‎Painting‎

‎López-Rey José‎

‎Velazquez - Catalogue Raisonné, Volume 1, Le Peintre Des Peintres volume 2 Catalogue raisonné ( le tout en un volume )‎

‎Taschen, 1999, un volume in folio, grand format épais, 592 pages, relié sous jaquette. Très nombreuses reproductions en couleurs. Texte en français, légendes des tableaux en français anglais et allemand. Sans accrocs manques annotations, pages cornées ni taches. Excellent état.‎

Bookseller reference : 8070

‎LÓPEZ OBRERO, Angel‎

‎ANGEL LÓPEZ-OBRERO - (Dedicado) - Barcelona 1988‎

‎Barcelona, Caja Madrid, 1988. Catálogo. Ilustraciones en color. Textos de francesc Galí, Arnau Puig, Antonio M. Campoy, R. Santos Torroella, etc. s /p. 8º mayor. Rústica editorial ilustrada. Dedicatoria autógrafa del artista. Muy buen ejemplar.‎

‎LÓPEZ, Pere‎

‎BADALONA CAP A UN CENTRE D'ARTS CONTEMPORÀNIES INTERDISCIPLINÀRIES - Barcelona 2001‎

‎Barcelona, Edit. Fet a Mà, 2001. 122 p. 8è major. Rústica editorial il·lustrada. Molt bon exemplar.‎

‎Löffler, F‎

‎Josef Hegenbarth.‎

‎Frankf.M. Büchergilde Gutenberg, 1981. 4°. M. 1 Portr. u. zahlr. (teils farb.) Abb. 351 S. Illustr. OLwd m. OUmschl.‎

‎Gegenüber der ersten Auflage von 1959 erheblich erweiterte und neu bearbeitete Biographie Hegenbarths. Mit einem ausführlichen Werkverzeichnis.‎

Bookseller reference : 602663

‎Löffler, F‎

‎Otto Dix. Leben u. Werk.‎

‎Dresden, Vlg. d. Kunst, (1960). 4°. M. 175 (teils farb.) Abb. 309 S. OLwd.‎

Bookseller reference : 601952

‎Lübbecke, F‎

‎Wilhelm Steinhausen.‎

‎Bielefeld, Velhagen & Klasing, 1914. 4°. M. 131 (teils farb.) Abb. 108 S. Flex. OLwd. M. Goldpräg. Leicht angeschmutzt. (Künstler-Monographien 109).‎

Bookseller reference : 806929

‎Lüdecke, H‎

‎Albrecht Dürers Wanderjahre. Beitr. z. Geschichte d. Realismus in d. deutschen Graphik.‎

‎Dresden, (Vlg. d. Kunst, 1959). 4°. M. 86 Abb. 127 S. OPp.‎

‎Über Dürers Gesellenjahre in Basel und Straßburg, wo er zwei Jahre für den Buchholzschnitt tätig war und während dieser Zeit den Holzschnitt zur Meisterschaft führte.‎

Bookseller reference : 501522

‎Lüpke, Georg‎

‎Die Form- und Farbenwunder der Spritztechnik‎

‎Zur Einführung in die Technik bearbeitet. Mit zahlr. Abb. u. 8 farbigen Mustern auf Tafeln (in der Paginierung). Osterode/Harz, Erstes Deutsches Farbenspritztechnikum, (1929). 8vo. (21,0 x 15,0 cm). 143, (1) S., 1 leeres Bl., 12 Bl. Anzeigen u. Werbepostkarten. Farbig illustrierte Orig.-Broschur. [2 Warenabbildungen]‎

