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Fassbinder Rainer Werner director screenwriter starring
Faustrecht der Freiheit Fox and His Friends Original press photograph from the set of the 1975 film
Berlin: Der Spiegel 1975. Vintage borderless black-and-white press photograph of Fassbinder on the set of his 1975 film "Faustrecht der Freiheit." Shot by Manjit Jari for the German publication Der Spiegel with stamps for both Jari and the publication on the verso along with an archive date of March 19 1975. Franz "Fox" Biberkopf Fassbinder loses his job at a carnival after his boyfriend Klaus Karl Scheydt is arrested for tax fraud. After hustling for the money to buy a lottery ticket he wins 500000 marks and attracts the attention of Eugen Peter Chatel a sophisticated but amoral young man in need of money. He begins a relationship with the uneducated Fox and slowly swindles him out of his winnings driving him to eventual poverty and suicide. 9.5 x 7 inches. Near Fine. Der Spiegel unknown
Référence libraire : 135906
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Fassbinder Rainer Werner director screenwriter; Margit Carstensen Hanna Schygulla Katrin Schaake starring
The Bitter Tears of Petra von Kant Die Bitteren Tranen der Petra von Kant Original German poster for the 1972 film
N.p.: Filmverlag der Autoren 1972. Vintage German A1 poster for the 1972 film. Fassbinder's cinematic interest in 1950s Hollywood melodramas plays out in his 1972 film which explores the destructive and skewed power dynamics between a fashion designer her 'maid' and her lover. Petra becomes obsessed with a young woman Karin whom she entices into cohabitation and a brief affair with the promise of accelerating her modeling career. Her maid Marlene undergoes daily abuse from her dominating somewhat sadistic employer. Fassbiner reveals his ever-present interest in interpersonal relations and power dynamics in this film adaptation of his earlier play. Shot on location in Worpswede Germany. 23 x 31 inches. Light wrinkling to the margins else Near Fine. Criterion Collection 740. Filmverlag der Autoren unknown
Référence libraire : 140086
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Fast Howard sourcework: Collins Richard screenwriter
THE IMMIGRANTS . FROM THE NOVEL BY HOWARD FAST
N.p.: OPT / Universal 1978. 7239 leaves. Quarto. Mechanically reproduced typescript printed on rectos only of salmon paper. Bradbound in plain wrappers. Very good to near fine. A production draft of this adaptation to television of Howard Fast's 1977 novel. The 1979 release directed by Alvin J. Levi was nominated for a Golden Globe as Best TV Movie. The length of the script reflects the 240 minute running time and according to info on the title-leaf this draft incorporates revisions made four days prior to the scheduled start of shooting. An interesting juxtaposition: while Fast was a notably uncooperative witness before the HUAC and suffered from the blacklist Collins disavowed his earlier associations and followed a different path. OPT / Universal] unknown
Référence libraire : WRCLIT67142
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Fast Howard source work: Collins Richard screenwriter
THE IMMIGRANTS . FROM THE NOVEL BY HOWARD FAST
N.p.: OPT / Universal 1978. 5239 leaves. Quarto. Mechanically reproduced typescript printed on rectos only of blue paper. Bradbound in plain wrappers. Very good to near fine. A production draft of this adaptation to television of Howard Fast's 1977 novel. The 1979 release directed by Alvin J. Levi was nominated for a Golden Globe as Best TV Movie. The length of the script reflects the 240 minute running time and according to info on the title-leaf this draft incorporates revisions made within the first week of the scheduled start of shooting. An interesting juxtaposition: while Fast was a notably uncooperative witness before the HUAC and suffered from the blacklist Collins disavowed his earlier associations and followed a different path. OPT / Universal] unknown
Référence libraire : WRCLIT67134
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Fast Howard screenwriter
THE OUTCASTS AN ORIGINAL SCREEN TREATMENT BY .
Np nd. 716 leaves. Quarto. Photomechanically reproduced typescript a Thermofax process printed on rectos only. A couple nicks to title leaf otherwise about fine. A substantial treatment and script outline evidently unproduced set in the late years of WWII concerning the odyssey of three refugees on their way to Palestine. The text leaves bear the denotation "62-20" which might refer to a production number and possibly the year 1962. unknown
Référence libraire : WRCLIT61430
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Fast Howard source work: Collins Richard screenwriter
THE IMMIGRANTS . FROM THE NOVEL BY HOWARD FAST
N.p.: OPT / Universal 1978. 5239 leaves. Quarto. Mechanically reproduced typescript printed on rectos only of blue paper. Bradbound in plain wrappers. Very good to near fine. A production draft of this adaptation to television of Howard Fast's 1977 novel. The 1979 release directed by Alvin J. Levi was nominated for a Golden Globe as Best TV Movie. The length of the script reflects the 240 minute running time and according to info on the title-leaf this draft incorporates revisions made within the first week of the scheduled start of shooting. An interesting juxtaposition: while Fast was a notably uncooperative witness before the HUAC and suffered from the blacklist Collins disavowed his earlier associations and followed a different path. OPT / Universal] unknown books
Référence libraire : WRCLIT67134
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Fast Howard sourcework: Collins Richard screenwriter
THE IMMIGRANTS . FROM THE NOVEL BY HOWARD FAST
N.p.: OPT / Universal 1978. 7239 leaves. Quarto. Mechanically reproduced typescript printed on rectos only of salmon paper. Bradbound in plain wrappers. Very good to near fine. A production draft of this adaptation to television of Howard Fast's 1977 novel. The 1979 release directed by Alvin J. Levi was nominated for a Golden Globe as Best TV Movie. The length of the script reflects the 240 minute running time and according to info on the title-leaf this draft incorporates revisions made four days prior to the scheduled start of shooting. An interesting juxtaposition: while Fast was a notably uncooperative witness before the HUAC and suffered from the blacklist Collins disavowed his earlier associations and followed a different path. OPT / Universal] unknown books
Référence libraire : WRCLIT67142
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FAUCHOIS René
Beethoven
drame en trois actes en vers. In 8 demie reliure havane, façon cuir glacé, titre doré. Faux-titre, frontispice gravé, (portait de Beethoven) titre VIII, 134 pages, non rogné, A Paris aux éditions du Dauphin Dijon Août 1929. Exemplaire n°XLIX sur vergé de hollande Van Gelder, seul grand papier (tirage total 250 exemplaires) (petite trace de frottement en tête du dernier plat.
