MERYL STREEP - WILLIAM HURT
AFFICHE DE CINEMA - CONTRE-JOUR
CARL FRANKLIN. 1998. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Affiche de cinéma 120 cm x 160 cm.. . . . Classification : 0-Affiches Cinéma
Bookseller reference : R100000322
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MERCIER Jean Adrien (1899-1995)
Affiche sans titre (Jeune fille au ballon multicolore, fleurs, en arrière-fond des cheminées d'usines).
1940 Imp. Bedos 1940. Commissariat général. Education Générale Sports. Affiche non entoilée de format 119,5 X 79,5. Traces de pliures, sans déchirure, bon état.
Bookseller reference : 2395
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MERCIER (Jean-A.)
AFFICHE DU SALON DES BEAUX-ARTS 1978.
Format 58 x 32 cm, pochoir Philippe Petit, enlumineur, Angers. Affiche originale en couleurs créée par Jean-A. Mercier pour le Salon des Beaux-Arts organisé par la Société Nationale d’Horticulture de France du 4 au 17 novembre 1978, 84 rue de Grenelle à Paris. Parfait état.
Bookseller reference : 9972
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MERCIER (Jean A.).
Cinéma : Jean A. Mercier, affiches 1925-1942.
Gallimard 1994 1 vol. relié grand in-8, cartonnage illustré, 70 pp., nombreuses reproductions en couleurs. Très bon état.
Bookseller reference : 80836
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MERCIER (Jean A.).
Cinéma : Jean A. Mercier, affiches 1925-1942.
Gallimard 1994 1 vol. relié grand in-8, cartonnage illustré, 70 pp., nombreuses reproductions en couleurs. Très bon état.
Bookseller reference : 80836
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Merian Matthaeus:
Engelberg.
Belle gravure sur Chine, sous cadre doré, format du cadre 22,50 x 30 cm.
Bookseller reference : 10339
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Mercer, F.A. and W. Gaunt (Editors)
Modern publicity 1931. Commercial Art Annual.
London & New York The Studio Limited & William Edwin Rudge 1931 In-4 Broché
Bookseller reference : 010405
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MERCIER Jean-Adrien.-
Tours clef de cent châteaux. Magnifique affiche couleurs, éditée par le Comité Départemental de Publicité d'Indre-et-Loire.-
Nantes. Imprimerie Moderne. s. d. Affiche couleurs, entoilée, de 65 x 99,5 cm représentant un grand ensemble de châteaux regroupés de manière à former un grand château devant lequel trône une superbe clef dorée. Traces légères de plis mais très bon état. Photo sur demande.
Bookseller reference : ORD-16809
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MERAS Paul
(La Gazette du Bon ton, publicité pour les tapissiers-décorateurs Mercier Frères)
- Lucien Vogel éditeur, Paris [circa 1920], 19,5x25cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur tirée sur papier vergé, signée en bas à droite dans la planche. Gravure originale réalisée pour l'illustra
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MERAS Paul
Le Retour du bois. Robe de promenade (pl.3, in La Gazette du Bon ton, 1913 n°7)
- Lucien Vogel éditeur, Paris Mai 1913, 19x24,5cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur, tirée sur papier vergé, signée en bas à droite dans la planche. Gravure originale réalisée pour l'i
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MERCER (F. A.) & GAUNT (W.) Editors.
Posters & Publicity. Fine Printing and Design "Commercial Art" Annual.
4to, 162pp., a very good ex-library copy, numerous illustrs., throughout including coloured mounted plates, orig. publishers blue cloth, decorated in blind and gilt, covers slightly bowed.
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Mercier (J.L.)
Le livre d'or de Rocamadour. Son et lumière.
français Sans date. Affiche originale. 65 x50 cm.
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MESSENSEE (Jürgen).
Messensee, 12 novembre - 31 décembre 1987. Lavignes Bastille, 27 rue de Charonne, Paris XI.
Grande affiche lithographiée sur Arches imprimée par Mourlot, datée et signée (61/90,5 cm). Bon état.
Bookseller reference : AWD-242
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Mesnier (Paul) Cerutti
La kermesse rouge.
français Affiche du film (avec Albert Préjean, Andrée Servilanges, Germaine Kerjean). 120x160 cm. Pliée. Anciens renforts de papier au dos.
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METROPOLITAN MUSEUM OF ART (THE).
"25 Years of Design".
1983 Estampe affiche sérigraphiée, 1983, 57 x 41.3 cm., encadrée.
Bookseller reference : 24759
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Meulen Ever:
5 cartes postales de Ever Meulen (affiche).
