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‎Ann Demeester, Jan Hoet e.a.‎

‎Kati Heck.‎

‎, Hannibal, 2016 Gebonden, Hardcover. 29 x 24,7 cm,144 bladzijden, Quadrichromie,Tweetalige editie Nederlands-Frans . ISBN 9789492081544.‎

‎Kati Heck wordt beschouwd als een erfgename van het Duitse expressionisme. Haar werk doet denken aan de bars, dansers en acteurs van Otto Dix en George Grosz, net als aan de oude meesters. Ze synthetiseert stijlen en is net zo goed een abstracte expressionist als een realist. Delen van haar schilderijen zijn minutieus weergegeven op gestikte doeken, met een unieke virtuositeit en acute aandacht voor detail, terwijl andere delen abstracter weergegeven of zelfs gebeeldhouwd worden. De manier waarop ze niet-traditionele materialen en alledaagse objecten in innovatieve en eigenzinnige combinaties verwerkt, herinnert aan Robert Rauschenberg. Hecks portretten belichamen een diepe, overtuigende en sociale visie, en zijn tegelijk ondoorgrondelijk persoonlijk. De weergegeven onderwerpen zijn meer dan enkel acteurs, het zijn meestal zelfportretten en personen uit haar directe omgeving. Haar werk werd onlangs geexposeerd in CAC Malaga en Mary Boone Gallery New York, en wordt de komende maanden getoond in Expo Chicago en het Antwerpse M HKA. Met tekstbijdragen van onder meer Ann Demeester (Frans Hals Museum/De Hallen Haarlem) en wijlen Jan Hoet, een verhaal door Woody Allen en een gesprek met Luc Tuymans.‎

Referencia librero : 48543

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‎Ann Demeester, Jan Hoet e.a.‎

‎Kati Heck.‎

‎, Hatje Cantz, 2016 Hardcover. 29 x 24,7 cm,144 pages , Quadrichromie, Text in English / German *New book! ISBN 9783775741316.‎

‎German Expressionism and New Objectivity shine forth in the paintings by Kati Heck (*1979 in D sseldorf). Her monumental paintings impress viewers with their humorous blend of styles, consisting of photorealistic figures together with graphic elements. Some sections of the collage-like works are meticulously painted in, while others are quickly executed. Like Robert Rauschenberg, Heck joins nontraditional materials and everyday objects to develop highly unusual pictorial creations. ?She clearly, convincingly, and permanently questions the art of painting,? says Jan Hoet about her oeuvre. The volume on Kati Heck focuses primarily on the painting of one of the most interesting aspiring artists of today.‎

Referencia librero : 56374

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‎Ann Demeester, Jan Hoet e.a.‎

‎Kati Heck. (Signed with original drawing)‎

‎, Hannibal, 2016 Gebonden, Hardcover. 29 x 24,7 cm,144 bladzijden, Quadrichromie,Tweetalige editie Nederlands-Frans. Met handtekening en tekeningetje van Kati Heck. . ISBN 9789492081544.‎

‎Kati Heck wordt beschouwd als een erfgename van het Duitse expressionisme. Haar werk doet denken aan de bars, dansers en acteurs van Otto Dix en George Grosz, net als aan de oude meesters. Ze synthetiseert stijlen en is net zo goed een abstracte expressionist als een realist. Delen van haar schilderijen zijn minutieus weergegeven op gestikte doeken, met een unieke virtuositeit en acute aandacht voor detail, terwijl andere delen abstracter weergegeven of zelfs gebeeldhouwd worden. De manier waarop ze niet-traditionele materialen en alledaagse objecten in innovatieve en eigenzinnige combinaties verwerkt, herinnert aan Robert Rauschenberg. Hecks portretten belichamen een diepe, overtuigende en sociale visie, en zijn tegelijk ondoorgrondelijk persoonlijk. De weergegeven onderwerpen zijn meer dan enkel acteurs, het zijn meestal zelfportretten en personen uit haar directe omgeving. Haar werk werd onlangs geexposeerd in CAC Malaga en Mary Boone Gallery New York, en wordt de komende maanden getoond in Expo Chicago en het Antwerpse M HKA. Met tekstbijdragen van onder meer Ann Demeester (Frans Hals Museum/De Hallen Haarlem) en wijlen Jan Hoet, een verhaal door Woody Allen en een gesprek met Luc Tuymans.‎

Referencia librero : 68995

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‎Ann Eljenholm Nichols, Holly James-Maddocks‎

‎Cambridge II‎

‎, Brepols - Harvey Miller, 2022 Paperback, 328 pages, Size:210 x 270 mm, Illustrations:47 b/w, Language: English. ISBN 9781912554270.‎

‎Summary This is the ninth volume in a continuing series of publications listing and identifying all illustrations contained in English manuscripts from the time of Chaucer to Henry VIII. Because representations of all types are included?from miniatures to marginalia? the series provides unparalleled reference to imagery in the long fifteenth century. The present fascicle, the second of two devoted to the collections in Cambridge, catalogues 553 manuscripts for eleven colleges and can be used as a search tool for manuscripts available on line. The manuscript entries in the catalogue note the subject of every illustration, all of which are fully indexed in the index of pictorial subjects. Entries for alchemy and medicine are particularly rich in this fascicle; the largest entry is for costume. The broad range of pictorial information makes the Cambridge fascicles useful supplements to the fifth volume of A Catalogue of Western Illumination in the Fitzwilliam Museum and Cambridge Colleges. Like the other fascicles in the series, Cambridge II includes a manual for users, an extensive glossary of subjects and terms, indexes of authors, texts and incipits, as well as a list of manuscripts with coats of arms. There are forty-seven black and white illustrations.‎

Referencia librero : 64916

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‎Ann Giletti, Dag Nikolaus Hasse (eds)‎

‎Mastering Nature in the Medieval Arabic and Latin Worlds. Studies in Heritage and Transfer of Arabic Science in Honour of Charles Burnett‎

‎, Brepols, 2023 Hardback, 292 pages, Size:156 x 234 mm, Illustrations:8 b/w, 9 col., 6 tables b/w., Language(s):English, Latin, Arabic. ISBN 9782503604480.‎

‎Summary Understanding and influencing nature were preeminent aims of medieval Arabic science, and attracted European fascination with its accomplishments. This volume draws together studies on central themes, presenting a world of enquiry into the earth and the heavens, and ways to harness this information for divination and the occult sciences. It gives examples of how Arabic science travelled to Latin Europe through texts and instruments, and how it underwent transformation there as diverse fields were put to use and reinterpreted. The studies introduce a range of learning and perspectives: astrology conducted with planetary lots; a geography where features of the earth's surface move over time; knowledge of the elements and climates which Adelard of Bath learned from Arab masters; Avicenna's meteorology explaining the extremes of fire storms and catastrophic floods; debates about the eternity or creation of the world; evaluations of magic as a rational, intellectual discipline, or alternatively a danger needing censorship and linked to female witchcraft; and a precious astrolabe which in the Renaissance was reused and inspired new theoretical writings. Together these studies sketch a landscape of medieval Arabic science and Latin European engagement with this new frontier. TABLE OF CONTENTS Introduction Ab? Ma?shar and the Tradition of Planetary Lots in Astrology ?DORIAN GIESELER GREENBAUM The Ikhw?n al-?af?? on the ??rat al-Ar?: A Geography in Motion? GODEFROID DE CALLATA? Adelard of Bath on Climates and the Elements: An Adaptive View on Nature ? PEDRO-MANTAS ESPA A Avicenna's On Floods (De diluviis) in Latin Translation: Critical Edition with an English Translation of the Arabic ? DAG NIKOLAUS HASSE Latin Scholastics on the Eternity of the World and Eternal Creation on the Part of the Creature: Did They Amount to the Same Thing? ? ANN GILETTI Whitewash for ?Black Magic': Justifications and Arguments in Favour of Magic in the Latin Picatrix ? DAVID PORRECA Censorship, maleficia, and the Medieval Readers of the Liber vaccae ? SOPHIE PAGE The Transmission of Materialized Knowledge: A Medieval Saphea with Islamic Projections, Re-engraved in the Renaissance ? KOENRAD VAN CLEEMPOEL Bibliography of Works by Charles S. F. Burnett Index‎

Referencia librero : 63297

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‎Ann Jooris , Robert Hughes‎

‎Beaux arts collection : Vincent van Gogh‎

‎, Ludion , 2002 Softcover, 48 pagina's, Nederlands, 300 x 240 mm, in prima staat, . ISBN 9789055444106.‎

‎Robert Hughes en Ann Jooris beschrijven in een notendop het turbulente leven en de even productieve geest van Vincent Van Gogh.‎

Referencia librero : 56037

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‎Ann Jooris Roland Jooris‎

‎wereld van ROGER RAVEEL‎

‎, Ludion, 2003 Softcover, 48 pagina's, met prachtige illustraties. ISBN 9789055444755.‎

‎Overzichtelijk en bevattelijk album waarin de conservator van het Roger Raveelmuseum, Roland Jooris, de eigengereide kunst van de meester ontvouwt.‎