Référence libraire : 11672
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Faulkner William screenwriter
DAS LETZTE SKLAVEN-SCHIFF i.e. SLAVE SHIP
Berlin: Illustrierter Film-kurier 1937. 8pp. Quarto. Pictorial self-wrappers. Heavily illustrated. Creased snag to spine at middle without loss otherwise a very good copy of a fragile item. The German issue of the German language FILM- KURIER turned over to the third film for which Faulkner actually received screen credit as "Story by" upon final release in 1937. The title is at slight variance from the release title appearing on the issues printed in Vienna the format is larger and some of the illustrative matter is different. The script was based on George S. King's novel and at various times involved additional work by Sam Hellman Lamar Trotti and Gladys Lehman as well as uncredited final revisions by associate producer Nunnally Johnson. The film was directed by Tay Garnett and starred Wallace Beery Warner Baxter Mickey Rooney et al all of whom are featured in the imagery in this issue along with two images of the abuse of slaves. The film opened in Austria and Germany in early Autumn 1937. Illustrierter Film-kurier unknown
Référence libraire : WRCLIT78444
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Faulkner William screenwriter
DAS SKLAVEN-SCHIFF i.e. SLAVE SHIP
Vienna: Illustrierter Film-kurier 1937. 8pp. Octavo. Pictorial self-wrappers. Heavily illustrated. Spine staple absent slight tanning along top edge otherwise very good copy of a very fragile item. The Austrian issue of the German language FILM-KURIER Nr. 1846 turned over to the third film for which Faulkner actually received screen credit as "Story by" upon final release in 1937. The format and illustrative matter differs from the issue printed in Berlin and there is a slight variation in the title. The script was based on George S. King's novel and at various times involved additional work by Sam Hellman Lamar Trotti and Gladys Lehman as well as uncredited final revisions by associate producer Nunnally Johnson. The film was directed by Tay Garnett and starred Wallace Beery Warner Baxter Mickey Rooney et al all of whom are featured in the imagery in this issue along with two images of the abuse of slaves. The film opened in Austria and Germany in early Autumn 1937. Illustrierter Film-kurier unknown
Référence libraire : WRCLIT78433
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Faulkner William sourcework: Maddow Ben screenwriter
Original Australian Daybill for INTRUDER IN THE DUST
Sydney: MGM 1950. Folio. Vintage pictorial daybill poster 30 X 13.25" 76 X 34cm. Folded as issued. Additional horizontal fold some creasing and short edge tears confined to blank margins remnants of two Australian exhibition squibs affixed to top edge slightly overlapping the top edge of the image; a good example of an uncommon and fragile poster. An original daybill poster for the Australian release of the 1949 film adaptation of Faulkner's novel based on a screenplay by Ben Maddow directed by Clarence Brown and starring David Brian Claude Jarman Jr. Will Geer et al. The poster and imagery underscore the emblazoned caption "It's Sensational!" The US release occurred in late 1949 with distribution elsewhere waiting until 1950 or later. MGM unknown
Référence libraire : WRCLIT69373
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Faulkner William sourcework: Poe James screenwriter
Original British Quad Poster for: SANCTUARY
London: Zanuck / Twentieth Century-Fox 1961. Original highly pictorial British Quad Crown poster 30 x 40"; 76 x 102 cm. Previously folded some light use at edges some small patches of black construction paper tipped to the corners on the verso otherwise very good. A poster issued to promote the UK release -- designated as "X ADULTS ONLY" -- of the second film adaptation of Faulkner's novel based on a screenplay by James Poe directed by Tony Richardson and starring Lee Remick Yves Montand Bradford Dillman Odetta and Strother Martin. SANCTUARY was previously filmed in 1933 as the highly controversial pre-code THE STORY OF TEMPLE DRAKE. Zanuck / Twentieth Century-Fox unknown
Référence libraire : WRCLIT71273
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Faulkner William sourcework and Horton Foote sourcework & screenwriter
Original Studio Publicity Poster for: TOMORROW
Np.: Filmgroup Productions 1972. Original 41 x 27" 104 x 69cm one sheet poster. Folded as usual else near fine. A style B one sheet with reviews for Horton Foote's adaptation to the screen of his own stage play based on a short story by William Faulkner. It was directed by Joseph Anthony and starred Robert Duvall Olga Bellin and Peter Masterson. Although it was released in 1972 it saw limited runs in the U.S. until re-released about ten years later. Filmgroup Productions unknown
Référence libraire : WRCLIT70851
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Faulkner William novel; Tony Richardson director; Darryl F. Zanuck Richard D. Zanuck screenwriter; Lee Remick Yves Montand B
Sanctuary Collection of 28 original photographs from the 1961 film
N.p.: Darryl F. Zanuck Productions 1961. Collection of 28 vintage studio still photographs from the 1961 film. Based on William Faulkner's novels "Sanctuary" and "Requiem for a Nun." A harsh film with frank dialogue and thematic content throughout regarding rape female sensuality and sexual brutality. The final version of the film suffered from censorship as well as an attempt to make something "literary" and "respectable" from a novel where disrespect and ill repute were at the center of a grim story. 8 x 10 inches. Near Fine to Fine condition. Complete collation details available on request. Darryl F. Zanuck Productions unknown
Référence libraire : 141152
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Faulkner William novel; Stephen Roberts director; Oliver HP. Garrett screenwriter; Miriam Hopkins William Gargan Jack La Rue
The Story of Temple Drake Collection of four original photographs from the 1933 film
