‎Architecture‎

‎Mathilde Bert, Ralph Dekoninck, Laure Fagnart (eds)‎

‎Zeuxis redivivus Art et mulation dans l?Europe du XIVe au XVIIe si cle‎

‎, Brepols, 2026 Hardback, 300 p., 216 x 280 mm, Illustrations:5 b/w, 100 col., Language(s):French, Italian. *New . ISBN 9782503617633.‎

‎Si, au sens large du terme, l? mulation peut rendre compte de la rivalit , n e de l?envie (?invidia?), qui conduit les uns la moquerie, les autres la calomnie ? voire au meurtre ! ?, elle se rapporte aussi la confrontation positive qui pousse faire aussi bien ou mieux qu?un autre, voire se d passer soi-m me. Sous la plume de Giorgio Vasari, la comp tition constitue m me, quand elle prend la forme de l? mulation, l?un des plus puissants moteurs du progr s dans les arts. L?objectif de ce volume collectif est d?explorer l? mulation dans les pratiques artistiques au premier ge moderne, en mettant les ?uvres en dialogue avec les th ories et l?historiographie de l?art. Il explore les ressorts de la volont des artistes d? galer ou de surpasser leurs mod les, qu?ils soient issus de la nature ou de ma tres, pr sents ou pass s.‎

Référence libraire : 69298

‎Matias Diaz Pardon‎

‎Jacob Jordaens and Spain‎

‎, Brepols, 2019 Hardback, 648 pages, Size:240 x 280 mm, Illustrations:550 col., Language: English.* new ISBN 9788494858536.‎

‎Summary This monograph is dedicated to the painter Jacob Jordaens (Antwerp,1593-1678) and his relationship with Spain. This book is a catalogue raisonn of the painter's preserved works that have had a long and close link with the Court and Spanish patrons, both inside and outside of Spain. His paintings and designs are contemplated in this book in a deep and detailed way. In these pages the reader will find out about Jordaens work method, his sources of inspiration and the solutions he chose for the commissions that he carried out. TABLE OF CONTENTS Jacob Jordaens and Spain The triumphal arch of the Cardinal-Infante in Antwerp Torre de la Parada Alcazar of Madrid Works by Jordaens in the Bourbon era Nobles and clergymen with works by Jordaens in the 17th and 18th centuries Jordaens and the 19th century Jordaens in the 20th century Tapestries and nobility in Spain The themes of Jordaens's works linked to Spain Clarifications and conjecture Influence of Jordaens on Spanish painting Jordaens, criticism and Spanish historical sources Jacob Jordaens and Spain: Catalogue of Paintings List of Works by Jacob Jordaens Linked to Spain Religion (1-18) Mythology and History (19-53) Portraits (54-56) Genre (57-61) Tapestries (T. l-T.48) The Life of Achilles: Jordaens's Tapestry Designs (T.1-T.3) Series: History of Alexander the Great (T.4-T.15) Series: The Riding School (T.16-T.27) Scenes from Country Life or The Art of Hunting as Entertainment for the Game of Love (T.28-T.30) Jordaens and the Proverbs Series (T.31-T.48) A. Copies (A.1-A.10) B. Documented Original Paintings by Jordaens (B.l-B.19) C. Documented Copies of Paintings by Jordaens (C.1-C.2) D. Works Erroneously Attributed to Jacob Jordaens (D.l-D.18) Addenda (1-4) Brief Chronology of Jordaens's Life Documentary Appendices Bibliography Index of Names Rights and Photographic Credits‎

Référence libraire : 65979

‎MATISSE (Henri).‎

‎Chapelle du rosaire des dominicaines de Vence.‎

‎Vence, 1951, in-8, br., couv. illustrée en jaune et bleu, (48 pp.). Reproductions et photographies de cette Chapelle décorée par Matisse. Imprimé par Mourlot.‎

‎fente et petit manque bord 1er plat couverture,dans l'etat Remise de 20% pour toutes commandes supérieures à 200 €‎