Referencia librero : 53993

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‎ANN ROONEY HEUER‎

‎LES MAISONS DE CAMPAGNE EN IRLANDE‎

‎LA MARGELLE. 1999. In-4. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 96 pages. Nombreuses photographies en couleur, dans le texte et hors texte.. Avec Jaquette. . . Classification Dewey : 720-Architecture‎

‎Classification Dewey : 720-Architecture‎

Referencia librero : R240007654

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Le-livre.fr / Le Village du Livre
Sablons France Francia França France
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‎Ann Stewart Balakier and James J Balakier‎

‎The Spatial Infinite at Greenwich in Works by Christopher Wren James Thornhill and James Thomson‎

‎The Edward Mellen Press Lewiston; Queenston; Lampeter 1995. First Edition. Hardcover. Near Fine Condition/No Dust Jacket. Gilt lettering on the spine and front cover is somewhat dulled. This copy was previously owned by Kerry Downes the source of a number of the plates. Fresh covers tight binding clean pages and end-papers. Contains black and white plates full page illustrations. No dust-jacket. Previous owner's name architectural historian Kerry Downes in pencil at the front. Quantity Available: 1. Shipped Weight: under 1 kg. ISBN: 0773490574. ISBN/EAN: 9780773490574. Pictures of this item not already displayed here available upon request. Inventory No: 25022041252. All our books music and maps are sent by a tracked mail service. 9780773490574 The Edward Mellen Press hardcover‎

Referencia librero : 25022041252 ISBN : 0773490574 9780773490574

Biblio.com

Bailgate Books Ltd
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‎Ann Temkin‎

‎Henri Matisse: The Red Studio.‎

‎, MOMA, N.Y, 2024 Hardback, 224 pages, Dimensions 270 x 230 mm, Color illustrations, English ed. ISBN 9781633451322.‎

‎In 2022, The Museum of Modern Art and the Statens Museum for Kunst will present an ambitious dossier exhibition focusing on Henri Matisse?s Red Studio from 1911. The large painting depicts the artist?s work environment in Issy-les-Moulineaux, crowded with his own canvases, sculptures, furniture and decorative objects. Matisse?s radical decision to saturate the work?s surface with red has continued to fascinate generations of scholars and artists.‎

Referencia librero : 66545

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‎Ann Temkin (Auteur), Dorthe Aagesen (Auteur)‎

‎MATISSE, L'ATELIER ROUGE (CATALOGUE OFFICIEL D'EXPOSITION)‎

‎, HAZAN, 2024 Couverture originale de l' diteur Hardcover, 231 pages Illustrated.Texte en Francais, Illustrations en couleurs en noir & blanc nombreuses illustrations dans et hors texte. ISBN 9782754113854.‎

‎Cr en 1911, L Atelier rouge d Henri Matisse est devenu l'une des oeuvres les plus influentes de l'histoire de l'art moderne. Acquise en 1949 par le Museum of Modern Art (MoMA) de New York, o elle est depuis expos e, cette toile repr sente l?atelier de l?artiste Issy-les-Moulineaux, en proche banlieue parisienne. Elle montre un espace rempli de peintures, de meubles et d?objets d coratifs. La d cision radicale de Matisse de recouvrir de rouge la majeure partie de la surface du tableau a fascin des g n rations de chercheurs et d?artistes, mais il restait encore beaucoup d couvrir sur la gen se et l?histoire de l??uvre. Cet ouvrage abondamment illustr accompagne l?exposition consacr e L?Atelier rouge qui r unit, pour la premi re fois depuis qu?ils ont quitt l?atelier de l?artiste, les tableaux, sculptures et objets qui y figurent ? qu?il s?agisse des trois peintures aujourd?hui conserv es au Danemark dans les collections du SMK ? Statens Museum for Kunst, dont Le Luxe (II) (1907-1908), ou de pi ces moins connues qui n?ont t localis es que r cemment. Publi en fran ais l?occasion du volet parisien de l?exposition la Fondation Louis Vuitton, Matisse, L?Atelier rouge propose des analyses d?Ann Temkin, The Marie-Jos e and Henry Kravis Chief Curator of Painting and Sculpture au MoMA, et de Dorthe Aagesen, chercheuse et conservatrice en chef au SMK. Ensemble, elles retracent le parcours du tableau de Matisse, de sa commande initiale son arriv e New York, en passant par l?historique de ses expositions et de ses propri taires successifs. Par leurs recherches approfondies et leur lecture attentive, elles transforment notre compr hension de cette ?uvre cl de l?art du XXe si cle.‎

Referencia librero : 64196

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‎Anna Cambedda, Alberta Ceccherelli‎

‎Le Mura di Aureliano Dalla Porta Appia al Bastione Ardeatino‎

‎bross. edit. ill. con bandelle - illustrazioni in b.n. nel testo e a colori fuori testo‎

‎Anna Cecilia Koldeweij, Friso Lammertse, Volker Manuth, Fred Meijer, Monique Rakhorst, Vienna van Rosmalen‎

‎Henri de Fromantiou : Royal Illusions , ENG.‎

‎, Bonnefanten Museum, 2015 Hardback, 120 pages, English edition FINE! ISBN 9789082296525.‎

‎Along with the first exhibition on Henri de Fromantiou, looks on this occasion also the first monograph on the artist's light. The book you have before you want it Bonnefantenmuseum fill this gap in art history. There are several chapters included that allow discussed together all aspects of this broad-based man come, as his apprenticeship, his appointment as court painter in Potsdam, his work and his role as an art dealer. After his birth in Maastricht and its nebulous apprenticeship was the Fromantiou based in The Hague and Amsterdam. Samen met de eerste tentoonstelling over Henri de Fromantiou, ziet bij deze gelegenheid ook de eerste monografie over de kunstenaar het licht. Met het voor u liggende boek wil het Bonnefantenmuseum deze kunsthistorische lacune opvullen. Er zijn verschillende hoofdstukken opgenomen die samen alle aspecten van deze breed georienteerde man aan bod laten komen, zoals zijn leertijd, zijn aanstelling als hofschilder in Potsdam, zijn oeuvre en zijn rol als kunsthandelaar. Na zijn geboorte in Maastricht en zijn in nevelen gehulde leerperiode was De Fromantiou werkzaam in Den Haag en Amsterdam.‎

Referencia librero : 46898

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‎Anna Dlaba?ov , Renaud Adam, Joran Proot, Marieke Van Delft, Ludo Vandamme‎

‎Incunabula in the low countries: materiality, presentation and transmission‎

‎Antwerpen , Vereniging Van Antwerpse Bibliofielen, 2025 Zachte kaft, 116 pagina's, 16 x 24 cm, English/Nederlandstalige tekst. *New . ISBN 9789080885592.‎

‎In 2023 was het 550 jaar geleden dat vrijwel tegelijk in Utrecht en Aalst voor het eerst een boek werd gedrukt in de Nederlanden. In 2023 is ook het project IMPRESSVM. De wieg van de Vlaamse boekdrukkunst afgerond.Dat project inventariseert alle in Vlaanderen gedrukte incunabelen in Vlaams bezit op basis van een gestandaardiseerd model en maakt dit raadpleegbaar via de STCV. De verjaardag en de afronding van het project vormden de aanleiding voor een themanummer van De Gulden Passer over incunabelen onder de titel Incunabula in the Low Countries : Materiality, Presentation and Transmission, waarin zowel onderzoek naar de inhoud, de vorm als naar het materi le aspect van de incunabelen wordt gepresenteerd‎

Referencia librero : 67248

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‎Anna Enquist‎

‎Contrapunt + CD‎

‎, Arbeiderspers, 2008 Hardcover, 204 pagina's, NL, 220 x 140 mm, in nieuwstaat, met CD !.in een papieren cassette ISBN 9789029566759.‎

‎Hangend over een grote tafel en bevangen door een grimmige eenzaamheid bestudeert een vrouw de Goldbergvariaties van Johann Sebastian Bach. Ze doet dat met de rug naar de toekomst, de blik gericht op wat geweest is. Soms staat ze op om plaats te nemen aan de vleugel en een variatie te gaan spelen. Maar de pianostudie lijkt voor de vrouw allereerst een verdovend middel. Langzaam maar zeker, variatie voor variatie, ontvouwt zich het landschap van haar verleden zoals zij dat voor zich ziet. Dat levert een allerminst chronologisch beeld op. Op de voorgrond treedt echter voortdurend een gezin: een vrouw (die zij zelf is), een man, een dochter en een zoon ? in verschillende levensstadia. Momenten van geluk en pijn, van vrolijkheid en razernij, van onbekommerdheid en zorg wisselen elkaar in snel tempo af. Zo is het leven. Maar onder al dat onvermijdelijke existeren resoneert van meet af aan iets; aanvankelijk ternauwernood waarneembaar maar gaandeweg dringt een verontrustende ondertoon zich in toenemende mate aan ons op. Een onstuitbare melodie als een aanzwellend noodlot dat alles overstemt en essentieel is. De toekomst heeft zich in de verste hoek van de kamer teruggetrokken. Buiten gaat het leven zijn onhoudbare gang. In een kleine wereld, los van ruimte en tijd, speelt de moeder een lied voor haar kind. Voor het eerst, voor het laatst.‎

