|
; illustrated by Over 180 digital artists
Exposé 3: Finest Digital Art in the Known Universe
Ballistic Publishing 2005. Soft Cover. NM - Near Mint. Over 180 digital artists. Exposé 3 is the third edition of the industry's best art book celebrating the creative talents of digital artists worldwide. This volume features the work of 181 artists from 37 countries covering the fields of 3D digital illustration architectural visualization games television and feature film. The Exposé 3 AWARDS celebrate the highest artistic and technical excellence in a diverse range of categories and styles. In most categories Exposé 3 honors 3D and 2D illustration entries separately. Master gold and Excellence silver were awarded in the following categories: Character in Repose; Character in Action; Creature in Repose new; Robotic/Cyborg new; Architectural; Environment; Fantasy; Abstract & Design; Surreal new; Humorous; Transport; Cityscapes new. 208 pages. Full Colour illustrations. 9" x 12" 220mm x 297mm. 2.2 Ballistic Publishing paperback
Référence libraire : BALLEXPOSE3 ISBN : 192100214x 9781921002144
|
|
|
; illustrated by Over 240 digital artists
Exposé 4: Finest Digital Art in the Known Universe
Ballistic Publishing 2005. Soft Cover. M - Mint. Over 240 digital artists. Now in its fourth year Exposé 4 celebrates the talents of artists worldwide featuring 317 artworks from 241 artists in 49 countries selected from over 5000 submissions. You can own the best digital art in a book of exceptional quality. Exposé 4 covers a wide spectrum of digital art showcasing works in 20 categories: Fantasy; Exterior Architecture; Interior Architecture; Portrait Painted; Portrait Rendered; Action; Conflict; Faery Folk; Creatures; Environment; Cityscapes; Matte Painting; Science Fiction; Abstract & Design; Product Design & Still Life; Horror; Surreal; Humorous; Whimsical; and Transport! 224 pages. Full Colour illustrations. 9" x 12" 220mm x 297mm. 2.1 Ballistic Publishing paperback
Référence libraire : BALLEXPOSE4 ISBN : 1921002298 9781921002298
|
|
|
; illustrated by Over 210 digital artists
Exposé 5: Finest Digital Art in the Known Universe
Ballistic Publishing 2007. Soft Cover. M - Mint. Over 210 digital artists. The flagship title of award-winning publisher Ballistic Publishing has become an institution in the digital art world. Exposé 5 boasts a raft of new artwork including that of 108 unpublished artists drawn from a pool of over 4500 entries. Judged by an international team of industry leaders this year's edition features 298 examples of the world's best digital art prepared by 218 artists from 45 countries. 224 pages. Full Colour illustrations. 9" x 12" 220mm x 297mm. 2.1 Ballistic Publishing paperback
Référence libraire : BALLEXPOSE5 ISBN : 1921002395 9781921002397
|
|
|
[ CENDRARS Blaise ]
La Peinture sous le signe de Blaise Cendrars
Paris Galerie Louis Carré 1965 In-4 Agrafé Edition originale
Référence libraire : 003670
|
|
|
['ARTISTES NORMANDS].
Rouen et l'Exode.
Rouen, imprimerie Lecerf, 1941. Album in-4 composé de 20 planches reproduisant les oeuvres de 20 artistes normands, édité par le Comité d'Entr'aide aux Artistes prisonniers. Préface de Fernand Guey. Il a été tiré de cet ouvrage, 500 exemplaires numérotés, dont les 200 premiers, signés des artistes, constituent l'édition originale. Notre exemplaire porte le numéro 435. Excellent état intérieur. Papier brun gaufré non relié, imprimé du titre et des noms des artistes. Parfait état.
Référence libraire : 20525
|
|
|
[Affiche] Topor, Roland
Cent artistes disparus en Argentine. Manifestation internationale, Amsterdam, 11, 12, 13 septembre 1981. AIDA.
Saint-Ouen imprimerie Chaix 1981 (Saint-Ouen, imprimerie Chaix) 1981. 65 x 49 cm, affiche illustrée en couleurs par Roland Topor et tirée en offset.
Référence libraire : 4437
|
|
|
[Affiche] Topor, Roland
Cent bannières dans Paris pour cent artistes disparus en Argentine. Manifestation samedi 14 novembre [1981] 11h place du Panthéon. AIDA.
Saint-Ouen imprimerie Chaix 1981 aucune reliure (Saint-Ouen, imprimerie Chaix), 1981. 65 x 50 cm, affiche illustrée en couleurs par Roland Topor et tirée en offset.