Référence libraire : 11446

‎MATISSE HENRI‎

‎CHAPELLE DU ROSAIRE DES DOMINICAINES DE VENCE‎

‎Vence. 1951. In-8. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. Env. 40 pages. Illustré de nombreuses reproductions en noir et blanc hors texte. Etiquette de code sur le 1er plat. Tampons et annotation de bibliothèque sur le 1er plat et en page de titre.. . . . Classification Dewey : 720-Architecture‎

‎Classification Dewey : 720-Architecture‎

Référence libraire : RO40141615

‎MATISSE, Henri‎

‎Chapelle du Rosaire des Dominicaines de Vence‎

‎VENCE, 1953 - In-8 - Broché - Nombreuses planches NB hors texte - Non paginé (environ 44 pages) - Très propre, très bon exemplaire‎

‎Matos Moctezuma (Edouardo), Rangel (Victor)‎

‎El Templo Mayor Tenochtitlan. Planos, cortes y perspectivas.‎

‎espagnol In-plano oblong (43x64 cm) de 46 pages dont 46 plans; broché de l'éditeur.‎

‎MATT LOENARD VON‎

‎L'ARCHITECTURE ANTIQUE A ROME‎

‎Arthème Fayard. 1959. In-4 Carré. Relié. Etat d'usage. Couv. légèrement passée. Dos fané. Intérieur frais. 12 pages de texte et env. 50 planches de photos héliogravées en noir et blanc. Légères mouillures sur la couverture. Jaquette manquante. Collection 'Roma'. Préface de Jérôme Carcopino. Intro. de Noël Calef d'après Bernard Andreae.‎

‎Matt Tyrnauer / Suzy Menkes‎

‎Valentino. A Grand Italian Epic‎

‎, Taschen, 2025 hardcover, dusjacket, 25 x 33.4 cm, 4.56 kg, 576 pages full colors. Englsh text. *new. ISBN 9783754400692.‎

‎Genius, Glamour, And Magnificent Gowns Valentino Garavani: the greatest name in Italian couture For almost half a century Valentino dominated Italian haute couture, dressing the world?s wealthiest and most glamorous women. Only a few years after opening his fashion house in Rome in 1959, Valentino could already count Elizabeth Taylor, Jackie Kennedy, and Audrey Hepburn among his devotees. Despite his retirement in 2007 little has changed; his brand continues to thrive and prosper, and is worn by celebrities like Gwyneth Paltrow and Jennifer Lopez. Valentino has always designed magnificent gowns, never wavering from his signature style despite fads like grunge, deconstruction, and minimalism. This book traces Valentino?s illustrious career through copious images from his archives, including drawings, magazine editorial shoots, advertisements, portraits, and documentary photographs. Presented chronologically, the visual material is accompanied by a vast array of newspaper and magazine articles about Valentino throughout the years. Combined, they provide an in-depth look at the man, his lifestyle, and his genius.‎

Référence libraire : 67103

‎Matt, Leonard Von‎

‎ANCIENT ROMAN SCULPTURE Introduction by Dr. Bernard Andreae‎

‎DJ has chipping and tears. Former owner's name to ffep. Minor shelfwear to DJ. ; Xi, 48 pp; Collection Roma; 48 pages‎

‎Matta-Clark Gordon‎

‎GORDON Matta-Clark. One for all - All for one‎

‎Rare catalogue of the exhibition at the Städtische Kunsthalle Düsseldorf, May 5th to June 4th, 1979 — Testi: Matta-Clark Gordon, Harten Jürgen et al. F.to: 26x17,5; BN; rileg. brossura. Editore: Städtische Kunsthalle, Düsseldorf, 1979.‎

‎MATTEI, Nicolas / VINCIGUERRA, Marie-Jean:‎

‎Les églises baroques de Corse. A la découverte d’un langage oublié.‎

‎DCL éditions, 2000, in-4to, XVI + 132 p., richement ill. couleurs, brochure originale.‎

