‎Adán‎

‎ADAM, Adolphe‎

‎Autograph Letter Signed‎

‎France 1844. Bifolium measuring 8 x 6.5" with a one page letter addressed to "Monsieur Richard" on the address leaf. An autograph letter by French composer music critic and teacher Adolphe Adam dated in the upper margin. The date is hard to read but possibly 1844. Very good with mild creasing and soiling numbered "99" in upper corner. unknown‎

Referencia librero : 13316

‎Adam, Adolphe‎

‎Derniers souvenirs d'un musicien French Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referencia librero : 3382725045.G ISBN : 3382725045 9783382725044

‎Adam, Adolphe‎

‎Derniers Souvenirs D'un Musicien French Edition‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Referencia librero : 1017628645.G ISBN : 1017628645 9781017628647

‎Adam, Adolphe‎

‎Derniers Souvenirs D'Un Musicien 1859 French Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referencia librero : 1161051899.G ISBN : 1161051899 9781161051896

‎Adam, Adolf‎

‎Informatik Probleme der Mit- und Umwelt German Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referencia librero : 3531111086.G ISBN : 3531111086 9783531111087

‎ADAM, Adolphe 1803-1856‎

‎La Poupée de Nuremberg Opéra Comique en un Acte Paroles de M. M. de Leuven et A. de Beauplan . Partition réduite avec accompagnement de Piano. Die Nürnberger Puppe Komische Oper in einem-Akt Nach dem Französischen des Leuven et A. Beauplan von Ernst Paque . Vollständiger Clavier-Auszug. Pr. M. 8.50. Piano-vocal score‎

‎Mainz: B. Schott's Söhnen PN 11908 1870. Folio. Original publisher's black cloth-backed dark blue-grey printed wrappers.1f. title 1 cast list and contents 63 i blank pp. Engraved. Text in French and German. <br /> <br /> Wrappers somewhat worn and soiled with minor chipping to edges tear to upper margin of lower wrapper small circular cataloguing label to spine at lower library handstamps and markings to upper wrapper. Occasional light foxing; library handstamp to lower margin of first two leaves; small tear to inner margin of title; occasional performance markings in pencil and blue crayon. A re-issue of the first German edition of 1853. B. Schott's Söhnen [PN 11908] unknown‎

Referencia librero : 28268

‎Adam, Adolphe‎

‎Le Fidèle Berger Classic Reprint: Opéra Comique en Trois Actes French Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referencia librero : 0364129484.G ISBN : 0364129484 9780364129487

‎ADAM, Adolphe 1803-1856‎

‎Le Postillon de Lonjumeau Opéra Comique en trois actes Paroles de Mr. de Leuven et Brunswick. Piano-vocal score‎

‎Paris: G. Brandus et S. Dufour PN M.S. 3189 1865. Large octavo. Full textured brown cloth with titling gilt to spine. 1f. title 1f. cast list and thematic contents 191 i blank pp. Lithographed. <br /> <br /> Some foxing; small handstamps to first two leaves and last page of music. Printed from Schlesinger plates. <br /> <br /> "Adam composed more than 80 stage works some of which especially those written for the Paris Opéra-Comique obtained considerable and lasting success." Elizabeth Forbes in Grove Music Online. G. Brandus et S. Dufour [PN M.S. 3189] unknown‎

Referencia librero : 28228

‎Adam, Adolphe‎

‎Lectures Militaires Et Patriotiques. 3e Édition: À l'Usage Des Élèves Du Cours Supérieur de l'Enseignement Primaire Et Des Écoles Régimentaires French Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referencia librero : 2329594917.G ISBN : 2329594917 9782329594910

‎Adam, Adolphe‎

‎Los Cinco Sentidos: Baile Fantástico en Cuatro Actos y Cinco Cuadros Classic Reprint Spanish Edition‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Referencia librero : 1397368764.G ISBN : 1397368764 9781397368768

