‎Mendelssohn‎

‎MENDELSSOHN, Felix 1809-1847‎

‎Quatuor pour deux Violons Viola et Violoncelle. Oeuv. 13. Pr. 1 Thlr. 16 Gr. Parts‎

‎Leipsic: Breitkopf & Härtel PN 4980 1830. Folio. Disbound. Violino 1: 1f. title 3 "Thema": song op. 9 no. 1 for voice and piano 4-13 i blank pp.; Violino 2: 9 i blank pp.; Viola: 10 pp.; Violoncello: 8 pp. Title lithographed; music engraved. <br /> <br /> Somewhat soiled and foxed; dampstained and with binder's holes to inner margin; contemporary signature "Lemke" in ink trimmed and "2" in manuscript at upper right corner of title; "F. Mendelssohn" in ink in another hand to upper right corner of first page of each part. First Edition. MWV R22 p. 276. Hoboken 10 132 spelled "Quator" and with publisher's handstamp to title. <br /> <br /> "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber." <br /> <br /> ". Between 1827 and 1847 he composed six string quartets and had begun work on a seventh at the end of his life. The first two op. 13 in A minor 1827 and op. 12 in Eb 1829 show a rapprochement with the late quartets of Beethoven. To the Swedish musician Adolf Lindblad Mendelssohn explained his concern for the organic relationship of the various movements to the whole. In op. 13 the quintessential thematic material is drawn from the lied Frage op. 9 no. 1 with explicit quotations from the song in the outer and more hidden references in the inner movements of the quartet." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN 4980] unknown‎

Referenz des Buchhändlers : 28108

‎Mendelssohn Bartholdy, Felix‎

‎Reisebriefe German Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referenz des Buchhändlers : 3862671186.G ISBN : 3862671186 9783862671182

‎Mendelssohn Bartholdy Felix‎

‎Reisebriefe aus den Jahren 1830 - 1832 2. Aufl.‎

‎Leipzig: Mendelssohn 1862. Gebunden. Mendelssohn unknown‎

Referenz des Buchhändlers : 73741

‎MENDELSSOHN, SIDNEY‎

‎Revival: The Jews of Asia 1920: Especially in the Sixteenth and Seventeenth Centuries‎

‎new. unknown‎

Referenz des Buchhändlers : 33196083-n ISBN : 1138552763 9781138552760

‎Mendelssohn, Kurt‎

‎Riddle of the Pyramids‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referenz des Buchhändlers : 0722160305.G ISBN : 0722160305 9780722160305

‎Mendelssohn, Kurt‎

‎Riddle of the Pyramids‎

‎Greenwood Publishinggroup Inc 1975-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Greenwood Publishing*group Inc paperback‎

Referenz des Buchhändlers : Q-0275642305 ISBN : 0275642305 9780275642303

‎Mendelssohn, Moses‎

‎Ritualgesetze Der Juden: Betreffend Erbschaften Vormundschaftssachen Testamente Und Ehesachen 1799 German Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referenz des Buchhändlers : 1166173178.G ISBN : 1166173178 9781166173173

‎MENDELSSOHN, Moses‎

‎Ritualgesetze der Juden: betreffend Erbschaften Vormundschaftssachen Testamente und Ehesachen in so weit sie das Mein und Dein angehan.‎

‎Berlin:: In der Vossischen Buchhandlung 1793. Second edition. contemporary paper-covered boards. Old private ownership stamp and signature on title page which is slightly stained; front joint and corners rubbed; but tight and sound. . 12mo. In der Vossischen Buchhandlung, hardcover‎

Referenz des Buchhändlers : 47688

‎MENDELSSOHN, Felix 1809-1847‎

‎Rondo Capriccioso pour le Pianoforte. Oeuvre 14 . Pr. £ - .45 A. de C.‎

‎Vienne: Pietro Mechetti qm Carlo PN 2133 1831. Folio. Stiff marbled wrappers with manuscript title label to upper. 1f. recto title verso blank 3-11 i blank pp. Engraved. <br /> <br /> Title and final leaf moderately foxed; occasional minor foxing throughout. First Viennese edition later issue. Scarce. With London agents "J.B. Cramer Addison & Beale" and Berlin agent "Ad. Mt. Schlesinger" to foot of title. Weinmann Mechetti p. 52. Not in Krause. Hoboken 10 135 first issue. <br /> <br /> "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br /> <br /> Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Pietro Mechetti qm Carlo [PN 2133] unknown‎

