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DUVAL CONSTANT
LE DESSINS ENSEIGNE PAR L'EXEMPLE - ETUDE DU PAYSAGE N°8
EDITIONS BORNEMANN. non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 12 pages de dessins.. . . . Classification Dewey : 730-Arts plastiques. Sculpture
Référence libraire : RO30025956
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DUVERGER J., ONGHENA M.J. & VAN DAALEN P.K.
Nieuwe gegevens aangaande XVIde eeuwse beeldhouwers in Brabant en Vlaanderen
Brussel, Paleis der Academiën 1953 96pp. + 18 buitentekstplaten, 26cm., in de reeks "Mededelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van België. Klasse der Schone Kunsten" jg.15 nr.2, originele omslag, goede staat, S73099
Référence libraire : S73099
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DUVAL Mathias
Précis d'anatomie à l'usage des artistes
A. Quantin. Non daté. In-8. Relié demi-cuir. Etat d'usage, Coins frottés, Coiffe en pied abîmée, Papier jauni. 336 pp., plats frottés avec manque de papier en pied du 2è plat, dos frotté, mors du 1er plat fendu en pied, titre doré. . . . Classification Dewey : 730-Arts plastiques. Sculpture
Référence libraire : ROD0007752
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DUVERGER J.
De Brusselsche Steenbickeleren. Beeldhouwers, bouwmeesters, metselaars enz. der XIVe en XVe eeuw, met een aanhangsel over Klaas Sluter en zijn Brusselsche medewerkers te Dijon
130 + [4] pp., 25cm., originele omslag, goede staat, S86909
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DUVERGER J., ONGHENA M.J. & VAN DAALEN P.K.
Nieuwe gegevens aangaande XVIde eeuwse beeldhouwers in Brabant en Vlaanderen
96pp. + 18 buitentekstplaten, 26cm., in de reeks "Mededelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van België. Klasse der Schone Kunsten" jg.15 nr.2, originele omslag, goede staat, S73099
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DUVERGER Jos.
Conrat Meijt (ca. 1480-1551)
127pp. met buitentekstills., 29cm., in de reeks "Koninklijke Belgische Academie, afdeeling schoone kunsten, verhandelingen, verzameling in-4o, tweede reeks" Boek V Aflevering 2, originele omslag, mooie staat, S65925
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Duvic Patrice presented to A E Van Vogt
Science Fiction Art Untitled Painting By Patrice Duvic
Paris Circa 1980 1980. Original Artwork . Unframed. Near Fine. 14 3/8" x 11 1/4. Nicely done nearly abstract oil on card painted in large part with a palette knife. Duvic was a well known SF critic and anthologist. This was a gift to SF writer A E Van Vogt on the occasion of Van Vogt's visit to France; Duvic had edited a collection of Van Vogt's stories. <br/> <br/> unknown
Référence libraire : 015947
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DYCKERHOFF, Ursula - PREM, Hanns J.
Le Mexique ancien
1987 Editions Bordas, Collection Civilisations - 1987 - In-4, cartonnage sous jaquette illustrée en couleurs de l'éditeur - 419 p. - Nombreuses reproductions photographiques en couleurs et quelques plans en N&B
Référence libraire : 106272
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Dyer, Angela [Herausgeber/ Editor]
Sculpture at Goodwood 00/01. British Contemporary Sculpture.
Goodwood., 2000. 15,5 x 11 cm. 144 S. OPappband., 11304D Erste Auflage. Einbandkanten etwas nachgedunkelt und mit kleinen Bereibungen. Sonst gutes bis sehr gutes Exemplar.
Référence libraire : 11304DB
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Dykes, Jeff
Fifty great Western illustrators : a bibliographic checklist
Large quarto in illus DJ; xiv, 457 p. : ill. (some col.) ; 30 cm. A lovely crisp copy of a impressively detailed and comprehensive work. // West (U.S.) in art -- Bibliography. Illustration of books -- West (U.S.) -- Bibliography. Magazine illustration -- West (U.S.) -- Bibliography. Ouest amÈricain dans l'art -- Bibliographie. Illustrateurs -- …tats-Unis -- Bibliographie. Illustraties. Wild-westromans.