Référence libraire : 126383aaf

‎MATTELAER, Johan;‎

‎Fallus in kunst & cultuur‎

‎, Groeninghe Uitgeveri 2000, 2000 Hardcover, 160 pagina's, Nederlands, 277 x 217 mm, mooi boek, diverse afbeeldingen, . ISBN 9789071868290.‎

Référence libraire : 55724

‎Matteo Cainer‎

‎Investigate Ask Tell Draw Build: 3XN Architects‎

‎London: Black Dog Publishing 2008. First edition. hardcover. very good/no dustjacket. 4to. pp. 302. heavy book additional postage will apply Black Dog Publishing hardcover‎

Référence libraire : 304943 ISBN : 1906155232 9781906155230

‎Matteo Favaretti Camposampiero, Mariangela Priarolo, Emanuela Scribano (eds)‎

‎Occasionalism: From Metaphysics to Science‎

‎, Brepols, 2019 Paperback, 293 pages, Size:156 x 234 mm, Illustrations:5 tables b/w., Languages: English, French. ISBN 9782503578170.‎

‎Summary Traditionally interpreted as an outcome of Cartesian dualism, in recent years occasionalism has undergone serious reassessment. Scholars have shifted their focus from the post-Cartesian debates on the mind-body problem to earlier discussions of body-body issues or even to the problem of causation as such. Occasionalism appears less and less a cheap solution to the mind-problem and more and more a family of theories on causation, which share the fundamental claim that all genuine causal powers belong to God. So why did the most spectacular emergence of occasionalism take place precisely in the post-Cartesian era? How did the scientific revolution and the need to fight back against the early modern resurgence of naturalism contribute to the success of occasionalist doctrines? This book provides a historical and theoretical map of occasionalism in all its various forms, with a special focus on its seventeenth-century supporters, adversaries, and polemical targets. These include not only canonical authors such as Cordemoy, La Forge, Malebranche, Spinoza, and Leibniz, but also less explored figures such as Clauberg, Clerselier, F nelon, Fernel, R gis, and Regius. Furthermore, the book covers the earlier Arabic and Scholastic sources of occasionalism and its later developments in Berkeley, Wolff, and Hume. TABLE OF CONTENTS Introduction (Matteo Favaretti Camposampiero, Mariangela Priarolo, Emanuela Scribano) I. God and the World God's Qudra (Power) and Natural Causality: Between Falsafa and Islamic Occasionalism (Cecilia Martini Bonadeo) Continuous Creation and Cartesian Occasionalism in Physics (Tad M. Schmaltz) Conservation as Continuous Creation: Just Like Creation but Not Necessarily Recreation (Sukjae Lee) Neither with Occasionalism nor with Concurrentism: The Case of Pierre-Sylvain R gis (Andrea Sangiacomo) II. Causality and the Laws of Nature Force de Loi: The Debate on the Laws of Nature and Malebranche's Occasionalism (Mariangela Priarolo) Malebranche, Occasionalism, and the Janus Faces of Law (Nicholas Jolley) III. Minds and Bodies Des trois notions primitives Dieu: Le probl me corps-esprit chez La Forge et chez Cordemoy (Sandrine Roux) La Forge's Mind-Body Problem: A Guide for the Perplexed (Steven Nadler) The Direction of Motion: Occasionalism and Causal Closure from Descartes to Leibniz (Matteo Favaretti Camposampiero) IV. Malebranche Reconsidered The Motivation of Malebranche's Occasionalism (Thomas M. Lennon) Extensions du domaine de l'occasionalisme: Les miracles de l'Ancien Testament et la distribution de la gr ce dans le Trait de la nature et de la gr ce de Malebranche (Denis Moreau) Connaissance et causalit : Les adversaires de Malebranche (Emanuela Scribano) Index‎