Référence libraire : 4436
|
|
|
[AFRICAN AMERICAN ART & ARTISTS] LOCKETT, Ronald; Bernard L Herman, ed
Fever Within: the Art of Ronald Lockett
Chapel Hill: University of North Carolina Press 2016. First Edition. First printing. Quarto. Black cloth hardcover; dustjacket; 60pp plates unnumbered; 84pp text. Fine. In the original dustwrapper Fine but for a small bruise at upper margin of front panel; exhibition brochure and separate pamphlet of interviews with the artist laid in. Only monograph devoted to the work of the Alabama-born artist Ronald Lockett; published to accompany the 2015 traveling exhibition of his work. University of North Carolina Press unknown
Référence libraire : 82664
|
|
|
[AFRICAN AMERICAN ARTISTS] LAWRENCE, Jacob
Lawrence - Paintings March 25 - April 20 Two Rebels
New York: Terry Dintenfass 1963. First Edition. Original lithographed poster with text and illustrations printed in dark red and black on thick cream laid paper measuring 48cm x 66.25cm 18 7/8" x 26 1/8". Mild handling a few faint creases from being rolled with a half-dozen foxed spots; unbacked; Near Fine.<br /> <br /> A striking poster by Lawrence designed to promote his first solo exhibition at Terry Dintenfass Inc. in New York. The illustration was derived from Lawrence's 1963 tempera painting "Two Rebels" "showing four white policemen carrying two black men. The heads of some fifteen witnesses crowd in. In the poster that number was reduced to ten heads that float like moons of light above a protester and his police handlers with their billy clubs dangling from their wrists" Over the Line: The Art and Life of Jacob Lawrence pp.174-175. Paintings like "Two Rebels" "Soldiers and Students" and "Four Students" were almost certainly triggered by news photos and television images of the immediate events of 1960-62 in the South. The poster is not separately listed in OCLC though a signed and numbered lithograph of the image edition of 50 is held at the LC. 82862. Terry Dintenfass unknown
Référence libraire : 82862
|
|
|
[Allied Artists]
Allied Artists: Cavalcade of the 60s Group IV: The Stars in Action Package Original promotional binder circa 1960s
Glendale CA: Allied Artists Television 1960. Vintage three-ring leatherette binder produced to promote television releases by Allied Artists Television circa 1960s.<br /> <br /> Films advertised in the binder include:<br /> <br /> "Wild Stallion" 1952<br /> "Wagons West" 1952<br /> "Teenage Doll" "The Young Rebels" 1957<br /> "Serengeti Shall Not Die" "They Shall Not Die" 1959<br /> "The Double Agents" 1959<br /> "The Price of Silence" 1959<br /> "Sex Kittens Go to College" "Beauty and the Robot" 1960<br /> "I Passed for White" 1960<br /> "Karate the Hand of Death" 1961<br /> "Station Six-Sahara" 1962<br /> "The Day of the Triffids" 1962<br /> "Confessions of an Opium Eater" "Souls for Sale" 1962<br /> "Soldier in the Rain" 1963<br /> "Play it Cool" 1963<br /> "Master Spy" 1963<br /> "Clash by Night" "Escape by Night" 1963<br /> "The Gun Hawk" 1963<br /> "Shock Corridor" 1963<br /> "Blood on the Arrow" 1964<br /> "The Naked Kiss" 1964<br /> "Racing Fever" 1964<br /> "The Strangler" 1964<br /> "Stop Train 349" 1964<br /> "The Secret Door" 1964<br /> "A Yank in Viet-Nam" 1964<br /> "Destination Death" 1964<br /> <br /> 27 leaves rectos and versos. Final leaf recto only. <br /> <br /> Binder Very Good plus with moderate wear on the spine. Pages Fine. Allied Artists Television unknown
Référence libraire : 160332
|
|
|
[Allies Artists Pictures; Cocinor?]
Parachutist
Berlin Germany: Allies Artists Pictures ca. 1963. B&W Photo. 17.5 x 24.5 cm. VG. Provenance Paul Paulet French actor from the 1930s-1970s [Berlin, Germany: Allies Artists Pictures, ca. 1963?] unknown
Référence libraire : 68-4395
|
|
|
[Ambrogiani] Romefort (Jacques de) :
Empire (L') Occitan ou l'éternelle Colonie. Illustrations de Pierre Ambrogiani.
Paris, Union des Bibliophiles de langue française, 1963 ; fort in-folio, couv. blanche illustrée, coffret vermillon de l'éditeur ; (4), 144, (12) pp., 10 illustrations à doubles pages en couleurs et couverture illustrée par Ambrogiani.
Référence libraire : 15880
|
|
|
[American Artists Group]
Original Etchings Lithographs and Woodcuts Published by the American Artists Group Inc
NY: American Artists Group 1937. G cover slightly worn and soiled small white label on lower left of cover. Green wraps. 47 pp. 89 bw plates. Includes a 4-page foreword a 2-page description of 4 print-making techniques and biographies of 54 graphic artists. Scarce. American Artists Group paperback
Référence libraire : 8618
|
|
|
[American Artists Group]
Original Etchings Lithographs and Woodcuts by American Artists Catalogue Number One
NY: American Artists Group 1936. G cover soiled and slightly worn few pencil marks inside. White wraps. 45 pp. 53 bw plates. Includes 6 pages of introductory text a 4-page description of print-making techniques and detailed biographies of 50 graphic artists whose work was represented by American Artists Group. Scarce. American Artists Group paperback
Référence libraire : 8619
|
|
|
[Anarchism, Anti-establishment, Anti-Capitalism, Zines] Various authors and Artists
Final Four
No Place: No publisher 1984. Wraps. Good. No publisher or place: 1984. Single stapled zine 8 ½ by 11 inches. 20 pp. including covers. An obscure zine perhaps associated with the New York artist space ABC No Rio or perhaps from California that assembles submissions from contributors that blend clip art xerox art collage poetry and essays. Our speculation about ABC No Rio is based on it being purchased with other items from the space. Anti-Reagan pro-Central American rebels anti-capitalism and anarchist themes abound. The general tone feels rather apocalyptic perhaps reflecting the mood of youth in a Reagan administration. One page with art depicting bombs being dropped predicts November 13 2026 as doomsday. Buy this before then! GOOD condition. Light toning and edgewear. Minor staining along the lower front cover. Some curling at the corners. No publisher unknown
Référence libraire : 022426
|
|
|
[Anarchism, Anti-Violence, Women's Equality, Zines] Various authors and Artists
Positive Paranoia
No Place: No publisher. Wraps. Good. No publisher or place or date. Single stapled zine 8 ½ by 11 inches. 20 pp. including covers. An obscure zine perhaps associated with the New York artist space ABC No Rio that assembles submissions from contributors that blend clip art xerox art collage poetry and essays. Our speculation about ABC No Rio is based on it being purchased with other items from the space and a small anarchist symbol on the second page which appears to have the letters b and c written in the top part of the symbol. Pieces reflect on capitalism and war how women are treated as sex objects anti-Reagan musings gun culture in America etc. The general tone feels rather apocalyptic perhaps reflecting the mood of youth in a Reagan administration. GOOD condition. Light toning and edgewear with offsetting along the edges. Small area of staining at the lower left side. Price request in red marker on the lower front cover. Lower right corner creased and wrinkled. No publisher unknown
Référence libraire : 022479
|
|
|
[ARTISTES DU LIVRE]
Louis Legrand.
Paris, Henri Babou, 1931. 1 vol. in-4. En feuilles, couvertures jaunes imprimées, sous chemise imprimée à lacets.
Référence libraire : 12699
|
|
|
[ARTISTES NÉCESSITEUX]
Loi relative aux gratifications & secours à accorder aux artistes. Donnée à Paris, le 12 septembre 1791
Beauvais, Desjardins, 1791 in-4, 6 pp.
Référence libraire : 664949
|
|
|
[ARTISTES PAUVRES]
Loi relative aux secours provisoires à accorder aux artistes pauvres. Donnée à Paris, le 12 septembre 1791
Beauvais, Desjardins, 1791 in-4, 3 pp.
Référence libraire : 664950
|
|
|
[ARTISTES].
Loi relative aux secours provisoires à accorder aux artistes pauvres. Donnée à Paris, le 12 septembre 1791
Douai, Imprimerie de la veuve Derbaix, s.d. (1791) in-4, 3 pp., en feuille.
