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Fernand SIMEON - (BIANCHINI-FERIER)
Le Plaisir à la mode. Manteau du soir en tissus de Bianchini pl.3 La Gazette du Bon ton 1921 n°1
Paris: Lucien Vogel éditeur 1921. Fine. Lucien Vogel éditeur Paris 1921 18 x 24 cm une feuille Original color print heightened with gold printed on vergé paper signed in plate. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication was aimed at bibliophiles and fashionable society Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff the sister of Jean creator of Babar to set up the Gazette du bon ton subtitled at the time: Art fashion frivolities. Georges Charensol noted the reasoning of the editor-in-chief: In 1910 he observed there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists
I was assured of success because when it comes to fashion no country on earth can compete with France. Un grand éditeur dart. Lucien Vogel in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrators conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together for the first time the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on
Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that little dying paper that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown
Referencia librero : 54839
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Fernand SIMEON - (Georges DOEUILLET)
Le Retour des autans. Tailleur et Robe d'après-midi de Doeuillet pl.55 La Gazette du Bon ton 1920 n°7
Paris: Lucien Vogel éditeur 1920. Fine. Lucien Vogel éditeur Paris Septembre 1920 18 x 24 cm une feuille Original color print printed on vergé paper non signed. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication was aimed at bibliophiles and fashionable society Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff the sister of Jean creator of Babar to set up the Gazette du bon ton subtitled at the time: Art fashion frivolities. Georges Charensol noted the reasoning of the editor-in-chief: In 1910 he observed there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists
I was assured of success because when it comes to fashion no country on earth can compete with France. Un grand éditeur dart. Lucien Vogel in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrators conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together for the first time the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on
Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that little dying paper that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown
Referencia librero : 54798
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Fernand SIMEON
Un peu beaucoup pl.34 La Gazette du Bon ton 1920 n°5
Paris: Lucien Vogel éditeur 1920. Fine. Lucien Vogel éditeur Paris Juin 1920 18 x 24 cm une feuille Original color print printed on vergé paper non signed. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication was aimed at bibliophiles and fashionable society Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff the sister of Jean creator of Babar to set up the Gazette du bon ton subtitled at the time: Art fashion frivolities. Georges Charensol noted the reasoning of the editor-in-chief: In 1910 he observed there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists
I was assured of success because when it comes to fashion no country on earth can compete with France. Un grand éditeur dart. Lucien Vogel in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrators conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together for the first time the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on
Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that little dying paper that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown
Referencia librero : 54773
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Fernand SIMEON
Vous avez vu Cette petite. Robe de promenade en Parquetine de Rodier. La Gazette du Bon ton n°4. Année 1920 - Planche 24
Paris: Lucien Vogel éditeur 1920. Fine. Lucien Vogel éditeur Paris 1920 19.50 x 25 cm une feuille Original color print printed on vergé paper the signature does not let identify the artist. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication was aimed at bibliophiles and fashionable society Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff the sister of Jean creator of Babar to set up the Gazette du bon ton subtitled at the time: Art fashion frivolities. Georges Charensol noted the reasoning of the editor-in-chief: In 1910 he observed there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists
I was assured of success because when it comes to fashion no country on earth can compete with France. Un grand éditeur dart. Lucien Vogel in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrators conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together for the first time the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on
Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that little dying paper that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown
Referencia librero : 39027
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Fess Simeon D.