Referencia librero : 59541

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‎Anna G. Piotrowska‎

‎From Gypsy to Bohemian: A Study of the Musical Rhapsody‎

‎, Brepols, 2021 Hardback, xxii + 247 pages, Size:210 x 270 mm, Illustrations:15 b/w, 13 musical examples, Language: English. ISBN 9782503594873.‎

‎Summary This volume examines the concept of rhapsody through a broad lens. Beginning with a discussion of the meaning(s) of the term itself, it then traces the history and reception of the genre and its significance in European culture. It argues for a close relationship between the idea of rhapsody and the concept of Gypsiness by demonstrating that 'rhapsody' and 'Gypsiness' can be seen as manifestations of the same types of influence and preferences for certain aesthetic categories. The book pays special attention to the seminal role of Franz Liszt in its discussion of the instrumental rhapsody. Ultimately, it reveals the consequences of historiographical representations of the rhapsody (e.g. the ossification of the image of the European Gypsy musician as a bard/rhapsode, the fossilization of presumptions concerning the nature of so-called 'Gypsies') as well as unexpected similarities and differences between the rhapsody and the ballad as romantic genres with national implications. TABLE OF CONTENTS Acknowledgements Prolegomenon Chapter One Gypsy Musicians as Rhapsodes of the Nineteenth Century Chapter Two Gypsy Improvisation and the Idea of Rhapsody Chapter Three The Gypsy Character of Musical Rhapsody Chapter Fourth Gypsy, Hungarian, Romanian ? The National Element in Rhapsodies Chapter Five Between Rhapsody and Ballad Postscript: Continuations and Reactivations Bibliography Index of Names‎

Referencia librero : 65399

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‎Anna Jackson, Elena Filipovic, Catherine L. Futter‎

‎Ives Maes - The Future Of Yesterday‎

‎, Ludion , 2013 Hardcover, 247 pages, English, 290 x 250 x 25 mm, good condition, with photographs in colour, . ISBN 9789461300867.‎

‎In this fascinating collection of photographs, the Belgian artist Ives Maes explores the architecture of world expos. He sets the faded glory of these sites against the ambitious and utopian project, full of promise, represented by the first world exhibition. Maes shows how time has taken its toll on these architectural monuments and pavilions, now decayed, abandoned, or torn from their original context. In this comprehensive book, Maes?s photographs are set alongside images of the Great Exhibition in London (1851) through to the most recent expo in Shanghai (2010). The images are accompanied by essays from Anna Jackson, Elena Filipovic and Catherine L. Futter on the history of world fairs, the role of photography and the sculptural character of Maes?s photographic work‎

Referencia librero : 57389

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‎Anna Koopstra‎

‎HANS MEMLING BRUGES‎

‎, Hannibal Books, 2024 HB, 292 x 245 mm, 208 pages, Illustrations en couleurs en noir & blanc nombreuses illustrations dans et hors texte .FR edition neuf. ISBN 9789464666908.‎

‎Ouvre poustouflante de Hans Memling, le Primitif flamand Bruges Hans Memling (vers 1435-1494), artiste cl parmi les Primitifs flamands, est inextricablement li la ville de Bruges. Le Retable des deux saints Jean et la Ch sse de sainte Ursule, qu'il a r alis s pour l'h pital Saint-Jean, figurent parmi ses oeuvres les plus impressionnantes. Sept autres chefs-d'oeuvre de ce ma tre du xve si cle sont encore expos s Bruges, au Mus e H pital Saint-Jean et au Mus e Groeninge, o l'on peut toujours les admirer. Cet ouvrage pr sente les peintures poustouflantes de Memling et les d crit dans leurs moindres d tails. Il offre une occasion unique de mieux conna tre ou de red couvrir l'ensemble de son oeuvre. Anna Koopstra, conservatrice de la peinture flamande ancienne Musea Brugge, explique, dans des textes accessibles tous, la puissance de l'imagination de Memling, sa ma trise technique et le contexte culturel dans lequel le peintre a v cu et travaill .‎

Referencia librero : 62842

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‎Anna Koopstra‎

‎HANS MEMLING IN BRUGES.‎

‎, Hannibal Books, 2024 HB, 292 x 245 mm, 208 p, throughout color illustrations, ENG edition ISBN 9789464666892.‎

‎Breathtaking work by Hans Memling, the Flemish Primitive in Bruges The Flemish Primitive artist Hans Memling (c. 1435-1494), who played a crucial role in early Netherlandish painting, is inextricably associated with Bruges. Among his most impressive creations are the St John Altarpiece and the St Ursula Shrine, which he created for St John's Hospital in the city. Seven more of this fifteenth-century master's finest works can also be seen in Bruges, at what is now the St John's Hospital Museum and at the Groeninge Museum. This book describes Memling's breathtaking paintings in close detail, while offering readers the opportunity to (re)discover his oeuvre as a whole. In a series of accessible essays, Anna Koopstra, curator of early Netherlandish painting at Musea Brugge, explores Memling's imagination, his technical brilliance and the cultural context in which the artist lived and worked.‎

Referencia librero : 62844

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‎Anna Koopstra‎

‎HANS MEMLING IN BRUGGE‎

‎, Hannibal Books, 2024 HB, 292 x 245 mm, 208 pages, met illustraties in kleur nieuw! NL tekst. ISBN 9789464666885.‎

‎Het adembenemende werk van Hans Memling, de Vlaamse primitief in Brugge De Vlaamse primitief Hans Memling (ca. 1435-1494), die een cruciale rol speelde in de vroege Nederlandse schilderkunst, is onlosmakelijk verbonden met Brugge. Tot zijn indrukwekkendste creaties behoren ongetwijfeld het Johannesaltaar en het Ursulaschrijn, die hij maakte in opdracht van het Sint-Janshospitaal. Daarnaast zijn nog zeven andere topwerken van de oude meester te bewonderen in het Brugse Museum Sint-Janshospitaal en het Groeningemuseum. Dit boek toont Memlings adembenemende kunstwerken tot in de kleinste details en biedt een unieke gelegenheid om zijn werk beter te leren kennen of te herontdekken. Anna Koopstra, conservator vroeg-Nederlandse schilderkunst van Musea Brugge, vertelt in toegankelijke essays over Memlings verbeeldingskracht, zijn technische meesterschap en de culturele context waarin de schilder leefde en werkte.‎

Referencia librero : 62843

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‎Anna Koopstra‎

‎Jean Bellegambe (c. 1470-1535/36) Making, Meaning and Patronage of his Works‎

‎, Brepols - Harvey Miller, 2023 Hardback,Pages: 160 pages, Size:210 x 297 mm Illustrations:10 b/w, 105 col.Language(s):English. ISBN 9782503574370.‎

‎The book by Anna Koopstra about Jean Bellegambe adds an extremely careful, thorough, and beautifully produced study to the monographs on early Dutch painters. (...) More traditional art historical research?iconographic, stylistic, archival, and historiographic?is combined with modern technical research and a keen eye for drawings and graphics as visual sources for the artist. (?) The beautifully produced and clearly written book represents excellent and versatile art historical research that, through in-depth analysis of a small group of characteristic artworks, offers a new perspective on an important artist, his work and methods, as well as the impact of that distinctive body of work." Drs. Lidewij de Koekkoek (VNK, Frans Hals Museum) - Jury President - 2023 Karel van Manderprijs BIO Anna Koopstra (1980) studied art history at the University of Groningen (MA, 2004) and obtained her doctorate from the Courtauld Institute of Art (PhD, 2016). She has held curatorial positions and research fellowships at the Suermondt-Ludwig Museum (2005-08), The Metropolitan Museum of Art (Slifka interdisciplinary Fellow, 2008-10), The National Gallery (2015-17), and the Courtauld (Associate Caroline Villers Research Fellow, 2016/17). Her research focuses on the technical investigation of paintings, and in particular on the making and meaning of early Netherlandish paintings. SUMMARY Jean Bellegambe (c. 1470- 1535/36), whose career as far as we know spanned the first three decades of the sixteenth century, was a successful painter. His patrons included some of the most high-ranking clerics in the Habsburg-Burgundian Netherlands as well as members of the ruling class of Douai, the town where he lived and worked all his life. This is the first study to appear since Dehaisnes' 1890 monograph that is exclusively devoted to the artist. By reassessing primary evidence - archival documents and material evidence from the works of art themselves - it aims to highlight Bellegambe's artistic achievements. Close scrutiny of his paintings and investigation of the artist's working methods will show that Bellegambe visualised the concerns of his patrons by closely linking the physical characteristics of his works to their original imagery, function and use. This volume presents a series of five case studies of his works that were made for a monastic community, two individual clerics, a town hall and a bourgeois layman, thus providing rich evidence of patronage and audiences. The objective here is to examine how Bellegambe met the challenges posed by these commissions, and to gain further insight into the practice of a skilled artist who - rooted in a long line of craftsmanship and artistic tradition and in close collaboration with his colleagues and patrons - produced a body of highly original works. TABLE OF CONTENTS INTRODUCTION CHAPTER I The Artist?s Life and Career Life Works Posthumous legacy CHAPTER II Oeuvre and Patrons The Anchin Polyptych Similar patrons, similar commissions Other works CHAPTER III Preliminary Observations on Materials and Working Methods Panels and frames Underdrawing and painting technique Technical evidence and questions of attribution Workshop CHAPTER IV Jean Bellegambe and the Convent of Flines: Reconsidering The Cellier Altarpiece Monastic reform and the convent of Flines The evolution of the composition Interpreting the iconographic program Location, audience, date CHAPTER V Clerical Devotion and the Monastic Milieu: The Diptych of the Virgin and Child with Saint Bernard and an Unidentified Cistercian Monk The Virgin and child as an object of clerical devotion The abbess as exemplar CHAPTER VI Self-Representation and Piety for the Here and the Hereafter: Abbot William of Brussels and the Triptych of the Annunciation William of Brussels as a patron Function and location CHAPTER VII Painting as a Moral Compass: Triptych of the Last Judgment The Last Judgment, the Four Last Things, and visions of heaven and hell Function and audience CHAPTER VIII Civic Duty, Charitable Giving, and the Wish to Be Commemorated: The Pottier Triptych and the Pottier Family Reviewing the archival evidence Iconography and meaning Scenes of the life of Saint Anne, demi-grisaille, and the reality of giving CONCLUSION Bibliography‎