Référence libraire : 226537
|
|
|
[Artists' Book) Hobson, Charles
ANDROMEDA IMAGINED
San Francisco: Pacific Editions 1998. First edition. Small ex-libris label to front blank leaf else fine. Quarto 11 x 10.5 inches original black cloth and silver decorative boards bound concertina style. 32 pages containing six monoprints over star atlas drawings from 1690 six IRIS prints from mixed media drawings and six hand-punched constellations. Housed in gray cloth hinged tray case with holstered penlight flashlight. <br/><br/>Edition of 30 copies signed by Charles Hobson this #30. With warm autographed note to former owner laid in. An imaginative artist's book exploring the Greek myth of the beautiful maiden Andromeda. Typeset text of the story is interspersed with facing pages of illustrations. Images on the left are from drawings made for the 1690 Star Atlas of Johannes Helvelius the constellation of Andromeda. On the right are Hobson's own lush figure drawings. Pacific Editions hardcover
Référence libraire : 24027
|
|
|
[Artists' Television Access Gallery]
Theatre of Cruelty Original flyer for a screening of nine experimental films at the Artists' Television Access ATA Gallery Saturday December 10 1994
San Francisco: Artists' Television Access 1994. Vintage flyer for a screening of nine industrial and experimental films at the Artists' Television Access ATA Gallery Saturday December 10 1994-grouped under the conceptual title "Theatre of Cruelty."<br /> <br /> The nine films screened at the event were:<br /> "Glimpses of Soviet Science" 1942 produced by Moscow Techfilm Studios <br /> "This is Cybernetics" 1975 produced by Films Budapest<br /> "Seat Belts and You" 1980 produced by the Ford Motor Company<br /> "Without Make-up You Don't Have a Chance" 1986<br /> "The Rehearsal" 1987<br /> "These Boots are Made for Walking" 1988 directed by Azian Nurudin<br /> "The Tunnel" 1985 directed by Tuesday Woo<br /> "Le Poème" 1986 directed by Bogdan Borkowski<br /> "Mechanics of the Brain" 1926 directed by Vsevolod Pudovkin<br /> <br /> Formed in 1986 the ATA is a San Francisco-based artist-run nonprofit which promotes underground and experimental art as well as providing a screening venue for independent films exhibitions performances workshops and events.<br /> <br /> 11 x 8.5 inches on blue paper. With a few small pin holes else Near Fine. Artists' Television Access unknown
Référence libraire : 159521
|
|
|
[Artists' Books] Kao, Jeff
Vitamin K.
Los Angeles: Big Business Inc 1998. Edition of 30 this an artist's proof. Accordion book with text and ten rubber stamped images by the artist bound with black Yatsuo paper. Signed by Kao and with stamp on verso of last panel and designated AP. Housed in a paper covered slipcase hand-stenciled by the artist. Corners rubbed from case small split to paper at rear joint. Internally clean with some smudging to edges of page block. Very good. <br /> <br /> Striking project from California fine artist turned film director Jeff Kao. Consists of a series of childhood memories a few of which are obscene accompanied by images two being in color and the rest in black. <br /> <br /> Letterpress printed by Norman Clayton at One Heart Press San Francisco and Hand-bound by John DeMerritt Emeryville. We find little mention of this project and no copies are to be found in OCLC. We do find at least one other book by the artist Of Victor Fame also published in an edition of 30. Big Business Inc unknown
Référence libraire : 7435
|
|
|
[Artists: Aubrey Beardsley, Joseph Pennell, Walter Sickert, Laurence Housman, John Singer Sargent, Patten Wilson, Ethel Reed, et
The Yellow Book; An Illustrated Quarterly
London: Elkin Mathews & John Lane Vol's I and II John Lane The Bodley Head Vol's III - XIII 1897. Hardcover. Near fine. Thirteen volumes complete octavo size approx. 4150 pp. Called "the gay nineties" in America and "the naughty nineties" in Britain the decade of the 1890s was in many respects one in which the Victorian morals and societal codes were loosening with many who on both sides of the pond "embraced more freedom fun and social permissiveness" n.b. quote from Wiki. <br /> <br /> Within the worlds of literature and art Oscar Wilde 1854-1900 and Aubrey Beardsley 1872-1898 were extremely influential both with a talent for bringing eroticism into their art and making it - almost - socially acceptable. In addition to their joint collaboration on "Salome" first published in 1892 they launched this periodical "The Yellow Book" with its first issue being April 1894. Beardsley was the first art editor and while Wilde was not a contributor his influence can be felt. <br /> <br /> Ultimately it lasted for only thirteen issues its demise coming about for almost the same reasons as its success. The public initially saw "The Yellow Book" as "something queer and rather alarming.and thus it almost immediately regarded it as symbolic of new movements." However after the trial and conviction of Oscar Wilde the publishers who were from the outset less inclined towards these new ideals than the artists combined with a reaction now negative from the public "the publisher's premises were set upon by a mob who vandalised the building" its final issue was April 1897 n.b. quotes from Wiki. <br /> <br /> ___DESCRIPTION: All volumes bound in full bright yellow cloth black illustrations and lettering on the fronts black lettering and decorations on the spines the table of contents reproduced on the back covers except the final issue which duplicated the design of the front replete with reproductions of artwork all in black and white with a single exception; bindings octavo size 8 1/8" by 6 1/2" pagination varies between 256 and 406; note that this set does not have the advertisements bound in at the rear. <br /> <br /> ___CONDITION: Overall near fine the boards mostly clean a few volumes with light spots the corners mostly straight a few slightly bumped most without rubbing and a few with minimal rubbing strong square text blocks with solid hinges we noted a few gutters just beginning to crack the interiors clean and bright and the set entirely free of prior owner markings; some light rubbing to the black ink on the bindings on most volumes light toning to some of the endpapers a few volumes with the boards very slightly bowed and some of the spines lightly sunned note that the spine of Vol. VI is significantly lighter in colour. <br /> <br /> ___POSTAGE: Please note that this set will require additional postage please inquire for details. International customers please also note that any taxes duty or tariffs charged by your country will of necessity be your responsibility. <br /> <br /> ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Elkin Mathews & John Lane (Vol's I and II), John Lane The Bodley Head (Vol's III - XIII) hardcover
Référence libraire : 24061416
|
|
|
[Association des Artistes Musiciens] Isidore, baron Taylor (1789-1879), écrivain et philanthrope ; nombreuses signatures de musiciens et compositeurs.