‎Georg Lüpke hatte in Osterode im Harz eine Lehrwerkstatt für Spritztechnik, aus deren Produktion mehrere Vorlagenwerke u. Werbeschriften nachweisbar sind. In vorliegender Publikation beschäftigt er sich mit der in der Industrie schon seit längerem erfolgreich angewendeten Farbenspritztechnik, auf die künstlerische und handwerkliche Malerei. Grundlage seiner Ausführungen sind die "Luftdruckmalwerkzeuge", die Albert Krautzberger 1902 als Patent angemeldet hatte u. für deren Produktion er seit 1905 in Holzhausen bei Leipzig ein Unternehmen betrieb (vgl. www.krautzberger.com). Er geht auf die Apparaturen, die Farben u. Bindemittel, Handhabung, Wirkungen, spritztechnische Schrift u. spritztechnische Zukunft ein. Die 8 farbigen Darstellungen sind Original-Spritzmuster.<br> Ecken minimal bestoßen, sonst tadellos erhalten.‎

Bookseller reference : 5224

‎LÜTZELER, Enrique‎

‎EL ANIMAL Y EL HOMBRE - Friburgo 1941 - Ilustrado‎

‎Friburgo, Edit. Herder, 1941. Ilustraciones en color y negro fuera texto. 25p. 8ºmayor. Rústica editorial ilustrada, algo deslucido. Buen ejemplar.‎

‎LÜTZELER, Heinrich‎

‎MUCHACHITAS - Friburgo 1939 - Muy ilustrado‎

‎Friburgo, Edit. Herder, 1939. Ilustraciones en color y negro fuera texto. 25p. 8ºmayor. Rústica editorial ilustrada, algo deslucido. Buen ejemplar.‎

‎L’ARC n°10‎

‎Cahiers Méditerranéens Printemps 1960 Aix en Provence 1960 numéro spécial peinture‎

‎in 8 broché carré couverture illustrée, 106 pages, belle édition sur alfa mousse Navarre.Antonin Artaud,Yves Bonnefoy,René Char,Jean Paulhan,Jean Paul Sartre,Bazaine, Grenier,Ubac,…10 planches d’illustrations,‎

Bookseller reference : 1985

‎M PARRAMON JOSE‎

‎COMMENT PEINDRE UNE NATURE MORTE‎

‎BORDAS. 1980. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 128 Pages. Nombreuses reproductions en couleur et en noir et blanc dans et hors texte.. . . . Classification Dewey : 751-Technique de peinture‎

‎Classification Dewey : 751-Technique de peinture‎

Bookseller reference : RO80179043 ISBN : 2040102272

‎M Théophile Gautier, Arsène Houssaye et Paul de Saint Victor‎

‎Les Dieux et demi-Dieux de la Peinture‎

‎Illustrations de M. Calamatta Sommaire; Léonard de Vinci - Fra Giovani da Fiesole - Hemling - Rafael - Corrège - Michel Ange - Giorgione - Titien - Paul Véronèse - Holbein - Rubens - Van Dyck - Rembrandt - Don Diego Velasquez - Esteban Murillo - Nicolas Poussin - Eustache Le Sueur - David - Prudhon - Delacroix - Reynolds - William Hogalth. Un volume , in-4, relié demi chagrin, 280x190, toutes tranches dorées, 440pp Paris, Morizot, ss date vers 1840‎

Bookseller reference : CZC-8281

‎M. Comblen-Sonkes;‎

‎Collegiate Church of Saint Peter, Louvain 2 VOLUMES SET. Corpus of 15th-Century Painting in the Former Southern Netherlands (CVP 18)‎

‎Turnhout, Brepols, 1996 2 volume set, bound, cloth with orig. dustjacket, 190pp text + 274 pp halftones & 16 p. colour ills., 230 x 290 mm. AS NEW ISBN 9782870330081.‎