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‎Anna Koopstra, Christine Seidel, Joshua P. Waterman (eds)‎

‎Tributes to Maryan W. Ainsworth Collaborative Spirit: Essays on Northern European Art, 1350?1650‎

‎, Brepols - Harvey Miller, 2022 Hardback, Pages: 346 pages, Size:210 x 275 mm Illustrations:250 col. Language(s):English. ISBN 9781912554751.‎

‎This volume honors Maryan W. Ainsworth, curator emerita at The Metropolitan Museum of Art and former adjunct professor at Barnard College, whose work as a scholar, curator, and teacher has profoundly impacted the study of early northern European painting. Contributions by leading specialists from museums and academia, including former interns and fellows, reflect Ainsworth?s emphasis on the centrality of the object and on the interdisciplinary methods of technical art history, while also paying homage to the variety of Ainsworth?s research interests as a whole. The essays explore topics such as the working methods of individual artists, workshop practice, artistic collaboration, and patronage across a range of media?mainly painting, but also manuscript illumination, drawing, tapestry, sculpture, and stained glass. TABLE OF CONTENTS Acknowledgments Anna Koopstra, Christine Seidel, and Joshua P. Waterman Maryan W. Ainsworth: An AppreciationChronological Bibliography of Maryan W. Ainsworth Keith Christiansen The Fourteenth-Century Bohemian Virgin and Child Enthroned at The Met: Some Preliminary Thoughts Till-Holger Borchert Collaborator or Follower of Jan van Eyck? The Painter of the Simpson Carson Virgin Reconsidered Stephan Kemperdick Petrus Christus?s Altarpiece of 1452: A New Reconstruction Ron Spronk Jan Provoost before c.1500: The Documentary Evidence Molly Faries Maarten van Heemskerck?s Early Lamentation of Christ: The Beginning of a Long Career Maximiliaan P. J. Martens A Christ as the Man of Sorrows by Quinten Massys Julien Chapuis and Sophie Hoffmann From Wood to Silver: Michel Erhart and Heinrich Hufnagel at the Bode Museum Dagmar Eichberger The Cult of Mary Magdalene and Jacques de Saint-Nectaire?s Tapestry Series for the Abbey Church of La Chaise-Dieu (1518) Diane Wolfthal The Color of Money and Other Temporary Natural Alterations in Silver-Stained Windows Sandra Hindriks Optical Illusion as Epistemological Challenge: Konrad Witz?s Saint Christopher Peter Parshall Ad vivum: Observations on Hugo van der Goes?s Monforte Altarpiece in Berlin Alice Hoppe-Harnoncourt ?PRIMA TABVLA HABET IMAGINES?: A Reconsideration of Bernhard Strigel?s Family Portrait of Emperor Maximilian I Thomas Kren On the Role of an Early-Sixteenth-Century Drawing in Netherlandish Luxury Manuscript Production Daantje Meuwissen A Portable Artistic Resource: The Practical Uses of the Pocket-Size Sketchbook of Cornelis Anthonisz (c.1505?1553) Dan Ewing A Tale of Two Altarpieces: Jan de Beer?s Birmingham and Madrid Paintings Peter van den Brink The Stigmatization of Saint Francis by Joos van Cleve: A New Discovery Sophie Scully The Examination and Treatment of the Annunciation by Joos van Cleve at The Metropolitan Museum of Art Ronda Kasl Things They Do Not Have: Royal Spanish Gifts for the Emperor of China Melanie Gifford Rembrandt and the Rembrandtesque: The Experience of Artistic Process and Its Imitation‎

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‎Anna Lampadaridi, Eleonora Kountoura Galaki, Guillaume Bady (eds)‎

‎Sources et m andres des lettres grecques. Textes, manuscrits et ditions de sources patristiques et byzantines‎

‎, Brepols, 2025 Paperback, Pages: 234, Size:170 x 240 mm, Languages: French, English, Greek. ISBN 9789603710950.‎

‎Summary On the occasion of the eighty-year anniversary of the founding of the Sources Chr tiennes series, the authors of the present volume deal with various aspects of the dissemination of patristic and Byzantine texts. They discuss translation as an expression of cultural transfer, with particular interest in the role of mediators. Different forms of reception of the texts are also examined. The manuscript tradition and the compilation of collections provide information on the dissemination, circulation and use of texts. From a literary point of view, the revision and rewriting of texts is examined through the lens of intertextuality. Through philological analysis, linguistic elements of particular interest are highlighted. Covering a wide range of topics, from patristics to hagiology and epistolography, and employing different approaches, the authors of this volume make us rethink how texts are born, interact, change and circulate through the centuries. TABLE OF CONTENTS Sigles et abr viations bibliographiques St phane Gioanni La collection Sources Chr tiennes : une collaboration d'excellence entre le Centre National de la Recherche Scientifique (CNRS) et l'Association des Amis de Sources Chr tiennes (AASC) Eleonora Kountoura Galaki Awakening of the Late Antiquity Literature: "Sources Chr tiennes" and the revival of Patristic Studies Anna Lampadaridi ?nteractions et volutions textuelles : des aventures d'une l gende une r flexion G n rale Dominique Gonnet, s.j. L'apport des P res grecs la langue et la litt rature syriaques Jean Reynard Johannes Vaz Motta (Io o Vaz da Mota), traducteur de Gr goire de Nysse Marie-Gabrielle Gu rard, L' pitom sur le Cantique des cantiques de Procope : quelques remarques propos de copistes grecs actifs Venise au milieu du xvie s. et de leurs commanditaires ????? ?????????? ??????? ????????? ??? ????????? ???????? ?? ??? ??????? ??? 14?? ????? Guillaume Bady Les Lettres du pr tre Constance (ou Constantin) accompagnant le recueil pistolaire de Jean Chrysostome Theodora Antonopoulou A Note on the Life of Saint John Chrysostom by George of Alexandria: The Tradition of Chrysostomic Lives, Textual Criticism, and the Contribution of the Life by Nicetas David the Paphlagonian St phanos Efthymiadis Langage et discours spirituels dans la Correspondance de Barsanuphe et Jean de Gaza ???? ?????????? ? ???? ??? ????? ??????? (BHG 760) ??? ????? ???????????: ???????????? ??????? ?? ?? ?????? ??? ??? ???????? ??? ??????????????? ????? Charis Messis Litt rature et saintet : les Vies de femmes Byzance (ixe-xiie s.) Index g n ral Index des manuscrits grecs Index gr citatis‎

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‎Anna Magdalena Blomley‎

‎Bronze Coins of Eastern Mount Ossa in the Thessalian Perioikic Region of Magnesia. Homolion, Eureai, Eurymenai, and Meliboia‎

‎, Brepols, 2024 Hardback, xxviii + 232 pages, Size:152 x 229 mm, Illustrations:226 b/w, 7 tables b/w., Language: English. ISBN 9780897223959.‎

