‎Architecture‎

‎Andy Steel ; Liz Farrelly‎

‎Celebrity and Performance : The World's Top Photographers Workshops‎

‎, Rotovision, 2009 Hardcover, 176 pages, ENG, 255 x 255 x 18 mm, in good condition, illustrated in colour. ISBN 9782940378401.‎

‎Demonstrates how to shoot big personalities. This title showcases the work reflecting the various aspects of celebrity and performance photography, including projects shot in studios, on sets, in theatres, on stage, and on location.‎

Référence libraire : 60782

‎ANDREADIS (Ianna).‎

‎Chantier ouvert au public.‎

‎Musée du Quai Branly / Panawa 2006 1 vol. relié in-8 oblong, demi-toile orange, cartonnage éditeur illustrée, non paginé, nombreuses photographies en couleurs de l'artiste plasticienne Ianna Andreadis. Très bon état.‎

Référence libraire : 92371

‎André Maurois‎

‎Chantiers américains‎

‎Librairie Gallimard 1933 189 pages in12. 1933. broché. 189 pages.‎

‎Etat correct roussuers sur la couverture coins émoussés intérieur bon‎

Référence libraire : 9879

‎Andre Breton‎

‎cl des champs‎

‎Paris, Les ditions du Sagittaire, 1953 broch , sous jaquette illustr par Miro, 286 pages, 23 x 14.5 cm, FR. *en bon tat.‎

‎illustr e de nombreuses planches hors texte. Bon exemplaire‎

Référence libraire : 69744

‎Andr Garitte‎

‎code Magritte / de Magritte Code NL/FR.‎

‎, Pandora / Rene Magritte Museum 2017, 2017 Softcover, 71 pages, NL/FR, 210 x 150 mm, als nieuw / tres bon etat, illustraties in kleur. ISBN 9782930532035.‎

‎Ren Fran ois Ghislain Magritte (Lessen, 21 november 1898 ? Schaarbeek, 15 augustus 1967) was een Belgisch surrealistisch kunstschilder.‎

Référence libraire : 58867

‎André GUTTON‎

‎Conversations sur l'architecture. Tome VI : L'URBANISME AU SERVICE DE L'HOMME : L'architecte et l'aménagement de l'espace. Cours de théorie de l'architecture professé à l'Ecole nationale supérieure des Beaux-Arts‎

‎Fort in-4, 655p, Vincent Fréal & Cie. Reliure de l'éditeur en pleine toile écrue, titre imprimé en rouge au premier plat et au dos. Quelques rousseurs, salissures et traces d'usage sur les plats, coiffes légèrement effilochées avec petits accrocs, mors solides, déchirure sur la partie supérieure du dos. Intérieur frais et propre. Bon exemplaire malgré les défauts d'usage.‎

Référence libraire : ARCH7054M

‎Andr Dasnoy‎

‎Coupes en verre orn es de symboles chr tiens‎

‎Gembloux, J. Duculot, 1956 Couverture souple, pages 360-373, planches XIII-XXVIII, FR. * tat bien.‎

‎Extrait des annales de la soci t arch ologique de Namur. Tome XLVIII, 1956. Deuxi me livraison.‎

Référence libraire : 68592

‎Andr Beguin‎

‎Dictionnaire technique de l'estampe‎

‎, , 1998 Couverture souple, 340 pages, 30 x 21 cm, FR, illustrations. *Comme neuf. ISBN 2903319022.‎

‎Dictionnaire technique de l'estampe‎

Référence libraire : 68745

‎ANDERES, Bernhard:‎

‎Die Kunstdenkmäler des Kantons St. Gallen, Band 4: Der Seebezirk. ‘KDS’, 53.‎

‎Basel, Birkhäuser, 1966, in-4°, XVI + 668 S., mit 709 Abbildungen, Original-Leinen.‎

Référence libraire : 4531aaf

‎Andersen, Hans Christian (1805-1875)‎

‎Die Nachtigall.‎

‎Küsnacht. Irene Burkhardt. 1999. Quer-4°. 33 nicht numerierte Seiten, mit zahlreichen Illustrationen von Irene Burkhardt‎

‎Taldellos erhalten.‎

Référence libraire : 30928AB

‎Andrea Zamboni‎

‎Dominique Perraut‎

‎Actes Sud 2010 Cartonnage rigide glacé illustré éditeur - 117 pages Bon état 698 g‎

Référence libraire : 3094

‎Andre-Charles Coppier‎

‎eaux-fortes Authentiques de Rembrandt (2 vol.) La vie et l'oeuvre du ma tre.-La technique des pi ces principales. Catalogue chronologique des eaux-fortes authentiques et des tats de la main de Rembrandt.‎