Référence libraire : 66060

‎Matteo Leonardi‎

‎Storia della lauda. Secoli XIII-XVI‎

‎, Brepols, 2021 Paperback, 511 pages, Size:178 x 254 mm, Illustrations:1 b/w, 6 col., Language: Italian. ISBN 9782503596273.‎

‎Summary La lauda, ovvero la poesia religiosa in volgare, soprattutto nella forma del canto collettivo di lode, di confessione e di supplica, un genere letterario-musicale di sfuggente classificazione. L'interpretazione che la vuole sempre arte popolare, priva di eloquenza formale, contraddetta da numerosi esempi di laude d'autore, da Guittone a Iacopone, da Bianco da Siena a Feo Belcari, da Leonardo Giustinian a Lorenzo de' Medici, di profonda raffinatezza intellettuale. Dopo la nascita in Italia centrale e settentrionale nel xiii secolo, nel quadro dei moti popolari penitenziali e alleluiatici e dell'espansione degli ordini mendicanti, la lauda non smette di accompagnare la storia della civilt italiana, generando una tradizione ininterrotta che interseca, nella molteplicit delle sue forme, la storie della letteratura, della musica e della spiritualit . Laude liriche e laude drammatiche, di corte e di piazza, meditative e pubbliche: la lauda si riveste d'abiti sempre nuovi, assecondando lo spirito mutevole dei tempi, capace d'intercettarne i gusti e le aspirazioni senza tradire la propria identit . Questo studio riannoda i fili della straordinaria storia della lauda, per apprezzarne la natura multimediale e proteiforme e la capacit dare voce anche a culture "di margine", dalla spiritualit dei laici a quella delle donne, costituendo una delle pi significative eredit consegnate dalla cultura medievale all'et moderna. TABLE OF CONTENTS 1. Introduzione 1.1 Gli studi sulla lauda, genere "multimediale" 1.2 I fili e la trama: per una storia della lauda 1.3 Nota filologica: il problema della "verit " del testo PARTE I. STORIA E GEOGRAFIA DELLA LAUDA 2. La lauda dal xiii al xvi secolo 2.1 La Preistoria: il retroterra monastico e confraternale 2.2. Da Montecassino all'Umbria: la fase "staminale" 2.3. Il secondo Duecento e la codificazione tra Disciplinati e Laudesi 2.4. La fioritura primotrecentesca: le direttrici di espansione della lauda 2.5. Il secondo Trecento: tra Gesuati, Bianchi e circoli cateriniani 2.6. Primo e pieno Quattrocento: tra Firenze e Venezia 2.7. Il secondo xv e l'inizio del xvi secolo: Savonarola, i Medici e i laudografi tosco-veneti 2.8. Serafino Razzi e la "rivoluzione Gutenberg" 2.9. Il secondo Cinquecento: la lauda "militante" dell'Oratorio 2.10. Le laude nelle scuole della Dottrina cristiana 2.11. L'illanguidimento del genere nel corso del Seicento PARTE II. LE GRAMMATICHE DELLA LAUDA 3. Il testo della lauda: una contaminazione di generi 3.1 Laudate Dominum: il retaggio biblico-liturgico 3.2 Vocazione volgare e osmosi con le letterature profane 3.3 La "predicazione" dello ioculator Domini. 3.4 La codificazione formale: ballata, modo pasquale e modo passionale 3.5 Lauda lirica e lauda drammatica: una categorizzazione sufficiente? 3.6. Le forme in movimento: sperimentazioni tre-quattrocentesche 3.7 Il "classicismo" primocinquecentesco e l'emergere di un "gusto nuovo" 3.8 La Parola in parole: l'irrisolta dialettica tra lauda e linguaggi profani 4. Laude "da vedere": l'intreccio tra parola, immagine e gesto 4.1 Levate gl'ochie et resguardate: il primato del senso della vista 4.2 Le miniature dei laudari di rappresentanza 4.3. L'ispirazione pittorica: la lauda come esegesi iconografica 4.4 "Parole dipinte" e "visibile parlare": la meditazione per immagini 4.5 Una "teologia dell'immagine"? 5. Laude "da cantare": bis orat qui bene cantat 5.1 La monodia due-trecentesca e l'adozione della ballata 5.2 Il pieno Trecento: la tradizione dei travestimenti spirituali 5.3 La nascita della lauda polifonica: tra ars e natura 5.4 Il secondo Quattrocento: fioritura frottolistica e "rassettatura" savonaroliana 5.5 Il primo Cinquecento: l'et del madrigale e la sintesi di Razzi 5.6. La lauda tridentina: le melodie "ariose e cantabili" 5.7 Musica angelorum o musica diaboli? 6. La teologia delle laude: una spiritualit esperienziale e affettiva? 6.1 Gustare e vedere Dio : cristocentrismo e nuove esigenze spirituali 6.2 Danza macabra : la spiritualit ascetico-penitenziale 6.3 Danza mistica : la spiritualit mistico-contemplativa 6.4 Dalla tradizione bonaventuriana alla devotio moderna 6.5 Orazione vocale e orazione mentale: tra formalismo e culto interiore 6.6 La lauda mariana: madonna Teologia 7. Fuori dal coro: voci di laici e di donne 7.1. Dopo lungo silenzio: voci nuove agli albori del basso Medioevo 7.2 L'ideologia delle confraternite: tra "liminalit " e renovatio 7.3 Spontaneit "dal basso" e istanze normative "dall'alto" 7.4 La stra-ordinaria emersione di una religiosit femminile 8. In conclusione Siglario Indice topografico dei manoscritti‎