Lettre signée
[Association des Artistes Musiciens] Isidore, baron Taylor (1789-1879), écrivain et philanthrope ; nombreuses signatures de musiciens et compositeurs. L.S., Paris, 16 juin 1876, 1p in-4. A madame Normand : « Madame, Le Comité de L'Association des Artistes Musiciens vient vous exprimer sa plus vive gratitude pour le gracieux concours que vous avez bien voulu lui accorder comme Dame Patronnesse à la Solennité musicale en l'honneur de Rameau qui a eu lieu à St Eustache le jeudi 15 juin. Le Comité est heureux de vous remercier de cette marque de sympathie en faveur de la société des artistes Musiciens qui vient en aide à tant d'honorables infortunes, et il vous prie, Madame, d'agréer des hommages respectueux. Les Membres du Comité. [signatures de 24 membres] ». Outre la signature du président, le baron Taylor, nous identifions les signatures de : 1.Léon Abraham, qui signe A. Léon, violoniste. 2.Adolphe Badet, chef d'orchestre au Cirque Napoléon. 3.Edouard Batiste (1820-1876), compositeur et organiste. 4.Charles de Bez (1812?-1890?), compositeur, vice-président. 5.Adolphe Blanc (1828-1885), compositeur, violoniste et altiste. 6.Adolphe Danhauser (1835-1896), compositeur, musicien et professeur. 7.Louis Deffès (1819-1900), compositeur. 8.Delahaye, probablement Victor Delahaye, écrivain mis en musique par Hetzel notamment. 9.Demol. Il y eut deux Demol : Léon et Théodore. 10.Ferdinand Dubois (?-?), professeur de musique au collège Chaptal. 11.Eugène Gand (1825-1892), violoniste et luthier. 12.Hottin. Il y eut deux Hottin à cette période : Antoine-Alexandre (professeur) et Edme-Narcisse (trompettiste). 13.Eugène Jancourt (1815-1900), compositeur, bassoniste et professeur. 14.Charles Labro (1810-1882), compositeur et contrebassiste. 15.Charles Lebouc (1822-1893), violoncelliste. 16.Albert Lhôte (1828-1900), compositeur et violoniste. 17.Ernest Marie (?-1882), compositeur. 18.Merlé. Il y eut trois Merlé à cette période : Jean-Joseph (chef d'orchestre), Louis-Frédéric et Joseph (altiste). 19.Charles Proust (?-?), compositeur. 20.François-Émile Rignault (1812-1895), violoncelliste. 21.Cyrille Rose (1830-1902), compositeur et clarinettiste. 22.Louis-Eugène Tubeuf (?-?), contrebassiste, professeur de violoncelle et de contrebasse. 23.Victor Frédéric Verrimst (1825-1893), compositeur et contrebassiste. Cet ensemble de signatures représente environ la moitié des membres du comité qui comptait notamment à cette date Vaucorbeil, Comettant, Pasdeloup. Nous n'avons pas trouvé qui était cette madame Normand mais elle a été plusieurs fois « dame patronnesse » (quêteuse) lors de cérémonies organisées par l'association. Belle réunion de signatures. [354]
Référence libraire : 016204
|
|
|
[Australian Artists] Mort, Eirene
Alphabet Frieze
Canberra: National Gallery of Australia 1986. Four accordion fold leaves 13x13cm folded printed on one side only in blue 6 panels each with UV and XY appearing together to make 24 panels in total. Housed in blue printed box. Fine condition box with some wear. <br /> <br /> Eirene Mort's 1879-1977 charming Australian Alphabet printed by the National Gallery which purchased the designs from the artist's estate in 1984. The designs were drawn in London in 1902 when Mort was 23 and were intended to be produced as a book though it was never published. <br /> <br /> OCLC cites just the Australian Alphabet book publication from 1986 with introduction by John McPhee. Perhaps this frieze was published alongside or at a later date by the gallery. In any event we find not mention of it. National Gallery of Australia unknown
Référence libraire : 9948
|
|
|
[AUTOMOBILES -- PONTIAC]. [FITZPATRICK, Arthur & KAUFMAN, Van Justin (Artists).]
Fresh point of view. . . from Pontiac 1960: the only car with wide-track wheels. . . Dealer catalogue featuring the exceptional advertising artwork of Fitzpatrick & Kaufman.
Pontiac MI: Pontiac Motor Division General Motors Sept. 1959. Oblong 4to. 12 x 10.5 in. 28 pp unpaginated. Colour-illustrated throughout several double-page. Colour-illustrated lithographed softcovers slight dustsoiling minor shelfwear light creasing to spine still VG bright copy w/ ownership markings of Bill Mohr 1913-1973 longtime Portland area Ford dealership sales manager. First edition of this excellent Mid-20th Century dealer’s catalogue enhanced with the lush illustrations by Fitzpatrick & Kaufman who were commissioned by GM to create some of the most iconic advertising campaigns for luxury through the 1960’s often featuring the photography by Macmanus John & Adams. The 1960 Pontiac models were a refining of Bill Mitchell’s radical 1959 Pontiac designs but many of their styling cues would return in 1961 & 1962 but the 1960 model year featured horizontal bar grilles straight full-length trim moldings and new deck lid. Fitzpatrick b. 1919 launched his career by apprenticing under John Tjaarda at the Briggs Body Co. as a designer in 1937 and later designed the Darrin Packard One-Eighty sedan before working for General Electric during World War II. After the War Fitzpatrick illustrated for Mercury Lincoln Nash & Plymouth before being recruited for the 1953 Buick portfolio and later granted exclusive contract with GM. Kaufman b. 1918 was a Disney animator who worked on Fantasia and Dumbo and later with the Army Air Corps First Motion Picture Unit and teamed up with Fitzpatrick in 1951. Their original artwork created for GM through 1970 remain some of the most desired automobile art of the 20th Century. Worldcat locates 3 copies Lib. of MI Sloan Museum Free Lib. of Phil.; See: Illustrious Duo: The Art of Fitz and Van Driven to Write 2022; Stork & Dolle Glamour Road: Colour Fashion Style and the Midcentury Automobile pp.183-185. Pontiac Motor Division, General Motors, paperback
Référence libraire : 61258
|
|
|
[AUTOMOBILES -- PONTIAC]. [FITZPATRICK, Arthur & KAUFMAN, Van Justin (Artists).]
