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Louis ARAGON
Les Poètes
Paris: Gallimard 1960. Fine. Gallimard Paris 1960 18.50 x 23.50 cm broché First edition one of 125 numbered copies on wove paper the only deluxe copies after 30 Holland. A crease mark on the back cover otherwise a handsome copy. Gallimard unknown
Referenz des Buchhändlers : 57183
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Louis ARAGON
Lettre autographe signée
Grandcamp-les-Bains Grandcamp-Maisy 1914. Fine. Grandcamp-les-Bains Grandcamp-Maisy s. d. ca 1914-1920 13.50 x 21 cm une page sur un feuillet remplié Autograph letter signed addressed to a correspondent whom we have not been able to identify. Written from the Grand Hôtel de Grandcamp-les-Bains Calvados in blue ink on a folded sheet of white paper. A transverse fold inherent to the posting of the letter and four small perforations affecting the text but not impeding its reading. The mention of Grandcamp-les-Bains - where Aragon seems to have been only once during the summer of his seventeenth year - and the signature - of an early form - lead us to think that the letter could have been written in the summer of 1914. Philippe Forest in his biography of Aragon confirms that it was indeed at Grandcamp-les-Bains where his family had rented fifty rooms in a large seaside hotel to accommodate family and friends that the future poet learned the news of mobilization. The handwriting less rounded than on manuscripts prior to the 1920s however seems to us later and we are therefore not in a position to confirm the date of 1914. unknown
Referenz des Buchhändlers : 75566
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Louis ARAGON - (Marceline DESBORDES-VALMORE)
Manuscrit original sur ""L'Atelier d'un peintre"" ""qui fait grincer les dents existentialistes""
1950. Fine. It has to be said that we are publishing here this masterpiece deliberately ignored by those who write literary history and which makes existentialist teeth grind or simply spoilt teeth as an example sure that it will not be in vain. s. d. circa 1950 21 x 30 cm une page sur un feuillet Autograph manuscript by Louis Aragon one page in blue ink on a leaf. Precious study by Louis Aragon accompanying the serial publication in Les Lettres Françaises of Marceline Desbordes-Valmore's novel L'Atelier d'un peintre 1833. Aragon rehabilitates the female poet-novelist canceled from the history of literature and snubbed by Existentialists placing her in the tradition of socialist realism. Autograph manuscript by Louis Aragon one page in blue ink on one leaf. Numerous crossed out words and rewritings. Slight rusting due to a paper clip slight shadows of an ink transfer from another page. Published in Les Lettres Françaises episode 16 23 February 1950. In 1949 Aragon chose to publish 'L'Atelier d'un peintre' serially with his own comments. The Cold War made socialist realism the official literary genre for Communist cultural policy: 'For Aragon reading Marceline Desbordes-Valmore is above all reading the history of a generation of a people. More precisely he made Marceline an incarnation of the unfinished Republic of a world still under construction and one that was tending towards freedom. To understand Marceline Aragon invites us to 'date her writings' and not be content to confine her to a single period of her life but to try to find an explanation for her stances which were as different as the regimes during the gestation of the Republic in the nineteenth century'. Aghbarian Lina 'Aragon éditeur de Marceline Desbordes-Valmore' Recherches croisées Aragon - Elsa Triolet no. 14. Of all his comments accompanying 'L'Atelier d'un peintre' this is one of his most polemical: Aragon opposes the Surrealists by contesting Lautréamont's distate of the Romantics with whom Desbordes-Valmore was associated. The writer criticizes the hasty rejection of her work which nevertheless has counterparts in modern literature: 'The Atelier that Aragon reopens with the publication of this novel to rework it to reveal it to give it a second life closer to his own concerns after having disentangled it from its time and emptied it of its Romantic religiosity to lay bare its richness which lies in the feminist cause defended by Marceline Desbordes-Valmore . . For her Ondine the literary character was a transposition of the missing child her son the son of Henri de Latouche her lover. Ondine is thus three times hybrid androgynous real and imaginary daughter and mother at the same time and Léonard her inverted double the one she would have liked to be in order to succeed in the forbidden world of painting. Aragon doubles androgyny with homosexuality as seen in Yorick's phrase 'Talma doubles my existence'. Among other allusions he refers to Henri Miller's Sexus an allusion is made about this work in this manuscript Aragon cultivates the theme of duality on which the whole novel is built. Without abandoning the imaginary world of the novel he seeks to bring out the realistic side of this romantic novel hidden in the shadow of the lyrical novel. In a word Aragon reverses the order of the foreground and background: the romanticism of Marceline Desbordes-Valmore's novel becomes secondary and the historical background takes precedence' ibid. 'We have now come to the night scene in the Place Vendôme which is one of the most intense the most beautiful minutes of the novel of the other century. I know that not everyone will agree. It's come to my attention that there are people who are superbly distracted from L'Atelier d'un peintre and find it wrong that we should publish a story in which there is absolutely nothing of what THEY are looking for in novels and it's possible that those who c unknown
