‎Estampes‎

‎Hadol, Paul‎

‎Le budget officiel d'une jolie femme par Hadol - Lithographie‎

‎Le Charivari, trente-sixième année, mardi 16 juillet 1867- Lithographie- Hauteur: 43.3cmx Largeur: 31cm - Trait carré : Hauteur: 37.4cmx Largeur: 25.5cm- 1 feuillet (4 pages) ; illustration page 3. - Au dessus de l'image, centré : "LE BUDGET OFFICIEL D'UNE JOLIE FEMME par HADOL" ; signature au centre de l'image : "HADOL" ; en dessous de l'image à gauche : "A. de Vresse R. Rivoli, 55" ; en dessous de l'image à droite : "Lith. Destouches r Paradis Pre 28" - texte imprime au dos,bon etat.‎

‎Remise de 20% pour toutes commandes supérieures à 200 €‎

Referenz des Buchhändlers : 25479

‎Hadol, Paul‎

‎Les coulisses d'une féerie- Lithographie‎

‎Le Charivari, trente-sixième année, jeudi 19 décembre 1867- Lithographie= Hauteur: 43.9cmx Largeur: 30.8cm - Trait carré: Hauteur: 39cmx Largeur: 25.7cm- 1 feuillet (4 pages) ; illustrations (13) page 3. - Au dessus de l'image, centré : "LES COULISSES D'UNE FEERIE" ; signature au centre de l'image : "HADOL" ; en dessous de l'image à gauche : "A. de Vresse R. Rivoli, 55" ; en dessous de l'image à droite : "Lith. Destouches r Paradis Pre 28" - texte imprime au dos,bon etat.‎

‎Remise de 20% pour toutes commandes supérieures à 200 €‎

Referenz des Buchhändlers : 25480

‎Hadol, Paul‎

‎Obligés d'apprendre à chanter la tyrolienne s'ils ne veulent pas être surpris comme espions dans leur petit voyage au Tyrol .- Lithographie‎

‎Le Charivari, trente-sixième année, mardi 1er octobre 1867- Lithographie- Hauteur: 43.8cmx Largeur: 31.1cm - Trait carré: Hauteur: 24.4cmx Largeur: 22.7cm - 1 feuillet (4 pages) ; illustration page 3.- Au dessus de l'image, centré : "ACTUALITES" ; et à droite : "204" ; signature en bas de l'image à gauche : "HADOL" ; en dessous de l'image à gauche : "A. de Vresse R. Rivoli, 55" ; en dessous de l'image à droite : "Lith. Destouches r Paradis Pre 28" ; en dessous, centré : "Obligés d'apprendre à chanter la tyrolienne s'ils ne veulent pas être surpris comme espions / dans leur petit voyage au Tyrol" -- texte imprime au dos,bon etat.‎

‎Remise de 20% pour toutes commandes supérieures à 200 €‎

Referenz des Buchhändlers : 25485

‎Hadol, Paul‎

‎Théâtre de l'Odéon La Contagion ou Trichines et Isthme de Suez - Lithographie‎

‎Le Charivari, trente-cinquième année, lundi 26 mars 1866- Lithographie- Hauteur: 43.9cmx Largeur: 31.1cm - Trait carré = Hauteur: 26.2cmx Largeur: 39.8cm- 1 feuillet (4 pages) ; illustration page 3. Format paysage. - Au-dessus de l'image, au centre : "THÉÂTRE DE L'ODÉON LA CONTAGION ou TRICHINES ET ISTHME DE SUEZ" ; signé dans l'image au centre à gauche : "HADOL", sous l'image à gauche : "A.de Vresse, Ed[iteu]r r. Rivoli, 55." et à droite : "Lith Destouches, 28, r. Paradis Pre".texte imprime au dos,bon etat.‎

‎Remise de 20% pour toutes commandes supérieures à 200 €‎

Referenz des Buchhändlers : 25466

‎Haefliger, Hans (1898 - 1968)‎

‎Fischerei am Bodensee.‎

‎Aarau, A. Trüb, o.J. (um 1950). Farblithographie. Bildformat: 90 x 65.5 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 1592AG‎

‎Schulwandbild. - Grössere Beschädigung oben rechts mit Klebeband repariert.‎

Referenz des Buchhändlers : 1592AG

‎Hagenbach, C. F‎

‎Tentamen florae Basileensis. Exhibens plantas phanereogamas sponte nascentes secundum systema sexuale digestas. Adjectis Bauhini synonymis oope horti ...‎

