ruim zestig objecten uit het oeuvre staan in het boek afgebeeld, gefotografeerd door Fred Weegenaar en Rob Glastra. De vormgeving van het boek door Feike de Keijzer-Jansen sluit aan op het belang dat Jan van Nouhuys hecht aan vakmanschap en artisticiteit.‎

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‎Maryan Ainsworth (ed)‎

‎Jan van Eyck's Crucifixion and Last Judgment: Solving a Conundrum‎

‎, , Hardcover Pages: 195 pages, Size:225 x 300 mm Illustrations:170 col. Language(s):English. ISBN 9782503596907.‎

‎R p tons-le: Maryan W. Ainsworth propose un ouvrage la pointe de l? rudition et du savoir; f licitons-la aussi pour l'iconographie tr s riche, n'obligeant pas le lecteur rechercher les figures travers le livre. Regrettons cependant l?absence d?index, des personnes, des lieux et des ?uvres. (Jacques Paviot, dans Francia-Recensio, 4, 2023) BIO Maryan Ainsworth is Curator Emerita in the Department of European Paintings, The Metropolitan Museum of Art, New York Sophie Scully is Assistant Conservator in the Department of Paintings Conservation, The Metropolitan Museum of Art, New York Silvia Centeno is Research Scientist in the Department of Scientific Research, The Metropolitan Museum of Art, New York Marc Smith is Professor of Paleography at the cole des Chartes in Paris, France Christina Meckelnborg is Professor Emerita of Classical and Medieval Studies at the University of Osnabr ck, Germany SUMMARY Among the most intriguing and confounding works of Jan van Eyck?s oeuvre are the Crucifixion and Last Judgment in New York?s Metropolitan Museum of Art. Although acquired in 1933 as a diptych, questions have remained about their initial configuration, and how these paintings functioned. The recent technical investigations of the paintings and their original frames added further complexities to these inquiries when a fragmentary text in Middle Dutch was discovered through X-radiography on the frames surrounding the two paintings. The many facets of the ensuing investigation necessitated an interdisciplinary collaboration of researchers involving an art historian, paintings conservator, and museum scientist ? namely, Maryan Ainsworth, Sophie Scully, and Silvia Centeno. Moreover, the new discovery of the formerly hidden text called for the enrichment of the interdisciplinary team by a paleographer and a classical philologist, Marc Smith and Christina Meckelnborg. This book relates the unfolding story of the investigations from in-depth technical research, facilitating the conservation treatment of the frames, to the art historical study that connected these findings to the religious, political, and social contexts of the times. Through considerable interdisciplinary detective work, it was possible to reach a new understanding about the original form and function of the Crucifixion and Last Judgment and their pivotal role concerning devotions to a cherished relic, the Miraculous Bleeding Host, housed in the then collegiate church of Saint Michael and Saint Gudula in Brussels. The implications of these discoveries also shed new light on the relationship between The Met Crucifixion and Van Eyck?s metalpoint drawing of the same theme in the Museum Boijmans Van Beuningen, Rotterdam. Finally, the study of the Crucifixion and the Last Judgment draws attention to commissions Van Eyck received that are somewhat outside of the canon of works usually associated with this esteemed artist. TABLE OF CONTENTS Introduction Maryan W. Ainsworth The Technical Examination and Restoration of the Frames Sophie Scully and Silvia A. Centeno In Search of the Original Form and Function of the Crucifixion and Last Judgment Maryan W. Ainsworth Investigating Van Eyck?s Working Technique Sophie Scully and Silvia A. Centeno Attribution and Dating Questions in Historical Context Maryan W. Ainsworth Reconsidering the Relationship Between The Met Painting and the Rotterdam Crucifixion Drawing Maryan W. Ainsworth Appendix A. Deciphering the Middle Dutch Text on the Crucifixion and Last Judgment Frames Marc Smith ? Appendix B. Transcriptions of the Texts within the Crucifixion and Last Judgment Christina Meckelnborg Bibliography‎

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‎Maria Clelia Galassi ; Maryan W. Ainsworth‎

