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CRISPIN DE PASSE
Jeremias
D’après Martin de Vos.Excudit de Sadeler. En feuille Très bon XVIIè 20 x 14
Référence libraire : 6589
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CRISPIN DE PASSE
Jésus-Christ
Très belle épreuve à grandes marges. Le Blanc (178-185) XVIIè 14,8 x 11,6 cm
Référence libraire : 7345
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CRISPIN DE PASSE
La Vierge Marie.
Très belle épreuve à grandes marges. Le Blanc (178-185) XVIIè 15,4 x 11,1 cm
Référence libraire : 7344
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CROOKSHANK (Lt.-Col. C. De W.)
Prints of British Military Operations. A Catalogue Raisonne with Historical Descriptions Covering the Period from the Norman Conquest to the Campaign in Abyssinia.
First edition, 4to, xvi, 108pp., coloured frontis., and 14 plates, orig. half red cloth, printed label on spine and upper cover, uncut.
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CROOKSHANK Lt.-Col. C. de W.
Prints of British Military Operations. A Catalogue Raisonne with historical Descriptions covering the Period from the Norman Conquest to the Campaign in Abyssinia. 500 COPIES WERE PRINTED
Folio, First Edition, with coloured frontipiece (original captioned tissue guard present), title in red and black, 7 coloured plates (all original captioned tissue guards present, 2 with extra key overlays), 2 double-page plates in monochrome, and 5 plates in monochrome (all original captioned tissue guards present); modern grey boards, printed paper labels from original binding laid down on upper board and backstrip, a very good, bright, clean copy. EDITION LIMITED TO 500 COPIES (THE SEPARATE PORTFOLIO IS NOT PRESENT WITH THIS COPY). Includes list of artists, engravers and publishers.
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CROOKSHANK Lt.-Col. C. de W.
Prints of British Military Operations. A Catalogue Raisonne with historical Descriptions covering the Period from the Norman Conquest to the Campaign in Abyssinia. 500 COPIES WERE PRINTED
Folio, First Edition, with coloured frontipiece (original captioned tissue guard present), title in red and black, 7 coloured plates (all original captioned tissue guards present, 2 with extra key overlays), 2 double-page plates in monochrome, and 5 plates in monochrome (all original captioned tissue guards present); modern grey boards, printed paper labels from original binding laid down on upper board and backstrip, a very good, bright, clean copy. EDITION LIMITED TO 500 COPIES (THE SEPARATE PORTFOLIO IS NOT PRESENT WITH THIS COPY). Includes list of artists, engravers and publishers.
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Cross Helen Reeder; Art Work By Charles Walker Together With Numerous Old Prints; Drawings Illustrator
Life in Lincoln's America 1800-1865 Landmark Giant
Random House 1/1/1964. Hardcover. Acceptable. Prior library item with normal library markings. Very used and worn possible writing or highlighting inside. Random House hardcover
Référence libraire : jen091313a0103132
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CROSSLEY HOLLAND KEVIN with wood engravings by FIRMIN HANNAH
FOLK TALES OF THE BRITISH ISLES
The Folio Society London 1985. 393 pp tinted end-papers b&w illustrations coloured plate onlaied to upper board fine copy in gold blocked decorated blue boards with slipcase. The Folio Society, London, 1985 hardcover
Référence libraire : 225555
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Crossley Holland Kevin; Firmin Hannah Wood Engravings editor
Folk Tales of the British Isles
London England: The Folio Society 1985. hardcover xiv 393pp. Fine in fine dust jacket. 8vo. Navy blue boards. Upper board blocked with colour owl inset surrounded by gilt leaves and flowers as designed by the artist. Gilt Title to spine. Richly illustrated with and enhanced exquisite B / W wood-engravings of Hannah Firmin. The navy slipcase is plain. The Folio Society Hardcover
Référence libraire : 124357
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CROUSE Russel
Mr. Currier and Mr. Ives. A Note on their Lives and Times. With 32 illustrations in color, and black and white.
New York: Garden City Publishing Company, 1937 in-4, [12]-138 pages, 32 planches reproduisant les gravures de Currier et Ives, USA, 19è siècle. Reliure toile d'édit. ** 4to. [12]+138 pp., 32 plates. Cloth with red title on upper board.