Referenz des Buchhändlers : 87220
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Louis ARAGON
Mes caravanes
Paris: Seghers 1954. Fine. Seghers Paris 1954 14.50 x 19 cm broché First edition one of 40 numbered copies on Hollande the only large paper copies. A good copy. Seghers unknown
Referenz des Buchhändlers : 45570
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Louis ARAGON - Alain BORNE - Pierre EMMANUEL
Poésie 43 N°XII
Paris: Seghers 1943. Fine. Seghers Paris 1943 17 x 21.50 cm broché First edition one of the few copies reset and with large margins. Minor corner losses to boards some foxing on certain deckled edges. Contributions by Louis Aragon: ""Domaine privé"" Paul Gilson: ""Quatre poèmes"" Pierre Emmanuel: ""Sodome enfin quittée"" Alain Borne ""Roi fragment"" Elsa Triolet: ""Un livre de Raymond Queneau Pierrot mon ami"". Seghers hardcover
Referenz des Buchhändlers : 79378
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Louis ARAGON
Servitude et grandeur des français
Paris: La Bibliothèque Française 1945. Fine. La Bibliothèque Française Paris 1945 14.50 x 21 cm broché First edition one of 535 numbered copies the only deluxe copies. Spine slightly sunned small marginal tears to boards a full-margined copy. La Bibliothèque Française hardcover
Referenz des Buchhändlers : 83581
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Louis ARAGON
Servitude et grandeur des français
Paris: La Bibliothèque Française 1945. Fine. La Bibliothèque Française Paris 1945 14.50 x 21 cm broché First edition one of 535 numbered copies the only large paper copies. A very good copy with good margins. La Bibliothèque Française unknown
Referenz des Buchhändlers : 16146
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Louis ARAGON
Théâtre / Roman
Paris: Gallimard 1974. Fine. Gallimard Paris 1974 15 x 22 cm broché First edition one of 55 numbered copies on Holland paper deluxe copy. A very handsome copy. Gallimard unknown
Referenz des Buchhändlers : 85125
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Louis ARAGON - (Willy RONIS)
Une séance photo avec Willy Ronis Original autograph manuscript
1948. Fine. ""Nose in the air arms flying with nonchalance with joy as Willy Ronis says. black shoes a large hat a wasp waist skirt in the wind and not the slightest idea what all this could be for but all the sunshine of late April in the veil. and like Paris absurdly inimitable."" s. d. avril 1948 21 x 30 cm 4 pages sur 4 feuillets Exceptional complete autograph manuscript by Louis Aragon. 4 pages in pencil on 4 leaves numbered in his hand. Discrete trace of rust discharge on the first leaf and on the verso of the last. Horizontal fold across all leaves. The article would be published under the title ""L'Art de prendre une photo pour Les Lettres Françaises"" Regards May 14 1948. Aragon accompanies the great Willy Ronis during a photographic session for a fashion portrait for Les Lettres Françaises. Following in Ronis's footsteps as he directs his spinning model the writer takes us through four pages across an enchanting Paris where popular life and worldly elegance intermingle. ""The aim was to illustrate Le Nez au vent by Louis Chéronnet. The column's theme was: The Elegance of Paris is moving westward and more specifically focused on avenue Montaigne"" begins Aragon in his chronicle. For the duration of a day the writer documents with fascination the photographer's work in one of his favorite settings: the streets of Paris. Several tableaux unfold in succession in the Montorgueil quarter at the milliner's in Ronis's studio on avenue Montaigne at the Théâtre des Champs-Elysées. The key word for both Aragon and Ronis is movement. Photography is not static nor are Aragon's impressions. We jump like the model in the photographer's shots from one place to another. The portrait of the elegant woman expands under the writer's pen to her surroundings to the bubbling life of Paris that stops for an instant to contemplate the model's silhouette animated by the photographer's instructions. Sixty years later Ronis would remember that memorable day: ""Aragon had a very beautiful regard for photography. He knew what an image was. Elsa too. He had me work when he founded and directed Les Lettres françaises. I did several reports for him. The first small report was in 1947 or 48 a report on fashion on avenue Montaigne. Aragon came with me we had chosen a model. I was a bit intimidated by