‎Scénariste‎

‎Jack Lewis (screenwriter)‎

‎Grenade Hunt Story Original treatment script for an unproduced film‎

‎N.p.: N.p. 1980. Original Treatment script for an unproduced film. <br /> <br /> Detective Doom is investigating a gang war when he discovers a large cache of grenades belonging to one of the gangsters.<br /> <br /> Tan untitled wrappers. Eight leaves with last page of text numbered seven. Carbon typescript on onionskin stock. Pages Near Fine wrapper Near Fine bound with two gold brads. Housed in a manila envelope. N.p. unknown‎

Referenz des Buchhändlers : 140855

‎Jack Lewis (screenwriter)‎

‎Killer Team Original screenplay for an unproduced film‎

‎New York: Jay Garon - Brooke. Draft script for an unproduced film. <br /> <br /> The US Marine Corps decides that it needs to add attack helicopters to its arsenal of weapons and trains a hotshot jet pilot right before the breakout of the Korean War. After falling in love with the commander's daughter he is packed off to war where he consistently disobeys order to leave his helicopter and engage the enemy on the ground much to the chagrin of his commanding officer. <br /> <br /> Set in Korea. <br /> <br /> Brown titled wrappers with credits for screenwriter Jack Lewis. Title page present with credits for screenwriter Jack Lewis. 105 leaves with last page of text numbered 104. Mimeograph duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. Jay Garon - Brooke unknown‎

Referenz des Buchhändlers : 140882

‎Jack Lewis (screenwriter)‎

‎Learnin' For Little Chief Original screenplay for an unproduced film‎

‎N.p.: N.p. 1972. Treatment script for an unproduced film. Laid in is a letter rejecting the script for production. <br /> <br /> A new school for native children has been built on the reservation but no parents want to send their children distrusting the white establishment. An old scout seeks out a chief who is an old friend to convince him to send his children to the school.<br /> <br /> Lacking wrappers. Title page present noted as outline with credit for screenwriter Jack Lewis. Seven leaves with last page of text numbered five. Mimeograph duplication rectos only. Pages Near Fine bound with a single staple. Housed in a manila envelope. N.p. unknown‎

Referenz des Buchhändlers : 141017

‎Jack Lewis (screenwriter)‎

‎Legend of Evil Original screenplay for an unproduced film‎

‎N.p.: N.p. 1970. Draft script for an unproduced film. <br /> <br /> An American working for the Spanish Foreign Legion in Morocco has to get a supply caravan across the desert. A woman begs to come along in order to find news of her husband a captain known by the American to be dead already. She stows away on the caravan and when they are ambushed and pinned down by snipers the American is forced to rely on the woman for help. <br /> <br /> Set in Morocco. <br /> <br /> Red untitled wrappers. Title page present with credit for screenwriter Jack Lewis. 129 leaves with last page of text numbered 126. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown‎

Referenz des Buchhändlers : 140865

‎Jack Lewis (screenwriter)‎

‎Rainbow Road: Down the Trail of Dubious Dreams with Today's Rodeo CowgirlsOriginal treatment for an unproduced television series‎

‎N.p.: N.p. Unknown. Treatment script for an unproduced television series. Included with the bound script are five xerographically duplicated copies of the script individually partially bound with one staple to the top left corners and two unbound copies of the title page.<br /> <br /> A series centering the adventures and exploits of the members of a women's rodeo association. <br /> <br /> Yellow untitled generic Paul Kohner-Michael Levy Agency card wrappers. Title page present noted as Format for an action series for Television with credits for screenwriter Jack Lewis. 19 leaves with last page of text numbered 17. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus overall with a small dampstain on the front wrapper's bottom edge bound internally with three gold brads. N.p. unknown‎

Referenz des Buchhändlers : 146574

‎Jack Lewis (screenwriter)‎

‎South Pacific Women Original screenplay for an unproduced film‎

‎N.p.: N.p. 1961. Draft script for an unproduced film. Laid in is a letter from a producer expressing regret about not working on the production. Single annotation on the title page noting the address and signature of Ilse Lahn of the Paul Kohner Agency. <br /> <br /> A charter boat accepts a contract to go hunting for sharks while also transporting scientific equipment. They head to the island of Tonga where the indigenous inhabitants worship the Great White. <br /> <br /> Set on Tonga. <br /> <br /> Yellow titled wrappers with credits for screenwriter Jack Lewis. Title page present with credits for screenwriter Jack Lewis. 102 leaves with last page of text numbered 101. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown‎

