‎Icones‎

‎Bouchard, Aurelian [Director]‎

‎To write an icon : an introduction to the process of creating Icons - Box 6‎

‎Produced by the Metropolitan Andrey Sheptytsky Institute of Eastern Christian Studies. BOX 6 of a set of 6 VHS video cassettes, each with a full hour of instruction. [Will NOT be sold separately] "A step-by step instructional tool on the process of creating traditional Byzantine icons from the preparation of the wood panel, through the gesso process, gilding, egg-tempera painting to the preservation of the icon. Learn not only the technique but also the theological implications of every step of the process.Invaluable tool for students of art and iconography" Instructor : Schemamonk Damian. These are ex-libary, with usual marks and labels, but but look as though they have never been used . Electronic Book‎

‎Brenske, Stefan‎

‎Ikonen und die Moderne. = Icons and modern art.‎

‎Regensburg, Schnell & Steiner, 2005. 1. Aufl. 310 mm x 230 mm. 118 S. zahlr. Ill. OPappband, mit Schutzumschl. Seiten mit geringer randl. Bräunung. 1‎

書籍販売業者の参照番号 : 36434BB

‎CARLI, Enzo‎

‎Bois sculptés polychromes du XIIème au XVIème siècle en Italie‎

‎1963 Editions Hachette - 1963 - In-4, cartonnage toilé marron avec titre doré au dos, sous jaquette illustrée - 120 p. + 90 planches contrecollées en couleurs hors-texte‎

‎Bon état - Bords de la jaquette émoussés avec légères déchirures sans manque aux extrémités‎

書籍販売業者の参照番号 : 112267

‎Catalogue d'exposition Paris, Musee National du Moyen Age, Thermes de Cluny 1999‎

‎Tresors medievaux de la Republique de Macedoine‎

‎Reunion des Musees Nationaux 1999‎

‎Petit in4 souple, bon etat, Reunion des Musees Nationaux, 111p, 1999, photos couleurs‎

書籍販売業者の参照番号 : 54465

‎CAWTHORNE Nigel‎

‎L'art des icônes.‎

‎Solar Solar, 2000, 95 p., cartonnage éditeur sous jaquette, bon état.‎

‎Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.‎

書籍販売業者の参照番号 : 99467

‎CHRISTOPHE WALTER‎

‎ICONES / L'ORIGINE DU GENRE ET LES PREMIERES ICONES POUR ET CONTRE LE CULTE DES IMAGES DIFFERENTES CATEGORIES D'ICONES PRINCIPALES ECOLES L'ICONE ET LA SPIRITUALITE / 56 ILLUSTRATIONS EN COULEURS ET 1‎

‎NAGEL 1976 In-4 relié. Bon état d’occasion.‎

‎Bon état d’occasion‎

書籍販売業者の参照番号 : 81577

‎Claude BOISGIRARD‎

‎*Vente aux enchères. Hôtel drouot. Arts d'Orient 19 décembre1997‎

‎43 p., ill. n/b et coul. Quelques annotations Inv. 24977‎

‎Collectif‎

‎Icones bulgares IXe - XIXe siecle‎

‎Les Presses Artistiques - Musée du Petit Palais 1976‎

‎Grand in8, souple, 214p, couverture etat correct (un peu salie, dechirure sans manque haut premiere de couverture, petites taches de mouillures et rousseurs sur les plats, contours un peu frottes), dos fatigue (choc en haut, courte dechirure au milieu, tache de mouillure au bas), interieur propre avec illustrations noir et blanc, catalogue de l'exposition presentee du 16 mars au 13 juin 1976, Petit Palais, Les Presses Artistiques‎

書籍販売業者の参照番号 : 54274

‎COLLECTIF‎

‎Icones Bulgares. IX - XIXe siècles‎

‎Musée du Petit Palais Musée du Petit Palais 1976. In-8 carré broché, 209 pages. Nombreuses photos. Catalogue d'exposition. Bon état.‎

‎Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.‎

書籍販売業者の参照番号 : 99930549

‎Collettivo.‎

‎Il “Sole di giustizia”. Antiche icone russe al Convento S. Angelo. Convento di S. Angelo dei Frati Minori Francescani. Collezione Orler.‎