Référence libraire : 1105076
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Croy, Dr. O. R.
The Complete Art of Printing and Enlarging
A complete work on the subject accompanied by a multitude of reproductions of comparative prints to give visual examples of the effects of different kinds of processes. 255 pages. Index. Yellow cloth covers with red title and line decoration on front cover Dust jacket has edgewear and small tear/loss, about twenty millimetres, to spine which has also torn spine of book. Some foxing to page edges.
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CRUIKSHANK Isaac
The martyr of equality
Rare caricature anglaise de l'époque révolutionnaire: le duc d'Orléans (rebaptisé Philippe-Egalité), se dresse à la foule sur l'échafaud tenant la tête coupée de Louis XVI dans ses mains. Importante eau-forte en coloris d'époque. En feuille Bon Londres 1793 24,5 x 21 cm
Référence libraire : 13921
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CRUIKSHANK Isaac
The martyrdom of Louis XVI, King of France
Rare caricature anglaise de l'époque révolutionnaire; Importante eau-forte en coloris d'époque. En feuille Bon Londres 1793 29 X 22 cm
Référence libraire : 13922
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Cruikshank, George.
GEORGE CRUIKSHANK'S OMNIBUS. Illustrated with One Hundred Engravings on Steel and Wood. Edited by Laman Blanchard, Esq. New Edition.
pp. viii, 300 + 22 full page steel engravings. Numerous text wood engravings. Mildly XLib. Bookplate of Juniata College Library, gift of Aaron Rabinowitz. XLib stamps embossed in blind on title page, page 51 and page 300. Tall 8vo. Original full green cloth binding, lettered in gold. Extremities worn. Front board detached. Hardbound. Good. **PRICE JUST REDUCED! JUN5 BOX 7
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Cruikshank, George.
POINTS OF HUMOR.
pp. 47, (1) + Ten etched plates. Top edge gold gilt. Half morocco leather over marbled boards binding. Front board recently detached. 8vo. Apparently the second part of two., with 10 of the twenty etched plates. A famous Victorian satirical work, illustrated by Cruikshank. First Edition. Cohn 176. George Cruikshank (1792-1878) was a humorist of the school of Hogarth, and is considered by some to be one of the best that Britain has produced. He was the son of a Scottish painter, Isaac Cruikshank, and apparently his talent was such that he could draw as soon as he could write. From the beginning he was concerned with satire. At a young age he achieved public notice by painting theatre backdrops (the first was for Drury Lane Theatre, London). In the early 1820s he made etchings for the pamphleteer William Hone, but his political caricature work was soon overtaken by his work as a book illustrator. Life in London (1821) was followed by Tales of Irish Life (1824), and then a series of further books at an ever increasing rate. His best known work was for Charles Dickens, starting with Sketches by Boz and reaching its zenith, perhaps, with Oliver Twist. Among his large number of other illustrated books were a Grimm's Fairy Tales (1827), a Pilgrim's Progress and Paradise Lost, and seven novels by Harrison Ainsworth. Despite his large oeuvre, more than 15,000 drawings in his lifetime, Cruikshank was never well off. He required financial assistance from friends in 1866 (led by Ruskin), and late in life relied on a modest pension from the civil list and a Turner annuity from the Academy. **PRICE JUST REDUCED SW3
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Cruso Thalassa; wood engravings by James Grashow Illustrator
Making Vegetables Grow
Knopf 1975-01-01. Hardcover. Very Good. Knopf hardcover
Référence libraire : 170723205
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Cröker, Johann Melchior [Croeker] / Hrsg. von einem Curiosorum Experimentorum Amatore
Der wohl anführende Mahler, welcher curiose Liebhaber lehret, wie Man sich zur Mahleren zubereiten / Neu entdeckte Lacquir-Kunst, oder gründliche Anweisung, wie man nicht nur unterschiedliche bißher geheim gehaltene kostbare Lacquen [TWO BOOKS BOUND TOGETHER]. Mit Oel-Farben umgehen, Gründe, Fürnisse und andere darzu nöthige Sachen verfertigen, die Gemählde geschickt auszieren, vergolden, versilbern, accurat lacquiren, und saubere Kupfferstiche ausarbeiten solle. Neue viel vermehrte und verbesserte Auflage / Insbesonderheit den so genannten Eisen- und raren weissen Lacque ohne grosse Mühe und Unkosten verfertigen.. nebst einem Anhange unterschiedlicher curieuser und nützlicher Kunst-Stücke.