Référence libraire : 65319

‎Matteo Vercelloni‎

‎1990. Stadi in Italia‎

‎Milano: Edizioni L'Archivolto 1990. This is a very good hardcover copy in a very good dust jacket with a closed tear to upper front corner and light wear around the edges. Completely clean inside and out. Text in English and Italian. Text by Matteo Vercelloni. A survey of modern stadium construction throughout Italy. Examples from Bari Bologna Cagliari Firenze Genova Milano Napoli Palermo Roma Torino Udine and Verona among other cities. Illustrated throughout in color and black & white. Illustrations on virtually every page. Appendices on construction regulations etc. 12" high X 9" wide 457 pages. Large heavy book foreign shipping will be extra.This book will be securely wrapped and packed in a sturdy box and sent with tracking. . First Edition. Hard Cover. Very Good/Very Good. Edizioni L'Archivolto Hardcover‎

Référence libraire : 011494 ISBN : 8876850244 9788876850240

‎Matteoni, Dario; Petraroia, Pietro; Di Gualdana, Giacinta Cavagna‎

‎Gio Ponti Fascination for ceramics‎

‎, Silvana Editoriale, 2011 Softcover, 160 pages illustrations, 23,9 x 17,3 x 1,5 cm.( book = new in cellophane ) ISBN 27.‎

‎One of the last century?s leading architects and industrial designers, Gio Ponti (1891?1979) was at the helm of Italy?s massive design renaissance in the years following World War Two, becoming particularly celebrated for his incredibly lightweight ?Superleggera? (?Superlight?) chairs of the late 1950s. Ponti initially studied architecture but abandoned it upon graduation to take up a position as art director at the Milanese ceramics manufacturer, Richard-Ginori. He remained at the company for the rest of the decade, designing ceramic, porcelain and majolica vases, bowls, figurines and trays that infused a Wiener Werkst tte elegance with his own love of visual storytelling. Ponti embellished his works with images of shapely women enveloped by tufts of clouds or resting upon classical architecture, animals in flight, and boats sailing upon rough, wave-filled seas. This volume appraises Ponti?s ceramic oeuvre for the first time.‎