‎Adam, Adolphe‎

‎Souvenirs d'un musicien French Edition‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Referencia librero : 3382721554.G ISBN : 3382721554 9783382721558

‎Adam, Adolphe‎

‎Souvenirs d'un musicien French Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referencia librero : 3368906984.G ISBN : 3368906984 9783368906986

‎Adam, Adolphe‎

‎Souvenirs d'un musicien: en gros caractères French Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referencia librero : 3388087148.G ISBN : 3388087148 9783388087146

‎Adam, Adolphe‎

‎Souvenirs D'un Musicien French Edition‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Referencia librero : 1019147040.G ISBN : 1019147040 9781019147047

‎Adam, Adolf; Madigan, Patrick [Translator]‎

‎The Key to Faith: Meditations on the Liturgical Year‎

‎Liturgical Pr 1998-08-01. Paperback. New. In shrink wrap. Looks like an interesting title! Liturgical Pr paperback‎

Referencia librero : Q-0814624499 ISBN : 0814624499 9780814624494

‎Adam, Adolf‎

‎Grundriß Liturgie. Von Adolf Adam. (Akzente). 5. Auflage.‎

‎Freiburg, Basel, Wien: Herder 1992. 334 Seiten. 8° (17,5-22,5 cm). Illustrierte Orig.-Broschur. [Softcover / Paperback].‎

‎Sehr gut erhaltenes Exemplar. ISBN: 9783451266393‎

Referencia librero : 3117149

‎Adam, Adrienne H‎

‎Breaking Free: Collection of Messages‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Referencia librero : 1477113959.G ISBN : 1477113959 9781477113950

‎ADAM, After Robert (1728-1792) and James ADAM (d1794) d 1‎

‎Ceiling of the Music Room‎

‎London 1777. Copper engraving. Engraved by T. Morris. In excellent condition with the exception of a small area of foxing in the sheet. An elegant engraving of the elaborate ceiling in the music room of Sir Watkin Williams Wynn's celebrated house in St. James' Square London.<br/> <br/> Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57 Robert lived in Italy where he had a long productive friendship with Piranesi which was inspirational for both men. Adam's first book on Diocletian's palace in Dalmatia is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam and the greatest single factor other than his own talent in the work Adam produced on his return to England. Upon his return the brothers launched their career by building the Adelphi from the Thames to the Strand in London which although not a commercial success at the time included one of London's most cherished buildings the Adlephi Theatre. Together the Adam brothers designed and built some of the most famous buildings in England including such bastions of English architecture as Kenwood House Keddlestone Manor and Syon House. To the interiors of their English country houses the Adams brought wonderful ornamental elements in niches lunettes festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time beginning in 1773 with the final volume being published posthumously in 1822.<br/> <br/> Cf. Brunet I.47; cf. Lowndes I p.8; DNB; Wilton-Ely The Mind and Art of Giovanni Battista Piranesi. unknown‎

Referencia librero : 17133

‎ADAM, After Robert (1728-1792) and James ADAM (d1794) d 1‎

‎Contains some of the Parts at large of the Finishing and Furniture of the Earl of Derby's House‎

‎London 1777. Copper engraving with original hand colouring. Engraved by B. Pastorini. An elegant engraving depicting a collection of ornate furniture in the Earl of Derby's celebrated house in Grosvenor Square London.<br/> <br/> Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57 Robert lived in Italy where he had a long productive friendship with Piranesi which was inspirational for both men. Adam's first book on Diocletian's palace in Dalmatia is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam and the greatest single factor other than his own talent in the work Adam produced on his return to England. Upon his return the brothers launched their career by building the Adelphi from the Thames to the Strand in London which although not a commercial success at the time included one of London's most cherished buildings the Adelphi Theatre. Together the Adam brothers designed and built some of the most famous buildings in England including such bastions of English architecture as Kenwood House Keddlestone Manor and Syon House. To the interiors of their English country houses the Adams brought wonderful ornamental elements in niches lunettes festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time beginning in 1773 with the final volume being published posthumously in 1822.<br/> <br/> Cf. Brunet I.47; cf. Lowndes I p.8; DNB; Wilton-Ely The Mind and Art of Giovanni Battista Piranesi. unknown‎

