‎Klimt gustave‎

‎Klimt, Gustav; Alfred Weidinger (editor) ; Et Al‎

‎GUSTAV KLIMT UND DIE KUNSTSCHAU Gustave Klimt and the Kunstschau‎

‎Prestel-Verlag. New. 2009. Hardcover. 3791342258 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in German. 32 x 24 cm. -- with a bonus offer-- . Prestel-Verlag hardcover‎

Referenz des Buchhändlers : 73779 ISBN : 3791342258 9783791342252

‎Klimt, Gustav; Otto Breicha (Herausgegeben)‎

‎Gustav Klimt - DIE GOLDENE PFORTE - Werk - Wesen - Wirkung Bilder und Schriften zu Leben und Werk‎

‎Verlag Galerie Welz. As New. 1978. Hardcover. 385349059X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in German. 266 pages. 206 illustrations including several in color. -- with a bonus offer-- . Verlag Galerie Welz hardcover‎

Referenz des Buchhändlers : 79517 ISBN : 385349059X 9783853490594

‎Klimt, Gustav; Fritz Novotny; Johannes Dobai‎

‎GUSTAV KLIMT with a Catalogue Raisonne of His Paintings Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Works‎

‎New York Graphic Society; Et Al. As New. 1975. Hardcover. 0821206699 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Corresponds to ASIN: B0006WC3H0 and ISBN: 9780821206690. 424 pages with many illustrations. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Works New York Graphic Society; Et Al hardcover‎

Referenz des Buchhändlers : 86531 ISBN : 0821206699 9780821206690

‎Klimt, Gustav‎

‎Gustav Klimt Modernism in the Making‎

‎Brand: Harry N Abrams 0000-00-00. First Edition. paperback. New. 9.84x0.91x11.81. Buy with confidence. Excellent Customer Service & Return policy. Brand: Harry N Abrams paperback‎

Referenz des Buchhändlers : DADAX0888847181 ISBN : 0888847181 9780888847188

‎KLIMT, Gustav‎

‎Haus im Garten.‎

‎Vienna: Osterreichischen Staatsdruckerei 1931. One of 30 prints from the Eine Nachlese/Dernière gerbe/An Aftermath portfolio. This is the first reproduction of Klimt's original painting Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. The collotype produces fine tonal gradations sharp detail and a continuous-tone effect unmatched by most other photomechanical processes. However the surface of the gelatin-coated plate is extremely delicate and can break down under friction or over-inking. Plates wear out quickly giving a short print-run and maintaining consistent humidity during printing is crucial - even small fluctuations can ruin the plate. As a result collotype printing is slow exacting and vulnerable to failure but when successful it yields some of the finest printed images ever produced. Edition of 500. Collotype in colours on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 30.8 x 31 cm. Sheet size: 48 x 45.5 cm. Framed size: 59 x 56.3 cm. Presented in a handmade gold leaf frame with conservation acrylic glazing. Excellent condition. unknown‎

Referenz des Buchhändlers : 187360

‎Klimt, Gustav, Josef Hoffmann, Berthold Loeffler, Koloman Moser ua (Ausstellungskomitee). u a‎