TWO RARE BOOKS BOUND TOGETHER: 18th-century comprehensive study book for painters and printmakers, with many b&w illustrations and frontispiece, and a guidebook for correct lacquer usage. Title printed in red and black. 175x110mm. [XVI+544] + [144] pages. Contemporary leather Hardcover. Text block edges dyed red. Cover worn, stained and creased. Cover and spine edges bumped. Cover upper corners and spine upper edge peeling. Small worm-mark on front inner cover. Worm-marks on rear inner cover. Endpapers coming loose from cover. Ink inscriptions on rear whitepage. Small ink inscription on title page bottom corner. Pages yellowing and wavy. [FIRST TITLE]: Binding partly loose between frontispiece and title page. Page 81/82 bottom edge slightly tattered. [SECOND TITLE]: Several small wormholes on some pages with minimal damage to few letters of the text. [SUMMARY]: These two extremely rare 18th-century guidebooks for painters and printmakers have sustained some damage over the years, but are still in good reading condition.
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CUBBIN Thomas Master with wood engravings by John Worsley / Introduction by H. M. Tomlinson
THE WRECK OF THE SERICA A Narrative of 1868
London: Dropmore Press 1950. Hardcover. wood engravings. pp. x 105.4toBound in full blue buckramBoards bumped at corners. Buckram a bit spotted and lightly soiled. Gilt lettering and design bright. Former owner's bookplate inside front board. Contents clan and very bright. A good plus copy. <br/><br/>Of this book three hundred copies have been printed on cream wove hand-made paper. This copy is numbered 171. Dropmore Press hardcover
Référence libraire : 9900038208
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CUISINIER (Edmond)
Lecture du Journal Officiel. Eau-forte originale signée dans le cuivre en bas à gauche.
Paris, Cadart, (1878). 15,9 x 23,8 cm à la cuvette + marges.
Référence libraire : 20473
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CULVER Roy Poems by / Prints by Louise A. Moss
CONTINENTS OF VAPOR A collection of twenty-one poems and eight etchings: accompanied entirely by the hand processes
Kansas City MO: Excalibur Press 1965. Hardcover. etchings. Large 4toThis book is one of only 50 copies produced. The text was set in Bulmer and printed on a Chandler and Price hand press on Rives lightweight; etchings are intaglio: inked wiped and printed by hand on a Charles Brand etcher's press using dampened Rives heavyweight. Binding is sewn on cords and covered with Fabriano and raw linen. Headbands hand-sewn. Printed and bound by Louise A. Moss Excalibur Press in 1965. Small rubber stamp of Carnegie Public Library to copyright page and evidence of pocket removal from rear free endpaper. Slight trace of accession number to base of spine. No other such markings. Contents clean and tight. Corners of boards bumped. Slight wear to edges of boards. Else in good plus to very good condition. <br/><br/>Each plate numbered and signed by the artist with limitation of 50 noted in pencil. Unpaginated. Excalibur Press hardcover
Référence libraire : 9900038062
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Cumberland George British Museum. Dept. of Prints and Drawings Royal Academy of Arts Great Britain
An essay on the utility of collecting the best works of the ancient engravers of the Italian school : accompanied by a critical catalogue with interesting anecdotes of the engravers of a chronological series of rare and valuable prints from the earlies 1827 Leather Bound
2019. Leather Bound. New. Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine. Reprinted in 2019 with the help of original edition published long back 1827. This book is printed in black & white sewing binding for longer life Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - eng Pages 567. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. FOLIO EDITION IS ALSO AVAILABLE. hardcover
Référence libraire : LB1111006358085
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Cumberland George British Museum. Dept. of Prints and Drawings Royal Academy of Arts Great Britain
An essay on the utility of collecting the best works of the ancient engravers of the Italian school : accompanied by a critical catalogue with interesting anecdotes of the engravers of a chronological series of rare and valuable prints from the earlies 1827 Leather Bound