‎Arte - Arezzo, C & M Editore 2005, 325x240mm, 155pagine, legatura del editore. Buono stato.‎

‎53 incisione a colori, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

書籍販売業者の参照番号 : 42520

‎Collectif‎

‎Les icones‎

‎Nathan 1987 Jaquette différente.‎

‎Bon état d’occasion‎

書籍販売業者の参照番号 : 59836 ISBN : 2092905333

‎COLLECTIF‎

‎Tresor Des Musées Du Kremlin‎

‎A Reunion Des Musées Nationaux Edition Du Musee De Paris 1980 21 x 24 Cm 212 pages , catalogue de l'exposition qui s'est tenue au grand palais du 12/10/79 au 14/01/80 tres nombreuses photographies‎

‎Bon Pas de jaquette‎

書籍販売業者の参照番号 : 46Ab

‎COLLECTIF‎

‎Icones Bulgares. IX - XIXe siècles‎

‎Musée du Petit Palais 1976. In-8 carré broché, 209 pages. Nombreuses photos. Catalogue d'exposition. Bon état.‎

‎COLLECTIF (revue)‎

‎Dédale n° 1-2, automne 1995 - LE PARADOXE DES REPRESENTATIONS DU DIVIN: L'image et l'invisible‎

‎Maisonneuve & Larose, revue Dédale n° 1-2, automne 1995, 257 pp., broché, légères traces d'usage, bon état.‎

‎Constantinos D. KALOKIRE‎

‎*E eikon Megas ei Kirié. Tou kretos zographou Ioannou Kornarou.‎

‎26 p., 18 planches photographiques hors-texte. Quelques annotations à l'encre. En grec moderne. Inv. 17064.‎

‎Corbusier, Le‎

‎Decorative Art of Today, The‎

‎Book is in excellent condition, as new in all respects. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket is as new also. Heavily illustrated with b&w photos, prints, drawings, interiors, architectural shots, etc. Chapters include: Iconology, iconolaters, iconoclasts, Other icons: the museums, Plagiarism: flok culture, Teh decorative art of today, The lesson of the machine, The hour of architecute, A coat of whitewash: the law of ripolin, Confession, etc. First published as L'Art decoratif d'aujourd'hui, 1925, translated in 1987 by Architectural Press.‎

‎Crampton, Luke, Dafydd Rees und Wellesley Marsh‎

‎Music Icons - Jackson‎

‎Köln, TASCHEN GmbH, 2009. 192 Seiten , 20 cm, kartoniert‎

‎Widmungseintrag, das Buch ist altersbedingt in einem gutem, gebrauchten Zustand, aus dem Inhalt: Michael Jackson: Man in the Mirror - Chronology - The Early Years - The 1980 - The 1990 - The 2000 - Essential Recordings - Awards und Chart History - Bibliography 2b5 ISBN-Nummer: 3836520812‎

書籍販売業者の参照番号 : 49147

‎CROIX Agnès-Mariam de la - ZABBAL François‎

‎Icones arabes. Art chrétien du Levant. Exposition présentée à l'Institut du Monde Arabe du 6 mai au 17 août 2003‎

‎Grégoriennes, 2003. Grand In-8 carré relié toile rouge éditeur sous jaquette illustrée. Nombreuses reproductions. Très bon état.‎

‎DANCO Juliana DANCO Dumitru‎

‎LA PEINTURE paysanne SUR VERRE DE ROUMANIE deuxieme edition revue et corrigée‎

‎1982 Bucarest meridiane 1879 in4, pleinet oile grise, environ 300 pagres tres nombreuses illustrations en couleurs‎

書籍販売業者の参照番号 : 15327

‎David Armstrong‎

‎Russian Lacquer Boxes - with Index of Subjects and Cyrillic Key‎

‎88 pages. Printed upon glossy stock. Generously illustrated in colour. "The first comprehensive collector's guide on the famous Palekh boxes and other miniature works of art produced by the inheritors of the great Russian icon tradition. Besides recounting the history of this unique art form and taking us to the handful of villages authorized to create it, the author provides a fully illustrated identification guide to the lacquer miniatures, making it simple for beginners and non-Russian speakers to identify the boxes. he also recounts the fairy stories and legends which form a backdrop to the work of Russia's finest artists." - from dust jacket. Clean, bright and unmarked with very light wear. Dust jacket now preserved in glossy new archival-grade Brodart. A high-quality copy. Book‎