‎Basel, J. Georg Neukirch, 1821 u. 1834. 8°. XVIII, 450 (2) S.; VIII, 537 (1) S. Mit 2 kol. gest. Tafeln von Labram. Halblederbände der Zeit mit floraler Rückenvergoldung u. goldgepr. Rückenschildchen. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + 2 Bände.‎

‎Pritzel 3694. - Erste Ausgabe (ohne Supplement und Nachtrag). - "In seinem Tentamen Florae Basileensis 1821 und 1834 hat C. F. Hagenbach den Schriften Caspar Bauhins besondere Sorgfalt gewidmet. Er hat bei jeder Art die Synonyme Bauhin's aus dessen Catalogus genau angegeben, so dass Hagenbachs Werk einen vollständigen Schlüssel zur richtigen Interpretation der Bauhinischen Namen liefert." (Basl. Zeitschr. f. Geschichte u. Altertumskunde, XII, S. 1-15). - Mit 2 Exlibris auf den festen Vorsätzen sowie ein altmont. gest. Portrait von Caspar Bauhin verso erstes Blatt - Mit 2 Namenszügen von alter Hand auf den fliegenden Vorsätzen. Durchgehend stockfleckig. - Geplatztes vord. Einbandgelenk von Bd. 2 unfachmännisch restauriert.‎

Referenz des Buchhändlers : 4145BB

‎Hagenbach, Carl Friedrich‎

‎Tentamen florae Basileensis exhibens plantas phanereogamas sponte nascentes secundum systema sexuale digestas. Adjectis Bauhinis synonymis ope horti ejus sicci comprobatis.‎

‎Basel, J. Georg Neukirch, 1821?1843. 8°. XVIII, 450 S., 1 Bl.; VIII, 537 S; 2 Bl, 220 S. Mit einem gestochenen Portrait im ersten Band, 2 kol. lithograph. Tafeln in Band eins und einer lithograph., kol. Tafel im Supplement von Labram. Grüne Halblederbände aus der Zeit mit klassizistischer Rückenvergoldung. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A|B 2 Bände + Supplement in 2 Bänden. [2 Warenabbildungen]‎

‎Pritzel 3694. ? Erste vollständige Ausgabe mit dem seltenen Supplementband. 1847 erschien in Band sieben der «Basler Berichte» S. 114?126 noch ein weiterer Nachtrag. Das Porträt in Band eins mit Caspar Bauhin. ? Erster Band zu Beginn mit schwächer werdendem Wasserrand. Vereinzelt leicht gebräunt und stockfleckig. Vord. Gelenk des Einbanddeckels von Bd. 1 angebrochen. Gelenke der Einbände spröde. ? Dekorativ gebundenes Exemplar.‎

Referenz des Buchhändlers : 40532DB

‎Haggard, Henry Rider (1856-1925). Victoria and Albert Museum Prints, Drawings and Paintings Department Searight Collection‎

‎A winter pilgrimage : being an account of travels through Palestine Italy and the island of Cyprus accomplished in the year 1900 / by H. Rider Haggard‎

‎London ; New York ; Bombay : Longmans Green and Co. 1901. First Edition. Hardcover. Near fine copy bound in full aniline calf with gilt-blocked label to the spine. Spine starting with wear to the spine and panel edges. Remains well-preserved overall; tight bright clean and sharp-cornered. Physical description; viii 355 p. 23 leaves of plates : ill. ports. ; 23 cm. Notes; Prize inscription to the frontis and dated 1910. Title page printed in red and black. Includes bibliographical references. Subjects; Haggard Henry Rider 1856-1925 — Travel. Voyages and travels. Israel — Description and travel. Italy — Description and travel. Cyprus — Description and travel. Palestine — Description and travel. Italy. Cyprus. Description and Travel. Genre; Illustrated. London ; New York ; Bombay : Longmans, Green, and Co. hardcover‎

Referenz des Buchhändlers : 241609

‎Hagita, Ai‎

‎Projekt 1001. Computer-Druck-Arbeit. 1997. [Signierte Papierarbeit / signed paper art].‎

