‎Haute couture‎

‎Barbier, George - 1882 Nantes ? Paris 1932‎

‎Le Belvédère, Robe-Manteau, de Worth.‎

‎o.J. Pochoir, 1924, auf Bütten. Darstellungsgröße 16,9:13,5 cm, ?lattgröße 24,5:19,1 cm. Aus: La Gazette du Bon Ton ? No 7, Année 1924. ? Pl. 36. Paris, Julien Vogel 1924. Charles Frederick Worth (185-1895) war ein englischer Modeschöpfer, der als einer der Begründer der ?Haute Couture? gilt.‎

‎An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication ?was aimed at bibliophiles and fashionable society,? (Françoise Tétart-Vittu, ?La Gazette du bon ton?, in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium.‎

Référence libraire : 1030-C

‎Barbier, George - 1882 Nantes ? Paris 1932‎

‎Pavane. Robe du Soir, de Worth.‎

‎o.J. Pochoir, 1921, auf Bütten. Darstellungsgröße 16,8:13,6 cm, ?lattgröße 24,5:19,5 cm. Aus: La Gazette du Bon Ton ? No 8, Année 1921. ? Pl. 61. Paris, Julien Vogel 1921. Charles Frederick Worth (185-1895) war ein englischer Modeschöpfer, der als einer der Begründer der ?Haute Couture? gilt.‎

‎An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication ?was aimed at bibliophiles and fashionable society,? (Françoise Tétart-Vittu, ?La Gazette du bon ton?, in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium.‎

Référence libraire : 1016-C

‎Barbier, George - 1882 Nantes ? Paris 1932‎

‎Travestissement d?après Longhi: Robe de damas galonnée de blanc sur laquelle on jettera une baiite de taffetas noir et de dentelle.‎

‎o.J. Pochoir, auf Bütten. 17,8:11 cm. Aus ?Journal des Dames et des Modes?, Costumes Parisien, 1913, 56.‎

‎This is a plate-signed hand-coloured pochoir illustration from the 1914 Journal des Dames et des Modes - a Parisian haute couture journal containing these(unbound) artworks published by Tom Antongini from June 1912 until August 1914.‎

Référence libraire : 0984-C

‎BAUDOT (François)‎

‎Chanel Joaillerie‎

‎Paris, Editions Assouline, 1998. In-8, 79 pp., cartonnage éditeur sous jaquette illustrée en couleurs (jaquette un peu jaunie).‎

‎Collection "Mémoire des marques".* Voir photographies / See pictures. * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte sur rendez-vous.‎

Référence libraire : 15957

‎Boutet de Monvel, Bernard - 1881 Paris ? Azoren 1949‎

‎Un Incroyable et une Cantinière.‎

‎o.J. Pochoir, auf Bütten mit Wasserzeichen: Journal des Dames. 17,8:11 cm. Aus ?Journal des Dames et des Modes?, Costumes Parisien, 1914, 144.‎

‎This is a plate-signed hand-coloured pochoir illustration from the 1914 Journal des Dames et des Modes - a Parisian haute couture journal containing these(unbound) artworks published by Tom Antongini from June 1912 until August 1914.‎

Référence libraire : 0996-C

‎Brissaud, Pierre - 1885 Paris ? 1964‎

‎Allons voir les Singes. Tailleur et Robes de Fillettes, de Jeanne Lanvin.‎

‎o.J. Pochoir, 1921, auf Bütten. Darstellungsgröße 16,7:13,5 cm, Blattgröße 24:19 cm. Aus: La Gazette du Bon Ton ? No 4, Année 1921. ? Pl. 31. Paris, Julien Vogel 1921. Die Modeschöpferin Jeanne Lanvin (1867-Paris-1946) gilt als Begründerin der ?Haute Couture?.‎

‎An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication ?was aimed at bibliophiles and fashionable society,? (Françoise Tétart-Vittu, ?La Gazette du bon ton?, in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium.‎

Référence libraire : 1028-C

‎Brissaud, Pierre - 1885 Paris ? 1964‎

‎Belle Journée. Robe d?après-midi, de Jeanne Lanvin.‎

‎o.J. Pochoir, 1921, auf Bütten. Darstellungsgröße 16,6:13,5 cm, Blattgröße 24,5:18,2 cm. Aus: La Gazette du Bon Ton ? No 3, Année 1921. ? Pl. 24. Paris, Julien Vogel 1921. Die Modeschöpferin Jeanne Lanvin (1867-Paris-1946) gilt als Begründerin der ?Haute Couture?.‎

‎An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication ?was aimed at bibliophiles and fashionable society,? (Françoise Tétart-Vittu, ?La Gazette du bon ton?, in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium.‎