Aragon it was my first contact with him. I wanted to get the maximum from my model I was working very hard because I was nervous. Seeing me work amused him so much that he didn't write the report about the model but about me working. I had seen him quite many times afterward we used the familiar form with each other."" Willy Ronis interview in Libération September 14 2009 Their militant paths crossed on numerous occasions - Ronis contributed through his photographs to witness the social revolts that shook the 1930s while Aragon devoted many articles to them. In 1949 the photographer would follow the commemorative day of the Oradour-sur-Glane tragedy in which nearly 400 artists participated at Aragon's initiative. He would also be the author of beautiful portraits of the Aragon-Triolet couple. Excerpts from the manuscript: Willy Ronis had arranged to meet me at 10:30 at the corner of rue Tiquetonne and rue Montorgueil. Apparently he was photographing athletes there. Ah! it was that restaurant where in the past we used to go eat with Vaillant-Couturier and there were Action Française types who would shoot daggers at us with their eyes. Instead of athletes Willy was there in his velvet jacket with his spectacles taking shots left and right at the counter of a couple of lovers. Sweet the lovers. The little one especially. Perhaps it's a sport. . There is nothing more solemn than Caroline Reboux. It is the temple of hats. If he lived in our times this is where Aristotle would write. Caroline Reboux herself made the bonnets for Nana and Eugénie de Montijo; at her place Bel-Ami would twist h unknown
Referenz des Buchhändlers : 87239
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Louis ARRAOU
Pomponius le dernier des chevaliers
Paris: Plon 1919. Fine. Plon Paris 1919 13 x 19.50 cm relié First edition one of 50 numbered copies on pur fil paper the only deluxe copies. Half turquoise morocco with corners smooth spine faded decorated with a gilt cartouche enhanced with gilt floral motif double gilt fillet frames on marbled paper boards marbled endpapers and pastedowns original wrappers preserved top edge gilt. Precious signed autograph inscription from Louis Arraou to Louis Loucheur. Rare minor worming affecting mainly the endpapers. Handsome full-margined copy attractively bound. Plon hardcover
Referenz des Buchhändlers : 40389
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Louis ASTRUC
Traité des peines des secondes noces
à Galembrun Toulouse Toulouse: Chez Henry Vaugeth I. E. Henault 1752. Fine. Chez Henry Vaugeth I. E. Henault à Galembrun Toulouse Toulouse 1752 8 x 14.50 cm relié Second edition after the 1750 first edition. Edition similar to the first indistinguishable from it without statement. No privilege or imprint. Uncommon. Edition printed in Toulouse. Contemporary full marbled sheep binding. Jansenist spine with raised bands. Headcap partly torn away. One joint rubbed. Corners bumped. One wormhole to title label. Legal study and work on second marriages both of widows and widowers particularly during or after imposed mourning and especially regarding children from a first marriage in civil code and customary law. Louis Astruc was a lawyer and professor of law in Toulouse. Interesting work which demonstrates the close relationship between laws and customs. A stamp from a religious library in the margin of the title page difficult to read. NB: This work is available at the bookshop on request within 48 hours. Chez Henry Vaugeth[ I. E. Henault] hardcover
Referenz des Buchhändlers : 21437
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Louis Athanase des Balbes de Berton de CRILLON
Mémoires philosophiques du Baron de
A VienneEt se trouve Vienna à Paris: Chez Berton 1777. Fine. Chez Berton A VienneEt se trouve Vienna à Paris 1777 - 1778 12.50 x 19.50 cm 2 volumes reliés First edition illustrated with a frontispiece and 3 fine hors-texte figures engraved in aquatint including a view of the interior of the famous philosophers' café the Procope in Paris. The edition of the second volume being from the following year it often happens that one finds only the first volume. Full marbled brown calf bindings. Smooth decorated spines. Red morocco title labels tawny morocco volume labels. Lacks at head of volume I. 2 corners bumped. Marbled edges. The first leaves of volume I are printed on strong paper the following on laid paper. Fine copy. Red bookplate G.H. Manuscript ownership inscription: Tillier this 7th November 1792. Apocryphal memoirs. Under a novelistic form in which a German baron enamored with philosophy and in love with philosophers finds himself in Paris critique of philosophers and in particular of d'Holbach's materialist doctrine. In reaction to the materialist philosophers Crillon had already published L'homme moral. Through a lively narrative placed under the auspices of common sense the author stages the sect of philosophers by mocking them under skillful conversations the effect is all the more effective as it appears only to the reader the narrator being only a naive person desperate for philosophy and philosophers his incomprehension and dismay masking the criticism of solidarity philosophers acting according to principles atheism materialism rather than through philosophy. The second volume is placed under different auspices the narrator prey to doubt questions himself and monologues on all that he has heard he meets a wise old man who will answer his interrogations on human nature truth etc. This work in the mass of anti-philosophical writings is noteworthy because it does not fall like so many others into a frontal and theoretical criticism it stages a simple man prey to his doubts confronted with the dogmas of materialist philosophers. Chez Berton unknown