‎o.J. [2 Warenabbildungen] Das Projekt 1001 wurde 1996 von dem Kunstsammler Ralf Seilheimer ins Leben gerufen. Er schrieb 1001 Künstlerinnen und Künstler mit der Bitte an, ihm auf einer "nummerierten Blancokarte (10,5 x 14,8 cm) ein kleines Gefälligkeitskunstwerk zu zaubern..." (Ai Hagita, geb. in Osaka, Japan, gest. 2022, japanische Künstlerin, wohnhaft in Meerbusch. Studium an der Düsseldorfer‎

‎Nummer 9 von 10 Original-Papierarbeiten von Ai Hagita, Papier-Druck-Arbeit in Farbe, auf die Blankokarte montiert, unterhalb der Abbildung von Ai Hagita mit Bleistift nummeriert, signiert und datiert (XI97). Abbildungsgröße: 8,9 x 12,7 cm. Projekt 1001, Nummer 3.139, D 40. Mit dem beiliegenden Briefumschlag von Ralf Seilheimer, einer Ausstellungseinladung und einem maschinenschriftlichen handsignierten Brief von Ai Hagita an Ralf Seilheimer, datiert 07.11.1997, dieser zweifach gefaltet. Sehr guter Zustand. Original paper work, Copy Art, by Ai Hagita, mounted to the blanco card, numbered (9/10), signed and dated (XI97) with pencil below the picture. Picture size: 8.9 x 12.7 cm. Project 1001, number 3.139, D 40. With the enclosed envelope from Ralf Seilheimer, one exhibition invitation and a typed but handsigned letter from Ai Hagita to Ralf Seilheimer, dated 07.11.1997, folded twice. Very good condition.‎

Referenz des Buchhändlers : 66567CB

‎HAJEK Lubor, NEUSTUPNY J. V.‎

‎Les estampes d'Osaka. Reproductions de W. Forman. Catalogue de J.V. Neustupny.‎

‎Prague: Artia, 1959 in-4, 102 pages, 53 illustrations en couleurs, reliure en toile originale illustrée, avec emboîtage entoilé.‎

‎Les estampes d'Osaka. Reproductions de W. Forman. Catalogue de J.V. Neustupny. (Prague: Artia, 1959). [M.C.: Japon, estampes]‎

Referenz des Buchhändlers : 13980189

‎Halder, Nold:‎

‎Ein hübsch Spiel von Wilhelm Thellen.‎

‎Zürich, Fretz AG, 1926. 8°. 33 S. Mit 7 handkol. Holzschnitten v. Willi Harwerth. Illustr. Orig.-Pappband in Orig.-Pappschuber (Schuber berieben und bestossen).‎

‎Eines v. 950 Ex. des fünften Züricher Drucks.‎

Referenz des Buchhändlers : 5965AB

‎Hall, Edwin S. Jr.; Blackman, Margaret B.; Rickard, Vincent‎

‎Northwest Coast Indian Graphics - An Introduction to Silk Screen Prints‎

‎144 pages. "The first volume to show the range of individual and regional styles and subject matter of these contemporary articles... Provides an introduction to the peoples of the Northwest Coast and their art and explores the relationship of traditional art to that being produced by contemporary artists." - from dust jacket. Abundantly illustrated, approximately one third in colour. Book clean, bright and unmarked with minimal wear. Dust jacket bears moderate wear and is now preserved in a glossy new archival-grade Brodart cover. Lovely copy. Book‎

‎Haller, (Albrecht von):‎

‎Poesies de M. Haller traduites de l'allemand. - Edition retouchée et augmentée.‎

‎Berne, Societé Typographique, 1775. 8°. VIII, 236 S, 16 S. 1 gest. Frontisp. 2 Fleuron, 13 Vign.. Ldr. d.Zt.‎

‎Am Schluss miteingebunden: Les Alpes, poème de M. Haller traduit en prose françoise par M. de T. - Einband berieben, fachmännisch restauriert.‎

Referenz des Buchhändlers : 11587AB

‎Haller, Albrecht von:‎

‎Kurze Anleitung zur Heilung der rothen Ruhr. Gegeben den 23. Septembr. 1771.‎

‎Bern, In der Hoch-Oberkeitlichen Druckerey, 1771. 18,6x15,5 cm. 18 S. Ohne Einband.‎

‎Lundsgaard-Hansen 392. - Bibliographie Halleriana 1118. - Erste Ausgabe. - Die Autorschaft Hallers ist nicht nachgeweisen. Laut Olivier "Les Medecine et santé dans le pays de Vaud" von 1939 wurde die Schrift von den Berner Stadtärzten verfasst. - Titelblatt leicht fleckig. - Selten.‎