‎This English language volume on the collegiate church of Saint Peter in Leuven (Louvain), is the eighteenth in the series. In this monograph, the art historian M. Comblen-Sonkes has made an exhaustive study of three altarpieces. Two altarpieces are by Dirk BOUTS, the Holy Sacrament Triptych and the Saint Erasmus Triptych. The author proceeds to a rigorous stylistic and technical analysis with the help of laboratory documents such as X-radiographs and infrared reflectograms. Moreover exceptional archival sources, being the commissioning contract and the receipt of payment to the artist for the Holy Sacrament Triptych, fortunately shed light on the historical context and on the genesis of this type of paintings. The Edelheere Triptych, from which the central panel is a copy of the famous Descent of the Cross made by Rogier van der Weyden for the church of Our Lady outside the Walls in Leuven (now in the Prado), furnishes interesting elements to the issue of copying in the paintings of the fifteenth century Southern Netherlands. Languages: English.‎

Bookseller reference : 37187

‎M. Falomir (ed.);‎

‎Jacopo Tintoretto,‎

‎Turnhout, Brepols, 2009 Paperback, 220 pages., 20 x 25. ISBN 9788484801719.‎

‎Table of contents: I. Tintoretto and the Venetian Culture and Religious Environment Paul Hills, Tintoretto and Venetian Gothic ? Augusto Gentili, Tintoretto in contesto tra politica e religione Benjamin Paul, Archaism and Pauline Spirituality in Jacopo Tintoretto?s Crucifixion for SS. Cosma e Damiano ? Tom Nichols, False Gods: Tintoretto?s Mythologies as Anti-poesie ? Bernard Aikema, La casta Susanna II. Tintoretto and the Art of his Time Philip Cottrell, Painters in Practice: Tintoretto, Bassano and the Studio of Bonifacio de? Pitati ? Roland Krischel, Jacopo Tintoretto and Giulio Romano ? Miguel Falomir, Tintoretto y Tiziano ? David Rosand, Tintoretto and Veronese: Style, Personality, Class ? Jose Alvarez Lopera, Sobre Tintoretto y el Greco ? Stefania Mason, Domenico Tintoretto e l?eredita della bottega III. Connoisseurship Robert Echols and Frederick Ilchman, Toward a New Tintoretto Catalogue, with a Checklist of Revised Attributions and a New Chronology IV. Technique and Conservation Erasmus Weddigen, The Works of Tintoretto: Sewn, Designed, Patched and Cut. The Uncertainty of Canvas Measurements ? Ana Gonzalez Mozo, El concepto de dibujo en Jacopo Tintoretto: analisis de los recursos tecnicos utilizados en algunos cuadros del Museo Nacional del Prado ? Robert Wald, Tintoretto?s Vienna Susannah and the Elders. History, Technique and Restoration V. Theory and Collecting Maria H. Loh, Huomini della nostra eta. Tintoretto?s Preposterous Modernity ? Almuneda Perez de Tuleda, Coleccionismo de Tintoretto en Espana en torno a 1600 ? Linda Borean, Jacopo Tintoretto nelle collezioni veneziane del Sei e Settecento ? Leticia de Frutos, Tintoretto en las colecciones del marques del Carpio y del Almirante de Castilla. Languages : English.‎

Bookseller reference : 41503

‎M. Faries (ed.);‎

‎Making and Marketing: Studies of the Painting Process in Fifteenth- and Sixteenth-Century Netherlandish Workshops,‎

‎Turnhout, Brepols, 2006 Paperback, VIII+279 pages., 149 b/w ill. + 45 colour ill., 210 x 297 mm. ISBN 9782503516059.‎

‎This volume is about Netherlandish workshop practice from the late fifteenth century to the 1560s. Some articles present the results of new technical studies that are comprehensive in nature, revealing the inter-relationship between prints and painting practices, modes of collaboration, shifts in procedure, the development and use of shop models, and the impact of international commerce. Others present new documentary evidence and new methods of historical statistics revealing trends in workshop size, career trajectories, and immigration. The essays have been collected around the theme of a session on workshop practice organized by Molly Faries for the 2002 Historians of Netherlandish Art International Conference held in Antwerp. Languages : English. Until 31/03/2013 avaialable at 85.00 euro.‎