Pontiac 1961. . . Premium & small dealer showroom catralogues featuring the exceptional advertising artwork of Fitzpatrick & Kaufman.
Pontiac MI: Pontiac Motor Division General Motors 1960. Two vols. Oblong 4to. 12 x 10.5 in.; 11 x 8 in. 24; 16 pp unpaginated. Colour-illustrated throughout several double-page. Colour-illustrated lithographed softcovers on thick paper stock for 1st vol 2nd w/ self-printed softcovers slight dustsoiling and thumbing to fore-edges minor age-toning to second still a VG set w/ dealership stamps at lower corners of Kasey Pontiac San Diego CA. First editions of these exceptional Mid-20th Century dealer’s catalogue enhanced with the lush illustrations by Fitzpatrick & Kaufman who were able on occasion to include their initials AF/VK hidden in their General Motors artwork. The 1961 Pontiac models included the Bonneville Star Chief Ventura and Catalina on 119/123†wheelbase and lighter weight frames than the 1960 models. Fitzpatrick b. 1919 launched his career by apprenticing under John Tjaarda at the Briggs Body Co. as a designer in 1937 and later designed the Darrin Packard One-Eighty sedan before working for General Electric during World War II. After the War Fitzpatrick illustrated for Mercury Lincoln Nash & Plymouth before being recruited for the 1953 Buick portfolio and later granted exclusive contract with GM. Kaufman b. 1918 was a Disney animator who worked on Fantasia and Dumbo and later with the Army Air Corps First Motion Picture Unit and teamed up with Fitzpatrick in 1951. Their original artwork created for GM through 1970 remain some of the most desired automobile art of the 20th Century. Worldcat locates 1 copy of each Premium at The Met; smaller at Hagley of 14 pp.; See: Illustrious Duo: The Art of Fitz and Van Driven to Write 2022. Pontiac Motor Division, General Motors, paperback
Référence libraire : 64067
|
|
|
[AUTOMOBILE -- OLDSMOBILE]. FITZPATRICK, Arthur & KAUFMAN, Van Justin (Artists).]
‘61 Olds: the action line in performance the fashion line in design.
Lansing MI & Los Angeles CA: Oldsmobile Division General Motors Corp.; E. Parke Branson Van Ness Oldsmobile Sept. 1960. 4to. 9 x 11.25 in. 31 1 pp. With colour illustrations & designs throughout some double-page self-printed colour-illustrated softcovers w/ cover art by Fitzpatrick & Kaufman minor shelfwear slight rubbing still VG copy w/ dealership label on front cover. First edition of this stylish dealer’s showroom brochure for the 1961 Oldsmobile automobiles which featured the introduction of the unique mid-size F-85 powered by a aluminum 215 cubic inch V-8 trying to compete with similar offerings by Buick and Pontiac. Featuring illustrations by Fitzpatrick & Kaufman who were able on occasion to include their initials AF/VK hidden in their General Motors artwork. The full size line-up models featured an all-new smaller streamlined and rounded body and chassis with perimeter “Guard Beam†frame and all-coil suspension replaced the leaf springs. All of the full-size Oldsmobiles were powered by the 394 cubic-inch Rocket V8 with the Dynamic 88 featuring a 2-barrel 250 horsepower version. The Super 88 could be purchased with a 4-barrel 394 Skyrocket V8 rated at 325 horsepower. Fitzpatrick b. 1919 launched his career by apprenticing under John Tjaarda at the Briggs Body Co. as a designer in 1937 and later designed the Darrin Packard One-Eighty sedan before working for General Electric during World War II. After the War Fitzpatrick illustrated for Mercury Lincoln Nash & Plymouth before being recruited for the 1953 Buick portfolio and later granted exclusive contract with GM. Kaufman b. 1918 was a Disney animator who worked on Fantasia and Dumbo and later with the Army Air Corps First Motion Picture Unit and teamed up with Fitzpatrick in 1951. Their original artwork created for GM through 1970 remain some of the most desired automobile art of the 20th Century. Worldcat locates 1 copy Lib. of MI similar brochure/poster at Hagley See: Illustrious Duo: The Art of Fitz and Van Driven to Write 2022. Oldsmobile Division, General Motors Corp.; E. Parke Branson, Van Ness Oldsmobile, paperback
Référence libraire : 61481
|
|
|
[Barbarian Press] Robinson, E A; Crispin, Jan, and Apollonia Elsted, book artists
Ben Jonson Entertains a Man from Stratford and other poems
Mission British Columbia: Barbarian Press 2025. Softcover. Fine. Softcover. One of 120 copies Writes the press: Two of our Loose Canons pamphlets featuring neglected poets will be published in 2025: the first a second edition of the poetry of Elinor Wylie from our earlier version of Loose Canons One is expanded from 6 poems to 18; Loose Canons Two features poems by Edwin Arlington Robinson with a focus on his long dramatic monologue 'Ben Jonson Entertains a Man from Stratford'. This revival of the Loose Canons series is devoted to refreshng the reputations of once celebrated poets and poems that over time have become blurred by distance overlooked or simply ignored.As will be the case with later additions to the series each of these issues is intended to give a concise overview of the style and concerns of the poet in question. All the pamphlets will be hand-set in various types from the best editions of the texts and each will offer a brief biographical note with other information as necessary. They will be sewn into a variety of cover papers and will be of a uniform size. The Loose Canons series will continue intermittently but dependably. We intend them to provide a mix of writers in English from England Canada and America and we may possibly introduce some translations from other languages as the series gather strength.<br /> This volume is a gray textured paper softcover that is sewn into wraps of St. Armand Canal paper It is handset by Apollonia Elsted in Poliphilus and Blado with Caslon Antique for display and printed on Zerkall Cream Laid paper. The book was designed by Crispin Elsted who also selected the poems. In fine condition. Measures 7.25 x 12 inches. Unpaginated 18 pages. PRI/041825. Barbarian Press unknown
Référence libraire : 37890
|
|
|
[BEAUX-ARTS] - [Les ARTISTES CONTEMPORAINS].-
Les Artistes contemporains. Musiciens, Peintres et Sculpteurs. Deuxième Série.
1900 Paris, Maison de la Bonne Presse, sans date (vers 1900), in 8° relié demi-basane aubergine, dos à nerfs orné ; quelques frottis.
Référence libraire : 74884
|
|
|
[BESSON] - BRIDEL,Frank.