‎Summary This monograph examines the Late Classical and Hellenistic bronze coinages of five mints in the Thessalian perioikic region of Magnesia. At the core of this work lies a new die-study of the coins produced by the strategically and economically important coastal cities of Homolion and Meliboia as well as the lesser-known mints of Eureai, Eurymenai, and Rhizous. Combining this die-study with a close examination of the cities' topographical context in a border region between Thessaly and Macedon and drawing on archaeological data from Magnesia and beyond, the monograph addresses key questions concerning the chronology, denominations, and circulation patterns of the bronze issues minted on eastern Mount Ossa. This analysis not only throws new light on coin production in Late Classical and Hellenistic Magnesia, but also allows a discussion of the possible military and non-military functions of the region's different bronze issues. Placing the coins of Eureai, Eurymenai, Homolion, Meliboia, and Rhizous in their wider context, this monograph furthermore addresses broader issues in the history of Thessalian coinage. In particular, the monograph's regional approach offers an unusual opportunity to examine to what extent Thessaly's Late Classical and Hellenistic civic coins were genuinely local in design, production, and function. The monograph thus both explores the coins of Mount Ossa and contributes towards a better understanding of the introduction and development of bronze coinages in the wider Thessalian region and beyond. TABLE OF CONTENTS Preface Abbreviations List of Tables List of Figures List of Plates 1. Setting the Scene: Thessalian Bronze Coinages 2. The Topography and Political Geography of Eastern Mount Ossa 3. The Cities of Eastern Mount Ossa and their Coinages (Homolion, Meliboia, Eurymenai, Rhizous, and Eureai) 4. The Chronology of the Coinages of Mount Ossa 5. The Bronze Coinages of Northeastern Magnesia: Circulation, Denominations, and Patterns of Minting Activity 6. The Bronze Coinages of Northeastern Magnesia: Two Possible Functions 7. Conclusion: Bronze Coinages between Magnesia, Thessaly, and Macedone Bibliography Appendix I: Catalogue of Coins Appendix II: Tables Indexes (Coins by Collection, Coins by Excavation and Findspot, Coins by Auction, Sources, General) Plates‎

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‎Anna Maria Maetzke‎

‎PIERO DELLA FRANCESCA : Les oeuvres‎

‎, Silvana Editoriale , 2013 Hardcover dusjacket, 240 pages, Texte en Francais, 290 x 240 mm, neuf!, 150 illustrations en couleur. ISBN 9788836624645.‎

‎Cette monographie est d di e un des plus grands artistes de la Renaissance italienne, Piero della Francesca (Borgo Sansepolcro, aux alentours 1416/1417-1492). Chaque oeuvre du ma tre, du Bapt me du Christ la Nativit conserv es la National Gallery, est pr sent e avec une image en pleine page et attentivement tudi e, tant du point de vue historique qu'esth tique, sans n gliger les fortunes critiques au cours des si cles. Un int r t particulier est r serv la splendide s rie de fresques, avec La l gende de la Vraie Croix dans la basilique de San Francesco d'Arezzo, consid r e comme son chef d'oeuvre. L'auteur, qui nous devons les restaurations de la Chapelle, propose dans cette tude les r sultats des interventions sur la moiti des surfaces peintes, accompagn s d'images des fresques apr s restauration. Le volume repr sente un instrument complet et maniable pour tous ceux qui veulent se rapprocher de l'oeuvre de Piero della Francesca.‎

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‎Anna Marie Roos, Vera Keller (eds)‎

‎Collective Wisdom. Collecting in the Early Modern Academy‎

‎, Brepols, 2022 Hardback, 325 pages, Size:178 x 254 mm, Illustrations:51 col., Language: English. ISBN 9782503588063.‎

‎Summary This volume analyses how and why members of scholarly societies such as the Royal Society, the Society of Antiquaries of London, and the Leopoldina collected specimens of the natural world, art, and archaeology in the seventeenth and eighteenth centuries. These scholarly societies, founded before knowledge became subspecialised, had many common members. We focus upon how their exploration of natural philosophy, antiquarianism, and medicine were reflected in collecting practice, the organisation of specimens and how knowledge was classified and disseminated. The overall shift from curiosity cabinets with objects playfully crossing the domains of art and nature, to their well-ordered Enlightenment museums is well known. Collective Wisdom analyses the process through which this transformation occurred, and the role of members of these academies in developing new techniques of classifying and organising objects and new uses of these objects for experimental and pedagogical purposes. TABLE OF CONTENTS Vera Keller and Anna Marie Roos, Introduction Kelly J. Whitmer, Putting Play to Work: Collections of Realia and Useful Play in Early Modern Educational Reform Efforts Chantal Grell, Tito Livio Burattini, a Seventeenth-Century Engineer and Egyptologist Georgiana Hedesan, University Reform and Medical Alchemy in Ole Worm's Museum Wormianum (1655) Fabien Kr mer, The Curiosi as Collectores: The Publications of the Academia Naturae Curiosorum, c. 1652-1706 Vera Keller, Vernacular Knowledge, Learned Medicine, and Social Technologies in the Leopoldina, 1670-1700, or, How to Publish on Sirens, Dragons, and Basilisks Philip Beeley, 'The Antiquity, Excellence, and use of Musick': Wallis, Wanley, and the Reception of Ancient Greek Music in Late Seventeenth-Century Oxford Julia A. Schmidt-Funke, Urban Fabric and Knowledge of Nature: Physicians as Naturalists in Early Modern Commercial Towns Kim Sloan, Sloane's Antiquities: Providing a 'Body of History' through Beads, Bottles, Brasses and Busts Dustin Frazier Wood, Antiquarian Science and Scientific Antiquarianism at the Spalding Gentlemen's Society Anna Marie Roos, The First Egyptian Society Louisiane Ferlier, Collective Wisdom in the Digital Age: Digitizing Early Modern Collections at the Royal Society‎

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‎Anna Moraht -Fromm‎

‎PALIMPSEST form and meaning of a recently discovered late medieval panel from Nuremberg.‎

‎BE - , De Backker medieval art, Hardcover 57 PAGES Color illustrations .‎

‎PALIMPSEST form and meaning of a recently discovered late medieval panel from Nuremberg.‎

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‎Anna Reuter / Jos Manuel Matilla‎

‎Goya. The Complete Prints, complete collection of his 287 etchings and lithographs,‎

‎, Taschen, 2025 Hardcover in slipcase, XL, 24.3 x 30.4 cm, 3.78 kg, 600 pages, Multilingual (English, French, German). *NEW. ISBN 9783836581516.‎

‎The Soul of Spain, The entirety of the artist?s etchings and lithographs collected in one volume; With acute powers of observation and artistic innovation, Francisco de Goya captured the soul of the Spanish nation in turmoil, around the dawn of the 19th century. In this complete collection of his 287 etchings and lithographs, we see into the mind of an artist unafraid to navigate the depths of human folly, hypocrisy, violence, and power. Francisco de Goya was one of the most innovative peintre-graveurs of the late 18th and early 19th centuries, his etchings and lithographs masterpieces of modern printmaking. Trained in Spain and Italy, and appointed First Court Painter to Charles IV early in his career, he brought the sensibilities of the Enlightenment into uneasy dialogue with the brutal realities of his time. Whether working in single sheets, like the harrowing The Garrotted Man or the sublime Seated Giant, or across his celebrated series?the satirical Caprichos, the unflinching Desastres de la Guerra, the dynamic Tauromaquia, and the nightmarish Disparates?Goya chronicled both the spirit and the shadows of a world in upheaval, where the individual was often crushed by violence, superstition, or power. These weren?t just reflections on Spanish society. They were indictments, meditations, and warnings, etched in copperplates. This landmark collection of 287 etchings and lithographs gathers Goya?s complete printed ?uvre, including editions produced under his direct supervision, as well as rare state proofs from unpublished series, giving uncommon insight into his restless experimentation and meticulous control over the printmaking process. With a detailed commentary on each image and commanding essays by Jos Manuel Matilla and Anna Reuter, this volume is the culmination of more than two centuries of scholarly research, and is a searing visual narrative. Goya did not simply depict his world. He dissected it, laying bare the eternal tensions between reason and madness, justice and cruelty, hope and despair.‎

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‎Anna Russakoff‎

‎Imagining the Miraculous: Miraculous Images of the Virgin Mary in French Illuminated Manuscripts, ca. 1250-ca. 1450‎

‎, Brepols, 2019 Hardback, xvii + 194 pages, Size:205 x 255 mm, Illustrations:94 b/w, Language: English. ISBN 9780888442154.‎

‎Summary This is not a book about miraculous images of the Virgin Mary (be they icons, sculptures, altarpieces, or reliquaries) but about their representations in French illuminated manuscripts from ca. 1250 to ca. 1450. Most of these depictions of the Virgin Mary cannot be identified even tangentially with particular surviving images (such as the Virgins of Rocamadour, Soissons, Chartres, and Laon). Rather, these illustrations point to the ubiquity of local miraculous Marian images in devotional practices from the thirteenth to the fifteenth century in French-speaking regions. This book analyzes depictions of material images and the animated miracles they perform, and traces their evolution from the earliest narratives of Marian miracles written in Old French to texts and images produced at the Burgundian court of the late Middle Ages. Beginning with the most extensive compilation of Gautier de Coinci's Miracles de Nostre Dame, the study then examines lesser-known anonymous works such as the Vie des P res and encyclopedic collections including the French version of Vincent of Beauvais' Speculum historiale and the Ci nous dit, as well as a theatrical production of the Miracles de Nostre Dame par personnages, before concluding with the prose rendering of the Miracles by Jean Mi lot. Imagining the Miraculous explores the ways in which these works depict physical images, such as panel paintings and sculptures, on the manuscript page. Each chapter provides a detailed iconographical analysis of the miniatures and the diverse techniques of visual narrative they harness, serving also to show how attentive reading of their reception can help us understand how the miniatures themselves might have led viewers to imagine the miraculous moment when an image comes to life.‎

