1966. Antonioni Michelangelo director. Blow-Up 1966 examines perception photography and uncertainty within the cultural landscape of 1960s London placing a fashion photographer at the center of a narrative involving a possible murder captured unintentionally on film. As Antonioni's first English-language production the film situates itself within the visual and social environment of the London "mod" scene integrating fashion music and youth culture into its structure. Its treatment of sexuality and ambiguity contributed to the erosion of the Hollywood Production Code and preceded the establishment of the Motion Picture Association of America rating system marking the film as part of a broader shift in cinematic regulation and content standards. Awarded the Palme d'Or at the Cannes Film Festival the film occupies a central place in discussions of postwar European art cinema and the changing boundaries of representation.<br /> <br /> Blow-Up. Metro-Goldwyn-Mayer: United States 1966. Archive of six original promotional photographs issued for theatrical display ranging in size from approximately 6.5 x 8 to 8.75 x 11 inches including three color and three black and white prints. Images depict scenes from the film including interactions between Vanessa Redgrave and David Hemmings and views of Hemmings' Rolls-Royce emphasizing both character dynamics and the material culture of the London setting. Black and white photographs include production and photography information on the verso while color prints feature the film title actor names and MGM logo along the lower margin.<br /> <br /> Produced during a period of rapid transformation in film aesthetics and censorship standards Blow-Up aligns with broader developments in 1960s cinema that prioritized ambiguity visual experimentation and contemporary urban life. Its focus on the act of looking and the instability of photographic evidence reflects wider cultural concerns with media surveillance and reality during the decade. Promotional materials such as these photographs document how studios presented avant-garde narrative and stylistic elements to mainstream audiences bridging commercial exhibition and art cinema discourse. Minor handling wear with one photograph showing faint pinholes; overall very good to excellent condition. unknown
Paperback / softback. New. This book constitutes the proceedings of the 26th International Symposium on Foundations of Intelligent Systems ISMIS 2022 held in Cosenza Italy in October 2022. The 31 regular papers 11 short papers and 4 industrial papers presented in this volume were carefully reviewed and selected from 71 submissions. paperback
Référence libraire : B9783031165634 ISBN : 3031165632 9783031165634
Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1510. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1510. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1510. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1510. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Berkeley California: Peter Koch Printer 2015. Limited Edition. Hardcover. Fine. Goldyne Joseph; Hugill-Fontanel Amelia. One of 126 copies two volumes complete quarto size 60 pp. signed or initialled by Robert Bringhurst Joseph Goldyne and Peter Koch. Michelangelo 1475-1564 one of the major figures in the Italian Renaissance who created monumental works of painting and sculpture such as the paintings on the ceiling of the Sistine Chapel and the marble sculpture of David was also a poet composing works in the sonnet form as well as the madrigal. According to Peter Koch Michelangelo was ". . .the greatest lyric poet of his time in the Italian language. . . .He treated his poems casually -- very much like sketches rather than finished works of art -- and they remained uncollected and unpublished for seventy years after his death." <br /> <br /> In the volume "Hard High-Country Poems" ten of Michelangelo's poems addressed to or about Vittoria Colonna a woman he formed a relationship with later in his life are collected. "The Typographic Legacy of Ludovico Degli Arrighi" is an essay by Canadian poet and typographer Robert Bringhurst b. 1946 about the work of Ludovico Degli Arrighi 1475-1527 a prominent type designer in Renaissance Italy. Bringhurst also provides the translations of Michelangelo's poems for this publication. <br /> <br /> This set is comprised of two volumes; one of poetry and the second about the type. Included in the volume