Referenz des Buchhändlers : 40966

‎Mendelssohn, Joseph‎

‎Salomon Heine: Blätter der Würdigung und Erinnerung für Seine Freunde und Verehrer Classic Reprint German Edition‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Referenz des Buchhändlers : 0428777791.G ISBN : 0428777791 9780428777791

‎Mendelssohn, Moses‎

‎SCHRIFTEN ZUR PHILOSOPHIE UND ÄSTETHIK. Bearbeitet von Fritz Bamberger und Leo Strauss. 4 Volumes Vols 12 &3 -Parts 1&2‎

‎<p>Stuttgart: Friedrich Frommann. Original Cloth. Very Good. 8vo. Some 2000 pp German text for the 4 volumes.2 Volumes with minimal marginal wear. A very good and clean set. <br /><br /></p> Friedrich Frommann hardcover‎

Referenz des Buchhändlers : N2015a

‎Mendelssohn, Moses 1729-1786‎

‎Schriften zur Philosophie Aesthetik und Apologetik: Mit Einleitungen Anmerkungen und einer biographisch-historischen Charakteristik Mendelssohn's; Band 02 German Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referenz des Buchhändlers : 137143395X.G ISBN : 137143395X 9781371433956

‎Mendelssohn, Moses‎

‎Schriften Zur Philosophie Aesthetik Und Apologetik: Mit Einleitungen Anmerkungen Und Einer Biographisch-Historischen Charakteristik Mendelssohn's German Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referenz des Buchhändlers : 117764066X.G ISBN : 117764066X 9781177640664

‎MENDELSSOHN, Felix 1809-1847‎

‎Sechs Lieder Ohne Worte für das Pianoforte . componirt und Fräulein Sophÿ Horsleÿ zugeeignet . Op. 53 . IVtes. Heft . Preis 4 Frs‎

‎Bonn . Paris . London: bei N. Simrock . Chez Lemoine . Chez Ewer & Co. PN 3935 1841. Folio. Disbound. Contemporary dark blue paper wrappers with decorative cut paper label titled in manuscript to upper. 1f. recto title verso blank 3-21 i blank pp. Lithographed.<br /> <br /> Wrappers worn and detached. Moderate foxing to first and last leaves. Early German edition. MWV SD23 p. 478. Krause 227. Hoboken 10 222.<br /> <br /> "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br /> Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven . <br /> <br /> . The origins of the Lieder ohne Worte of which Mendelssohn published 36 pieces in six volumes between 1832 and 1845 two more volumes followed posthumously remain couched in mystery. Among his earliest piano lieder was one in E♭ written for Fanny's birthday in 1828 Fanny herself composed numerous examples of the genre; the idea of creating songlike piano pieces may have originated in a game Fanny and Felix played in which they apparently added texts to piano pieces. Then too the critical thought of A.B. Marx who explored in his writings of the 1820s the expressive potential and 'definiteness' of instrumental music was not without impact. Most of the lieder fall into three groups pianistic parallels to the vocal categories of solo songs duets and partsongs. The meaning of the new genre perplexed Mendelssohn's contemporaries. Schumann suggested that the composer had produced texted lieder but then suppressed the texts; when the composer's cousin Marc-André Souchay offered to give some of the lieder fanciful titles Mendelssohn replied that he had intended each lied 'just as it stands'. Only a small number of the lieder bear titles from Mendelssohn e.g. the three called Venetianisches Gondellied or his circle e.g. the 'Frühlingslied'; nevertheless later in the 19th century a host of insipid titles accrued to the lieder contributing to the view of Mendelssohn as a composer of overtly sentimental piano music for the parlour." R. Larry Todd in Grove Music Online. bei N. Simrock ... Chez Lemoine ... Chez Ewer & Co. [PN 3935] unknown‎

Referenz des Buchhändlers : 40964

‎MENDELSSOHN, Felix 1809-1847‎

‎Sechs Lieder Ohne Worte für das Pianoforte . Op. 19b 1tes Heft . Preis 3 Frs. Together with opp. 30 38 53 62 and 67‎