Référence libraire : 1011-C

‎Brissaud, Pierre - 1885 Paris ? 1964‎

‎Faites-moi celle-ci? Robe de Soir, de Doeuillet.‎

‎o.J. Pochoir, 1921, auf Bütten. Darstellungsgröße 15,9:13,5 cm, Blattgröße 24,6:19,2 cm. Aus: La Gazette du Bon Ton ? No 8, Année 1921. ? Pl. 60. Paris, Julien Vogel 1921. Paul Poiret (1879-Paris-1944), französischer Couturier und Parfumeur, bekannt für seinen Wagemut, gilt als Vorläufer des Art-déco-Stils. Er gründete 1903 das Modehaus, das seinen Namen trägt.‎

‎An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication ?was aimed at bibliophiles and fashionable society,? (Françoise Tétart-Vittu, ?La Gazette du bon ton?, in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium.‎

Référence libraire : 1014-C

‎Brissaud, Pierre - 1885 Paris ? 1964‎

‎La Coiffure réparée. Robe de Diners, de Doeuillet.‎

‎o.J. Pochoir, 1921, auf Bütten. Darstellungsgröße 15,8:13,5 cm, Blattgröße 24:19 cm. Aus: La Gazette du Bon Ton ? No 4, Année 1921. ? Pl. 30. Paris, Julien Vogel 1921. Georges Doeuillet (1865-1934) war ein einflußreicher Modeschöpfer und eröffnete 1900 als Ernster einen Modesalon an 18 Place Vêndome in Paris, bevor sich dort auch andere Modehäuser niederließen.‎

‎An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication ?was aimed at bibliophiles and fashionable society,? (Françoise Tétart-Vittu, ?La Gazette du bon ton?, in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium.‎

Référence libraire : 1027-C

‎Brissaud, Pierre - 1885 Paris ? 1964‎

‎La Visite. Robe d?après-midi et robes d?entfants de Jeanne Lanvin.‎

‎o.J. Pochoir, 1920, auf Bütten. Darstellungsgröße 15,8:12,8 cm, Blattgröße 24,7:19 cm. Aus: La Gazette du Bon Ton ? No 2, Mars 1920. ? Pl. 11. Paris, Julien Vogel 1920. Die Modeschöpferin Jeanne Lanvin (1867-Paris-1946) gilt als Begründerin der ?Haute Couture?.‎

‎An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication ?was aimed at bibliophiles and fashionable society,? (Françoise Tétart-Vittu, ?La Gazette du bon ton?, in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium.‎

Référence libraire : 1007-C

‎Brissaud, Pierre - 1885 Paris ? 1964‎

‎Le prologue ou La Comédie au Chateau.‎

‎o.J. Pochoir, 1920, auf Bütten. Darstellungsgröße 16:13 cm, Blattgröße 24,5:19 cm. ? Papier leicht vergilbt. Aus: La Gazette du Bon Ton ? No 6, Juillet 1920. ? Pl. 40. Paris, Julien Vogel 1920.‎

‎An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication ?was aimed at bibliophiles and fashionable society,? (Françoise Tétart-Vittu, ?La Gazette du bon ton?, in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium.‎

Référence libraire : 1010-C

‎Brissaud, Pierre - 1885 Paris ? 1964‎

‎On aurait pu nous inviter aussi?.‎

‎o.J. Pochoir, 1914, auf Bütten. Darstellungsgröße 17:31,7 cm, Blattgröße 24,3:38 cm. ? Mit vertikaler Mittelfalte. Aus: La Gazette du Bon Ton ? No 6, Juin 1914. ? Pl. 61.‎

‎An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication ?was aimed at bibliophiles and fashionable society,? (Françoise Tétart-Vittu, ?La Gazette du bon ton?, in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium.‎

Référence libraire : 1042-C

‎Brock, Jan van - Holländ. Illustrator 19./20. Jahrhundert‎

‎Robe à volants.‎

‎o.J. Pochoir, auf Bütten. 17,8:11 cm. Aus ?Journal des Dames et des Modes?, Costumes Parisien, 1913, 123.‎

‎This is a plate-signed hand-coloured pochoir illustration from the 1914 Journal des Dames et des Modes - a Parisian haute couture journal containing these(unbound) artworks published by Tom Antongini from June 1912 until August 1914.‎

Référence libraire : 0991-C

‎Cawthorne (Nigel)‎

‎Le New Look. La révolution Dior‎

‎Celiv 1997 In-4 reliure éditeur sous jaquette, 174 pp. Illustrations noir & couleurs‎

‎[Dior] Très bon état d’occasion‎

Référence libraire : 3579

‎CHARLES-ROUX Edmonde‎

‎Elle, Adrienne.‎

‎Couverture rigide. Reliure toile. Jaquette. 563 pages.‎

‎Livre. Editions Grasset, 1971.‎

Référence libraire : 124760

‎CLAIS, Anne-Marie.‎

‎SERGIO ROSSI.‎

‎Paris, Editions Assouline, 2008. in-8°, 79 pp. sur papier glacé, illustrations en noir et en couleurs, cartonnage ed., jaquette illustree.‎