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DYPREAU Jean
Six peintres surréalistes/Zes surrealistische schilders.
Bruxelles, Imprimerie Laconti, 1967. 23 x 23, sans pagination, très nombreuses illustrations en N/B, broché, très bon état.
Référence libraire : 96138
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Département de l'information et de la com
La sculpture moderne au jardin des tuileries -Installation mise en oeuvre par Alain Kirili, Paris, décembre 1998
Ministère de la culture et de la communication. 1998 - 12. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Environ 30 pages. Nombreuses photographies en couleurs et en noir et blanc dans et hors texte.. . . . Classification Dewey : 730-Arts plastiques. Sculpture
Référence libraire : RO80211511
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Déry, Louise
Paul Hunter. Oeuvres en vue
Musée du Québec In-4 à l'italienne Couverture souple Québec 1990
Référence libraire : 8433
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DÉSANDRÉ (Amédée)
Essai historique sur le Christ d'ivoire de Jean Guillermin et sur la confrérie des Pénitents noirs, dits de la Miséricorde, fondée à Avignon en 1586
Avignon, J. Roumanille, 1865 in-16, VIII-168 pp., demi-percaline verte, dos orné de filets à froid (reliure de l'époque).
Référence libraire : 210927
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Dézarrois, André
L'art suisse contemporain depuis Hodler - Jeu de Paume
Musées des écoles étrangères contemporaines, Paris, 1934. In-4, broché, 24 pp. - pl. Introduction, par André Dézarrois, conservateur du musée des Ecoles étrangères - Peinture suisse, par François Fosca - I. Peintures. - II. Sculptures - Planches.
Référence libraire : 5012
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DÍAZ DE ESCOVAR, Joaquín Mª.
La imagen de Ntra. Sra. de la Victoria, Patrona de Málaga. Estudio histórico.
Málaga, La Unión Conservadora, 1898, 20,5 x 14 cm., cartulina editorial, portada + 109 págs. + 1 hoja.
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Dörig, José & Olof Gigon
DER KAMPF DER GÖTTER UND TITANEN
Chipping along upper edges of wraps. ; Bibliotheca Helvetica Romana IV; 91 pages
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Düsseldorf-Unterrath - KLEIN Karl Heinz
Der Brunnen in Unterrath. (Gesamtherstellung: Fr. A. Diederichs KG. Düsseldorf. Fotos: Wolfgang Maes.
Düsseldorf. (1967). 5 Textseiten u. 29 Bildtafeln. Ill. Originalbroschur. 21x15 cm
Référence libraire : 107245
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E. C. Block;
Corpus of Medieval Misericords, Iberia,
Turnhout, Brepols , 2005 Hardback, 284 p., + ills., 215 x 280 mm. ISBN 9782503514994.
Référence libraire : 37225
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E. GLI SCRITTORI
RODIN et les ECRIVAINS
Un ouvrage de 183 pages, format 240 x 280 mm, illustré, broché couverture couleurs rempliée, publié en 2004, Arte & Cultura, bon état
Référence libraire : LFA014ce
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E. ARVOIS
SAVOIR FAIRE DE LA MOSAIQUE - n° 17-18 de la collection savoir faire
J. Jacobs. 1963. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 84 pages illustrées de nombreuses photographies noir et blanc et couleur, couverture cartonnée souple couleur.. . . . Classification Dewey : 730-Arts plastiques. Sculpture
Référence libraire : RO30003502
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E. C. Block
Corpus of Medieval Misericords, France
Hardback, 452 pages ., 921 b/w ill., + ills., 215 x 280 mm. English ISBN 9782503512396. The Corpus of Medieval Misericords (XIII-XXVI) consists of five volumes; the first four focus on the misericords and related choir stall carvings in specific regions of Europe. The fifth includes an extensive iconographic index of themes common to various countries as well as themes that are unique to a single country. Volume I of this series, Medieval Misericords in France, covers approximately 300 churches that still contain gothic misericords with carved figures and narratives inspired by oral traditions suh as proverbs and folk tales, as well as by manuscript marginalia, romanesque capitals, illustrated bibles, engravings, playing cards... A vast portrayal of medieval life - rural activities, urban occupations, conjugal relationships, monastic life -- is displayed in these carvings under the seats of choir stalls along with costumes of the times, town and collegiate architecture, mechanical devices. Puns and rebuses are often intertwined with these themes to produce comic and, to twenty-first century eyes, mysterious puzzles. The global view of misericord carvings, generally ignored in studies of medieval art, is here presented as a multidisciplinary basis for further research by sociologists, historians, archeologists and other medieval scholars. Languages: English.