Bookseller reference : 39502

‎M. Comblen-Sonkes, N. Veronee-Verhaegen;‎

‎musee des Beaux-Arts de Dijon, 1. Les primitifs Flamande‎

‎Turnhout, Brepols, 1987 Hardback, 530 pages., 230 x 290 mm. ISBN 13010140100.‎

‎Languages: French. Corpus of 15th-Century Painting in the Former Southern Netherlands (part 14)‎

Bookseller reference : 37184

‎M. Comblen-Sonkes, P. Lorentz;‎

‎musee national du Louvre, Paris. II,‎

‎Turnhout, Brepols, 1995 Hardback, 313 pages., + 310 pl., 230 x 290 mm. ISBN 9782870330074.‎

‎Languages: French.‎

Bookseller reference : 37186

‎M. Andaloro;‎

‎pittura medievale a Roma 312-1431, Atlante, Percorsi visivi. Volume I: Suburbio, Vaticano, Rione Monti,‎

‎Turnhout, Brepols, 2007 Hardback, 325 p., 350 colour ill., 28 x 31. ISBN 9782503525266.‎

‎Si tratta di un'iniziativa veramente ambiziosa e meritoria, di un'impresa di rilevante valore scientifico, di un lavoro editoriale di notevole impatto sugli studi storico-artistici. E chiaro che a partire da questa imponente pubblicazione in atto e in fieri si potra finalmente mettere un punto fermo sulla pittura romana medievale, ed e chiaro che i volumi del Corpus e dell'Atlante non possono non costituire, anche per il futuro, un punto di riferimento imprescindibile per gli studiosi di Roma, e non solo. Languages : Italian.‎

Bookseller reference : 41377

‎M. Hageman, M. Mostert‎

‎Reading Images and Texts <br>Medieval Images and Texts as Forms of Communication. Papers from the Third Utrecht Symposium on Medieval Literacy, Utrecht, 7-9 December 2000‎

‎, Brepols - Harvey Miller, 2005 Hardcover. X 546 p., 141 b/w ill. 19 colour ill., 160 x 240 mm, Languages: English, Latin, Fine copy. Including an index. ISBN 9782503514376.‎

‎The interactions between non-verbal and verbal forms of communication, more in particular the relations between visual symbols other than writing and the recording of speech in writing, are important for the evaluation of both images and texts.<br>In recent years the relations between images and texts have benefitted from an increase in scholarly attention. In medieval studies, art historians, historians, codicologists, philologists and others have applied their methods to the study of illuminated manuscripts and other works of art. These studies have shifted from a concern about the contents of the messages contained in the artefacts (e.g. in iconography) to an interest in the ways in which they were communicated to their intended audiences. The perception of texts and images, their reception by contemporaries and by later generations have become topics in their own right. The analysis of individual manuscripts and works of art remains the basis for any consideration of their transmission and uses. Yet the time has come for an evaluation of the results of recent work on medieval communication. The interactions between non-verbal and verbal forms of communication, more in particular the relations between visual symbols other than writing and the recording of speech in writing, are important for the evaluation of both images and texts.<br>According to some, medieval images may be ?read?. According to others, the perception of images is fundamentally different from that of texts. Do images have a morphology (colours, lines, planes), a syntax and semantics of their own? In other words: do both texts and images have a ?grammar?? Is it useful to speak of ?visual literacy?? Can texts be considered as images? How are texts and images perceived? Do they communicate different kinds of messages? Can an image?s message be put into words? In which social contexts does medieval man prefer the visual to the textual? What about the interplay of texts and images (e.g. in rituals and ceremonies)? Do we observe an evolution in the perception of images due to the development of a literate mentality? These are some of the questions discussed in the contributions to this volume.‎

Bookseller reference : 44832

‎M. Hofmann, C. Zohl (eds.);‎

‎Von Kunst und Temperament. Festschrift fur Eberhard Konig,‎

‎Turnhout, Brepols, 2007 Hardback, 334 p., 150 b/w ill. + 32 colour ill., 210 x 297 mm. ISBN 9782503526096.‎