‎Inscription en partie effacée sur la jaquette sinon tres bel exemplaire. [NV-27]‎

Référence libraire : 74412

‎Collectif‎

‎"""Boutique Beauty Salon"""‎

‎Anonyme Broché avec jaquette 1983 In-4 (21 x 30 cm.), broché sous jaquette illustrée, 356 pages, texte intégralement en japonais, compilation de boutiques et magasins de maroquinerie, vêtements, chaussures, etc. ayant ouvert à la fin des années 1970 au Japon, illustrations couleurs et noir et blanc in-texte ; traces d'usure à la jaquette, par ailleurs bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

Référence libraire : dc854

‎Coll‎

‎Louis Féraud‎

‎Office du Livre, Friboug, 1985. Relié-Jaquette éditeur., 156 pages. Exemplaire enrichi d'un bel envoi autographe, dessiné et signé du couturier à Madame Olga Saurat, grande dame de la Haute Couture, au crayon, couvrant la page de garde.‎

‎Bon état. Légère insolation sur la partie supérieure de la jaquette. Petite déchirure d'un cm en haut du dos. Intérieur frais.‎

Référence libraire : MODE169M

‎COLLECTIF‎

‎Chanel Boutique. Collection printemps - été 1996‎

‎Chanel 1996. In-4 reliure éditeur cartonnage illustré. Nombreuses photos. Bon état‎

‎Dammy, H. Robert - geb. ca. 1890, Illustrator‎

‎Manteau de velours frappé Citron. Col velours blanc et Renard blanc. Abendrobe.‎

‎o.J. Pochoir, auf Bütten mit Wasserzeichen: Journal des Dames. 17,8:11 cm. Aus ?Journal des Dames et des Modes?, Costumes Parisien, 1913, 50.‎

‎This is a plate-signed hand-coloured pochoir illustration from the 1914 Journal des Dames et des Modes - a Parisian haute couture journal containing these(unbound) artworks published by Tom Antongini from June 1912 until August 1914.‎

Référence libraire : 0983-C

‎Dammy, Robert H. - geb. ca. 1890, Illustrator‎

‎Manon.‎

‎o.J. Pochoir, auf Bütten mit Wasserzeichen: Journal des Dames. 17,8:11 cm. Aus ?Journal des Dames et des Modes?, Costumes Parisien, 1914, 142.‎

‎Mit ?Manon? ist die weibliche Hauptrolle in einer der bekanntesten Opern der Belle Epoque von Jules Massenet gemeint, die 1884 uraufgeführt wurde.- This is a plate-signed hand-coloured pochoir illustration from the 1914 Journal des Dames et des Modes - a Parisian haute couture journal containing these(unbound) artworks published by Tom Antongini from June 1912 until August 1914.‎

Référence libraire : 0994-C

‎De Greef (John)‎

‎Chemises‎

‎Bookking, coll. « L'homme et la mode » 1989 In-8, reliure éditeur sous jaquette, 92 pp. Illustrations noir & couleurs‎

‎Très bon état d’occasion‎

Référence libraire : 3449

‎de GIVENCHY (Hubert)‎

‎Mona Bismarck Cristobal Balenciaga : Perfection Partagée (Givenchy)‎

‎The Mona Bismarck Fondation, 2006. In-4 broché, 95 pp., couverture à rabats.‎

‎Catalogue de l'exposition de 2006 à la Mona Bismarck Fondation.* Voir photographie(s) / See the picture(s). * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte sur rendez-vous.‎

Référence libraire : 15986

‎DIGNIMONT; OULMONT (Charles); POIRET‎

‎De ce que j'ai vu en chiffonnant la clientèle‎

‎Paris, Librairie des Champs-Élysées, 1938. In-8, 190 pp., maroquin jaune de L. Vinarnic, dos lisse, tête dorée, couverture conservée, chemise de demi-maroquin à bande jaune, doublé de veau velours moutarde, étui bordé du même maroquin (petits frottements à l'étui).‎

‎Édition originale illustrée des compositions en noir dans le texte de Dignimont. L'auteur, Charles Oulmont, y narre les coulisses de la couture pour dame au début du XXe siècle. Un des 2500 exemplaires sur persan rose. Bel exemplaire établi dans une belle reliure janséniste d'une belle couleur jaune peu commune. Voir photographie(s) / See picture(s) * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.‎

Référence libraire : 17727

‎DIOR (Christian) ; GYULA, phot.‎

‎DIOR. Christian Dior Informations Printemps 1967. Quarantième collection Christian Dior. 147-1967 : 20 ans‎

‎Paris, Pietro Francesco Mele, impr. C.-J. Bucher SA, Lucerne 1966 In-folio 35 x 25 cm. Agrafé, non paginé 16 pp., photographies en noir et blanc. Bon exemplaire.‎

‎Maquette Sophie Abegg. Vingtième anniversaire de la Maison Christian Dior et création de la ligne Eau sauvage pour hommes. Bon état d’occasion‎

Référence libraire : 93939