Referenz des Buchhändlers : 65238
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Louis AUBERY
Memoires pour servir à l'histoire de Hollande et des autres provinces unies. Où l'on verra les veritables causes des duvisions qui sonr depuis soixante ans dans cette république & qui la menacent de ruine
A Paris: Chez Jean Vilette 1680. Fine. Chez Jean Vilette A Paris 1680 9 x 16.50 cm relié First edition scarce. Contemporary rigid full vellum binding. Smooth Jansenist spine. Brown sheep title label with small lacks. Stains. Good copy. Bookplate with flourished monogram Château de Rosny with the motto: La solitude. This is from the library of the Duchess of Berry. The most famous work by the lord of Maurier these memoirs which also evoke France's foreign policy notably Protestant and which form a classic of the history of the Netherlands in the 16th and 17th centuries consists of eight different parts: Maurice De Nassau Henri Frederic Jean Barnevelt François Aerssens Hugo Grotius Louise de Coligny. On the endleaf before the title 19th-century manuscript writing on the author's life. Chez Jean Vilette hardcover
Referenz des Buchhändlers : 65657
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Louis AUDIAT
La Terreur en Bourbonnais : les victimes. II : Moulins & Lyon. Volume 2 seul
Moulins: André Paris 1893. Fine. André Paris Moulins 1893 13.50 x 21.50 cm relié First edition. Half fawn sheep binding spine with four raised bands navy sheep title label red sheep author label marbled paper boards. Handsome copy. André Paris hardcover
Referenz des Buchhändlers : 35484
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Louis Augustin VAYSSIERE - Ferdinand CLAUDON
Inventaire sommaire des archives historiques de la ville de Vichy ville et hospice
Vichy: C. Bougarel 1896. Fine. C. Bougarel Vichy 1896 25.50 x 32.50 cm broché First edition under reissue cover dated 1898. Preface by A. Mallat. Split spine with lack at head small corner lacks to boards some light foxing. Rare. C. Bougarel hardcover
Referenz des Buchhändlers : 35480
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Louis BALL
Premiers rêves
Paris: Alphonse Lemerre 1931. Fine. Alphonse Lemerre Paris 1931 12.50 x 18.50 cm broché First edition. Autograph signed by Louis Ball to Monsieur Carvalho. Our copy is enriched by an autograph letter dated and signed a page of Louis Ball addressed to Mr. Carvalho thanking him for his benevolent criticism of one of his books. Nice copy. Alphonse Lemerre unknown
Referenz des Buchhändlers : 61237
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Louis BARA
La science de la paix programme
Bruxelles Brussels & Lausanne: C. MuquardtBlanc ImerLebet 1872. Fine. C. Muquardt Blanc Imer Lebet Bruxelles Brussels & Lausanne 1872 16.50 x 25 cm broché First edition. Spine and boards with unskillful marginal restorations using adhesive corner lacks to boards handsome interior condition free from foxing. C. MuquardtBlanc ImerLebet hardcover
Referenz des Buchhändlers : 17371
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Louis BARBAY
Histoire de la télégraphie à Argentan
Alençon: Imp. Alençonnaise 1919. Fine. Imp. Alençonnaise Alençon 1919 16.50 x 25.50 cm broché First edition. Two slight tears with tiny lacks at head and foot of spine a small tear without lack at foot of front cover. Rare. Imp. Alençonnaise unknown
Referenz des Buchhändlers : 34396
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Louis BARRON
La Garonne
Paris: Henri Laurens 1890. Fine. Henri Laurens Paris s. d. 1890 17 x 24 cm relié Edition illustrated with 134 drawings by A. Chapon. Bradel binding in full brick-colored cloth smooth spine decorated with double fillets and black typographical fleurons gilt-tooled with the motto of the French Republic and the arms of the city of Paris on the front board a school prize book from the Parisian Chaptal college. Handsome copy abundantly illustrated. Henri Laurens hardcover
Referenz des Buchhändlers : 2324
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Louis BARRON
Les environs de Paris
Paris: Maison Quantin 1890. Fine. Maison Quantin Paris s. d. circa 1890 22 x 30.50 cm relié Illustrated edition with 500 nature drawings by Georges Fraipont. Half navy blue shagreen binding with corners spine with five raised bands showing very light traces of rubbing of no concern marbled paper boards marbled endpapers and pastedowns contemporary binding. Handsome copy complete with its colored map. Maison Quantin hardcover