‎Arwed Arnulf, Vasaris unverstandliche Bilder. Funktion und Intention verratselter Bilderfindungen - Francois Avril, A propos d'un livre d'heures francais de la Biblioteca Forteguerriana de Pistoia - Wofgang Beyrot, Zum Temperament von Kunsthistorikern - Helmut Borsch-Supan, Der Zauber Franz Hornys - Francois B'spflug, Le signe de Dieu. A propos du diable dans l'art d'Occident (XIIe-XXe siecle) - Werner Busch, Von der Wahrheit des Himmels und der Wolken - Lorne Campbell, A Portrait of a Hollander painted in Venice in 1488 - Uwe Fleckner, Ein aus der Zeit gerucktes Bildnis. Jean-Auguste-Dominique Ingres malt sich selbst - Thomas W. Gaehtgens, Absurde Bildwelt und Gesellschaftskritik in J. J. Grandvilles Un autre monde - Reiner Haussherr, Johanna Schopenhauer uber Jan van Eyck - Fiona Healy, Loosing Control of the Senses: the Fifth Horse in Rubens's Fall of Phaeton - Rainer Kampling, Hinsehen. Biblische Grundlagen und patristische Quellen als Hintergrund antijudischer Motive in religioser Kunst - Thomas Kirchner, Simon Vouets gescheiterter Versuch, eine neue franzosische Kunst zu begrunden - Thomas Kren, Two Miniatures by Simon Bening from the Munich/Montserrat Hours - Klaus Kruger, Kunst, Film, Emphase - Bernd Wolfgang Lindemann, Ein triumphierender Romer - James H. Marrow, Illusionism and Paradox in the Art of Jan van Eyck and Rogier van der Weyden: Case Studies in the Shape of Meaning - Scot McKendrick, The Earliest Reproduction of the Crucifixion of the Parlement de Paris - Gisela Moeller, Justus Brinckmann und seine Ankaufe auf der Weltausstellung Paris 1900 - Klaus Niehr, Konservierte Erinnerung: Uber einen Raum bei Petrus Christus - Rudolf Preimesberger, Der zweifache Zorn des Petrus. Ein Detail in Altdorfers Sebastiansaltar in St. Florian - Catherine Reynolds, Netherlandish Patterns in Fifteenth-Century Paris: Campin, van der Weyden and the Bedford Workshop - Christiane Salge, Karl Friedrich Schinkel: Baugenie oder Durandscher Assignat ' - Martin Schieder, Vom Kirchgang zum Kunstgenuss. Betrachtungsformen religioser Malerei im 18. Jahrhundert - Frauke Steenbock, 'Nothing second rate enters here' - Patricia Stirnemann, Jean II de Hangest, Livy's Roman History, and an Unusual Miniature - Robert Suckale, Was lasst sich uber das Aussehen des ursprunglichen Wandgemaldes der Schreyer-Landauer-Grabstatte am Chor von St. Sebald in Nurnberg sagen? - Roger S. Wieck, The Office of the Holy Spirit in Royal French Books of Hours. Languages: German, English, French.‎

Bookseller reference : 33782

‎M. Acheimastou Potamianou‎

‎He Vlacherna tes Artas - Toichographies‎

‎Athens: Archaeological Society at Athens 2009. Brand new. The Church of Vlacherna at Arta - Mural Paintings. The Archaeological Society at Athens Library Series No. 264. In greek. Soft cover 30 cm 158 pp. ill.: 152 plates. Archaeological Society at Athens paperback‎