Référence libraire : 53803

‎MATTERN Joseph S.J.‎

‎A travers les villes mortes de Haute Syrie. Promenades archéologiques en 1928, 1929, 1931‎

‎Beyrouth, Imprimerie Catholique 1933 175 [i] pp.avec 36 figures dans le texte + 48 planches hors-texte, br.orig. qqs.traces d'usage), 25cm., bon état, rare, dans la série "Mélanges de l'Université Saint-Joseph, Beyrouth (Liban)" Tome 17 fasc.1, X77310‎

Référence libraire : X77310

‎MATTERN, M. SUNIER, A.‎

‎Maisons et Chalets Suisses.‎

‎La Chaux-de-Fonds, G. Dubois 1916, 240x165mm, 24pages, broché.‎

‎petites photos n/b in texte, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

Référence libraire : 14692

‎Matthaei, Henning‎

‎Die Hamburgische Gesellschaft zur Beförderung der Künste und nützlichen Gewerbe - Patriotische Gesellschaft von 1765 - und ihr Haus im Zentrum der Stadt als Ausdruck selbstbewußten Bürgertums.‎

‎(Hamburg, Ernst Kabel), 1988. 87 S. Mit zahlr. Abb. u. 2 Grundrissen. Gr.-8vo. 24,5 cm. OPp.‎

‎Mit einem Verzeichnis der Vorsitzenden 1765-1988, Literaturauswahl u. Verzeichnis der an den Baumaßnahmen seit 1923 beteiligten Firmen.‎

Référence libraire : 20417

‎Matthew Christopher‎

‎ABANDONED AMERICA : The Age of Consequences signed‎

‎Jonglez Publishing 2014. Book. Illus. by Author. Fine. Hardcover. Signed by Authors. 1st Edition. 1st. Edition 2014 Hardcover with illustrated boards. 240 page book.Illustrated with color plates by the author some full page plates . This a very scarce signed copy by Matthew Christopher signed at the title page. Condition : Fine with a professional repair at the front hinge . Size: 4to - over 9¾ - 12" tall. Jonglez Publishing Hardcover‎

Référence libraire : 041522-E ISBN : 2361950944 9782361950941

‎Matthew Gale Beitr ge von Juliette Rizzi, Evelyn Benesch et al.‎

‎Pierre Bonnard Die Farbe der Erinnerung‎

‎, Hirmer / Kunstforum Wien, 2019 Hardcover 239 pages; Deutsch. 240 Seiten, 200 Abb. (davon 200 farbig). 24,5 x 26,4 cm. 1,5 kg. ISBN 9783777431987.‎

‎Pierre Bonnard (1867?1947) ist einer der geheimnisvollsten Maler des Postimpressionismus. In ber 100 Beispielen von 1900 bis 1947 wird die Vielfalt seines Werks vorgestellt: von den fr hen, im Geiste der Nabis entstandenen Arbeiten bis zu den sp ten, rein aus Farbe aufgebauten Kompositionen, die bis an die Grenze zur Abstraktion gehen. Der Band verdeutlicht die Entwicklung des herausragenden Koloristen zum Meister der Moderne. Bonnards Bilder, komponiert aus den subtilen Mitteln der Farbe, bleiben der Gegenst ndlichkeit verhaftet. Das raffinierte Spiel der Farbwerte ist f r ihn Mittel, um eine ? berwindung der Natur durch die Kunst? zu finden. In seinen farbenfrohen Landschaften und intimen Szenen scheint er die Harmonie der Natur zu preisen ? und stellt sie durch seine differenzierte Auseinandersetzung mit ihr wieder und wieder in Frage. Bonnard wird neu und im Kontext seiner Zeit verstanden. Die Auseinandersetzung mit seinen Malerfreunden und seine Reaktionen auf das politische Geschehen pr sentieren ihn als aktuellen K nstler des 20. Jahrhunderts.‎

Référence libraire : 57698

‎Matthew Hoskin‎

‎Manuscripts of Leo the Great?s Letters. The Transmission and Reception of Papal Documents in Late Antiquity and the Middle Ages‎