Pascal Besson, bâtisseur d'espace.
[Le Mont-sur-Lausanne], Editions de la Tour, 1991; In-4° carré, Reliure pleine toile d'éditeur, sous jaquette illustrée. Illustré de nombreuses reproductions en couleurs.
Référence libraire : 2754
|
|
|
[BETTENCOURT (Pierre)]
Fables fraîches pour lire à jeun
Normandie, [Pierre Bettencourt], 1942. In-12, 135 pp. 1 pl., broché, couverture originale illustrée (quelques petites rousseurs).
Référence libraire : 22373
|
|
|
[BURMA - ANTIQUE PRINT] GRAHAM, CHARLES AND LOUIS JOUTEL (ARTISTS).
The British War In Burmah Caption Title.
New York.: Harper's Weekly. 28 November1885. Three wood engravings on a single newspaper leaf two quarter-page each 14 x 11.5 cms and one half-page 18.3 x 13.3 cms; 40.8 x 27.8 cms sheet unrelated text on the verso light age-toning very good condition. Wood engravings from "Harper's Weekly" published on the day Mandalay fell to the British at the close of the third Anglo-Burmese War. The short-lived war led to the annexation of the Konbaung Dynasty into British India by the proclamation of the Viceroy and Governor-General of India Lord Dufferin on January 1 1886. The engravings are from original photographs likely military photographs recording the war. The engravings are captioned: <br> "The Shiva Dagon Pagoda at Rangoon"; "The Great Bell at Mengdoon" and one larger half-page illustration "Monastery Near the Eastern Gate of Mandalay". . Harper's Weekly. unknown
Référence libraire : 195560
|
|
|
[Catalogue d'exposition de la Galerie Sidney Janis de New York] - 7 artists.
An exhibition by 7 artists.
New york, Sidney Janis, 1969, 1 plaquette in-4 br. sous couv. ill., de 24 pp.
Référence libraire : 5052
|
|
|
[COWBOY ARTISTS OF AMERICA]
Cowboy Artists of America: 25th Annual Exhibition at the Phoenix Art Museum October 19 - November 18 1990.
N.P.: Cowboy Artists of America 1990. First edition. Limited edition with a leaf bearing signatures of 26 CA members. Quarto. Unpaginated but with biographies and photos of the artists on the verso and color images of their work on the rectos. Publisher's morocco-grain blue cloth with silver spine and cover lettering slipcase. A fine copy.Signatures include Fred Fellows Howard Terpning Bill Nebeker J. W. Hampton Grant Speed Mel Warren Ray Swanson Bill Owen and others. Cowboy Artists of America hardcover
Référence libraire : 70482
|
|
|
[CRIMINOLOGY -- CON ARTISTS]. LUCAS, Netley & GRAHAM, Evelyn
My selves. With a foreword by Sir James Purves-Stewart.
London: Arthur Barron 17 Fleet Street 1934. 8vo. ix 3 355 pp. Plum-coloured publisher’s cloth gilt lettering on spine minor shelfwear rubbing slight sunning to spine w/ d.j. lightning bolt design cover art chipping edgewear old tape repairs minor scuffing still VG/G copy. First edition of this second autobiographical memoir by the famed grifter con-man criminal thief and compulsive liar. Lucas 1903-1940 ran cons from age 14 until his death under 38 different aliases who managed to climb the British social ladder more than once and who entertained one and all with his tales of crime and managed to cover himself with a lucrative career as freelance journalist converted criminal and criminologist. In this memoir bearing both of his pseudonyms he managed to entice Sir Purves-Stewart into writing his foreword diagnosing the author with a personality disorder from alcoholism. When translated into French it was discovered by Surrealist poets and re-issued as “Moi et Moi.†Exceedingly scarce in original dustjacket. See: Matt Houlbrook Prince of Tricksters: the Incredible True Story of Netley Lucas Gentleman Crook 2016. Arthur Barron, 17, Fleet Street, hardcover
Référence libraire : 62202
|
|
|
[Deeply Game Publications] Lauritsen, Christina; Sara Press and Andy Rottner, book artists
The Shepherdess and the Chimney-Sweep
San Francisco: Deeply Game Publications 2012. Hardcover. Fine. Hardcover. Number 45 of 55 copies. Signed by the author and book artists. Book artist Sara Press collaborated with Andrew Rottner to create this exquisite tribute to printing's golden age. "The story by Christina Lauritsen mis-remembers H.C. Andersen's classic tale of the same name transforming it into a story of revelation and madness. The visual progression of the book mirrors the plot pitting the beauty of the decorative arts against the intense and unpredictable messiness of human experience. This book confronts the inevitability of loss and bows to intellectual freedom and its attendant risks." artists' statement. The book is printed in Garamond and Bembo types on Moab Entrada paper. It features two 26 inch wide foldouts with illustrations by Rottner. The striking cover is done from a cut-marbled-paper and brocade. The book measures 7 x 9 inches. It is unpaginated. Deeply Game Productions creates and distributes the art works of Sara Press and her collaborators. Sara L. Press is a photographer printmaker and book artist based in the San Francisco Bay Area. Many of her projects examine peculiar areas of overlap between nature and culture for example: dog fighting feral children and our co-evolution with snakes. Sara has also wrestled with the relationship between creativity and the scientific method. Recently Sara has turned to constructions of masculinity and femininity in our culture such as human bloodsports and altered fairy-tales. Her work can be seen in public collections around the country and are also in many library and private collections. A lovely book in fine condition. PRI/021919. Deeply Game Publications hardcover
Référence libraire : 32906
|
|
|
[DUNOYER de SEGONZAC]
Hommage à Dunoyer de Segonzac.
Exemplaire Maurice Genevoix, avec envoi signé Blois, s.é., (31 avril) 1967. 1 vol. (210 x 270 mm) de 151 p. et 1 f. Broché, sous couverture illustrée. Remarquable catalogue consacré à Dunoyer de Segonzac pour l'exposition au Château de Blois, de mai à juillet 1967. Préface de Roger Passeron. Envoi signé: «Pour Maurice Genevoix, cet [Hommage à Dunoyer de Segonzac] en cette Ville de Blois – dans cette Touraine, patrie de Pierre de Ronsard. En très amical Hommage, A. Dunoyer de Segonzac, sept. 1967».