2019. Leather Bound. New. Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine. Reprinted in 2019 with the help of original edition published long back 1827. This book is printed in black & white sewing binding for longer life Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - eng Pages 567. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. FOLIO EDITION IS ALSO AVAILABLE. hardcover
Référence libraire : LB1111006358086
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Cumberland George British Museum. Dept. of Prints and Drawings Royal Academy of Arts Great Britain
An essay on the utility of collecting the best works of the ancient engravers of the Italian school : accompanied by a critical catalogue with interesting anecdotes of the engravers of a chronological series of rare and valuable prints from the earlies 1827
2020. Paperback. New. Lang: - eng Pages 567. Reprinted in 2020 with the help of original edition published long back 1827. This book is Printed in black & white sewing binding for longer life with Matt laminated multi-Colour Soft Cover HARDCOVER EDITION IS ALSO AVAILABLE Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. paperback
Référence libraire : PB1111006358086
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Cumberland George British Museum. Dept. of Prints and Drawings Royal Academy of Arts Great Britain
An essay on the utility of collecting the best works of the ancient engravers of the Italian school : accompanied by a critical catalogue with interesting anecdotes of the engravers of a chronological series of rare and valuable prints from the earlies 1827
2020. Paperback. New. Lang: - eng Pages 567. Reprinted in 2020 with the help of original edition published long back 1827. This book is Printed in black & white sewing binding for longer life with Matt laminated multi-Colour Soft Cover HARDCOVER EDITION IS ALSO AVAILABLE Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. paperback
Référence libraire : PB1111006358085
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Cumberland George British Museum. Dept. of Prints and Drawings Royal Academy of Arts Great Britain
An essay on the utility of collecting the best works of the ancient engravers of the Italian school : accompanied by a critical catalogue with interesting anecdotes of the engravers of a chronological series of rare and valuable prints from the earlies 1827 Hardcover
2020. Hardcover. New. Lang: - eng Pages 567. Reprinted in 2020 with the help of original edition published long back 1827. This book is Printed in black & white Hardcover sewing binding for longer life with Matt laminated multi-Colour Dust Cover Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. hardcover
Référence libraire : 1111006358086
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Cumberland George British Museum. Dept. of Prints and Drawings Royal Academy of Arts Great Britain
An essay on the utility of collecting the best works of the ancient engravers of the Italian school : accompanied by a critical catalogue with interesting anecdotes of the engravers of a chronological series of rare and valuable prints from the earlies 1827 Hardcover
2020. Hardcover. New. Lang: - eng Pages 567. Reprinted in 2020 with the help of original edition published long back 1827. This book is Printed in black & white Hardcover sewing binding for longer life with Matt laminated multi-Colour Dust Cover Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. hardcover
Référence libraire : 1111006358085
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CUNGIO Camillo
L’Epistole heroiche del Bruni.
1628 (?) 11,3 x 5,8 cm.
Référence libraire : 7505
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Curiosa - Estampes, Gravures, Bibelots - Chef d'oeuvre de l'érotisme
Curiosa N° 13 : 30 et quelques attitudes - Les onze mille verges - Regards indiscrets - Mémoires de Casanova (II) - Sonnets luxurieux - Temples du Népal - Pour toi, mon petit oiseau va sortir - Lettres à la Présidente
1983 N° 13 - Mai 1983 - Petit in-8 broché - Revue illustrée - 98 pages - Très nombreuses illustrations et reproductions photographiques en N&B
Référence libraire : 111601
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Curiosa - Estampes, Gravures, Bibelots - Chef d'oeuvre de l'érotisme
Curiosa N° 7 : Le diable au corps - L'art de la fessée - Eros coulé dans le bronze - Thérèse philosophe - L'amour au bain - Popeye en bordée ! - Saphiques chéries - Trois maîtres de l'art moderne dans les oeuvres érotiques - Eros ciselé dans l'ivoire - La légende du voyeur - Mécaniques sado-masochistes - Le nu lesbien en 1900