Plaizier. 1990 Affiche au format 30 x 44 cm., à l'état de neuf.
Bookseller reference : 2860
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Meulen Ever:
[Poubelle].
Jolie petite sérigraphie au format 33 x 14,5 cm., en belle condition.
Bookseller reference : 3669
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Meulen Ever:
A.I.D.A Avenue.
Plaizier, 1988. Grande affiche offset au format 100 x 65 cm. A l'état de neuf.
Bookseller reference : 2824
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Meulen Ever:
A.I.D.A Avenue. Puzzle.
1988. Puzzle au format (approximatif: nous avons omis de le mesurer avant que de le défaire ) de 40 x 30 cm.
Bookseller reference : 5994
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MEUNIER Georges.-
Affiche Papier à Cigarettes JOB Hors concours Paris 1889.-
Planche 167 des Maîtres de l'Affiche. Imprimerie Chaix. Vers 1895 - 1900. Lithographie couleurs de 142 x 358 mm, hors marges, dimensions totales 291 x 400 mm. Bords de feuille lgt brunis, petit accroc dans le bord inférieur, sinon bel exemplaire. Photo sur demande.
Bookseller reference : ORD-18225
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Meurisse Catherine:
Alexandre Dumas - Causerie sur Delacroix. Affiche.
Affiche au format 23 x 42 cm., à l'état de neuf.
Bookseller reference : 3083
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Meulen Ever:
Art dans le metro - Kunst in de metro.
Affiche au format 60 x 50, très légèrement salie (voire image).
Bookseller reference : 3641
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Meulen Ever:
Be Bop Business.
Affiche au format 50 x 70, avec petit pli en coin.
Bookseller reference : 3667
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Meulen Ever:
Deze week in humo - Torhout Werchter.
Humo, 1990. Affiche offset, collée sur un panneau de contreplaqué, au format 60 x 80 cm. - Vous imagniez donc bien qu'une remise en main propre est préférable à un envoi... Léger frottement à un coin supérieur.
Bookseller reference : 17695
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Meulen Ever:
Exposition Tentoonstelling. Ever Meulen & Eddy Flippo, illustrators.
Plaizier, 1982. Affiche au format 65 x 65 cm., à l'état de neuf. La même, avec traces au verso, à moitié prix.
Bookseller reference : 3058
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Meulen Ever:
Exposition Tentoonstelling 1985.
Plaizier, 1982. Affiche au format 59 x 80, à l'état de neuf.
Bookseller reference : 3059
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Meulen Ever:
Kunstwinkel Plaizier Brussel / Maison d'Art Bruxelles.
1990. Affiche au format 36 x 60, à l'état de neuf.
Bookseller reference : 2858
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Meulen Ever:
La voiture rouge.
La chambre. Affiche au format 50 x 70 cm.
Bookseller reference : 3659
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Meulen Ever:
Mallemunt.
Plaizier, 1982. Affiche au format 60 x 87, à l'état de neuf.
Bookseller reference : 3061
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Meulen Ever:
Malle Beurs Bal.
Plaizier, 1982. Affiche au format 65 x 91, à l'état de neuf.
Bookseller reference : 3062
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Meulen Ever:
New York, night and day.
1000 Editions. Affiche au format 68 x 98 cm., à l'état de neuf.
Bookseller reference : 3614
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Meulen Ever:
Pepperland fête la bande dessinée.
1980. Affiche au format 39 x 60 cm. A été pliée en 4 et gondole un brin...
Bookseller reference : 3007
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MEUNIER Georges.-
Planche 147 des Maîtres de l'Affiche. Bullier. Tous les Jeudis Grande Fête. Samedi & Dimanche Bal.-
Imprimerie Chaix. Vers 1895 - 1900. Lithographie couleurs de 224 x 314 mm, hors marges, dimensions totales 291 x 400 mm. Bel exemplaire. Photo sur demande.
Bookseller reference : ORD-15797
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Meulen Ever:
Publi-folio. 1. La customobile - 2. Le pioneerland - 3. Wea wishes - 4. Génération '80 - 5. Zonder titel / Sans titre.
Bruxelles, Plaizier, 1984. Portfolio au format 50 x 40 de 4 feuillets (introduction, justificatif, achevé d'imprimer, reproductions en noir) et de 5 planches couleurs, sous boitier de carton.
Bookseller reference : 3380
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Meulen Ever:
RAW cover.
Sérigraphie au format 55 x 75 cm., à l'état de neuf.
Bookseller reference : 3057
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Meulen Ever:
Stripdagen Haarlem.