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E. C. Block
Corpus of Medieval Misericords, Iberia
Hardback, 284 p., + ills., 215 x 280 mm. ISBN 9782503514994. The Corpus of Medieval Misericords (XIII-XXVI) consists of five volumes; the first four focus on the misericords and related choir stall carvings in specific regions of Europe. The fifth includes an extensive iconographic index of themes common to various countries as well as themes that are unique to a single country. Volume I of this series, Medieval Misericords in France, covers approximately 300 churches that still contain gothic misericords with carved figures and narratives inspired by oral traditions suh as proverbs and folk tales, as well as by manuscript marginalia, romanesque capitals, illustrated bibles, engravings, playing cards... A vast portrayal of medieval life - rural activities, urban occupations, conjugal relationships, monastic life -- is displayed in these carvings under the seats of choir stalls along with costumes of the times, town and collegiate architecture, mechanical devices. Puns and rebuses are often intertwined with these themes to produce comic and, to twenty-first century eyes, mysterious puzzles. The global view of misericord carvings, generally ignored in studies of medieval art, is here presented as a multidisciplinary basis for further research by sociologists, historians, archeologists and other medieval scholars. Following volumes include misericords in Iberia, Flemish and borthen Europe, Great Britain. This volume examines the medieval choir stalls, especially their misericords, in the Iberian Peninsula: Portugal and Spain, most of which are extraordinarily beautiful. Fourteen churches in Spain and two in Portugal still have sets of Gothic choir stalls. These sixteen cathedrals, churches and monasteries compare with over two hundred churches with medieval choir stalls in France. The Iberian choir stalls are mainly the original sets for that church. Those at Belmonte, however, were moved from Cuenca but they were the original set at Cuenca where they were replaced by Baroque stalls. The set that was destroyed at Tomar has also not been replaced with Gothic stalls. It should also be noted that while fewer churches are surveyed in this second volume, the percentage of narrative carvings is higher in Spain than in France where many of the early carvings are foliate. 750 misericords with narrative motifs have been identified on the Iberian stalls as compared with over one thousand in France. Such comparisons indicate the richness of the Iberian stalls, which have over twice as many narrative carvings per ensemble as the French stalls. This profusion of carvings necessitates a rather lengthy iconographic index in this volume. Most of the motifs on stalls in north and central Europe are repeated on the Iberian stalls. There are, however, fewer examples of some themes and more of others. It is rare in Iberia to find a carving of a New Testament scene. No set is concerned totally with the Old Testament as at Amiens and the former set at St Victor of Paris. However, Aristotle still carries Phyllis on his back, the fox preaches to the barnyard animals, the mermaid carries her mirror and comb and the peasant carries his sack to ease the burden on the donkey. The proverbs in Spain and Portugal are mainly Flemish with some additional local sayings. We see more of Hercules in Iberia and more illness. In addition to carved misericords in Iberia, sculptures adorn the arms, dorsal panels, canopies, and partitions between the seats, arm-rests and other structural components. Some of these elements, such as canopies on the base stalls and canopy dividers (roundels or teardrop-shaped projections at the junction of the canopy with the dorsal panel on both base and high stalls) do not even exist on the choir stalls of other countries. Arm-rests in Iberia are usually elaborate and complement the motifs on the misericords. The profane carvings on these parts of the stalls are listed briefly in this volume since they are usually directly related to the misericord motifs. The battling couple may be seen not only on misericords but also on arm-rests, jouee panels, dorsal friezes and interdorsal roundels. The fable of The Fox and the Stork is repeated no less than four times on different parts of the Oviedo choir stalls. The men who carry the riches from the Promised Land on a Toledo misericord, show their fatigue by dropping their burden on a capping rail frieze. A mermaid swims on a misericord but attacking monsters surround her on a dorsal frieze. The repetition of profane carvings is unusual on choir stalls in other countries. At Hoogstraten in Belgium, however, a man gapes before the oven on a misericord and also on an arm-rest. Languages: English.