‎Jan Massys : Renaissance Painter of Flemish Female Beauty.‎

‎, Brepols - Harvey Miller, 2024 Hardback, 239 pages, ENG. edition; 305 x 220 x 20 mm; llustrations: 82 b/w, 223 col., 2 tables b/w., 1 tables col. .*new ISBN 9782503607207.‎

‎This book rediscovers the Antwerp painter Jan Massys (c.1510-1573) and his artistic milieu. / The painter Jan Massys (c. 1510-1573) trained under his father Quinten, succeeding him after his death (1530) at the head of Antwerp's most famous workshop. However, his career, destined for certain success, was abruptly cut short in 1544. Condemned for joining the Loysts sect, he had to flee Antwerp, finding refuge perhaps initially in France and at one point in Italy. Only in 1555 was he able to return to his homeland, regaining his artistic leadership within a few years. His oeuvre consists exclusively of works for private use and is characterized, in particular, by the depiction of elegant and seductive nude or half-naked female figures, protagonists of biblical or mythological subjects. The identification of the patron of the 1561 Venus with the view of Genoa (Stockholm, Nationalmuseum) in the person of the noble Genoese banker Ambrogio di Negro, offered the possibility of reconstructing the social context of the artist's clientele and his relations with those intellectuals ? both Genoese and Flemish-who gave life to the lively humanist academies of Antwerp. The figure emerges of a cultivated and particularly refined painter, who shared with his patrons the ideals of neo-Petrarchan poetry and executed paintings of great preciousness, characterized by a meticulous and skillful painting technique. TABLE OF CONTENTS Chapter 1 Johannes Massiis alias Quintens Chapter 2 A career of ups and downs Chapter 3 Jan Massys and female beauty Chapter 4 A varied painting technique for depicting beauty, lechery, and luxury Chapter 5 Inside Jan Massys? Workshop: good and not-so-good workshop practices Chapter 6 Inside Jan Massys Workshop: known and unknown assistants Chapter 7 ConclusionBIO Maria Clelia Galassi graduated in art history at the University of Genoa and obtained her PhD from the University of Milan. Since 2000 she is professor at the University of Genoa, where she teaches History of collecting and Technical Art History. She focused her researches on Flemish and Italian painting technique during the Early Modern Age, and in the artistic relationship between Genoa and the Netherlands in the 15th and 16th centuries.‎

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‎Marcella Beccaria / Rudi Fuchs‎

‎Jan Dibbets Another Photography / un'altra fotografia, Expo : 8/4 - 29/6/2014, Castello di Rivoli.‎

‎, Silvana Editoriale, 2015 HB, 270 x 215 mm, 120 pages, 65 colour illustrations. ENG/ IT edition. 27 x 21.5cm. ISBN 9788836630196.‎

‎This monograph is dedicated to Jan Dibbets, Dutch photographer born in Weert in 1941 who lives and works in Amsterdam, and it presents a vast and exhaustive excursus among the artist's most important works, beginning from his debut in the late 1960s to today. Among the pioneers of Conceptual Art, and part of the emergence of Land Art as well as Arte Povera, from the late 1960s Dibbets has been one of the very first to single out a use for photography as a 'thinking' tool, carrying out a revolution the consequences of which have been further amplified in the present digital age." In dialogue with some of the most salient moments of Western art culture, from Dutch painting to Italian art, and the relating theories on form and perspective, Dibbets's inquisitive mind knows how to create an innovative, individual course that has contributed in turn to establishing new artistic languages. The book, curated by Marcella Beccaria and Rudi Fuchs, include rare works, almost never shown in public in so far as housed for decades in private collections, and it is completed by the artis's biography.‎

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‎Marc Van Asch, E.A.‎

‎Jan Van Lysebetten, Een overzicht‎

‎Mechelen, self-published, 2011 Softcover, 96 pagina's, 21 x 21 cm, 101 illustraties in kleur, NL. *Prima staat.‎