Bookseller reference : 159165 ISBN : 9608145783 9789608145788

‎M. Kassimati et al‎

‎Constantinos Volanakis 1837-1907: Poet of the Sea‎

‎<p>Bilingual Greek-English edition; soft cover 29 cm 192 pp. ill.: mostly color plates weight 1260 gr. Exhibition catalogue. ISBN: 978-960-88535-5-3.</p><p>Constantinos Volanakis was the leading Greek seascape artist of the 19th century and one of the foremost representatives of the "Munich School" also known as the ‘father of Greek seascape.’ The sea intimately connected with his life his memories and experiences became quite early a source of inspiration and artistic creation. In this publication the great Greek artist’s oeuvre is re-evaluated through the view of some of his most important works from public and private collections.</p><p>.</p><p>.</p><p>==================================================================</p><p><b>IMPORTANT: The shipping cost is an important parameter of this order; it is NOT included in the price and depends on the actual weight and destination; you will have to approve it after the confirmation of the order. You may ask for an estimate before placing the order at: dem.siatras@gmail.com</b></p> Hellenic Maritime Museum paperback‎

Bookseller reference : 153431 ISBN : 9608853559 9789608853553

‎M. Stephanides ed.‎

‎HELLENOMOUSEION - 6 aeones hellenikes zographikes‎

‎<p><em><strong>GREEK MUSEUM - SIX CENTURIES OF GREEK PAINTING VOLS. AB</strong></em></p><p>A whimsical look at Greek painting since the Fall of Constantinople: from the Cretan School of icon-painting the Ionian School the Munich Group the Athenian School and the generation to which Parthenis and Maleas belong; to the contemporary art in Cyprus and painters of the Greek diaspora in Europe and the United States. Two-volume edition supplied with a hand-crafted slipcase 25X32 cm 1259 pp. mostly color plates; net weight 4 kg.</p><p>==============================================================</p><p><p><strong style="font-size: 11px; color: #6E6E6E; font-family: Trebuchet MS;"><i><b>The shipping cost estimated by the system covers books weighing up to 750 gr.; a surcharge depending on the actual weight and destination applies for heavier books.</p></i></b></p> Miletos‎

Bookseller reference : 72236

‎M.-C. Heck‎

‎Histoire de l'histoire de l'art septentrional au XVIIe siecle‎

‎, Brepols - Harvey Miller, 2010 Hardcover. 216 p., 8 b/w ill., 156 x 234 mm, Languages: French, Italian, Including an index. Fine copy. ISBN 9782503530932.‎

‎Le propos de ce livre qui rassemble les communications faites lors de deux Journees d?etudes, la premiere organisee par IRHIS (Lille 3) le 2 mars 2006 a l?Universite de Lille, et la seconde le 18 janvier 2008 a Bruxelles a la Bibliotheque royale de Belgique par le GEMCA (Universite catholique de Louvein) est entierement centre sur l?art septentrional et sa definition dans les ecrits du XVIIe siecle en Europe. Quels en sont les enjeux? La prise en compte du discours sur l?art dans l?Europe du Nord et l?examen de la production des artistes septentrionaux ont-ils modifie la conception de l?histoire de l?art jusque la fondee et etudiee a l?aune de la theorie italienne? Parallelement a l?apport de l?examen des ?uvres antiques, l?art septentrional joue-t-il un role particulier dans la reflexion sur l?art? Telles sont les questions qui se posent. Il n?est pas question de chercher a definir les caracteres de l?art septentrional, ni de s?attacher au regard que l?on peut maintenant porter sur les ?uvres, mais d?interroger le but des theoriciens et historiens du XVIIe siecle. Leurs ecrits se situent en effet dans le contexte du deplacement du discours sur l?art de l?Italie vers l?Europe du Nord, et temoignent de la mise en place d?une nouvelle maniere de penser l?histoire qui ne se refere plus seulement au modele italien. Le dessein de ce livre est triple : d?abord definir dans les differentes formes du discours, les fondements d?une histoire specifique de l?art septentrional au XVIIe siecle, cerner ensuite l?emergence d?une prise de conscience d?un ? ecole du Nord ? , et mettre enfin en evidence les particularites que les theoriciens flamands, hollandais, allemands, francais, anglais et italiens reconnaissent a cet art et la maniere dont ils le definissent, ebauchant ainsi les contours d?une identite septentrionale.‎

Bookseller reference : 45168