‎Katalog der internationalen Kunstschau Wien 1909.‎

‎Wien Druck Brüder Rosenbaum 1909. 15 x 175 cm. 80 S. XIV S. Verzeichn. der ausstellenden Künstler 1 Bl. Anz. 12 Taf. 1 gef. Grundrissplan der Ausstellungshalle 9 Bll. Anz. OBrosch. m. schwarzgedr. Deckeltitel. Papierbed. gebräunt ansonsten in unberührtem nahezu druckfrischem Zustand. Seltener Katalog der 2. Kunstschau-Ausstellung. Die erste Kunstschau-Ausstellung fand 1908 im Rahmen einer Vielzahl von Veranstaltungen und Festlichkeiten aus Anlass des 60-jährigen Regierungsjubiläums von Kaiser Franz Josef statt. Die Kunst- und Kunsthandwerksausstellung von Künstlern aus dem Kreis um die Wiener Werkstätte und die Klimt-Gruppe fand in einem provisorischen Ausstellungsgebäude auf dem noch unbebauten Gelände des späteren Konzerthausgebäudes statt. In einem eigens von Josef Hoffmann und anderen Architekten geplanten Gebäudekomplex der auch einen Garten und ein Theater umschloß wurde 1908 und 1909 ein nie wieder erreichter Überblick über die aktuellen künstlerischen Produkte und Vorschläge aus allen Bereichen der bildenden Kunst des Kunsthandwerks der Skulptur und der Architektur gezeigt. Kat. Kunst in Wien um 1900 S. 79. Bei der 2. Kunstschau 1909 wurde das Hoffmannsche Wohnhaus mit maschinell hergestellten Möbeln der Deutschen Werkstätten für Handwerkskunst Dresden nach Entwürfen von Richard Riemerschmidt eingerichtet und auch eine Sonderschau mit Werken von Ashbee Mackintosh und anderen britischen Künstlern gezeigt . Sekler Josef Hoffmann S. 119. Schiele zeigte vier seiner Arbeiten und Klimt ermöglichte dem jungen Kokoschka erstmals die Gelegenheit zum Ausstellen. - DIESES OBJEKT UNTERLIEGT DER DIFFERENZBESTEUERUNG. (Wien, Druck Brüder Rosenbaum 1909). unknown‎

Referenz des Buchhändlers : STLE0077b

‎Klimt, Gustav‎

‎Klimt & die Mode German Edition‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Referenz des Buchhändlers : 3854477880.G ISBN : 3854477880 9783854477884

‎Klimt, Gustav; Takaki Iwata ; Betti Moser‎

‎Klimt Exhibition: Vienna and Japan 1900‎

‎Asahi Shimbun 2019. Hardcover. VG. Japanese language text. Color illustrated cloth boards. 275 pages. Color illustrations. Asahi Shimbun hardcover‎

Referenz des Buchhändlers : 186647

‎Klimt, Gustav‎

‎Klimt. 6 Posters. 1994. Loose sheets in chemise‎

‎Benedikt Taschen Verlag. Unknown Binding. Very Good. Benedikt Taschen Verlag. Unknown Binding. Very Good. <br/> <br/> Benedikt Taschen Verlag unknown‎

Referenz des Buchhändlers : 28322

‎Klimt, Gustav‎

‎Klimt: The Collection of the Wien Museum‎

‎Vienna: Wien Museum 2012. Fo. 303 pp. Color and Black and white plates. Hard cover with dust jacket. Very Good. Heavy item. Heavy volume additional shipping may apply. Vienna: Wien Museum, 2012 hardcover‎

Referenz des Buchhändlers : 73-6404

‎Klimt, Gustav 1862-1918‎

‎Kollektiv-Ausstellung Gustav Klimt: XVIII. Ausstellung der Vereinigung Bildender Kunstler Osterreichs Secession Wien Nov.-Dez. 1903 German Edition‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Referenz des Buchhändlers : 1363038265.G ISBN : 1363038265 9781363038268

‎Klimt, Gustav; Johannes Dobai‎

‎L'Opera Completa Di Klimt / the Complete Works of Klimt Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Catalogo Delle Opere L'Opera Completa Complete Works‎

‎Rizzoli. As New. 1978. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 112 pages with 272 illustrations including 64 in color. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Catalogo delle Opere L'Opera Completa Complete Works Rizzoli hardcover‎