The History of Political Theory and Party Organization in the United States
Dansville New York: World's Events Publishing Co. 1907. SIGNED AND INSCRIBED BY AUTHOR on front endpage "Compliments of your friend Simeon Fess Dec. 28th 1929". Mr. Fess served for the state of Ohio in the U.S. House of Representatives from 1913-1923 the U.S. Senate from 1923-1935 and was President of Antioch College in Ohio at the time of authoring this book. Very Good in blue cloth boards lightly rubbed at the tips rear hinge just starting to separate and prior owner inscription front endpage. . SIGNED AND INSCRIBED BY AUTHOR. First Edition. Cloth. Very Good/No Jacket. World's Events Publishing Co. Hardcover books
Referencia librero : 003898
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Fess Simeon Davison
THE NORTH POLE AFTERMATH. SPEECH OF HON. S.D. FESS OF OHIO IN THE HOUSE OF REPRESENTATIVES CONGRESS OF THE UNITED STATES THURSDAY MARCH 4 1915
1915. 27pp caption-title as issued stapled. Browning and chipping of blank top edge of all pages. Light tanning. Good. On Dr. Frederick A. Cook's claim to have discovered the North Pole prior to Admiral Robert E. Peary. unknown books
Referencia librero : 17245
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Fess, Simeon D
Ohio : A Four Volume Reference Library On The History Of A Great State Biographical Volume
Lewis Publishing. Collectible - Very Good. Condition: Very Good; Hardcover 5 volumes. Red pebbled cloth with gilt printing on spines. Marbled page edges and endpages. 1. Digest of Ohio History 2. Headlines of the Twentieth Century 3. Historical Gazetteer of Ohio 4. Ohio's Three hundred 5. Biographical Volume. All volumes in Very Good or better condition with clean covers and pages square spines and corners and tight bindings. At least two of the volumes appear unread. Minor fading to the spines. Photos upon request. Lewis Publishing hardcover
Referencia librero : 1405239
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Fess, Simeon D
Ohio A Four-Volume Reference Library on the History of a Great State Biographical Volume 5-Vol. Set
Chicago: The Lewis Publishing Co. 1939. Ex-library with usual markings and labels. Minor faults but a solid useful set. A heavy set that cannot be sent internationally. Hard Cover x-library. G-VG/No Jackets as Issued. Small Quartos. Book. The Lewis Publishing Co. Hardcover
Referencia librero : 01090594
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Fess, Simeon Davidson
The History of Political Theory and Party Organization in the United States
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Referencia librero : 1020297905.G ISBN : 1020297905 9781020297908
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Fess, Simeon Davidson
The History of Political Theory and Party Organization in the United States
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referencia librero : 1021657786.G ISBN : 1021657786 9781021657787
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Fess, Simeon D
The History of Political Theory and Party Organization in the United States by Simon D. Fess .
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Referencia librero : 135600332X.G ISBN : 135600332X 9781356003327
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Fess, Simeon Davidson
The History Of Political Theory And Party Organization In The United States: Origin And Development Of American Political Theory. Conflict Arising . Leaders In The Great Struggle For Supremacy
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Referencia librero : 1345401892.G ISBN : 1345401892 9781345401899
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Fess, Simeon Davidson
The History of Political Theory and Party Organization in the United States
Nabu Press. Used - Like New. Used - Like New. This is a reproduction of an out of print title. This book may have occasional imperfections such as missing or blurred pages poor pictures errant marks etc. that were either part of the original artifact or were introduced by the scanning process. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Nabu Press unknown
Referencia librero : Z1-I-003-01218 ISBN : 1146463952 9781146463959
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Fess, Simeon D
The History of Political Theory and Party Organization in the United States
Dansville New York: World's Events Publishing Co. 1907. Book. Very Good. Cloth. SIGNED AND INSCRIBED BY AUTHOR. First Edition. SIGNED AND INSCRIBED BY AUTHOR on front endpage "Compliments of your friend Simeon Fess Dec. 28th 1929". Mr. Fess served for the state of Ohio in the U.S. House of Representatives from 1913-1923 the U.S. Senate from 1923-1935 and was President of Antioch College in Ohio at the time of authoring this book. Very Good in blue cloth boards lightly rubbed at the tips rear hinge just starting to separate and prior owner inscription front endpage. World's Events Publishing Co. Hardcover
Referencia librero : 003898
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Fess, Simeon Davidson
The Problems of Neutrality When the World Is at War a History of Our Relations with Germany and Great Britain as Detailed in the Documents That Passed
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referencia librero : 128934017X.G ISBN : 128934017X 9781289340179
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Fess, Simeon Davidson
The Problems of Neutrality When the World Is at War: A History of Our Relations With Germany and Great Britain As Detailed in the Documents That . and the Two Great Belligerent Powers Part 1
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Referencia librero : 1357809387.G ISBN : 1357809387 9781357809386
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Finnan, Christine R; & Edward P St John; Jane McCarthy; Simeon P Slovacek
Accelerated Schools in Action: Lessons from the Field
Thousand Oaks California: Corwin Press Inc. 1996. Fine condition in a bright and shiny Near Fine dust jacket. Only a little rubbing to the dust jacket. NO chips. Sharp corners. Pages are crisp clean and unmarked. NO owner's name or bookplate. NOT a remainder. NOT a library discard. List of Resources; References; Index. Bound in the original red boards stamped in bright gold on the spine. Complete with dust jacket. First Printing of the First Edition. Hardcover. Fine condition/Near Fine dust jacket. Illus. by NOT a library discard. 8vo. xxi 321pp. Great Packaging Fast Shipping. Corwin Press Inc. Hardcover
Referencia librero : 025381 ISBN : 0803962428 9780803962422
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Finnan, Christine R; St John, Edward Patrick; McCarthy, Jane; Slovacek, Simeon P
Accelerated Schools in Action: Lessons from the Field
Corwin 1995-10-17. Paperback. New. New. In shrink wrap. Looks like an interesting title! Corwin paperback
Referencia librero : Q-0803962436 ISBN : 0803962436 9780803962439
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Fleming, Margaret Mary; Thoresen, Are Simeon
Spiritual Medicine: Thinking Feeling and Willing Full Colour version
Createspace Independent Publishing Platform 2018. First Edition. Paperback. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.First edition. SIGNED and inscribed by the author. Minor shelf and handling wear overall a clean solid copy with minimal signs of use. Inscribed by author on title page. Clean covers unmarked pages. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. Createspace Independent Publishing Platform paperback
Referencia librero : 1269210574 ISBN : 1987755308 9781987755305
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FOLLAIN (Jean), SANDRE (Yves), MONJO (Armand), BOCHOLIER (Gérard), CASTAGNE (Franck), SIMEON (Jean-Pierre).