Referenz des Buchhändlers : 141016

‎Jack Lewis (screenwriter)‎

‎The Golden Stogie Original treatment script for an unproduced film‎

‎N.p.: N.p. 1960. Treatment script for an unproduced film. Signature of reader Ilse Lahn of the Paul Kohner Agency on title page in manuscript ink. <br /> <br /> A desert prospector strikes it rich but is promptly robbed by two masked gunmen. The local lawman decides to investigate.<br /> <br /> Lacking wrappers. Title page present with credit for screenwriter Jack Lewis. Eight leaves with last page of text numbered seven. Mimeograph duplication rectos only. Pages Near Fine partially bound with a staple. N.p. unknown‎

Referenz des Buchhändlers : 141009

‎Jack Lewis (screenwriter)‎

‎The Taming of Little Chief Original treatment script for an unproduced television program‎

‎N.p.: N.p. 1960. Treatment script for an unproduced television series. <br /> <br /> A new school for native children has been built on the reservation but no parents want to send their children distrusting the white establishment. An old scout seeks out a chief who is an old friend to convince him to send his children to the school.<br /> <br /> Yellow titled wrappers with credits for screenwriter Jack Lewis. Title page present noted as television Outline with credits for screenwriter Jack Lewis. 12 leaves with last leaf of text numbered 11. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown‎

Referenz des Buchhändlers : 140889

‎Jack Lewis screenwriter‎

‎Ghost Horse Original screenplay for an unproduced film‎

‎Houston TX: Crescent Productions Unknown. Draft script for an unproduced film.<br/><br/>Childhood sweethearts John and Mary are set to wed and eventually inherit John's father's horse ranch but Tim the disturbed son of a ranch hand desires nothing more than to see John brought low. Screenwriter Jack Lewis was best known for "The Amazing Transparent Man" 1960 and for his prolific work in Western films such as "Outlaw Gold" 1950 "Whistling Hills" 1951 and "Black Eagle of Santa Fe" 1965.<br/><br/><br/>Set in the American West. <br/><br/>Beige titled wrappers. Title page present with credits for screenwriter Jack Lewis. 118 leaves with last page of text numbered 114. Mimeographed rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Crescent Productions unknown books‎

Referenz des Buchhändlers : 146478

‎Jack Lewis screenwriter‎

‎Matinee Theatre: Son of Thirty-Seven Fathers Original screenplay for the 1957 television episode‎

‎N.p.: N.p. 1956. Draft script for the ninth episode of the third season of the anthology series "Matinee Theatre" which originally aired on September 12 1957 on NBC. With two holograph pencil annotations to the title page.<br/><br/>During the Korean War a young Korean boy whose family has been killed in a recent bombing is informally adopted by a US military outfit. When an important map goes missing the commanding officers jump at the chance to blame the boy forcing the soldiers to debate whether his ethnicity alone is enough to condemn him. Screenwriter Jack Lewis was best known for "The Amazing Transparent Man" 1960 and for his prolific work in Western films such as "Outlaw Gold" 1950 "Whistling Hills" 1951 and "Black Eagle of Santa Fe" 1965.<br/><br/>Set in Korea. <br/><br/>Orange titled wrappers with credits for screenwriter Jack Lewis. Title page present with credits for screenwriter Jack Lewis. 67 leaves with last page of text numbered 66. Mimeographed rectos only. Pages Near Fine wrapper Very Good plus bound with three gold brads. N.p. unknown books‎

Referenz des Buchhändlers : 147226

‎Jack Lewis screenwriter‎

‎Renegade Woman Original screenplay for an unproduced film‎

‎N.p.: N.p. Draft script for an unproduced film. With a few annotations in holograph ink and pencil. <br/><br/>When Peg is scorned by the townsfolk for being simply a singer and not able to get a real job she forms a all-women gang and begins robbing banks and stagecoaches. The saloon she opens is run out of town and she is wanted all over as well as her gang. Instead she sends all her bounty hunters on a wild chase for her. <br/><br/>Set in Old American West. <br/><br/>Green untitled wrappers. Title page present with credits for screenwriter Jack Lewis. 101 leaves with last page of text numbered 100. Mimeograph duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books‎