Referenz des Buchhändlers : 38131
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Louis BARTHOU
L'action syndicale
Paris: A. Rousseau 1904. Fine. A. Rousseau Paris 1904 12 x 19 cm broché First edition one of the rare copies on China paper of which no mention is made. Split spine with a small lack at foot handsome interior condition without foxing. A. Rousseau unknown
Referenz des Buchhändlers : 14718
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Louis BASTIDE
Une ville d'eaux japonaise. Kusatsu
Paris: La Revue des deux mondes 1885. Fine. La Revue des deux mondes Paris 1885 15.50 x 25 cm agrafé Excerpt from the Revue des deux mondes. First edition. In plain wrappers. Rare. La Revue des deux mondes unknown
Referenz des Buchhändlers : 20083
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Louis BATISSIER
Histoire de l'art monumental dans l'Antiquité et au Moyen-Age suivie d'un traité de la peinture sur verre
Paris: Furne & Cie 1860. Fine. Furne & Cie Paris 1860 17 x 27 cm relié Second edition with some parts in first edition as it was revised. Half mint green sheep binding spine with four raised bands decorated with double blind-stamped compartments marbled paper boards marbled endpapers and pastedowns. Work abundantly illustrated with numerous wood-engraved vignettes as well as 4 hand-colored lithographic plates by Hauger after Lasteyrie showing stained glass windows for the treatise on glass painting. Handsome copy. Furne & Cie hardcover
Referenz des Buchhändlers : 38234
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Louis BATISSIER
L'art monumental dans l'Antiquité et au Moyen Age suivi d'un traité sur la peinture sur verre
Paris: Furne & Cie 1840. Fine. Furne & Cie Paris 1840 18 x 28 cm relié Second edition with some parts in first edition as entirely revised by the author. Half navy blue morocco binding spine with five raised bands showing minor rubbing marbled paper boards marbled endpapers and pastedowns. Work illustrated with numerous engravings in the text as well as 4 chromolithographs hors-texte. Some foxing affecting almost exclusively the tissue guards of the chromolithographs. Furne & Cie hardcover
Referenz des Buchhändlers : 36424
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Louis BEAUGE
Organisation militaire de la France extrait du manuel de législation et d'administration militaires
Paris: L. Baudoin & Cie 1886. Fine. L. Baudoin & Cie Paris 1886 12.50 x 19 cm broché First edition. A small loss at the foot of the spine a stain on the front cover a corner loss on the final endpaper. L. Baudoin & Cie unknown
Referenz des Buchhändlers : 10905
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Louis BELIN DE LA FUYE
L'infortunée sicilienne histoire et aventures galantes et tragiques d'Adelaide de Messine: Nouvelle édition ornée de figures en taille-douce
à Paris: Chez Cailleau 1768. Fine. Chez Cailleau à Paris 1768 10 x 17 cm relié The first edition dates from 1722 it was illustrated with 4 figures. This new edition is illustrated with 5 unsigned figures taken from the original. All editions of this novel appear uncommon. The title page does not contain the author's name. The fashion for exotic stories added a first title which is not found in other editions and which could cause this work to be confused with that of Claude-François Lambert: L'infortunée sicilienne ou mémoires et aventures de la comtesse Carini 1743. Not in Cohen Livres à fig. XVIIIe. Contemporary full blonde calf binding. Smooth decorated spine. Red morocco title label and brown calf volume label. Pleasant copy. The novel begins with a brief history of Sicily which places its destiny under the sign of tragedy. Sicily is dominated by Spain when this story of multiple adventures begins and whose model is still to be sought in Heliodorus and the Greek novels. Chez Cailleau unknown
Referenz des Buchhändlers : 21005
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LOUIS BERDEN, LOUIS de SADELEER
PICTURES OF RUINED BELGIUM VISIONS DE LA BELGIQUE DETRUITE 72 PEN AND INK SKETCHES DRAWN ON THE SPOT - With NINE 9 EPHEMERAL ITEMS INCLUDING HANDWRITTEN LETTERS POSTCARDS AND LETTER COPIES
Belgium. Good. 1918. Original Cloth. On offer is a super archive of one 1 published book being a bilingual English and French 2nd edition 'Pictures of Ruined Belgium' by Louis Berden a relic of war-ravaged Belgium with a tipped in handwritten note dated 1918 and an official calling card affixed to the front free endpaper as well as some correspondence 9 pieces in total tucked in loosely. The illustrated book appears to be a gift addressed to Maria D. Norris signed by Louis de Sadeleer Minister of State Senator Former President of the House of Representatives Member of the Special Mission sent to the President of the United States by His Majesty the King of the Belgians. Included is a handwritten letter on official stationery from de Sadeleer to Miss Norris dated July 6 1917 in French; a note to Miss Norris Bristol RI describing de Sadeleer's experience