Referencia librero : 17127

‎ADAM, After Robert (1728-1792)‎

‎Design for furnishings‎

‎London 1775. Engraving by P. Begbie. In excellent condition with the exception of two tears on right margin. A fine architectural engraving of ornate mirrors and tables from Robert Adam's seminal work on British architecture.<br/> <br/> Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57 Robert lived in Italy where he had a long productive friendship with Piranesi which was inspirational for both men. Adam's first book on Diocletian's palace in Dalmatia is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam and the greatest single factor other than his own talent in the work Adam produced on his return to England. Upon his return the brothers launched their career by building the Adelphi from the Thames to the Strand in London which although not a commercial success at the time included one of London's most cherished buildings the Adlephi Theatre. Together the Adam brothers designed and built some of the most famous buildings in England including such bastions of English architecture as Kenwood House Keddlestone Manor and Syon House. To the interiors of their English country houses the Adams brought wonderful ornamental elements in niches lunettes festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time beginning in 1773 with the final volume being published posthumously in 1822.<br/> <br/> Cf. Brunet I.47; cf. Lowndes I p.8; DNB; Wilton-Ely The Mind and Art of Giovanni Battista Piranesi. unknown‎

Referencia librero : 17573

‎ADAM, After Robert (1728-1792)‎

‎Design of the Ceiling of the Library or Great Room at Kenwood‎

‎London 1774. Engraving coloured by hand by B. Pastorini old dampstain to upper left margin. A fine engraving with contemporary hand colouring of a painted plaster and stucco ceiling from the interior at Kenwood House in Hampstead London re-modelled in 1761-1773 and now home to the Iveagh Bequest picture collection.<br/> <br/> Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57 Robert lived in Italy where he had a long productive friendship with Piranesi which was inspirational for both men. Adam's first book on Diocletian's palace in Dalmatia is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam and the greatest single factor other than his own talent in the work Adam produced on his return to England. Upon his return the brothers launched their career by building the Adelphi from the Thames to the Strand in London which although not a commercial success at the time included one of London's most cherished buildings the Adlephi Theatre. Together the Adam brothers designed and built some of the most famous buildings in England including such bastions of English architecture as Kenwood House Keddlestone Manor and Syon House. To the interiors of their English country houses the Adams brought wonderful ornamental elements in niches lunettes festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time beginning in 1773 with the final volume being published posthumously in 1822.<br/> <br/> Cf. Brunet I.47; cf. Lowndes I p.8; DNB; Wilton-Ely The Mind and Art of Giovanni Battista Piranesi. unknown‎

Referencia librero : 34076

‎ADAM, After Robert (1728-1792)‎

‎Design of a Sedan Chair as executed for Her Majesty‎

‎London 1775. Engraving by P. Begbie. In excellent condition with the exception of some paper discolouration on the upper margin. A fine engraving of the sedan chair designed for Queen Charlotte.<br/> <br/> Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57 Robert lived in Italy where he had a long productive friendship with Piranesi which was inspirational for both men. Adam's first book on Diocletian's palace in Dalmatia is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam and the greatest single factor other than his own talent in the work Adam produced on his return to England. Upon his return the brothers launched their career by building the Adelphi from the Thames to the Strand in London which although not a commercial success at the time included one of London's most cherished buildings the Adlephi Theatre. Together the Adam brothers designed and built some of the most famous buildings in England including such bastions of English architecture as Kenwood House Keddlestone Manor and Syon House. To the interiors of their English country houses the Adams brought wonderful ornamental elements in niches lunettes festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time beginning in 1773 with the final volume being published posthumously in 1822.<br/> <br/> Cf. Brunet I.47; cf. Lowndes I p.8; DNB; Wilton-Ely The Mind and Art of Giovanni Battista Piranesi. unknown‎