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‎Anna Tummers , Christopher Atkins‎

‎FRANS HALS : Oog in oog met Rembrandt, Rubens en Titiaan‎

‎, Nai010 Uitgevers/Publishers 2013, 2013 Softcover, 160 pagina's, Nederlands, 285 x 235 mm, boek in prima staat, met veel illustraties in kleur, . ISBN 9789462080522.‎

‎2013 is uitgeroepen tot Frans Hals Jaar. Het is dan precies 100 jaar geleden dat het Frans Hals Museum zijn deuren opende. De belangrijkste tentoonstelling in dit jubileumjaar is 'Frans Hals. Oog in oog met Rembrandt, Rubens en Titiaan', waarin sleutelstukken van Frans Hals worden gepresenteerd te midden van schilderijen van beroemde collega's onder wie Titiaan, Rembrandt, Van Dyck, Jordaens en Rubens. In de gelijknamige publicatie worden alle werken uit de tentoonstelling zij aan zij gepresenteerd, zodat de lezer de meesterwerken kan vergelijken en kan zien hoe de kunstenaars elkaar inspireerden. Deze bijzondere confrontaties van meesterschilders zijn essentieel om zeventiende-eeuwse kunst te begrijpen. Beroemde schilders maakten hun werken immers vaak in reactie op elkaar, met de bedoeling de ander te overtreffen en iets bijzonders neer te zetten. Internationale specialisten werpen een nieuw licht op Hals' virtuositeit, zijn rol in de zeventiende eeuw en zijn artistieke relatie met zijn collega's uit Antwerpen (Rubens, Van Dyck) en Amsterdam (Rembrandt).‎

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‎Anna Zajchowska-Bo?tromiuk, Anna Ledzi?ska (eds)‎

‎Henricus Bitterfeld De formatione et reformatione Ordinis Fratrum Praedicatorum‎

‎, Brepols, 2026 Hardback, lvi + 117 pages, 155 x 245 mm, Latin text. *new. ISBN 9782503620961.‎

‎Henry Bitterfeld?s De formatione et reformatione Ordinis Fratrum Praedicatorum was the first work of its kind written in support of the Observant Reform of the Dominican Order, which took off in the late fourteenth century. It was probably composed around 1388-1389 at the request of the Order?s Master General, Raymond of Capua, who formally launched the reform in 1390. The treatise is organized into three parts: first, the principles of religious life in general; second, the causes of the crisis within the Order of Preachers; and third, the remedies by which it might be resolved. It concludes with a commentary on the prologue to the Dominican Constitutions. Bitterfeld?s work survives in four manuscript copies, along with three distinct medieval abridgements. Taken together, these testify not only to the reception of the text itself but also to the spread of Observant Reform ideals both within and beyond the Dominican Order.‎

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‎Anna Zhyrkova, Marcin Podbielski‎

‎Discovery of the Individual Post-Chalcedonian Christological Debates and the Dawn of Scholasticism in Early-Byzantine Thought‎

‎, , 2026 Paperback, 664 p., 156 x 234 mm, Language(s):English. *New . ISBN 9782503618333.‎

‎In the central chapters of this book, Marcin Podbielski and Anna Zhyrkova examine the work of John the Grammarian, Leontius of Byzantium, and Leontius of Jerusalem, showing how, in their writings, a philosophical innovation only associated significantly later with Medieval Latin discourse was brought into existence and clearly formulated: the discovery of the individual, and of the problem of individuation. This discovery, expressed in terms of a radically existential conceptualization of the hypostasis of Christ, as well as of hypostases of created beings, is discussed in counterpoint to the proposals of John Philoponus and Boethius, and also as synthesized, codified and preserved by Maximus the Confessor and John Damascene. Such a diverse group of five early-Byzantine authors, animated by a shared concern to preserve and clarify the Christological doctrine of Chalcedon, resorted to speculative philosophy to create a conceptual vehicle for the Christian doctrine of there being one Christ both truly divine and truly human. Their notion of ?hypostasis? came to designate the subject of natures, existent in its own right and exhibiting all the hallmarks of individuality, found in later Medieval investigations. An inquiry into the philosophical and theological background of this discovery, including a comprehensive historical reconstruction of the concept of hypostasis, makes it possible to show the philosophical and theological novelty of the authors studied, which consists also in their creating a properly Christian approach to philosophical speculation that foreshadows Scholasticism and can be considered a kind of Proto-Scholasticism. The book concludes with an exploration of the philosophical import of the discovery and the model of Christian philosophy it furnishes.‎

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‎Annabel Davidson, Phoebe Morris, Cecily Morris, Jeremy Morris‎

‎World of David Morris The London Jeweler‎

‎, Rizzoli, 2024 Hardback with dust jacket, s 304 x 228 mm,200 Illustrations col.ill. ,256 Pages, Language; English ed *new. ISBN 9780847833955.‎

‎by Annabel Davidson, Phoebe Morris, Cecily Morris, Jeremy Morris Specializing in the most-prized gemstones, from Colombian emeralds to sapphires found in the remote hills of Kashmir, David Morris celebrates color, flawless craftsmanship, and unique creativity in jewelry design. This is the jewelry house's first major book. This monograph debuts some of the house's latest, most innovative designs as well as a large selection of its most famous pieces, and beautifully showcases the sophistication and creativity of one of the most masterful jewelers working today.‎

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‎Annabel Rickets, edited by Simon Ricketts‎

‎The English Country House Chapel Building a Protestant Tradition‎

‎Spire Books Ltd Reading 2007. First Edition. Hardcover. Fine Condition/Fine. Includes press cutting containing the author's obituary. First Printing. Crisp clean unclipped dust-jacket fresh covers with gilt lettering on spine tight binding clean pages and end-papers . Contains colour plates full page illustrations and black and white illustrations. Previous owner's name Kerry Downes in pencil at the front. Quantity Available: 1. Shipped Weight: under 1 kg. ISBN: 1904965059. ISBN/EAN: 9781904965053. Pictures of this item not already displayed here available upon request. Inventory No: 25222041127. All our books music and maps are sent by a tracked mail service. 9781904965053 Spire Books Ltd hardcover‎

Referencia librero : 25222041127 ISBN : 1904965059 9781904965053

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‎Annaclara Cataldi Palau‎

‎Angela Burdett-Coutts Collection of Greek Manuscripts‎

‎, Brepols, 2021 Hardback, 472 pages, Size:216 x 280 mm, Illustrations:80 b/w, 102 col., Language: English. ISBN 9782503593760.‎

‎Summary Baroness Angela Burdett-Coutts (1814-1906), descendant of a wealthy and well-known family of bankers, inherited quite young, through a series of unpredictable circumstances, the enormous fortune of Thomas Coutts, her maternal grand-father. She spent most of her long life in London, where she occupied a prominent position in society, becoming well-known not only for her splendid life-style and her important literary and political acquaintances, as, for instance, Charles Dickens and Admiral Nelson, but also for her active role as a philanthropist. This book explores a little-known side of her life; although she did not know Greek, she became the owner of ca. 100 Greek manuscripts, mostly theological, datable between the tenth and the sixteenth century, a part of which she donated to Highgate School. The manuscripts, with all the Baroness's possessions, were dispersed at auction in 1921 and in 1987 and are now mainly divided between American and European University Libraries. This book has identified for the first time the Baroness's Greek manuscripts, located and described them in detail, with special attention to their script style and their origin, adding to their description one or two plates of each codex. TABLE OF CONTENTS Part I: History of the collection Chapter 1: Angela Burdett-Coutts' life. The formation of her collection of Greek manuscripts Chapter 2: The sale of Angela Burdett-Coutts collection of Greek manuscripts Chapter 3: Angela Burdett-Coutts Greek manuscripts Chapter 4: Provenance of the Burdett-Coutts manuscripts Chapter 5: List and description of Burdett-Coutts manuscripts from Epirote monasteries or churches Chapter 6: Burdett-Coutts manuscripts from the Meteora. Their present location in various libraries Chapter 7: Two Burdett-Coutts manuscripts with plaques from the Russian monastery of Solovki applied to the bindings Chapter 8: Ann Arbor, University of Michigan Library, SCRC, Mich. Ms. 15 (B.-C. III. 5), a manuscript belonging to the Ferrar Group ('Family 13') Chapter 9: Burdett-Coutts manuscripts with a decoration Chapter 10: Burdett-Coutts manuscripts with a remarkable decoration Part II: Description of the Burdett-Coutts manuscripts Description of the Burdett-Coutts manuscripts in Ann Arbor Description of the Burdett-Coutts manuscripts in Athens Description of the Burdett-Coutts manuscripts in various libraries The lost manuscripts Appendix Index of Manuscripts and Illustrations Index of Names‎