‎De JODE Pieter (1572/3-1634)‎

‎Adriaen de Noel‎

‎Incisione tratta dalla celebre raccolta Icones principum, virorum, doctorum, pictorum, chalcographorum, di Anton van Dyck, edita per la prima volta ad Anversa verso il 1640.  Opera celebre ed importante, vero monumento dell’arte incisoria fiamminga del sec. XVIII, contiene le biografie ed i ritratti degli uomini illustri che Van Dyck aveva conosciuto e con i quali aveva avuto importanti rapporti.  L’artista ne eseguì le effigi in numerosi dipinti e disegni che poi decise di pubblicare, affidandone la trasposizione calcografica ai migliori incisori del suo tempo, come Bolswert, Pontius, Vorsterman, de Jode, Hollar, molti dei quali aveva avuto come condiscepoli nell’atelier di Rubens.  Acquaforte con ritocchi al bulino, stampata su carta vergata coeva, filigrana del “giullare” con margini, in ottimo stato di conservazione. Etching and engraving, circa 1645, signed on plate at lower edge. A fine impression, printed on contemporary laid paper, with margins, very good condition. From Icones principum, virorum, doctorum, pictorum, chalcographorum by Anton van Dyck, printed for the first time in Antwerp, 1645. A famous and important work, a real monument of the Flemish engraving art of the XVIII century, containing the biographies and portraits of the famous artists Van Dyck had met and with whom he had worked.  Following the success of his portrait paintings and in the tradition of Italian and Flemish portrait series, Van Dyck decided to organise a print publication containing portraits of the most prominent men during his lifetime, divided into three categories: princes, politicians and soldiers (16), statesmen and scholars (12), artists and art connoisseurs (52).  The initial idea could have been that Van Dyck would etch the faces (a process possibly learnt from Vorsterman) while others would finish the plates in engraving. Designs were needed for the plates and several drawings and oil sketches (grisailles, sometimes in different versions) have survived. Van Dyck only etched 17 plates himself, while he commissioned others to complete the set, overseen by Lucas Vorsterman I (especially after Van Dyck settled in England in the Spring of 1632). Although this project was started by Van Dyck around 1630, he never saw it completed.  The Antwerp publisher Maarten van den Enden may have been involved from the start as eighty early impressions bear Van den Enden's address. They are engraved by Paulus Pontius (30 plates), Lucas Vorsterman I (22), Pieter de Jode II (12), Schelte a Bolswert (7), Robert van Voerst (4), Willem Hondius (2), Willem Jacobsz Delff (1), Cornelis Galle (1), and Nicolaes Lauwers (1). It is known that Van den Enden was in debt to Gillis Hendricx around 1644, the Antwerp publisher who must have obtained Van den Enden's plates which he published in 1645 in the first edition of these plates (containing between 100 and 104 portrait plates).  Hendricx continued to publish these plates until his death in 1677 when they were auctioned off by the St Luke guild (keeping the Iconography plates together). It is not clear who bought these plates but they re-appeared around 1720 when they were published by Hendrick and Cornelis Verdussen in Antwerp.‎