‎Jan Van Lysebetten, Een overzicht‎

Référence libraire : 68489

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‎MARIE, Alfred‎

‎JARDINS FRANÇAIS CRÉES À LA RENAISSANCE.‎

‎Paris Editions Vincent, Fréal et Cie 1955 in 4 (27,5x22) 1 volume relié demi basane havane, dos à nerfs, soulignés de filets dorés, pièce de titre en cuir vert, couverture conservée, 48 pages, 239 figures en noir et blanc hors-texte, tirées en héliogravure. Bel exemplaire‎

‎Très bon Reliure‎

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‎MARIE Alfred‎

‎JARDINS FRANÇAIS CLASSIQUES. Des XVIIe et XVIIIe siècles‎

‎Paris Editions Vincent, Fréal et Cie 1949 in 4 (27,5x22) 1 volume reliure demi basane havane, dos à nerfs, soulignés de filets dorés, pièce de titre en cuir vert, couverture conservée, 32 pages, 220 figures en noir et blanc hors-texte, tirées en héliogravure. Bel exemplaire‎

‎Très bon Couverture rigide‎

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‎Marlene Cregut-Ledue‎

‎Jean Vendome, les voyages precieux d'un createur‎

‎, Faton editeur 2008, 2008 Couverture reliee sous jaquette, 360 pages au format 24 x 32 cm, 500 illustrations, relie pleine toile sous jaquette et coffret illustres. (Neuf !). ISBN 9782878441154.‎

‎Designe comme le pere de la joaillerie contemporaine Jean Vendome est createur de bijoux depuis plus d'un demi-siecle. Anciennement installe au 352 de la rue Saint Honore a Paris, il a concu pres de trente mille bijoux dont la grande majorite sont des pieces uniques. Pendant quatre annees, l'auteur expert en bijou, a rencontre le joaillier. Elle s'est interessee a sa vie, a ses rencontres avec le pressentiment d'y trouver la cle de ses creations. Pour la premiere fois, l'artiste lui-meme, par une retrospective complete sur sa carriere, presente la genese des differentes lignes qu'il a creees. Ses commentaires passionnants rehaussent encore l'interet et le plaisir du regard que l'on porte sur ses bijoux. L'Auteur, Marlene Cregut-Ledue est expert en bijou, diplomee de l'Institut national en gemmologie.‎

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‎Marc Andries‎

‎Jef van extergem. als rook over de bergen : historische roman‎

‎, ludion, 2016 Hardcover 382 pagina's 21 x 14 x 3 cm. ISBN 9789491819674.‎

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‎Marcel Van Jole‎

‎Jef Van Tuerenhout, Olieverfschilderijen‎

‎Knokke, Posseidon Press, 1985 Linnen binding met stofwikkel, 50 pagina's, rijkelijk ge llustreerd, 20.5 x 20.5 cm. Nederlandstalige tekst. ISBN 198529331.‎

‎Jef Van Tuerenhout, Olieverfschilderijen‎

Référence libraire : 66721

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‎Marie-Th r se Champagne, Irven M. Resnick (eds)‎

‎Jews and Muslims under the Fourth Lateran Council. Papers Commemorating the Octocentenary of the Fourth Lateran Council (1215)‎

‎, Brepols, 2019 Hardback, 280 pages, Size:156 x 234 mm, Illustrations:2 b/w, Language: English. ISBN 9782503581514.‎