Référence libraire : 31536
|
|
|
[EQUESTRIAN ART & ARTISTS] GROTH, John
Complete Suite of Eight Aquatint Etchings for "Ballet of the White Stallions" with the Artist's Archive of Pen-and-Ink Studies Preliminary States and Proofs
Eight large aquatint etchings each approx. 14" x 18" on ca. 17" x 24" sheets; titled as follows: "Pirouette;" "Ballotade;" "Piaffe;" "Spanish Walk;" "Levade;" "Capriole;" "Pasade;" and "Croupade;" each signed in pencil lower right; edition of 50. In the original hinged gallery mats; small areas of discoloration to margins from mounting tape well away from printed area; one mat lacking a portion of border; still close to Fine. Together with an additional 47 related original artworks signed and unsigned including 29 etchings being proofs and preliminary states of the finished prints 15 sheets of pen-and-ink studies and three watercolors. Also present are several offprints of Helen Hill Miller's article "Ballet of the White Stallions: The Lipizzaners of Vienna's Spanish Riding School" published in the December 1960 issue of Esquire for which these prints were originally commissioned; two copies of the printed poster advertising Groth's 1960 exhibition at the Janet Nessler Gallery titled "The Horse in Sport;" the entirety housed in a hand-made art-paper portfolio boldly brush-signed and with a mounted signed ink sketch above the signature. A significant archive demonstrating the legendary illustrator's technique from preliminary sketch to finished etching. Many of the sketches and proofs are heavily marked-up in the artist's hand; others are signed and clearly intended to be finished works. The finished etchings printed in deep maroon ink on a white ground are stunning and apparently rare with no examples having been recorded in the secondary market since their original appearance at the Nessler Gallery in 1960 where they sold for $50 apiece - a princely sum at the time reflecting Groth's lingering fame as a battlefield illustrator during the Second World War; but also indicative of the great refinement of these works which while retaining a good deal of Groth's famously gestural style apparent in his studies and sketches for these works are exquisitely composed balancing the athleticism and the classical elegance of their subjects. Miller's article was one of the first to introduce the Lipizzaner Stallions to a popular American audience. Not until 1970 would the Spanish Riding School perform its first world tour introducing classical dressage in its highest form to a broad and appreciative public. PROVENANCE: from the archive of the artist acquired by us in 2015. unknown
Référence libraire : 63846
|
|
|
[Feminism, Performance Art, Feminist Art Collective] Die Damen (artists); Woessner, Wolfgang (photographer)
Die Damen 1991 Austria Tabak Wall Calendar
Vienna/Wien: Austria Tabak/Die Damen presumed Publishers. Spiral Bound. Very Good. Folio. ca 1990. Spiral bound 19 ½ by 20 ½ inches. 15 glossy sheets and cardboard backing. A conceptual art piece created by Die Damen and commissioned by the Austrian tobacco company Austria Tabak. Die Damen was a feminist art collective founded in 1987 by ONA B Evelyne Egerer Birgit Jürgenssen and Ingeborg Strobl. Their work consisted mostly of performances and staged pieces that highlighted gender stereotypes and roles exaggerating their sexuality through costumes/clothing that were associated with gender stereotypes. Most of their work was based on performance or action thus little paper artwork was produced. As the Generali Foundation website states better than we can: "Their themes were seemingly banal but in reality subversive. Taking an ironic perspective they exaggerated the predominant clichés pertaining to gender roles. . Body language and gestures as well as the design and styling of outfits and accessories were the important forms of impression in these actions. DIE DAMEN usually performed wearing identical costumes. They always emphasized their feminine sexuality by using various clichés such as classic business dress or kitchen aprons thus presenting a socially critical view of the passive roles traditionally apportioned to women. . DIE DAMEN also addressed everyday domestic scenes at home and the tough reality of down-trodden housewives. With their staged parodies and caustic humor they reflected back the male gaze and also supremely demonstrated the "cool" distance typical of the 1980s." This calendar was commissioned by Austria Tabak creating a subversive look at advertising and women depicted in advertising. Rather than portray glamourous scenes of smoking and cigarettes DIE DAMEN subtly displayed evidence of smoking or cigarettes among scenes of housework and everyday activities. VERY GOOD condition. Minor bumping and curling at the corners. Austria Tabak/Die Damen, presumed Publishers unknown
Référence libraire : 022563
|
|
|
[Flyers] Stephen Fowler, Matt Borruso, Desmond Shea, Bela Agache, DJ Essen (artists) D J
I've Got a Piece and I'm Not Afraid to Use It Original flyer for readings and performances at The Mag Dog in the Fog pub 1994
San Francisco: N.p. 1994. Vintage flyer for a series of readings and performances at Mad Dog in the Fog pub held on Thursday October 6 1994. The pub was then located at 530 Haight in San Francisco.<br /> <br /> Noted as a Jason Neil Presentation the evening featured readings by Stephen Fowler and Matt Borruso and performances by Desmond Shea and Bela Agache with D.J. Essen. <br /> <br /> 8.5 x 11 inches. Small pinholes to the corners else Near Fine. N.p. unknown
Référence libraire : 159586
|
|
|
[FOREZ] - [ART et ARTISTES FOREZIENS (1901)].-
Art et Artistes Foréziens (1901). Bavardages artistiques ou agricoles.
1902 Saint-Etienne, Théolier, Thomas, 1902, petit in 8° broché, 27 pages ; nombreuses gravues in et hors-texte ; couverture illustrée.
Référence libraire : 83862
|
|
|
[FREE UNIVERSITY OF BERKELEY] Various artists
Son of FUB - Spring 1970
Berkeley: Free University of Berkeley 1970. First Edition. Quarto 27cm. Pictorial staple-bound wrappers; 56pp; illus. Light wear to covers; text slightly age-toned; Very Good. <br /> <br /> Course catalog and prospectus for the Free University of Berkeley presented in the format of an underground comic zine. The course descriptions are by various illustrators none of whom appear to be credited. The Free University allowed students to register for "any number of courses" for a one-time registration fee of $10. Instructors worked on a volunteer basis; among the subjects offered were self-defense dance beekeeping body massage yogurt and "theory of orgasm" though not included in the catalog we imagine the practicum must have been interesting. The FUB ran from 1966 to 1972. Free University of Berkeley unknown
Référence libraire : 83536
|
|
|
[Georges Gasté (1869-1910), peintre orientaliste, photographe, actif en Afrique du Nord, Egypte et aux Indes] Louis-Jules Dumoulin (1860-1924), peintre, président de la Société coloniale des artistes français.