Los Angeles: Paramount Pictures 1933. Collection of four vintage studio still photographs from the 1933 film. "Return to Natl-Kline Poster Co" and "26140" stamps on the verso. Based on the highly controversial 1931 novel "Sanctuary" by William Faulkner. Remade in 1961 as "Sanctuary" directed by Tony Richardson and starring Lee Remick and Yves Montand. Wealthy neurotic and reckless Southern belle Temple Drake Miriam Hopkins is abducted raped and forced into prostitution by the violent bootlegger Trigger Jack La Rue. Every bit as controversial as the source material the film's depiction of the assault was graphic and shocking even among films of the era. George Raft then under contract to Paramount was assigned the role of Trigger but found the part so repulsive he went to battle with the studio in a suit that nearly cost him his career. Along with the same year's equally sensational "Baby Face" directed by Alfred E. Green and starring Barbara Stanwyck and George Brent "The Story of Temple Drake" was directly responsible for the stricter enforcement of the Production Code beginning the next year bringing the pre-Code era to a close. An extremely rare film until very recently unavailable for decades outside of 16mm bootlegs with only one known nitrate print in storage at UCLA the film was restored by the Museum of Modern Art and re-premiered at the TCM Classic Film Festival in 2011. A high-definition digital restoration was released by the Criterion Collection in 2019. 8 x 10 inches. Very Good plus creasing largely in margins and corners some edgewear and two with closed tears one just enters image. Complete collation details available on request. Criterion Collection 1006. Grant US. Paramount Pictures unknown
Référence libraire : 148793
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Faulkner William sourcework: Maddow Ben screenwriter
Original Australian Daybill for INTRUDER IN THE DUST
Sydney: MGM 1950. Folio. Vintage pictorial daybill poster 30 X 13.25" 76 X 34cm. Folded as issued. Additional horizontal fold some creasing and short edge tears confined to blank margins remnants of two Australian exhibition squibs affixed to top edge slightly overlapping the top edge of the image; a good example of an uncommon and fragile poster. An original daybill poster for the Australian release of the 1949 film adaptation of Faulkner's novel based on a screenplay by Ben Maddow directed by Clarence Brown and starring David Brian Claude Jarman Jr. Will Geer et al. The poster and imagery underscore the emblazoned caption "It's Sensational!" The US release occurred in late 1949 with distribution elsewhere waiting until 1950 or later. MGM unknown books
Référence libraire : WRCLIT69373
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Faulkner William screenwriter
DAS LETZTE SKLAVEN-SCHIFF i.e. SLAVE SHIP
Berlin: Illustrierter Film-kurier 1937. 8pp. Quarto. Pictorial self-wrappers. Heavily illustrated. Creased snag to spine at middle without loss otherwise a very good copy of a fragile item. The German issue of the German language FILM- KURIER turned over to the third film for which Faulkner actually received screen credit as "Story by" upon final release in 1937. The title is at slight variance from the release title appearing on the issues printed in Vienna the format is larger and some of the illustrative matter is different. The script was based on George S. King's novel and at various times involved additional work by Sam Hellman Lamar Trotti and Gladys Lehman as well as uncredited final revisions by associate producer Nunnally Johnson. The film was directed by Tay Garnett and starred Wallace Beery Warner Baxter Mickey Rooney et al all of whom are featured in the imagery in this issue along with two images of the abuse of slaves. The film opened in Austria and Germany in early Autumn 1937. Illustrierter Film-kurier unknown books
Référence libraire : WRCLIT78444
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Faulkner William screenwriter
DAS SKLAVEN-SCHIFF i.e. SLAVE SHIP
Vienna: Illustrierter Film-kurier 1937. 8pp. Octavo. Pictorial self-wrappers. Heavily illustrated. Spine staple absent slight tanning along top edge otherwise very good copy of a very fragile item. The Austrian issue of the German language FILM-KURIER Nr. 1846 turned over to the third film for which Faulkner actually received screen credit as "Story by" upon final release in 1937. The format and illustrative matter differs from the issue printed in Berlin and there is a slight variation in the title. The script was based on George S. King's novel and at various times involved additional work by Sam Hellman Lamar Trotti and Gladys Lehman as well as uncredited final revisions by associate producer Nunnally Johnson. The film was directed by Tay Garnett and starred Wallace Beery Warner Baxter Mickey Rooney et al all of whom are featured in the imagery in this issue along with two images of the abuse of slaves. The film opened in Austria and Germany in early Autumn 1937. Illustrierter Film-kurier unknown books
Référence libraire : WRCLIT78433
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Faulkner William sourcework and Horton Foote sourcework & screenwriter
Original Studio Publicity Poster for: TOMORROW
Np.: Filmgroup Productions 1972. Original 41 x 27" 104 x 69cm one sheet poster. Folded as usual else near fine. A style B one sheet with reviews for Horton Foote's adaptation to the screen of his own stage play based on a short story by William Faulkner. It was directed by Joseph Anthony and starred Robert Duvall Olga Bellin and Peter Masterson. Although it was released in 1972 it saw limited runs in the U.S. until re-released about ten years later. Filmgroup Productions unknown books
Référence libraire : WRCLIT70851
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Faulkner William sourcework: Poe James screenwriter
Original British Quad Poster for: SANCTUARY
London: Zanuck / Twentieth Century-Fox 1961. Original highly pictorial British Quad Crown poster 30 x 40"; 76 x 102 cm. Previously folded some light use at edges some small patches of black construction paper tipped to the corners on the verso otherwise very good. A poster issued to promote the UK release -- designated as "X ADULTS ONLY" -- of the second film adaptation of Faulkner's novel based on a screenplay by James Poe directed by Tony Richardson and starring Lee Remick Yves Montand Bradford Dillman Odetta and Strother Martin. SANCTUARY was previously filmed in 1933 as the highly controversial pre-code THE STORY OF TEMPLE DRAKE. Zanuck / Twentieth Century-Fox unknown books
Référence libraire : WRCLIT71273
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Feder Sid director screenwriter; Carey Wilson starring
This Is Russia Original post-production screenplay for the 1957 documentary
Universal City: Universal-International 1957. Continuity & Dialogue script for the 1957 documentary. An hour-long documentary exploring Soviet Russia giving curious Westerners a glimpse of life behind the Iron Curtain. Narrator Carey Wilson's final film. Set and shot on location in Russia. White titled self wrappers noted as CONTINUITY & DIALOGUE on the front wrapper noted as production No. 1862 dated NOVEMBER 13 1957 with credits for director Sid Feder and actor Carey Wilson. Title page integral with the front wrapper as issued. Approximately 100 leaves. Pages Near Fine wrapper Very Good plus bound with two gold brads. Universal-International unknown