‎Summary The Fourth Lateran Council (1215) was groundbreaking for having introduced to medieval Europe a series of canons that sought to regulate encounters between Christians and Jews and Muslims. Its canon 68 demanded that Jews and Muslims wear distinguishing dress, in order to prevent Christians from entering into illicit sexual relations with them, restricted the movement of Jews in public spaces during Holy Week, and exhorted secular authorities to punish Jews who in any way "insult" or blaspheme against Christ himself. Other canons sought to exercise greater control over moneylending, to provide relief to Christian borrowers, to extract tithes from Jews who held Christian properties as pledges, and prohibited Jews from exercising power as public officials over Christians. The canons condemned converts who preserved elements from their former religion, promoted a fifth Crusade to the East, exempted Crusaders from taxes and from interest payments to Jewish moneylenders, restricted trade with Muslims or Saracens, and condemned Christians who provided arms or assistance to Saracens. The Council's canons affected the missionary efforts of the late medieval Church and its attempts to convert Jewish and Muslim minorities, and established essential guidance on minority relations not to be surpassed until Vatican II in the 1960s. TABLE OF CONTENTS John Tolan, Introduction Part I-Jews under the Fourth Lateran Council Valerie Ramseyer, Wellesley College, Rethinking Boundaries between Christian, Jewish, and Muslim Communities in Pre-Lateran IV, Southern Italy Alex Novikoff, Kenyon College, Performance and the Audio-Visual Jew in the Age of Pope Innocent III Irven Resnick, University of Tennessee-Chattanooga, The Jews' Badge Anna Sapir Abulafia, Lady Margaret Hall, Oxford University, The Fourth Lateran Council through the Lens of Jewish Service Rebecca Rist, University of Reading, From a Jewish Text: Anti-Jewish Papal Policy of the Lateran IV Decrees Part II-Muslims under the Fourth Lateran Council Ryan Szpiech, University of Michigan, Saracens and Church Councils, from Nablus (1120) to Vienne (1313-1314) Giulio Cipollone, Pontificia Universit Gregoriana, Christian and Muslim Captives Taken in Crusades and Jih?d: Not a Single Word Spoken at the Fourth Lateran Council Yvonne Friedman, Bar-Ilan University, The Crusade/Peacemaking Dichotomy: A Nuanced Approach Clara Almagro Vidal, Universidade de vora/CIDEHUS, Military Orders, Muslims, and the Fourth Lateran Council in Castile Ana Echevarria, Universidad Nacional de Educaci n a Distancia, The Marks of the Other: The Impact of Lateran IV in the Regulations Governing Muslims in the Iberian Peninsula Josep Hernando Delgado, Universitat de Barcelona, From Islam to Christianity: Preaching, Conversion, and the Religious Practices of Muslim Slaves from the Fourth Lateran Council through the Fifteenth Century Appendix Bibliography Index‎

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‎Margaret Richardson et MaryAnne Stevens (dir.)‎

‎John Soane - Le rêve de l'architecte‎

‎Editions Gallimard, Paris, 2001. In-4, broché sous couverture rempliée et illustrée en couleur, 296 pp. Avant-propos - Préface - Soane et son entourage, Gillian Darley - Le traitement de l'espace chez Soane et le problème de la fragmentation, Robin Middleton - Soane : l'académicien et la commande publique, David Watkin - La postérité de Soane, ...‎

‎Nombreuses illustrations et planches en noir et en couleur. --- Plus d'informations sur le site archivesdunord.com‎

Référence libraire : 4030

‎MARTIN, Bruce‎

‎Joints & Assemblages dans le Bâtiment. Préface de Georges Mercadal‎

‎Éditions du Moniteur, coll. « Architecture et Technologie » 1981 In-4 broché 29,6 cm sur 20,8. 211 pages. Couverture légèrement défraîchie et pliée, contreplats poussiéreux et salis, quelques tampons, sinon, intérieur frais. État correct d’occasion.‎

‎Etat correct d’occasion‎

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‎Marie-Anne Vannier (ed)‎

‎Juda sme et christianisme au Moyen ge‎

‎, Brepols, 2020 Paperback, 149 pages, Size:156 x 234 mm, Illustrations:1 b/w, Languages: French, English. ISBN 9782503584218.‎