Lettre autographe signée
[Georges Gasté (1869-1910), peintre orientaliste, photographe, actif en Afrique du Nord, Egypte et aux Indes] Louis-Jules Dumoulin (1860-1924), peintre, président de la Société coloniale des artistes français. L.A.S., 6 [.] 1909, 2p in-8. Au cousin germain de Gasté, le marchand de tableaux Henri-Louis Bérard (1879-1919). Dumoulin se réjouit de la participation de Gasté à son salon et signale que les artistes les plus favorisés, dont Gasté, n'ont que 2.50m maximum et que les tableaux doivent nécessairement avec un « caractère de colonie française ». Petites déchirures et petits trous sans atteinte au texte. [378]
Référence libraire : 016476
|
|
|
[GOLDEN GATE INTERNATIONAL EXPOSITION -- PICTORIAL MAPS/WOMEN ARTISTS] TAYLOR [WHITE], Ruth; [BURROUGHS, Walter (Man Ed) & TILD
Official guide book Golden Gate International Exposition World’s Fair. . . A cartograph of Treasure Island in San Francisco Bay: Golden Gate International Exposition. . . .
San Francisco CA: San Francisco Bay Exposition 1939. 8vo. 116 pp. With oblong folio. 19.25 x 16 in. colour pictorial map frontisp. detailed sections of island and exhibits in blue on verso fold creases numerous photo illustrations text maps diagrams stepped thumb tabs at outer fore-edge. Blue-cloth backed softcovers featuring the striking Art Deco cover art by Simon “Si†Vanderlaan 1904-1986 famed pin-up artist and illustrator who worked for Walt Disney studios during World War II minor scuffing very minor age toning shelfwear still VG bright copy from the library of Prof. Marvin Nathan. Revised 1939 edition of this excellent guide to the first year in 1939 of the Golden Gate International Exposition including “Cartograph†revealing all of the Art Deco architectural wonders and surrounding areas of Treasure Island. The pictorial maps were issued separately as well as with the “Official Guide Books.†Ruth Taylor White’s 1902-1985 delightful pictographic maps or cartographs included depictions of the Territory of Hawaii in which she had driven or traveled to every corner of the Islands and the Grand Canyon for her for her brother’s book “Grand Canyon Country.†Later Little Brown requested an entire atlas which was published as the very scarce Our U.S.A. “A gay geography.†Her cartographs influenced the style of American cartographic illustration for decades afterwards. See: Griffin Mapping Wonderlands: Illustrated Cartography pp. 192-193; Field MapCarte 29/364: Our U.S.A. A Gay Geography 2014. San Francisco Bay Exposition, paperback
Référence libraire : 60959
|
|
|
[GOULD, JOHN] WOLF, JOSEPH AND HART, WILLIAM MATTHEW (ARTISTS & LITHOGRAPHERS).
Lobiophasis Bulweri Sharpe. Bulwer's Pheasant
London.: Walter. 1875. Fine hand coloured lithograph heightened with gum arabic 53.8 x 36.8cm plate size 55.7 x 38.7cm sheet size toning at the plate mark and to the margins verso of the plate browned but the face of the plate clean and unmarked small tear to the inner margin not affecting the plate. A very good example. Magnificent plate no.13 from the 7th and final volume of John Gould's magisterial "Birds of Asia" published over a twenty-three year period 1850-1883. <br> <br>"Numerous as have been the acquisitions rendered to ornithology during the last few years by the opening up of the great countries of China Yunnan and the vast territories lying between our Indian frontier and the Celestial Empire here has not been one fraught with greater interest than the fine Pheasant figured in the accompanying Plate. <br> <br>This beautiful bird is a native of Borneo and at first sight it might seem as if it might have been kept in one or other of the genera of gallinaceous birds.but on closer inspection it will be found to differ not only from these birds but from every from of Pheasant yet discovered; and I quite agree with Mr Sharpe who has had the honour of describing this magnificent species that its generic separation was necessary." John Gould from the text to accompany the plate. . Walter unknown
Référence libraire : 174361
|
|
|
[Hümmer, W.]. - Eckstein, Richard (Verl.)
En Costume d'Eve. Etudes de nu feminin d'après nature. Album destiné aux artistes et aux amateurs.
Berlin, Rich. Eckstein Nachf. (H. Krüger), o. J. (um 1905). Fol. 49 auf Untersatzkartons mont. Tafeln nach Aktfotografien, lose in OLwd.-Mappe m. mont. Deckelillustration.
Référence libraire : 62923
|
|
|
[Japanese Bookplate Artists]. TSURUSAWA, Kieko
A three-colour woodcut bookplate with additional hand-colouring for J. Vils-Pedersen
Very Good. External dimensions 54 × 89 mm; artist and year 1979 identified in pencil on the verso; in excellent condition. HOSOKAWA Peter F.: A five-colour woodcut bookplate for Arvid Vilms signed by the artist. External dimensions 108 × 84 mm; with the discreet date-stamp 1980 on the reverse showing through slightly and impacting a little on the signature pencilled in the bottom margin; in excellent condition. The Frederikshavn-Kunstmuseum has a collection of 30 bookplates designed for Vilms dated between 1961 and 1981 illustrated online and where this example is undated and unsigned. <p>Provenance: H.B. Harry Muir 1909-1992 bookseller publisher and bookplate collector; by descent. 2 items. unknown
Référence libraire : 134274
|
|
|
[LABOUREUR (Jean-Émile)]
Les Aventures satyriques de Florinde . habitant de la Basse Région de la Lune
Première édition moderne, par Laboureur : un des 5 de tête sur Japon Paris, Au Cabinet du Livre, (20 novembre) 1928. 1 vol. (160 x 250 mm) de 155 p., [1] et 1 f. Maroquin vert, dos à nerfs, titre doré, date en pied, double filet doré sur les coupes, contreplats à encadrement orné de fleurons angulaires, tranches dorées sur témoins, couverture et dos conservés (reliure signée de Klein). Première édition moderne et seule parue depuis la publication de ce rarissime roman libertin, imprimé clandestinement en 1625. Texte attribué à Henri de Codony et édition établie par Bertrand Guégan. Édition illustrée de 6 eaux-fortes originales de Jean-Émile Laboureur. Un des 5 premiers exemplaires sur japon (n° 2).
Référence libraire : 32283
|
|
Recevoir par e-mail
Télécharger en PDF
Flux RSS
Lien permanent