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E. Mercier, R. De Boodt, P.-Y. Kairis (eds.)
Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th Century Proceedings of the Conference Held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015
Softcover, 484 pages., 230 x 290 mm, Languages: English. Disponible en une seule version avec des articles en français ou en anglais. ISBN 9782930054407. The impressive altarpiece in the church of Saint-Denis in Liège is one of the most prestigious but also one of the most enigmatic witnesses to the rich Brabantine altarpiece production at the end of the Middle Ages. The interdisciplinary study carried out during its restoration at the Royal Institute for Cultural Heritage (KIK-IRPA) in Brussels between 2012 and 2014 allowed to resolve some of the questions involved and to propose new refreshing hypotheses. The attribution to the Borman, the most prestigious Brussels sculptor family, was refined, as was its dating in the early 1530s, when the vocabulary of Italian Renaissance began to invade the art of the Meuse banks simultaneously with the still well-anchored Gothic style. This volume provides a broad platform for the exceptional character of the partial polychromy of the altarpiece, highlighted by the investigation conducted at the KIK-IRPA. This research was nourished by many comparative reflections. The abundant and varied studies presented here, mainly originate from an international conference held in October 2015. In addition, the restoration at KIK-IRPA, between 2016 and 2019, of some of the painted panels that initially adorned the shutters of the altarpiece, also allowed a beneficial reconsideration of the participation of the great Liège painter Lambert Lombard and some local workshop. Starting from an amazing work, they represent an important part of the artistic activity in Liège revived by Prince-Bishop Érard de La Marck.
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E. Valdez del Alamo
Palace of the Mind. The Cloister of Silos and Spanish Sculpture of the Twelfth Century.
Hardback, 300 p., 300 b/w ill., 210 x 280 mm. fine condition !! ISBN 9782503517117. The extraordinary cloister of Santo Domingo de Silos is central to our understanding of medieval sculpture, and of Spain's place in its development. Elizabeth Valdez del Alamo offers an innovative reading of the monastery's medieval sculpture and the first complete study in English. Her carefully documented work revises many traditional theories about the site built during the late eleventh and twelfth centuries. Rather than expressing resistance to religious reform, as commonly held for the renowned Emmaus and Thomas reliefs of the first campaign, they embrace the newly imposed Roman rite. The sirens, dragons, lions, and birds of the capitals are shown to have significance beyond mere decoration. The inventive images of the second campaign, an Annunciation-Coronation and a Trinity set into the Tree of Jesse, derive specifically from monastic devotion, colored by local concerns such as the Reconquest. Languages: English.
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E.-R. Labande;
Devenir fou pour etre sage Construction d'une raison chretienne a l'aube de la reforme gregorienne,
Turnhout, Brepols, 2004 Paperback, 356 p., 160 x 240 mm. ISBN 9782503515823.
Référence libraire : 37351
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E.Bridier M.Forest V.Zuber
Mosaïque - Collection Créa-déco.
Fleurus. 2001. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 45 pages - nombreuses illustrations en couleurs dans et hors texte.. . . . Classification Dewey : 730-Arts plastiques. Sculpture
Référence libraire : RO80268907
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E.K. de Bock - kunsthistoricus.
Inca's Capac Hucha;
Brussel, Mercatorfonds / Fonds Mercator/ Wereldmuseum, Rotterdam , 2010 Hardback with dusjacket, 270x235mm, 192p, Dutch (NL) edition . ISBN 9789061539513.
Référence libraire : 25001
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Eames, C. Matthew
Dickon Eames : Un Sculpteur Américain en France
Biro - éditeur In-4,24,5 cm x 34,0cm x 2,0cm. Relié éditeur sous jaquette. 157pp. Illustrations en couleurs.