‎De JODE Pieter (1572/3-1634)‎

‎Antonius Triest‎

‎Incisione tratta dalla celebre raccolta Icones principum, virorum, doctorum, pictorum, chalcographorum, di Anton van Dyck, edita per la prima volta ad Anversa verso il 1640.  Opera celebre ed importante, vero monumento dell’arte incisoria fiamminga del sec. XVIII, contiene le biografie ed i ritratti degli uomini illustri che Van Dyck aveva conosciuto e con i quali aveva avuto importanti rapporti.  L’artista ne eseguì le effigi in numerosi dipinti e disegni che poi decise di pubblicare, affidandone la trasposizione calcografica ai migliori incisori del suo tempo, come Bolswert, Pontius, Vorsterman, de Jode, Hollar, molti dei quali aveva avuto come condiscepoli nell’atelier di Rubens.  "Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had an existence before his time, and in his work it suddenly appears at the highest point ever reached in the art" (Hind, p. 165). "The plan of this publication took shape after Van Dyck returned from Italy (1626) and before he went to England (1632). He made careful preparatory drawings in chalk and brush for the publication. He directed and revised the work of the engravers, the best of the Rubens circle; he collaborated with his etching needle in some of the plates and himself etched the most beautiful set, mainly portraits of artists. One of the most brilliant in human characterization is the portrait of Peter Brueghel the Younger, son of the great Peasant Brueghel. It is remarkable that the etching appeared in this sketchy form in the book, proving that the master regarded it as finished. All interest is focussed on the wonderful had. The first edition was published in Antwerp in 1635-1636. Yet it was not complete, and the title-page did not appear before the Gillis Hendricx edition of 1645, engraved by Jacob Neels" (Benesch, Artistic and Intellectual Trends, p. 32.) Hofer, Baroque Book Illustrations 132. Acquaforte con ritocchi al bulino, stampata su carta vergata coeva, filigrana del “giullare”, con margini, in ottimo stato di conservazione. Etching and engraving, circa 1645, signed on plate at lower edge. A fine impression, printed on contemporary laid paper, with margins, very good condition. From Icones principum, virorum, doctorum, pictorum, chalcographorum by Anton van Dyck, printed for the first time in Antwerp, 1645. A famous and important work, a real monument of the Flemish engraving art of the XVIII century, containing the biographies and portraits of the famous artists Van Dyck had met and with whom he had worked.  Following the success of his portrait paintings and in the tradition of Italian and Flemish portrait series, Van Dyck decided to organise a print publication containing portraits of the most prominent men during his lifetime, divided into three categories: princes, politicians and soldiers (16), statesmen and scholars (12), artists and art connoisseurs (52).  The initial idea could have been that Van Dyck would etch the faces (a process possibly learnt from Vorsterman) while others would finish the plates in engraving. Designs were needed for the plates and several drawings and oil sketches (grisailles, sometimes in different versions) have survived. Van Dyck only etched 17 plates himself, while he commissioned others to complete the set, overseen by Lucas Vorsterman I (especially after Van Dyck settled in England in the Spring of 1632). Although this project was started by Van Dyck around 1630, he never saw it completed.  The Antwerp publisher Maarten van den Enden may have been involved from the start as eighty early impressions bear Van den Enden's address. They are engraved by Paulus Pontius (30 plates), Lucas Vorsterman I (22), Pieter de Jode II (12), Schelte a Bolswert (7), Robert van Voerst (4), Willem Hondius (2), Willem Jacobsz Delff (1), Cornelis Galle (1), and Nicolaes Lauwers (1). It is known that Van den Enden was in debt to Gillis Hendricx around 1644, the Antwerp publisher who must have obtained Van den Enden's plates which he published in 1645 in the first edition of these plates (containing between 100 and 104 portrait plates).  Hendricx continued to publish these plates until his death in 1677 when they were auctioned off by the St Luke guild (keeping the Iconography plates together). It is not clear who bought these plates but they re-appeared around 1720 when they were published by Hendrick and Cornelis Verdussen in Antwerp.‎