Référence libraire : 146149
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Federico Fellini director screenwriter; Ennio Flaiano Tullio Pinelli screenwriters; GB. Poletto still photographer; Broderick
Il bidone The Drum Collection of four original photographs from the 1955 Italian film
N.p.: N.p. 1955. Collection of four vintage borderless reference photographs from the 1955 Italian film. With the stamp of still photographer G.B. Poletto on the verso and one with a printed mimeo snipe specific to the film's French release affixed to the verso.<br/><br/>A trio of small-time ruthless con artists undergo crises of conscience after facing the condemnation of their families. Director Federico Fellini's followup to "La strada" 1954. <br/><br/>Set in the countryside. <br/><br/>9.5 x 7.25 inches. Near Fine. <br/><br/>Eureka Masters of Cinema 66. Godard Histoires du cinema. Grant US. N.p. unknown books
Référence libraire : 151466
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Federico Fellini director screenwriter; Ennio Flaiano Tullio Pinelli Pier Paolo Pasolini screenwriters; Giulietta Masina Fra
Juliet of the Spirits Giulietta degli spiriti Collection of four original photographs from the 1965 film
N.p.: N.p. 1965. Collection of four vintage black and white reference photographs from the 1965 Italian-French film. One with a printed mimeo snipe affixed to the verso one with holograph ink and pencil annotations on the verso regarding cropping and layout. <br/><br/>From the archive of film historian and author Joel Finler.<br/><br/>A middle-aged woman experiences a variety of strange visions and memories which aid her in finally seeking freedom from her mundane life and unfaithful cruel husband. Director Federico Fellini's first feature-length color film. <br/><br/>Set and shot on location in Rome. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Criterion Collection 49. Ebert II. Scorsese My Voyage to Italy. N.p. unknown books
Référence libraire : 151317
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Federico Fellini director screenwriter; Ennio Flaiano Tullio Pinelli Pier Paolo Pasolini screenwriters; Giulietta Masina Fra
Juliet of the Spirits Original photograph from the set of the 1965 film
N.p.: N.p. 1965. Vintage borderless reference photograph of Giulietta Masina Federico Fellini and crew on the set of the 1965 film. "Rizzoli Press" and "Atlantic Press" stamps on verso. <br/><br/>Set in and shot on location in Rome. <br/><br/>9.5 x 7.25 inches. Near Fine. <br/><br/>Criterion Collection 49. Ebert II. Scorsese My Voyage to Italy. N.p. unknown books
Référence libraire : 150040
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Federico Fellini director screenwriter; Ennio Flaiano Tullio Pinelli Brunello Rondi screenwriter; Marcell Mastroianni Anita
La Dolce Vita Original press photograph from the 1960 film
Rome: Riama Film 1960. Vintage oversize borderless double weight press photograph of Anouk Aimee from the 1960 film. With agency stamps on the verso. <br/><br/>Fellini's most pivotal film if not his finest. Unlike the more sentimental and abstract films that would follow "La Dolce Vita" is an unflinching 7-day journey through 1960s Rome with Mastroianni a jaded journalist at the center of the story constantly surrounded by revelry beautiful women and a beautiful city but no semblance of happiness or love. Winner of the Palme d'Or at The Cannes Film Festival and The Academy Award for Best Costume.<br/><br/>Shot on location in Rome and Vatican City Italy. <br/><br/>12 x 9.5 inches. Near Fine. <br/><br/>Criterion Collection 733. Ebert I. Scorsese My Voyage to Italy. Riama Film unknown books
Référence libraire : 144600
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Federico Fellini director screenwriter; Ennio Flaiano Tullio Pinelli Brunello Rondi screenwriters; Marcello Mastoianni Anita
La Dolce Vita Two original photographs from the US release of the 1960 Italian film
New York: Bill Doll and Company 1961. Two vintage borderless studio still photographs from the US release of the 1961 Italian film. Large Astor Release snipe on verso one with "R.R. Stuart Collection" stamp on verso. <br/><br/>Fellini's most pivotal film if not his finest. Unlike the more sentimental and abstract films that would follow "La Dolce Vita" is an unflinching 7-day journey through 1960s Rome with Mastroianni a jaded journalist at the center of the story constantly surrounded by revelry beautiful women and a beautiful city but no semblance of happiness or love.<br/><br/>Winner of one Academy Award and nominated for three others including Best Director and Best Screenplay. Winner of the Palme d'Or<br/><br/>Shot on location in Rome and Vatican City Italy. <br/><br/>8 x 10 inches. Near Fine. <br/> <br/><br/>Criterion Collection 733. Ebert I. Scorsese My Voyage to Italy. Bill Doll and Company unknown books
Référence libraire : 148846
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Federico Fellini director screenwriter; Ennio Flaiano Tullio Pinelli Pier Paolo Pasolini screenwriters; Giulietta Masina Fra
Nights of Cabiria Cabiria Two original photographs from the 1957 film
N.p.: Lopert Films Inc 1957. Two vintage photographs from the 1957 film one promotional photograph of Giulietta Masina and one studio still photograph of Masina and Francois Perier here under the international release title "Cabiria." <br/><br/>Federico Fellini's compassionate and grounded masterpiece with a stunning and heart-breaking performance from Fellini's wife Masina as Cabiria a naive prostitute with a resilient soul navigating through devastating misfortunes searching for love.<br/><br/>Winner of the Academy Award for Best Foreign Film. Nominated for the Palme d'Or.<br/><br/>Basis for the 1966 American musical "Sweet Charity" by Cy Coleman Dorothy Fields and Neil Simon which was later made into the 1969 movie musical directed by Bob Fosse and starring Shirley MacLaine.<br/><br/>Set in and shot on location in Rome Italy. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request.<br/><br/>Criterion Collection 49. Ebert II. Scorsese My Voyage to Italy. Lopert Films Inc unknown books
Référence libraire : 148865
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Federico Fellini director screenwriter; GB. Poletto still photographer; Peter Gonzales Fiona Florence Pia De Doses Renato Gi
Fellini's Roma Original photograph of Federico Fellini and Feodor Chaliaplin Jr. from the set of the 1972 film