‎, Brepols, 2022 Hardback, 516 pages, Size:156 x 234 mm, Illustrations:36 tables b/w., Language: English. ISBN 9782503589664.‎

‎Summary This book explores the transmission of the letters of Leo the Great (pope, 440-461). After setting out the contours of Leo's papacy and the factors contributing to the sending and subsequent transmission of his letters to posterity, it deals in detail with around sixty collections of Leo's letters and over 300 manuscripts ranging in date from the sixth up to the sixteenth century. Each period of the Middle Ages is introduced as the context for collecting and copying the letters, and the relationships between the letter collections themselves are traced. The result is a survey of the impact of Leo the Great upon Latin Christendom, an impact that was felt in theology and canon law, especially from the age of the Emperor Justinian to the Council of Ferrara-Florence, and moving through the major monasteries of Europe from Corbie to Clairvaux. At every cultural Renaissance, Leo was a presence, being copied, rearranged, interpreted, and eventually printed. This book is a testament to the legacy of one of the mid-fifth century's most influential figures. TABLE OF CONTENTS Introduction Chapter 1: Leo's Letters in History, Canon Law, and Theology 1.1 Leo's Letters in History and Canon Law; 1.2 Leo's Letters and the History of Theology Chapter 2: Editing Leo's Letters 2.1 Giovanni Andrea Bussi; 2.2 The Sixteenth Century; 2.3 The Seventeenth Century; 2.4 Pasquier Quesnel; 2.5 Giacomo and Pietro Ballerini; 2.6 Epistolae Arelatenses genuinae (MGH Epist. 3), ed. Gundlach; 2.7 Collectio Avellana I (CSEL 35), ed. G nther; 2.8 The Tome of Pope Leo the Great, by Blakeney; 2.9 Eduard Schwartz; 2.10 Carlos Silva-Tarouca; 2.11 Hubert Wurm; 2.12 Benedikt Vollmann; 2.13 Corpus Fontium Manichaeorum Series Latina 1; 2.14 The Case for a New, Complete, Critical Edition Chapter 3: Pre-Carolingian Canonical Collections 3.1 The Earliest, Unknown Period of Transmission 3.2 Pre-Carolingian Canonical Collections and the renaissance g lasienne: a. Collectio Frisingensis Prima (F); b. Collectio Diessensis (Di); c. Collectio Quesnelliana (Q); d. Collectio Vaticana (L); e. Collectio Sanblasiana (Sa); f. Collectio Dionysiana (D); g. Collectio Dionysiana Bobiensis (D-b); h. Cresconius, Concordia canonum; i. Collectio Teatina (Te); j. Collectio Corbeiensis (C); k. Collectio Pithouensis (P); l. Collectio (ecclesiae) Thessalonicensis (T); m. Collectio Avellana; n. Collectio Arelatensis (Ar); o. Collectio Albigensis (Al); p. Collectio Remensis (Re); q. Collectio Coloniensis (K); r. Collectio Sancti Mauri (M); s. Collectio Vetus Gallica; t. Epitome Hispana; u. Collectio Hispana (S); v. Collectio Hispana Systematica; w. Ragyndrudis Codex (Codex Bonifatianus II) Chapter 4: Chalcedonian Collections Context of the Collections; 4.1 Latin Chalcedonian Collections: a. Ballerini Collection 17 (Early Latin Acta; Ac); b. Collection of Vat. lat. 1322 (A); c. Rusticus' Acta (Ru); d. Versio Gestorum Chalcedonensium antiqua correcta (Ch); e. Collectio Novariensis (N); f. Collectio Casinensis (Ca); g. Collectio Grimanica (G); h. Codex Encyclius; i. Verona LIX (57); j. A Carolingian fragment of the Tome 4.2 The Greek Transmission of Leo's Letters: a. Collection M; b. Collection B; c. Collection H Chapter 5: The Carolingian Tradition of Manuscripts 5.1 The Carolingian Context 5.2 Carolingian Canonical Collections: a. Collectio Dionysio-Hadriana (D-h); b. Collectio Hadriano-Hispanica (H-s); c. Collectio Dionysiana adaucta (D-a); d. Collectio Hispana Gallica (S-g); e. Collectio Hispana Gallica Augustodunensis (S-ga); f. Pseudo-Isidorus Mercator, Decretales (I); i. Context; ii. Hinschius' Classification System; iii. Hinschius A/B & B (Ballerini Collection 10; I-b); iv. Hinschius A1 (I-a); v. The Cluny Recension, or Yale Pseudo-Isidore (Y); vi. Hinschius Class C (I-c); g. The canon law manuscript Vat. Reg. lat. 423; h. Systematic as well as Unorganised Collections of Extracted Canons 5.3 Other Carolingian Collections; a. Collectio Bobbiensis (B); b. Collectio Ratisbonensis (E); c. Ep. 28 in the Roman Homiliary; d. Ep. 28 in the Homiliary of Agimond Chapter 6: Post-Carolingian Collections and the Age of Reform 6.1 Introduction to the High and Late Mediaeval Contexts 6.2 Post-Carolingian Canonical Collections: a. Collectio Lanfranci; b. Collectio Britannica; c. The Collection of William of Malmesbury; d. Systematic as well as Unorganised Collections of Extracted Canons Before Gratian; e. The Concordia discordantium canonum (Decretum) of Gratian 6.3 Other Post-Carolingian Collections: a. Ballerini Collection 20; b. Ballerini Collection 21 (Y-a); c. Ballerini Collection 22 (22); d. Ballerini Collection 23 (23); e. Ballerini Collection 24 (24); f. Collectio Florentina (Ballerini Collection 13; m); g. Collection of 73 Letters (73); h. Ashburnham 1554; i. Collection of Vat. Reg. lat. 293; j. An eleventh-century pair of Leo's letters; k. Milanese Sermon Collection D; l. Ambrosiana C.50.inf.; m. Vat. Ross. 159; n. Eugenius IV's collection; o. Later Manuscripts of the Tome; p. Other high and late medieval manuscripts with only one Leo letter Chapter 7: Conspectus of the Letters of Pope Leo the Great Conclusion Appendix: Proto-Collections Analysed in this Book Bibliography of Primary Sources Bibliography of Secondary Works‎