‎De JODE Pieter (1572/3-1634)‎

‎Iohannes Snellincx‎

‎Incisione tratta dalla celebre raccolta Icones principum, virorum, doctorum, pictorum, chalcographorum, di Anton van Dyck, edita per la prima volta ad Anversa verso il 1640.  Opera celebre ed importante, vero monumento dell’arte incisoria fiamminga del sec. XVIII, contiene le biografie ed i ritratti degli uomini illustri che Van Dyck aveva conosciuto e con i quali aveva avuto importanti rapporti.  L’artista ne eseguì le effigi in numerosi dipinti e disegni che poi decise di pubblicare, affidandone la trasposizione calcografica ai migliori incisori del suo tempo, come Bolswert, Pontius, Vorsterman, de Jode, Hollar, molti dei quali aveva avuto come condiscepoli nell’atelier di Rubens.  "Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had an existence before his time, and in his work it suddenly appears at the highest point ever reached in the art" (Hind, p. 165). "The plan of this publication took shape after Van Dyck returned from Italy (1626) and before he went to England (1632). He made careful preparatory drawings in chalk and brush for the publication. He directed and revised the work of the engravers, the best of the Rubens circle; he collaborated with his etching needle in some of the plates and himself etched the most beautiful set, mainly portraits of artists. One of the most brilliant in human characterization is the portrait of Peter Brueghel the Younger, son of the great Peasant Brueghel. It is remarkable that the etching appeared in this sketchy form in the book, proving that the master regarded it as finished. All interest is focussed on the wonderful had. The first edition was published in Antwerp in 1635-1636. Yet it was not complete, and the title-page did not appear before the Gillis Hendricx edition of 1645, engraved by Jacob Neels" (Benesch, Artistic and Intellectual Trends, p. 32.) Hofer, Baroque Book Illustrations 132. Acquaforte con ritocchi al bulino, stampata su carta vergata coeva, filigrana del “giullare”, con margini, in ottimo stato di conservazione. Etching and engraving, circa 1645, signed on plate at lower edge. A fine impression, printed on contemporary laid paper, with margins, very good condition. From Icones principum, virorum, doctorum, pictorum, chalcographorum by Anton van Dyck, printed for the first time in Antwerp, 1645. A famous and important work, a real monument of the Flemish engraving art of the XVIII century, containing the biographies and portraits of the famous artists Van Dyck had met and with whom he had worked.  Following the success of his portrait paintings and in the tradition of Italian and Flemish portrait series, Van Dyck decided to organise a print publication containing portraits of the most prominent men during his lifetime, divided into three categories: princes, politicians and soldiers (16), statesmen and scholars (12), artists and art connoisseurs (52).  The initial idea could have been that Van Dyck would etch the faces (a process possibly learnt from Vorsterman) while others would finish the plates in engraving. Designs were needed for the plates and several drawings and oil sketches (grisailles, sometimes in different versions) have survived. Van Dyck only etched 17 plates himself, while he commissioned others to complete the set, overseen by Lucas Vorsterman I (especially after Van Dyck settled in England in the Spring of 1632). Although this project was started by Van Dyck around 1630, he never saw it completed.  The Antwerp publisher Maarten van den Enden may have been involved from the start as eighty early impressions bear Van den Enden's address. They are engraved by Paulus Pontius (30 plates), Lucas Vorsterman I (22), Pieter de Jode II (12), Schelte a Bolswert (7), Robert van Voerst (4), Willem Hondius (2), Willem Jacobsz Delff (1), Cornelis Galle (1), and Nicolaes Lauwers (1). It is known that Van den Enden was in debt to Gillis Hendricx around 1644, the Antwerp publisher who must have obtained Van den Enden's plates which he published in 1645 in the first edition of these plates (containing between 100 and 104 portrait plates).  Hendricx continued to publish these plates until his death in 1677 when they were auctioned off by the St Luke guild (keeping the Iconography plates together). It is not clear who bought these plates but they re-appeared around 1720 when they were published by Hendrick and Cornelis Verdussen in Antwerp.‎

‎DIEHL Charles.‎

‎La peinture byzantine.‎

‎Paris. Van Oest. 1933. Grand in-4 (33x25). 109 pages et 96 planches. En feuilles sous chemise (cartons détachés).‎

‎1. Les Mosaïques et les fresques - 2. La Miniature byzantine - 3. Les icones - 4. Commentaires et descriptions des 96 illustrations reproduites sur papier fort d'après photographies. Texte sur papier vergé. Bel exemplaire, mais carton de la chemise détaché.‎

書籍販売業者の参照番号 : 6584

‎DIONYSIOS [DIONYSIUS OF FOURNA]‎

‎Malerhandbuch des Malermönches Dionysios vom Berge Athos‎

‎211pp., 21cm., softcover, good condition, [contains the German translation], S107634‎