Referenz des Buchhändlers : 140894

‎Jack Lewis screenwriter‎

‎Trouble Incorporated: The Scarlet Canary Original teleplay script for an unproduced television series‎

‎N.p.: N.p. 1970. Draft script ribbon copy typescript for the pilot episode of an unproduced television series. <br/><br/>Jonothan Doom an ex-war correspondent has turned private investigator in this series along with his sidekick old cop Shannon Muldoon. Using their wits and judo techniques instead of firearms their unorthodox approach to crime will bring them fame and infamy in an age where they will bring bad guys to justice but perhaps end up behind bars themselves much to the chagrin of the police commissioner. <br/><br/>Yellow untitled wrappers. Title page present with credits for screenwriter Jack Lewis. 51 leaves with last page of text numbered 40. Ribbon copy typescript. Pages Near Fine wrapper Very Good plus with dampstaining on the front wrapper bound internally with three gold brads. N.p. unknown books‎

Referenz des Buchhändlers : 140746

‎Jack London (novel); Peter Godfrey (director); William Sackheim (screenwriter); Dane Clark, Raymond Massey, Ruth Roman, Robert D‎

‎Barricade Two original photographs from the 1950 film‎

‎Burbank CA: Warner Brothers 1950. Two vintage borderless reference photographs from the 1950 film. With mimeo snipes affixed to the versos. <br /> <br /> Based on Jack London's 1904 novel "The Sea Wolf." Two ex-fugitive employees of a corrupt gold-mine operator try to prove him to be a murderer. <br /> <br /> Shot on location in southern California. <br /> <br /> 9.5 x 7.25 inches. Near Fine. Warner Brothers unknown‎

Referenz des Buchhändlers : 159352

‎Jack Nicholson (director, screenwriter); Jeremy Lamer (novel, screenwriter); William Tepper, Karen Black, Bruce Dern, Robert Tow‎

‎Drive He Said Complete set of eight original studio still photographs from the 1971 film‎

‎Culver City CA: Columbia Pictures 1971. Complete set of eight studio still photographs from the 1971 film. <br /> <br /> Based on screenwriter Jeremy Larner's 1964 novel. Jack Nicholson's directorial debut a key film in the BBS Productions cycle of the early 1970s following several college students navigating Vietnam War protests uncertain romantic relationships and their own dubious futures after graduation.<br /> <br /> Shot on location at the University of Oregon and throughout Eugene Oregon.<br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Criterion Collection 547. Columbia Pictures unknown‎

Referenz des Buchhändlers : 150760

‎Jack Nicholson (director, screenwriter); Jeremy Larner (novel, screenwriter); Terence Malick (uncredited screenwriter); William‎

‎Drive He Said Original Australian poster for the 1971 film‎

‎Culver City CA: Columbia Pictures 1971. Vintage Australian insert poster for the 1971 US film. Printed by Robert Burton Pty. in Sydney. <br /> <br /> Based on screenwriter Larner's 1964 novel. Nominated for the Palme d'Or and a key film in the BBS Productions cycle of the early 1970s as well as a New Hollywood film albeit lesser-known. Hector Tepper plays college basketball superbly but his lover Olive Black has reservations about their relationship. All the while Hector's friend Gabriel Margotta contemplates and protests the Vietnam War. <br /> <br /> Nicholson's directorial debut after astonishing performances in "Easy Rider" 1969 and "Five Easy Pieces" 1970. <br /> <br /> Shot on location at the University of Oregon and throughout the state. <br /> <br /> 12.75 x 30 inches folded twice as issued. Very Good plus with light toning brief edge creasing and a few central tears. Scarce. <br /> <br /> Criterion Collection 547. Columbia Pictures unknown‎

Referenz des Buchhändlers : 139058

‎Jack Nicholson, Maria Schneider, Steven Berkoff (starring); Michelangelo Antonioni (director, screenwriter); Mark Peploe, Peter‎

‎The Passenger Professione: reporter Original photograph of Jack Nicholson and Maria Schneider on the set of the 1975 Italian film‎