Poésie présente. Cahiers trimestriels de poésie. N°XXXIX, juin 1981.
Mortemart, directeur: René Rougerie. Un volume 14,5x23cm broché sous couverture en deux tons, 168 pages, non coupées. Tirage de tête: un des 30 exemplaires numérotés sur alfa mousse. Très bon état. Après avoir dirigé aux côtés de Marcel Béalu la revue Réalités secrètes, René Rougerie (1926-2010) anime seul Poésie présente de 1971 à 1997. Durant 27 ans, il dirige, imprime et diffuse lui-même la revue. Ce seront au total 100 cahiers bien imprimés sur beau papier qui donneront à découvrir de nombreux inédits de Pierre Albert-Birot, Joë Bousquet, Saint-Pol Roux, Max Jacob, Pierre Reverdy, René-Guy Cadou, Roger Vitrac, Jean Rousselot, Michel Seuphor, etc.
Referencia librero : 44283
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Fongang, Simeon
L'INDICATEUR DE DÉVELOPPEMENT HUMAIN DU PNUD French Edition
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referencia librero : 2738488455.G ISBN : 2738488455 9782738488459
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Forberg (Friederich-Karl) - Siméon (Michel)
Manuel d'érotologie classique. (De figuris veneris) - Texte intégral traduit du Latin par Alcide Bonneau et présenté par Pascal Pia. (complet en 3 vol.)
Paris, 1959, in-8, 96 & 87pp + vol. de planches, en feuille sous chemise, emboitage de soie prune, Superbe exemplaire abondamment illustré! 96 & 87pp + vol. de planches
Referencia librero : 81711
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FORBERG, Friedrich-Karl - Traduit du latin par Alcide Bonneau - Présenté par Pascal Pia - Illustrations de Michel Siméon
Manuel d'érotologie classique : Tome I - Tome II - Tome III (trois volumes)
1959 Ed. Au Cercle du Livre Précieux - 1959 - Trois In-8 broché, couverture rempliée illustrée en N&B, feuillets libres non liés dans croffret toilé marron - 96 p. + 87 p. + 16 planches libres d'illustrations originales en N&B par Michel Siméon
Referencia librero : 102620
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Forberg (Friederich-Karl) - Simeon (Michel)
Manuel d'érotologie classique. De figuris veneris - Texte intégral traduit du Latin par Alcide Bonneau et présenté par Pascal Pia. complet en 3 vol.
Couverture rigide. Bon/1959. in-8. Paris 1959 in-8 96 & 87pp vol. de planches en feuille sous chemise emboitage de soie prune Superbe exemplaire abondamment illustré! unknown
Referencia librero : 81711
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Ford, Simeon
300 Latest Stories By 300 Famous Story Tellers 1914
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Referencia librero : 1165973103.G ISBN : 1165973103 9781165973101
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Ford, Simeon
A Few Remarks 1903
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referencia librero : 111245442X.G ISBN : 111245442X 9781112454424
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Ford, Simeon
A Few Remarks
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Referencia librero : 0469284129.G ISBN : 0469284129 9780469284128
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Ford, Simeon
A Few Remarks 1908
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referencia librero : 1164526103.G ISBN : 1164526103 9781164526100
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Ford, Simeon
A Few Remarks 1908
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referencia librero : 1436727219.G ISBN : 1436727219 9781436727211
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Fort, Simeon (After); Joseph Skelton (Engraver).