‎Bonn . Paris . London: bei N. Simrock . bei M. Schlesinger . chez J. A. Novello PN 3041 1851. 1f. recto title verso blank 3-17 i blank pp. First German edition later issue "chez" rather than "bei" J. A. Novello. MWV SD5 p. 470. Krause 216. Hoboken 10 150.<br /> <br /> Bound with:<br /> Sechs Lieder Ohne Worte Componirt und Fräulein Elise von Woringen zugeeignet . Op. 30. IItes. Heft . Eigenthum der Verleger . Pr. 3 Frs. Bonn . London . Paris: bei N. Simrock . chez N. Mori . chez Schönenberger PN 3204 ca. 1851. 1f. recto title verso blank 3-19 i blank pp. First German edition later issue. MWV SD9 p. 472. Krause 220. Hoboken 10 177.<br /> <br /> Bound with:<br /> Sechs Lieder Ohne Worte für das Pianoforte . componirt und Fräulein Rosa von Woringen zugeeignet . Op. 38. IIItes. Heft . Preis 3 Frs. Bonn . London: bei N. Simrock . bei J. A. Novello PN 3383 ca. 1851. 1f. recto title verso blank 3-19 i blank pp. First German edition later issue. MWV SD9 p. 472. Krause 220. Hoboken 10 177.<br /> <br /> Bound with:<br /> Sechs Lieder Ohne Worte für das Pianoforte . componirt und Fräulein Sophÿ Horsleÿ zugeeignet . Op. 53 . IVtes. Heft . Preis 4 Frs. Bonn . London . Paris: bei N. Simrock . Chez Ewer & Co. . Chez Lemoine PN 3935 1841. 1f. recto title verso blank 3-25 i blank pp. First German edition later issue. MWV SD23 p. 478. Krause 227. Hoboken 10 222.<br /> <br /> Bound with:<br /> Sechs Lieder Ohne Worte für das Pianoforte . componirt und Frau Dr. Clara Schumann geb. Wieck zugeeignet . Op. 62. . Vtes. Heft . Preis 3 Frs 50c. Bonn . Lyon . Mailand . London: bei N. Simrock . bei Benacci & Peschier . bei J. Lucca . bei Ewer & Co. PN 4343 ca. 1860. 1f. recto title verso blank i blank 4-19 i blank pp. First Edition early issue. MWV SD29 p. 481. Krause 231. Hoboken 10 237.<br /> <br /> Bound with:<br /> Sechs Lieder Ohne Worte für das Pianoforte . componirt und Fräulein Sophie Rosen zugeeignet . Op. 67. . VItes. Heft . Preis 3 Frs 50c. Bonn . Mailand . Paris . London: bei N. Simrock . bei J. Ricordi . bei M. Schlesinger . bei Ewer & Co. PN 4478 1845. 1f. recto title verso blank i blank 4-21 i blank pp. First Edition early issue. MWV SD32 p. 482. Krause 236. Hoboken 10 245. <br /> <br /> 6 volumes. Folio. Contemporary black cloth-backed dark blue boards with titling in manuscript to upper. Titles lithographed on blue ground within decorative blue border music engraved. <br /> <br /> Provenance<br /> Heinrich Dorn 1800-1892 noted conductor composer music critic and teacher of the Schumanns with "H. Dorn" in manuscript to upper outer corner of upper board with his small oval handstamp "H. Dorn Coeln" and handstamp "M. Schloss in Coeln" to foot of titles. <br /> <br /> Binding slightly worn and soiled with small stains to upper. Some minor foxing soiling small stains and showthrough heavier to some leaves; small dampstain to blank lower margin of final half of volume; inner margins occasionally reinforced; some minor paper repairs. "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br /> <br /> Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven. .<br /> <br /> The origins of the Lieder ohne Worte of which Mendelssohn published 36 pieces in six volumes between 1832 and 1845 two more volumes followed posthumously remain couched in mystery. Among his earliest piano lieder was one in E♭ written for Fanny's birthday in 1828 Fanny herself composed numerous examples of the genre; the idea of creating songlike piano pieces may have originated in a game Fanny and Felix played in which they apparently added texts to piano pieces. Then too the critical thought of A.B. Marx who explored in his writings of the 1820s the expressive potential and 'definiteness' of instrumental music was not without impact. Most of the lieder fall into three groups pianistic parallels to the vocal categories of solo songs duets and partsongs. The meaning of the new genre perplexed Mendelssohn's contemporaries. Schumann suggested that the composer had produced texted lieder but then suppressed the texts; when the composer's cousin Marc-André Souchay offered to give some of the lieder fanciful titles Mendelssohn replied that he had intended each lied 'just as it stands'. Only a small number of the lieder bear titles from Mendelssohn e.g. the three called Venetianisches Gondellied or his circle e.g. the 'Frühlingslied'; nevertheless later in the 19th century a host of insipid titles accrued to the lieder contributing to the view of Mendelssohn as a composer of overtly sentimental piano music for the parlour." R. Larry Todd in Grove Music Online<br /> <br /> Dorn "studied the piano singing and composition in Königsberg made several long journeys throughout Germany during which he met Weber in Dresden and completed his studies with Ludwig Berger Bernhard Klein and Zelter in Berlin where his first opera Rolands Knappen was produced successfully in 1826. At the same time he became a co-editor of the Berliner allgemeine Muzikzeitung for which he wrote a spirited defence of the beleaguered Gaspare Spontini. Over the next two decades he built a solid reputation as a conductor of opera holding theatre posts at Königsberg 1828 Leipzig 1829-32 where he taught counterpoint to the young Schumann Hamburg 1832 Riga 1834-43 and Cologne 1844-8. He organized the first music festival of the Russian Baltic provinces in Riga 1836 and directed the Lower Rhine music festivals 1844-7. His most prestigious appointment in 1849 after Nicolai's death was as co-conductor with Wilhelm Taubert of the Berlin Hofoper. After his retirement from that post in 1869 he remained active in Berlin for many years as a teacher and writer." Adelyn Peck Leverett revised by Christopher Fifield in Grove Music Online. bei N. Simrock ... bei M. Schlesinger ... chez J. A. Novello [PN 3041] unknown‎