Referenz des Buchhändlers : 32613BB

‎Haller, Gottlieb Emanuel von:‎

‎Dictionnaire géographique, historique et politique de la Suisse. Avec une carte géographique.‎

‎Nouvelle édition, corrigée et augmentée. 2 Bände. Genève, de l'Imprimerie de Nouffer et Bassompierre, 1777. 8°. (4), S. 1-66, (4) S. 67-70 (2 leere Blatt), S. 71-72, 278 S.; (4), 349, (1) S. Mit gef. Karte. Lederbände der Zeit mit verblasster Rückenvergoldung und Rückensch.‎

Referenz des Buchhändlers : 2633DB

‎Haller.-‎

‎Sammlung Kleiner Hallerischer Schrifften. Mit der Stände Zürich, Bern und Basel gnädigsten Privilegiis.‎

‎Biel, Johann Christoph Heilmann, 1756. 8°. 4 Bl., 394 S. Broschur der Zeit (leicht bestossen).‎

‎Seltenes Exemplar! - Mit Ex Libris. Durchgehend leicht stockfleckig.‎

Referenz des Buchhändlers : 2153BB

‎Hamilton Sir William; [Antiquities; Art Prints]‎

‎An Original Engraving From SIR WILLIAM HAMILTON'S OUTLINES FROM THE FIGURES AND COMPOSITIONS UPON THE Greek Roman AND ETRUSCAN VASES‎

‎London 1804. A single plate drawn and engraved by Mr. Kirk. The black and white engraving shows a barefoot female figure dressed in a flowing robe and cap holding a branch in her left hand and with her right arm outstretched. The background is composed of several delicately and elaborately decorated hexagons and circles within a square border. Image roughly 4 x 4 inches Printed on a single sheet measuring 11.5 by 9 now presented in a coral mounting boards behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> hardcover‎

Referenz des Buchhändlers : 29150

‎Hamilton Sir William; [Antiquities; Art Prints]‎

‎An Original Engraving From SIR WILLIAM HAMILTON'S OUTLINES FROM THE FIGURES AND COMPOSITIONS UPON THE Greek Roman AND ETRUSCAN VASES‎

‎London: William Miller 1804. A single plate drawn and engraved by Mr. Kirk. The black and white engraving on a horizontal page shows a single standing bearded male figure holding a staff in one hand and a branch in the other in front of a square block on the floor. The image is bordered in a decorated square frame and is labeled P1.4 Image roughly 3.75 x 3.5 inches printed on a single sheet measuring 9 by 9 now presented in a slate gray mounting board behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> William Miller unknown‎

Referenz des Buchhändlers : 29160

‎Hamilton Sir William; [Antiquities; Art Prints]‎

‎An Original Engraving From SIR WILLIAM HAMILTON'S OUTLINES FROM THE FIGURES AND COMPOSITIONS UPON THE Greek Roman AND ETRUSCAN VASES‎

‎London: William Miller 1804. A single plate drawn and engraved by Mr. Kirk. The black and white engraving shows a single seated winged figure holding an open box and horizontal open umbrella. The image is bordered in a decorated circular frame and is labeled P1.1 Image roughly 4.25 x 4.25 inches printed on a single sheet measuring 11.5 by 9 now presented in a black mounting board behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> William Miller unknown‎

Referenz des Buchhändlers : 29154

‎Hamilton Sir William; [Antiquities; Art Prints]‎

‎An Original Engraving From SIR WILLIAM HAMILTON'S OUTLINES FROM THE FIGURES AND COMPOSITIONS UPON THE Greek Roman AND ETRUSCAN VASES‎

‎London: William Miller 1804. A single plate drawn and engraved by Mr. Kirk. The black and white engraving shows a female figure with a shield and scepter on the left and a male figure bending toward her with a helmet in his hand. The image is bordered in a decorated rectangular frame. Image roughly 3.75 x 3.5 inches printed on a single sheet measuring 11.5 by 9 now presented in a coral mounting boards behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> William Miller hardcover‎

Referenz des Buchhändlers : 29153

‎Hamilton Sir William; [Antiquities; Art Prints]‎

‎An Original Engraving From SIR WILLIAM HAMILTON'S OUTLINES FROM THE FIGURES AND COMPOSITIONS UPON THE Greek Roman AND ETRUSCAN VASES‎