Referencia librero : 17100

‎ADAM, After Robert (1728-1792) and James ADAM (d1794) d 1‎

‎Designs for the Chimney Piece and Curtain Cornice at Sutton Park‎

‎London 1775. Engraving by B. Pastorini. In excellent condition. An elegant engraving showing the decorations of the chimney piece and curtain cornices at Sutton Park House in North Yorkshire.<br/> <br/> Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57 Robert lived in Italy where he had a long productive friendship with Piranesi which was inspirational for both men. Adam's first book on Diocletian's palace in Dalmatia is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam and the greatest single factor other than his own talent in the work Adam produced on his return to England. Upon his return the brothers launched their career by building the Adelphi from the Thames to the Strand in London which although not a commercial success at the time included one of London's most cherished buildings the Adlephi Theatre. Together the Adam brothers designed and built some of the most famous buildings in England including such bastions of English architecture as Kenwood House Keddlestone Manor and Syon House. To the interiors of their English country houses the Adams brought wonderful ornamental elements in niches lunettes festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time beginning in 1773 with the final volume being published posthumously in 1822.<br/> <br/> Cf. Brunet I.47; cf. Lowndes I p.8; DNB; Wilton-Ely The Mind and Art of Giovanni Battista Piranesi. unknown‎

Referencia librero : 17116

‎ADAM, After Robert (1728-1792) & James (d1794) d 1‎

‎Elevation of the North Front of Kenwood towards the Court. Elevation of the South Front of Kenwood towards the Gardens‎

‎London 1774. Engraving by T. Miller expert repairs to old fold touching image area. A fine architectural engraving of Kenwood House in Hampstead London re-modelled in 1761-1773 and now home to the Iveagh Bequest picture collection.<br/> <br/> Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57 Robert lived in Italy where he had a long productive friendship with Piranesi which was inspirational for both men. Adam's first book on Diocletian's palace in Dalmatia is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam and the greatest single factor other than his own talent in the work Adam produced on his return to England. Upon his return the brothers launched their career by building the Adelphi from the Thames to the Strand in London which although not a commercial success at the time included one of London's most cherished buildings the Adlephi Theatre. Together the Adam brothers designed and built some of the most famous buildings in England including such bastions of English architecture as Kenwood House Keddlestone Manor and Syon House. To the interiors of their English country houses the Adams brought wonderful ornamental elements in niches lunettes festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time beginning in 1773 with the final volume being published posthumously in 1822.<br/> <br/> Cf. Brunet I.47; cf. Lowndes I p.8. unknown‎

Referencia librero : 5327

‎ADAM, After Robert (1728-1792)‎

‎Elevation of the North Front of Kenwood towards the Court. Elevation of the South Front of Kenwood towards the Gardens‎

‎London 1775. Engraving by T. Miller. In excellent condition with the exception of a water stain at the bottom of the sheet. Top left corner of sheet is missing. A fine architectural engraving of Kenwood House in Hampstead London re-modelled in 1761-1773 and now home to the Iveagh Bequest picture collection.<br/> <br/> Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57 Robert lived in Italy where he had a long productive friendship with Piranesi which was inspirational for both men. Adam's first book on Diocletian's palace in Dalmatia is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam and the greatest single factor other than his own talent in the work Adam produced on his return to England. Upon his return the brothers launched their career by building the Adelphi from the Thames to the Strand in London which although not a commercial success at the time included one of London's most cherished buildings the Adlephi Theatre. Together the Adam brothers designed and built some of the most famous buildings in England including such bastions of English architecture as Kenwood House Keddlestone Manor and Syon House. To the interiors of their English country houses the Adams brought wonderful ornamental elements in niches lunettes festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time beginning in 1773 with the final volume being published posthumously in 1822.<br/> <br/> Cf. Brunet I.47; cf. Lowndes I p.8; DNB; Wilton-Ely The Mind and Art of Giovanni Battista Piranesi. unknown‎

Referencia librero : 17106