N.p.: N.p. 1972. Vintage borderless reference photograph of Federico Fellini demonstrating how to stab Julius Caear Feodor Chaliapin Jr. on the set of the 1972 film. "Peter W. Engelmeier provenance label on verso.<br/><br/>A semi-autobiographical impressionistic portrait of Rome featuring two contrasting sections one based on Fellini's first journey to the city as a young man under Mussolini the other featuring scenes of contemporary city life. <br/><br/>Set and shot on location in Rome Italy. <br/><br/>8.5 x 6.5 inches. Near Fine.<br/><br/>Criterion Collection 848. Eureka! 86. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown books
Référence libraire : 150489
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Federico Fellini director screenwriter; Petronius book; Mary Ellen Mark still photographer; Bernardino Zapponi Brunello Rondi
Fellini Satyricon Original photograph of Federico Fellini from the set of the 1969 film
N.p.: Produzione Europee Associate PEA 1969. Vintage borderless double weight reference photograph with left margin of Federico Fellini on the set of the 1969 film. Three "Christophe L." provenance stamps on verso. <br/><br/>Loosely based on the late first century satire by Gaius Petronius. Fellini's dream-like depiction of first century imperial Rome in a series of gloriously decadent extravagant and grotesque episodes following the pan-sexual scholar Encolpius Potter and his insatiable friend Ascyltus Hiram Keller. Nominated for an Academy Award for Best Director.<br/><br/>Shot on location in Rome Italy. <br/><br/>8 x 10 inches. Very Good plus with light rippling at top and 1.5 inch crease at bottom. <br/><br/>Criterion Collection 747. Eureka! Masters of Cinema 112. Produzione Europee Associate (PEA) unknown books
Référence libraire : 151549
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Federico Fellini director screenwriter; Pierluigi Praturlon still photographer; Ennio Flaiano Tullio Pinelli Brunello Rondi s
La Dolce Vita Original photograph of Anita Ekberg from the 1960 film
Rome: Vera Films 1960. Vintage borderless reference photograph of Anita Ekberg from the 1960 film. "Proprieta Archivio Le Ore" provenance stamp and photographer "Pierluigi" stamp on verso. <br/><br/>Fellini's most pivotal film if not his finest. Unlike the more sentimental and abstract films that would follow "La Dolce Vita" is an unflinching 7-day journey through 1960s Rome with Mastroianni a jaded journalist at the center of the story constantly surrounded by revelry beautiful women and a beautiful city but no semblance of happiness or love. Winner of one Academy Award and nominated for three others including Best Director and Best Screenplay. Winner of the Palme d'Or<br/><br/>Shot on location in Rome and Vatican City Italy. <br/><br/>8 x 10 inches. Near Fine. <br/> <br/>Criterion Collection 733. Ebert I. Scorsese My Voyage to Italy. Vera Films unknown books
Référence libraire : 151974
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Feist Felix E. director; Steve Fisher screenwriter; Roland Drake story; Barry Sullivan Barbara Bain Frances Fuller Larry Hag
Harbormaster: The Captain's Gun Harbourmaster: 23-B Original screenplay for an episode from the 1957 television series
Hollywood: ZIV Television Programs 1957. Draft script for the May 11 1958 episode of the television series "Harbormaster" 1957-1958. Faint annotations on the front wrapper in holograph pencil "Captain Hates the Sea" "Leon Benson" and an illegible name. Copy presumably belonging to Benson. A television series about crime-fighting sailboat captain Scott Sullivan on the shores of New England. In this episode Captain Owens Tweddle is willing to commit murder to oppose his daughter's Bain marriage to a lobster fisherman Hagman. Steve Fisher went uncredited upon the episode's release and his credits for other series the same year include "Wire Service" "The George Sanders Mystery Theater" "tombstone Territory" and Jane Wyman Presents the Fireside Theatre." Leon Benson's credits include "West Point" 1956-1957 "Sea Hunt" 1958-1961 "Ripcord" 1961-1963 and "Bonanaza" 1967-1970 as well as another ZIV production "Harbor Command" 1957-1958 directing three episodes in 1957. Set and shot on location in Rockport Massachusetts. Orange titled wrappers noted as "Harbourmaster / 23-B" on the front wrapper dated 1957 with credits for Fisher and Drake. Title page present noted as HARBOURMASTER PROD. #23-B. 37 leaves with last page of text numbered 38. Mimeograph duplication. Pages Near Fine wrapper Very Good plus bound with two gold brads. ZIV Television Programs unknown
Référence libraire : 143707
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Fejos Pal director; Ilona Fulop screenwriter; Steven Geray Annabella starring
Spring Shower Original screenplay for the 1932 film
Budapest: Hunnia Filmstudio 1929. Presentation copy of an Early Draft script for the Hungarian film released in Hungry in 1932 as "Tavaszi zapor" in Frace in 1933 as "Marie Legende Hongroise" and in the United States in 1935 as "Spring Shower." Housed in a likely hand-sewn floral cloth-covered portfolio the script is INSCRIBED by the Hungarian-American feminist and radical socialist screenwriter Ilona Fulop on the title page: "To Mac: / Because You still trust me! / Ilona / Christmas 1929 / Hollywood Cal." A unique and attractive item and probably the only surviving copy of the script. The story of a poor girl driven out of her village when she becomes pregnant by her employer's wealthy fiance finding refuge working as a maid in a brothel. After her daughter is taken from her however she falls into alcoholism and dies. A maid in Heaven as she was on earth she saves her daughter from befalling a similar fate by "emptying her mop bucket" on her daughter's head via a rain shower at a pivotal moment. A multinational production in which a Hungarian screenwriter and Hungarian director both with experience in Hollywood shot a film starring a French actress using frozen assets from a French producer that had been mandated for exclusively Hungarian use. Though not a box office success at the time it is now regarded as one of the all-time great films originating from the country. In a 1919 article entitled "What is 'Revolution' Doing to Love" screenwriter Fulop describes herself as a socialist radical as opposed to a revolutionary or a Bolshevik and her desire to further equal rights for women strongly defines her as a modern-day feminist as well. "Spring Showers" with its women- and proletarian-friendly plot thus comes as little surprise. Housed in floral cloth-covered portfolio titled wrappers. Title page present with credits for screenwriter Fulop. 78 leaves with last page of text numbered 77. Carbon typescript. Pages Very Good portfolio Very Good bound with a single line of hand-stitching. Hunnia Filmstudio unknown