‎Summary Les rapports entre Juda sme et christianisme au Moyen ge ont t souvent pr sent s comme conflictuels. Or, il n'en a pas toujours t ainsi. Aussi cet ouvrage s'attache-t-il mettre en vidence la synergie entre Juda sme et christianisme cette poque. Des auteurs comme Ma monide et Eckhart ont, sur ce plan, un r le d cisif. TABLE OF CONTENTS Sylvie Camet, Pr face Marie-Anne Vannier, Pr sentation Daniel Boyarin, Medieval Jews without Judaism : The case of Kuzari Gilbert Dahan, L'utilisation de l'ex g se juive chez les ex g tes chr tiens Annie Noblesse-Rocher, Quelques remarques sur l'ex g se d'Ingetus Contardus dans la dispute de Palma de Majorque (1286) David Lemler, Les rationalistes juifs face l'all gorisme chr tien (XIIe-XIIIe si cles) Isra l Yuval, La matsa de Pessach et l'hostie de P ques au Moyen ge : relations reconsid r es Markus Vinzent, Presbyterion kreitton ? The re-evaluation of Tradition by Jewish and Christian teachers of the thirteenth and fourteenth centuries Marie-Anne Vannier, Ma tre Eckhart et le Juda sme Jean-Claude Lagarrigue, L'influence de l'ex g se parabolique de Ma monide sur ma tre Eckhart Harald Schwaetzer, Der Herabstieg der Weisheit in ihr Haus. Nikolaus von Kuens und das Alte Testament Pr sentation des auteurs Index Auteurs - Index Th matique‎

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‎MARIA (Josep)‎

‎JUJOL‎

‎Taschen 1994 Expédition très soignée, tous les mardis et vendredis. . In-4. Broché. Livre en Français. Bon état d’occasion. Poids sans emballage : 1000 grammes.‎

‎Bon état d’occasion‎

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Librairie de l'Avenue
Saint-Ouen France Francia França France
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‎Marti, Susan, Gabriele Keck und Till-Holger Borchert:‎

‎Karl der K hne (1433-1477): Kunst, Krieg und Hofkultur.‎

‎Stuttgart, Belser Verlag, 2008 Hardcover with dustjacket, 384 pages, 29 x 25.5 cm, German text. *Good condition. ISBN 9783763025138.‎

‎Karl der K hne (1433-1477): Kunst, Krieg und Hofkultur.‎

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‎Marlene Jochem ; Mit einem Vorwort von Martin Eberle‎

‎Keramische Horizonte : Die Sammlung der Lotte Reimers-Stiftung auf Schloss Friedenstein in Gotha ///// Ceramic Horizons : The Lotte Reimers Foundation Collection at Friedenstein in Gotha D / ENG‎

‎, Arnoldsche 2018, 2018 Hardcover, 336 seiten / pages, D / ENG, 290 x 220 mm, New, dustjacket, Abb. in Farbe und Schwarz-Wei / Images in colour and b/w, . ISBN 9783897905207.‎

‎The grande dame of the Western European ceramics, Lotte Reimers (*1932), is an outstanding artist and at the same time a great collector. For more than twenty years she has been closely associated with the wide range of historical ceramic collections at Friedenstein Palace, Gotha. Lotte Reimers donated a collection of international ceramics to the Gotha Foundation from the excellent collections of her own museum in Deidesheim, Rhineland-Palatinate. This generous and magnificent donation of more than 300 contemporary ceramics by a total of 115 artists from all over the world is now being shown for the first time in Gotha. This special show is present in the entire palace building and corresponds with the historical Gotha collections.‎

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‎Marc de Beyer ; Pia Verhoeven ; Arjan Bronkhorst.‎

‎Kerkinterieurs in Nederland‎

‎, WBooks, 2019 Hardcover, 396 pag. NL.,325 x 250 mm, in Nieuwstaat, met paginagrote foto's in kleur / z/w. ISBN 9789462581265.‎

‎Een vast onderdeel van onze vakantie in het buitenland is voor velen een bezoek aan een kerk. Maar waarom doen we dat in eigen land niet? Kerkinterieurs in Nederland laat zien dat de rijkdom van het Nederlandse kerkinterieur minstens zo indrukwekkend en divers is. Kenmerkend is de middeleeuwse kerk met een protestantse inrichting. Maar we hebben ook barokke schuilkerken, uitbundig gedecoreerde negentiende-eeuwse katholieke kerken, en strakke naoorlogse kerkinterieurs. In alle perioden van onze bewogen geschiedenis zijn de beste kunstenaars, interieurarchitecten, beeldhouwers, houtsnijders en schilders ingeschakeld om onze kerken van binnen te verfraaien.‎

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‎Marike van Roon ; Barbara Jonkers‎