‎London: William Miller 1804. A single plate drawn and engraved by Mr. Kirk. The black and white rectangular engraving on a horizontal page shows a female figure robed and playing a flute facing toward a male bearded figure holding torches in each of his hands and wearing leaves in his hair. The image is bordered in a decorated rectangular frame and is labeled P1.8 Image roughly 3.5 x 2.5 inches printed on a single sheet measuring 9 by 9 now presented in a slate gray mounting board behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> William Miller unknown‎

Referenz des Buchhändlers : 29161

‎Hamilton Sir William; [Antiquities; Art Prints]‎

‎An Original Engraving From SIR WILLIAM HAMILTON'S OUTLINES FROM THE FIGURES AND COMPOSITIONS UPON THE Greek Roman AND ETRUSCAN VASES‎

‎London: William Miller 1804. A single plate drawn and engraved by Mr. Kirk. The black and white horizontal engraving shows four figures. The man and woman on the right side appear to be receiving scepters from the female figure on the left. The image is bordered in a decorated rectangular frame and is labeled P1.42 Image roughly 5.5 x 4.5 inches printed on a single sheet measuring 9 by 9 now presented in a black mounting board behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> William Miller unknown‎

Referenz des Buchhändlers : 29158

‎Hamilton Sir William; [Antiquities; Art Prints]‎

‎An Original Engraving From SIR WILLIAM HAMILTON'S OUTLINES FROM THE FIGURES AND COMPOSITIONS UPON THE Greek Roman AND ETRUSCAN VASES‎

‎London: William Miller 1804. A single plate drawn and engraved by Mr. Kirk. The black and white horizontal engraving shows two male figures in a boat in water approaching the shore where a female figure is sitting. There is also a bird flying overhead. The image is bordered in a decorated rectangular frame and is labeled P1.18 Image roughly 5.75 x 3.5 inches printed on a single sheet measuring 11.5 by 9 now presented in a black mounting board behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> William Miller unknown‎

Referenz des Buchhändlers : 29157

‎Hamilton Sir William; [Antiquities; Art Prints]‎

‎An Original Hand-Coloured Aquatint Engraving From SIR WILLIAM HAMILTON'S Collection of Etruscan Greek and Roman Antiquities.‎

‎Naples 1766-1776. A single aquatint plate drawn and engraved after the original pieces in the Hamilton collection. An aquatint printed as a black background over terracotta with highlighting in light gray. The image shows a woman bending to pick up a child who squats before her. Objects hover above one is a shield another is a rope or cord. The image is numbered T6 in the top left corner and P6 in the top right it is numbered in Roman VIII at the bottom. Printed on a single folio sheet measuring larger than 18" x 12" the image approximately 9" X 7.25". Now very handsomely presented in cream mounting approximately 24 x 18 inches with ornate gilt framework design glazed under archival glass within a very attractive frame of gilded red wood and black enamel. In all a very impressive display. A very beautiful presentation and in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> While widely recognized for their beauty the reproductions from Hamilton's vases have become evidence of the irreconcilable problem of neoclassicism in the Romantic period. Significant changes in the way the vases were engraved over a span of thirty or forty years demonstrate how an immutable collection of objects is subject to radical shifts in representation in response to the social and artistic styles of the time. unknown‎

Referenz des Buchhändlers : 29242

‎Hamilton Sir William; [Antiquities; Art Prints]‎

‎An Original Hand-Coloured Aquatint Engraving From SIR WILLIAM HAMILTON'S Collection of Etruscan Greek and Roman Antiquities.‎

‎Naples 1766-1776. A single aquatint plate drawn and engraved after the original pieces in the Hamilton collection. The colour aquatint shows three maidens one of which is brandishing a sword.  The middle female holds a paten in her left hand. The image may be part of a bacchanal scene.  The background is black the image coloured with shades of tan brown terra-cotta and gold. Printed on a single folio sheet measuring approximately 20" x 15" the image approximately 9.5" X 7.5". Now presented in cream mounting boards 22" x18" behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> While widely recognized for their beauty the reproductions from Hamilton's vases have become evidence of the irreconcilable problem of neoclassicism in the Romantic period. Significant changes in the way the vases were engraved over a span of thirty or forty years demonstrate how an immutable collection of objects is subject to radical shifts in representation in response to the social and artistic styles of the time. hardcover‎

Referenz des Buchhändlers : 26547