Referenz des Buchhändlers : 40954

‎MENDELSSOHN, Felix 1809-1847‎

‎Sechs Lieder ohne Worte für das Pianoforte. Vtes Heft. Op. 62‎

‎Bonn: N. Simrock PN 4343 1844. Folio. Disbound. 19 pp. Engraved. Lithographic title with decorative blue background and border. <br /> <br /> Moderate foxing and browning. First Edition later issue. Fuld p. 525. Krause 231. Hoboken 10 237. Catalogue of the Mendelssohn Papers in the Bodleian Library III 444. <br /> <br /> This volume of the Songs Without Words contains Mendelssohn's "Spring Song. N. Simrock [PN 4343] unknown‎

Referenz des Buchhändlers : 18508

‎Mendelssohn, Moses‎

‎Sefer Netivot ha-shalom Hebrew Edition‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Referenz des Buchhändlers : 102519456X.G ISBN : 102519456X 9781025194561

‎Mendelssohn, Moses‎

‎Sefer Netivot ha-shalom: amishah umshe torah im targum askhenazi u-veur Hebrew Edition‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Referenz des Buchhändlers : 1371134227.G ISBN : 1371134227 9781371134228

‎MENDELSSOHN - BARTHOLDY, Felix‎

‎Sheet music: Christus and Paulus‎

‎Germany: Henry Litolff’s Verlag / C.F. Peters no date. Hardcover. Very Good. Bound sheet music album. Quarto. 11; 81pp. Half black calf black cloth boards with gilt trim along the calf gilt bands along the spine creating five compartments with the title stamped in gilt in the second compartment from the top. Boards and spine worn front hinge cracked page 11 of Christus is detached and laid in overall still very good with the music clean. Instrumental pieces for piano. The full titles for each piece are as follows: Recitative und Chore Aus Dem Unvollendeten Oratorium Christus: Clavierauszug zu 2 Handen arranged by Louis Kohler and Paulus: Oratorium Nach den Worten der Heiligen Schrift Op. 36. Henry Litolff’s Verlag / C.F. Peters hardcover‎