‎Kijk mij ! : Geborduurde boekbanden 1585-1670‎

‎, Sterck & De Vreese, 2023 Hardcover, 216 pag. NL, 260 x 205 mm, , prachtige illustraties in kleur / z/w. *NIEUW ISBN 9789464710571.‎

‎Boeken kan je niet alleen lezen, je kan er ook mee pronken. De schitterendste boekbanden zijn de geborduurde, gemaakt van zijde, goud, zilver en parels afkomstig uit de hele wereld. Pure luxe, maar ook stille getuigen van een maatschappij in beweging. Meer dan dertig geborduurde boekbanden uit de periode 1585-1670 hebben de tand des tijds doorstaan. Ze liggen zorgvuldig opgeslagen in musea en bibliotheken in de hele wereld. Dit was d bloeiperiode van de borduurkunst, maar er is bijzonder weinig werk bewaard gebleven. Textiel versleet, goud en parels werden hergebruikt. Samen met de vele portretten van mannen en vrouwen in rijkelijke kleding met fijn geborduurde lijfjes en handschoenen vertellen de boekbanden een uitzonderlijk verhaal. De eigenaars van deze pronkstukjes, veelal kerkboeken, lijken te zeggen: Kijk mij! Ik ben rijk, ik verkeer in de beste kringen, maar ik ben ook een goed christen. MARIKE VAN ROON is sinds 2022 zelfstandig kunsthistoricus, gespecialiseerd in textielgeschiedenis. Als hoofdconservator bij het Allard Pierson, de erfgoedinstelling van de Universiteit van Amsterdam, ontdekte zij de betekenis van de geborduurde boekband.‎

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‎Marianne Vanderauwera‎

‎Koppig Begeesterd Geniaal, Kunstenaars met een eigen museum in Walloni‎

‎Borgerhout, Marianne Vanderauwera, 2024 Softcover, 275 pagina's, 21 x 14.5 cm. Nederlandstalige tekst. *Nieuw. ISBN 9789090393384.‎

‎Donas, Ianchelevici, Redout , Gr try, Folon, Gaspar, Martin, Rops, Herg , Sax‎

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‎Mark de Fraeye Frits Vos‎

‎KOREA, SCENIC BEAUTY & RELIGIOUS LANDMARKS‎

‎, Pandora Publishers 1998, 1998 Hardcover, 175 pages, English, 305 x 250 mm, Fine copy. illustrated with coloured illustrations,. ISBN 9789053250525.‎

‎In enkele decennia ontwikkelde Korea zich van agrarische maatschappij tot een van 's werelds succesrijkste industri?le economie?n. Maar naast het jachtige stedelijke leven hebben het landelijke leven en de natuur hun serene schoonheid behouden en is het volk trouw gebleven aan de culturele tradities. In dit boek wordt een uniek beeld gegeven van dit in het Westen nog vrijwel onbekend land. nEn quelques d?vennies, la Cor?e est pass?e d'une soci?t? agraire ? une des plus fructueuses ?conomies industrielles du monde. Mais aux c?t?s de la fi?vreuse vie citadine, la vie rurale et la nature ont su garder leur beaut? sereine et le peuple est rest? fid?le ? ses traditions culturelles. Ce livre donne une image incomparable de ce pays encore si peu connu de l'Occident. nOver the span of only a few decades, Korea has transformed itself from an agrarian society into one of the world's most successful industrial economies. But despite today's frenetic urban pace, Korea's natural environment retains its serene beauty and its people have remained true to their cultural traditions. This book offers a unique view of this too little known emerging giant.‎

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‎Marie-Puck Broodthaers‎

‎Koroliov / Tzereteli / Zamkov / Zhilinksy‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1988 Poster, couverture cartonn e, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS Koroliov / Tzereteli / Zamkov / Zhilinksy CATALOGUE DE L'EXPOSITION‎

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‎Marc Ruyters, Eric Rinckhout, Koen Leemans‎

‎Kris Fierens Beeldend kunstenaar - overzicht 1980-2020‎

‎, [ander]-zijds, 2020 hardcover/ Flexi; HB, 295 x 245 mm, 288 p, 200 illustrations, ENG / NL edition. * Nieuwstaat. ISBN 9789082808056.‎