1981 N° 7 - 3e trimestre 1981- Petit in-8 broché - Revue illustrée - 98 pages - Très nombreuses illustrations et reproductions photographiques en N&B
Référence libraire : 49887
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Curiosa - Estampes, Gravures, Bibelots - Chef d'oeuvre de l'érotisme
Curiosa N° 8 : Pybrac (Pierre Louÿs) illustré par Vertès - Nus de collection - Ceinture pour Eros - Les estampes japonaises - Erotismes contemporains - Le prétexte du bain - Nous deux - Bizarreries sexuelles - Jules Pascin - Eros contemporain - Enfants de phallo - Le musée du sexe au Japon - L'Arétin illustré par Paul-Emile Bécat
1981 N° 8 - 4e trimestre 1981- Petit in-8 broché - Revue illustrée - 98 pages - Très nombreuses illustrations et reproductions photographiques en N&B
Référence libraire : 111597
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Currier & Ives Prints
Connoiseur's Collection of Currier & Ives Prints the Property of R. V. Gibson a
New York: Ritter-Hopson Galleries 1933. Book. Very Good. Hardcover. Catalogue from auction ill 86pps 368 lots wraps G or better. Ritter-Hopson Galleries Hardcover
Référence libraire : 103231
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Currier & Ives Prints
Currier & Ives Prints From the Collection of the Late Col. J. Philip Benkard
New York: American Art Assn/Anderson Galleries 1929. Book. Very Good. Hardcover. Catalogue with prices marked in margins ill 76pps 395 lots wraps G or better. American Art Assn/Anderson Galleries Hardcover
Référence libraire : 103230
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Currier & Ives Prints
Rare American Lithographs By N. Currier and Currier & Ives From the Collection of Fred Wellington Ayer
New York: Am. Art Assn/Anderson Galleries 1930. Book. Very Good. Hardcover. Prices realised in margins of auction catalogue VG ill 434 lots 78pps VG. Am. Art Assn/Anderson Galleries Hardcover
Référence libraire : 103232
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Currier & Ives Prints
Rare Prints By Currier & Ives From the Collection of Thomas Jefferson Falls Jr. and William Secord
New York: Plaza Art Galleries 1930. Book. Very Good. Hardcover. Prices realised in margins of auction catalogue VG ill 258 lots. Plaza Art Galleries Hardcover
Référence libraire : 103233
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Currier and Ives prints
SALE CATALOGUE for an auction of Rare and Fine American Lithographs mainly the work of N. Currier and Currier and Ives. A Collection Formed by Rita Michaelsen. American Art Association New York City December 18th 1930.
1930. 57pp. 8vo. wraps. Many illustrations. --- Please e-mail for one of my FREE CATALOGUES which include GENERAL Manuscripts Maps Ephemera Views etc. etc. --- 1930. paperback
Référence libraire : LA35-1453
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Curtius Rufus, Quintus
De rebus gestis Alexandri Magni Macedonum Regis Macedonum opus, ita demum emendatum atque... Accesserunt enim antehac nunquam uisa, duorum in principio liborum...
Basel, Froben, 1545. 4°. (3) Bl., 171 S., (6) Bl. (Register und Druckermarke). Mit ganzs. Frontispiz und Wappenholzschnitt. Pergamentband der Zeit mit handschrftlichem Rückentitel. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A|B|C
Référence libraire : 31061AB
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Curtius Rufus, Quintus:
De rebus gestis Alexandri Magni Macedonum Regis Macedonum opus, ita demum emendatum atque... Accesserunt enim antehac nunquam uisa, duorum in principio liborum...
Basel, Froben, 1545. 4°. (3) Bl., 171 S., (6) Bl. (Register und Druckermarke). Mit ganzs. Frontispiz und Wappenholzschnitt. Pergamentband der Zeit mit handschrftlichem Rückentitel.
Référence libraire : 31061AB
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Céline
Le maréchal des logis Destouches ...
Document paru dans “Le petit marseillais”, variante régionale de “L'illustré national” dans lequel ce dessin est paru le 3 novembre 1915. Cet exploit (qui date du 27 octobre 1914) valut à Céline une citation militaire le 25 novembre 1914 ! Il est reproduit en couleurs au frontispice du magistral ouvrage de Dauphin et Fouché " Bibliographie des écrits de Louis-Ferdinand Céline". Très rare. 250 x 200. cadre Très bon 1915
Référence libraire : 5550
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Cérésole, Alfred
Die Montreux-Oberland-Bahn durch das Simmenthal. Beschreibung der von dieser elektrischen Bahn durchzogenen waadtländischen, freiburgischen und bernischen Gebiete vom Genfersee bis zum Thunersee. Nach dem Französischen des Alfred Cérésole von H. Hartmann.