Référence libraire : 21753
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Eaton Jim
Dan Ostermiller: A Sculptor of Animals
Actian Press in association with Fenn Galleries Santa Fe N.M. Hardcover. 096268810X First edition. Signed by DAN OSTERMILLER on ffep. VG with a VG dust jacket. Almost like new except for light wear to head and tail. . Very Good. 1990. Actian Press in association with Fenn Galleries, Santa Fe, N.M hardcover
Référence libraire : SKU1009687 ISBN : 096268810X 9780962688102
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Eaverly Mary Ann
Archaic Greek Equestrian Sculpture
The University of Michigan Press 1995. Ex-library with typical markings/stickers; rear free endpaper excised; dust jacket in plastic sleeve taped to boards. Hardcover. Good/Good. The University of Michigan Press Hardcover
Référence libraire : 001656 ISBN : 0472103512 9780472103515
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ECKERT, LAURA.
Schichtwechsel.
Reichlich in Farbe illustriert.
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ECOLE NATIONALE DES BEAUX(-ARTS DE BOURGES
Bernhard Rüdiger
IMP. TECHNIQUE D'OSMOY./. 8 déc. 1994. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Plaquette d'environ 20 pages. Quelques photos en couleurs, dans le texte. Texte en français et en anglais.. . . . Classification Dewey : 730-Arts plastiques. Sculpture
Référence libraire : RO80143465 ISBN : 291016408
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Economides Anton
Grèce : Le carrefour des dieux et des hommes
Arthaud. 1955. In-4, broché. Couverture illustrée. 106 pages. Nombreuses photos en noir et blanc, dans et hors texte. Exemplaire numeroté Nº12956. Signée par l'auteur.
Référence libraire : ART7346M
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Ecole des Beaux-arts de Bordeaux ; Facultad de Bellas Artes de Bilbao ; Arteleku
Medir el cuerpo - Medir la ciudad - gorputza neurtu, hiria neurtu ( Expo FRAC Aquitaine / Arteleku )
1 vol. in-4 br., nombr. photos, Ecole des Beaux-Arts de Bordeaux, 1994, 50 pp. Bon état Textes en Français, Espagnol et Basque. Peu courant. Français
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ED. PAULE GAUTHIER
SAINT-CRICQ. EXTRAIT DE CIMIASE N°142. BILINGUE FRANCAIS/ANGLAIS. (74 grams)
IN 4. BR [BE]. 12 PP. 9 ILL DONT 2 EN COULEURS. [BE]
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Edebau, Frank / van Jole, Marcel
JACKY DE MAEYER
oorspronkelijk uitgevers omslag, 70 pp., zeer mooie reprodukties in kleur, . Drietalige uitgave Nl/Fr/Eng/ lijst tentoonstellingen en bibliografie. In zeer goede staat.
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Edelmann, Hanno
Giselle. [1985]. [Bronzeplastik / bronze].
o.J. (Hanno Edelmann, geboren am 18. November 1923 in Hamburg, gestorben am 13. Juli 2013. Deutscher Maler, Grafiker und Bildhauer. Kunststudium ab 1948 an der Hamburger Hochschule für Bildende Künste in der Grafikklasse von Professor Krubeck, später Malklasse von Willem Grimm). [7 Warenabbildungen]
Référence libraire : 61013BB
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Edgren Jacob 1899 1980
Framed Paper Relief Print Of 17 Celebrating Hunters And One 1 Deceased Moose Original Art Work By Jac Edgren
Sweden Circa 1930 1930. Original Artwork . No Binding. Very Good. 16 1/4" x 7. Jacob Edgren. Original comic art relief print foreground raised above background original integral wood frame as issued. Very good condiiton for this fragile paper relief print. Signed in the print. <br/> <br/> unknown
Référence libraire : 015893
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Edition originale Noël, Bernard - [Breker, Arno]
Arno Breker et l'art officiel
Paris Jacques Damase 1981 in-4 plaquette agrafée Paris, Jacques Damase, 1981. 29,5 x 21,5 cm, in-4, 31 pp., iconographie en noir ou en sépia, broché, plaquette agrafée sous couverture à rabats imprimée au premier plat et illustrée au dernier.
Référence libraire : 2848
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Edition originale Maurizi, Elverio - Trevi, Claudio (ill.)