‎Paris, Firmin-Didot et Cie, 1929 Deux tomes, 110 + 128 feuilles. Numerot 893. 34 x 26 cm. Fran ais. tat bien. .‎

‎Les eaux-fortes Authentiques de Rembrandt (2 vol.)‎

Référence libraire : 66749

‎Anderson Perry‎

‎English Questions‎

‎Verso Books 1992 384 pages 15 4x2 6x23cm. 1992. Broché. 384 pages.‎

‎Bon état proche du très bon état‎

Référence libraire : 100138606 ISBN : 860915913

‎Andreotti, Giulio; Moscati, Sabatino; Pavan, Massimiliano; Cardini, Franco; Rossi, Wilde Tosi; Mei, Francesco; Bussagli, Mario‎

‎Europe. Myth and Reality‎

‎, Editalia Roma 1989, 1989 Hardcover, 272 pages, English, 320 x 250 mm, book in perfect condition, in a cassette, much illustrations, mostly in b/w. ISBN 9788870602012.‎

Référence libraire : 56439

‎André Barret‎

‎Fontainebleau, Le miroir des dames‎

‎Relié, 124 pages, paru en 1984 chez Robert Laffont, livre proche du neuf.‎

Référence libraire : ART5769M

‎Andrea Massironi, Atria Larson (eds)‎

‎Fourth Lateran Council and the Development of Canon Law and the ius commune‎

‎, Brepols, 2019 Hardback, 331 pages, Size:156 x 234 mm, Languages: English, French, Italian. ISBN 9782503583013.‎

‎Summary This volume collects essays from an international group of scholars who treat various aspects of the Fourth Lateran Council's placement within the development of the ius commune. Topics include the canon law about armsbearing clergy, episcopal elections, heresy, degrees of affinity within marriage, the oversight of relic veneration; two essays highlight the council's reaction to the Fourth Crusade's sack of Constantinople in trying to incorporate the eastern church into the ecclesiastical structure and liturgical norms of the Roman Church; several essays concentrate on the usage of Roman or civil law in some of Lateran IV's constitutions and emphasize issues of private and procedural law. Collectively, and headed by an essay by Anne J. Duggan on the relationship of Pope Alexander III's pontificate to the Lateran IV constitutions, the essays create a fuller picture of Innocent III and his curia's reliance on developments within the jurisprudence of the preceding half century, but they also reveal the ways in which they forged new paths and made significant contributions to guide canon law in the years following the council. TABLE OF CONTENTS Atria A. Larson & Andrea Massironi, Introduction Part I: The Canon Law Background to the Fourth Lateran Council Anne J. Duggan, The Ghost of Pope Alexander III: "Following Closely in the Footsteps of Pope Alexander, Our Predecessor of Good Memory, so Great is our Veneration for Him ..." Lawrence G. Duggan, Armsbearing by the Clergy and the Fourth Lateran Council Part II: Canon Law and Canonistic Jurisprudence for Regulating Clerics and the Liturgy Thomas Izbicki, The Lateran Council and the Greeks: c.4 Licet Graecos Steven A. Schoenig, S.J., The Popes and the Patriarchs: The Fifth Constitution of Lateran IV Fabrice Delivr , Une constitution lectorale : Th ories et pratiques au miroir de Quia propter Giles Constable, The Fourth Lateran Council's Constitutions on Monasticism Part III: Canon Law and Canonistic Jurisprudence for Governing the Faithful Vito Piergiovanni, Eresia e lesa maest nella normativa di Innocenzo III e nel Concilio Lateranense del 1215 Alejandro Morin, The Fourth Lateran Council's Non debet (c. 50) and the Abandonment of the System of Derived Affinity Christine Oakland, The Legacy of Canon 62 on Relics in the Diocese of Sens in Northern France (1215-1469) Anthony Perron, Grave Concerns: Law, Miracles, and the Cemetry, 1100-1300 Part IV: The ius commune of Contracts, Rights, and Procedure Piotr Alexandrowicz, Canon Plerique (c.56) of the Fourth Lateran Council within the Development of the Principle pacta sunt servanda Lukasz Korporowicz, Roman Law Behind the Decrees 39-41 of the Fourth Lateran Council Andrea Massironi, Prescrizione e buona fede acquisitiva: la costituzione Quoniam omne (c.41) nell'interpretazione della canonistica medievale Giovanni Chiodi, La costruzione Qualiter et quando (c.8) e l'ordo inquisitionis nella canonistica medievale Index of Legal Citations, Papal Letters and Important Texts Index of Proper Names and Places Index of Manuscripts‎