Référence libraire : 64936

‎Matthew Reeves‎

‎PLEURANTS Alabaster Mourners for the Tomb Monument of Jean de Berry (1340-1416)‎

‎, Phoebus Focus XXVI, 2022 PB, 210 x 148 mm, 88 pages., EN edition., Phoebus Focus XXVI ISBN 9789464366228.‎

‎Medieval sculptures are notoriously hard to study. So often divorced from their original context and function by centuries of destruction, alteration or just neglect, the subtleties of their aesthetic impact, their meaning and their symbolic complexity are at times almost completely hidden from us, to be only loosely gleaned or reconstructed. Fortunately, this is not the case with the two beautiful pleurants - or mourners - in the collection of The Phoebus Foundation. This edition of Phoebus Focus takes you on a journey of questions and discoveries: who were these men, for whom were they made, and why? Matthew Reeves tells the story of one of France's richest princes, Jean de Berry (1340-1416), his profound love of art and the wondrous ways in which sculpture can be used to commemorate, move us to prayer, and serve political ends.‎

Référence libraire : 61104

‎Matthews, Mariana‎

‎La Iglesia En Chiloe‎

‎Valdivia Chile: Kultrun 1985. First edition. Softcover. Good. Square quarto white portfolio <br/><br/>Twelve photographic plates by Matthews: studies of the churches of Chiloe an island of 8000 kilometres off the coast of Chile. Kultrun paperback‎

Référence libraire : 4924