Claudio Trevi litografie
Pollenza La Nuova Foglio 1971 in-folio relié sous jaquette Pollenza, La Nuova Foglio, 1971. 48 x 34,5 cm, 6 ff. n. ch. - 1 portrait en noir et 12 planches de lithographies originales et 14 reproductions de sculptures dont une en frontispice, cartonnage et jaquette illustrée.
Référence libraire : 4143
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Edinger, Gerd
Gerd Edinger : Zeichnungen - Malerei Objekt - Installation 1990 - 1995
No marks or inscriptions. No creasing to covers or to spine. A very clean very tight copy with bright unmarked boards, minor traces of storage and no bumping to corners. 116pp. The works of German sculptor Gerd Edinger from 1990 to 1995. Text in German and English. Scarce in the UK.
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Edit by: Veysel Ugurlu.
Özer Kabas. [Exhibition catalogue].
Very Good English "Ozer Kabas. [Exhibition catalogue], edit by: Veysel Ugurlu, translator: Fred Stark, Yapi kredi yayinlari, Ist., 1998. Paperback. Pbo. Good. 4to. (33 x 22 cm). 71 p. Color ills.
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Edited by Vishakha N. Desai and Darielle Mason
Gods Guardians and Lovers: Temple Sculptures from North India A.D. 700 - 1200
The Asia Society Galleries New York in association with Mapin Publishing Pvt. Ltd. Ahmedabad 1993. 288 pp. 71 illustrations in both black and white and color. Softcover catalogue published on the occasion of the exhibition from The Asia Society Galleries New York NY March 31-August 15 1993 and The Nelson-Atkins Museum of Art Kansas City MI October 10-November 28 1993. Wrappers. Fine Condition. The Asia Society Galleries, New York in association with Mapin Publishing Pvt. Ltd., Ahmedabad Paperback
Référence libraire : 004333 ISBN : 0878480757 9780878480753
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Edited by ALI AKAY.
Toplumbilim. Plastik sanatlar özel sayisi. No: 4. Haziran 1996.
Fine English Paperback. Pbo. Small 4to. (27 x 19 cm). Articles in Turkish and French. 176 p. B/w ills. Melih Basaran, Lettre a Ody Saban ou partage visuel de l'erection au feminin.; Jean-François Lyotard, Genealogie de la touche. etc. Toplumbilim. Plastik sanatlar özel sayisi. No: 4. Haziran 1996.
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Edited by Ian Jenkins
Defining Beauty. The Body in Ancient Greek Art
Hardback, 280x240mm, 272p, 250 colour illustrations, English edition . ISBN 9780714122878. Expo: 26/03/2015 - 05/07/2015, British Museum, London Greek sculpture is full of breathing vitality and yet, at the same time, it reaches beyond mere imitation of nature to give form to thought in works of timeless beauty. For over 2000 years the Greeks experimented with representing the human body in works that range from prehistoric abstract simplicity to the full-blown realism of the age of Alexander the Great. The ancient Greeks invented the modern idea of the human body in art as an object of sensory delight and as a bearer of meaning. Their vision has had a profound influence on the way the western world sees itself. Drawing on the British Museums outstanding collection of Greek sculpture including extraordinary pieces from the Parthenon and the celebrated representation of a discus thrower and through a number of themed sections, this richly illustrated book explores the Greek portrayal of human character in sculpture, along with sexual and social identity. In athletics, the male body was displayed as if it was a living sculpture, and victors were commemorated by actual statues. In art, not only were mortal men and women represented in human form but also the gods and other beings of myth and the supernatural world. In a series of lively introductory chapters, written by a selection of academics, historians and artists, it is revealed how the Greeks themselves viewed the sculpture (which was vividly enhanced with colour), and how it was regarded and treated in later pagan antiquity. The revival of the Greek body in the modern era is also discussed, including the shock of the new effect of the arrival of the Parthenon sculptures in London at the beginning of the nineteenth century.
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Edited by JEAN LUC-MAESO.
1001 nuits.= 1001 nights.= 1001 gece. [Exhibition catalogue].