Référence libraire : 66058

‎Andrea Lindmayr-Brandl, Paul Kolb (eds)‎

‎Gaspar van Weerbeke. New Perspectives on his Life and Music‎

‎, Brepols, 2019 Paperback, 332 pages, Size:190 x 290 mm, Illustrations:6 b/w, 14 col., 18 tables b/w., 39 music examples, Language: English. ISBN 9782503584546.‎

‎Summary In memoriam Gerhard Croll (1927-2019) Gaspar van Weerbeke was one of the most successful Franco-Flemish musicians of the second half of the fifteenth century, holding prestigious positions in the Sforza court in Milan, the Burgundian court chapel, and the papal chapel in Rome. His compositions were widely transmitted in manuscript and print sources throughout Europe, and he was one of the best represented composers in the early Italian music prints of Ottaviano Petrucci. Despite the high esteem of his contemporaries, Gaspar has up to now played only a peripheral role in Renaissance music historiography. This book is the first collection of research articles dedicated exclusively to the life and works of Gaspar. While the basic facts of Gaspar's life have long been known, the book fleshes out the details, presenting a more differentiated and complex picture of his biography. Analysis of a wide range of Gaspar's compositional output leads to new interpretations of his approach to different genres: masses, motets, and motet cycles. His relatively small quantity of songs is revisited in light of the confusion-both then and now-over the meaning and validity of their attributions. This book seeks to promote further research on this composer and place him in his appropriate place in music history. TABLE OF CONTENTS Andrea Lindmayr-Brandl & Paul Kolb, Introduction Part I. Biographical aspects Klaus Pietschmann, Seven Reasons for Italy: Gaspar van Weerbeke's Career between Flanders, Milan, and Rome Paul A. Merkley, Weerbeke in Milan: Court and Colleagues Sean Gallagher, Belle promesse e facti nulla: A Letter to Weerbeke and the Treatment of Singers in Florence and Milan Laurence Fagnart, Gaspar Depicted? Leonardo's Portrait of a Musician Grantley McDonald, Gaspar van Weerbeke as a Member of the Burgundian Chapel Jeannette DiBernardo Jones, Gaspar van Weerbeke and France: The Poetic Witness of Guillaume Cr tin Part II. Masses and Motets Fabrice Fitch, 'Under the Radar' or 'Caught in the Crossfire'? The Music of Gaspar van Weerbeke and its Reception History Agnese Pavanello, Weerbeke's Stylistic Repertoire: New Insights from the Marian Motets Fabrice Fitch, The Cycle as Modular Composition: The Motetti missales of Gaspar van Weerbeke Wolfgang Fuhrmann, Another 'Most laudable competition'? Gaspar, Josquin, Regis, and the Virgin in Distress Paul Kolb, A New Mass and its Implications for Gaspar's Late Mass Style Andrea Lindmayr-Brandl, Petrucci's Gaspar: Sources, Editing, and Reception Part III. Secular Music David Fallows, Gaspar and Japart: The Secular Works, with Particular Reference to Basevi 2442 and a Word about Fridolin Sicher Carlo Bosi, Caught in the Web of Texts: The Chanson Family Bon vin/Bon temps and the Disputed Identity Eric Jas, La stangetta Reconsidered: Weerbeke, Isaac, and the Late Fifteenth-Century Tricinium Bibliography, General Index, Index of Works‎

Référence libraire : 65904

‎Andr Gagn‎

‎Gospel According to Thomas. Introduction, Translation and Commentary‎

‎, Brepols, 2019 Paperback, x + 274 pages, Size:120 x 190 mm, Illustrations:1 b/w, Language: English. ISBN 9782503584904.‎

‎Summary The Gospel According to Thomas is a collection of 114 sayings of Jesus attributed to a certain Didymus Judas Thomas. For scholars, the text has much to offer for the study of early Christian literature, history, and theology. This enigmatic collection of sayings is part of a series of tractates in the Nag Hammadi Codices which were found in Egypt in 1945. Since the discovery of the Gospel According to Thomas, scholars have endeavoured to uncover the place of writing and the sources of these sayings, which in some cases are similar to those found in the synoptic gospels and other New Testament writings, as well as in several early Christian texts. Without neglecting nor negating this important historical research on the Gospel According to Thomas, this new translation accompanied by a commentary focuses on another aspect that has been given less attention in scholarship, namely that of a synchronic reading and interpretation of the text. The main question this book attempts to answer is: What does the Gospel According to Thomas actually mean?‎

Référence libraire : 66016

‎Andreas Sternweiler / Walter Lokau / Timo te Duits‎

‎HEIDI KIPPENBERG‎

‎, Arnoldsche, 2021 Paperback, 96 pages, GER, 240 x 170 mm, NEU, ca 50 ill. in farbe. ISBN 9783897906389.‎