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‎Annales - Economies / Sociétés / Civilisations - Revue bimestrielle publiée avec le concours du C.N.R.S et de l'Ecole des Hautes Etudes en Sciences Sociales - Ed Armand Colin‎

‎Economie et architecture médiévale ( R.S. Lopez ) - L'économie d'un village alpin au XVIème siècle ( Paul Canestrier ) - En Beauvaisis: problèmes démographiques du XVIIème siècle ( Pierre Goubert ) - Critiques et traditions d'origines en orientalisme ( Jacques Berque ) - Aux sources de l'inspirations artistique ( Yves Renouard ) - ouveaux regards et réflexions sur l'U.R.S.S ( Georges Friedmann ) - Economie et budget à Madère ( 1591 - 1641 ) ( Frédéric MAuro ) A Florence au XViième siècle ( R. Romano ) - Villes du Nord, villes du Midi ( Lucien Febvre ) - La propagande ( Jacques Godechot ) - Romantisme social ? ( Jacques Dautry ) - A propos d'un article sur la Révolution française ( Albert Soboul ) - Morale de noirs ? ( Roger Bastide )‎

‎In-8 - 7ème année N°4- Oct / Dec / 1952‎

‎bel état malgré des annotations au crayon à papier‎

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Librairie Le Père Pénard
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‎ANNALES DE L'INSTITUT TECHNIQUE DU BATIMENT‎

‎5 articles sur les barrages en Afrique du Nord. (62 pages). N? 5. Septembre-Octobre 1936.‎

‎Broch?. 92 pages + publicit?s. Petite mouillure en marge.‎

‎ANNALES DES PONTS ET CHAUSSEES‎

‎Annales des Ponts et Chaussées. Mémoires et documents. 7e série. Tome VII. 1894. 1er semestre. Mémoires et documents relatifs a l'art des constructions et au service de l'ingénieur. Lois, décrets, arrêtés et autres actes.‎

‎Reliure demi-chagrin. 848 pages. 14x22cm.‎

MareMagnum

Librairie Loic Simon
Saint Sulpice sur Loire, FR
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‎Anne Adriaens-Pannier‎

‎KURSAAL AND PROMENADE (PHOEBUS FOCUS XXXII) L on Spilliaert (1881-1946) and Atmospheric Solitude by the Sea‎

‎, Phoebus Focus XXXII, 2023 PB+, 210 x 148 mm, 112 p, ENG, ill. in colour / b/w, New, ISBN 9789464666458.‎

‎Als eenzame wandelaar in het ochtendgloren van Oostende laat L on Spilliaert (1881-1946) zich begeesteren door de desolate en onheilspellende verlatenheid van de zeedijk. De fascinatie voor ruimtewerking en de expressie van oneindigheid liggen aan de grondslag van de talrijke dijkzichten die Spilliaert tussen 1907 en 1909 cre ert en waarmee hij een unieke formele vernieuwing inluidt. Ontdek het beklijvende werk Kursaal en zeedijk dat in deze Phoebus Focus centraal staat.‎

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‎Anne Adriaens-Pannier‎

‎Kursaal and Promenade. L on Spilliaert (1881-1946) and Atmospheric Solitude by the Sea Anne Adriaens-Pannier‎

‎, Hannibal Books, 2023 softcover, 112 pages, 21 x 14.8 cm, Quadrichromy Illustrated., English edition. . ISBN 9789464666458.‎

‎A lone walker at dawn in Ostend, L on Spilliaert (1881-1946) is entranced by the bleak and ominous desolation of the promenade. A fascination with spatiality and the expression of infinity underlie the numerous dyke scenes Spilliaert created between 1907 and 1909, heralding a unique, formal innovation. Learn more about the compelling Kursaal and Promenade that is the centrepiece of this Phoebus Focus.‎

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‎Anne Adriaens-Pannier‎

‎Kursaal en zeedijk L on Spilliaert (1881-1946) en atmosferische eenzaamheid bij de zee‎

‎, Hannibal Books, 2023 softcover, 112 pages, 21 x 14.8 cm, Quadrichromy Illustrated., Nederlandstalige editie . ISBN 9789464666441.‎

‎Als eenzame wandelaar in het ochtendgloren van Oostende laat L on Spilliaert (1881-1946) zich begeesteren door de desolate en onheilspellende verlatenheid van de zeedijk. De fascinatie voor ruimtewerking en de expressie van oneindigheid liggen aan de grondslag van de talrijke dijkzichten die Spilliaert tussen 1907 en 1909 cre ert en waarmee hij een unieke formele vernieuwing inluidt. Ontdek het beklijvende werk Kursaal en zeedijk dat in deze Phoebus Focus centraal staat.‎

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‎Anne Adriaens-Pannier‎

‎L ON SPILLIAERT : LE R VE DES AUTRES ( FR )‎

‎, Van de Wiele 2018, 2018 Hardcover, 240 pages, FR, 295 x 220 mm, tres bon etat, illustrations en couleur et n/b. ISBN 9789076297729.‎

‎Elles sont pratiquement inconnues de la plupart des amateurs d'art: les illustrations de L on Spilliaert (1881-1946) dans des ditions de l'oeuvre d' crivains belges comme mile Verhaeren, Maurice Maeterlinck, Franz Hellens, Paul Neuhuys et bien d'autres. Spilliaert a illustr leurs recueils de po sie et pi ces de th tre, et m me un livre pour enfants, de dessins l'encre de Chine et l'aquarelle, o il a laiss libre cours son inspiration dans sa visualisation de l'univers onirique des auteurs. Ce volet foisonnant de son art est enfin d voil au public par la sp cialiste de Spilliaert, Anne Adriaens-Pannier. L'ouvrage accompagne l'exposition Le r ve des autres La Maison Spilliaert Ostende (du 19 novembre 2017 au 2 avril 2018), o sont r unies les ditions en question, rehauss es de dessins originaux ou d'illustrations imprim es, et des oeuvres autonomes de l'artiste en rapport avec son travail d'illustrateur. Les pi ces expos es, issues de collections publiques et particuli res, pr sentent pour la premi re fois - et probablement la seule - un panorama complet des cr ations de Spilliaert inspir es de la litt rature.‎

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‎Anne Adriaens-Pannier‎

‎L ON SPILLIAERT. DE DROOM VAN ANDEREN‎

‎, Van de Wiele, hardcover, 290 x 215 mm, 240 pagina's, doorlopend illustraties NL editie. *nieuwstaat. ISBN 9789076297712.‎

‎Bij de meeste kunstliefhebbers zijn ze vrijwel onbekend: de illustraties van L on Spilliaert (1881-1946) in uitgaven van het werk van Belgische schrijvers als Emile Verhaeren, Maurice Maeterlinck, Franz Hellens, Paul Neuhuys en vele anderen. Spilliaert illustreerde hun dichtbundels en theaterstukken, en zelfs een kinderboek, met tekeningen in Oost-Indische inkt en aquarelverf, of liet zijn inspiratie de vrije loop bij het visualiseren van de droomwereld van de auteurs. Dit rijke deelgebied van zijn kunst wordt door Spilliaertspecialiste Anne Adriaens-Pannier eindelijk voor het publiek ontsloten. Dit boek begeleidt de tentoonstelling De droom van anderen in Het Spilliaert Huis in Oostende (van 19 november 2017 t.e.m. 2 april 2018), waar de uitgaven met originele tekeningen of gedrukte illustraties en aanverwante autonome werken samen te zien zijn. De stukken, uit openbare en particuliere collecties, bieden voor het eerst, en waarschijnlijk eenmalig, een volledig beeld van Spilliaerts literair ge nspireerde creaties.‎

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‎Anne Adriaens-Pannier‎

‎Leon Spilliaert from the Depths of the Soul.‎

‎, ludion, 2026 Hardback, 290 x 250 mm, 336 pages, 400 illustrations. English edition. **Brandnew, updated edition. ISBN 9789464781274.‎

‎Rooted in the Symbolist tradition of the fin-de-siecle and drawn to the avant-garde, Leon Spilliaert (1881-1946), was a loner who never occupied a clear place in the art of his time. He shared not only his home port of Ostend with James Ensor, but also his sense of mockery and irony, non-conformity and an urge to view the world differently. Spilliaert, however, created a spiritual visual language of his own, experimenting with pastels and gouache, playing with purified expanses of colour and elegant lines. The moonlit sea, solitary, vacantly gazing figures, beaches stripped of all human presence, empty rooms and stylized, backlit silhouettes - Spilliaert invariably evoked an atmosphere of mystery, magic and alienation in line and colour. Anne Adriaens-Pannier, former curator at the Royal Museums of Fine Arts in Brussels, has been working on the catalogue raisonne of his oeuvre since 1995 at the Spilliaert family's request. She pays tribute to the artist with this beautifully illustrated book, in which she describes his drawings and paintings, as well as referring to his book illustrations and lithographs. The author presents Spilliaert as a link between the major art movements in the fascinating era in which he lived and worked. A unique book about an exceptional artist.‎

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‎Anne Adriaens-Pannier‎

‎Leon Spilliaert. Le reve des autres, Illustrateur de Verhaeren, Maeterlinck, Hellens,‎