Référence libraire : 137372
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Felix E. Feist director; Steve Fisher screenwriter; Roland Drake story; Barry Sullivan Barbara Bain Frances Fuller Larry Hagm
Harbormaster: The Captain's Gun Harbourmaster: 23-B Original screenplay for an episode from the 1957 television series
Hollywood: ZIV Television Programs 1957. Draft script for the May 11 1958 episode of the television series "Harbormaster" 1957-1958. Faint annotations on the front wrapper in holograph pencil "Captain Hates the Sea" "Leon Benson" and an illegible name. Copy presumably belonging to Benson. <br/><br/>A television series about crime-fighting sailboat captain Scott Sullivan on the shores of New England. In this episode Captain Owens Tweddle is willing to commit murder to oppose his daughter's Bain marriage to a lobster fisherman Hagman. Steve Fisher went uncredited upon the episode's release and his credits for other series the same year include "Wire Service" "The George Sanders Mystery Theater" "tombstone Territory" and Jane Wyman Presents the Fireside Theatre." <br/><br/>Leon Benson's credits include "West Point" 1956-1957 "Sea Hunt" 1958-1961 "Ripcord" 1961-1963 and "Bonanaza" 1967-1970 as well as another ZIV production "Harbor Command" 1957-1958 directing three episodes in 1957. <br/><br/>Set and shot on location in Rockport Massachusetts. <br/><br/>Orange titled wrappers noted as "Harbourmaster / 23-B" on the front wrapper dated 1957 with credits for Fisher and Drake. Title page present noted as HARBOURMASTER PROD. #23-B. 37 leaves with last page of text numbered 38. Mimeograph duplication. Pages Near Fine wrapper Very Good plus bound with two gold brads. ZIV Television Programs unknown books
Référence libraire : 143707
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Fellini Federico director screenwriter; Ennio Flaiano Tullio Pinelli Brunello Rondi screenwriters; Marcello Mastoianni Anit
La Dolce Vita Two original photographs from the 1961 US release of the 1960 Italian film
New York: Bill Doll and Company 1961. Two vintage borderless studio still photographs from the US release of the 1961 Italian film. Large Astor Release snipe on verso one with "R.R. Stuart Collection" stamp on verso. Fellini's most pivotal film if not his finest. Unlike the more sentimental and abstract films that would follow "La Dolce Vita" is an unflinching 7-day journey through 1960s Rome with Mastroianni a jaded journalist at the center of the story constantly surrounded by revelry beautiful women and a beautiful city but no semblance of happiness or love. Winner of one Academy Award and nominated for three others including Best Director and Best Screenplay. Winner of the Palme d'Or Shot on location in Rome and Vatican City Italy. 8 x 10 inches. Near Fine. Complete collation details available on request. Criterion Collection 733. Ebert I. Scorsese My Voyage to Italy. Bill Doll and Company unknown
Référence libraire : 148846
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Fellini Federico director screenwriter; Ennio Flaiano Tullio Pinelli Brunello Rondi screenwriter; Marcell Mastroianni Anita
La Dolce Vita Original press photograph from the 1960 film
Rome: Riama Film 1960. Vintage oversize borderless double weight press photograph of Anouk Aimee from the 1960 film. With agency stamps on the verso. Fellini's most pivotal film if not his finest. Unlike the more sentimental and abstract films that would follow "La Dolce Vita" is an unflinching 7-day journey through 1960s Rome with Mastroianni a jaded journalist at the center of the story constantly surrounded by revelry beautiful women and a beautiful city but no semblance of happiness or love. Winner of the Palme d'Or at The Cannes Film Festival and The Academy Award for Best Costume. Shot on location in Rome and Vatican City Italy. 12 x 9.5 inches. Near Fine. Criterion Collection 733. Ebert I. Scorsese My Voyage to Italy. Riama Film unknown
Référence libraire : 144600
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Fellini Federico director screenwriter; Ennio Flaiano Tullio Pinelli Pier Paolo Pasolini screenwriters; Giulietta Masina Fr
Nights of Cabiria Cabiria Two original photographs from the 1957 film
N.p.: Lopert Films Inc 1957. Two vintage photographs from the 1957 film one promotional photograph of Giulietta Masina and one studio still photograph of Masina and Francois Perier here under the international release title "Cabiria." Federico Fellini's compassionate and grounded masterpiece with a stunning and heart-breaking performance from Fellini's wife Masina as Cabiria a naive prostitute with a resilient soul navigating through devastating misfortunes searching for love. Winner of the Academy Award for Best Foreign Film. Nominated for the Palme d'Or. Basis for the 1966 American musical "Sweet Charity" by Cy Coleman Dorothy Fields and Neil Simon which was later made into the 1969 movie musical directed by Bob Fosse and starring Shirley MacLaine. Set in and shot on location in Rome Italy. 8 x 10 inches. Near Fine. Complete collation details available on request. Criterion Collection 49. Ebert II. Scorsese My Voyage to Italy. Lopert Films Inc unknown
Référence libraire : 148865
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Ferber Edna sourcework: Twist John screenwriter
SO BIG
Los Angeles: Warner Bros. Pictures Inc. 1952. 3113 leaves. Quarto. Mimeographed typescript printed on rectos only. Bradbound in printed studio wrappers. The upper wrapper is frayed and detached from the brads otherwise very good. A preliminary "estimating script" for this adaptation of Ferber's Pulitzer winning novel. The October 1953 release was directed by Robert Wise and starred Jane Wyman Sterling Hayden et al. This was the third adaptation of the novel to film following releases in 1924 and 1932. Warner Bros. Pictures Inc. unknown
Référence libraire : WRCLIT70265
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Ferber Edna sourcework: Twist John screenwriter
SO BIG
Los Angeles: Warner Bros. Pictures Inc. 1952. 3113 leaves. Quarto. Mimeographed typescript printed on rectos only. Bradbound in printed studio wrappers. The upper wrapper is frayed and detached from the brads otherwise very good. A preliminary "estimating script" for this adaptation of Ferber's Pulitzer winning novel. The October 1953 release was directed by Robert Wise and starred Jane Wyman Sterling Hayden et al. This was the third adaptation of the novel to film following releases in 1924 and 1932. Warner Bros. Pictures Inc. unknown books
Référence libraire : WRCLIT70265