‎Heidi Kippenberg studied ceramics under Walter Popp, the legendary teacher at the Kassel Art Academy whose avant-garde work opened up new dimensions of form and expression for ceramic vessels. She internalized the aesthetic of Popp?s vessels and simultaneously gave them her own distinctive touch. Strongly twisted, thick-walled, sometimes mounted stoneware vessels, further enlivened by thick monochrome glazes and augmented with sign-like contrasting glazed accents, characterize her oeuvre. Later she was inspired by East Asian ceramics and began to build her vessels, assembling them from slabs, giving their surfaces a lively structure, and transforming them into decorative landscapes. An oeuvre spanning more than half a century can be admired!‎

Référence libraire : 62285

‎Andreas Papadakis ; Alexandra Papadakis‎

‎Innovation : From experimentation to realisation‎

‎, Bis Publishers, 2003 Hardcover, 144 pages, ENG, 310 x 250 x 20 mm, dustjacket, in New condition, images / illustrations in colour. ISBN 9789063690663.‎

‎New technologies and new ophical concepts have converted what was once wishful thinking and referred to disparagingly as 'paper ideas' into a world suddenly full exciting architectural forms. Today, in the words of Wolf Prix, 'You can only succeed in architecture if you are doingalionary buildings in terms of programme, shape and structure. ' These new ideas, ins red also by science and the space industry, have filtered-- through to the worlds business, sport, shopping and entertainment. This is not innovation for the sake of inovation but art and architecture based on carefull considered ideas that enhance and add to our experience of life today,‎

Référence libraire : 60260

‎ANDRAC Maurice‎

‎Intérieurs anciens et rustiques‎

‎,Paris, Ch. Massin éditeur s. d., circa 1960, 137 pp., 1 vol. in 4 relié plein toile verte avec jaquette illustrée en couleurs (petite déchirure), nombreuses illustrations in et hors-texte en noir et blanc et en couleurs.‎

Référence libraire : 15682

‎Andr Evrard‎

‎Invitation: Andr Evrard, Galerie Numaga 2, 2 octobre 1971‎

‎Auvernier, Galerie Numaga 2 , 1971 Softcover, 22 x 19 cm, 4 pages, Fran ais. Good condition.‎

‎Invitation: Andr Evrard, Galerie Numaga 2, 2 octobre 1971‎

Référence libraire : 70764

‎ANDRE Anne-Marie, LEPETITGALAND Damien & al.‎

‎Itinéraires marials en Rhône-Alpes‎

‎Lyon, EMCC, 1996, 24 x 25, 102 pages cousues sous couverture rempliée illustrée. Iconographie couleurs. Photographies couleurs de Damien Lepetitgaland.‎

‎Très bon état.‎

Référence libraire : ARCHIRELIG200623

‎Andrew Graham-Dixon , Martin Herbert , Charlotte Mullins‎

‎Jan Vanriet, the music boy‎

‎Brussel, Roberto Polo Gallery, 2016 Hardback, 168 pages, 29.5 x 24 cm, EN. ISBN 9781907363108.‎

‎The Music Boy exhibition at the New Art Gallery Walsall is the artist's first in the United Kingdom. A 168-page hardback, illustrated catalogue featuring extensive essays by Andrew Graham-Dixon and Martin Herbert, as well as a foreword by Charlotte Mullins was published on the occasion. The exhibition is titled after a quadriptych of paintings depicting the artist's grandmother and his uncle playing an accordion.Jan Vanriet's work mainly concerns the memory of history and the construction of pictorial surface. As Martin Herbert writes: "Vanriet builds up his paintings in layers, and the strata of underpainting have, in his case, a polyvalent quality. In some cases they form glazes that gift the paintings with an internal glow; in others, the half-visible ghosts of earlier paintings both reaffirm the idea that something is being held back, and situate Vanriet's paintings as a carefully wrought, crafted statement that has gone through stages in order to reach a conclusive point, like a phrase honed through multiple careful edits." Jan Vanriet's mother, father and uncle participated in the Resistance movement and were deported by the Nazis. His parents met in the Mauthausen concentration camp and their stories and memories of the Second World War and its aftermath continue to permeate his paintings. Themes of love, loss, identity, destiny and disappearance pervade his work. And yet Vanriet says: "The starting point may be my family, but I see it as a universal story. I don't want the themes to be too narrow, too close to me, because they should go wider than that. If not, it is only anecdote and I have not painted well enough."‎

Référence libraire : 66141

‎ANDERSEN, C.CHR.‎

‎Kjøbenhavns Slot. Resumé en Franc.‎

‎Kbhvn., 1902. Folio. Ohshirt. 29 pp. samt 15 tavler.‎

Référence libraire : 7615