‎Overzicht 40 jaar beeldend werk, met bijdragen van Marc Ruyters, Eric Rinckhout en Koen Leemans. Kris Fierens ( 1957) gebruikt het karakter van een voorstudie of een schets als een volwaarding ding. Of in hun mogelijkheid imiteren ze het karakter van een voorstudie. Realiteit en emotie bereiken een virtueel nulpunt. De gebaren of gestes die hij hierbij stelt worden gewoon de 'objets trouv s'. Het object 'an sich' is nooit aanwezig. Het is de meegenomen materie die hem in staat stelt om zijn droom te redden. Sporen van iets dat zich nog moet voltrekken. Waarvan nu reeds een verdwijnende herinnering kan worden vastgehouden. Overview of 40 years fine arts, with contributions from Marc Ruyters, Eric Rinckhout and Koen Leemans. Kris Fierens ( 1957) uses the character of a preliminary study or a sketch as an enduring thing. Or, in their possibility they imitate the character of a preliminary study. Reality and emotion reach a virtual zero point. The gestures that he makes simply become the 'objets trouv s'. The object 'on his own' is never present. It's the included matter that enables him to save his dream. Traces of something that still needs to happen. Of which a disappearing memory can already be hold.‎

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‎Marcel Duchateau‎

‎Kruisweg door Pros Putteman‎

‎, Lannoo, 1978 Softcover, 36 pagina's, met ingelijmde platen, 21 x 27 cm, NL. *Prima staat.‎

‎De Kruisweg door Pros Putteman‎

Référence libraire : 68416

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‎MARBOUTIN J R‎

‎L ' EGLISE ABBATIALE DE MARCILHAC ( LOT ).‎

‎Couverture souple Cahors , 1937 , in8 broché , 24 pp . Plan , illustrations . Tiré à part de " Bulletin des Etudes . du Lot " Langue: Français‎

Référence libraire : M16973

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‎MARCAIS Georges‎

‎L ' ART DE L' ISLAM.‎

‎1949 Larousse, 1949 , in12 broché, 198pp . 64 planches hors texte.‎

Référence libraire : M163116

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‎MARBOUTIN Chanoine‎

‎L' église Saint Sauveur de Figeac‎

‎Sl, 1936, in8br, 55pp, nb illustrations et plans Cachet discret. Langue: Français‎

Référence libraire : ML1975

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‎MARIO VALMARAMA‎

‎L'ARCHITECTURE‎

‎EDITIONS DES DEUX COQS D'OR. 1965. In-12. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 45 pages. Nombreuses illustrations en couleur, dans le texte, par Peter Spier.. . . A l'italienne. Classification Dewey : 720-Architecture‎

‎Librairie de l'Amateur. Classification Dewey : 720-Architecture‎

Référence libraire : R240010665

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‎MARE VENE A.-F.‎

‎L'ANCIEN PRIEURE DE SERRABONE‎

‎EDITIONS DU CADRAN. 1970. In-16. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 28 pages illustrées de quelques photographies en noir et blanc hors texte.. . . . Classification Dewey : 720-Architecture‎

‎Classification Dewey : 720-Architecture‎

Référence libraire : RO30020332

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‎MARCEL DURLIAT‎

‎L'ABBAYE DE FLARAN‎

‎SUD OUEST. 1989. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Non paginé, environ 50 pages. Premier plat illustré en couleurs. Nombreuses photos en couleurs hors texte.. . . . Classification Dewey : 720-Architecture‎

‎Classification Dewey : 720-Architecture‎

Référence libraire : R260108553

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‎Marcel et André Boll‎

‎L'art contemporain sa raison d'être ses manifestations‎

‎1931. Paris Librairie Delagrave 1931 - Broché 14 cm x 19 cm 189 pages non coupé - Texte de Marcel et André Boll - Envoi des auteurs à Tristan Klingson - lllustré de 114 photographies noir & blanc in et hors -texte - Bon état‎

Référence libraire : 2051

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Nombre de résultats : 72,509 (1451 Page(s))

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