of poems is a drypoint portrait of Michelangelo by Joseph Goldyne b. 1942 a printmaker whose soft line work and subtle shadows are reminiscent of Italian Renaissance engravings and drypoints. In "Typographic Legacy" there are two photographs of punches used for cutting type by Amelia Hugill-Fontanel an art historian and editor who is associate curator at the Cary Graphic Arts Collection at Rochester Institute of Technology. <br /> <br /> This lovely publication by the inimitable Peter Koch has a stunning attention to detail as the typefaces used are based on italics designed in the 1520s by Arrighi and the slipcase is covered in a reproduction of an Arrighi type specimen sheet; a fascinating combination of poetry and typography from the Italian Renaissance. <br /> <br /> ___DESCRIPTION: Both volumes are bound in quarter blue leather with decorative paper boards with images of standing type "Poems" with grey printed on beige paper "Typographic Legacy" with red printed on beige paper both with gilt lettering on the spines red-brown endpapers "Poems" with a frontispiece being a tipped-in drypoint portrait of Michelangelo by Joseph Goldyne initialled in pencil by the artist below the plate title page in red and black; Vicenza and Arrighi types Amalfi Amatruda handmade paper quarto size 9 1/2" by 5 3/4" pagination: 27 unnumbered pages one of 126 copies this number 67 signed by Robert Bringhurst and Peter Koch at the colophon. "Typographic Legacy" with the frontispiece being a tipped-in photograph of type punches by Amelia Hugill-Fontanel title page with printer's device in red a second tipped-in photograph of type punches by Hugill-Fontanel following the title page; Monotype Arrighi and Centaur types Hahnemuhle Biblio paper quarto size 9 1/2" by 5 3/4" pagination: 1-2 3-31 32 1 colophon one of 126 copies unnumbered. Both volumes are encased in a chemise covered with beige paper which is inside a slipcase covered in matching beige paper wrapped in a reproduction of an Arrighi type specimen sheet with title and ruled borders in black and red printer's device on the spine. <br /> <br /> ___CONDITION: Both volumes are fine; the covers clean the corners straight and unrubbed the bindings tight with solid hinges the interiors clean and bright and free of prior owner markings; clean crisp as new. The chemise is fine also sturdy clean and without wear. The slipcase is fine strong and sturdy clean and without wear. A stunning example. <br /> <br /> ___CITATION: Peter Koch Catalogue. <br /> <br /> ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. <br /> <br /> ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Peter Koch Printer hardcover
Mandragora S. R. L. New. 2008. Paperback. 8874611196 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Italian. 120 pp. With 106 ills. 59 col. . 29 x 25 cm. -- with a bonus offer-- . Mandragora S. R. L. paperback
Référence libraire : 78246 ISBN : 8874611196 9788874611195
Rome: Cino del Duca 1960. Vintage oversize double weight borderless glossy press photograph by Enrico Appetito from the 1960 film. Bold notation on the verso noting that the photograph is from the archives of the French cinephile magazine "Cinema 60."<br /> <br /> The first film in Antonioni's famed trilogy followed by La Notte and L'eclisse. A classic scene from the film from the section shot on location in Rome where actresses Lea Massari and Monica Vitti stare wonderingly at the soulless void before them. <br /> <br /> 9.25 x 11.75 inches. Near Fine. <br /> <br /> Criterion Collection 98. Cino del Duca unknown
Rizzoli 1989. FIRST EDITION. Hardcover. Like New/Like New. First Edition First Printing. Published by Rizzoli 1989. Folio. Hardcover. Text is in Italian. Book is like new with very light toning to the top page ends. Dust jacket is like new with very light edgewear and a small surface tear to the front bottom edge. A fine copy of this landmark Michelangelo retrospective. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor New York. Rizzoli hardcover
Milano: Rizzoli Grandi monografie d'arte 1965. Rilegato tela sovracoperta custodia cloth dust jacket slip-case. Ottimo Fine. Appendice di Ettore Camesasca e una lettera artistica di C. L. Ragghianti. Con 269 illustrazioni applicate e 54 a piena e doppia pagina a colori. 2 volumi. Folio. pp. 300 tavole. Ottimo Fine. Prima edizione First Edition. Rizzoli, Grandi monografie d'arte hardcover
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