with other ministers telling the King about the Germans nearing Brussels in August 1914 in English and French; a postcard dated 1919 and several carbon copies of typed letters to and from de Sadeleer with Woodrow Wilson Mrs. Woodrow Wilson Theodore Roosevelt John Cardinal Farley S. M. Goor mostly dealing with the sad news and greetings regarding the death of de Sadeleer's son in the war. The book a light rust colored cloth lettered in black uncut edges 245 pages plus plates is rubbed at the edges front hinge lightly cracked but structurally sound text block sound endpapers foxed plates very good pages age-toned and a little brittle. Overall G. The ephemeral items are all VG. ; 4to - over 9¾" - 12" tall; KEYWORDS: HISTORY OF LOUIS MARIE JOSEPH DE SADELEER BELGIUM LOW COUNTRIES BELGE VISIONS DE LA BELGIQUE DETRUITE ALBERT I CHARLES DE BROQUEVILLE LOUIS DE SADELEER HANDWRITTEN MANUSCRIPT DOCUMENT LETTER AUTOGRAPH DIARY JOURNAL LOG KEEPSAKE WRITER HAND WRITTEN DOCUMENTS SIGNED LETTERS MANUSCRIPTS HISTORICAL HOLOGRAPH WRITERS HANDSCHRIFT HANDGESCHRIEBEN MANUSKRIPT HANDSCHRIFTLICH UNIKAT EINZELSTÜCK DOKUMENT SCHRIFTSTÜCK KURRENT KURRENTSCHRIFT DEUTSCHE SCHREIBSCHRIFT OSTPREUßEN KALININGRAD ADEL DIARIES JOURNALS LOGS AUTOGRAPHS PERSONAL MEMOIR MEMORIAL PERSONAL HISTORY ANTIQUITÉ CONTRAT VÉLIN DOCUMENT MANUSCRIT PAPIER ANTIKE BRIEF PERGAMENT DOKUMENT MANUSKRIPT PAPIER OGGETTO D'ANTIQUARIATO ATTO VELINA DOCUMENTO MANOSCRITTO CARTA ANTIGÜEDAD HECHO VITELA DOCUMENTO MANUSCRITO PAPEL . hardcover
Referenz des Buchhändlers : 0001686
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Louis BERGEN LE PLAY - Pierre MAC ORLAN
Dans le sillage des drakkars
Paris: Les Editions du Scorpion 1963. Fine. Les Editions du Scorpion Paris 1963 14 x 19 cm broché First edition on ordinary paper. Autograph inscription dated and signed by the author to Lucien Mettai: "". ces histoires de nos turbulents ancêtres les vikings. / Hommage d'un gars de la côte salée."" "". these stories of our turbulent ancestors the Vikings. / Tribute from a guy from the salt coast."" Preface by Pierre Mac Orlan. Illustrated cover after a vignette by Gustave Alaux. A fold mark along the entire length of the front cover. Les Editions du Scorpion unknown
Referenz des Buchhändlers : 45228
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Louis BERGASSE
Un philosophe lyonnais : Nicolas Bergasse essai de philosophie chrétienne sous le Premier Empire - In le supplément de 'Le Van' N°203
Lyon: Le Van 1938. Fine. Le Van Lyon Avril-Juin 1938 12.50 x 19 cm broché First edition printed in a small number of copies of this offprint. Spine sunned and warped otherwise handsome copy. Le Van unknown
Referenz des Buchhändlers : 14934
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Louis BERNARD
Néliska épopée nationale russe
Paris: F. Didot 1882. Fine. F. Didot Paris 1882 16.50 x 25.50 cm broché First edition. Spine clumsily restored with tape repair copy almost entirely free from foxing. Rare. F. Didot unknown
Referenz des Buchhändlers : 11408
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Louis BERTRAND
Le sens de l'ennemi
Paris: Arthème Fayard 1917. Fine. Arthème Fayard Paris 1917 1211.50 x 19 cm Relié First edition after 10 Japan and 30 Holland copies. Contemporary half brown calf. Rubbing. NB: This work is available at the bookshop on request within 48 hours. Arthème Fayard unknown
Referenz des Buchhändlers : 26213
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Louis BERTRAND
Philippe II contre Antonio Perez
Monaco: Sté. des Conférences 1929. Fine. Sté. des Conférences Monaco 1929 14 x 22.50 cm broché First edition printed in a numbered edition of 100 copies on laid paper. Rare and handsome copy. Sté. des Conférences unknown
Referenz des Buchhändlers : 25599
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Louis BERTRAND
Vers Cyrène terre d'Apollon
Paris: A. Fayard & Cie 1935. Fine. A. Fayard & Cie Paris 1935 19.50 x 21 cm broché First edition one of 35 numbered copies on Holland paper deluxe copies with 10 on Japan. Fine full-margined copy. A. Fayard & Cie unknown
Referenz des Buchhändlers : 20242
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Louis BLERIOT
La gloire des ailes The Glory of Wings
Paris: Les éditions de France 1927. Fine. Les éditions de France Paris 1927 11.50 x 18.50 cm relié First edition with no mention of deluxe copies. Half dark green sheep binding with corners spine with four raised bands marbled paper boards endpapers and pastedowns modest contemporary binding. Rare autograph inscription signed by Louis Blériot one of the most famous pioneer aviators to Monsieur Devout. On July 25 1909 aboard the Blériot XI his latest prototype he flew from Calais to Dover in 37 minutes and thus became the first man to cross the English Channel by air. Les éditions de France hardcover
Referenz des Buchhändlers : 85330
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Louis BLOMBED - GRENEST
L'Armée de l'est. Relation anecdotique de la guerre de 1870-71 d'après de nombreux témoignages oculaires et de nouveaux documents - Volume I seul.