Referenz des Buchhändlers : 86530

‎KLIMT, Gustav‎

‎Lucian of Samosata. De Hetaerensgespraeche des Lukian.‎

‎Leipzig Julius Zeitler 1907. . Limited edition number 40 of 50 copies on Japon from a total edition of 450 large 4to; text printed in black and gold translated into German by Franz Blei illustrated with 15 photogravures after Klimt plates protected by tissue guards very minor staining to a couple of leaves; text printed in black and gold 15 full-page collotype plates after drawings by Klimt marbled endpapers minor wear to margin of one plate; original grey marbled cloth embossed gilt label to upper cover gilt stamp to lower cover covers and spine slightly faded corners bumped a very good copy.<br /> A fine example of a scarce and early work illustrated by Gustav Klimt. Published in 1907 this erotic compilation represents a perfect pairing of Klimt's drawings with Josef Hoffmann's Wiener Werkstätte design to create one of European Jugendstil's most beautiful books. <br /><br />The text for the work is Lucian's Dialogues of the Courtesan De Hetaerensgespraeche des Lukian translated here by the Viennese writer Franz Blei. The fifteen conversations from the Hellenic satirist cover themes of seduction infidelity and jealousy and previous German translations omitted the fifth conversation as it is homoerotic. In this translation Blei changed the order of the dialogues and gave them more provocative titles such as 'The Horrors of Marriage' 'The Voluptuousness of Spanking' as well as including the lesbian conversation number VI. <br /><br />Klimt's drawings are considered to be the 'epitome of erotic refinements' Bisanz-Prakken. The fifteen compositions were created by Klimt in the period from 1904 to 1906. Two-thirds of the drawings can be dated to 1904. This is important in that Klimt switched from wrapping paper sheets to lighter Japanese paper this year as he replaced the soft chalk with the hard pencil. Gustav Klimt created some of the works in the context of the first version of Water Snakes II 1904–1907: While Klimt contented himself in the painting with the hint of eroticism he went far beyond the taboo limit of his time in the preparatory studies and drawings. <br /><br />Julius Zeitler in Leipzig was responsible for the publishing of the book and Obernetter in Munich a pioneer and specialist in collotype printing was entrusted with the plates. The same high standards were applied to the bindings of the 450 numbered copies. Josef Hoffmann designed the sample bindings for the two de-luxe editions which were produced by the Wiener Werkstatte. Edition A the smallest edition of which this book is part of consisted of only 50 copies which were produced on Japon paper and were bound in marbled black and white cloth with corresponding endpapers. Edition B comprised of 100 copies bound in grey chamois leather. Both editions A and B have a gold embossed plate on the upper cover and Hoffman's monogram and the company's logo on the reverse. <br /><br />Copies of the book went to some of the most important collectors patrons and cultural figures of the time. Hermann Bahr received a copy and subsequently wrote in a letter to Frane Blei:<br /><br />'I drink to Klimt the bright pagan. Those know-it-alls out there believe he merely plays with lines. Poor fools they don't recognise the indescribable power of this lewdness swearing to be sacred. He is the only one for whom burgeoning nature is not obscured by bourgeois shame; the only one looking at thing's from a pagan's perspective. The only one for whom the woman is woman all over.'<br /> Leipzig, Julius Zeitler, 1907. hardcover‎

Referenz des Buchhändlers : 115777

‎KLIMT, Gustav‎

‎Mohnweise.‎

‎Vienna: Österreichische Staatsdruckerei 1931. One of 30 prints from the Eine Nachlese portfolio. The first reproduction of Klimt's original painting. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. The collotype produces fine tonal gradations sharp detail and a continuous-tone effect unmatched by most other photomechanical processes. However the surface of the gelatin-coated plate is extremely delicate and can break down under friction or over-inking. Plates wear out quickly giving a short print-run and maintaining consistent humidity during printing is crucial - even small fluctuations can ruin the plate. As a result collotype printing is slow exacting and vulnerable to failure but when successful it yields some of the finest printed images ever produced. Edition of 500. Collotype in colours on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 30.8 x 30.5 cm. Sheet size: 48 x 45.5 cm. Presented in a handmade gold leaf frame with conservation acrylic glazing. Support paper cleaned otherwise in excellent condition. unknown‎

Referenz des Buchhändlers : 187435

‎KLIMT, Gustav‎

‎Portrait of Friedricke Maria Beer Plate 24 from Eine Nachlese/Dernière grebe/An Aftermath portfolio‎

‎1931 . Collotype in colours 1931 on chine colle paper laid down on heavy cream wove paper from the edition of 500 the full sheet with deckled edges published by Max Eisler Vienna 48 x 45.5 cm. 19 x 18 in.<br /> <br /> 1931 unknown‎