Bataille de Zurich 25 septembre 1799.
Paris: French Publisher circa 1840. Engraving. 43 x 60 cm sheet. Very Good light foxing and water staining in the margins print chine-colled to another support sheet tears and folds along support sheet edges.Provenance: ancienne galerie Vandevoorde 22 rue Vignon Paris. Paris: French Publisher, circa 1840. unknown
Referencia librero : 71-6773
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Fort, Simeon (After); Chavanne (Engraver).
L’armee arrive devant Constantine. 6 Octobre 1837.
Paris: French Publisher circa 1840. Steel engraving. 30.5 x 45.5 cm. sheet. Good foxing in the margins tears along sheet edges. [Paris: French Publisher, circa 1840]. unknown
Referencia librero : 71-3359
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Fort, Simeon (After, 1793-1861); Jean Marie Chavanne (Engraver, 1797-1860).
Passage de la Limath 25 septembre 1799.
Paris: French Publisher circa 1840. Engraving. 43 x 60 cm sheet. Very Good light foxing and water staining in the margins short tear at upper top edge of support sheet print chine-colled to another support sheet.Provenance: ancienne galerie Vandevoorde 22 rue Vignon Paris. Paris: French Publisher, circa 1840. unknown
Referencia librero : 71-6789
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Fort, Simeon (After); Joseph Skelton (Engraver).
Prise de Dirschau. le 23 Fevrier 1807 heures du soir.
Paris: Chalcographie du Louvre 20th century. Etching. 32.2 x 47 cm. sheet. Very Good. Light specks of foxing in the margins. Paris: Chalcographie du Louvre, [20th century?]. unknown
Referencia librero : 71-4145
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Fort, Simeon (After); Joseph Skelton (Engraver).
Reddition de Glogau. le 2 decembre 1806.
Paris: Chalcographie du Louvre 20th century. Etching. 31.5 x 45 cm. sheet. Drystamp of the publisher. Very Good. Light specks of foxing in the margins. Paris: Chalcographie du Louvre, [20th century?]. unknown
Referencia librero : 71-4142
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Fort, Simeon (After); E Chavane (Engraver).
Reddition de Erfurth. le 15 Octob. 1806.
Paris: Chalcographie du Louvre 20th century. Etching. 28.5 x 41 cm. sheet. Drystamp of the publisher. Very Good. Light specks of foxing in the margins. Top sheet margin trimmed to the platemark. Paris: Chalcographie du Louvre, [20th century?]. unknown
Referencia librero : 71-4144
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Fort, Simeon (After); Chavane (Engraver).
Siege de Constantine. 13 Octobre 1837. Tableau plan.
Paris: French Publisher circa 1838. Steel engraving. 36.7 x 27.5 cm. sheet. Good foxing in the margins tears along sheet edges. [Paris: French Publisher, circa 1838]. unknown
Referencia librero : 71-3356
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FRANCE A.
-MARGUERITE-
1920 A.COQ 1920- E.O.-IN4 br.-illustré de 35 bos originaux de F.SIMEON-num./Hollande -signé de l'éditeur
Referencia librero : 413
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FRANCE Anatole
La Révolte des Anges.
Bois gravés par Siméon. Edition tirée à 1000 exemplaires. Celui-ci (N°713) sur papier de Rives.A Paris, chez G. et A. Mornay, Collection Les Beaux Livres - 1921 - 360 pages.Très belle reliure demi maroquin bordeaux à larges coins signée G. Levitzky. Dos à 4 nerfs avec titre, auteur et date en pied dorés. Tête dorée sur témoins, non rogné. Filet doré bordant les plats. Couverture et dos illustrés conservés. Signet. Pas de rousseur. Parfait état. Bel exemplaire, bien relié. Format in-8°(20x16).
Referencia librero : 15907
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FRANCE (Anatole).
La révolte des Anges. Bois gravés par Siméon.
P., chez G. et & A. Mornay, Collection "Les Beaux Livres", 1921, In-8, br., non rogné, 359 pp. ( quelques rousseurs). - Tirée à mille exemplaires numérotés; celui-ci sur rives no 944 parfait etat
Referencia librero : 1517
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FRANCE Anatole - SIMEON
La révolte des anges
G & A Mornay A Paris, chez G & A Mornay, 1921. In-8 carré broché, couverture rempliée de 359 pages ornées de bois gravés de Siméon. Tirage limité numéroté, Celui-ci n° 153 sur papier de rives. Collection Les beaux Livres. Bon état
Referencia librero : 191369
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FRANCE (Anatole-François THIBAUD, dit Anatole).