Paris: Garnier frères 1895. Fine. Garnier frères Paris 1895 13.50 x 22 cm reliure de l'éditeur First edition of the first volume only dealing with the year 1870. Publisher's Bradel binding in full brown cloth smooth spine decorated with richly decorated gilt compartments front board illustrated with a war scene frame of interlacing and burgundy mandorla on the second board which also bears the gilt mention ""Lycée de jeunes filles. Le Puy"" surrounded by a gilt laurel leaf all edges gilt. Work illustrated with drawings by Louis Blombed. Prize book label pasted on a pastedown. Handsome copy presented in illustrated boards of great freshness. Garnier frères hardcover
Referenz des Buchhändlers : 46589
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Louis BLOMBED - Alphonse ALLAIS - COLLECTIF
Le Chat noir N°246 de la cinquième année du samedi 25 Septembre 1886
Paris: Au cabaret Le Chat noir 1886. Fine. Au cabaret Le Chat noir Paris 1886 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. The issue consists of 4 pages and is illustrated with a comic strip by Louis Blombed: ""Un coup de roulis"". Literary contributions by Alphonse Allais ""La mère"" Rodolphe Salis Victor Meusy Albert Tinchant ""Passe-temps"". Handsome copy. Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the purpose of promoting the famous cabaret of the same name of which it serves as a record. It published the texts recited during the performances. It is moreover an important literary and artistic testimony of the end of the 19th century centered around bohemia and the Parisian effervescence characteristic of that era. Au cabaret Le Chat noir unknown
Referenz des Buchhändlers : 81927
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Louis BONALD
Recherches philosophiques sur les premiers objets des connoissances morales
Paris: A. Le Clere 1818. Fine. A. Le Clere Paris 1818 13 x 20.50 cm 2 volumes reliés First edition. Contemporary alf long-grained red morocco with gilt and blindstamped typographic devices and double gilt fillets marbled edges slight nicks to the edges. A. Le Clere unknown
Referenz des Buchhändlers : 18000
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Louis BORGEX - (Jean RICHEPIN)
"Les sardinières"" - Lithographie originale sur Japon - L'Estampe Moderne
Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Novembre 1898 25 x 32 cm une feuille et une serpente Rare original color lithograph executed by Louis Borgex for L'Estampe Moderne series number 19 published in November 1898. One of 50 deluxe proofs printed on Japan paper with wide margins artist's signature and date in the plate publisher's dry stamp representing a child's profile in the lower margin numbered stamp from the deluxe edition on verso; print preceded by a tissue guard with the artist's name title and an excerpt from a work. Lithograph inspired by verses extracted from the collection La Mer by Jean Richepin reproduced on the print's tissue guard. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specifically by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each delivery of four prints was issued in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on the most prestigious of papers: Japan. Thick silky satin and pearlescent it contributes to making each page a work in its own right. Its ink absorption quality and affinity with colors also make it the ideal support for these very fine lithographs. French collectors' interest in artistic posters grew in the early 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral medium became precious and devoted to preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
Referenz des Buchhändlers : 74601
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Louis BORGEX - (Jean RICHEPIN)
"Les sardinières"" - Lithographie originale sur Chine - L'Estampe Moderne
Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Novembre 1898 25 x 32 cm une feuille Rare original lithograph executed by Louis Borgex for L'Estampe Moderne series number 19 published in November 1898. One of 50 deluxe proofs printed on China paper with wide margins artist's signature and date in the plate publisher's blind stamp representing a child's profile in lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe edition on verso pale marginal foxing. Lithograph inspired by verses extracted from the collection La Mer by Jean Richepin. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was published in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too insubstantial owes its reputation not to its own beauty but indeed to its particular affinities with printing ink. Its texture smooth and soft together is more suited than any other to receive a beautiful impression. This property makes China paper sought after for printing engravings."" Anatole France. French collectors' interest in artistic posters grew in the early 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral support became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
Referenz des Buchhändlers : 74602
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Louis BORGEX
L'Estampe Moderne. Les sardinières. Lithographie Originale
Paris: L'Estampe ModerneImprimerie Champenoispour CH. Masson & H. Piazza 1899. Fine. L'Estampe Moderne Imprimerie Champenois pour CH. Masson & H. Piazza Paris 1899 30 x 40 cm une feuille Original color lithograph executed specially by the artist for l'Estampe Moderne. Proof printed on strong laid paper protected by a printed tissue guard publisher's dry stamp in lower margin. Artist's signature in the plate. Handsome copy. Lithograph inspired by ""La Mer"" by Jean Richepin an extract of which is reproduced on the print's tissue guard. Published by Ch. Masson and H. Piazza the two years of l'Estampe Moderne constitute one of the finest lithographic achievements of the period. Each print is an original work created specially for the review by the greatest French and foreign artists representing Symbolist Art Nouveau Orientalist and ""Belle Epoque"" movements. L'Estampe ModerneImprimerie Champenoispour CH. Masson & H. Piazza unknown
Referenz des Buchhändlers : 37763