Referenz des Buchhändlers : 121965

‎KLIMT, Gustav‎

‎Sonnenblumen.‎

‎Vienna: Osterreichischen Staatsdruckerei 1931. One of 30 prints from the Eine Nachlese/Dernière gerbe/An Aftermath portfolio. The first reproduction of Klimt's original painting. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Edition of 500. Collotype in colours on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 29.8 x 30.1 cm. Sheet size: 48 x 45.5 cm. Framed size: 59 x 56.3 cm. Small public library stamp lower left minor spotting to margins otherwise in excellent condition. Presented in a handmade gold leaf frame with conservation acrylic glazing. unknown‎

Referenz des Buchhändlers : 182243

‎KLIMT, Gustav‎

‎Studie zur "Danae" Erster Entwurf. Study on the "Danae" First draft.‎

‎Vienna: Gilhofer & Ranschburg 1919. Edition of 500 and 10 proofs. Printed by The Art Institution Max Jaffé in Vienna and issued as one of 25 prints from the portfolio Fünfundzwanzig Handzeichnungen. Collotype on matt art paper tipped onto thin cream card with mount as issued. Sheet size: 51.4 x 33 cm. Framed size 70.8 x 51.2 cm. Excellent condition. Presented in a handmade white gold leaf frame with conservation acrylic glazing. unknown‎

Referenz des Buchhändlers : 157499

‎KLIMT, Gustav & EISLER, Max‎

‎Study for the Frieze at Palais - Stoclet II‎

‎Vienna: Austrian State Printing Office 1931. Collotype print with chine colle 19 x 17 7/8 inches. Limited English edition.<br/> <br/> The Stoclet Frieze is a series of three mosaics 1905 - 1911 commission for the Stoclet Palace in Brussels Belgium. This image was in the first panel called 'The expectation'. Printed in 'Gustav Klimt Eine Nachlese An Aftermath' a portfolio of 30 collotypes prints 15 are multi-color and 15 are monochrome on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler Editor-Publisher; Osterreichischer Staatsdruckerei Austrian State Printing Office Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German 150 were printed in French and 150 were printed in English. Max Eisler 1881-1937 the publisher of the 1931 Aftermath portfolio was an art historian at Vienna University specializing in modern and contemporary arts and crafts whose 1920 book on Klimt was the first Klimt monograph. Some foxing and toning but otherwise in good condition. Gustav Klimt 1862-1918 was a celebrated Austrian symbolist painter and a leader of the Vienna Secession movement. His work which helped define Art Nouveau in Europe is known for its ornate style.<br/> <br/> Austrian State Printing Office unknown‎

Referenz des Buchhändlers : 333711

‎Klimt, Gustav‎

‎THE LADIES' HOME JOURNAL - February 1900‎

‎Curtis Publishing. Philadelphia. 1900 Oversize magazine about 11 by 16 inches with some 48 pages. Bound in illustrated wraps. This is the famous issue with the GUSTAV KLIMT front cover illustration. The usual good stuff inside but KLIMT trumps any other content. Very scarce very desirable in this condition. Address label; slight wear most noticeable at the spine bottom; center two leaves loose from spine. Beautiful condition. NEAR FINE Language: eng Language: eng Language: eng. 1st Edition. Soft cover. Near Fine/No Jacket. Curtis Publishing. Philadelphia. paperback‎

Referenz des Buchhändlers : 14553

‎KLIMT, Gustav‎

‎Zehn Handzeichnungen mit einem Begleitwort herausgegeben von Gustav GLÜCK.‎

‎Wien u.a. Rikola Verlag 1922. 4to. 28:20 cm. Folge von 10 Tafeln mit zugehörigem Begleitheft. 27 x 20 cm. 4 nn. Bl. Textheft 10 mont. Lichtdruck-Tafeln nach Handzeichnungen von Gustav Klimt in der oft fehlenden Orig.-Flügelmappe mit faksimilierter Signatur Klimts auf dem Vorderdeckel. Die Mappe fachmännisch restauriert unterlegt Textheft und Kunstblätter in gutem Zustand. Wien u.a., Rikola Verlag, 1922. 4to. (28:20 cm). Folge von 10 Tafeln mit zugehörigem Begleitheft. unknown‎