‎N.p.: N.p. 1975. Vintage borderless reference photograph of actors Maria Schneider and Jack Nicholson on the set of the 1975 film. <br /> <br /> A cynical war correspondent in northern Africa assumes the identity of a deceased arms dealer to gain information for his documentary. Antonioni's final film in a loose trilogy as well as a three-picture contract with Metro-Goldwyn-Mayer following "Blowup" 1966 and "Zabriskie Point" 1970. <br /> <br /> Set in Chad shot on location in Germany Spain and England. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Rosenbaum 1000. N.p. unknown‎

Referenz des Buchhändlers : 167105

‎Jack Nicholson, Jessica Lange, Anjelica Huston (starring); James M Cain (novel); David Mamet (screenwriter); Bob Rafelson (direc‎

‎The Postman Always Rings Twice Original photograph of Jack Nicholson and Bob Rafelson on the set of the 1981 film‎

‎N.p.: N.p. 1981. Vintage reference photograph of director Bob Rafelson and actor Jack Nicholson on the set of the 1981 film. Provenance stamp on the verso. <br /> <br /> Based on the 1939 novel by James M. Cain. Along with "The Verdict" a film that brought writer David Mamet to the attention of the filmmaking world leading to his working not only as a screenwriter but an important director.<br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Silver Classic Noir. Spicer US. N.p. unknown‎

Referenz des Buchhändlers : 164216

‎Jack Palance, Burgess Meredith, Beverly Adams, Peter Cushing (starring); Robert Bloch (screenwriter); Freddie Francis (director)‎

‎Torture Garden Original poster for the 1967 film‎

‎Culver City CA: Columbia Pictures 1967. Vintage 30" x 40" poster for the US release of the 1967 British anthology horror film.<br /> <br /> The second Horror anthology or "portmanteau" film from Amicus Productions following the 1965 film "Dr. Terror's House of Horrors" also directed by Freddie Francis a trademark of producer Milton Subotsky and written by "Psycho" screenwriter Robert Bloch who adapted his own work for the screenplay. <br /> <br /> A group of visitors to Dr. Diablo's Burgess Meredith sideshow are each shown their futures in the sideshow's "blow-off" which includes cannibal cats haunted pianos and the reincarnation of Edgar Allan Poe.<br /> <br /> 27 x 41 inches. Very Good plus with light creasing and edgewear and closed tears to the center right margin. Columbia Pictures unknown‎

Referenz des Buchhändlers : 164229

‎Jack Pulman (1925-1979), British screenwriter [ Ronald Duncan (1914-1982), author; Jack Cardiff (1914-2009), film director; The‎

‎'The Girl on a Motorcycle' 1968 film starring Alain Delon and Marianne Faithfull. Material relating to arbitration by Jack Pulman for the Writers' Guild of Great Britain of dispute over credits between Jack Cardiff and Ronald Duncan.‎