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Ferenc Kosa director screenwriter; Sandor Csoori screenwriter; Ferenc Bessenyei Tamas Major Gheorghe Dinica starring
Judgment Itelet Two original photographs from the 1970 film
Budapest: Interfoto 1970. Two vintage borderless reference photographs from the 1970 Hungarian film. With a printed mimeo snipe affixed to the verso. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969.<br/><br/>A dramatization of the Hungarian peasant revolution in 1514 led by imprisoned peasant leader Gyorgy Dozsa. Director Ferenc Kosa was best known for "Ten Thousand Days" 1967 for which Kosa received the Best Director award at Cannes and "Beyond Time" 1973.<br/><br/>Set and shot on location in Hungary. <br/><br/>One 7 x 7 inches one 7 x 7.75 inches. Very Good plus one with a light diagonal crease to the bottom right corner. Interfoto unknown books
Référence libraire : 150209
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Fernand Dansereau director; Alec Pelletier screenwriter; Alain Cuny Jean Guy Sabourin Jacques Godin Jean Louis Millette starr
Astataion ou Le festin des morts Original Canadian Souvenir Program for the 1965 film
Canada: National Film Board of Canada 1965. Original souvenir program printed in Canada for the 1965 Canadian film. These programs saw popularity beginning in the 1960s and continued to be produced until the early 1980s and the ever-growing VHS market with a particularly high distribution in Asian countries. This example is French language square in shape versus the normal rectangular card stock. <br/><br/>Black-and-white film based on the exploits of New France Jesuit missionaries set in 1638. Existential and probing the film adapts the Jesuit Relations actual journals of real missionaries and their conflicts of faith. <br/><br/>Shot on location in Canada. <br/><br/>10 x 10 inches printed card stock in black purple and blue gatefold. Very Good plus with light foxing and rubbing overall. Scarce. National Film Board of Canada unknown books
Référence libraire : 140566
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Fernando Arrabal director novel screenwriter; Anouk Ferjac Nuria Espert Mahdi Chaouch starring
Long Live Death Viva la Muerte Original photograph from the 1971 film
N.p.: N.p. 1971. Vintage borderless reference photograph from the 1971 film. Two dated "L'Express" stamps two "Publiee" stamps with annotations in holograph marker and a "Viva la Muerte" stamp on verso. <br/><br/>Based on the 1959 novel "Baal Babilonia" by Fernando Arrabal. Arrabal's fierce directorial debut.<br/><br/>A young boy of about ten Fando tries to make sense of his father's arrest and detainment having been accused of being a communist by Franco's Fascists who has his religious mother's sympathies and may have turned him in.<br/><br/>Shot on location in Tunisia. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Vogel Film as a Subversive Art. N.p. unknown books
Référence libraire : 150085
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Ferrer Mel director screenwriter; Felipe Lopez still photographer; Jose Maria Palacio screenwriter; Marisol Angel Peralta Ra
Every Day Is a Holiday Two original photographs from the 1965 film
London: Gala Films 1966. Two vintage black-and-white studio still photographs from the UK release of the 1965 Spanish film "Cabriola" released in the US as "Every Day Is a Holiday." Mimeo snipes affixed to the versos noting cast synopsis and production company. Pictured is Marisol in action and smiley on horseback Releasing during a time when female bullfighters were widely publicized in national periodicals this film tells the story of Chica Marisol a young Spanish girl who rises to fame as a bullfighter on horseback disguised as a boy. Set in Spain shot on there location. 8 x 10 inches. About Near Fine. Complete collation details available on request. Hirschhorn p. 145. Gala Films unknown
Référence libraire : 137536
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Ferreri Marco director screenwriter; Gerard Brach Rafael Azcona screenwriters; Gerard Depardieu James Coco Marcello Mastroi
Bye Bye Monkey Reve de singe Original photograph from the 1978 film
Paris: Roissy Films 1978. Vintage oversize borderless color photograph of Gerard Depardieu and the star chimpanzee from the 1978 film. With holograph ink annotations on the verso. An Italian-French production about a man who lives in a New York City basement and works as a jack of all trades for the owner of a wax museum and a feminist theater group. He finds an abandoned chimpanzee on the beach who he attempts to raise. A bleak and desolate depiction of New York City. Filmed in English and released dubbed in both French and Italian. Shot on location in New York City. 9.5 x 12 inches. Very Good plus. Roissy Films unknown
Référence libraire : 144304
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Ferreri Marco director screenwriter; Rafael Azcona screenwriter; Ugo Tognazzi Annie Girardot starring
The Ape Woman La donna scimmia Original photograph from the 1964 film
Italy: Compagnia Cinematografica Champion 1964. Vintage borderless press photograph from the set of the 1964 film. Shown is Annie Giarardot the "ape woman" in the film in a dressing room with two other semi-clothed "normal" women conveying an immediate irony as she looks up at her husband Ugo Tognazzi standing in the doorway. With the stamps of both the French Dalmas and Italian Publifoto photo agencies on the verso. Inspired by the real life story of Julia Pastrana who suffered from a condition that caused excessive hairiness and was exhibited in a freak show and mummified after her death by her husband/manager. Nominated for the Palme d'Or at Cannes. 8.25 x 10.5 inches. Near Fine with a touch of rubbing to the edges and slight curl. Compagnia Cinematografica Champion unknown
Référence libraire : 143345
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Ferreri Marco director screenwriter; Velio Cioni still photographer; Rafael Azcona screenwriter; Ugo Tognazzi Marian Vlady st
The Conjugal Bed Collection of 4 original oversize photographs from the set of the 1963 film
Italy: Sancro Film 1963. Collection of four vintage oversize borderless reference photographs from the 1963 Italian film. With the stamps of photographer Velio Cioni and two press agencies on the verso. Two of the photographs show crew members putting the finishing touches on a mannequin of Jesus while director Ferreri looks on. A satire of masculinity and chauvinism where a man marries a much younger woman the woman wanting nothing more than to have a child. The mental and physical strain of trying to please her drives the man to a heart attack and death. Nominated for a Palme d'Or at Cannes where Marina Vlady also won for Best Actress. 11.5 x 9.5 inches. Very Good plus. Lightly curled with a touch of wear at the edges. Sancro Film unknown