Referenz des Buchhändlers : 126466

‎Mendelssohn Bartholdy Felix (Composer) / Christopher Hogwood (Editor)‎

‎Sinfonie 5 D-Dur Op 107 - Reformation‎

‎B„renreiter Verlag. Sheet Music. New. B„renreiter Verlag unknown‎

Referenz des Buchhändlers : __M000653528 ISBN : 9790000653520 9790000653

‎Mendelssohn Bartholdy Felix (Composer) / Hoshino Hiromi (Editor)‎

‎Sonaten‎

‎B„renreiter Verlag. Sheet Music. New. B„renreiter Verlag unknown‎

Referenz des Buchhändlers : __M000653299

‎Mendelssohn, Felix‎

‎Songs for Voice and Piano Dover Song Collections‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referenz des Buchhändlers : 0486421376.G ISBN : 0486421376 9780486421377

‎MENDELSSOHN, Felix‎

‎Songs Without Words‎

‎<p><strong>1870 Felix Mendelssohn Songs Without Words Romantic Piano MUSIC German Lieder</strong></p><p>Felix Mendelssohn was a 19th-century Romantic composer known for his symphonies famed oratorios chamber music and incidental music. One of his most recognized works perhaps his most iconic is '<em>Songs Without Words'</em>. In 1829 Mendelssohn began working a series of piano solo works which were similar in style to the German 'lieder' or song; however Mendelssohn instead of including a vocal line had the melody played by the piano itself thus making these songs 'songs without words'. </p><p>This edition of Mendelssohn's famed '<em>Songs'</em> includes the 5 of the books each with six songs along with a number of separate piano works that were not organized with an opus number. Works found in this edition include:</p><p><!-- if !supportLists-->· <!--endif-->Book 2 Op. 30</p><p><!-- if !supportLists-->· <!--endif-->Book 4 Op. 53</p><p><!-- if !supportLists-->· <!--endif-->Book 5 Op. 62</p><p><!-- if !supportLists-->· <!--endif-->Book 6 Op. 67</p><p><!-- if !supportLists-->· <!--endif-->Book 7 Op. 85</p><p><!-- if !supportLists-->· <!--endif-->Likely not by Mendelssohn – these 3 do not appear in complete lists of Mendelssohn works</p><p><!-- if !supportLists-->o <!--endif-->Andante in F-sharp minor Fr. 1.50</p><p><!-- if !supportLists-->o <!--endif-->Allegro Vivace in E major</p><p><!-- if !supportLists-->o <!--endif-->"Barcarola" Allegro non troppo A major</p><p><!-- if !supportLists-->· <!--endif-->Scherzo in B minor WoO 2</p><p>Item number: #24169</p><p>Price: $499</p><p>MENDELSSOHN Felix</p><p><strong><em>Songs Without Words</em></strong></p><p>London: Chez J.A. Novello Bonn bei N. Simrock ca. 1870.</p><p><u>Details</u>: </p><p><!-- if !supportLists-->· <!--endif-->Collation: complete with all pages</p><p><!-- if !supportLists-->o <!--endif-->Each musical piece with separate pagination </p><p><!-- if !supportLists-->· <!--endif-->Language: German </p><p><!-- if !supportLists-->· <!--endif-->Binding: Leather; tight and secure</p><p><!-- if !supportLists-->· <!--endif-->Size: ~13in X 10in 33cm x 25cm</p><p>Our Guarantee:</p><p>Very Fast. Very Safe. Free Shipping Worldwide.</p><p>Customer satisfaction is our priority! Notify us with 7 days of receiving and we will offer a full refund without reservation!</p><p>24169</p><p>Photos available upon request. </p> J.A. Novello Bonn bei N. Simrock hardcover‎

Referenz des Buchhändlers : 24169

‎Mendelssohn, Felix‎

‎Songs Without Words Lieder Ohne Worte by Felix Mendelssohn for Solo Piano Opp.19b 30 38 53 62 67 85 & 102‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referenz des Buchhändlers : 1446517179.G ISBN : 1446517179 9781446517178

‎Mendelssohn, Sidney‎

‎South African bibliography 2 volumes‎

‎London : Holland Press 1969. 3. Hardcover. Good. Original gilt lettered brown cloth gilt lettered spine dust jacket 10081139 pages 4to.; Several tears in both dust jackets repaired with tape. London : Holland Press hardcover‎

Referenz des Buchhändlers : 407523-LI19