‎The Writers' Guild of Great Britain 430 Edgware Road London. Two items on Pulman's letterhead 31 Steele's Road London. 1968. Six items relating to Pulman's arbitration including 'a careful breakdown by him of scene continuity of the Bourguignon script the Duncan script and the final shooting script' these three breakdowns Items Two to Four below totalling 8pp. In his four-page arbitration Pulman gives a detailed account of the process of the film's composition of all the more interest as coming from a master screenwriter and contemporary. All six items in good condition lightly aged. ONE: Carbon copy of Pulman's signed four-page 'Arbitration - "GIRL ON A MOTORCYLE" Writers involved - S. Bourguignon Ronald Duncan Jack Cardiff Gillian Freeman'. A full description of the case in fourteen numbered sections giving a great deal of detail regarding the composition of the script beginning with a list of six 'writing stages' and Pulman's reasons for reaching his conclusion. He describes the film as 'a story done very much in the style of “Un Homme et Une Femme†using a very similar continuity of flashback and throught sic track'. On reading through the material presented to him Pulman found that 'one impression emerged clearer than ever – that the final shooting script 6 differed very little from Bourguignon's adaptation which Cardiff says could “never be used on a professional basis.†To see whether this impression was correct or not I made a careful breakdown of scene continuity of the Bouguignon script the Duncan script and the final shooting script and compared them. These are enclosed with this opinion.' The are Items Two to Four below. He does not 'believe that anyone comparing these breakdowns could come to any conclusion other than that the screenplay credit belongs niether sic to Cardiff nor Duncan but solely to Bourguignon'. Since Bourguignon 'seems to be claiming no credit' he proposes to amend the credit to: 'SCREENPLAY by S. Bourguignon. Additional Scenes by Ronald Duncan and Jack Cardiff.' TWO: Two-page typescript headed 'Continuity - BOURGIGNON sic'. Twenty-four points beginning with 'Rebecca rises from her husband's bed puts on her black suit takes her motorcycle and sets off to see her lover Daniel.' Last point: '24. She leaves the cafe and gets on her motor cycle again. She is going very fast. She is killed in a collision.' THREE: Three-page typescript headed 'Ronald DUNCAN - Continuity. Second Draft'. Twenty-seven numbered points beginning with: '1. Rebecca rises from her husband's bed takes her black suit and motorcycle and sets off for her lover.' Last point: '27. She leaves the grass verge and drives on. She arrives at Daniels. He is not present but she sees the photo frame this time with the woman in it which is sic obviously always takes out when he visits her. She walks out of his life leaving the motor cycle there.' FOUR: Three-page typescript headed 'Continuity - Final Script Jack Cardiff'. Thirty-one points beginning with: '1. Rebecca asleep with her husband has a dream about him and Daniel.' Last point: '31. She leaves the grass verge and gets back on the road again. Thinking of Daniel she has a collision with a car and is killed.' FIVE: Copy of typed 'postscript to my opinion dated 29th April 1968' by Pulman. On his letterhead. Dated 6 May 1968. 1p. 4to. Amending his proposed credit following a discussion 'at some length with Dick Sharples' to 'Screenplay by - RONALD DUNCAN Adapted by - JACK CARDIFF'. SIX: Copy of letter from Alan Griffiths General Secretary of the Writers' Guild to Stuart Freeman 14 May 1968. 1p. 4to. With Griffiths' compliments slip. [ The Writers' Guild of Great Britain, 430 Edgware Road, London. ] Two items on Pulman's letterhead, 31 Steele's Road, London. 1 unknown‎

Referenz des Buchhändlers : 18371

‎Jack Sher director screenwriter; Irene Kamp screenwriter; Tommy Sands Fabian Toby Michaels Edward Andrews starring‎

‎Love in a Goldfish Bowl The Beach Pad Original screenplay for the 1961 film‎

‎Hollywood: Paramount Pictures 1960. First Draft script for the 1961 film. With a typeover correction to the title page changing "The Beach Pad" to "Love in a Goldfish Bowl". <br/><br/>Two unlikely friends at a small college are forbidden to associate with each other despite each being the other's protector. Neither wishes to spend Easter break with their respective families and instead devise a plan to spend the holiday at an empty beach house. <br/><br/>Self-wrappers dated October 13 1960 noted as First Draft Screenplay rubber-stamped copy No. 120 with credits for screenwriter Jack Sher. 131 leaves with last page of text numbered 131. Mimeograph duplication with yellow and blue revision pages throughout dated variously between November 1 1960 and November 23 1960. Pages Very Good plus wrapper Very Good plus bound with three ring binding. Paramount Pictures unknown books‎

Referenz des Buchhändlers : 140101

‎Jack Smight director; William Goldman novel; John Gay screenwriter; Rod Steiger Lee Remick George Segal starring‎

‎No Way to Treat a Lady Original screenplay for the 1968 film signed by George Segal‎

‎Hollywood: Paramount Pictures 1967. Final Shooting script for the 1968 film. SIGNED by actor George Segal on the title page with a brief inscription. <br/><br/>Based on the 1964 novel by William Goldman. Christopher Gill Steiger is a serial killer who always seems to elude police detective Brummel Segal. <br/><br/>Green titled wrappers with Paramount logo in white and die cut title window on the front wrapper. Title page present dated June 13 1967 noted as Final Shooting Script with credits for screenwriter Gay director Smight and producer Sol C. Siegel rubber stamped copy No. 129. Last leaf of text numbered 143. Mechanical duplication on eye-rest green stock. Pages and wrapper Near Fine internally bound with two gold brads. Paramount Pictures unknown books‎