Le Livre de mon ami.
P., Crès et Cie, 1921. In-12 br.
Referencia librero : 310
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FRANCE, Anatole ; (SIMEON)
Le Crime de Sylvestre Bonnard, Membre de l'Institut
Illustré par Siméon, un des 927 xemplaires sur papier de Rives (n° 137), 1 vol. in-8 reliure plein maroquin vert sous étui bordé, dos mosaïqué à 4 nerfs dorés, frise de maroquin rouge incrustée en plats et gardes, filet doré en coupes, tranches dorées, couvertures et dos conservés, Chez G. & A. Mornay, Paris, 1823, 266 pp. et 2 ff.
Referencia librero : 58934
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FRANCE, Anatole ; [illustrations : Fernand SIMÉON, Edmond MALASSIS].
Le Crime de Sylvestre Bonnard.
Paris, Chez G. & A. Mornay, Libraires, 1923. In-8 (199 x 147 mm), (4) ff., blancs, faux-titre, titre, 266-(8) pp., (2) ff. blancs, frontispice à l'eau-forte en noir et bois gravés in-texte de Fernand Siméon. Reliure demi-maroquin bleu nuit à coins, dos à faux-nerfs, tranche sup. dorée, couvertures et dos conservés, première de couverture illustrée, dos de la reliure légèrement éclairci, ex-libris collé au contreplat. Très bel exemplaire.
Referencia librero : 9602
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FRANCE Anatole (SIMEON/Rives)
Le crime de Sylvestre Bonnard, membre de l'Institut. Collection : Les beaux livres, N° 19.
Paris, Editions de Mornay, 1923. 15 x 20, 269 pp., lettrines bicolores et culs-de-lampe, broché, couverture rempliée, très bon état.
Referencia librero : 105.073
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FRANCE Anatole - SIMEON - CREUZEVAULT
Le crime de Sylvestre BONNARD, membre de l'Institut.
Editions Mornay - Collection "Les Beaux Livres" Paris 1923 In-8 carré ( 205 X 155 mm ) de 266 pages, plein maroquin rouge à gros grains, dos à nerfs cabochon, gardes de papier bois, tête dorée, couverture illustrée et dos conservés, étui bordé ( Reliure signée de CREUZEVAULT ). Edition ornée de 2 eaux-fortes et de bois gravés par Fernand SIMEON. Collection "Les beaux livres", n°19. TIRAGE LIMITE. Celui-ci un des 61 exemplaires numérotés sur papier Japon impérial. Très bel exemplaire parfaitement relié.
Referencia librero : 860052
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FRANCE Anatole [Fernand SIMEON].
LES DESIRS DE JEAN SERVIEN.
Paris, Le livre, 1924. In-8, broché.
Referencia librero : 4340
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FRANCE (Anatole). -
Les Désirs de Jean Servien. Avec dix-neuf lithographies et des bois gravés de Fernand Siméon.
Paris, " Le Livre ", 5 mai 1924. Un volume in-8, 186 pp. Demi-maroquin bleu nuit à coins, filets dorés sur les plats, tête dorée, couvertures et dos conservés. Reliure signée Max Fonsèque.
Referencia librero : 15797
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FRANCE, ANATOLE (FERNAND SIMEON, ILLUSTRATOR)
Les Desirs de Jean Servien. Avec Dix-Neuf Lithographies Et Des Bois de Fernand Simeon.
Paris, Le livre, 1924. In-8, broché. Avec 19 lithographies et des bois de Fernand SIMEON. Tirage limité à 1030 exemplaires, celui-ci sur vélin à la forme N° 213.
Referencia librero : 21385
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FRANCE (Anatole), SIMEON (Fernand)
Les Désirs de Jean Servien
Paris, "Le Livre", 1924. In-8, 186-(1) pp. et (19) pl., demi-maroquin lapis-lazuli à coins, dos à nerfs mosaïqué, date en pied, tête dorée, non rogné, couverture et dos conservés.
Referencia librero : 15167
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France Anatole Illustrated by Simeon
Marguerite
London: John Lane the Bodley Head Limited 1921. Hard Cover. Very Good. 8vo - over 7¾" - 9¾" tall. 75pp. Twenty-nine original woodcuts. Translated from the French by J. Lewis May. London: John Lane the Bodley Head Limited, 1921 unknown books
Referencia librero : 009180
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