Zürich, Orell Füssli, (1906). 8°. 78 S. Mit photographischen Aufnahmen von Fréd. Boissonnas. Illustr. Orig.-Broschur. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 31248AB
Référence libraire : 31248AB
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Cérésole, Alfred:
Die Montreux-Oberland-Bahn durch das Simmenthal. Beschreibung der von dieser elektrischen Bahn durchzogenen waadtländischen, freiburgischen und bernischen Gebiete vom Genfersee bis zum Thunersee. Nach dem Französischen des Alfred Cérésole von H. Hartmann.
Zürich, Orell Füssli, (1906). 8°. 78 S. Mit photographischen Aufnahmen von Fréd. Boissonnas. Illustr. Orig.-Broschur.
Référence libraire : 31248AB
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CÉSAR BALDACCINI, dit "CÉSAR"
Sans titre ; Lithographie hors commerce, dimensions 75 x 48 cm, marquée HC au crayon en bas à gauche signée au même crayon en bas à droite.
75 x 48 cm Envoi sous tube rigide, via colissimo valeur déclarée, port gratuit
Référence libraire : 304
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d'Albaret M.; Engravings by CRG. Poulleau C. R.
Differens Projets Relatifs au Climat et a la Maniere la Plus Convenable de Batir dans les Pays Chauds et Plus Particulierement dans les Indes Occidentales
Paris: Leonce Laget 1967. Reprint. Hardcover. Ex-Library. Reprint of 1776 original 1967 folio 5 pages of text 20 engravings all loose sheets in gray cloth chemise illustrated in b&w. Book ex-library with only indications being sticker to front pastedown of chemise and pocket to bottom flap contents show mild foxing to front title page otherwise clean bright and unmarked. No DJ. Text in French. THIS LARGE HEAVY BOOK WILL REQUIRE ADDITIONAL SHIPPING FEES. Leonce Laget hardcover
Référence libraire : B30978f
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D'APRÈS DES DESSINS DU JAPON
RELIGIEUX ET OBJETS SAINTS DU JAPON
Une planche XVIII° gravée au burin de 395 x 250 mm ; bon état quoi que frangée sur un bord. Remise possible pour plusieurs planches de la série. Venez consulter l'ensemble de mes objets sur mon site antharedeschuyter.fr !
Référence libraire : 4416
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d'après Ernest MEISSONIER
LA LECTURE
GRAVURE d'après Ernest MEISSONIER SUR PEAU DE VÉLIN VÉRITABLE (VELLUM). Non signée, tirage avant la lettre. Cachet collection illisible dans le coin en bas à droite. Dimensions de la planche à la cuvette : 24.5 x 16.5 cm. Dimensions de la feuille : 30 x 22 c. Le vélin est une peau de vélot (veau mort-né), très fine, recherchée par les calligraphes, les miniaturistes et les relieurs pour sa blancheur, sa douceur et sa finesse. Le vélin est une spécialité apparue à la fin du Moyen Âge. Il ne doit pas être confondu avec le parchemin. Par analogie on a appelé papier vélin un papier très fin et très blanc inventé par Étienne Montgolfier en 1777, mais les deux ne doivent pas être confondus.
Référence libraire : 3977
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D'après MEISSONNIER
IN PROGRESS (LES JOUEURS D'ECHECS)
GRAVURE d'après Ernest MEISSONIER SUR PEAU DE VÉLIN VÉRITABLE (VELLUM).Edition anglaise, titrée et signée "H. C. DICKENS" en gravure dans la planche, tirage avant la lettre. Cachet collection illisible dans le coin en bas à droite. Mention "D'après Meissonier" au crayon au dos de la gravure. Dimensions de la planche à la cuvette : 24. x 16. cm. Dimensions de la feuille : 29 x 25 cm. Le vélin est une peau de vélot (veau mort-né), très fine, recherchée par les calligraphes, les miniaturistes et les relieurs pour sa blancheur, sa douceur et sa finesse. Le vélin est une spécialité apparue à la fin du Moyen Âge. Les gravures imprimées sur vélin sont fort rares et de ce fait méconnues de beaucoup d'amateurs. Il ne doit pas être confondu avec le parchemin. Par analogie on a appelé papier vélin un papier très fin et très blanc inventé par Étienne Montgolfier en 1777, mais les deux ne doivent pas être confondus.