Referenz des Buchhändlers : 137956

‎Jack Warden, Catherine Hicks, Corey Feldman (starring); Jeffrey Ganz (director, screenwriter); Brian Levant (screenwriter)‎

‎The Bad News Bears: Run Down Original screenplay for the 1979 television episode‎

‎Hollywood: Paramount Pictures 1979. Revised Shooting script for Season 2 Episode 1 of the 1979-1980 television series. Originally aired on September 15 1979 on CBS. <br /> <br /> Based on the classic 1976 film starring Walter Matthau about an alcoholic former minor-league baseball player who becomes the coach of an unsuccessful youth baseball team. In this installment Rudi loses his father's prized baseball signed by a famous player.<br /> <br /> Self wrappers. Title page present dated May 17 1979 noted as REV. SHOOTING SCRIPT with credits for screenwriters Brian Levant and Jeffrey Ganz. 37 leaves with last page of text numbered 33. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus lightly faded on the edges bound with two gold brads. Paramount Pictures unknown‎

Referenz des Buchhändlers : 162747

‎Jack Warden, Catherine Hicks, Corey Feldman (starring); William Asher (director, screenwriter); Brian Levant, Richard Rosenstock‎

‎The Bad News Bears: Pride of the Bears Original screenplay for the 1980 television episode‎

‎Hollywood: Paramount Pictures 1979. Revised Shooting script for Season 2 Episode 13 of the 1979-1980 television series.<br /> <br /> Based on the classic 1976 film starring Walter Matthau about an alcoholic former minor-league baseball player who becomes the coach of an unsuccessful youth baseball team. In this installment a fight between Tanner and Amanda leads to a school-wide fight between boys and girls. <br /> <br /> Lime green titled wrappers dated July 12 1979 noted as REVISED SHOOTING SCRIPT. Title page present dated July 12 1979 noted as REVISED SHOOTING SCRIPT with credit for screenwriter Richard Rosenstock. 37 leaves with last page of text numbered 33. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Paramount Pictures unknown‎

Referenz des Buchhändlers : 162748

‎Jack Webb (creator); Frank Burt (screenwriter); Jack Webb (starring)‎

‎Dragnet: The Big Stubby Original screenplay for the 1958 television series‎

‎Burbank CA: National Broadcasting Company NBC / Mark VII 1957. Final Draft script for Season 7 Episode 17 of the 1951-1959 television series which originally aired January 16 1958 on NBC. Script belonging to Lyn Thomas who played Mona Morgan in the episode with her manuscript name in red ink on the front wrapper and her lines circled in manuscript ink throughout. <br /> <br /> Second episode in a series of four where Friday and Smith investigate a string of jade robberies. The previous year Lyn Thomas appeared in Season Six episode 19 "The Big Skip." <br /> <br /> Set in and shot on location in Los Angeles. <br /> <br /> White titled wrapper noted as Final on the front wrapper rubber-stamped production No. 4108 dated 8/2/1957. Title page present dated 8/2/57 with credits for screenwriter Frank Burt. 45 leaves with last page of text numbered 44. Mechanical duplication with blue and pink revision pages throughout dated 8/16/57. Pages and wrapper Very Fine bound with three gold brads. National Broadcasting Company [NBC] / Mark VII unknown‎

Referenz des Buchhändlers : 142582

‎Jack Webb (director, starring); Peggy Lee, Janet Leigh, Edmond O'Brien (starring); Richard L Breen (screenwriter)‎

‎Pete Kelly's Blues Original photograph of Ray Heindorf and Jack Webb on the set of the 1955 film‎

‎Burbank CA: Warner Brothers 1955. Vintage reference photograph from the 1955 film showing music department head Ray Heindorf and director Jack Webb talking on the set. Printed mimeo snipe and Warner Brothers stamp on the verso.<br /> <br /> Based on the 1951 radio series about a bandleader and jazz cornetist working at a speakeasy in Prohibition-era Kansas City. Actress Peggy Lee was nominated for the Academy Award for Best Supporting Actress for her performance as alcoholic singer Rose Hopkins. <br /> <br /> 10 x 8 inches. About Fine. Warner Brothers unknown‎

Referenz des Buchhändlers : 171011