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Louis BOUILHET
L'oncle Million comédie en cinq actes et en vers
Paris: A. Delahays 1861. Fine. A. Delahays Paris 1861 12 x 19 cm broché First edition. A slight tear at the head of the spine a tear at the foot some foxing. A. Delahays unknown
Referenz des Buchhändlers : 9948
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Louis BOUQUET - Blaise PASCAL
Le mystère de Jésus
Paris: Editions de la Sirène 1918. Fine. Editions de la Sirène Paris 1918 26 x 33.50 cm en feuilles sous chemise Edition illustrated with 17 original woodcuts by Louis Bouquet one of 15 lettered copies on old Japan paper deluxe copy. Our copy like all copies of the deluxe issue on old Japan paper and as stipulated in the justification page is complete with its duplicate suite printed in bistre on China paper and signed by Louis Bouquet. Some very light foxing of no consequence. Rare. Editions de la Sirène unknown
Referenz des Buchhändlers : 47249
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Louis BOUQUET - Blaise PASCAL
Le mystère de Jésus
Paris: Editions de la Sirène 1918. Fine. Editions de la Sirène Paris 1918 26 x 33.50 cm en feuilles sous chemise Edition illustrated with 17 original wood Louis Bouquet one of the 15 best scholars of old Japan in the tank not ours scholar head of draw. Signature Louis Bouquet to the justification of the draw. Our copy as all copies of old Japan on head and pulling as he stipulated to the justification of the draw is full of his suite printed in sepia on China and signed by Louis Bouquet. In addition our copy is enhanced with a suite wood signed by Louis Bouquet and printed in sepia on wove without adhesive usually accompanying the 20 numbered copies on Imperial Japan. Some very light bites are not serious back of the slotted Length shirt indications bibliophile pen topped the first board of the shirt. Note that the shirt bears a different title and name of the author; namely Combet-Descombes ""Images for Baudelaire"" all the striped in blue pencil. Rare. Editions de la Sirène unknown
Referenz des Buchhändlers : 52937
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Louis BOURDALOUE
Sermons pour tous les jours du careme
à Paris: Chez la veuve Marbre Cramoisy 1692. Fine. Chez la veuve Marbre Cramoisy à Paris 1692 7.50 x 13.80 cm relié First edition. Full aubergine morocco binding late 19th century signed by Chambrolle-Duru. Jansenist spine with raised bands. Rich decorative gilt board-edges. All edges gilt. Spine uniformly faded to dark green. A handsome copy nevertheless. Sermons by one who was considered the greatest preacher of his time. The sermons went through many editions and were widely read in the 19th century. Chez la veuve Marbre Cramoisy hardcover
Referenz des Buchhändlers : 49902
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Louis BOUTEILLIER
Notice nécrologique sur M. Antoine-François Passy membre de l'Institut de France
Paris: Imprimerie Léon Deshays 1875. Fine. Imprimerie Léon Deshays Paris 1875 14 x 22.50 cm broché First edition. A rare and good copy. Imprimerie Léon Deshays unknown
Referenz des Buchhändlers : 54045
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Louis BRIDIER
Une famille française : Les De Lesseps
Paris: Albert Fontemoing 1899. Fine. Albert Fontemoing Paris 1899 14.50 x 23 cm broché First edition. Spine very slightly sunned with two minute tears at head and foot of one joint handsome copy. Rare. Albert Fontemoing unknown
Referenz des Buchhändlers : 35492
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Louis BULOZ
Lissa. Extrait de la Revue des Deux Mondes
s. l. Paris: Extrait de La Revue des deux mondes 1866. Fine. Extrait de La Revue des deux mondes s. l. Paris s. d. 1866 15.50 x 25 cm agrafé First edition. Plain paper cover. Rare. Extrait de La Revue des deux mondes unknown
Referenz des Buchhändlers : 14476
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Louis CABAT
"j'irai vous voir dès que le temps sera plus doux"" Signed Business Card
1889. Fine. 10 janvier 1889 10.30 x 6.30 cm une carte de visite Autograph signed visiting card from landscape painter Louis Cabat member of the Barbizon School and the Institut. ""Cher ami bien des regrets de ne pas vous avoir vu hier veuillez agréer mes voeux les plus affectueux à l'occasion de la nouvelle année j'irai vous voir dès que le temps sera plus doux . L.C"" ""Dear friend much regret at not having seen you yesterday please accept my most affectionate wishes for the new year I will come to see you as soon as the weather is milder . L.C"" unknown
Referenz des Buchhändlers : 71845
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Louis CABAT
"je connais tout l'or et les diamants de votre coeur"" Signed autograph letter
Paris 1847. Fine. Paris 21 mars 1847 13.50 x 21 cm une feuille rempliée Autograph letter signed by the painter Louis Cabat French landscape painter and engraver of the Barbizon School. One folded sheet The painter solicits the help of a benefactress for an artists' lottery for the ""father of a very distinguished artist who died a few years ago"". unknown
Referenz des Buchhändlers : 71901
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Louis CABAT
"Parmi les nombreux refus du jury j'ai l'honneur de vous signaler une nouvelle injustice"" Autograph letter signed against the Salon
Paris 1847. Fine. Paris s. d. 11.90 x 18.50 cm une feuille rempliée Signed autograph letter from painter Louis Cabat French landscape painter and engraver of the Barbizon School. One folded sheet The painter solicits a member of the Salon jury on behalf of a young artist Emile Loncle a ""jeune débutant plein d'avenir a présenté cette année un charmant paysage que des artistes distingués ont su apprécier et je serais heureux monsieur que vous voulussiez bien vous-même juger de la valeur du tableau"" ""promising young beginner who has presented this year a charming landscape that distinguished artists have been able to appreciate and I would be happy sir if you would kindly judge the value of the painting yourself"". unknown
Referenz des Buchhändlers : 71902
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