Référence libraire : 142070
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Ferris Wally novel; Barry Shear director; Luther Davis screenwriter; Anthony Quinn Yaphet Kotto Anthony Franciosa starring
Across 110th Street Complete Lobby Card set
Beverly Hills CA: United Artists 1972. Complete set of 8 lobby cards for the 1972 crime film "Across 110th Street." Because it is set in Harlem this very underrated crime drama is often lumped with "blaxploitation" pictures of the same era. In truth it belongs to the great pantheon of gritty violent police procedurals of the early 1970s-something of a New York City companion to Don Siegel's "Dirty Harry" released the year before. A few faint scratches to a couple of the cards and a faint dampstain to the bottom edge of a few others; a bright clean set overall. Parish and Hill 3. United Artists unknown
Référence libraire : 120967
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Feuillade Louis director screenwriter; Marcel Allain Pierre Souvestre novels; Rene Navarre Renee Carl starring
Fantomas Original double weight still photograph from the 1913 film serial
Neuilly-sur-Seine France: Gaumont 1913. Vintage double weight matte finish photograph from the legendary 1913 silent film serial. Printed onto heavy card stock for use as the equivalent of a modern day lobby card. With the Gaumont logo at the lower right corner. The first of Feuillade's three film serial masterpieces followed by "Les Vampires" 1915 and "Judex" 1916. Feuillade took the brave task of putting to film Fantomas already wildly popular with European audiences. The character can be seen as an outgrowth of the "hero thief" character Arsene Lupin from turn-of-the-century French fiction. But unlike Lupin Fantomas was completely comfortable killing those who got in his way sadistically and with no small amount of enjoyment. The scene pictured here shows Jaques Dollon Andre Luguetat at the police station sitting at the center having been framed by Fantomas. The journalist Fandor Georges Melchior standing in for Inspector Juve who is on the lam in disguise as a hobo stands over Dollon as a police inspector sits at a corner desk. Dollon goes on to escape then be captured by Fantomas who murders him cuts off his fingers and throws his body into the river. Fantomas then sews the fingers into a glove and commits further crimes continuing to implicate Dollon who in addition to being innocent is now dead. 11 x 9 inches. Mounted on brown card stock. Hardy The BFI Companion to Crime p. 125-126. Gaumont unknown
Référence libraire : 131914
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Feuillade Louis director screenwriter; Rene Creste Musidora starring
Judex Original double weight photograph from the 1916 film
Neuilly-sur-Seine France: Gaumont 1916. Vintage double weight matte finish still photograph from the legendary 1916 silent film serial. With the Gaumont logo at the lower right corner. The last of Feuillade's three film serial masterpieces preceded by "Fantomas" 1913 and "Les Vampires" 1915 combining elements of both its predecessors. In Judex Latin for "judge" Feuillade furthered his vision of the dark enigmatic anti-hero he introduced with the legendary Fantomas character and utilized Musidora-who played the lead character Irma Vep in "Les Vampires"-as the villainess. Judex was a step forward from the criminal Fantomas however predicting pulp heroes to come such as The Shadow and especially Batman in the US: he was a masterful fighter an expert in disguise and kept his headquarters in the subterranean passages beneath a ruined castle lavishly outfitted with high tech gadgets. Feuillade shot "Judex" in 1914 but the outbreak of World War I delayed release in France until 1916 and wide release until 1917. Pictured here is Judex cunning and silent in a stunt scene where in he attempts what we suspect will be successful entry into an unsuspecting criminal's car while the vehicle is in motion. 11 x 9 inches. A few pinholes at the corners else Near Fine. Hardy The BFI Companion to Crime p. 187-188. Gaumont unknown
Référence libraire : 131912
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Feuillade Louis director screenwriter; Musidora Edouard Mathe Marcel Levsque starring
Les vampires Still photograph from the 1915 French film serial
Neuilly-sur-Seine France: Gaumont 1915. Original double weight matte finish still photograph from the legendary 1915 silent film serial. With the Gaumont logo at the lower right corner. Shown here is Musidora as Irma Vep conferring with another member of The Vampires an anarchist criminal gang at the center of the story. The director's magnum opus "Les vampires" is one of the great crime epics nearly 7 hours in length acknowledged as a strong influence on the surrealists and by directors Alfred Hitchcock and Fritz Lang in the development of the thriller as well as the earliest masters of avant-garden cinema. The second of Feuillade's three film serial masterpieces preceded by "Fantomas" 1913 and followed by "Judex" 1915 combining elements of both. 11 x 9 inches. Near Fine. Hardy The BFI Companion to Crime. Gaumont unknown
Référence libraire : 136474
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Fey Jeremy screenwriter
A Thousand Several Tongues Original agency screenplay for the an unproduced film
Hollywood: Paul Kohner Inc 1964. Draft agency script for the an uproduced film called "A Thousand Several Tongues" written by Jeremy Fey whose film credits include three episodes of the 1976-1977 television series "ABC Afterschool Specials" his job being Productions Assistant. Agency copy with the address imprint and label present from the Paul Kohner Inc. agency in Hollywood. Copy belonging to agency representative Ilse Lahn with her name in holograph ink on the front wrapper and on the address label on the title page. Lahn's other film credits include "The Man from Planet X" 1951 "The Neanderthal Man" 1953 "Murder Is My Beat" 1955 and "Daughter of Dr. Jekyll" 1957 all credits as Associate Producer. A story set in Hollywood involving an elderly thief his granddaughter gambling and a jolt of hard-boiled language. Yellow wrappers. Title page present undated with a credit for screenwriter Fey. 158 leaves with last page of text numbered 157. Xerographic duplication with photocopied punch holes. Pages and wrapper Near Fine bound internally with three gold brads. Paul Kohner Inc unknown
Référence libraire : 137635
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