‎, Van de Wiele, 2018 Couverture reliee, HB, 300 x 220 mm, 240 p, throughout illustrations, Texte en Francais. ISBN 9789076297729.‎

‎Elles sont pratiquement inconnues de la plupart des amateurs d'art: les illustrations de Leon Spilliaert (1881-1946) dans des editions de l'oeuvre d'ecrivains belges comme Emile Verhaeren, Maurice Maeterlinck, Franz Hellens, Paul Neuhuys et bien d'autres. Spilliaert a illustre leurs recueils de poesie et pieces de theatre, et meme un livre pour enfants, de dessins a l'encre de Chine et a l'aquarelle, ou il a laisse libre cours a son inspiration dans sa visualisation de l'univers onirique des auteurs. Ce volet foisonnant de son art est enfin devoile au public par la specialiste de Spilliaert, Anne Adriaens-Pannier. L'ouvrage accompagne l'exposition Le reve des autres a La Maison Spilliaert a Ostende (du 19 novembre 2017 au 2 avril 2018), ou sont reunies les editions en question, rehaussees de dessins originaux ou d'illustrations imprimees, et des oeuvres autonomes de l'artiste en rapport avec son travail d'illustrateur. Les pieces exposees, issues de collections publiques et particulieres, presentent pour la premiere fois - et probablement la seule - un panorama complet des creations de Spilliaert inspirees de la litterature.‎

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‎Anne Adriaens-Pannier (Redacteur), Edouard Derom (Redacteur)‎

‎L on Spilliaert: Interieurs & Interiors & Still Lifes (EN)‎

‎, Hannibal Books, 29-06-2026 Hardcover, 128 pages, 32.8 x 25.3 x 1.7cm, English. New. . ISBN 9789493531000.‎

‎Step into the silent, mysterious world of L on Spilliaert A modest but essential part of Spilliaert?s oeuvre consists of his interiors and still lifes. These intimate compositions reveal the depth of his vision, as well as his exceptional ability to transform everyday spaces into places of contemplation. Empty rooms, familiar corners and simple objects are rendered with austere clarity, yet carry an intense, almost tangible presence ? despite the absence of human figures. Silence reigns in these works. This richly illustrated publication brings together new essays by leading Spilliaert scholars, each casting fresh light ? from within their own field of research ? on the genesis of this exceptional body of work by the Ostend artist. With contributions by Anne Adriaens?Pannier (ed.), Edouard Derom (ed.), Stefan Huygebaert and Marie?No lle Grison. This book is published on the occasion of the exhibition L on Spilliaert: Through Half-Open Doors at the Patrick Derom Gallery, Brussels, from June 3 to August 14, 2026.‎

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‎Anne Adriaens-Pannier (Redacteur), Edouard Derom (Redacteur)‎

‎L on Spilliaert: Interieurs & natures mortes (FR)‎

‎, Hannibal Books, 29-06-2026 Couverture rigide, 128 pages, 32.8 x 25.3 x 1.7cm, Fran ais. Nouveau. . ISBN 9789493531000.‎

‎Les int rieurs et les natures mortes constituent un volet modeste, mais essentiel de l??uvre de L on Spilliaert. Dans ces compositions intimistes se d ploient la profondeur de son regard et sa capacit remarquable transformer des espaces quotidiens en lieux de contemplation. Bien que rendus avec une sobri t limpide, pi ces vides, recoins familiers et objets simples sont habit s par une pr sence intense, presque tangible, malgr l?absence de figures humaines. Dans ces ?uvres, le silence r gne en ma tre. Cette publication richement illustr e r unit des essais in dits r dig s par des sp cialistes de la vie et de l??uvre de Spilliaert. Chacun d?eux porte, depuis son propre domaine de recherche, un regard neuf sur la gen se de cet ensemble exceptionnel du peintre ostendais. Avec des contributions d?Anne Adriaens?Pannier ( d.), Edouard Derom ( d.), Stefan Huygebaert et Marie?No lle Grison.‎

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‎Anne Adriaens-Pannier (Redacteur), Edouard Derom (Redacteur)‎

‎L on Spilliaert: Interieurs & stillevens‎

‎, Hannibal Books, 29-06-2026 Hardcover, 128 pagina's, 32.8 (hoogte) x 25.3 (breedte) x 1.7 (dikte) cm, Nederlands. Nieuw. . ISBN 9789493531000.‎

‎Een verrassende kijk op de minst bekende, maar meest persoonlijke zijde van L on Spilliaert Dit rijk ge llustreerde boek verkent de intrigerende wereld van de interieurs en stillevens van L on Spilliaert. In negen thematische hoofdstukken ontrafelt Anne Adriaens-Pannier de ?geheime alchemie? van zijn verstilde ruimtes, waar interieurs fungeren als zelfportretten in absentia. Zijn sobere kamers, tafels en alledaagse voorwerpen onthullen een intens innerlijk leven. Met talloze paginagrote reproducties biedt deze publicatie een gelaagd perspectief op een van de meest introspectieve figuren van het Belgisch modernisme. Met tekstbijdragen van Anne Adriaens-Pannier, Edouard Derom, Stefan Huygebaert, Marie-No lle Grison en Franz Hellens.‎

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‎Anne Adriaens-Pannier, Adrian Locke, Will Stone, No mie Goldman, Anna Testar‎

‎LEON SPILLIAERT (1881 - 1946) English ed.‎

‎, Royal Academy (ACC), 2020 HB, 290 x 220 mm, 176 p, 130 colour illustrations. English edition. *BRANDNEW ISBN 9781912520220.‎

‎Belgium symbolist painter and graphic artist. Watercolourist, pastellist, painter (gouache), draughtsman. Portraits, genre scenes, still-lifes, landscapes, seascapes. From childhood he displayed an interest in art and drawing and was a prolific doodler, spending much time sketching scenes of ordinary life and the Belgium countryside. In 1889 he studied briefly at the Tekenacademie in Bruges. His early work, already Symbolist in style was informed by his readings of writers such as Friedrich Nietzsche and Maurice Maeterlinck. From February 1903 to January 1904 he worked for Edmond Deman in Brussels, a publisher of symbolist writers, whose work Spilliaert was to illustrate. In 1904 Spilliaert stayed in Paris, where he was on the fringe of Picasso's circle and discovered the work of Munch and Toulouse-Lautrec, whose influences he acknowledged. He continued to spend most winters in Paris to keep in touch with the city's cultural life. Although often associated with the key figures of Belgian Symbolism, L on Spilliaert in fact demonstrated a peculiarly individual style. Born in Ostend, he worked there for most of his career. An introvert and insomniac who suffered from poor health as a young man, Spilliaert wandered the night-time streets of the North Sea resort, creating mysterious and highly atmospheric depictions of its dark docks, beaches and promenades. Almost entirely self-taught, he drew influence from such painters as Odilon Redon and James Abbott McNeill Whistler, as well as the writers Edgar Allan Poe and Friedrich Nietzsche. This book brings together over a hundred works from international collections, including a series of haunting self-portraits that Spilliaert created in his twenties. Authoritative authors discuss the artist's singular approach and put his career in context alongside that of his more famous compatriot and contemporary James Ensor.‎

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‎Anne Adriaens-Pannier, Edouard Derom, Jeffery Howe,‎

‎L ON SPILLIAERT : Dwalen door de stilte‎

‎, Snoeck Publishers (Belgium), HB, 260 x 215 mm, 48 pages, 30 Kleurenillustraties Nieuw NL edition. ISBN 9789461618948.‎

‎In de werken van L on Spilliaert (Oostende 1881-Brussel 1946) schuilt achter de beelden een mysterie dat fascineert. Steeds terugkerende motieven in zijn tekeningen zijn de eenzaamheid van de mens en de onmetelijkheid van de zee. Spilliaert gaat op zoek naar de ziel van voorwerpen uit zijn dagelijks leven en van plaatsen in zijn geboortestad Oostende. Uit zijn aangrijpende zelfportretten spreekt een huiver die door het afdalen in zijn diepste zelf teweeg wordt gebracht. Zijn werken geven blijk van een op reflectie en spirituele meditatie gerichte geest en getuigen van een verlangen om de symbolen van tijdloosheid van de natuur te doorgronden. Deze tentoonstelling presenteert eenentwintig werken die nauw aansluiten bij Spilliaerts artistieke zoeken en die rechtstreeks uit het familiebezit komen. De drietalige catalogus bij de tentoonstelling biedt een overzicht van de geschiedenis van de ontdekking van Spilliaerts werk in binnen- en buitenland, en plaatst zijn oeuvre in de bredere context van de kunst van zijn tijd. De publicatie bevat ook een uniek interview met de kleinzoon van de kunstenaar en beschrijft in korte hoofdstukken de bijzondere artistieke bijdrage van de gepresenteerde werken. Met teksten van Spilliaertspecialiste Anne Adriaens-Pannier, Edouard Derom en Jeffery Howe, en met een interview met Spilliaerts kleinzoon Johan van Rossum.‎

Referencia librero : 63143

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