Referenz des Buchhändlers : EEZZ6679

‎KLIMT, Gustav‎

‎Zwei liegende Akte frau und junges Mädchen. Two Lying Nudes Woman and Young Girl.‎

‎Vienna: Gilhofer & Ranschburg 1919. Edition of 500 and 10 proofs. Printed by The Art Institution Max Jaffé in Vienna and issued as one of 25 prints from the portfolio Fünfundzwanzig Handzeichnungen. Collotype on matt art paper tipped onto thin cream card with mount as issued. Sheet size: 34 x 51.3 cm. Excellent condition. unknown‎

Referenz des Buchhändlers : 139054

‎Klimt, Gustav‎

‎12 Zeichnungen zum Beethovenfries aus öffentlichem Besitz in Wien. Mit einem Vorwort von Konrad Oberhuber und Edelbert Köb und einer Einführung von Marian Bisanz-Prakken.‎

‎Graz, ADEVA, 1988. 61 : 43 cm. 15 pages with 4 coloured and some b/w illustrations, 12 plates by Gustav Klimt. Illuistrated original half-cloth portfolio.‎

‎Twelve wonderful reproductions of Klimt's drawings for the famous Beethoven-Fries at the Secession in Vienna. All plates under passepartout. - XXIII publication of the Albertina. Since the plates have been also sold individualy, complete portfolios as here are rare.‎

Referenz des Buchhändlers : 18778AB

‎Klimt, Gustav‎

‎Erotic sketches = Erotische Skizzen. [Engl. transl.: Paul Aston]‎

‎Munich ; Berlin ; London ; New York : Prestel. 2005. 63 S. : überw. Ill. 23,5*19 cm. OHalbleinenband.‎

‎Einband nachgedunkelt, sonst gut. K01-1 ISBN 3791333968‎

Referenz des Buchhändlers : 138611

‎Klimt, Gustav‎

‎Gustav Klimt und die Wiener Jahrhundertwende.‎

‎Salzburg, Verl. Galerie Welz, 1970. 28 x 30 cm. 180 S., mit z. T. farb. Abb., mit Text. OLwd. Eck. leicht bestoss. , Kant. u. Rück. minim. berieb. ansonst gut. Zust. Österreicher des 20. Jahrhunderts.‎

Referenz des Buchhändlers : 3056BB

‎Klimt, Gustav‎

‎Judith und Holofernes.‎

‎Vienna, Herzig, 1901. 45 : 34 cm. Original photoengraving in an gilt frame designed by Josef Hoffmann especially for Gustav Klimt.‎

‎Contemporary, beautiful photoengraving of Klimt's famous Judith. Published in the book 'Ars Nova' in 1901, shortly after Klimt finished the painting. In perfect condition and in a special frame designed by Josef Hoffmann especially for Gustav Klimt. Judith and the Head of Holofernes (also known as Judith I, German: Judith und Holofernes)is an oil painting by Gustav Klimt, painted in 1901. It depicts the biblical figure Judith holding the head of Holofernes after beheading him. The beheading and its aftermath have been commonly portrayed in art since the Renaissance. Judith was the biblical heroine who seduced and then decapitated General Holofernes in order to save her home city of Bethulia from destruction by the Assyrian army. When Klimt addressed the biblical theme of Judith, the historical course of art had already codified its main interpretation and preferred representation. Many paintings exist describing the episode in a heroic manner, especially expressing Judith's courage and virtuous nature. Judith appears as God's instrument of salvation, but the violence of her action cannot be denied and is dramatically shown in Caravaggio's rendering, as well as those of Gentileschi and Bigot. Other representations have depicted the subsequent moment, when a dazed Judith holds Holofernes' severed head, as Moreau and Allori anticipate in their suggestive mythological paintings. Klimt deliberately ignores any narrative reference whatsoever and concentrates his pictorial rendering solely on to Judith, so much so that he cuts off Holofernes' head at the right margin. And there is no trace of a bloodied sword as if the heroine would have used a different weapon: an omission that legitimates association with Salome. The moment preceding the killing ? the seduction of Nebuchadnezzar's general ? seems to coalesce with the conclusive part of the story.‎

Referenz des Buchhändlers : 15840AB