Référence libraire : 3978
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D'ARENA, Francesco,
Senza titolo
Acquaforte appartenete alla cartella ''Venezia 73'' contenente 31 opere grafiche di maestri italiani ed un saggio di Piero Chiara, pubblicata dall'Unesco Firma a matita. Il foglio reca il timbro a secco del Museo di Castelvecchio di Verona e quello della Stamperia del Cappello. Esemplare 96/100. Cm 35,5x35,5 (Foglio 70x50). pp.. . Ottimo (Fine). . Tiratura 100 + XI f.c.. . Francesco D'Arena (Sampierdarena 1916 - Genova 1988). Partecipa al movimento astrattista Milanese; è invitato nel 1958 alla XXIX Biennale di Venezia. Sue mostre personali in numerose gallerie (Borromini, Schettini, Pater, Sturegalerie (Stocholm), Galleria 17 (Munchen), World House Galleries (New York), Galleria Del Cavallino, Galleria Apollinaire, Museo dell'Ateneo di Madrid, Esther Bear Gallery (Los Angeles), Galleria La Polena, Galleria Pagani e molte altre
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D'HULST R.-A. (DEVISSCHER Hans & DE POORTER Nora, red.)
Jacob Jordaens 1593-1678. Deel II: Tekeningen - prenten
xi + 140pp. rijkelijk geïllustreerd, 30cm., gebroch., catalogus van tentoonstelling (Antwerpen, Koninklijk Museum voor Schone Kunsten, 27 maart - 27 juni 1993), goede staat, S85377
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D'HULST R.-A. (DEVISSCHER Hans & DE POORTER Nora, red.)
Jacob Jordaens 1593-1678. Deel II: Tekeningen - prenten
Antwerpen, Gemeentekrediet 1993 xi + 140pp. rijkelijk geïllustreerd, 30cm., gebroch., catalogus van tentoonstelling (Antwerpen, Koninklijk Museum voor Schone Kunsten, 27 maart - 27 juni 1993), goede staat, S85377
Référence libraire : S85377
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Dachs Ramon poems and Eduard Arbos prints
sine. con tres serigraf�as and tres aguafuertes de Eduard Arb�s
Barcelona: printed by Roser S. Noguera for the Galeria Alejandro Sales 1999. Four poems by Dachs illustrated with six original prints by Arb�s: three etchings printed on Japanese paper laid down on fine wove paper and three silkscreens. EDITION LIMITED TO 25 NUMBERED COPIES. The first etching is SIGNED by Arb�s and the justification is SIGNED by both the artist and the poet. Large folio. Loose as issued in publisher's cloth folding case. FINE AND BRIGHT with no defects. RARE. <br/><br/> printed by Roser S. Noguera for the Galeria Alejandro Sales hardcover
Référence libraire : 38518
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DADDI ( le Maître au Dé)
La fable de Psyché
XVIè siècle. Burin. 19,5 x 23,5. L’ensemble est présenté sous chemise de papier ancien. Suite de 32 pièces d’après Raphaël. Ces estampes sont numérotées de 1 à 32. Le n° de chaque estampe est gravé 2 fois à la gauche et en-bas. Cette suite a été gravée par le Maître au dé qui cependant n’a mis sa marque que sur 2 estampes (les numéros 6 et 9). trois seules sont gravées par Augustin Vénitien et marquées de ses lettres A.V. (4-7-13). Épreuves du 2è état sur 2 avec la marque Ant. Sal. exc. Bartsch T. XV, p. 211 Notre série, très rare, est incomplète de 2 estampes : 9 et 32. L’ensemble est présenté sous chemise de papier ancien. Très bon XVIè siècle 19,5 x 23,5
Référence libraire : 5422
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