Plaizier, 1982. Sérigraphie au format 60 x 90. Petit accroc au bord inférieur.
Bookseller reference : 3060
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Meulen Ever:
The girl can't help it.
Affiche au format 59 x 80 cm., à l'état de neuf.
Bookseller reference : 3055
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Meulen Ever:
Wea. Sérigraphie.
Archives internationales, 1987. Sérigraphie au format 50 x 65 cm, signée. Sérigraphie au format 100 x 70 cm. A l'état de neuf.
Bookseller reference : 2894
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Meulen Ever:
What's wrong with this Picture?
Plaizier, sans date. Sérigraphie au format 50 x 70 cm. Toute petite tache, pour le reste en belle condition.
Bookseller reference : 7008
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MEYLAN, Jean. - MAILLARD, Philippe. - SCHENK, Michèle.
Aux urnes, citoyens! 75 ans de votations fédérales par l’affiche.
Lausanne, André Eiselé 1977, 230x150mm, 159pages, cartonnage de l’éditeur. Bel exemplaire.
Bookseller reference : 41130
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Meyère de, A
Diplôme pour Mr. Vacheron. Société d’horticulture de Villemomble, Exposition Régionale1927. Médaille d’argent,1ere Cl. Feuille 42.8x55 cm. Auteur A. de Meyère Paul Leclere Editeur, Paris / Imp. Firmin Dutal.
1927. Feuille 42.8x55 cm.
Bookseller reference : 1157.1aaf
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Meyère de, A
Diplôme pour Mr. Vacheron. Société d’horticulture & des Jardins ouvriers de la Région du Nord, Exposition 17 Sept.1937, hors - Concours avec de très vives félicitations du Jury à Mr. Vacheron (Jardin Japonais) Feuille 35x45.5 cm. Imp. Bodin Etampes.
17.Sept.1937 Feuille 35x45.5 cm.
Bookseller reference : 1161.1aaf
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MEYNARD (Jean-Claude).
Games. February 10 – march 8, 1981, ZOMA gallery, Columbus Ave New York.
Affiche de l'exposition imprimée en couleurs sur papier couché noir (51/71 cm). Bon état.
Bookseller reference : AWD-280
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MEYNARD (Jean-Claude).
La fondation ''c.a.p.a.'' présente Jean-Claude Meynard, Peintues récentes. Exposition du 5 novembre au 1 décembre 1979, galerie Jean-Pierre Lavignes, 15 rue Saint-Louis-en-L'Isle, Paris 4è. Tél : 633 56 02.
Affiche de l'exposition imprimée en couleurs sur papier couché (50/67 cm). Bon état.
Bookseller reference : AWD-279
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MEYNARD (Jean-Claude).
Meynard, Corps-et-graphique, 15 novembre 83 - 10 janvier 84. Galerie Jean-Pierre Lavignes, 15 rue Saint-Louis-en-L'Isle, Paris, 633 56 02.
Grande affiche de l'exposition imprimée en couleurs sur vélin (60/80 cm). Bon état
Bookseller reference : AWD-267
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Meyer-Büser, Susanne
Bubikopf und Gretchenzopf. Die Frau der zwanziger Jahre.
(Heidelberg), Edition Braus, (1995. 176 S. Mit zahlr. Abb., davon einige farbig. 4to (30 cm). OKart.
Bookseller reference : 68337
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MICHEL .J. FOX JAMES WOODS
1 LOT DE 11 PHOTOS DE LA MANIERE FORTE
JOHN BADMAN. 1991. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 1 lot de 11 photos en couleurs.. . . . Classification : 0-Affiches Cinéma
Bookseller reference : R100000496
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MICHAEL DOUGLAS - GLENN CLOSE
AFFICHE DE CINEMA - LIAISON FATALE
ADRIAN LYNE. 1988. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 60 x 155 cm avec en badeau la date de sortie.. . . . Classification : 0-Affiches Cinéma
Bookseller reference : R100000477
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MICHAEL DOUGLAS - VAL KILMER
AFFICHE DE CINEMA - L'OMBRE ET LA PROIE
STEPHEN HOPKINS. 199. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 60 x 155 cm avec en badeau la date de sortie.. . . . Classification : 0-Affiches Cinéma
Bookseller reference : R100000431
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MICHAEL DOUGLAS - VAL KILMER
AFFICHE DE CINEMA - L'OMBRE ET LA PROIE
STEPHEN HOPKINS. Non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Affiche de cinéma 40 x 53 cm.. . . . Classification : 0-Affiches Cinéma
Bookseller reference : R100000416
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