New English Paperback. Small 4to. (25 x 21 cm). In English, French, and Turkish. 164 p., color ills. 1001 nuits.= 1001 nights.= 1001 gece. [Exhibition catalogue]. What you will find in the exhibit The Thousand and One Nights: Accessories, sketches for costumes for operas and ballets, created by Christian Lacroix and Franca Squarciapino, works that marked a milestone and which had considerable impact in both France and the entire world; Manuscripts of the 16th, 17th, and 18th centuries, relating the tales, along with the journals of Antoine Galland, who was an envoy to the East during the reign of Louis XIV; Paintings, statues, tapestries and decorative objects that reflect the magnificence of the palace, another important "character" that figures in The Thousand and One Nights; Installations by contemporary artists Feleksan Onar and Sühandan Özay Demirkan; Musical instruments from the East.
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Edited by KAAN ÖZKAN.
Water paintings: Water colours in Turkish art from Süleyman Seyyid up untill the present day.= Su resimleri: Süleyman Seyyid'den günümüze Türk resminde suluboya. [Exhibition catalogue].
New English Paperback. 4to. (29 x 23 cm). In English and Turkish. 179 p., color ills. Water paintings: Water colours in Turkish art from Süleyman Seyyid up untill the present day.= Su resimleri: Süleyman Seyyid'den günümüze Türk resminde suluboya. [Exhibition catalogue]. This catalogue has been prepared by Yapi Kredi Cultural Activities, Arts and Publishing, for Yapi ve Kredi Bankasi A.S., on the occasion of the exhibition 'Water Paintings, Water Colours in Turkish Art from Süleyman Seyyid up until the Present Day' held between 9th November - 29th December 2001 at Yapi Kredi Kazim Taskent Art Gallery.
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Edited by NAZAN ÖLÇER - FILIZ ÇAGMAN et alli.
17. yüzyil Avrupasinda Türk imaji. [Exhibition catalogue]. 12 Temmuz - 9 Ekim 2005, Sakip Sabanci Müzesi.
New Turkish Paperback. 4to. (29 x 24 cm). Turkish Edition. 311 p., color and b/w ills. 17. yüzyil Avrupasinda Türk imaji. [Exhibition catalogue]. 12 Temmuz - 9 Ekim 2005, Sakip Sabanci Müzesi. 17. Yüzyil Avrupa'sinda Türk Imaji baslikli sergide, Sabanci Üniversitesi Sakip Sabanci Müzesi'nin daha önce gerçeklestirdigi Mediciler'den Savoylar'a Floransa Saraylarinda Osmanli Görkemi sergisinde oldugu gibi, Osmanli-Avrupa iliskileri, siyasi olaylarin sanata yansiyan izdüsümü irdelendi. Türk korkusunun büyük bir meraka dönüstügü, Türklere karsi savasan kesimlerin savas ertesi kendi yurtlarinda düsmanlarinin kiyafetine bürünerek yaptirdiklari portrelerin yayginligi, Osmanli topraklarina ait savas ganimeti, hediye veya ticaret yolu ile edinilmis malzemenin Avrupa sosyal yasaminda oynadigi önemli rol, tarihçi ve sosyal alandaki arastirmacilara öteden beri genis bir çalisma alani sunarken, müzecilere de belge degeri tasiyan büyük bir sanat eseri zenginligi getirmekteydi. Slovenya basta olmak üzere Orta Avrupa'daki çesitli Müze koleksiyonlari ile Ingiltere ve Türkiye'deki özel koleksiyonlardan derlenen 92 yagliboya portre, panorama ve gravürün yer aldigi sergi Credit Suisse'in katkilariyla düzenlendi.
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Edited by OGUZ CEYLAN.
Exhibition's Exhibition. Istanbul Painting and Sculpture Museum 1937 Opening Collection.= Serginin Sergisi. Istanbul Resim ve Heykel Müzesi 1937 Açilis Koleksiyonu.
New English Paperback. Pbo. 4to. (29 x 23 cm). B/w and color ills. 256 p. In Turkish and English. 1000 copies were printed. Exhibition's Exhibition. Istanbul Painting and Sculpture Museum 1937 Opening Collection.= Serginin Sergisi. Istanbul Resim ve Heykel Müzesi 1937 Açilis Koleksiyonu. TURKISH PAINTING History of arts Exhibition.
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